Podcast appearances and mentions of robin william

Demi Lovato is married! And she looked gorgeous! Chrissy Teigen has the biggest forehead ever - but not for long. Billy Joel cancels his tour due to major health concerns. You'll never guess the unlikely fuel behind Robin William's ‘Popeye' movie. “Cheap” humanoid robots to do your dishes are here. Plus, the gang learns about toxic positivity while tripping over big lips.

BottleRock recap: Did Benson Boone outshine Justin Timberlake? Lilo & Stitch Vs. Tom Cruise: The winner is in. Vinnie is turning into the old man neighbor he used to bother. Brittany Spears is living her best life… hopefully. Chrissy Teigen has the biggest forehead ever - not for long. Billy Joel cancels his tour due to major health concerns. You'll never guess the unlikely fuel behind Robin William's ‘Popeye' movie. “Cheap” humanoid robots to do your dishes are here. Plus, the gang learns about toxic positivity while tripping over big lips, and Benson Boone did his biggest flip yet at the AMAs.

We discuss Eddie Murphy's RAW, MONTY PYTON AT THE HOLLYWOOD BOWL, Andrew Dice Clay's DICE RULES and Robin William's LIVE ON BROADWAY. Send us stuff like zines, movie related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us).

This week, Emily Murphy joins us for The Twilight Saga: New Moon. It's like the first movie, but with werewolves. What's Robin William‘s Big problem? Will the real Mark Wahlberg please stand up? Are you ready for Jim's Oliver Reed story? “Where are your knives?” - Emily Murphy To stay up-to-date with Emily's future improv instruction, performances and general life happenings follow them on Instagram @emryanmurphy. We also encourage you to go see Emily's improv team, @6_different_people performing in the Philadelphia area. Follow them too! The song Kai talks about in the episode: Date With Yolanda by Rio BravoGo to linktr.ee/rottentreasure to listen, like, follow, rate and review. It really helps the show! You can also support the podcast to gain early access to episodes, promotional opportunities and even get extra franchise rank and review episodes. Who knows?! The tier system. That's who. Visit patreon.com/rottentreasure to learn more!

Can you believe we are week into 2025 already, Pixie Dusters? To help ease you into the new year, your favorite hosts are spending the month talking about iconic Robin Williams films. First up, "Aladdin" and "Aladdin and the King of Thieves!" Sammi has a long list of Robin William impressions featured in the movies, how he was asked to do the movies in the first place, and why he was absent from the second film.Follow your new Disney besties on Instagram @pixiedusttwinspodcast and on TikTok @pixiedusttwinspodcastFollow Dan, honorary third host of the "Pixie Dust Twins" Podcast, and King of the Manifestos: @Dantaastic on Instagram and YouTubeHave ideas for the show? Want to be a guest? Send them a message on Instagram!Rant Radio is LIVE! Call 844-857-7268 and leave your rant today. Check out LimitlessBroadcastingNetwork.com for all of our podcasts, subscriptions, and to pick up some awesome merch!

Vinnie and Ryan talk AEW All In, WWE Bash In Berlin, Hulk Hogan, Vince McMahon, Vince Russo killing WCW, the start of the NFL season, MLB, Robin William, Eddie Murphy, Dan Akroyd, Free Floating Hostility, Goodfellas trivia and more --- Support this podcast: https://podcasters.spotify.com/pod/show/frontfacelockpodcast/support

Sign up for free access to Karat Insights: https://link.trykarat.com/yt-insights  @realadamrose  never had a normal life - from playing Robin William's son at just 9yrs old, starring in an Oscar nominated film, to going viral during the pandemic and landing a Fortnite brand deal. Today Adam talks about the secret to gaining 150 MILLION views monthly online and how he's returning to Hollywood to produce his first film. ------------ Follow Karat at https://www.instagram.com/trykarat/ Now available on Spotify https://open.spotify.com/episode/ Follow Eric Wei at https://www.instagram.com/erictway/ Follow Adam Rose at https://www.instagram.com/realadamrose/  @realadamrose  -------------- 0:00 - Intro 1:14 - Why he started using a FAKE name 2:21 - His childhood struggle with disease 4:55 - He Co-Starred with WHAT actor? 6:23 - He recently sold his OWN movie? 9:57 - How Fortnite made him go viral 12:40 - The future of acting is TikTok 16:46 - Adam's most PASSIONATE moment 20:35 - Adam was a DELINQUENT 23:00 - What is it like having money? 25:17 - How a "Dead End" brought him to LA 26:43 - How was he so successful as a child actor? 31:58 - What's the dream now?

TORRES & ACAPELLO SHOW - The brand new show from the two rambling, bumbling co-hosts sees Torres and Acapello in an open forum, talking whatever is on their mind. Opinions, rants, takes, Yo Mama Jokes and everything in between! It's the Torres & Acapello Show, out weekly!  Drops Weekly00:00 Intro03:00 Yo Mama Jokes of the Week05:00 Acapello's New Music06:30 Metal Gear Collection Vol 109:30 Bad Bunny Ticket Prices!11:00 Ticket Prices in Recent Memory14:00 You Never Forget a Concert17:00 “Green Eyes” by Coldplay19:30 Metallica and the backlash after “The Black Album” 20:45 Acapello's own identity conflicts22:15 Linkin Park and their change in styles25:30 Ryan's vinyl collection26:55 Chris' Deviated Septum27:50 Ryan's Pericoronitis30:25 Ryan falls on his Dad32:00 Enrique Iglesias' Autotune is No Bueno34:10 Travis Scott's Autotune35:25 The Tik Tok Meme Voice35:50 The Intellectual Voice36:45 Reviews on Enrique Iglesias/Ricky Martin/Pitbull Concert38:00 Escape is Ryan and Tiff's song40:00 Those Orange and Yellow Toy Mics42:30 AI's attack on Creativity44:30 Robin William's Daughter in Mrs. Doubtfire AI Mock-Up46:20 Ryan Can't Stop Saying Shadow Moses47:25 What's Going on This Weekend47:30 Ryan's Upcoming Tattoos48:30 Halloween this Year49:00 Day of the Dead Celebration50:20 Chris Likes the Tuna52:00 Podcast Fresh Network PlugsTHE PODCAST FRESH NETWORK:TORRES & ACAPELLO SHOW - The brand new show from the two rambling, bumbling co-hosts sees Torres and Acapello in an open forum, talking whatever is on their mind. Opinions, rants, takes, Yo Mama Jokes and everything in between! It's the Torres & Acapello Show, out weekly!  Drops WeeklyPODCAST FRESH CAFE - Chris and Ryan sit down to discuss the latest video games, movies and other pop culture news. We run a mailbag and answer listener e-mails. Never a dull moment on the Cafe, so grab an espresso, sit back and enjoy! Drops RegularlyTHE GAMING ASYLUM - Ryan gives us the lowdown on all things video games! Thoughts, opinions, and reviews on current games and industry topics can be found here. Be sure to also tune into the special "The Gaming Asylum Radio" episodes where Ryan spotlights a franchise in video games and plays his favourite hits. Drops RegularlyPODCAST FRESH REVIEW SHOW: FPOBA - The show that started it all. Podcast Fresh Review Show show, currently reviewing The Fresh Prince of Bel-Air. Join us for our regular reviews of the iconic 90's sitcom. 2 episodes reviewed per show, along with our own rants and takes. Join us as we take a closer look at each episode in the series. Currently reviewing season 5. Drops Regularly

Rip up your books and lie to your parents because it's time to talk about Dead Poets Society from 1989! Is this the least 80's a movie from the 80's has ever been? Is it impossible to accurately gauge Robin William's acting performances if you are of a certain age? Also: Seth wants to start a D&D group and Michelle reveals her (not so) secret collection. Which of the hosts was part of guitar club and which one was part of chess club? Build your own radio and listen now!   We want to be your Movie Friends! connect with us on Twitter @moviefriendspod Instagram @MovieFriendsPodcast Youtube Youtube.com/MovieFriendsPodcast or send us an E-mail at MovieFriendsPodcast@Gmail.com tell us what you think and it may end up on the show! Wouldn't that be cool? Head over to our website at MovieFriendsPodcast.com and maybe consider supporting our Patreon. Come on, you don't need that $5, but you do need our undying love and friendship.

Madonna - Frozen Kajagoogoo - Too Shy The Rolling Stones - Miss You Hot Chocolate - You Sexy Thing Lucy Pearl - Don't Mess With My Man Stevie Wonder - Sir Duke Cock Robin - The Promise You Made Nick Kamen - Each Time You My Break My Heart Simply Red - Come To My Aid Prince - Cream DeBarge - Rhythm Of The Night Cher - The Shoop Shoop Song William Pitt - City Lights Happy Mondays - Step On Chumbawamba - Thubthumping Tina Turner - The Best Seal - Crazy Mick Jagger - Sweet Thing

