Podcasts about Steamboat Bill

This feels like a major one! In this episode, we're excited to be covering the 1st Academy Awards, which honored films from 1927 & 1928. The Academy had two best picture categories at the time, but we cover both of them. The nominees for Outstanding Picture were: Wings, The Racket, and 7th Heaven. The nominees for Best Unique and Artistic Picture were: Sunrise, Change, and the Crowd. We also cover the non-nominee Steamboat Bill, Jr.Notes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate: 11:10 - 7th Heaven21:10 - The Racket26:55 - Chang32:10 - Sunrise39:05 - The Crowd49:50 - Wings1:00:10 - Should something else have been nominated? 1:00:55 - Steamboat Bill, Jr.1:06:50 - Did the Oscars get it wrong?1:08:15 - Jake Gyllenhaal Corner1:09:55 - Conclusions1:15:30 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.

Earning their chops in medicine shows and with minstrel troupes in the late 1890s, brothers Frank and Bert Leighton wrote and/or arranged many ragtime pieces for use in vaudeville.Among their work was a 1912 version of “Frankie and Johnny,” penned with partner Ren Shields, that would set the tone for many future renditions of the song, including a monster hit a decade and half later for Charlie Poole and his North Carolina Ramblers.The song that Poole and his pals released as “Leaving Home” on Columbia Records in May 1927 already was pretty well known by musicians of the day.For instance, on the same label in the same year, popular band leader Ted Lewis recorded the same song with the title "Frankie and Johnny: You'll Miss Me in the Days to Come.” Lewis included only the chorus and not the verses.But it was a half dozen years before that that the first American recording of “Frankie and Johnny” was made by New Orleans-born Al Bernard, one of the first white singers to record blues tunes. (W.C. Handy credited Bernard, in fact, with helping his own career by recording a number of his songs, notably “St. Louis Blues.”)Whew! That's a lot of intersecting stories here, but let's roll it back to Charlie Poole and the Leighton boys. Kinney Rorer, in his seminal biography Rambling Blues: the Life & Songs of Charlie Poole, notes that the banjoist closely follows the version of “Leaving Home” that the Leighton brothers created, though there are some differences in Charlie's chorus.About the LeightonsNow, no one knows just how Poole learned that rendition, but the Leightons were pretty influential. Among the ragtime pieces they wrote was "There's A Dark Man Coming With A Bundle” and "Far Away in Honolulu (They've got the tango craze).” Their most memorable and influential song was "Steamboat Bill" in 1910, a parody of best-selling “Ballad of Casey Jones,” which had itself been based on a song from the Leightons' vaudeville routine. Arthur Collins recorded “Steamboat Bill” in 1911, which would inspire Charles Reisner to write a movie for comedian Buster Keaton called “Steamboat Bill Jr.,” which released as a silent film in 1928.That same year, Walt Disney found inspiration in the movie and in the song to create the first synchronized cartoon with sound, Steamboat Willie.Back to Johnny and His Murderous MistressAll the Frankie and Johnny variations were based on an actual murder. Here are the facts of the case:At 2 in the morning of Oct. 15, 1899, at an apartment building located at 212 Targee Street in St. Louis, 22-year-old Frankie Baker encountered her 17-year-old lover Allen (Albert) Britt as he stumbled back from a cakewalk in the company of a prostitute named Nelly Bly. Albert and Nellie had just won a prize in a slow-dancing contest, but Frankie didn't feel like celebrating. On the contrary, she felt like shooting her lover in the stomach, which she did. Albert died in City Hospital four days later.At trial, Frankie pleaded self-defense at her trial — she claimed Britt had attacked her with a knife prior to the shooting — and she was found not guilty.Weeks after the murder, St. Louis songwriter Bill Dooley composed “Frankie Killed Allen,” a tune that gained some currency. The first published version appeared in 1904, credited to Hughie Cannon (also remembered for his better-known composition “Won't You Come Home Bill Bailey”).That brings up to 1912 and the Frank and Bert Leighton version entitled “Frankie and Johnny” (because, well, “Johnny” apparently flowed better than “Allen” or “Albert”). Since then, there have been more than 250 versions of “Frankie and Johnny” recorded, not to mention several film adaptation over the years.Our Take on the TuneWhen Jack Nuckols switches from drums to fiddle, it often brings back lots of old memories of music parties 50 years ago. This is another song that Dave Peyton, Joe Dobbs and Charlie Bowen first heard at those parties when the good old Kentucky Foothill Ramblers, led by H. David Holbrook, could play a whole evening full of string band songs from the 1920s and ‘30s.This track is from last week's Flood affair, when the group's old band mate Paul Martin and his mandolin sat in with current Floodsters Charlie and Jack, Danny Cox, Randy Hamilton and Sam St. Clair. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

