Podcasts about leagues under

Join us for a journey 20,000 Leagues Under the Sea with the stars of Walt Disney's special effects-laden big screen adaptation of Jules Verne's science fiction adventure. We'll hear the film's four stars - James Mason, Kirk Douglas, Paul Lukas, and Peter Lorre - in old time radio thrillers: Mr. Lorre in "The Moment of Darkness" (originally aired on CBS on April 20, 1943); Mr. Lukas in "A World of Darkness" (originally aired on CBS on January 20, 1944); Mr. Douglas in "The Butcher's Wife" (originally aired on CBS on February 9, 1950); and Mr. Mason in "Banquo's Chair" (originally aired on CBS on March 9, 1950). Plus, the original story is recreated for radio with Gene Lockhart on Family Theatre (originally aired on Mutual on April 22, 1953).

20,000 Leagues Under the Sea (1954) on The Atomic Cinema Experiment. This is a sci fi movie podcast. 20,000 Leagues Under the Sea is directed by Richard Fleischer and stars Kirk Douglas, James Mason, Paul Lukas, Peter Lorre patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.com

Science Fiction: X Minus One “Volpla” 8/29/57 NBC, Hallmark Playhouse “20,000 Leagues Under the Sea” 11/8/51 CBS.

Join us as we recap and chat about Once Upon a Time Episode 6x06 Dark WatersDid you know when Hook is pretending to have gotten rid of the Shears of Destiny in 6x05 he says to Emma that "They're thousands of leagues under the sea," foreshadowing the events of the next episode, where Captain Nemo and the Nautilus from Twenty Thousand Leagues Under the Sea arrive in Storybrooke?Wiki page for the episode:https://onceuponatime.fandom.com/wiki/Dark_WatersLinks, articles, and videos mentioned in this episode:20000 Leagues Under the Sea A Whale of a TaleJoin our Book Club and get access to exclusive content on PatreonFollow us on InstagramFollow us on TiktokFollow us on Bluesky

Step back in time with three postcards from Disneyland that capture the magic of the park across decades. From a 1958 Jungle Cruise adventure aboard the Mekong Maiden to a 1977 spin on the Mad Tea Party, each card offers a firsthand glimpse into the sights, sounds, and sentiments of a day at Disneyland—complete with vintage stamps, park hours, weather, and personal messages sent home. This episode also highlights Disney legend Bob Mattey, the mechanical effects pioneer behind the Jungle Cruise animals, 20,000 Leagues Under the Sea, and even the infamous shark from Jaws. His contributions helped bring Disneyland's earliest attractions to life and earned him a lasting tribute on Main Street, U.S.A. Finally, a modern Postcrossing postcard ties past and present together with a heartfelt story of a 1972 visit—recalling ticket books, low crowds, and attractions that connect Disneyland to the 1964 New York World's Fair. From nostalgic notes to behind-the-scenes history, this episode explores how postcards preserve not just memories—but the evolving story of Disneyland itself. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021

Episode #441 We revisit the beloved rides, attractions, restaurants, and resorts that have disappeared over the years but still live on in the hearts of Disney fans. From legendary attractions like 20,000 Leagues Under the Sea, and The Great Movie Ride this episode is all about the Disney experiences we wish we could bring back. www.thedisneycrush.com thedisneycrush@gmail.com www.patreon.com/thedisneycrush  

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Today I'm reviewing This Gilded Abyss by Rebecca Thorne—a wild blend of 20,000 Leagues Under the Sea vibes and 28 Days Later-style survival horror, all set deep beneath the ocean.Trapped in a submersible with danger closing in, this story combines claustrophobic tension, ancient gods and Titans, and a strong dose of steampunk atmosphere. It's fast-paced, eerie, and packed with that “something is very wrong down here” energy.

We're diving back into the ocean this week as we discuss 20,000 Leagues Under the Sea! Join Kaylee, Smalltown, and Jordan as they break down the film and share their thoughts and opinions. They also discuss the cast and crew, how the film came together, the differences between the novel and the film, and so much more!Follow us on Instagram: @DisnessPodcast

Ahoy! I'm a man! You're a man! WE'RE ALL MEN! At least, that's what Kirk Douglas' character would have us all shouting in our review of 20,000 Leagues Under the Sea. This is it, the progenitor of steampunk, nautical sci-fi, and submarine movies in general, and that's why we watched it! For our Submarine Month, we are going through the most impactful submarine movies, and it helps we could only think of four besides Hunt for Red October. So naturally, we had to begin with the grandaddy. We discuss mythical monsters becoming the technology of the future, the complexities of Captain Nemo, and the factual attacks of giant squids! We're farming kelp, sending messages by Sting (in bottles), wondering when they'll kill Ned, running from puppet sharks, and basking in the heavy homoerotic undertones. In the end we count how many times Pirates of the Caribbean just copied this movie. It was a lot. "And then they made me their chief."