Taylor's Website: https://taylorwilliamson.comTaylor's Instagram: https://www.instagram.com/taylorcomedy/Taylor on IMDB: https://www.imdb.com/name/nm2743976/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptsTaylor Williamson (00:00:00):They could have gone way harder on me. These real, these reality show contracts are insane. Like lawyers tell you, don't sign them like they have the rights to like, own your soul forever and things you make for the future and stuff. You can find the contracts online. It's really, really bad.Michael Jamin (00:00:13):You're listening to Screenwriters. Need to Hear This with Michael Jamin.Hey everyone. It's Michael Jamin and you're listening to Screenwriters. Need to Hear This. I got a special guest today. I always say that when I have a special guest, but this time we have a world famous comedian. And now what does comedians have to do with screenwriters? Well, comedy writing, it's a form, it's a form of writing. Taylor. So we're here with Taylor, Taylor Williamson, who was, let me get you, lemme make sure I get this right. You runner up on America's Got Talent. What, what, how long, what, what year was that? BecauseTaylor Williamson (00:00:48):We, we just say recently, fairly recently. Recently in the spectrum of time, you know,Michael Jamin (00:00:52):Yesterday. And the how I met you was because, so we've been friends Taylor, we've been friends for a long time, but which means I'm probably not gonna be as nice to you as on this podcast as if we weren't friends. So you're just be far warned.Taylor Williamson (00:01:08):No,Michael Jamin (00:01:09):No,Taylor Williamson (00:01:10):, you're not gonna be as ni you're gonna be less nice to me cause we're friends.Michael Jamin (00:01:14):Yeah, it's the chat. It's all cordial. You're on our podcast. So that's how, I mean, it'sTaylor Williamson (00:01:18):Not cordial,Michael Jamin (00:01:20):But I wanna tell everyone how we met. So we, we met, I guess a few years back. It was, it was a w it was a little bit.Taylor Williamson (00:01:27):Sure, sure.Michael Jamin (00:01:28):And you had, you had just, I guess you had just won or, you know, runner up to America's Got Talent and comedian and you were, you were poppin. And so I don't remember exactly how, but you, our manager's teamed us up and you had an idea for a TV show based on your life. You were looking for writers. My partner and I met, we met our managers, teamed us up. We we met in kind of conversation. We liked what you had to say. And we thought, yeah, let's, let's try to develop a show and see if we can get it off the ground. And that's kind of how it works, is like, some people say like, well, I'm a comedian. Make a show about me. No, no, no. You don't understand. You were having this moment. You were, you know, you were, you were meaningful to the network because of your appearance on the, your, your success on that show. And that's how we went about it.Taylor Williamson (00:02:13):Right? No one else even wanted to meet with us. And then you guys seem so excited. I was like, are they playing a trick on us or are they terrible? , why? No, I'm, I'm have, I'm slightly, I mean, I'm joking about the mean part. Unlike you being serious about the mean part. Yeah, , there was one other fancy showrunner guy who was attached, I think, while you were also attached. And I was confused. What was hap like, why we have,Michael Jamin (00:02:37):We, we couldn't have both been attached. That's not possible.Taylor Williamson (00:02:40):I don't know. There was a guy, I'm just, I'll, I mean, obviously I'll tell you, we, you already know this stuff from years ago just to remind you. But like, there was another like, executive producer guy who was attached and then you guys, when we met with you guys as well, and everyone was gonna be a part of it in different ways. And I guess you would've been theMichael Jamin (00:02:59):Sure.Taylor Williamson (00:03:00):I guess. But then I thought he was, I didn't, I don't know what's going on. I, you know, I'm the, I'm the dumb comedian who's just all these, these, these Jewish people are telling me what to do. And I'm Jewish, by the way. I don't wanna sound like the new Kanye West. I was making a, I was playing along with Kanye. Wait, I playing against You're Jewish. Can you say me Hebrew Happy Hanukkah ,Michael Jamin (00:03:20):Hebrew . Dude, I wanna know, I wanna know. So Taylor's a, you know, com touring comedian. You work all the time. You tore the country. But I wanna know, I guess I wanna know how you broke into the business. Like how did you go from open mics to getting paid to do this?Taylor Williamson (00:03:38):We'll, we'll cut out the last 12 minutes. That I said so far, right?Michael Jamin (00:03:42):If you No, I, that's we're gonna lead with that. Taylor Williamson (00:03:45):. I feel like you have like real writers, those people that say, let me just say that. Well, are we just gonna talk more about that? I think that's interesting. WeMichael Jamin (00:03:52):Could talk about anything you wanna talk about.Taylor Williamson (00:03:54):I don't mean I, like, I made jokey answers to whatever, but yeah, we, I, it was, I think it's important to share this stuff. And I, I came up, I had to show idea that I liked and then my, my friend is I'm taking over the show.Michael Jamin (00:04:08):No, no. Okay. I'll get back to what we have. We got some time to fill here, so we'll get back to my questions.Taylor Williamson (00:04:13):Well, so no, I'm taking over, I'm answering your question, buddy. Yeah,Michael Jamin (00:04:16):I know, but I was steering the conversation away from your answer.Taylor Williamson (00:04:19):So then Jillian Bell, who's a great comedian, actress, writer person and mm-hmm. , she was interested in the show and and then she wanted to produce the show. That's right. Signed. It's a fun facts show business. I used to be with the management company that, that she was with, and I was no longer with them. And I brought this idea to them and my reps were not enthusiastic about it. Yeah. But then, so I, and I stopped working with them, but then a year later, Jillian Bell was interested in the idea, same show, then me go into their office with Jillian and then they're like, Jillian, this is a great idea. , I'm like, the show. ThisMichael Jamin (00:04:55):Is funny. She, I totally forgot that she was involved in it, but that's an, but that's right. Cuz she brought another piece to the puzzle. It was like, yeah. And you did, which was like, it's all about how many pieces of this puzzle can you, like, how much more can you bring to the table? And her involvement, the fact that you had this other, you know, she was a, she's an actress, actor, producer she's trying to get into the producing field and that was another piece of the puzzle, which made it more meaningful. So that's how Yeah. You weren't just like some random dude, you know, you kind of put these pieces together.Taylor Williamson (00:05:24):Yeah. And then obvi, I mean, she helped tremendously and I wouldn't have gotten to you and Siever if if it was not for her. And then we met with you guys and it was such a joy and we could talk about it as much as you want. But but anyways, but how did I start comedy? I, I was 17. I was like, I got into STEM comedy in high school. I never liked comedy as a kid. I remember being at the airport and the, as a child and some guy was like, I'm a comedian. Ugh. And he is like so obnoxious. And I've always hated that kind of comedy. Like, people are like, look at me, I'm a comedian. I got some jokes. You know? So I think that that scarred me for life. So I was like, I don't like, and my brother liked comedy stand up comedy, so I said, I don't like stand up comedy cause like dumb sibling ri sibling rivalry stuff. And it makes no, I'm not proud of anything. So I'm saying I still stand by hating those obnoxious comedians who like, tell it when the com Hey, I'm a comedian, nice to meet you. Like, you know. Yeah. I don't need that. And then then,Michael Jamin (00:06:19):But that's funny cause I always say like, people who have to advertise that they're funny, not be funny. You know what I'm saying? They have to put it on their business card, you know? Funny guy.Taylor Williamson (00:06:28):Yeah.Michael Jamin (00:06:29):But, okay,Taylor Williamson (00:06:30):Go ahead. And for the record, I've been saying I'm not funny. This entire, I've this entire convers we believe, I believe you . Fair. Good. I'm glad that's clear. Yeah. And then in high school I got into standup a lot as a being a fan of it. And then and then I'm from San Diego and rest in Peace. Her name is Sandy Seashore, Mitzi's daughter from the comedy store. Polly's sister had a comedy workshop in San Diego. And I'm, I'm 17. And I'm like, oh, that seems like a way to start, you know? Mm-Hmm. , I don't necessarily encourage comedy classes.Michael Jamin (00:07:08):Why not?Taylor Williamson (00:07:10):At first standup comedy, improv sketch. Yeah, standup fine. It helps you get your feet wet and you learn structure and stuff. But generally you're learn. I learned what not to do really. I don't, you kinda, there'sMichael Jamin (00:07:24):No structure though. What do they teach you there? You get comfortable learn on the funny, on the funny word.Taylor Williamson (00:07:29):Yeah. It's just like helping dissect. I don't know. Everyone has, there's no curriculum for comedy classes, but I learned a lot of things, what not to do. And I watched things being rewarded. Everyone should be like, this is not what I want to do. This is not right. And you're in the class with a bunch of crazy people too, honestly. You know? AndMichael Jamin (00:07:47):What kind of things do you learn that you, you're not supposed toTaylor Williamson (00:07:50):Do? I, as I was saying that I was like, that's gonna be a, a follow up question. I can't think of one, but like, rule of threes all this, I don't, I don't like the, I don't like these. It's just like, yes, those are things, right? But then also it doesn't have to be as such, you know? Mm-Hmm. I'm trying to think of like better examples of that. But here's the positive that I got out of it is if you're fat, talk about it. If you're skinny, talk about it. Mm-Hmm. and the, this is what I got out of the class that's invaluable, is that everything I got picked on in school was things that were like my superpower as a comedian or a writer. So like, all the bullies were like, Hey, you talk weird or you walk weird or you're a dork. And I, and I, I was able to spin all of those into, I go on stage, hey, so I'm weird and I, I talk weird and I walk and then people are like, we like you. And it's just kind of a beautiful thing to do comedy writing. It'sMichael Jamin (00:08:45):So funny. Yeah. This is what I say all the time to people, which is talk to talk about your vulnerabilities. That's what you want to talk about. And, you know, in screenwriting. But it's the same thing with standup. You know,Taylor Williamson (00:08:55):If that's, yeah. And I guess it's a standup that I, I, and I, I don't have better answers than this at the, off the top of my head cuz it was so long ago. But I remember like, it's like you learn to go like, oh, I'm half Jewish and I'm half Italians, so that means I like pizza that's on sale. You know? And then they go, right, great. Like, no thanks, come on. So it teaches you that kind of, but it, it does teach you what a joke is and it teaches you to get comfortable on stage and it teaches you what's out there. But I don't know, it can make a hacky hack comedian, you know?Michael Jamin (00:09:32):And then what came next? So it open mics after that you put together a five minute act orTaylor Williamson (00:09:36):Something. So I was k very tenacious and ridiculous. And I knew I was very, I did very, I was very good for my age. And this is also the time when not everyone's on Instagram and TikTok and all this stuff. So like, I was maybe one of the three 17 year old standup comedians out there, Uhhuh , like, you know what I mean? So I was probably the best music quotation of fingers. 17 year old com, I don't know. So I got all, I got attention and I was really good, especially in front of that supportive body. It's represented by their friends and stuff, you know? Mm-Hmm. , I didn't invite anybody, but like in that safe space, I, I don't know, I was very good at my age. I don't know, this probably sounds douchy, but, so I moved to LA to for college, but really for comedy. And it was very humbling doing an open mic that was not that safe space. And then the crowd wasn't so supportive. I'm like, what, what's wrong with you people? Oh wait, that's not real. This is real. You know? Yeah. But I got really good video footage, videotape, footage b you know, BCRs, those things. And who,Michael Jamin (00:10:42):Who brought the camera?Taylor Williamson (00:10:43):So the comedy workshop, you pay like four, 4 billion and then you get to do the eight weeks, then you get a tape at the end. So I got a killer tape. So I sent that to the, the producers of the Tonight Show, . I sent it to the last comic standing producers. I sent it to Eddie Brill, who booked David Letterman. So like, I was 18, I was, gosh, was it before I was 18. And didMichael Jamin (00:11:08):They they write back? Yeah. Did they reach out? What'dTaylor Williamson (00:11:10):They say? Yeah. Every time.Michael Jamin (00:11:12):, what'd theyTaylor Williamson (00:11:12):Say? These guys, every time I remember I never got, I don't believe I ever got them on the phone. Eddie Bri Letterman guy called me. I remember, I remember being in college 18 in the hallway. I had a voicemail from the booker for Letterman. Nowadays I would've recorded it and saved it. You know, this is like flip from time. So, and he was like, thanks for the tape. Funny jokes. Cause I remember reading somewhere that he responds to every bird, everyone who submits. And I remember he said, yeah, you can't do the AIDS joke on the show, the aids. It was like, you g it wasn't a AIDS joke, but it was like, the joke was, I was trying to be Bitch Hedberg at the time, you know, like brilliant one-liner guy. I'll show me one of those guys. So like, I remember being like, all these people are walking for aids, so I'm against aids.(00:11:59):I don't know. You know what I mean? Right. Some dumb joke like that. And he's like, you can't say that. You can't say that, but keep working at it. Whatever. And the Bob Reedit Tonight Show was so sweet and he seemed accessible to me cuz he was a judge on last comic standing, the first few, few seasons. Uhhuh . So he would send me the tape back, say, thanks for the tape, keep working at it. They would literally return this sender, but with a note and Thank you. And, and then the last time he called me or sent me like the third time, he was like, you don't have to keep sending me tapes . But he is still supportive though. You know, like, it was like, Hey, you don't have to keep doing, it wasn't like, leave me alone. But like, it was like, I think, I think he called me to tell me to stop chill, chill a little bit, you know,Michael Jamin (00:12:39):Give some, give some time. But then like you would, do you know if other comics who do this, like reach out? Is that how you Well,Taylor Williamson (00:12:46):I think funny shows, I think crazy 40 year olds do it now. I think. Like, I was cute cause I was young. Oh, I, I can't imagine what their emails are like now. You know? Now it's much of insane. Not well,Michael Jamin (00:12:56):But you wouldn't, you don't know anybody. Like, you wouldn't do this to get booked on any of these shows. Now that's not, ITaylor Williamson (00:13:00):Mean, I mean now I, I do, but I know the people Uhhuh, , you know what I'm saying? Now I'm like, I've done all these things. Would you please take a look at my, I ha I nowadays, if I wanna get on like James Cordon and I have the guy's email and I make a five minute tape and I send them a nice email, hi, I'm Taylor, I've done these things. Or how you been? We had coffee one time, whatever. But I DoesMichael Jamin (00:13:22):That work? Does that stuff work?Taylor Williamson (00:13:24):Yeah. I mean, I haven't been on James Cordon, so maybe not. But yeah, they, I mean, if you're professional in this business, like Uhhuh , I've a mistake that I've made, and I'm even sure my reps would agree, like, don't go through them for everything. Like I, I used to think you have to go through representation and get shit done. Can I curse on this show? Yeah. A a big mistake I made in this business is not using my personal relationships that I have and just reaching out myself.Michael Jamin (00:13:48):That's so, man, dude, it's so interesting. Cause I say the same exact things, but for screenwriter, like I say, people think that I get, I need an agent, I need a manager. Like, that's gonna change your life. And the truth is, it's not, you still gotta do 99% of the work yourself.Taylor Williamson (00:14:04):. I honest, I'm grateful to any of my reps who are listening to this. They're not listening. And I mean it sincerely, like I've been news for 19 years. So like, I have like old men wisdom, even though I'm not like a thousand years old yet. But like almost everything that I've gotten that was like monumental or big, big deal was without representation. Mm-Hmm. like respect to them for making the deals way better than it would've been at them itself or to, to them for making something. Mm-Hmm. taken to the next level. You know, that's their jobs. You know, I think most honest and classy agents and managers would agree that Yeah. Like they, they pour gasoline on fires, but you have to start the fire yourself. Yeah. And like, you gotta do it. And I thought it was unprofessional to reach out without them.