On Episode of 130 of Floating Through Film, we conclude our series that was picked by Blake, Buster Keaton! This week we're doing 2 of Keaton's last features where he was able to have control of the direction, 1926's The General and 1928's Steamboat Bill, Jr. (48:02). We hope you enjoy! Episode Next Week: Top 10 of the 2000s Music: - Intro: Early Summer - Break: https://www.youtube.com/watch?v=X4ogT56wcB4&ab_channel=Release-Topic - Outro: https://www.youtube.com/watch?v=9mAuj5uovtQ&ab_channel=JR9979 Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s) Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker) Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

The Bloody Awesome Movie Podcast delivers a spoiler-free review of a film, usually a new release with some exceptions, every week. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture-related topics in a series of segments. For some movies, a bonus episode that is full of spoilers will drop a few days later. Review of Spider-Man: Across the Spider-Verse Directed by Joaquim Dos Santos, Kemp Powers, Justin K. Thompson Written by Phil Lord, Christopher Miller, Dave Callaham Cast: Shameik Moore Hailee Steinfeld Oscar Isaac Luna Lauren Velez Brian Tyree Henry Jake Johnson Issa Rae Andy Samberg Daniel Kaluuya Jason Schwartzman IMDb.com Synopsis: Miles Morales catapults across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. When the heroes clash on how to handle a new threat, Miles must redefine what it means to be a hero. RATINGS: 95% RT critic 96% RT audience 86 Metascore, 9.1 IMDb user score 4.7 Letterboxd, RELEASE location / DATE: In theaters everywhere Chuffed Headlines Movie/Pop culture news that caught our attention Matt's Headline: https://www.forbes.com/sites/johnarcher/2023/06/06/apple-tv-and-the-criterion-channel-outrage-film-fans-by-censoring-classic-movie/?sh=387033c25c76 Jon's Headline: Chris Hemsworth Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt's consumption Double Toasted Maggie Moore(s), Hollywood Dreams & Nightmares: The Robert Englund Story, The Boogeyman Jon's consumption Blank Check | Behind the Bastards Maggie Moore(s), Lost Soulz, Chasing Chasing Amy; College, Steamboat Bill, Jr, The Cameraman; The Boogeyman, Guardians of the Galaxy Vol 3, Jagged Mind, Rule of Two Walls, The Adults, The Saint of Second Chances, The Flash Beat Miles Morales | WWE 2k23 Listen on Spotify | Apple Podcast | Stitcher BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://podcasters.spotify.com/pod/show/bloody-awesome/message Support this podcast: https://podcasters.spotify.com/pod/show/bloody-awesome/support

After his “blank check” for THE GENERAL bounced,  Buster Keaton found himself creatively and financially shackled. Thus, 1927's COLLEGE lands on the lesser end of the quality spectrum (not to mention a very difficult watch with Buster putting on blackface for a scene - yikes). But, his follow-up STEAMBOAT BILL, JR. features some of the most memorable and dangerous stunts of Keaton's career, and acts as a beautiful send-off to his period as a self-sufficient filmmaker. The wonderful John Hodgman joins us to chat about both films and his life-long love of Buster. Plus - as always with a Hodgman episode - we go down several delightful rabbit holes: Doctor Who, beans, Goofy's “George Geef” period, large pants, and more! Guest Links:  Get Vacationland: True Stories from Painful Beaches now in Paperback Check out Up Here on Hulu  Watch Dicktown on Hulu Listen to the Judge John Hodgman Podcast This episode is sponsored by:  Double Fine PsychOdyssey (doublefine.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check

We back, its been over 30 days and no content. Check it out tho here y'all go a little something to get us back on track. This episode we explore who is Steamboat Bill, one man fathered over 550 people, Hulu-Freaknik ( y'all ol-heads better run and hide because that footage is coming) Joel embed is the MVP and just what are and can we do about these youngins in the city. Buckle up and lets ride !!!!!

This episode, we decided to give voice to the voiceless by spotlighting two sizable monuments in the silent film canon: Cabiria and Steamboat Bill, Jr. First things first though...our Blue Plate Special broods over two moody genre flicks with 1994's The Crow and new release Infinity Pool. Upon inspecting cinema's earliest days, we discuss the strained theatrics of Cabiria, the slight hilarity of Steamboat Bill, Jr., and the clearly observable influence both movies had on not only their respective genres but on the development of cinema writ large. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

We're back in the Vancouver Rehearsal Tapes Division this week where Coleen, Liz, and returning player Glenn will duke it out across three round of pop culture trivia. After a social game of My Champion, we'll celebrate the practical stunts that make us gasp at the movies before diving into the Best Supporting Actress category at the Academy Awards. Then, if you have a problem, if no one else can help, and if you can find it, maybe you can hire…The Lightning Round! All this and more, this week on The Great American Pop Culture Quiz Show!Support Us On Patreon