Master the Theory of Inventive Problem Solving (TRIZ) with Ivan Gekht to resolve complex product contradictions and build ideal systems that deliver results without over-engineering. Most business owners don't struggle with a lack of ideas; they struggle with wasted effort and innovation bets that don't pay off. In this episode, Ivan Gekht, CEO of Gehtsoft, joins the show to discuss how his background in rocket science and high-stakes software engineering led him to a more predictable model for innovation. We dive deep into TRIZ—a framework built from studying hundreds of thousands of patents—to understand why the most effective systems are often those that eventually disappear while their benefits remain. From removing databases to increase trading speed to using nature-inspired algorithms to optimize logistics, this conversation is a masterclass in seeing problems differently to achieve "unfair" simplicity. In this episode: The 5 levels of innovation: Moving from known solutions to true breakthroughs. Contradiction Framing: Why resolving contradictions beats brainstorming every time. The "Ideal System": Achieving outcomes without the overhead of the system itself. Efficiency at Scale: Reducing logistics compute time from one hour to 40 seconds. The Renaissance Man: Why E-shaped talent is the ultimate advantage in the AI era. Mentioned in this episode... Gehtsoft (Boutique software engineering team) TRIZ / TIPS (Theory of Inventive Problem Solving) OnePlus Open (Foldable smartphone) Formula One (F1) Pit Crew process optimization The Mysterious Island and 20,000 Leagues Under the Sea by Jules Verne Subscribe to the Convergence podcast wherever you get podcasts including video episodes to get updated on the other crucial conversations that we'll post on YouTube at youtube.com/@convergencefmpodcast Learn something? Give us a 5 star review and like the podcast on YouTube. It's how we grow.   Follow the Pod Linkedin: https://www.linkedin.com/company/convergence-podcast/ X: https://twitter.com/podconvergence Instagram: @podconvergence

Enjoy the second short story about characters from The Perspectives Files, as Jules has to help the famous author Jules Verne finish 20,000 Leagues Under the Sea. Thank you for listening and I hope you enjoy!Being a Fan of Disney: The Book is available on Amazon in Kindle, Paperback, Hardback and Audible versions. The book is available at https://a.co/d/htEZ4Og⁠. This has been a passion project of mine for a long time and I am very happy it is available to fellow Disney fans! I hope you enjoy and please engage with the book and activities on www.SharedPerspectives.org. The Perspectives Files, about two teenagers who learn they are part of an organization charged with protecting the world's future by monitoring and learning from people's decisions, is available on Amazon in Paperback, Hardback, Kindle, and Audible versions at https://a.co/d/3oeLSmI!You can follow along with the class, podcast, Take 1 episodes, and interviews/visits by subscribing to the show wherever you get your podcasts, following me on Threads and Instagram @cody.havard, joining the Facebook public group @BeingaFanofDisney, and by visiting www.SharedPerspectives.org. Thank you for listening, and please let me know your thoughts on this and other shows. And...Please come along with us on our adventure! 

Send us a textA romantic anniversary trip to a secluded cabin turns sinister when a dark presence reveals itself, forcing old friends to confront their podcast's haunting past. On Episode 700 of Trick or Treat Radio we eschew the normal pomp and circumstance of a milestone show for our normal format and continue on with December Double Feature Cram Jam. This week we discuss films from two of our favorite directs; Keeper from Osgood Perkins, and Eddington from Ari Aster! We also get inducted into the 700 Club, react to trailers for the films; Amityvillenado and 28 Years Later: The Bone Temple, and are faced with the ghosts of 2020 all over again. So grab your jar of honey, post an angry rant online, and strap on for the world's most dangerous podcast!Stuff we talk about: Fickle horror fans, Hellraiser, dinner scene, smoking without burning your mouth, Trish Stratus, scenes in horror that drive you nuts, gimmick as a personality, the 700 Club, fitness sponsors, snikts and krakadooms, roman chairs and russian fingers, gathering of the Juggalos, fluff it up, 20,000 Leagues Under the Sea, James Mason, The 7th Voyage of Sinbad, Scars of Dracula, Christopher Lee, Hellbound: Hellraiser II, The Bone Snatcher, Death Machine, Pulse 3, Solomon Kane, Hazmat, Evil Remains, Estella Warren, Corey Haim, The Lost Boys, Dario Argento's Trauma, King Kong, John Northpole, Mega Huge Pictures, Amityvillenado, 28 Years Later: The Bone Temple, Nia DeCosta, Danny Boyle, gratuitous gratuity, Bee Gees, Barry Gibb - the handsome one, Keeper, Osgood Perkins, the 700 Club, nefarious, Tatiana Maslany, breaking the cycle of patriarchy, Ready or Not, folk horror, body horror, Guillermo del Toro, subtle satisfaction, films flipping the script, Joaquin Phoenix, Deirdre O'Connell, Emma Stone, Pedro Pascal, Austin Butler, Ari Aster, Midsommar, Hereditary, Beau is Afraid, Eddington, Christopher Nolan, Odyssey, WWE vs AEW, Ben Affleck, James Gunn's DCU vs Zack Snyder's DCEU, Honey Ripple head cream, and Before and Aster.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Journey 80,000 Leagues Under the Sea with us… not in the Nautilus, but in a Yellow Submarine!  John, Paul, George and Ringo battle Blue Meanies and glowering gloves with a whole lot of music, and a little bit of love.  #beatles #yellowsubmarine #bluemeanies #paulmccartney #johnlennon #georgeharrison #ringostarr #pepperland #sgtpepperslonelyheartsclubband #heybulldog #allyouneedislove #alltogethernow #whenim64 #lucyintheskywithdiamonds #eleanorrigby #nowhereman #itsalltoomuch #onlyanorthernsong