(00:14:55):Now do, like, I'm, I'm selling unscripted shows right now. That's kinda what I'm hustling on. And I just say, Hey, Jillian told me this, or her sister told me this. She was a producing partner who's brilliant too. Like, yeah. She just goes, Hey, I had a meeting with, I'm making up, I had a meeting with paramount today. Oh cool. How was it? You know? Mm-Hmm. . So I, I call my agent agent and go, I said, I have these three pitch meetings today. Can you please reach out to some of these places I don't have? And sometimes I just go, can you gimme their email? Cause they have Rolodex.Michael Jamin (00:15:28):Interesting.Taylor Williamson (00:15:29):Interesting. Do I sound like a crazy person rightMichael Jamin (00:15:30):Now? No. And so you set up the meeting yourself? Is that what you're saying?Taylor Williamson (00:15:34):Honestly, I set up a, like I try to do it myself and then I reach out to them if I need help, even for comedy club bookings.Michael Jamin (00:15:40):Whoa. Let's talk about that. What do you mean for comedy book? So you have a, you don't have a separate booker forTaylor Williamson (00:15:45):Comedy clubs? I have a booking agent who's awesome and, but like, I just got a gig in Atlanta at the com, at the Punchline comedy club out there. And the guy texted me cause he knows me, right. I'm just long enough before I know the pe I know them. So I can just like some, some of these owners of comedy clubs, I can just text and say, Hey, I've done your, you know, I've done the club 10 times, you know? Mm-Hmm. So like, I've been there the 30 days of my life. I've hung out with these people. Hey, can I I'd love to come. I'd love to do a weekend with you guys. You have anythingMichael Jamin (00:16:15):Coming up? Is that, and is that what you do? I mean, you'll fly to Atlanta and you'll do a couple of shows at this one club? Or do you go on tour? Like, do you go from Atlanta to the next city, whatever the next city, Raleigh. I mean, we used to, you might make a tour of it or do you just keep flying back and forth to laTaylor Williamson (00:16:30):That's kind of, a lot of people are doing that now. Like, I mean, that's always been kind of, if you're like gym Gaffigan level or like mm-hmm. , whatever. Like if you're a superstar, you're, you're doing like theater, theater, theater, you know? Mm-Hmm. . I'm still comedy club level guy. Mm-Hmm. . So I do weekends. But a lot of these TikTok stars, like people who are getting like independently famous just from their social media, like yourself, honestly, they're, they're doing off nights at comedy clubs. So like, they're doing like Tuesday, Wednesday, Thursday, they'll be in Cincinnati one night. They'll go to date in the next night. They'll go to Toledo the next night.Michael Jamin (00:17:08):Why Off nights though? What's that about?Taylor Williamson (00:17:10):Because the weekends are tradition. The business is changing so much. But in comedy clubs, the weekends are traditionally held for quote, established comedians. Uhhuh, the idea being that if some randoms walk in, they're gonna have a good time. Like, I'm Taylor, I'm a comedian, I've been on America Set Talent, I've done Economy Central, all these things. But like, if people just walking, cause they wanna see a comedy show, they're probably gonna be fine, you know? But like on a Tuesday they would book a TikTok dancer or they'll book someone who just got famous cuz they're really funny and people are connected to their jokes, but they haven't been around that much.Michael Jamin (00:17:52):But they can still put Get Asses and Cs.Taylor Williamson (00:17:55):Right. But also the other side of it, the business side of it too is if I do a weekend, I can get a guaranteed deal. Uhhuh. , that's enough for me to come out no matter what. If we sell lots of tickets or not, but the people going on a Tuesday, they could make more money than I if they sell every ticket. The venue is more willing to give up equity in ticket sales on an off night than on a weekend.Michael Jamin (00:18:18):And so what does equity ha like splitting the door?Taylor Williamson (00:18:20):Yeah. So like if, so a a comic who, if you can sell out 300, 400 seats or whatever the venue seats on a Tuesday night, you can say the venue give me 80% ticket sales, I'll, I'll fly on 80%. Yeah. Or more, you know, I'll come in on Wednesday, you get drink sales, I'll get the ticket sales And the clubs. HaveMichael Jamin (00:18:40):These venues have 300 seats or is it some ofTaylor Williamson (00:18:42):ThemMichael Jamin (00:18:43):A lot? Or is that just like the number of shows? Because I thought they're like, I thought most of these clubs are smaller.Taylor Williamson (00:18:48):A lot of comedy clubs now are switching to bigger venues because they're trying to compete with theaters. Okay. Because thanks to Netflix and social media, comedians are selling more tickets than they've ever sold. Ever. Like, like there was just, there's a poll star that just came out. This is public information. Like Burt Chrysler made 25 million touring last year. This year.Michael Jamin (00:19:11):Like we almost, we almost did a show with Bert . Yeah, we talked about it. Now he's 25 million. That's a lot of money. His house wasn't that nice. .Taylor Williamson (00:19:19):Well that no,Michael Jamin (00:19:20):It's wasn't 25 million.Taylor Williamson (00:19:22):Well now he has three houses. Neil Brennan just did a podcast with David Letterman bragging about how Burt er is killing it and let him in like was like laughing, rubbing his eyes like 25 million . That's probably more, that's legit. Probably more than he made doing his show. Legit, you know, andMichael Jamin (00:19:39):Just touring.Taylor Williamson (00:19:40):Yeah, just touring. And I mean, to be fair, that's gross sales before commission, right? I mean, as we all know, like that's before 30, 30% commission. You know, you're aging 30% commission.Michael Jamin (00:19:50):OhTaylor Williamson (00:19:50):Man. Tour manager, lawyer, maybe no lawyer for touringMichael Jamin (00:19:54):Your tour manager. They take 10%.Taylor Williamson (00:19:57):I'm, I said business man. So your manager takes 10%, your agent takes 10%, your business manager takes 5%.Michael Jamin (00:20:04):Well you don't need a business manager, but you need touring manager.Taylor Williamson (00:20:08):I, so I don't know how he does tour manager. I'm just thinking like, normal manager. Wow,Michael Jamin (00:20:13):This is so interesting. I didn't know this talk was gonna be as interesting as it is.Taylor Williamson (00:20:16):Oh, you know what Mr. But last thing I say is Bert said on a podcast that he said that just talk to him. You actually, you don't have to talk to him. Just talk to me. I'll tell you about him. He said he wouldn't take a movie or TV show right now. The wildest thing to hear a comedian say I get it. But like that's so not how we all started. Because he's making so much touring and he has, he has gigs booked and he, his fans, he has such connection with his fans.Michael Jamin (00:20:40):That's so interesting. Cause I've never ied to develop a show and it was his idea. And then he kind of, I think he lost interest of his own idea probably because he is like, I don't need to do this. I can make more money on, on the road.Taylor Williamson (00:20:50):Wow. Yeah. And it just, the dream is just different now. Like I started in 2003 and like I, my dream at that time, I'm sure we talked about this during one of our writing sessions slash therapy sessions for me. Yeah. But like, I wanted to do like Timal and Drew Carey, Ray Romano, all that, that you become a really funny comedian. You work hard and then you pair up with brilliant comedy writer like yourself and then you get a sitcom. And that's not how it goes anymore. Most people don't want to bolt at Cam sitcom even like Yeah. You know what's kind of interesting too? My girlfriend is an actress, so she's brilliant and then comedian and all the things. She's absolutely brilliant. And she's Filipino and she's, I said to her like, I had all these people I wanted to be like, and I don't know what to do anymore. You know, one of those things. And she's like, that's cool that you had people that you watched on TV that you wanted, that had a blueprint for you. Cuz I never had that. I was able Oh,Michael Jamin (00:21:51):So you're saying because she's Phillips there weren't any role models forTaylor Williamson (00:21:53):Her. There was no like, oh, I wanna be like that. I wanna be like that. It was just kind of like rufi respect. But like the guy who played Rufio and Hook and Tia Carre Respect, you know, I think she'sMichael Jamin (00:22:01):Yeah. Yeah. ButTaylor Williamson (00:22:02):Like, yeah. It's justMichael Jamin (00:22:04):Interesting. But she's an actor comedian.Taylor Williamson (00:22:05):Yeah.Michael Jamin (00:22:07):And does she, so she, do you, do you work a lot with her then?Taylor Williamson (00:22:11):We are pitch show together, actually, but no, no, she's not really standup. She's more of a Oh, she's a standup, but she's, she's an actor and stuff.Michael Jamin (00:22:17):So how did you meet her then?Taylor Williamson (00:22:19):We met doing standup like a million years ago. We, but we reconnected recently. Wow.Michael Jamin (00:22:25):Yeah. Interesting. Yeah. And so you, and so I, so when you, when you talk about reality show or or unscripted, what, like, what are you, you don't have to tell me your ideas, but is that your, for you to star in some kind of unscripted show that you'reTaylor Williamson (00:22:37):Saying, yeah, please don't steal my ideas.Michael Jamin (00:22:39):I, you, I don't, I don't, I don't know anything about scripted. People ask me about scripted all the time. Like, I don't know how itTaylor Williamson (00:22:45):Works. I don't know how it works either, honestly. But it's what you said though. It's, you have an idea and then you get people, people go, I don't know. And then you get someone attached to people trust and they go, oh, that's a great idea. ,(00:22:57):You convinced the person who people res have, who has the equity in that field and status or whatever you wanna use whatever word you wanna use. And then and that's, that's what I've done. So like, I, the, the success I've had in unscripted TV is I had a travel show on Spike tv or a pilot a few years ago mm-hmm. . And I knew this guy Tom Beers, who's like a genius. He's like a mad scientist for unscripted television. And he's, he's got a really inspiring story. Like he became a superstar, like in his fifties. Mm-Hmm. . And like, he wasn't a millionaire to his fifties, but then he became like super millionaire. He created Deadliest Catch and Ice Road Truckers and Oh and a Thousand Ways to Die in Storage Wars and stuff. And he won the Emmy every year for Deadliest Catch. Yeah.Michael Jamin (00:23:42):I loved Deadliest Catch.Taylor Williamson (00:23:43):Yeah. And and so I, I knew him through cuz he was the c e O of Freemantle after he's sold his company to Freemantle, which produced a G T. So, and I had a holding deal with Freemantle and N B C. So I just reached out to him after I had some bummer business stuff happen. And I just reached out to him. Cause there was a nice guy who I know he saw me perform and he liked me and he was nice to me. And then and then he started his, I messaged him on Facebook. Like, I, like I don't have his phone number, you know? Right. And this is a few years ago. And then he, we met up and we brainstormed a lot and him and his partners and at his company and we got a pilot with Spike TV after. And it was like, this is like a two year process by the way. Like Yeah. It takes forever. It was a whole thing. And then you selling a pilot, I didn't get any money, you know what I mean? , I making a, I didn't get any money.Michael Jamin (00:24:41):Didn't make any, you didn't make any money at all. Went the budget of the show. Tell me what your, so tell me what a holding deal for the ever loved one. Listen, what exactly is a holding deal?Taylor Williamson (00:24:50):So I got the janky kind of holding deal you get nowadays, like I hear comedians from the nineties talk about their holding deals. They would get paid hundreds of thousands of dollars a year to be exclusive to networks.Michael Jamin (00:25:03):Yeah. And never actually get anything made. But they would hear pitches or sometimes they would pitch. Right.Taylor Williamson (00:25:08):Yeah. So it's like you just, you they'd get pilots or they have shows built around. I mean, I'm telling you, I'm telling you know about the audience. You know, you tell the audienceMichael Jamin (00:25:15):No, but you tell me what, what your, what your jankyTaylor Williamson (00:25:17):Holding was. So I got the Janky Reality show holding deal where, and they didn't force it upon me. Like I was flat grateful for it, but I think it was $10,000. So from being America's Got Talent, they had the option, they could have gone way harder on me. These real, these reality show contracts are insane. Like lawyers tell you don't sign them. Like they have the rights to like own your soul forever and things you make for the future and stuff. You can find the contracts online, it's really, really bad. But they didn'tMichael Jamin (00:25:44):You don't sign those, you don't sign those contractsTaylor Williamson (00:25:46):Or Well, I did it when I was a contestant cause I was desperate.Michael Jamin (00:25:50):Well, that, well that's another thing. Okay. So you did sign one of those contracts, the A G T, but they don't own you now?Taylor Williamson (00:25:55):No, no, no. And it was for a couple years. And it's confusing cause I was on the show last week, but the contract ended after a couple of years. It's confusing. But yeah, theyMichael Jamin (00:26:04):They keep on calling you to back into,Taylor Williamson (00:26:07):Yeah. Yeah. Yeah. SoMichael Jamin (00:26:08):Heidi, I know Heidi loves you.Taylor Williamson (00:26:09):Yeah. she says hi by the way,Michael Jamin (00:26:13):. I know she does.Taylor Williamson (00:26:15):But so the, there's a contract that I signed that I'm sure is similar. It's probably worse now honestly. But they have the rights to like specials and ticket sales and all these things they could have claimed because like One Direction, Simon Cal owned one sixth of One Direction, I believe. Interesting. Cause they were an X Factor show.Michael Jamin (00:26:35):Right.Taylor Williamson (00:26:36):Right. So he, he put them together and he owned them. So they, but they didn't take a penny from me. But the holding deal was, they had the option for a holding deal and I could have fought it and they, I don't think they would've enforced it upon me. Right, right. But and I heard that kids can get out of this stuff. The crazy, if you're under 18, you can just be like, I'm 16, leave me alone. Whatever you sign. I think there's a thing I heard that's if you're a teenager that wants to be in a reality show. But so I, I had like a $10,000 holding deal, which my reps thought it was a good idea to go with it because I would be touring so much that whole year and then we could develop something. It was the NBC and Fremantle. Mm-Hmm. . I was frustrated by it because I wasn't supposed to audition for things outside of that. So I felt restrained while it didn't go the way I hoped it would. But because Do youMichael Jamin (00:27:25):Do a lot of auditions for acting parts?Taylor Williamson (00:27:27):Not as much as I like, but I do. Oh really? Yeah. I just auditioned for Caribbean Enthusiasm and I was so excited cuz I've al I've never been able to get that even on audition. And that's my dream to be on that.Michael Jamin (00:27:36):And so was that for casting or did you go directly to Larry?Taylor Williamson (00:27:39):It's all online now. Oh. So from my understanding, when you audition for Kir, you go, you go to Larry. Like you're, you play, you play with him. Right. But Right. Even like my cousin's an actress, my girlfriend, like the most successful p people, it's still on tape.Michael Jamin (00:27:55):Yeah, right, right. I forgot about that. It's been so long.Taylor Williamson (00:27:58):. Yeah. But, but even, even like an improv. So, but I'm saying that even like an improv audition, which is curb. Yeah. Like you just ramble with your friend that you're filming it with.Michael Jamin (00:28:07):See that's, that's hard, especially for improv cuz your friend, you have to play with your friend. Mm-Hmm. . Wow. And so, yeah. So, so how did you go from, I have so many questions, but how did you go from that first standup you're doing open mics to actually someone paying you?Taylor Williamson (00:28:24):I got my first paid gig about a year in like, I got a lot of, so I sent my tape to like, everyone you should never send your tape to like, like just cuz I had a, I was, I mean, looking back, I was very, if you go online you can find some clips. Thankfully that took out the problematic stuff. It was different time period. . Yeah. Yeah. But like, I'm not, but like but like I was very good for my age and like, so I sent my tape to people and then I got booked at the improv in Ontario when I was 18. That was my first paycheck.Michael Jamin (00:28:54):You to tape when you, okay, you say you're taped to Booker, to the owners of comedyTaylor Williamson (00:28:57):Stores. Man managers and agents. I contacted manager agency. Yeah.Michael Jamin (00:29:01):But is that okay?Taylor Williamson (00:29:03):You should not do that. It's not the move to do. It's insanity. And it's a different time now where you don't need toMichael Jamin (00:29:08):Do that. So how would, so how would you, if you're trying to break in, so how, if you, how are you today? Go get, if you're doing open mics for, I don't know if you're ready after doing,Taylor Williamson (00:29:16):I can tell you exact what someone should do today. Yeah. To post their clips on in my day. You don't post your clips. I remember when I, when I, I was submitting for, I made a tape. I'm trying to remember exactly why I made a tape. I uploaded it to YouTube at private YouTube. I don't even think private was an option or I didn't know how to do it. I don't know. But I uploaded a clip on YouTube and this is 2007 mm-hmm. . And I wanted it anyway, I got on Craig Ferguson when I was 20 in 2007. And I rushed to get the tape off of YouTube. Cause I didn't wanna have my jokes on YouTube. Cuz the, the thought back then was, and I still did fix this in my, myself, my head. I, I started like two a couple years too early.(00:30:01):Cuz the ti the, the business and rule the rules in our brain just changed so much. I don't know if you, if you, if you ever feel like that, but you, you're such an amazing job doing things the way you things are done now. But anyways, but we didn't want our ec clips online because we thought people are gonna come see us perform. They're gonna hear the jokes again. And comedy doesn't work the way music does. Where you want to hear the, the repeat of like, I could hear a Foo Fighters sing Everlong 12 times in a row. Be like, this is great. You know? Right. But stand up. You don't wanna hear the same joke 12 times, you know, so, but now, like, you want, you want your clips online and I struggle with that causeMichael Jamin (00:30:37):So Well why do you want your clips online? Do don't, I mean, don't you still feel like they don't want to hear your jokes again?Taylor Williamson (00:30:43):Yeah, but that's not, it's not how younger people are or anyone is. The consumers aren't like that now. I think they want,Michael Jamin (00:30:49):If you act online, will they go see it at a club even though they've already heard it? Yeah, they will. They will see it. They'll hear itTaylor Williamson (00:30:54):Twice. I don't think people hold on to joke memory like that.Michael Jamin (00:30:58):Really.Taylor Williamson (00:30:58):Yeah. And, and enough people, I think the idea is that listen, say best case scenario, even if you're famous, 40% of the people saw that clip you posted. They bring a date, they bring their friends. Right. There's gonna be enough people laughing where everyone's okay and their friends says, I love that joke. Oh yeah, I saw 'em on Instagram. That's why people be excited that they knew about it. And now people are into like, I'm old and I always liked if music was on mtv, I liked it. But if they're indie, I didn't listen to it. Which is so stupid and ignorant and not thank God as an artist. Other people don't feel like that, you know. But like, people want him, people like loving some Instagram comic now. And like I have a buddy, Ralph Barbosa, he's a really special young comedian. He's like 26 or 27 out of Dallas. He's been posting clips on Instagram and TikTok. He went from like 4,000 followers in April to like 160,000. Now in December when we're taping this and on TikTok, he has way more,Michael Jamin (00:31:57):He's posting clips that he records at a club.Taylor Williamson (00:32:00):Yeah. He's po he's selling out more tickets than like, I think than I sold. I don't know, I don't know all his numbers, but I think he's selling you more than I sold after being on America's Got Talent for a Year. You know what I'm saying? Interesting. He just sold out eight shows at the Hollywood Improv in, in February.Michael Jamin (00:32:19):And how many seats is that?Taylor Williamson (00:32:21):I don't know. 200 something really. But he sold them out months in, in advance. It's wild. It's wild. It's wild. And they gave him the Wednesday night cuz he's a young comic who's new and whatever. Then they gave him a slate, show ends it, then they gave him a Tuesday, they gave him LA show Tuesday. Then they're like, okay, you want the whole week . I haven't seen that since. Wow. Maybe Joe Coy or Gabriel Glacia. You know, that'sMichael Jamin (00:32:43):So interesting because, because you really are, you're, it's hard to get people outta their house on a week weekend, a weeknight. And yet they'll come out to seeTaylor Williamson (00:32:50):Him. I commented on one of his posts, he's this kid open for me. He's like my little opener. I say Little is younger than me, like, but like, he's like, he's a kid who, when I went to Dallas, he'd be like, can I open for you again? And like, you have any other gigs? And I'm like, you know what? He's funny. He's nice. I would take him to lunch and like, I treated him the way I wish people would've treated me when I was that age, you know, and younger or whatever. And and some people did. And it meant a lot to me, you know? And like I knew he's special. I knew he is gonna do something, but how do you know he's gonna be like in two years? You know? Wow. And but he opened, he was my opener in Dallas like seven months ago. And now he's like, he's gonna be in la I'm like, can I, can I open for you on your showsMichael Jamin (00:33:33):? IsTaylor Williamson (00:33:33):That right? No joke. You know. Wow. Like, and and I'm actually coming, I'm working on a, what's kind of special too is like me and Chip Pope, you know our friendship. Yeah, yeah. We, we were, I said to Chip cuz I, I talked to my friend who was producing a thing for Netflix, like a new faces type thing for standups in like February. And I was like, you gotta get this guy Ralph and audition. And so we came out for that and I was like, Ralph is so special, we gotta come up with an A show for him. And like, so we've been talking about it for a while and now serendipitously he's become like this little superstar. He's in Dallas and he's, he got represent, he's got the biggest agent and biggest manager. He didn't have to move to la he didn't have to move to New York.