We're back in the Vancouver Rehearsal Tapes Division this week where Coleen, Liz, and returning player Glenn will duke it out across three round of pop culture trivia. After a social game of My Champion, we'll celebrate the practical stunts that make us gasp at the movies before diving into the Best Supporting Actress category at the Academy Awards. Then, if you have a problem, if no one else can help, and if you can find it, maybe you can hire…The Lightning Round! All this and more, this week on The Great American Pop Culture Quiz Show! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

Über richtig gute Fußballer redet man in der Branche schon, wenn sie gerade mal 13 oder 14 Jahre jung sind. Kai Havertz war so einer. Er war der jüngste Profi, der jemals für Bayer Leverkusen auflief, der jüngste Bayer-Torschütze aller Zeiten und der jüngste Bundesligaspieler mit 100 Einsätzen. Nun ist Havertz 22 Jahre alt, spielt beim FC Chelsea und ist einer der herausragendsten deutschen Fußballer der Gegenwart. In der vierten Folge des Fußballpodcasts "Kicken kann er" gehen die Sportredakteure Oliver Fritsch und Fabian Scheler daher den Fragen nach, wohin sein Weg ihn noch führen wird, welche Fähigkeiten ihn so stark machen und warum er der entscheidende Spieler des kommenden Fußballjahrzehnts sein wird. Sein bisher wichtigstes Tor, der Siegtreffer für Chelsea im Champions League Finale 2021, ist dabei nur eine der vielen beispielhaften Szenen: Kai Havertz geht dahin, wo es wehtut. Er bekleidet die Rolle des Stürmers, lässt sich ins offensive Mittelfeld fallen und ist auch auf den Flügeln zu finden. Muss sich ein Fußballer irgendwann spezialisieren oder ist Havertz der "Pionier einer ganz neuen Art, offensiv zu spielen", wie Oliver Fritsch sagt? Er erkennt in Havertz das Beste aus Thomas Müller und Mesut Özil. Außerdem thematisieren die Hosts die Fragen, ob Havertz Kapitän der deutschen Nationalmannschaft werden sollte, warum die Özil-Gefahr besteht und wie schwer es für einen jungen, talentierten Spieler ist, wenn er mitten in einer Pandemie in die anspruchsvollste Liga der Welt, die Premier League, wechselt. Aus London berichtet der Fußballpodcaster Barry Glendenning vom "Guardian", wie Havertz in England gesehen wird und warum eine einzige Szene seine Popularität verbessert hat. Sie erreichen uns unter fussball@zeit.de. "Kicken kann er" wird auch beim großen Podcast-Festival von ZEIT ONLINE und ZEIT am 11. Juni eine Folge live aufnehmen. Wer sich für den Livestream anmeldet, hat noch eine Chance auf Tickets. Links zur Folge: Kai Havertz: Der Lulatsch mit dem Zehenspitzengefühl https://www.zeit.de/sport/2020-07/kai-havertz-bayer-04-leverkusen-fussball Szenen, die im Podcast angesprochen werden: - Champions League Finale 2021, Tor Kai Havertz https://youtu.be/RSmAaeKxGRM?t=73 - Vorarbeit für Christian Pulisic Champions League Finale 2021 https://youtu.be/RSmAaeKxGRM?t=124 - Tor für Chelsea in der Champions League gegen Real Madrid 2022 https://youtu.be/EMCZgIv9iRE?t=97 - Spätes Tor für Chelsea gegen Newcastle https://youtu.be/IdA6CbgM0Ug?t=63 - Lupfertor für Bayer Leverkusen gegen Werder Bremen https://youtu.be/bZ_Vt6Ol2X8?t=50 - EM 2020: Tor gegen Portugal https://youtu.be/Qyz3T2Igr3s?t=177 - EM 2020: Schuss gegen England und Vorlage für Thomas Müller https://youtu.be/WXE3ZGsGSqE?t=24 - Vorlagen und Tor beim Testspiel gegen Russland 2018 https://youtu.be/Z25DkUreZ_U - Buster Keatons Szene in "Steamboat Bill junior" https://www.youtube.com/watch?v=mN0I7R_NCe4

Scrubbed of nostalgia, 1986's "Top Gun" is, let's be honest, a big slab of '80s cheese. But there's that star-making turn by Tom Cruise; some flashy direction from Tony Scott; the rousing, synth-heavy score; and a memorable supporting cast led by the never more intense Val "Iceman" Kilmer. Could TOP GUN: MAVERICK, the long in the works sequel, justify its return? Adam comes to the sequel as a "Top Gun" fanboy, with the '86 original a seminal film of his bike-riding preadolescence. Josh, though, never really took to the film that he's described as a "locker room movie." Which makes their review of the new film something of a surprise, with Josh (mostly) joining the chorus of praise that has so far greeted the film and Adam of all people calling the film "131 minutes of fan service where the fan isn't really served until the last 30.” Take my breath away, indeed. Plus, the Buster Keaton Marathon continues with Josh's favorite film of the series, 1927's STEAMBOAT BILL, JR, and a Golden Brick nomination for HIT THE ROAD, from director Panah Panahi. 0:00 - Billboard 1:47 - Review: "Top Gun: Maverick" 27:54 - Golden Brickspotting: "Hit the Road" 33:12 - Next Week / Notes 40:57 - Massacre Theatre 46:09 - Buster Keaton #5: "Steamboat Bill, Jr." 1:00:41 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

On this day in 1928, Buster Keaton's silent-era masterpiece Steamboat Bill, Jr. premiered at the Rialto Theatre in New York City. See omnystudio.com/listener for privacy information.