This week we go exploring! First we head north and take photos of wildlife in Borealis: Arctic Expeditions by Dariusz Mindur from Lucky Duck Games (order the game directly here: https://quack.at/garretts-games-borealis) then we head down into the depths with Captain Nemo and crew in 20,000 Leagues Under the Sea by Alberto Millan from Looping Games You can support the podcast at www.patreon.com/garrettsgames OR check out our extensive list of games that no longer fit on our shelves, but belong on your table: https://docs.google.com/spreadsheets/d/16ovRDNBqur0RiAzgFAfI0tYYnjlJ68hoHyHffU7ZDWk/edit?usp=sharing  

Writer, producer, and podcaster Scott Weinberg kicks off the FOUR FULL EPISODES OF "MOVEMBER," with a discussion of 2024's remake, The Crow. The original Crow was a defining movie for legions of goths and black-trenchcoated teens. This one... has a lot of people thirsting after Bill Skarsgård's abs? And not much else?Come see us live in Chicago, on 11/16, discussing the Jim Belushi-and-a-dog buddy comedy K-9! OR, if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE!To stay updated on Flop House events and side projects AND get a little bit of extra fun nonsense, subscribe to our NEWSLETTER, “Flop Secrets!Download the MP3 directly, HEREPaste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released.Wikipedia page for The CrowRecommended in this episode:Dan: Next of Kin (1982)Stu: After the Hunt (2025)Elliott: 20,000 Leagues Under the Sea (1954)Scott Weinberg: Primitive War (2025)

Hey Howdy Hey! Welcome to episode 289 of Disney Assembled!!!This week on Disney Assembled, join us in this nostalgic episode as we explore the magic of Disney attractions through the decades. From the iconic 1970s rides like 20,000 Leagues Under the Sea to the beloved 1980s Epcot experiences, we dive into what makes these attractions timeless. Plus, enjoy a Disney Dad Joke, trivia, and a special birthday shoutout. Tune in for a sprinkle of pixie dust and a trip down memory lane!If you enjoy the show,...Subscribe to the show on your podcast player of choice. If you are able, consider giving us a 5-star rating and review.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a Dole Whip!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member and get extra content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Find and subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Visit our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Disney Assembled store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to purchase some excellent Disney Assembled merch.Follow and shoot us a message on our socials: @DisneyAssembled on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disneyassembled@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Be sure to check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify Playlist, "Disney Assembled's Favorites" - click here to listen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find links to all of the above, as well as links to where you can subscribe to the show, on our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disneyassembled.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See you real soon!Troy & Mimi :)

Writer, editor, and founder of The Elysian, Elle Griffin joins me on Infinite Loops to discuss her vision for participatory capitalism, a world where ownership, reputation, and creativity are shared more broadly across society. We explore the evolution of capitalism from the industrial era to the networked age, how broad-based ownership could rebuild the middle class, why optimism is revolutionary, and how storytelling shapes our collective imagination. We also discuss how reputation is becoming a new form of capital and how writers can become architects of meaning in a world reshaped by AI and automation. I hope you enjoy this conversation as much as I did. For the full transcript, episode takeaways, and bucketloads of other goodies designed to make you go, "Hmm, that's interesting!," check out our Substack. Important Links: The Elysian Elle Griffin on X (Twitter) LinkedIn Website Elle's Novel Obscurity Show Notes: The New GI Bill for Stock Ownership Rethinking ESOPs, RSUs, and Equity for All The Founder's Dilemma: Risk, Ownership & Exit Tax Incentives for Employee Ownership A Tale of Two Experiments The Ownership Czar for the Day The Future of Work The State with Baby Bonds The Problem with Worth and Deserving The Power of Utopian Fiction The Currency of Belief and Reputation Empress of the World Question Books and References Mentioned: Obscurity; by Elle Griffin The Elysian; by Elle Griffin The Beginning of Infinity; by David Deutsch The Lessons of History; by Will & Ariel Durant The History of Civilization; by Will & Ariel Durant Why Greatness Can't Be Planned; by Kenneth O. Stanley Looking Backward; by Edward Bellamy Herland; by Charlotte Perkins Gilman Les Misérables; by Victor Hugo Frankenstein; by Mary Shelley The Republic; by Plato Das Kapital; by Karl Marx The Count of Monte Cristo; by Alexandre Dumas 20,000 Leagues Under the Sea; by Jules Verne A Tale of Two Cities; by Charles Dickens White Mirror Stories; by Infinite Books    

The Summer of Submarines reaches crush depth with Disney’s 1954 epic “20,000 Leagues Under the Sea.” Captain Nemo of the Nautilus has met his match in an uncharismatic French professor, his strangely familiar associate, and their sidekick, a violent harpoonist and occasional cabaret performer. Also there’s a giant squid. Everyone remembers the giant squid—and for good reason! Jason Snell with Monty Ashley, Erika Ensign, Shelly Brisbin, Philip Michaels and David J. Loehr.