(00:34:13):He's staying in Dallas. It's, I'm posting on social media being funny and working hard. He was seen the, the Alleg. So anyways, but so we're, we're working on a show with him now, which I'm really excited about a scripted show. And wow. But the last thing I'll say on that is the confusing thing for me is it used to be you tap dance for like a, a, a gatekeeper. Like trying to get some kind of producer to like, I hope they were your email, they booked me or whatever, whatever. Now you're, you're trying to make an algorithm like youMichael Jamin (00:34:44):Well, but I, but I think it's more about, cuz I say something like this as well as people are saying, well how do I break into Hollywood? How will you read my script? Will, like how do I get a manager or agent? It's like, dude, all of this stuff you could do on your own. Yeah. You, you don't have to beg for permission. You just do it. Yeah. They do it and make it great and people will come to you.Michael Jamin (00:35:07):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Taylor Williamson (00:35:31):You know what's funny? It, it sounds k like easy for you to say or it sounds kind of like, like bullshit advice on mm-hmm. at first. Like, like how I used to, I remember they, how do, like an agent will they find you? How do they find you will get it seen by them? Well, we gotta get booked. It, it was just like, but what comes first? Chicken and their egg kind of thing. Whatever. And what you just said sounds the same, but now is like, someone's been around a long time. You're right. And it sounds not fair and it sounds ridiculous. I'm seeing it all day and like, can I tell you my agent, I, I'm with a great agent at a great agency and like they rep Dave Chappelle and stuff. He's not, I, I don't think I'm speaking out of turn for, I don't know. But like, I mean, he would come on and say the same thing. He would say, it's the somebody he told me a few months ago, if you're on tonight's show, it's not going to, it's not what it used to be. Right. My, I he didn't say this, I'm saying this, but I bet my agent would rather represent somebody who has a million Instagram followers than someone who was just on this Tonight show.Michael Jamin (00:36:32):Right.Taylor Williamson (00:36:33):And has no followers and but has potential and like they, you something special. It's not the current, it's a more valuable currency to have a big social media following than to have been on Jimmy Fallon.Michael Jamin (00:36:46):Interesting man. It's changing so much. It's, but see, to me, I, I would think that gives people hope because it's like you, you're more in control of your destiny than you think you are. You meets empowering, you know,Taylor Williamson (00:36:59):It's, to me, it's stressful for me. It's stressful because like, I was like climbing this ladder for so many years and then the the then like game changed. Everyone's on this other ladder. I'm like, what about this one? But this one, everyone's like, Hey, have fun over there, but we're over here. So beat them or beat them or join them. What is it? Join them or, IMichael Jamin (00:37:16):Don't know. Well, what is your, like what, what is your goal? What at this point you're traveling, you work all the time, every you work every week that you wanna work.Taylor Williamson (00:37:25):Yeah. You know, it's confusing coming outta Covid. It's confusing. I've had, I had like some almost things that went to shit cuz of Covid. I had like a thing that was supposed to happen. Like I was gonna start working for Fox. I always liked wrestling. You know, we talked about that and like, yeah. And I was gonna start being a correspondent on Fox primetime being like a daily show type correspondent. But for wrestling stuff, like talking to fans and wrestlers and celebrities and like that kind of thing. So I was gonna be on Saturday night primetime Fox WrestleMania 2020. And like, and then if that went well, it'd be, I'd be on the weekly Fox Sports show after that.Michael Jamin (00:37:59):But why is that? WhyTaylor Williamson (00:38:01):Is that Covid Covid shut down Covid? No, no audiences, you know, so then, right, that was on Fox. And then since, by the time then Fox canceled the show I was gonna be on before Covid stopped being closing down everything. And then by the time fans came back last year, w b kind of transitioned to n b nbc. So Fox is kind of like, we're not gonna keep making this kind of stuff cuz you're withMichael Jamin (00:38:26):Nbc. Well, why do you care? The, because is it more about the exposure about the moneys about the lifestyle or, you know, cause that's, it would've Fox comedy,Taylor Williamson (00:38:33):But I would've gotten to be a, a comedian. I would've gotten to be Taylor being silly. I wouldn't be work. That wasn't a job working for ww it would've been a job with Fox Uhhuh . So I would've been same as Frank Callo and Rob Riggle do for NFL's Sunday, you know.Michael Jamin (00:38:48):Oh, I didn't know that. Frank Callo isTaylor Williamson (00:38:49):That? Yeah, he's, I mean, Frank's been doing that for a year, for 15 years, probably. Like, oh, John Madden impression got like, blew him up. Yeah. That's probably, that's probably bigger for him than Matt TV maybe.Michael Jamin (00:38:59):Right? ThatTaylor Williamson (00:39:00):Sounds interesting. So, so that would've been a thing that led to more hosting opportunities and just like, I'm so grateful for America's Got Talent, but my struggle has been I, I'm always confused on these things. Am I supposed to talk about how great I am and how great perfect things.Michael Jamin (00:39:14):We, we talked, we're honest here on this podcast,Taylor Williamson (00:39:17):. Yeah, yeah, yeah. No, I think, I think it's important to share stuff. And that's a, that's honestly another confusing thing in this business too, is it used to be, I remember talking to Tommy John again about this. Do you know Tommy?Michael Jamin (00:39:28):No.Taylor Williamson (00:39:29):He's a brilliant standup who's just become a superstar TV writer, producer, Uhhuh . And but he's like this killer stand up. And but I remember talking to him, we did Last Comic Standing in TW 2010, and I remember him saying, I don't respond to fan mail. You gotta pretend Brian Regan doesn't turn to fan mail. You gotta be like, you're Mick Jagger. You know, you gotta make the crowd think that you're famous. Like that's the, that's the attitude that people had. You know, like,Michael Jamin (00:39:54):But now it's not that.Taylor Williamson (00:39:55):Now it's like if you don't return an email, like, or a DM or don't resp, people think you're a jerk sometimes, you know? IsMichael Jamin (00:40:01):That right? You're supposed to respond.Taylor Williamson (00:40:03):It's confusing, especially during Covid, everyone's doing Instagram lives and interacting and stuff and like mm-hmm. , I don't know. I I need you. I don't know, people, people wanna be friends with you now or feel like they're friends with you. Yeah. I don't know if there's a point to this, but oh yeah. So now, but then now also people want to hear artists be vulnerable and talk about like, yeah, things are hard right now. Like yeah, like Covid shut down my career. I couldn't work for a year. Like, right. Some people, I don't know. They, they leaned into the TikTok and all that stuff. And for me, that wasn't healthy for me, for my brain to just go hard on that. And, but anyways, it is a confusing business and but I have a lot of cool things going on too, and a lot of potential things. AndMichael Jamin (00:40:48):So why did you, because you're from San Diego, so why did you move to LA then for that reason to be more connected to other opportunities?Taylor Williamson (00:40:55):I moved when I was 18 and I had to go to college. Oh. And I got into Cal State Northridge one of the greatest schools in the country. It's like Harvard. It's like Harvard and HarvardMichael Jamin (00:41:05):On the highway.Taylor Williamson (00:41:07):.Michael Jamin (00:41:08):,Taylor Williamson (00:41:08):Is that what they call it?Michael Jamin (00:41:10):? Maybe. I, they call the school that they don't call thatTaylor Williamson (00:41:13):I've never heard of. That's funny. But yeah. So I got, but it was my excuse to move to LA and I, I wanted to be, well, I thought that the owner of the comedy store's daughter likes me. I thought I was gonna be like, I was so a little bit too tenacious, like cringeworthy going for it, you know, like I remember calling the comedy store saying, I took Sandy's comedy workshop. Michael Jamin (00:41:33):.Taylor Williamson (00:41:34):Yeah. And you get it. But just knowing,Michael Jamin (00:41:35):But you're a kid.Taylor Williamson (00:41:36):I'm a kid. But like, just knowing who is answering out the fucking bitter door like phone guy, like, yeah, thanks buddy. You know what I mean? Like, they were nice to me. Actually, I remember I talked to the guy who, I think it was Duncan Trussel, who's a great comic. I think he was the talent booker at the time. Anyways. But I moved to LA and then I went to New York for a couple years. But now you don't have to live anywhere really. It's really Right. My, my girlfriend's an actress. She's living in Atlanta now. And she's on big shows. She's on huge shows. But like, that's where you don't because they they film in Atlanta. Right. You don't have to, you don't have to. It's really weird cuz everything I've , I'm talking like I'm 70, but like everything, the rules, it's completely like, like, like an, it's like a, like an earthquake and everything is all different now.Michael Jamin (00:42:27):Yeah, no,Taylor Williamson (00:42:28):I can, and it's not bad at all. It's, it's good in many ways, but it's confusing for like an old man like me. Like, wait, this is how it is. This must be how racist people feel. You know, like, yeah,Michael Jamin (00:42:39):Right.Taylor Williamson (00:42:39):We like diverse, we like minorities. Now what?Michael Jamin (00:42:44):But what I want have other things. I wanna men get to you cuz I, you know, so much to,Taylor Williamson (00:42:49):I don't sound sad, do I? I'm, I I think it's information to share with a fellow artist,Michael Jamin (00:42:54):Listeners. I, I think this is super interesting. Maybe I, I love this conversation.Taylor Williamson (00:42:58):I got a puppy for the people watching. It was a cute puppy.Michael Jamin (00:43:00):I don't think that's a dog though,Taylor Williamson (00:43:02):Sir.Michael Jamin (00:43:03):How dare you?Taylor Williamson (00:43:04):I enjoy your humor most of the time. But when you talk about the love of my life is beautiful. She's Jewish by the way. She says happy Hanukkah. WhatMichael Jamin (00:43:12):Is your name again? Your dog?Taylor Williamson (00:43:13):This is Betty.Michael Jamin (00:43:14):Betty. I didn't know that. I didn't know that was her name.Taylor Williamson (00:43:17):Well,Michael Jamin (00:43:18):You don't know why is she squint? Why is she why is she squinting like that? Why is she eye fucking me like thatTaylor Williamson (00:43:22):Sir? How dare you? She's, she's falling asleep cuz she's comfortable looking in your eyes.Michael Jamin (00:43:28):Oh, she's, ah, she's in transplant my eyes. I wanna talk because I wanna talk about how you transitioned from writing just jokes. Like you're saying you wanna be like, do a Mitch Headberg head.Taylor Williamson (00:43:38):Oh, that transition.Michael Jamin (00:43:39):Yes. But then not the other one. Not the yeah, not the other one, but you kind of, how you found your voice.Taylor Williamson (00:43:46):Yeah. That's one of those other things that people go, like, when people say how long does it take? There's no rules, but like how long does it takes you to find your voice? I think Pan, I could be making up a complete story, but I feel like he said it took 20 years for him to become like, to really find his thing, whatever, while people say 10 years, whatever, there's no rules for anything. Like you could have a car that's 10 years old, but you can drive it three times. That's not the same as someone who does 500 shows a year and hustles whatever. But like, and some people have, we've all, I started comedy when I was 17 and I was, wasn't a full human. So like I, I didn't know have things to ex life experience to talk about things. Everyone's and everyone's lives are different.(00:44:23):Whatever. There's people who start, there's this special guy who's he just passed away, but he was in his eighties shoot, I'm gonna find his name before we hang up on this cuz he's so special. He is worth mentioning. But he was 80 in his eighties doing standup comedy and he started, and he had all this to talk about and it was really cool. And I'm gonna talk to you while looking his name, but how did I find my voice? Is that the question? Yeah, yeah. I dunno. You just live your life and you keep doing it. And like the, my favorite compliment I get, and the first time I got this was really made me happy. Someone said, you're the same onstage as offstage. Like, well,Michael Jamin (00:45:02):But I would say though, from watching you, I would say you're onstage, you're 10% more thanTaylor Williamson (00:45:07):Yes, you are off stage. I mean, the way you're,(00:45:11):You're an observant Jewish comedy writer. So you can see, you can see that. Yeah. Ideally it's you with the volume turned up, you know? Right, right. So yeah, like, but I used to be, if someone's bored and wants to see it, like my first Craig Ferguson appearances on YouTube. So if you'd having Taylor Williamson, Craig Ferguson in 2007, I tried not to smile. That was my shtick. And like, that's the problem, like, cool problem. Like, it's not good or bad, but being seen early, you're being seen while before you know who you are. But then, as you know, as a writer or artist, this is always so frustrating to me. But now I try to look, I I have to remind myself that it's a positive thing. This is what, this is what I got from the comedy workshop. Sandy Shore said to me, rest in peace, Sandy.(00:45:58):She said, after my set, I destroyed my, my first set I demolished like, like it was ridiculous. But I'm saying that not to practice sound like an asshole. But my point being, it went so well. And then I walked up stage and she said to me, in six months, you'll be embarrassed by that. And I was like, fuck you lady. That's my head in my head, you know? Right. I didn't know what she's talking about, but I've learned, and I still feel like that when I listen to a tape of my, I record all my stats on the audio. I look, I, if I listen to some of them from a year ago, I used to go, Ooh. But that's good. That means you're getting better. You know, you'reMichael Jamin (00:46:28):Growing. How often, how do, how often do you write new material and how do you go about writing the material?Taylor Williamson (00:46:34):I used to be really good writer, like writing every day and all that stuff. And then cause I'm more, I really see myself as a joke teller, you know? And oh, by the way, answer your question is, you'll see how I evolve the second time's on Craig first, and I'm smile. I'm trying to smile, I'm trying on purpose to smile, and then I still remind myself to smile on stage. Right. And I remind WhyMichael Jamin (00:46:56):Do you feel like you have to, why do you feel like you're not smiling?Taylor Williamson (00:46:59):By the way, Marty Ross is the guy in his eighties who's really special. Look up m a r t y, Marty Ross. He's an 80 year old comedian. Anyways. But and and I, I think it's my, I was always just appalled by, I had such extreme judgment for comedians who walk on stage, like, whoa, I'm a comedian. You know? Like, I love Robin William. Like, like I love the legendary guys like that. But like, like I would do open mics and I would watch a guy go on stage and just b like give it his all. And there's two people in the crowd. And like, it just made me so uncomfortable. Mm-Hmm. , this is clearly my problem, not theirs, you know? But I think I have a, I don't know, I, one of my struggles as a performer is I, I don't know, I don't know how to articulate it. Like, I feed off the audience. Like, if the audience likes me, I work harder and I do better. Yeah. But if they don't like me, I kind of have like a Fuck you. I don't, I don't care. You know? Right. well,Michael Jamin (00:47:57):How do you go about writing your material then?Taylor Williamson (00:47:59):Yeah. I don't, I, I've gone kind of lazy lately in the last 15 years, . But like, I kind of work out on stage. I have ideas. I mean, it used to be even beginning of my lazy face, Twitter, remember Twitter used to be for jokes and stuff. Yeah. I was just like, oh, that tweet did good. I'm gonna try to turn that into a bit. But the problem with tweets, from my experience, for me, it was more premises than punchlines. Mm-Hmm. , like, I remember I had some joke, some tweet, they got a lot of traction. I forgot what it was, but something about like,(00:48:36):This cop keeps following me. He must really like me. Or I don't know what the joke was, whatever. But I remember just saying it on stage and it bombed. Mm-Hmm. . But I re I realized, oh, it's a premise. Right. It's not the funny part. Right. So that was confusing to me. But now I, I write ideas in my notepad just randomly. Then I go on stage and I fuck around and I kind of sandwich new ideas between between jokes that work already. So I have a, I go, I have a good opener. I open strong and then I might do two, two jokes. I know work, and then I'll just ramble on something new. Cause I'm also trying to become less jokey. I'm trying to become story storyteller guy, which is very, very terrifying to me. And I still haven't figured it out.Michael Jamin (00:49:18):That's interesting. So, because you don't wanna just constantly be testing out material because you wanna people, you also wanna show people your best stuff cuzTaylor Williamson (00:49:26):The Yeah. Like when people comes, and that's something I, I blows me away that like, there's comedians that don't do, like I work out the comedy store in LA mm-hmm. and like, we still have to bring it. Like, you can't go, it's not open mic night for me, but it is for, I don't know, George Wallace if he comes in, you know what I mean? Like it can be, but he's still gonna be funny cuz he's George Wallace, you know, but who I don't, I think I've seen there once in my life. I don't know why I'm using his name because I don't think he was gonna la but like but there's like, in LA you work out and then when, when I go on the road mm-hmm. , it's 93% ready to go. Right. And if the crowd's with me, I mean, I'll, I'll do something else. But I think as you get better and do this long, you don't bomb anymore.Michael Jamin (00:50:13):Right.Taylor Williamson (00:50:14):You kind of know how to, like, I know how to recover from a joke not working. Like I, I can bomb have a joke bomb, and then I can say something and then the crowd's with me and then I can move on. Like, like it never happened, you know? Right, right. Like, I don't let it, it destroy me or the performance.Michael Jamin (00:50:28):Yeah. I remember we, we saw you. I don't remember where we but club we saw you at, butTaylor Williamson (00:50:32):You probably the improv,Michael Jamin (00:50:34):I always forget. No, no, that's not Melrose. I don't think, I don't think it was that one. I thought it was like, maybe the comedy story. Is that possible? OrTaylor Williamson (00:50:41):Maybe,Michael Jamin (00:50:43):But you were so comfortable on stage, it really was like, wow, this guy's really, he knows w

