Podcasts about boogeyman

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Chris and Ed flash back to when they uncovered three horrifying true stories about intruders found hiding inches beneath sleeping victims - including a babysitter who investigated a child's claim that there was a “monster” under the bed, a woman who discovered her threatening ex hiding beneath hers while a new security system was being installed, and a stalker who secretly remained under his victim's bed for two full days...SHOW NOTESOriginally aired on Patreon: 09/18/25Become a supporter of this podcast: https://www.spreaker.com/podcast/scared-all-the-time--7084296/support.Get the latest episodes of our bonus show NEW FEAR UNLOCKED -- and a whole lot more! -- by supporting the show on Patreon: https://www.patreon.com/ScaredAllTheTime

368. The Boogeyman of Melbourne: Mr Cruel On August 22nd, 1987, a man wearing a balaclava broke into a home in Lower Plenty, Australia. After tying up the parents and their young son, he brutally assaulted their eleven-year-old daughter. Then, he did something truly chilling: he made himself a snack, sat down, and ate it, leaving the family tied up and traumatized in the other rooms. This monster, who would eventually be dubbed “Mr. Cruel” by the media, was just getting started. He went on to terrorize the suburbs of Melbourne, executing highly planned child abductions that sparked one of the largest police investigations in Australian history. Then, just as suddenly as he arrived, he vanished. This case is still open. If you have any information on these abductions, please contact the Melbourne Police. Or Crimestoppers  Phone Number (Within Australia): 1800 333 000 Website (For international listeners or online tips): crimestoppersvic.com.au Join Jen & Cam as they dive into the details behind 'The Boogeyman of Melbourne: Mr Cruel.'  *We are BEYOND excited to finally announce our next big adventure! Our True Crime Podcast will be turning 10 years old in 2028.  To celebrate this huge milestone,  we are heading to Europe for a once-in-a-lifetime 11-day trip to Belgium, the Netherlands, and Luxembourg! We would love for you to come along. It's officially a "Cheers to 10 Years Tour!" from July 8–19, 2028! SAVE $150 per person if you book by July 20th! You can visit our webpage travel webpage here to see the itinerary: https://0tcp711.s.gy/VOfMrW If you're nervous or want more info, RSVP for a 6pm July 16th Zoom call https://0tcp711.s.gy/Ue4NG8 Our team: Listener Discretion by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Edward October ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Research & Writing by Lauretta Allen Executive Producers Nico & Jesse of ⁠⁠⁠⁠⁠The Inky Pawprint⁠⁠ Sources: https://youtu.be/ArIl4189jDw?si=RpwZGMKgwfzv_cmg https://youtu.be/Jaq001Evc_c?si=CxsMwY8U6CL-_1pb Apr 14, 1992, page 5 - The Age at Newspapers.com™ - Newspapers.com™ Mr Cruel - Wikipedia Chilling new evidence in harrowing ‘Mr Cruel' investigation | news.com.au — Australia's leading news site for latest headlines Major breakthrough in Melbourne's notorious ‘Mr Cruel' case - Starts at 60 A new profile of Mr Cruel, who may have been a burglar before he was a killer Mr. Cruel: The Australian Serial Kidnapper Still at Large Aug 29, 1987, page 5 - The Age at Newspapers.com™ - Newspapers.com™ Dec 29, 1988, page 1 - The Age at Newspapers.com™ Dec 28, 1988, page 1 - The Age at Newspapers.com™ - Newspapers.com™ Dec 31, 1988, page 2 - The Age at Newspapers.com™ Dec 30, 1988, page 1 - The Age at Newspapers.com™ Dec 29, 1988, page 1 - The Age at Newspapers.com™ Dec 28, 1988, page 1 - The Age at Newspapers.com™ Jul 06, 1990, page 4 - The Age at Newspapers.com™ - Newspapers.com™ Jul 05, 1990, page 3 - The Sydney Morning Herald at Newspapers.com™ Jul 07, 1990, page 5 - The Age at Newspapers.com™ Apr 16, 1991, page 3 - The Age at Newspapers.com™ Jul 07, 1990, page 4 - The Age at Newspapers.com™ Apr 15, 1991, page 1 - The Age at Newspapers.com™ Jul 05, 1990, page 7 - The Age at Newspapers.com™ Jul 21, 1990, page 17 - The Age at Newspapers.com™ Jul 07, 1990, page 1 - The Age at Newspapers.com™ Apr 21, 1991, page 5 - The Age at Newspapers.com™ - Newspapers.com™ Apr 17, 1991, page 9 - The Sydney Morning Herald at Newspapers.com™ Apr 30, 1991, page 3 - The Age at Newspapers.com™ Apr 29, 1991, page 3 - The Age at Newspapers.com™ May 27, 1991, page 8 - The Sydney Morning Herald at Newspapers.com™ Apr 15, 1991, page 1 - The Age at Newspapers.com™ Apr 20, 1991, page 1 - The Sydney Morning Herald at Newspapers.com™ Apr 24, 1991, page 10 - The Sydney Morning Herald at Newspapers.com™ Apr 11, 1992, page 20 - The Age at Newspapers.com™ May 29, 1992, page 18 - The Age at Newspapers.com™ May 11, 1992, page 5 - The Age at Newspapers.com™ May 17, 1992, page 3 - The Age at Newspapers.com™   Jan 29, 1995, page 2 - The Age at Newspapers.com™ - Newspapers.com™ Learn more about your ad choices. Visit megaphone.fm/adchoices