The Summer of Submarines reaches crush depth with Disney’s 1954 epic “20,000 Leagues Under the Sea.” Captain Nemo of the Nautilus has met his match in an uncharismatic French professor, his strangely familiar associate, and their sidekick, a violent harpoonist and occasional cabaret performer. Also there’s a giant squid. Everyone remembers the giant squid—and for good reason! Jason Snell with Monty Ashley, Erika Ensign, Shelly Brisbin, Philip Michaels and David J. Loehr.

Today I'm answering a question from my Landwalker friend Steve, who asked: “What does MeMe think of landwalking television shows like Stargate: Atlantis, SeaQuest DSV, Nautilus, 20,000 Leagues Under the Sea, and Man From Atlantis?”

This compilation of Classic Literature Sleep Stories will take you on a journey through the famous  books and will help you ease towards a night of restful and relaxing sleep. Relax and listen to the most loved stories of all time. The adventures of Sherlock Holmes - Arthur Conan DoyleThe Legend of Sleepy Hollow - Washington Irving 20000 Leagues Under the Sea - Jules VerneThe man in the iron mask - Alexandre DumasThe Hound of the Baskervilles - Arthur Conan DoyleRobin Hood and the Golden Arrow -  Howard Pyle The Count of Monte Cristo - Alexandre Dumas

Send us a textA teenager has the ability to enter other people's dreams. When he witnesses three middle aged men that know entirely too much about 80s sitcoms talking people's ears off in their dreams, he quickly realizes that it's related to the mysterious deaths happening in the real world. On Episode 674 of Trick or Treat Radio we discuss the Indonesian horror flick, Soul Reaper (aka Respati) from director Sidharta Tata! We also reminisce about video games and sitcoms, do a wellness check on Barry Sobel, and talk about dream logic. So grab your TV Guide, slip on your sleep mask, and strap on for the world's most dangerous podcast!Stuff we talk about: Lloyd Kaufman, The Toxic Avenger, Elijah Wood, red band trailers, June 26th, Virus, Hell of the Living Dead, Glen Ford, Olivia Hussey, George Kennedy, Edward James Olmos, Sonny Chiba, Kinji Fukasaku, Scream Queens, Robert Davi, Dick Smith, M, 20,000 Leagues Under the Sea, Peter Lorre, Aubrey Plaza, RIP Lalo Schifrin, Tales of Halloween, Mission Impossible, THX 1138, Life After Beth, Friday the 13th VII: The New Blood, Shadows of the Empire, Dash Rendar, Goldeneye, Prince Xizor, WWE No Mercy N64 theme song, Bob Kraft drunk, venemo, Bad Dreams, Evil Dead, Nightmare on Elm St., Soul Reaper, Indonesian Horror, Rap Snacks, Chumpies Chips, dream realm logic, Indonesian folklore, dreams where you fall, Down with OPP, business is booming, Yorkshire pudding, Pudding the Vampire, Punky's On the ‘cock, Punky Brewster, Soleil Moon Frye, Eddie Deezen, T.K. Carter, The Thing, The Transformers, The Bop Crew, George Gaynes, Police Academy, Bad News Bears TV Show, Meeno Peluce, Barry Sobel, wellness checks, Six Degrees of Sobel, Jakarta Witch Trials, Nocturnal Emissions, and Meenopalooza!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

In our last episode, our heroes found a mysterious tunnel marked by Arne Saknussemm, whose writings sent our heroes on their journey to the centre of the Earth. They now need to blast their way through, but where will this tunnel take them? You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtaleBooks - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale Jules Verne: Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/9781435122956 20,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926 Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280 From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594 I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