The most easily recognized teachers in our culture are on the big screen. So when we think about good teaching, it's almost impossible not to think of Robin William's character in Dead Poets Society standing on a desk and inspiring his students. This might be part of the problem. When teaching is associated with unrealistic Hollywood characters, it can create impractical or ridiculous assumptions about what teachers do. In this episode, we hear how the stereotypes of teachers may be contributing to teachers' decisions to leave education. Music: Theme Song By Julian Saporiti “NPC Theme” by HoliznaCC0 is in the Public Domain. “Sunny Afternoon” by HoliznaCC0 is in the Public Domain.  “Infrastructure” by Scott Holmes Music is licensed under a  CC BY-NC license. “Just a Blip” by Andy G. Cohen is licensed under a CC  BY license. “Room With a View” by Jahzzar is licensed under a CC BY-SA license. Movie Clips: Freedom Writers (Paramount Pictures) Dead Poets Society (Touchstone Pictures, Walt Disney Studios Motion Pictures) School of Rock (Paramount Pictures) Ferris Bueller (Paramount Pictures, United International Pictures) Transcript:  Episode 3: “What Would Robin Williams Do?” There is a picture-day-esqu photo on my parents' fridge of me sitting on my dad's lap. I am wearing a tie-dye shirt and my orange hair is in its natural state of an Eddie Munster widows peak. My dad is in a blue button down and has on a tie. My cheeks crowd my eyes, my smile is so big. My dad, who doesn't always smile for pictures, has a cheeky grin.    This picture was taken around the same time that my dad squatted down to eye-level with me and said: “When people ask you where you got your red hair, you tell them the milkman. Okay?”   He didn't make a big deal about telling me this. It was just a directive, and I said okay. I figured, yeah, that makes sense.    So as adults would come by, ruffle my hair and say things like, “Oh my, what pretty red hair. Where did you get hair like that?”   I'd look up at them, smile, and tell them, “The Milkman.”    They would guffaw, cough down a drink, blush, and I'd try to explain, “You know, because he delivers things.”    And they'd laugh out an “I'm sure he does!” and find my dad who would have a grin settled between his bouncing shoulders as he muffled a laugh, and my mom would say something like “G-uh, Darcy Joe”   Not to be heavy handed, but the stereotypes of what a milkman may or may not do when visiting people's homes is what makes the joke land. This joke was lost on me until high school. I didn't understand the baggage associated with being a milkman.   Language matters. Words like milkman have connotations - they carry weight or have stereotypes attached to them. That's why I can't flip someone off and say, “Why are you upset,this means joy to me.” There are too many representations of middle-fingers that situate the digit as a symbol of the obscene. Repetition and representation give meaning.    The middle finger or terms like milkman or teacher, carry a history of expectations and stereotypes. Last episode we heard about the historical inheritance of teachers, which is significant in how we view modern teachers. But history isn't the only thing that impacts how we view teachers. Today, we're going to look at the teacher stereotypes in pop-culture and how these stereotypes can be contributing to teacher attrition. This is Those Who Can't Teach Anymore, a 7-part podcast series exploring why teachers are leaving education and what can be done to stop the exodus. I'm Charles Fournier. Here is part 3: “What Would Robin Williams Do?” Molly Waterworth: I've gotten to the point where I see any TV show or movie where some sort of plot device hinges on the inspirational teacher. And I just roll my eyes.   This is Molly Waterworth. We heard from her last episode, and she just left education after teaching English for 8 years. She points out a stereotype of inspiring teachers in media: Molly Waterworth:I just can't.  I can't stomach it because it's so saccharin. It completely obscures the fact that these inspiring teachers that are either drawn from real life or the product of someone or someone's imagination, it completely obscures the fact that their inspirational teaching is very likely the outgrowth of massive mental health deficiencies. And like a complete imbalance of where they spend their time and where they're getting like their soul fed. Inspiring teacher stories make me feel awful.    That shouldn't be the case, right? Inspirational teacher movies should INSPIRE. And they can and they do - they inspired me - but what Molly points to is a nagging reality in many inspirational teacher stories.    Dead Poets Society Clip   As you can hear in this scene from Dead Poets Society, Mr Keeting, played by Robin Williams, pushes his student, Todd Anderson.. And in this unconventional way Mr. Keeting helps Todd start to gain some confidence and see his potential. Similar scenes occur in other famous teacher movies, like Mr Holland's Opus, or Freedom Writers.    These movies project a fantasy of heroism onto education, and people love it. Inspirational teacher movies are usually underdog stories: A  teacher rails against convention and inspires and does amazing things for others no matter the personal cost. We are attracted to this as a culture. We want heroes that are selfless. We want to see ourselves as capable of being like Robin Williams' character in Dead Poets Society.  And the way these movie teachers influence kids…man, that's the dream.  But, several if not most of the teachers in those stories that inspire don't have the healthiest work-life balance. They give everything to their students - time, energy, love, inspiration. And these movie teachers inspire in the public comments like, “We need more teachers like this” or “I wish teachers would be more like (whatever movie teacher).” But we need to ask, what is expecting teachers to fit a stereotype asking of real teachers?   Think of Freedom Writers, a movie based on the real-life Erin Gruwell, who is played by Hillary Swank. She is the epitome of the inspirational teacher stereotype. Halfway through the movie, her husband leaves her because she is spending so much time focused on her students,  Freedom Writers Clip  The film creates a feeling that the husband might be unrealistic. As an audience, we're rooting for Erin Gruwell because she does amazing things - her husband points this out. And don't get me wrong, Ms.Gruwell is phenomenal and her story is amazing, but there might be danger in presenting this story as a precedent for what good teaching looks like. Yes, she is a good teacher, but at what cost? In most other films about different careers, it's likely the main character would realize that work is taking too much and family is more important, but not in inspirational teacher movies. Expecting teachers to do what Gruwell does is expecting teachers to forfeit their own lives for students. It's expecting martyrdom. This is a stereotype.   And the reality is different. Molly Waterworth: We're not martyrs, and we're not perfect. And there are things that can be said about the profession as a whole and certainly about individual teachers that needs improvement, absolutely. But I think a lot of it maybe stems from just this sense that teachers aren't entirely human - that we are saints. And so therefore, we shouldn't worry about all of these factors that are making our jobs harder, because we have this big calling on our lives that turn us somehow into people that don't have needs. This language that surrounds teaching is significant. It feeds the stereotype of selflessness, which in turn has an impact on how teachers are treated. Right now teachers are feeling burned out because this stereotype is unrealistic - it's creating an expectation that makes teachers want to leave education.  I met up with Rachael Esh at Welcome Market Hall in Sheridan, Wyoming on the eve of her very last day as a teacher. Rachael Esh:  It's a bit of a stereotype with teachers. It's like, Oh, this has been your calling since you were this age, or since this teacher impacted you. This idea of a calling is that you don't teach for the money, you do it for the kids because it is what you were meant to do. It is your destiny or purpose. A quote unquote “calling” can create a sense of guilt in teachers when they realize, crap, I'm not getting paid enough for this, which is in contrast to the narrative surrounding  teaching like Molly points out: Molly Waterworth: People don't get into this for the money, why would they? But they're in it for the kids, and they're in it for that sense of purpose and mission. That's like, “Yeah, but I also would like to be paid.” So to have a calling is to feel like teaching is more than a job, more than a paycheck, it is a clear directive from some higher power for the direction your life should take in service of others. Rachael didn't feel like that stereotype matched her experience. Rachael Esh: And I don't feel like that's usually the case. It's more of a roundabout zigzag pattern. This surprised me. I grew up wanting to be a teacher because, as Rachael said, I had some amazing teachers leave an impact on me, but I never thought teaching was my calling. It was something that sounded cool, and it was made cooler by movies like Dead Poets Society. I wrote the movie's motto, “Carpe Diem” on all of my notebooks. And I liked reading and writing and teaching people, and teaching would give me a chance to coach. Not once did I get the sky part and shine a light on my career path. It wasn't a calling, and of the 30 teachers that I interviewed, hardly any of them felt like teaching was their calling either. For Rachael and Molly, they had different plans with where their lives were going to go. Rachael Esh: So my undergrad I actually got at Ohio University in environmental biology, and so I thought I was gonna maybe do field work or something like that. Molly Waterworth: I declared my major as geography, but I did it with the intent of being able to go into the forest service. But I found out pretty quickly that I really didn't care about any of my classes. And I found out that I was going to have to take calculus and I wasn't interested in doing that. So I kind of bounced around into various humanities areas. And both Rachael and Molly landed in education because they each had a summer experience in college that put them in front of kids. Rachael took an internship teaching environmental education and Molly went to China with a group from college and got to help kids with their conversational English. They both found their way to being educators because of positive experiences teaching kids. Rachael Esh: So I knew I either wanted to go on to park service or education after working with kids then. And so it kind of just worked out that getting my degree in education was just more accessible, and I kind of wanted to separate my fun time, which was like outdoors, from my work. So I decided to kind of go into education. And I mean, the kids are never boring. So you're like, well, heck this. This beats an office job any day of the week. And when Molly returned from China, she declared first as an elementary teacher.  Molly Waterworth: I think that when I envision myself being a teacher, I thought of myself reading with kids, and talking about literature and talking about books and big ideas and stuff like that. And so at that point, I had the very obvious revelation that I should be a secondary English teacher because that would afford me that opportunity most often. So that was kind of my meandering path into into There was no bright light for either of these teachers, no calling. Nothing so profound. Like most people, they stumbled onto their desire to do a job because they took advantage of an opportunity and realized, “Hey, this isn't bad.” And Teaching wasn't a last option for either of them. They weren't failing at other things in life, which is tied to another stereotype of teaching. If teachers aren't depicted as martyrs, they're often seen as selfish or deviant or lazy or dumb or boring, like in Ferris Bueler's Day Off. Ferris Bueller Clip And this image of teachers perpetuates the idea that teaching is a last ditch option for people that can't do anything else. This stereotype often leads to a willingness to discredit teachers as experts in their field. Not being seen as experts in their field is a major reason teachers gave for leaving teaching.  For Molly or Rachael, they became teachers by choice. They didn't need to fall back to something easier. It wasn't a School of Rock scenario, where Jack Black's character, Dewey Finn, hits rock bottom before becoming a long term sub proving that someone with no qualifications can be a better teacher than trained and dedicated teachers - a trope that we see over and over again.  In the film, Jack Black's character even draws attention to a common saying that is tied to education.  School of Rock Clip Dylan Bear is a PE teacher in Pinedale, WY. We sat at a picnic table in front of his house with a view of the Wind River Mountain Range, while we drank coffee, snacked on a loaf of banana bread he was gifted from a student, and talked about these sayings and images surrounding education.  Dylan Bear: I think another thing, we've gotten a lot of quotes, like funny quotes in the society, like, oh, teachers, they take these jobs for June, July and August. I think that's something that needs to stop.  What Dylan has noticed is the negative lens with which culture and Hollywood has viewed teachers. Like I mentioned earlier, we stereotype teachers as good or bad, the marty/savior type that saw teaching as a calling or the boring/lazy person who saw teaching as a backup plan.  But, Dylan, like Molly and Rachael, didn't see teaching as a calling. He didn't see teaching as a fall back career either. Dylan Bear: So I started off as an engineer, and those were just not my people. And I was looking more for a little more social environment, a little more high energy versus analytical, consistently, day in and day out. And so I went from engineering to math in secondary math education because I liked working with kids. And then after a few years of that three years deep, looking at all the papers all the time, I just couldn't do it, so I switched from math. I was actually sitting in Prexy's Pasture and Laramie. And the special ed teacher came and sat down next to me and she said, What are you thinking about? Instead, there was my longboard. I said, I don't know if I can do math the rest of my life. Would you rather be teaching math or out playing a field, you know, and I thought like instantly. Dylan would rather be out in a field. Teaching was a good path for Dylan - not a calling and not a last ditch option. He takes his job seriously, and he is someone that plans on teaching for some time. And when Dylan started feeling a little burned out, he moved towns and got a change of scenery, so that he could keep teaching. He isn't naive to the reality of burning out or how difficult the job is, nor is he jaded in thinking that anyone could do this job. The key word here is reality. The reality of a teacher is that teachers are human, not a stereotype. We make mistakes and we have successes and we make some profound impacts on kids and we make some mediocre impacts on kids.  Dylan Bear: Some teachers are really good, and some are really lazy. And some kids are really good, and some are really lazy. So it's like, we don't want to paint a broad brush over everybody. And I think sometimes we do an education because there's so many people in education. It's like one of the leading job forces out there. So you hear these stories that are negative about one or two teachers, and then you say all I'm doing the same with kids. I hate when people say, kids are always on their phone. It's like, no, no, some kids are on their phones. Some of them are waiting for you to talk and give them a good lesson. I think education gets those broad brushes which devalue people. And that's a dangerous world.  Dylan recognizes the need for grace and the danger of broad generalizations of any groups. He recognizes the fact that people are human, but sometimes we only get a snapshot of education, which creates these generalizations that feed into the stereotype of teachers as either good or bad. Dylan experienced this first hand when he had a student continuously refuse to take off his hat.  Dylan Bear: I was like, This is absurd. So I'm a climber, and so he was playing badminton, and I popped his hat off and ran up and jumped up the basketball hoop and climbed in the rafters and hung it from like, the highest point in the gym, like, 50 foot up. And yeah, not very smart, but it was like, I didn't think about it, but kids Snapchatted it. And all the kids came like, “Oh, we saw you but it was out that was so funny. That it's like you have to be aware of that.”  The snapchat of Dylan only includes his climb. It doesn't include the warnings he gave the student from that day and previous days. It doesn't include Dylan's positive relationship with the student and the students' family, or all of the normal/positive interactions Dylan has with his other students, or the mundane aspects of his job that he does everyday. The Snapchat lacks context, and this is how stereotypes begin and are fed. A single image becomes the representation of the whole - even if it is a fragment of the reality.   This is the kind of thing that becomes an overgeneralization - a stereotype of teachers. These stereotypes are on social media and in movies and they contribute to cultural narratives about education that are unrealistic. Some of these glimpses and snapshots might be part of what teachers expected education to be, which is misleading and could be contributing to the disillusionment leading to teachers quitting. Here's Molly again. Molly Waterworth:  I think that the image probably came from a couple of places, a selective memory of my high school and middle school classrooms. So thinking back to those good experiences that I had as a student, I was like, “Okay, I want to create that for other people.” But I also had it in my head, the the image of the cool, thoughtful, worldly literary teacher that you see in like Dead Poets Society or any number of  other movies like that - opening up doors and exploring identity and figuring out who we are all along the way.  Dead Poets Society Clip I love Dead Poets Society, and Freedom Writers, but I remember telling my wife, after our first week in real teaching jobs: “This sure as hell isn't Dead Poets Society.” I had been fooled with what teaching would actually be, and this is also an image of what the public seems to see of educators. They want the engaging classroom, the teacher that inspires, and don't we all. Or they expect the lazy, boring, slacker who got into teaching because their real goals didn't pan out. But education is more complex than a movie.  Molly Waterworth:  The crushing reality of grading was something that I hadn't quite prepared myself for. I think that I knew going into teaching, because obviously, you know, that you're going to have to grade and that's part of the job. So the grading part was overwhelming. You never see in movies, like staff meetings, or having to figure out the copier or the deeply existentially difficult process of figuring out the culture of the building in your first year. Just the kind of mundane but deeply tangible on a daily basis struggle of making sure that everything fits in your lesson plan. Like that's not glamorous. But it's, it's the part that makes or breaks you as a teacher of just balancing the day to day and making sure that you're hitting your standards and teaching the stuff that you don't care about, but you have to do anyway. Like, Robin Williams isn't gonna do that. I would love to have a b-roll version of Dead Poets Society where Robin WIlliams' character, John Keating, sits for 4 hours grading papers, intermittently standing up to stretch, get a coffee, shake his head and mumble things like, “I swear we went over that.” Molly Waterworth: You never see an inspiring teacher movie where they are tracking missing assignments. You never see them answering the onslaught of emails at the end of the semester, asking how to get my grade up. You never see that. You see the inspiring parts and that's it. Never the work that it takes to get there. So we see teachers that either act as martyrs like Keating who, don't forget, gets fired at the end of the film after a student kills himself, or we see teachers that make real teachers cringe. Molly Waterworth:  I remember watching Glee when that was out.  And it was not just unrealistic, but it was just so I thought it was insulting the way that the teachers were showing their like, as just unserious. Too involved in teenagers' lives. And, like, really, really concerned about both of those things. That I was just I couldn't do it. I couldn't put up with it.  And again, why does this matter? Why does it matter that depictions of teachers are unrealistic? It honestly wouldn't matter if these depictions didn't seep into how teachers are currently being treated. If the cultural view of education remained realistic. But this is how stereotypes work. We may recognize a stereotype as wrong or dangerous, but they can still seep into our behavior.  And they influence what parents expect from teachers, what students expect from teachers, and even what teachers expect from themselves. If teachers buy into the stereotypes, they may be striving for a sense of perfection and martyrdom that is unhealthy and unrealistic. So it's up to us, all of us, to push against these stereotypes. Like any other cultural stereotype, we need a massive cultural shift in how we think about teachers, which often starts with how we represent and talk about teachers.  Unless we become conscious of our biases or of these stereotypes, things won't change, and in the context of teaching, teachers will continue to quit.  The misconceptions surrounding teachers and education are very much influenced by what folks see on a consistent basis. This isn't to say that there haven't been realistic depictions of teachers. I love Tina Fey's character in Mean Girls. She was quirky and smart and imperfect. Her character felt more real to me, but this is an outlier in teacher representations.  Stephanie Reese: Culturally, I think the media shows teachers as “Man, they just work tirelessly.” You might recognize Stephanie's voice from last episode. I met up with her at Blacktooth Brewery in Cheyenne, she's the general manager there. Stephanie taught PE from kindergarten to college, and she left education after 8 years. She points out how some of the perceptions of education bleed into the expectations placed on teachers.  Stephanie Reese: They just love what they do so much. They love kids. They're willing to put in all these extra hours, because they just love what they do. And they're okay with that. And, and that doesn't actually give teachers a voice. And that, to me is bullshit because teachers are tired, they're exhausted, they're stressed to the max there. Some may love it. And fine. If you have that intrinsic motivation to love something without getting anything back. That's amazing. You are a superhero.  When being a teacher is associated with loving kids as Stephanie points out, does that mean that leaving education means a loss of love for the kids? Or that not wanting to put in the extra hours is because teachers don't love the kids? This rhetoric is dangerous and it isn't helpful when thinking about why teachers are leaving. When teachers decide to leave education, they often hear, “You can't, you're so good for the kids” or something to that effect. This is said in praise, but it actually ignores what teachers are dealing with and it pushes this cultural stereotype that teachers ought to be willing to give everything for the kids. The reality is, the list of what teachers do, the extra work teachers have, is tremendous and all of that work rarely makes it into films. Here's Dylan. Dylan Bear: It's funny when you asked me to do this, I looked up, like, what are the job requirements for teachers and there was like, on the, on the description, it was, like 30 bullet points. It was incredible, like, lift 50 pounds, walk 100 yards. When Does anyone do that? We think teachers are just this, like square. But it's not, it's this open ended job that you can work your tail off forever, you know, or you can do the minimum and you still get paid the same. So it's like, I think a lot of people want to know, like, here's your job, and here's what you're gonna get for it. And that's not the case in teaching.  And that list of job requirements is long and ambiguous and continuously added to. A big portion of what it means to be a teacher isn't simply “to teach” or “to inspire.” It's to manage a huge amount of expectations, which doesn't often get included into the stereotype of teachers, and if it does, it's only for a moment.  Stephanie had strong thoughts about what teachers are expected to do.  Stephanie Reese: This isn't going to be a positive one, Charles, I hope that you're not like, brace yourself, right? I'm not gonna sit here and say, oh, yeah, teachers are here to inspire teachers are here to you know, try to spark some sort of love or interest in something and help every single kid and blah, blah, blah, blah, blah, like all that sugar coated shit. Fine. That might be the case. But to me, and I know a lot of teachers who agree, it's babysitting. So our roles are just sit tight, do your best, try to get in something that's worth value. Or maybe try to teach his kids to be decent human beings.    The stereotype often clashes with the reality of teaching. Still many teachers try to live up to the inspiring teacher stereotype, which can be contributing to the sense of burnout lots of teachers are experiencing.  Many teachers, whether they intended to or not, have wrapped their identity around education, which is kind of a cultural expectation - they are one with the school. This can make being in public and trying to have a personal life kind of awkward especially in small towns.  Rachael Esh:Anywhere we would go. I'd be like, I can't go there. All my kids are gonna be there, you know? Or like, do you want to go bowling? No, I don't want to go bowling. So I have to talk to seven of my students online, like no, like, you know, so there's just places that I don't even want to go because I just get bombarded with children. Which is, I love them. But you know, you want to like, be away from work for a while and you're like, I've done this all day. I want adult time. It's adult time now. they'll walk by when I'm having a beer. I'm like, don't, don't you look at me.  The teacher advocating for healthy boundaries or focusing on mental health in a genuine way is not a common teacher stereotype in pop-culture. This has only started bubbling up more recently on social media with teachers and former teachers drawing attention to their struggles in the classroom. There have even been some new television shows that have started to address what teachers are struggling with. They are pushing against the stereotypes. This kind of representation can help restructure how we think about and discuss teachers.  Seeing teachers as stereotypes either creates standards so high it is absolutely unrealistic or we are creating a villain to be a scape-goat for all of our worldly problems. Both of these images are contributing to teachers leaving the profession, and both of these images are very common cultural tropes. To break free from stereotypes, we need to first recognize they are there and how they are working.  I teach about stereotypes when I teach rhetoric. One of my favorite lessons to teach is about binary opposition. We get to address stereotypes and how we, as humans, often categorize ideas and language into this or that, and how such categorization is often a logical fallacy.  Here's a quick look at how the lesson goes.  I start by asking students what a binary star system is, then draw it on the board. Binary stars are two stars that orbit each other. They rely on each other for survival. If one dies, the other dies. In this binary, one star is larger than the other, it carries more weight. Even so, if the other star dies, the larger star will also die.  How we categorize language and ideas is similar. Things are good or bad, and we often privilege one side of that opposition. And we wouldn't know good without bad. The poet Wallace Stevens wrote, “Death is the mother of Beauty,” which means, without death, we wouldn't know beauty.  At this point, a few of the students are nodding, others are usually staring, but as I move around the room, their eyes all follow me. This is when you know that you've got ‘em. Now, I move to the board again and ask the students to picture the perfect and stereotypical 1950s couple. I give a few seconds - they don't need long. Then I ask, “So, who are they?” Right away, students establish a white, able-bodied couple, made up of a man and woman. This is when I turn my back, marker ready, and say, “Okay, tell me about the woman.” They yell over each other rattling off the same image of a blond-haired, blue-eyed woman with a light color poodle skirt, wearing minimal makeup. She cooks, cleans, and takes care of children. Her only vices are gossip and the occasional cigarette. I then have the students describe the man. He's tall, has dark hair, wears a dark suit, and works in an office. His vices include drinking, smoking, fighting, and adultery.  In less than two minutes, my students always describe Don and Betty Draper perfectly. Then we continue with other opposing stereotypes under men and women. We agree that these are stereotypes as a class, but I point out that they came up with these opposing lists in about 5 minutes total. It takes that long because I can't write as fast as they yell out ideas. I tell them, even if they don't believe in these stereotypes, they are ingrained in their brains because of the culture in which we live, and if they're not careful, they might unconsciously let them dictate their behavior At this point, I pause the class and take a different colored marker and circled  qualities on both sides of the list. Then I tell the students, these are things that make up who I am. I have a lot of qualities under both men and women circled: I cry more than my wife, I am emotional, I like to cook, I'm terrible with vehicle maintenance, but I am also a woodworker, I was an industrial ironworker,  I've been in fights, I was a college wrestler. We talk about monoliths, and the reality that in a binary, most people live in the gray. We're not one or the other, and that doesn't make us less-than.  Even so, we tend to categorize ideas based on binary opposition.  Thinking back to the binary of men and women, I ask the students who is good and who is bad. Kids argue and defend, but we don't have a consensus. Then I ask who wears what on a stereotypical wedding day. Men wear black, black is associated with bad. Women wear white, which is associated with good, (which is problematic in its own right).  Inevitably one of the students says this isn't fair.  They're right - it isn't. That's the danger of binary logic, of assuming things are either good or bad. It creates an all or nothing scenario and double-standards.Binary logic is a fallacy.  Now, if we only think of teachers as either good or bad, we are forcing them into unrealistic stereotypes.  When teachers are associated with being martyrs, saints, nurturers, or people following a calling, and if all of this is seen and represented as good, then as soon as a teacher doesn't want to give their life to education or be like the teachers in the inspirational movies, then there is a cultural damnation that they must be bad or selfish or deviant or lazy or mean. It sounds ridiculous, but teachers are either leaving because the expectations for being a teacher are more than what they're willing to give, or they are seen as lazy and unintelligent. Either way, teachers are leaving as a result. As my students point out every single year, binary logic is simplistic and unfair and most things aren't simple enough to be one or the other. But, this is often how we interpret the world, it's good or bad, Democrat or Republican, wrestling or basketball. You get the idea.  So what can be done? As I said earlier, we need to first recognize that there is a stereotype and why that stereotype might be dangerous. Then, the next step would be to listen to real teachers and be able to differentiate stereotypes from reality.  The way teachers are talking about leaving education is not cinematic, it's real, and it's happening.  Unlike the stereotype, real teachers are listening to their friends and family.  Molly Waterworth: And I was talking about it with Ryan, and he was like,” Molly, you cannot keep teaching. You just can't because it ruins it ruins you emotionally.” And I'm like, Yeah, you're really right because I live for months with just dread, dread, and exhaustion. And you don't want to see anybody that you love feel that way. And it sometimes it takes that external viewpoint of like, No, this is wrecking you to to actually recognize that like, Oh, this isn't just something that I feel internally terrible about. It's obvious to other people. So this is a problem. They realize that education doesn't have to be a life sentence of martyrdom.  Rachael Esh:  I've given this job and these kids everything that I have, and I don't have anything left. And that's just the reality. And it's like, I had to pick myself over them. And it's, it's like, I love them dearly, and I care about them. But I can't put my mental health on the backburner for the rest of my life.  When people decide to become a teacher, I think everyone thinks like, oh, my gosh, you're a teacher, and you're going to be my kids teacher. And you're going to be a teacher forever. And like, that's your, that's your identity.  I've always felt like  this wasn't necessarily my forever career, like some people have. I was like, I'm gonna do this and I want to see how it goes. And the first few years, I was like, yes, like this is, this is my jam. I'm learning so much. I just started thinking I was like every year is just the same. I'm like  a permanent sixth grader, and I was like, I am not the kind of person that can stay in a job for 30 years if I don't have any room to grow in it. I just started seeing that cycle. And, when summer comes, it's like, such a huge relief. And then when you start going back to school, just the anxiety about thinking about that already. I was like, no, I would rather have a job all year that I am not going to be completely stressed out about.  What I heard teachers tell me is that they are dynamic humans, not cultural stereotypes. I feel that too. Teachers live in that liminal gray space in-between, just like everyone else. They are neither wholly good nor bad. So it would be great to see a cultural shift, teachers included,  in how we discuss teachers - it can start by framing them as complex humans rather than cultural tropes. This will include allowing teachers to voice concerns they have about the profession, so that things can be addressed and we can keep great teachers.  Now, a common cultural reaction to this last statement and to teachers airing their grievances in general, is to say that, “Well, they're just whiners.” So, if this was your reaction, it is a good time to review that lesson on binaries. If you thought the teacher sharing a concern was a whiner, then it seems like  you would prefer that teacher to remain silent. To, in essence, be a martyr. But just like binary logic, expecting teachers to be martyrs is not helpful and is based in stereotypes.  So it would be worth reflecting on our own stereotypes about teachers, and try to humanize them. They really are just humans. But if folks continue to struggle to separate real-life teachers from the stereotypical, dramatized, fictionalized, news-worthy, or social-media teachers, we'll continue to struggle with holding onto brilliant teachers who won't fit into the restrictive categorization.    Next time, we will talk about the purpose of public education. Many teachers are leaving because our country cannot reach a consensus on what public education is for and who it's for.  That will be next time on Those Who Can't Teach Anymore. Thank you for listening. Be sure to subscribe to our podcast, leave a review, and share episodes with everyone you can think of. This episode was produced by me, Charles Fournier. It was edited by Melodie Edwards. Other editing help came from Noa Greenspan, Sarah-Ann Leverette, and Tennesee Watson. Our theme song is by Julian Saporiti. All other music can be found on our website. A special thanks to Rachael Esh, Molly Waterworth, Dylan Bear, and Stephanie Reese for taking time to sit down and chat with. This podcast is funded in part by the Fund for Teachers Fellowship. With movie clips from Freedom Writers (Paramount Pictures), Dead Poets Society (Touchstone Pictures, Walt Disney Studios Motion Pictures), School of Rock (Paramount Pictures), Ferri Bueller (Paramount Pictures, United International Pictures)  