10am - Zach and Derek analyze the Detroit Red Wings' front office changes and the fallout of Steve Yzerman's departure. They transition to the NFL to debate the declining intimidation factor of the Kansas City Chiefs and what it means for the Buffalo Bills' Super Bowl window.

Summer is heating up... so naturally it's time for ghosts, monsters, haunted camps, cursed lakes, and things that go bump in the night.  Joe is joined by Bre to celebrate Summerween 2026, the growing tradition of bringing spooky season into the middle of summer. Whether horror readers are looking for gothic classics, unsettling literary horror, creepy middle grade adventures, camp slashers, psychological thrillers, or terrifying short story collections, this episode is packed with recommendations to fill every Summerween TBR.  From vampires and haunted campgrounds to folk horror, cosmic dread, ghost stories, and nostalgic Halloween favorites, this conversation explores horror across every age and subgenre. Along the way, Bre also shares details about her July Noir 2026 reading weekend and Discord community for readers looking to celebrate all month long.  Whether Summerween is already an annual tradition, or this is the first spooky-season celebration in July, this episode is full of horror book recommendations perfect for every kind of reader.  Looking for the video version of our show? Check out the Libby App YouTube channel!  Links:  Bre's links  July Noir 2026 Announcement  July Noir Discord  Instagram: https://www.instagram.com/locd_booktician_/   Titles mentioned:  Bre's Picks:  Carmilla – Joseph Sheridan Le Fanu  Dead First – Johnny Compton  On Sundays She Picked Flowers – Yah Yah Scholfield  Gyo – Junji Ito  You're Not Supposed to Die Tonight – Kalynn Bayron  The Jumbies & Rise of the Jumbies – Tracey Baptiste  Why I Love Horror – ed. Becky Siegel Spratford  Joe's Picks:   How to Survive Camping Series (Book 1: How to Survive Camping) - Bonnie Quinn   The Lady in Chains  The Ancient Things (September 2026)  The Unmothers – Leslie J. Anderson  The Bog Wife – Kay Chronister   Smothermoss – Alisa Alering  Don't Turn Out the Lights – ed. Jonathan Maberry  Scary Stories to Tell in the Dark – Alvin Schwartz  Our Shadows Have Claws – ed. Yamile Saied Méndez, Amparo Ortiz  The Lake House – Sarah Beth Durst  Tastes Like Candy – Jessica Lacy   Camp Scare – Delilah S. Dawson  Summer's Never Over – Darby Bozeman   A Murder Most Camp – Nicolas DiDomizio  13 Months Haunted – Jimmy Juliano  Chasing the Boogeyman – Richard Chizmar  80s Ghosts – VS Lawrence  Time stamps: 00:00:00 Title 00:00:23 Intro & Seasonal Update 00:01:40 Thoughts on Summerween 00:07:24 Our Summerween 2026 picks! 01:28:46 Thank you to Bre and outro  Readers can sample and borrow the titles mentioned in today's episode in Libby. Library friends can add these titles to their digital collections for free in OverDrive Marketplace and Kanopy. Check out our Cumulative List for the whole season, or this list for today's episode!  Looking for more bookish content? Check out the Libby Life Blog!  We hope you enjoy this episode of Book Lounge by Libby. Be sure to rate, review and subscribe on Apple Podcasts, Spotify, or wherever you listen! You can watch the video version of our show on the Libby App YouTube channel. Keep up with us on social media by following the Libby App on Instagram!   Want to reach out? Send an email to bookloungebylibby@overdrive.com. Want some cool bookish swag? Check out our merch store at: http://plotthreadsshop.com/booklounge!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Cathy and Todd discuss Apple TV’s Widow’s Bay, the 10-episode horror-comedy that has a 98% on Rotten Tomatoes and an early season two renewal. They discuss its “Parks and Rec meets Stephen King” premise and its numerous horror movie homages including Carrie, The Wicker Man, The Shining, Jaws, Halloween, and more. It’s small-town bureaucracy, ancient sea-gods, a resurrected Boogeyman, and sunset cocktails all in one, and they knew they needed to discuss this one-of-a-kind show. Subscribe to Cathy's weekly Zen Moment and upgrade to hear a weekly Zen Moment podcast hosted by Cathy and Todd! Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World