What lies ahead for our heroes? In the last episode's finale, they found that the storm had taken them back to their starting point on the raft. Will they make another attempt across the subterranean sea or return to the surface? You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtaleBooks - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale Jules Verne: Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/9781435122956 20,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926 Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280 From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594 I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Circumstance made him a legend of the quizzing world, but Siddhartha Basu is a man of many parts. He joins Amit Varma in episode 420 of The Seen and the Unseen to talk about life, India, the art of asking questions and the answers he has found. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Siddhartha Basu on Wikipedia, Twitter, Instagram and IMDb. 2. Tree of Knowledge, DigiTok. 3. Quizzitok on YouTube. 4. Middlemarch -- George Eliot. 5. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 6. Gita Press and the Making of Hindu India — Akshaya Mukul. 7. Episodes of The Seen and the Unseen featuring Ramachandra Guha: 1, 2, 3, 4, 5, 6. 9. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 10. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 11. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 12. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 13. How to Become a Tyrant -- Narrated by Peter Dinklage. 14. What Is Populism? -- Jan-Werner Müller. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. 20,000 Leagues Under the Sea -- Richard Fleischer. 17. The Hedgehog And The Fox — Isaiah Berlin. 18. Trees of Delhi : A Field Guide -- Pradip Krishen. 19. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 20. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 21. Stage.in. 22. Dance Like a Man -- Mahesh Dattani. 23. How Old Are You? -- Rosshan Andrrews. 24. The Mehta Boys -- Boman Irani. 25. A Portrait of the Artist as a Young Man -- James Joyce. 26. Massey Sahib -- Pradip Krishen. 27. Derek O'Brien talks to Siddhartha Basu -- Episode 6 of the Quizzitok Podcast. 28. Kwizzing with Kumar Varun. 29. Ivanhoe, Treasure Island and Black Beauty. 30. Jane Austen, Walter Scott, Charles Dickens, John Steinbeck, Albert Camus, Jean-Paul Sartre, Charles Baudelaire, Arthur Rimbaud, Allan Ginsberg, Jack Kerouac, James Joyce, TS Eliot and Vivekananda. 31. Ramayana and Mahabharata -- C Rajagopalachari. 32. Paradise Lost -- John Milton. 33. Morte d'Arthur -- Alfred Tennyson. 34. Death of a Salesman -- Arthur Miller. 35. Salman Rushdie, Amitav Ghosh, Mukul Kesavan, Rukun Advani, Vikram Seth, Shashi Tharoor, Jhumpa Lahiri, I Allan Sealy, Arundhati Roy and William Dalrymple. 36. The Trotter-nama -- I Allan Sealy. 37. The Everest Hotel -- I Allan Sealy. 38. The Life and Times of Altu-Faltu -- Ranjit Lal. 39. Mr Beast on YouTube. 40. The Spectacular Life of Prahlad Kakar — Episode 414 of The Seen and the Unseen. 41. Ramki and the Ocean of Stories -- Episode 415 of The Seen and the Unseen. 42. Adolescence -- Created by Stephen Graham & Jack Thorne. 43. Anora -- Sean Baker. 44. Jerry Seinfeld on the results of the Seinfeld pilot. 45. Scam 1992 -- Hansal Mehta. 46. Dahaad -- Created by Reema Kagti & Zoya Akhtar. 47. The Delhi Walla -- Mayank Austen Soofi. 48. Flood of Fire -- Amitav Ghosh. 49. The Shadow Lines -- Amitav Ghosh. 50. The God of Small Things -- Arundhati Roy. 51. Shillong Chamber Choir. 52. The Waste Land -- TS Eliot. 53. Omkara, Maqbool and Haider -- Vishal Bhardwaj. 54. A Tale of Two Cities -- Charles Dickens. 55. William Shakespeare and Henry James. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Your Time Starts Now' by Simahina.

Our heroes have discovered a vast ocean beneath the Earth. They are now on a raft speeding across it. How large is this ocean (or is it a sea?) and will they reach the other side?You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

In our last episode, Axel had fallen and slipped into unconsciousness.  He had been separated from the group and was returning to them through sound.  Will the professor and Hans find him in time?You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Our heroes have been travelling steadily toward the centre of the Earth.  With their water replenished, they have decided to rest for a day and calculate exactly where they are and where they should head next...You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Walkabout Mini Golf is really an incredible accomplishment of VR design with its fusion of worldbuilding, compelling physics-based gameplay, the unique social dynamics and community it's able to cultivate, and over 4 1/2 years of consistent DLC courses every 8 weeks or so. They have launched 33 total courses, and just recently announced that they're bumping the price by $10 and adding 6 DLC courses into the base game so that is now 14 courses for $24.99. It's still an incredible deal, especially considering that there are still 19 DLC courses available, which has helped earn the #20 spot on Meta's best-selling Quest apps of all time. During my trip to SXSW, I had a chance to speak with the original solo developer of Walkabout Mini Golf, Lucas Martell, who has since grown the Mighty Coconut Studio team to 35 people. We talk about how their design process for courses starts with worldbuilding, but also how his script-writing background has helped to inform how they tell the story of each of these worlds through the evolution of game mechanics and shape language that each course is exploring. After I had a chance to interview Martell, I was given access to all 33 of the courses, which I have played through over the past week in order to provide a bit more context on what they've been able to accomplish with Walkabout Mini Golf. It's certainly an achievement within VR design that combines the best part of immersive worldbuilding, convincing gameplay, and compelling social dynamics that keeps players coming back again and again.Be sure to check out the table below which lists the timeline of the release of the 33 different courses that are now available. OrderCourse NameRelease DateCategory1.1Tourist TrapSep 24, 2020Classic1.1Cherry BlossomSep 24, 2020Classic1.1Seagull stacksSep 24, 2020Classic1.1Arizona ModernSep 24, 2020Classic5Original GothicNov 8, 2020Classic6Tethys StationMar 3, 2021Classic7Bogey's BonanzaJun 10, 2021Classic8Quixote ValleyOct 7, 2021Classic9Gardens of BabylonNov 18, 2021Lost Cities10Shangri-La (Added to Base Game)Dec 16, 2021Lost Cities11Sweetopia (Added to Base Game)Feb 17, 2022DLC12El DoradoJun 2, 2022Lost Cities13LabyrinthJul 28, 2022Licensed IP1420,000 Leagues Under the Sea (Added to Base Game)Sep 29, 2022Jules Verne15MystNov 15, 2022Licensed IP16AtlantisJan 26, 2023Lost Cities17Upside Town (Added to Base Game)Mar 9, 2023DLC18Temple at ZerzuraApr 20, 2023Lost Cities19Journey to the Center of the EarthJun 8, 2023Jules Verne20Laser Lair (Added to Base Game)Jul 20, 2023Evil Lair21Alfheim (Added to Base Game)Sep 7, 2023DLC22Widow's WalkaboutOct 19, 2023DLC23Meow WolfDec 7, 2023Licensed IP24Around the World in 80 DaysJan 18, 2024Jules Verne25Ice LairMar 7, 2024Evil Lair26VeniceApril 25, 2024DLC27Wallace & GromitJul 25, 2024Licensed IP28Mars GardensSep 10, 2024Original IP298-Bit LairOct 24, 2024Evil Lair30Holiday HideawayDec 5, 2024DLC31Viva Las ElvisJan 16, 2025Licensed IP32Mount OlympusMar 6, 2025DLC33Raptor CliffsMay 1, 2025DLC This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Our heroes are running out of water. The professor urges them to continue, but to survive, they must find a way to replenish their dwindling supplies...You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Our heroes have found the crater and are ready to begin their descent to the centre of the Earth...You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Axel and Professor Lidenbrock are travelling to Snæfellsjökull with their guide, Hans, where they believe they will discover the gateway to the centre of the Earth.You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Why does Dr. Ox offer to light the town with a mysterious gas at his own expense? Jules Verne, today on The Classic Tales Podcast.   Welcome to this VINTAGE episode of The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   We kind of have a feeling when we think about Jules Verne. Around the World in 80 Days, 20,000 Leagues Under the Sea, A Journey to the Centre of the Earth. Lots of fun, sometimes predictive adventure fiction that leaves us feeling good, and a little bit smarter. Today's story is in this vein. I hope you like it.   And now, Dr. Ox's Experiment, Part 1 of 2, by Jules Verne   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