It's time for a classic... this week, we're talking about ALADDIN! The iconic Robin William's film from Disney's Renaissance era, with returning guest co-host Jordan!

Fuzzies! We're back this week to chat about Robin William's 1991 film, Hook. A flick that follows a middle aged Peter Pan, now a workaholic lawyer, who's forgotten who he is. We also chat about Old People's Home for 4 Year Olds, Shane's new obsession with the Royal family, a certain gap-toothed bitch and our upcoming holiday plans! If you like the show, please subscribe and leave us a review! 5 stars please :) If you're on Anchor, leave us a voice message with your favourite nostalgic.. anything! We want to hear from you! Follow us on TikTok @warmandfuzzy_podcast Hit us up in the DMs @warmandfuzzy_podcast Connect with Amelia @ameliasingson Connect with Shane @shanino_

This episode has everything…   Computer mouse scan technology, 1924 throwback Cragan chat, creepy Kevin, Gabe analyzes Tasha's laugh scale, a public library wang flop, Struart's mom from Mad TV, Tawwwwmmy, Robin William's dad in Jack, witherd old Professor Barry...   and Alyssa, our precious note taker, has some thoughts      Recap 0:24 True Crime Chaser 46:46   Patreon Recap 3:35 True Crime Chaser 1:05:46   *TW: sexual assault and murder of a child*   Rate and review  email us at svupod@gmail.com   Check out our instagram @svupod join the Facebook group SvuPod Elite Squad.   #littlebitloud for Indie pods     Thank you to our Dedicated Detective Patrons:    Kati M, LEM, Sophia C, Lauren T, Erin D, Natalie S, Robin S, Lea O, Jocelyn, Rachel S, Claire P, Emily L,  Orlagh R, Sarah LVW, Nikki B, Kayla R, Juni L,Sydney R, Stephani W, Kelsey M, Nisha G, Sarah H, Neida M, Samantha, Louise M, Jess R, Caitlyn S. Kayla R., and K Allen    “Rate and review, email us at svupod@gmail.com, Our P.O BOX:   Check out our instagram @svupod And join the Facebook group SvuPod Elite Squad.  Also #littlebitloud for Indy pods” Join the patreon!  Love yewww by!   And to our Elite Squad Patrons:   Hayley K, Sonja W, Skye K, Marisa M, Elke H, Annie G, Mary D, Andrew, Rebekah D, Miranda B, Shelby W, Lex, Emily T, Kayla W, Mallorie G, Bonita R, Maren, Vanessa, Amy P, Jess M, Summer M, Melanie G, Courtney W, Ursula S, Emily A, Kate H, Uyanga, Nicole R, Julia P,  Sapphire, Kayla, Allison B, Catherine M, Kate P, Jessica S, Nicole M, Acaycia V, Danielle W, Kelsi D, Jana M, Joshua H, Tammi J, Bear (sarah g), Crystal, Lucy M, Tricia S, Sam D, Laura D,  Laura I, Sarah, Emily A, Angela D, MAC, Casey W, Abby W, Alexis J, Lauren T, and Cassandra S   We LOVE YOU and APPRECIATE YOU!! You are all making it possible for us to continue doing this!