In "Buster Keaton: A Filmmaker's Life," author James Curtis chronicles the silent star's private life and pictures, including The General, One Week, The Navigator and Steamboat Bill, Jr. But it's Keaton's days as a performer that captivated me so we begin the episode with tales from the vaudeville stage, including details about which foot Buster's father preferred to kick him with.

This week on the Film at Lincoln Center podcast, we're featuring a talk from Camera Man: Dana Stevens on Buster Keaton, a recent FLC event celebrating the new book from author and Slate film critic Dana Stevens, moderated by writer Imogen Sara Smith and FLC Programming Assistant Maddie Whittle. The conversation ranged from the two authors' love of Buster Keaton, the evolution of the filmmaker's filmography, the perception of masculinity in Charles Reisner's Steamboat Bill, Jr., and the legacy of Keaton in Hollywood and beyond. Dana Stevens's new book Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century and Imogen Sara Smith's Buster Keaton: The Persistence of Comedy are both available for purchase.

Neste programa, Fernando Machado (@femesmo), Leandro Luz (@leandro_luz) e Marina Oliveira (@coelho_limao) debatem as obras e as influências do maior de todos os palhaços da história do cinema, Buster Keaton, responsável por obras como Sherlock, Jr., A General e O homem das novidades. Portanto, pegue seu fone de ouvido, prepare o café e nos acompanhe nesta jornada, pois a partir de agora você está em um plano-sequência! Ficha Técnica: Duração: 02h46min. | Pauta: Fernando Machado e Leandro Luz | Arte da Capa: Marina Oliveira | Edição e Montagem: Fernando Machado | Sonorização: Fernando Machado | Publicação: Fernando Machado ===================================================== Caso você queira ouvir os comentários apenas sobre um dos filmes, confira a minutagem em que cada um entra: 00:40:09 - Bancando o águia (Sherlock, Jr, 1924) 01:04:36 - A General (The general, 1926) 01:25:46 - Amores de um estudante (College, 1927) 01:43:22 - Marinheiro de encomenda (Steamboat Bill, Jr., 1928) 02:00:26 - O homem das novidades (The cameraman, 1928) 02:24:27 - Top 3, Considerações finais e pós-créditos ===================================================== Dúvidas, sugestões, críticas ou feedbacks podem ser enviados para o e-mail contato@plano-sequencia.com ou através de nossas redes sociais. Estamos no Twitter @planoseqcast, no Instagram @planoseqcast e no Facebook/planosequenciapodcast. Não deixe de avaliar o podcast no iTunes para que possamos ter mais visibilidade dentro da plataforma. ===================================================== Hyperlinks: Buster Keaton O Mundo é um Circo - Banco do Brasil - http://www.bb.com.br/docs/portal/ccbb/BusterKeatonOMundoeumCirco.pdf Buster Keaton - The Art of the Gag - https://youtu.be/UWEjxkkB8Xs

Join Dani and Nick for the twenty-fifth episode of KINOTOMIC.Episode 25 is the first episode in a 3-part series entitled the 'Buster Keaton 125th Birthday Spectacular', celebrating the work of the great man on the occasion of his 125th birthday.In this episode we discuss 'Steamboat Bill, Jr.', directed by Buster Keaton and Charles Reisner, starring Buster Keaton and Marion Byron; along with 'Scott Pilgrim vs. The World', directed by Edgar Wright, starring Michael Cera and Mary Elizabeth Winstead.Dani gives us some fascinating information on the making of 'Steamboat Bill, Jr.', Nick talks about comic books (again), video game references and Arrested Development, and finally we somehow talk about 'Superbad'.Anita Loos quote: "I used to think that looking across a pillow into the fabulous face of Buster Keaton would be a more thrilling destiny than any screen career."The International Buster Keaton Society Twitter: @BusterKeatonSocLeave a rating and a review, and THANK YOU for listening!!Twitter: @kinotomicContact us: kinotomic@gmail.com

“It all started with a mouse,” Disney liked to say. But in reality, it all started with music. Isaiah gives a survey of music history, highlighting especially American music and the influence of Rag-time, as we try to understand why Disney picked Steamboat Bill as Mickey’s first melody.