We pick up our tale in Copenhagen, where Axel and Professor Lidenbrock are about to head to Iceland.  They have followed the clues and are hoping to find the entrance to the centre of the Earth...You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Last week, our main characters Axel and his uncle, Professor Lidenbrock, discovered a coded message from a 16th-century alchemist, Arne Saknussemm. Axel has decoded the message but has decided not to share this information, with his uncle.You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

Our next story has seen numerous adaptations, including films, plays, radio dramas, and even a theme park ride.  'Journey to the Centre of the Earth', a classic by Jules Verne first published in French in 1864, gained further popularity with the English translation by Frederick Amadeus Malleson in 1877.  This is the edition we have selected to read.You can support the channel via our Patreon: https://www.patreon.com/thewelltoldtale  Books - (buying books from our Bookshop.org shop helps support this channel while also supporting local bookshops, at no cost to you): Books by our favourite authors - https://uk.bookshop.org/lists/the-well-told-tale  Jules Verne:Journey to the Centre of the Earth: https://uk.bookshop.org/a/9522/9781665934183 Seven Novels - https://uk.bookshop.org/a/9522/978143512295620,000 Leagues Under the Sea - https://uk.bookshop.org/a/9522/9781513265926Around the World in 80 Days - https://uk.bookshop.org/a/9522/9780008514280From the Earth to the Moon - https://uk.bookshop.org/a/9522/9781398810594I would like to thank my patrons: Maura Lee, Jane, John Bowles, Cade Norman, Matt Woodward, Cho Jinn and Douglas HarleySupport the show

​​Welcome to You Haven't Blanked That! It's Disney Month and we watched Treasure Planet. We talk about tier B Disney movies, Ahsoka, Emperor's New Groove, Disney Channel movies, 20,000 Leagues Under the Sea, Differences in the adaptations, people's love for this story, futuristic Disney movies, Martin Short, Fake Waterfall?, Corey Feldman, punk rockers at Disney. What We Are Blanking - Old TCM movies, Lawrence of Arabia, Traitors, Extraction, High Potential, SNL 50, Catching The Big Fish, Rage, Dog Man, Captain America: Brave New World. ​​Opening theme by the Assassins ​​Closing theme by Lucas Perea ​​ For more info, click the link bio or below. https://linktr.ee/yhblankthat Email: Yhblankthat@gmail.com

Why does Dr. Ox offer to light the town with a mysterious gas at his own expense? Jules Verne, today on The Classic Tales Podcast.   Welcome to this VINTAGE episode of The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   We kind of have a feeling when we think about Jules Verne. Around the World in 80 Days, 20,000 Leagues Under the Sea, A Journey to the Centre of the Earth. Lots of fun, sometimes predictive adventure fiction that leaves us feeling good, and a little bit smarter. Today's story is in this vein. I hope you like it.   And now, Dr. Ox's Experiment, Part 1 of 2, by Jules Verne   Follow this link to become a monthly supporter:       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Hello everyone!!As our episode celebration of 6 years of The Left Page we go back to the 19th century with our very first Jules Verne: 20,000 Leagues Under the Sea!For this very fun episode we not only reminisce a bit about the show and we feel about it after all this time, but also think over these elements that were at the dawn of science fiction as we know it! Elaborate scientific explanations, a tough narrative, a compelling mystery, and the ocean as wondrous and unknowable as space! It's got it all!So join us for this celebration and excellent episode in its own right, as we plumb this genre dear to us, and how it came to be, bit by bit!Enjoy!If you can and are interested in early episodes and the Here Be Extras, check our Patreon!https://www.patreon.com/leftpage Also! If you're not there already, feel free to join our Discord, as we have been more talkative than usual, and plan to do so more and more!https://discord.gg/J2wgG3yrPNIntro Credits: Ultralounge, Kevin MacLeod (incompetech.com)Outro Credits: Leve Palestina, Spartacus Hosted on Acast. See acast.com/privacy for more information.