In celebration of Robin William's birthday, we have decided to review our favourite film Mrs Doubtfire. We have previously reviewed this film when we used to do two films at a time but decided this film deserved a full episode to itself. Please give us a review and follow us on twitter https://twitter.com/HarrymetMovies and Instagram https://www.instagram.com/whenharrymetmovies/ . You can even check out our website at https://whenharrymetmovies.com/ .  Thanks for listening and enjoy. We also would love you to download the app Newsly here at https://newsly.me and please use the promo code HARRYMOV1ES to receive one month's free premium subscription. If you have any questions you wish for us to add to our Question pot, please feel free to send them to us as we love your input.

Caroline, Estefania, Jennifer, Chunky and Corey discuss life advice that Robin Williams gave to Matthew Lawrence when he was young that saved his life. If you have not read my book, “How To Be A 3% Man” yet, that would be a good starting place for you. It is available in Kindle, iBook, Paperback, Hardcover or Audio Book format. If you don't have a Kindle device, you can download a free eReader app from Amazon so you can read my book on any laptop, desktop, smartphone or tablet device. Kindle $9.99, iBook $9.99, Paperback $29.99 or Hardcover 49.99. Audio Book is Free $0.00 with an Audible membership trial or buy it for $19.95. Here is the link to Audible to get the audiobook version: http://bit.ly/CCW3Man Here is the link to Amazon to purchase Kindle, Paperback or Hardcover version: http://amzn.to/1XKRtxd Here is the link to the iBookstore to purchase iBook version: https://geo.itunes.apple.com/us/book/how-to-be-3-man-winning-heart/id948035350?mt=11&uo=6&at=1l3vuUo Here is the link to the iTunes store to purchase the iTunes audio book version: https://geo.itunes.apple.com/us/audiobook/how-to-be-a-3-man-unabridged/id1106013146?at=1l3vuUo&mt=3 You can get my second book, “Mastering Yourself, How To Align Your Life With Your True Calling & Reach Your Full Potential” which is also available in Kindle $9,99, iBook $9.99, Paperback $49.99, Hardcover $99.99 and Audio Book format $24.95. Audio Book is Free $0.00 with an Audible membership trial. Here is the link to Audible to get the audiobook version: http://bit.ly/CCWMY Here is the link to Amazon to purchase Kindle, Paperback or Hardcover version: https://amzn.to/2TQV2Xo Here is the link to the iBookstore to purchase iBook version: https://geo.itunes.apple.com/us/book/mastering-yourself-how-to-align-your-life-your-true/id1353139487?mt=11&at=1l3vuUo Here is the link to the iTunes store to purchase the iTunes audio book version: https://geo.itunes.apple.com/us/audiobook/mastering-yourself-how-to-align-your-life-your-true/id1353594955?mt=3&at=1l3vuUo You can get my third book, “Quotes, Ruminations & Contemplations” which is also available in Kindle $9,99, iBook $9.99, Paperback $49.99, Hardcover $99.99 and Audio Book format $24.95. Audio Book is Free $0.00 with an Audible membership trial. Here is the link to Audible to get the audiobook version: https://www.audible.com/pd/B0941XDDCJ/?source_code=AUDFPWS0223189MWT-BK-ACX0-256995&ref=acx_bty_BK_ACX0_256995_rh_us Here is the link to Amazon to purchase Kindle, Paperback or Hardcover version: https://amzn.to/33K8VwF Here is the link to the iBookstore to purchase iBook version: https://books.apple.com/us/book/quotes-ruminations-contemplations/id1563102111?itsct=books_box_link&itscg=30200&ct=books_quotes%2C_ruminations_%26_contemplatio&ls=1 Here is the link to the iTunes store to purchase the iTunes audio book version: https://books.apple.com/us/audiobook/quotes-ruminations-contemplations-volume-i-unabridged/id1567242372?itsct=books_box_link&itscg=30200&ct=audio-books_quotes%2C_ruminations_%26_contem&ls=1 Here is the link to purchase Official Coach Corey Wayne branded merchandise (T-Shirts, Mugs, etc.): https://teespring.com/stores/coach-corey-wayne Click the link below to book phone/Skype (audio only) coaching with me personally: http://www.understandingrelationships.com/products Click the link below to make a donation via PayPal to support my work: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=LKGTSSLYJ93J6

You've gone and rolled that sweet five or eight, so pop on out of that board game prison cell and sit back as we revisit Jumanji. It's not only one of the seminal kids movies from the 90's, it's one of the late great Robin William's best.Intro music created by Jack Parsons. Follow us on Twitter and check out our YouTube channel.

¿Que aprendí de Flubber?

The couple watch one of Robin William's most famous roles. Does it hold up?

After a somewhat catastrophic first podcast back in the office, the original episode 97 of the Dicebreaker Podcast was lost to time (R.I.P.). Back in the safety of their own homes, the Dicebreaker team return for more japes and derailments as they introduce brand new team member and video producer Maddie Cullen! Join them as they go through their weeks in tabletop gaming and discuss this week's news including some info on the late great Robin William's interest in TTRPG Cyberpunk. Not to mention they'll be asking Maddie your questions from the live chat and emails.