In Buster Keaton's last independent film for United Artists before moving on to MGM, this silent comedy is known for what might be considered Keaton's most famous film stunt: The facade of an entire house falling on top of him as he stands in the perfect spot to pass through the open attic window without being flattened. The story involves the tale of an educated, effeminate, simple-minded son who ultimately is transformed and triumphant when he assists and impresses his burly, hard-working Mississippi steamboat captain father ("Steamboat Bill") in combating the threatening efforts of a rival tycoon (and typhoon) to take over the Mississippi steamboat business in the South - also win over the business rival's daughter. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress. Hosted by YiFeng, Lily and Bob. Recorded July 1, 2020

On this episode of the Almost Sideways Movie Podcast, we dig deep into a movie celebrating its 25th anniversary that was mostly overlooked at the Oscars in 1995. We also discuss what we have been watching, including an update on the ESPN documentary series The Last Dance. Here are the highlights: The Last Dance recap (4:30) Zach on Marie and Wind Across the Everglades (12:40) Terry on Breaking Bad, The Great, Safety Last!, and Steamboat Bill, Jr. (17:50) Todd on Freaks and The Wrong Missy (27:00) DEEP DIVE: The American President Trivia (29:55) Adam's Review and First Impressions (46:40) 1995 Awards Season (57:20) Mt. Rushmore of Fictional Movie Presidents (1:03:30) Recasting The American President (1:11:00) Highest WAR, Worst Performance, and Minor Character (1:23:10) Stickman, Douchebag, and WWNCP (Who Would Nicolas Cage Play) (1:33:00) Gripes (1:40:00) LVP, MVP, Quote of the Day (1:50:10) Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter: @almostsideways Terry's Twitter: @almostsideterry Zach's Twitter: @pro_zach36 Adam's Twitter: @adamsideways iTunes https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022

On this episode of the Almost Sideways Movie Podcast, we dig deep into a movie celebrating its 25th anniversary that was mostly overlooked at the Oscars in 1995.  We also discuss what we have been watching, including an update on the ESPN documentary series The Last Dance.  Here are the highlights:The Last Dance recap (4:30)Zach on Marie and Wind Across the Everglades (12:40)Terry on Breaking Bad, The Great, Safety Last!, and Steamboat Bill, Jr. (17:50)Todd on Freaks and The Wrong Missy (27:00)DEEP DIVE: The American PresidentTrivia (29:55)Adam's Review and First Impressions (46:40)1995 Awards Season (57:20)Mt. Rushmore of Fictional Movie Presidents (1:03:30)Recasting The American President (1:11:00)Highest WAR, Worst Performance, and Minor Character (1:23:10)Stickman, Douchebag, and WWNCP (Who Would Nicolas Cage Play) (1:33:00)Gripes (1:40:00)LVP, MVP, Quote of the Day (1:50:10)Follow all the movies we watch as part of the quarantine-induced AlmostSideways Online Film Fest at almostsideways.com/asoff.Subscribe on iTunes!If you can't subscribe on iTunes, listen here.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Adam's Twitter: @adamsidewaysiTuneshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022

This week’s Friday Quarantine films are: The Fantastic Flying Books of Mr. Morris Lessmore (15 minutes, 2017) http://tinyurl.com/fqfn-03-short Steamboat Bill, Jr. (Buster Keaton) http://tinyurl.com/fqfn-03-film Both of these films are on YouTube. You’ll see that they also have something else in common… As a companion piece, we recommend a 9-minute YouTube video about Buster’s continuing impact on modern filmmakers. It’s called “Buster Keaton – The Art of the Gag” which you’ll find at http://tinyurl.com/fqfn-03-extra Don’t forget to leave your responses on our Facebook page.

Episode 59- Buster Keaton: In which we discuss the Buster Keaton classics "The General" and "Steamboat Bill jr." And give our first patron shout out!If you enjoy the podcast and would like to help us keep it going consider becoming a patron! https://www.patreon.com/casualcinephilia

Episode 59- Buster Keaton: In which we discuss the Buster Keaton classics "The General" and "Steamboat Bill jr." And give our first patron shout out!If you enjoy the podcast and would like to help us keep it going consider becoming a patron! https://www.patreon.com/casualcinephilia

In this Thanksgiving episode, writer Shawn Tina Willis sits down with Sasha and Steven to defend BECAUSE I SAID SO (2007), a sweet Caucasian fantasy starring Diane Keaton, Mandy Moore, Lauren Graham and Tom Everett Scott. Is Gabriel Macht, who portrays the sensitive-tender-musician-artist-magician, a goddamn foreigner? Does he have a boner for Diane Keaton (and who doesn't)? And does Shawn agree with Sasha's hypothetical choice of "Johnny in the streets, Jason in the sheets"? Listen to find out. Later, Sasha and Steven recommend two films: the Buster Keaton 1928 vehicle STEAMBOAT BILL, JR. and Andrew Haworth's directorial debut PARTY CREW. Email us at shutupiloveitpodcast@gmail.com with comments. Twitter: @shutupiloveit1 Facebook: https://www.facebook.com/shutupiloveit