Since the end of the last Ice Age, sea levels have risen around 400 feet, submerging about 5% of previously above water land. At least some of this coastal area was inhabited by humans before waters began rising, resulting in a slow motion deluge - in some cases more rapid flooding - of those areas, which left artifacts, structures, and history drowning at various depths. About 71% of our planet is covered in water and we have only explored and mapped between 5-10% of those oceans (Atlantic, Pacific, Indian, Arctic, and Southern). Even larger bodies of water in general have yet to be fully mapped or understood, not to mention Lake Titicaca and the Great Lakes of North America. Upon expanding our periscope we find deserts like the Sahara and jungles like the Amazon that are just as uncharted. Archeology is expensive and political enough, but underwater archeology is something else entirely. It's estimated that our oceans hold 97-98% of our planet's water, but for everything we don't know about them, if you go down far enough into the earth you'll find even more water. In April 2024, scientists announced seismographic reports about an incomprehensible body of water 430 miles beneath the earth's surface, i.e., a vast under-the-surface ocean beneath our already unexplored oceans and land. This discovery lends creditably to the hollow earth theory that includes the mythical and mystical land of Agartha. Perhaps these esoteric-myths were based on something very real. The Kraken is a mythological creature, but is based on the giant squid, and perhaps other more monstrous versions of it or other underwater gods. The sea gods Neptune and Poseidon are personifications of the ocean itself,  and its powers, their tridents controlling the turbulent waters and tempests which can be associated with our own fluid em-oceans (emotions). Stories and movies like 20,000 Leagues Under the Sea, Deep Star Six, the Abyss, Sphere, and Underwater, all speak of these myths and the ocean's mysteries. And now we're finding that life can exist and thrive in any condition, even at Lake Vostok under 2.4 miles of sealed ice with no sunlight, or in the pressurized, dark, freezing depths of our oceans. What does this tell us about other planets or our own largely unexplored world? What demons, monsters, aliens lurk beyond in the abyss? While we search for answers, much of that information is gathered through cables that span the ocean floors. In fact, about 95% of global communications are transmitted via underwater cables, not satellites. Then there is H.P. Lovecraft and his story of the Great Old One named Cthulhu, who slumbers in the southern seas. In April 2024, an 80 foot tall series of waves spanning 2,000 miles wide moved through the ocean off the coast of Africa for a full day before vanishing. Perhaps Cthulhu has awakened? -FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITEPAYPALCashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/tst-radio--5328407/support.

The "Indy God" Matt Cardona graces Podcast: The Ride with his presence for the long-awaited sequel to the Indiana Jones Adventure episode.Why yes we are still Scott-free, why do you ask?"20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide FOLLOW PODCAST: THE RIDE:https://twitter.com/PodcastTheRidehttps://www.instagram.com/podcasttherideBUY PODCAST: THE RIDE MERCH:https://www.teepublic.com/stores/podcast-the-ridePODCAST THE RIDE IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The "Indy God" Matt Cardona graces Podcast: The Ride with his presence for the long-awaited sequel to the Indiana Jones Adventure episode. Why yes we are still Scott-free, why do you ask? "20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide  FOLLOW PODCAST: THE RIDE: https://twitter.com/PodcastTheRide https://www.instagram.com/podcasttheride BUY PODCAST: THE RIDE MERCH: https://www.teepublic.com/stores/podcast-the-ride PODCAST THE RIDE IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoices

PTR sent Lindsay Katai (The Fairly OddParents: A New Wish, Infinity Train) and Ashleigh Crystal Hairston (The Fairly OddParents: A New Wish, Tiny Toons Looniversity) to The Warner Brothers Studio Tour special event: Friendsgiving. Yes that's right, classic TV show "Friends" X Thanksgiving.They ate a large Thanksgiving meal, saw a famous fountain and were engaged in a very mild amount of antics."20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide FOLLOW PODCAST: THE RIDE:https://twitter.com/PodcastTheRidehttps://www.instagram.com/podcasttherideBUY PODCAST: THE RIDE MERCH:https://www.teepublic.com/stores/podcast-the-ridePODCAST THE RIDE IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

PTR sent Lindsay Katai (The Fairly OddParents: A New Wish, Infinity Train) and Ashleigh Crystal Hairston (The Fairly OddParents: A New Wish, Tiny Toons Looniversity) to The Warner Brothers Studio Tour special event: Friendsgiving. Yes that's right, classic TV show "Friends" X Thanksgiving. They ate a large Thanksgiving meal, saw a famous fountain and were engaged in a very mild amount of antics. "20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide  FOLLOW PODCAST: THE RIDE: https://twitter.com/PodcastTheRide https://www.instagram.com/podcasttheride BUY PODCAST: THE RIDE MERCH: https://www.teepublic.com/stores/podcast-the-ride PODCAST THE RIDE IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoices

If Walt Disney were alive today he would surely say, “To all that come to this happy place, welcome. Make sure your phone is fully charged because our app is going to drain the hell out of your battery.”Jessica McKenna (Off Book Podcast) returns to tap, swipe and get frustrated at Disneyland's clunky ass app."20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide FOLLOW PODCAST: THE RIDE:https://twitter.com/PodcastTheRidehttps://www.instagram.com/podcasttherideBUY PODCAST: THE RIDE MERCH:https://www.teepublic.com/stores/podcast-the-ridePODCAST THE RIDE IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If Walt Disney were alive today he would surely say, “To all that come to this happy place, welcome. Make sure your phone is fully charged because our app is going to drain the hell out of your battery.” Jessica McKenna (Off Book Podcast) returns to tap, swipe and get frustrated at Disneyland's clunky ass app. "20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide  FOLLOW PODCAST: THE RIDE: https://twitter.com/PodcastTheRide https://www.instagram.com/podcasttheride BUY PODCAST: THE RIDE MERCH: https://www.teepublic.com/stores/podcast-the-ride PODCAST THE RIDE IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoices

Beth Appel (The Sex Lives of College Girls) is here to recap her trip to Denmark's finest, quaintest theme park, Tivoli Gardens. A park that was so good, many elements of it were stolen by that unscrupulous thief Walt Disney."20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide FOLLOW PODCAST: THE RIDE:https://twitter.com/PodcastTheRidehttps://www.instagram.com/podcasttherideBUY PODCAST: THE RIDE MERCH:https://www.teepublic.com/stores/podcast-the-ridePODCAST THE RIDE IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Beth Appel (The Sex Lives of College Girls) is here to recap her trip to Denmark's finest, quaintest theme park, Tivoli Gardens. A park that was so good, many elements of it were stolen by that unscrupulous thief Walt Disney. "20,000 Leagues Under the Sea (Tokyo DisneySea Version) with Matt Mazany" episode is up at: Patreon.com/PodcastTheRide Check out Path of Most Resistance! https://www.youtube.com/watch?v=pJ5DFrdOyig  FOLLOW PODCAST: THE RIDE: https://twitter.com/PodcastTheRide https://www.instagram.com/podcasttheride BUY PODCAST: THE RIDE MERCH: https://www.teepublic.com/stores/podcast-the-ride PODCAST THE RIDE IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/podcast-the-ride Learn more about your ad choices. Visit megaphone.fm/adchoices

WDW Radio # 800 - Joe Rohde: Our Conversation on Art, Wildlife, and Culture This week, I'm sharing a special episode from the Archives, as my interview this week comes from show # 232 back in 2011 in honor of legendary voice actor Pete Renaday, who passed away on September 8.   Pete's iconic voice brought life to unforgettable characters in both Walt Disney World and Disneyland, including Henry from the Country Bear Jamboree, Walt Disney World's 20,000 Leagues Under the Sea (as Captain Nemo), The Hall of Presidents (as Abraham Lincoln), the Disneyland version of The Many Adventures of Winnie the Pooh and The Walt Disney Story as narrator, the Tomorrowland Transit Authority, Adventure Thru Inner Space, and Mark Twain Riverboat. He was also the Ghost Host on the Haunted Mansion album (which I still have and love).   I feel fortunate to have Pete be able to share his story in his own words and iconic voice as he shares his incredible journey—from meeting Walt Disney to his work on animated films and iconic attractions. So just refrain from hibernatin', and let's enjoy the show, cause he's still got a lot to give. - Which of Pete Renaday's voices do you like or recognize most? Share your thoughts in the WDW Radio Clubhouse at WDWRadio.com/Clubhouse, or call the voicemail at 407-900-9391 (WDW1) and share your story on the show. Subscribe to our newsletter and get a FREE copy of my 102 Things To Do at Least Once in Walt Disney World book at WDWRadio.com/Subscribe Connect with me on Instagram, Facebook, LinkedIn, and WDW Radio on YouTube But for now... sit back, relax, and enjoy this week's episode from the Archives on the WDW Radio show. ---------------------------------- WDWRadio.com - Visit the site and blog WDWRadioNATION - Get monthly rewards, and help support the show WDWRadioLIVE.com - Watch and chat LIVE Wednesdays at 7:30pm ET Events - Disney meets, events, cruises, and more! 407-900-9391 - Call the voicemail with a question, comment or "Hello!" from the parks THANK YOU for your support by voting WDW Radio Best Travel Podcast for 9 consecutive years, and for listening! Please be sure to tune in next week, and help spread the word about the show! ---------------------------------- LouMongello.com - Let me help you turn what you love into what you do and turn your passion into your profession with one-on-one mentoring, mastermind groups, and my Momentum Workshop and Retreat in Walt Disney World.  I am also a keynote speaker who can present at your event, conference, business, or school, and provide mentoring and consulting to individuals and organizations looking to build their businesses and brands. I speak on a variety of topics, including sharing the magic of Disney, and teaching how to deliver exceptional customer service, social media, podcasting, live video, community, following your dreams, and more.