Some say a picture is worth a thousand words…well that's more than rings true in this episode of The Small Batch! Join Ron, Stew, and Ragnar as they breakdown one of Robin William's more sinister roles in One-Hour Photo. The boys break down the psychological in this thriller film and also pay homage to the amazing and sadly late actor Robin Williams with a “in memorial tribute”. So sit back, clean those lenses and take aim with this show. --- Send in a voice message: https://anchor.fm/barrelagedflickspodcast/message

Zak finds it in his heart to share his incredibly open and brave mental health story this week. He shows me how we all have the opportunity to embrace what makes us uniquely ourselves. Grieving in the public eye about his father, Robin William's passing, self medicating and the origin story of my new favorite mood chews, PYM, are just a few of the topics we chat about…and don't worry, we left room for warm laughs! @zakwilliams @youcanpym   Learn more about your ad choices. Visit megaphone.fm/adchoices

Merry Friggin Christmas because it's the holiday season! In fact, we're feeling a lot like grinches because of this movie that exists. Merry Friggin Christmas is one of Robin William's last movies. Joel Mchale stars as a fancy business guy who wants his son to experience the magic of Christmas forever. All because Robin Willians, his dad ruined Christmas for him! Absolutely no one in this movie is likable. It also doesn't make much logical sense. Bah-Humbug.Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

This week we begin with a bonus John Lewis christmas advert spoilercast before tackling Chris' birthday pick, the weird Robin William's vehicle Toys. We pick up where we left off with Bicentennial Man with not really getting the leading man's appeal, discuss how much the design saves this film, and ponder one of history's worst soundtracks. Next week, who yer gonna call? SFRS, that's who, and we will pod into your ears about the original Ghostbusters. Oh yes. GIVE US 5 STARS ON ITUNES! (https://podcasts.apple.com/gb/podcast/science-fiction-rating-system/id1200805447) Get in touch! (https://www.sciencefictionratingsystem.com/contact) Visit the Website! (https://www.sciencefictionratingsystem.com) Buy our Merch! (https://sciencefictionratingsystem.threadless.com/) Download the soundtrack! (https://samdraper.bandcamp.com/album/sxd-sfrs) See the list so far! (https://letterboxd.com/scifirating/list/science-fiction-rating-system-rankings/) And we're on Twitter (https://twitter.com/scifirating), Instagram (https://www.instagram.com/scifirating/) and Facebook (https://www.facebook.com/scifirating/) too!

We close out our Robin William's miniseries with a stone-cold classic, Good Will Hunting! Yes, the franchise strand here is verrry thin, but it exists, so that was enough of an excuse to talk about it. What are your thoughts on 'Good Will Hunting'?

This week we're talking about 'Good Morning, Vietnam', featuring Robin William's seminal, break-out performance as Adrian Cronauer. What's surprising is that we very nearly got a sequel to this film with a script that sits locked away in the Disney vault, of all places. What are YOUR thoughts on Barry Levinson's 'Good Morning, Vietnam'?

ABSOLUTE CLASSIC! Our Good Buddy Zack returns to help us review Robin William's "Good Morning Vietnam!" In 1965, an unorthodox and irreverent DJ named Adrian Cronauer begins to shake up things when he is assigned to the U.S. Armed Services radio station in Vietnam.For more Apex Mountain content, join our Patreon  at: https://www.patreon.com/apexmountain If you liked this episode, please rate/review us on Apple Podcasts!Follow us on Instagram and Twitter: @ApexMountainPod. Leave us a voicemail: (307) 696-2650.Send us an email: apexmountainpod@gmail.comSupport the show (https://www.patreon.com/apexmountain)

Marvel, Video Games, and Robin William, I mean what do you expect from us at this point? At least it's not another Sandwich podcast.

In this episode, we are going to look at ‘What & Who is the source of our ultimate healing.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at ‘‘The Gift of Community & how it leads to healing.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

This is my appearance on another podcast discussing the Robin William's movie, Mrs Doubtfire. This might not be a view you thought of, but it is an interesting one to consider. Find the Last Nighter show notes link on this show notes link here culinarylibertarian.com/151 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dannreid/message Support this podcast: https://anchor.fm/dannreid/support

In this episode, we are going to look at ‘The Power of Forgiveness and how it leads to healing.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at ‘What it takes to transition from Coping To Healing and what's God's heart for us.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

Listen, he steals only what he can't afford - it's not his fault that's everything! Stay one jump ahead with the Dummies and our favourite street rat as we meet Princess Jasmine, recover a magic lamp, and come face to face with one of the greatest characters in cinematic history - Robin William's incomparable Genie. The post DD31 – Aladdin (1992) appeared first on PodCavern.

In this episode, we are going to look at, "How Depression & Suicidal thoughts affect the mind and few practical ways to conquer them." Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at ‘How Stress & Anxiety affects the mind and few practical ways to overcome them.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at ‘How to deal with our Feelings and few reminders to keep our feelings in check.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at ‘The effect of our Personal Environment on the Mind and the healthy way to process it.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at ‘Why the health of our Mind is so important to fulfil our purpose.' Join us as we explore the topic of ‘Peace of My Mind' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

ROBIN'S WISH is an insightful documentary into the last years of comic legend Robin William's life. In the movie, Williams's doctors, family and life-long friends share sweet sentiments about the late comedian. The archival footage will be especially fun for fans as they show him making people laugh hysterically. Viewers get an inside look into why Williams chose to take his life, and the startling medical battle he underwent without knowing his true diagnosis.

In episode #41 we start off the show with music again! We talk about new music (10:48) from Victoria Monet, Amine, Glass Animals, talk briefly about Rick Ross Verzuz 2 Chainz (31:20), and have a lyric breakdown of Cardi B & Meg Thee Stallion's "WAP" (36:12). We also talk about the Robin William's doc Robin's Wish (51:22), Danny's picks including The Tax Collector (55:15), The Malcolm In The Middle reunion (1:00:22), what is happening in Beirut (1:08:50), Tik Tok suing the Trump administration (1:17:36), Jake Paul's house being raided (1:28:26), Halloween being canceled (1:32:36), and more! Our intro music is Victoria Monet's "Touche Me" and "Dive." Our outro music is Amine's "Pressure In My Palms." Are you down to donate $5 a month to the show? BECOME A PATREON! For more info visit patreon.com/chitshowpodcast Danny on social media: @therealdanko Danny on Twitch: twitch.tv/bulldozerdanko Leo on social media: @iamdjbrute Twitch.tv/iamdjbrute >>> www.djbrute.com

I admit that I have a romanticized view of the small town attorney. This is an image of someone who is part of the fabric of the community, with a mix of the wisdom of Atticus Finch from To Kill A Mockingbird blended with the worldly jazz-playing coolness of Paul Biegler of Anatomy of a Murder rolled up into one. Such a lawyer as that would require the older moniker of Esquire, which I think suits this week's guest on #thedeliciousstory.Zach Engstrom Esq. is an estate attorney with Letsch Law Firm based in Grimes, Iowa. As he points out, he knows how to run with open-ended questions, and I have loads of them, and in the end it worked great because Zach is a truly eloquent storyteller. Zach takes us on a fast and entertaining journey that brings us up to speed on his work today, and we even discuss estate planning tips and insights based on his expertise with the caveat this is not offered up as legal advice. In between, we dive into the unique approach Letsch Law serves within the community, and of course, we talk memorable meals. WHY THIS STUFF MATTERSOn the surface, Zach's legal specialty may seem like a depressing one, but he explains that it was the work of contracts that captured his interest and creating strong ones which led him to become passionate about the subject of estates. At this point in the conversation as we talk assets, my eyes sort of glaze over because I don't think David and I will have all that much for the kids to deal with once we leave this coil. Ultimately, maintaining harmony and acceptable dispersion of whatever remains after our death is the goal. I think of it as perhaps my last supper, the one I won't attend in person, but I pick the menu. Those family and friends who are on hand gather and eat and enjoy a great cabernet with a nod to me. I'd like it all to run smoothly and not be a pain. Zach points out that assets of value are only a part of the equation. It does behoove those with larger estates, such as farms and other investments, to work with a pro like Zach to ensure a smooth transition within the family. He explains some of the unfortunate outcomes for those who take shortcuts and don't work with an expert. But beyond the tangible assets, things can go from strange to downright ugly over items of sentimental value as well, so even a well-executed will can take some of those things into account.There are plenty of alarming stories of families who have fought horrible legal battles over memorabilia of a deceased, such as in the case of Robin William's family in the article titled “When Heirs Fight Over Assets With Sentimental Value,” by Paul Sullivan. Sadly, it makes sense that with heirlooms involving Williams—with great monetary value—get family fighting, and a blended family only complicates matters. But then there are the stories of siblings who get lost in conflict over sentimental items that have no cash value. Is it all about greed in the end? On a Google sidetrack, I slid down the rabbit hole in researching this idea of divvying up estates equally among children of the deceased. It turns out this concept is a contemporary phenomenon. Over at The Atlantic the article titled, “It Used To Be Okay For Parents To Play Favorites,” by Jennifer Traig, she provides loads of biblical and historical reminders that much of human history involves designating inheritance by birth order and that sibling rivalry is built in. What's more, lest we get too upset about siblings fighting over stuff, we only need to glance at our own childhood experiences to be reminded that this is an evolutionary thing. Traig suggests that children fight because they are wired to do so—programmed to turn on the competition for precious resources. Is it any wonder this can play out in estates? In other words, this fighting for stuff could be driven, in part, by primal urges. But let's say if you don't want some version of Cain and Abel to play out in your family, estate planning is critical. As Zach says, “You can divide up money but not Grandma's recipe book.” NOT THE LAST MEAL BUT A GREAT ONEWe did move on to talking a lot about food, and in particular some of the events held at Letsch Law Firm where food was a part of the theme. They have office space they've opened up for use by artists to showcase work, and also host events throughout the year designed to draw in the community for fun and connection. Zach describes some of the recent favorites you can hear about during the interview, and if you live in the area, check them out.The added perk for these events is that the food is often catered in by Zach's mom, who no longer works in the business but offers her catering expertise for Letsch events. They try to align the foods served with whatever the theme is for the gig, but it turns out Zach's mom drew the line on a few items for the Star Wars party.Most touching and delectable was Zach's take on the top four ingredients required for a perfect meal. His ideas are lovely, and I'd agree. Perhaps you would add or amend the top four ingredients? Listen in and share your top four ingredients with a comment!ZACH'S CHILI RECIPE Here from Zach's recipes to you: The first thing I ever learned to make was chili. Mom catered nights, and Pop was more of a frozen meal type of chef, so I picked up the slack. I've experimented with several options over the years, but the original recipe still stems from Mama Engo's down-home cooking. As you don't have access to her garden preserves, however, I'll translate it to a Hy-Vee friendly version.2lbs ground beef1-2 onions, diced2 green bell peppers, diced2 14oz cans of petite diced tomatoes1 can of Rotel2 14oz cans of chili beans1 can of black beans (drained)1 small can of tomato paste2 packets of chili seasoning (yes, it's a shortcut)1tbsp of brown sugar1tbsp of butter(Optional but highly recommended) a healthy sprinkling of garlic, chili powder, curry powder, turmeric, and a tablespoon of red Thai curry paste. Also, and bear with me, a can of sweet corn (drained) if you're feeling festive. I like a dash of Tabasco for flavor and Sriracha for heat.

A book about Robin William's life is about to come out, so Mindy of Mork & Mindy was interviewed for it and, during the interview, she defended being sexually harassed by him.

A book about Robin William's life is about to come out, so Mindy of Mork & Mindy was interviewed for it and, during the interview, she defended being sexually harassed by him.

By popular demand, and my own great interest, Tom Myers returns to The Body Awake for a second interview. In this second round — see episode 5 for the first — we cover: the nature of fascia as the body's very under-mapped "biomechanical autoregulatory system"  how "you" could be seen as a vessel for your digestive system to get around (at 36 min) do we know what "trauma is stored in the body" means? what is memory? (at 39 min) Tom's story of his own birth, and experiencing liberation from a traumatic event many, many years later (50 min) a look into Tom's 1-on-1 work as a bodywork practitioner (this was of particular interest to me) even a PG-13 Robin William's joke you can tell at your next cocktail party (at 35 min, 20 sec) SHOW NOTES Anatomy Trains, Tom's main website In vivo videos from French hand surgeon Jean-Claude Guimberteau Sign up for the Fascial Dissection Lab for Feb 2018

Rob is joined by Max Ganet and Caitlin Boylan to discuss the Robin Williams classic MRS. DOUBTFIRE Remakes begin at 37:30: Caitlin's remake teaches some lessons; Rob gives it a horror twist; and Max adds multiple Robin Williams. Also, Max does a great job of connecting ALL of Robin William's movies. Check out Max and Caitlin in Damn, Gina! and Devil's Daughter at iO Chicago. 

In this episode we welcome guest Cameron Readey, a comic from New Hampshire. Also in studio is Brent Puccio, the return of "heroin" Joe Ramirez and Nicholas Hunt. We discuss: Brent and Phoenix returned to stand-up and talked about the experience. Phoenix watched the Scream TV show and thought it was terrible. Originals and remakes in theaters. It Follows. Suicide Squad. Phoenix suggest Joe be the next Joker as Joe Kerr. We Skype call Cameron Readey and are terrible at introducing him. It was our first time group Skyping. News: Bill Cosby's wife is sticking by her man. Phoenix says the only proof he needs of Michael Jackson's guilt is the current state of Macaulay Culkin. Chefs in Seattle bake marijuana into your meals. Phoenix wants to make a meth calendar to put in your children's room to scare your kids away from drugs. He also wants to make the LIW tastefully nude calendar. Man in Canada pulls an Up by attaching 101 balloons to his chair to fly away. Man builds drone that can fire a handgun and the government is mad about it. Phoenix misses movies where a man sits in a white van and feeds intel to the man inside. Woman in Chandler AZ arrested naked by cop that came into her house. Four types of drunk people according to survey. We all decide which we are. Robin William's birthday is today. Brent thought this was news and not just a depressing topic. Easter Island statues have bodies below the heads. Brent thinks Easter Island and Stonehenge are the same thing. We are confused. www.loiteringinwonderland.com Listen to our other shows, Loitering In Wonderland, The Phoenix West Show, LIW Improv Theater, The Twilight Zone Episode Review Show.

Nathan Gilimour and Michial Farmer respond to listener emails. The questions addressed happen at these times: [1:56] How can we conceive of the inconceivable if the Creator of the universe is Himself inconceivable? Do mortal minds break at the sight of God? [8:00] Robin William's movies [11:01] Teacher film recommendations [14:49] Allegory and Dracula [17:20] Irony and Sincerity in Nostalgia [21:20] Platonic descent and ascent of the soul [25:03] Errors in Ancient Aliens on the History Channel [27:21] What is up with the intro music? [31:37] Doctrine of Predestination [36:47] Podcast recommendation: Personal devotions and reflection in the Christian life. [41:13] Charlie Hebdo: Bravery versus Heroism

Mindy Rosenbloom, M.D., discussed the reality and risks of depression and suicide in all people, regardless of their economic or social positions. She also spoke of the special role Mr. Williams' had in our lives.