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s. Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also investigates the complicated histories of characters such as Mr. Tawny, the talking tiger that adapts to American society and befriends Captain Marvel, and Steamboat Bill, the African American food truck owner who helps Captain Marvel catch a group of criminals and in return is given a job by Billy Batson. Ending with the influence of comic fanzines of the 1960s on reigniting interest in Beck and Binder as well as Captain Marvel, Cremins examines the impact of comics on memory and American popular culture. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The episode is finally out! We're sorry for the delay but there was an insane hurricane that kept knocking down all of our buildings. Oh wait, no sorry, that was the silent film Steamboat Bill, Jr. They also listen to an older French album, a nifty song that was popularized by an Ella Fitzgerald cover and some shitty grapes! (They aren't grapes.)   Intro 0:00-02:48 Steamboat Bill, Jr. 02:48-18:10   Olympia 64 18:10- 23:43   Longan 23:43- 29:03   How High the Moon 29:03- 33:45   Canzonissima 33:45- 35:00   Outro 35:00- 40:03      --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air.    Email Twitter iTunes YouTube   Join us next Thursday as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)    Artwork by Ray Martindale Opening tune by Adam Lord Edited by Sara Rust

Have you heard of this podcast called Baconsale? It's this cool, out-of-the-way podcast not many people know about. Anyway, Kent, Joel and Jacob -- totally obscure guys -- are the hosts and, in this episode, they're discussing films you've probably never heard of. Well, they're hoping you've never heard of them, because they're each recommending four films to you. Why four? Because three and five are so mainstream. Below are the movies they recommend in the episode. If you want to know why they think you would enjoy these films, you'll have to press play and listen. KENT'S PICKS:Red Riding Trilogy (2009)Song of the Sea (2014)The One I Love (2014)Fish Story (2009) JOEL'S PICKS:Waking Ned Devine (1998)The Fall (2006)He Loves Me, He Loves Me Not (2002)Steamboat Bill, Jr. (1928) JACOB'S PICKS:It Happened One Night (1934)Kingdom of Heaven - Director's Cut (2005)Rope (1948)The Rundown (2003)

A Brazilian horror classic returns and a major Oscar-season hit makes its debut... on this week's DigiGods! DigiGods Podcast, 02/28/17 (MP3) — 32.62 MB right click to save Subscribe to the DigiGods Podcast In this episode, the Gods discuss: 23 Paces to Baker Street (Studio Classics) (Blu-ray) Allied (4k UHD Blu-ray) Alzheimer's: Every Minute Counts (DVD) American Masters: Maya Angelou - And Still I Rise (DVD) Antibirth (Blu-ray) APE 3-D aka A*P*E (Studio Classics) (Blu-ray) By Sidney Lumet (Blu-ray) Casablancas - The Man Who Loved Women (DVD) Chronic (DVD) The Coffin Joe Trilogy (At Midnight I'll TEake Your Soul, This Night I'll Possess Your Corpse, Embodiment of Evil) (DVD) Contract to Kill (Blu-ray) Dead West (DVD) Deadtime Stories (Blu-ray/DVD) Deluge (Blu-ray) The Devil’s Dolls (Blu-ray) Dirty Dancing: 30th Anniversary Edition (Blu-ray) Doctor Strange (Blu-ray 3D/DVD) Dr. Orloff's Monster (Blu-ray) Forest For the Trees (DVD) The Gate (Blu-ray) Homo Sapiens (DVD) Look at Us Now, Mother! (DVD) Love in the Afternoon (Blu-ray) Mildred Pierce (Blu-ray) Moonlight (Blu-ray) Never Open the Door (Blu-ray) No Highway in the Sky (Fox Cinema Archives) (DVD-R) No Highway in the Sky (Studio Classics) (Blu-ray) Postcards From The Edge Postcards From the Edge (Blu-ray) Psychomania (Blu-ray) Saving Mes Aynak (DVD) The Sicilian Clan (Studio Classics) (Blu-ray) Sophie and the Rising Sun (DVD) Southwest of Salem (DVD) Stake Land II (Blu-ray) Steamboat Bill, Jr. / College (Blu-ray) Stryker (Blu-ray) The Survivor (Blu-ray) The Unholy Four (Blu-ray) Wax Mask (One 7 Movies) (DVD) The Weapon Hunter: Season 1 (DVD) Please also visit CineGods.com. 

Gary and Roscoe wrap up 2016 - and good riddance to a challenging year - with an episode of year-end theater going and a few fun lists. First we revisit Hamilton and our recent viewing of the new Chicago production. From our Booth One perspective in the 11th row at the PrivateBank Theatre, this sit-down company is hands down as dynamic, entertaining and exciting as the Broadway show we saw in New York in May. It's not just a traveling road company - the show's creators have put together a virtual replica of the Broadway smash and re-produced one of the great theatrical experiences of a lifetime. Yes, ticket prices are steep and seats are hard to come by, but it's worth every penny and effort to get into this show. Take the time to play the lottery. 'Nuf said.... Our first year-end list is President Obama's final Presidential Medal of Freedom recipients: Alphabetically, they are Kareem Abdul-Jabaar, Ellen DeGeneres, Robert DeNiro, Bill and Melinda Gates, Frank Gehry, Tom Hanks, Michael Jordan, Maya Lin, Lorne Michaels, Newton Minow, Robert Redford, Diana Ross, Vin Scully, Bruce Springsteen, and Cicely Tyson. A special note is made about Newt Minow, close friend of our producer and a Chicago native, who famously referred to television as a "vast wasteland". Audra McDonald's pregnancy was a surprise. But was it an accident, an illness or neither? We discuss the lawsuit brought by the producers of the marvelous Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed against Lloyds of London, claiming damages of more than $12 million. Ms. McDonald's absence from the show for maternity leave prompted not only the show's early closing, but earlier health issues forced her to miss some preview performances. Ms. McDonald, who has won six Tony awards, was the show's biggest star. Lloyd's has denied the claims, arguing that the pregnancy "and the associated medical conditions were neither an 'accident' nor an 'illness'," criteria cited in the original $14 million insurance policy. Stand by for more on this unprecedented story... Pray. Eat raw eggs. Stay single. Those are the keys to a long life, according to Emma Morano, the world's oldest person. Emma celebrated her 117th birthday this week, and is a national treasure in her native Italy, where her birthday celebration was broadcast on live state television. After the party, Morano took a well-deserved nap. God Bless, Emma. Our next list is of Golden Globe Award nominees, as Gary puts Roscoe in the hot seat for predicting the winners of the January 8 ceremony. His picks: Manchester By the Sea and La La Land for Best Motion Pictures; Denzel, Natalie Portman, Emma Stone and Ryan Gosling in the Best Acting categories. Continuing our movie musical theme, Gary tells about a new Marc Platt project based on the book "Everything's Coming Up Profits: The Golden Age of Industrial Musicals".The source book focuses on corporate musicals made by the hundreds from the 1950s to the early 1980s by companies like Coca-Cola, Westinghouse and Chevrolet. Mostly played at business meetings and conventions, they were created by the top writing talent of the day, including Kander and Ebb. This original movie musical, featuring Kristen Wiig and Will Farrell, will have a score by Marc Shaiman and Scott Whitman of Harispray and Smash fame. Back to our lists - the Library of Congress as announced 25 new films added to the National Film Registry, recognized in the National Film Preservation Board's view as "culturally, historically and aesthetically significant." The list includes: Ball of Fire (1941) The Birds (1963) Blackboard Jungle (1955) The Breakfast Club (1985) East of Eden (1955) Funny Girl (1968) The Lion King (1994) Lost Horizon (1937) The Princess Bride (1987) Steamboat Bill, Jr. (1928) Thelma & Louise (1991) 20,000 Leagues Under the Sea (1916) Who Framed Roger Rabbit (1988) A clarification from our previous episode regarding the...

The 2016 National Film Registry was announced on the 14th, and the list is remarkable! — “Life of an American Fireman” (1903) — “Musketeers of Pig Alley” (1912) — “20,000 Leagues Under the Sea” (1916) — Films of Solomon Sir Jones (1924-1928) — “The Beau Brummels” (1928) — “Steamboat Bill, Jr.” (1928) — “Lost Horizon” (1937) — “Ball of Fire” (1941) — “A Walk in the Sun” (1945) — “Blackboard Jungle” (1955) — “East of Eden” (1955) — “The Birds” (1963) — “Point Blank” (1967) — “Funny Girl” (1968) — “Putney Swope” (1969) — “The Decline of Western Civilization” (1981) — “Atomic Cafe” (1982) — “Suzanne, Suzanne” (1982) — “The Breakfast Club” (1985) — “The Princess Bride” (1987) — “Who Framed Roger Rabbit” (1988)

The 2016 National Film Registry was announced on the 14th, and the list is remarkable! — “Life of an American Fireman” (1903) — “Musketeers of Pig Alley” (1912) — “20,000 Leagues Under the Sea” (1916) — Films of Solomon Sir Jones (1924-1928) — “The Beau Brummels” (1928) — “Steamboat Bill, Jr.” (1928) — “Lost Horizon” (1937) — “Ball of Fire” (1941) — “A Walk in the Sun” (1945) — “Blackboard Jungle” (1955) — “East of Eden” (1955) — “The Birds” (1963) — “Point Blank” (1967) — “Funny Girl” (1968) — “Putney Swope” (1969) — “The Decline of Western Civilization” (1981) — “Atomic Cafe” (1982) — “Suzanne, Suzanne” (1982) — “The Breakfast Club” (1985) — “The Princess Bride” (1987) — “Who Framed Roger Rabbit” (1988)

This week Sam sweeps the leg and loves The Karate Kid, and Ross thinks silent-film star Buster Keaton is just the best. Avatar: The Last Airbender Triple Crossing RVA Detroit Rock Sound / Motor City 5 Steven Universe Chess soundtrack Noriyuki "Pat" Morita was nominated for Best Support Actor Academy Award for his role in The Karate Kid?! The Karate Kid (The Original Motion Picture Soundtrack) Buster Keaton 1,000 Greatest Films Birth of a Nation The Art of the Gag Ross's Buster Keaton recommendations: Steamboat Bill, Jr., The General, Seven Chances, Sherlock Jr., The Navigator Steamboat Willie Tim's Piques of the Week — Volume 4 Gboard Sam's PO Box: Sam & Ross Like ThingsPO Box 25914Richmond Virginia, 23260-5914

​Our featured movie for this episode is The King of Comedy (1982). We also discuss Burnt (2015), Ant-Man (2015), Spectre (2015), Lord of War (2005), Evil Dead (2013), Trick 'r Treat (2007), Good People (2014), The Stranger (1946), Laura (1944), The Bad and the Beautiful (1952), College (1927), and Steamboat Bill, Jr. (1928)

  The Gods line up for the latest Blu-rays from Joseph Gordon-Levitt, Bruce Willis, Woody Allen, Buster Keaton and Christian Bale.  Digigods Podcast, 01/15/13 (MP3) -- 31.1 MBright click to save Subscribe to the Digigods Podcast   In this episode, the Gods discuss:   5 Broken Cameras (DVD) After Kony - Staging Hope (DVD) Ai Wei Wei: Never Sorry (Blu-ray 3D) Arts & The Mind (DVD) Baron Blood (The Mario Bava Collection) (Blu-ray) Black and White (DVD) Comic Book Confidential (Blu-ray) Compliance (Blu-ray) Craft in America: Crossroads (DVD) The David O. Selznick Collection (A Farewell to Arms, Nothing Sacred, A Star Is Born [1937], Bird of Paradise, Little Lord Fauntleroy) (Blu-ray) Driving Miss Daisy Blu-ray Book (Blu-ray) Dropout Nation (Frontline) (DVD) Empire of the Sun 25th Anniversary Blu-ray Book (Blu-ray) Frankenweenie (Blu-ray 3D/DVD) Grand Hotel (Blu-ray) Invisible Adversaries (DVD) Lady Antebellum Own The Night World Tour (Blu-ray) Lighthouses of Australia - Beacons of Hope (DVD) Lighthouses of Ireland (DVD) Looper (Blu-ray) The Man Who Knew Too Much (Blu-ray) Mark Of The Devil: Yack Pack (DVD And Vomit Bag) (DVD) Menschenfrauen (DVD) Mrs. Miniver (Blu-ray) Music from the Big House (DVD) Nature: An Original Duckumentary (Blu-ray) Nature: An Original Duckumentary (DVD) Nature: Animal Odd Couples (DVD) Nature: Magic of the Snowy Owl (DVD) Nature: Siberian Tiger Quest (DVD) NOVA scienceNOW:Can I Eat That? (DVD) NOVA scienceNOW:What Makes Us Human? (DVD) The Qatsi Trilogy (Koyaanisqatsi, Powaqqatsi, Naqoyqatsi) (Blu-ray) The Queen of Versailles (Blu-ray) Rehearsal for a Sicilian Tragedy (DVD) Royal Kingdoms - The Castles and Cathedrals of Royal Britain (DVD) SEAL Team Six: The Raid On Osama Bin Laden (Blu-ray) Secrets of the Dead: The Man Who Saved the World (DVD) The Suicide Plan (DVD) Surviving Disaster (DVD) Tales of Masked Men (DVD) Three Stars (DVD) To Rome with Love (Blu-ray) Trishna (DVD) Twisted Sister: A Twisted Xmas ? Live In Las Vegas (DVD) Ultimate Buster Keaton Collection (The Short Films Collection 1920-1923, Lost Keaton: Sixteen Comedy Shorts 1934-1937, College, The Saphead, Our Hospitality, Sherlock Jr. and Three Ages, The Navigator, Seven Chances, Go West and Battling Butler, The General, Steamboat Bill, Jr.) (Blu-ray) The Who Live In Texas '75  (DVD) Won't Back Down (Blu-ray) YERT - Your Environmental Road Trip (DVD)   Please also visit CineGods.com.