A noise demonstration that took place outside of the Prairieland Detention Facility in Texas one year ago has resulted in decades of prison time for the anti-ICE activists involved. Federal judges sentenced eight defendants, who the government cast as antifa operatives, to between 30 and 100 years in prison for terrorism-related charges last week; seven more people were sentenced this week.“There's a stunningly wide gap between what the Justice Department has put in its press releases and what top officials have said, versus the evidence that was actually presented at trial,” says Intercept reporter Matt Sledge, who has been covering the Prairieland case and was present at the sentencing. “It's a real stretch to assert, as the government did, that this was all one coherent group.”“There's a concerted effort to characterize opposition to ICE or opposition to the Trump administration as some form of conspiracy, as an effort to provoke terrorism,” says Mark Bray, author of “Antifa: The Anti-Fascist Handbook.” “There are a number of things that can be said about the various sentences, but perhaps the most obviously egregious is that handed out to Daniel Sanchez [Estrada]: 30 years for moving some zines, some literature, which is not illegal to possess.”This week on The Intercept Briefing, host Jessica Washington speaks with Bray and Sledge about Prairieland as a test case in Trump's war on dissent, and why the administration is determined to convince the public that antifa is a domestic terrorist organization.“I don't think Trump or his allies really care about antifa per se. It's a useful umbrella term to craft into a boogeyman scare tactic. In a way that ‘Communist' was used in past generations, antifa is used now,” says Bray. He and Sledge point out that in the wake of Charlie Kirk's killing, the Trump administration became much more aggressive in its targeting of the left and dissent in general.A noise demonstration that took place outside of the Prairieland Detention Facility in Texas one year ago has resulted in decades of prison time for the anti-ICE activists involved. Federal judges sentenced eight defendants, who the government cast as antifa operatives, to between 30 and 100 years in prison for terrorism-related charges last week; seven more people were sentenced this week.“There's a stunningly wide gap between what the Justice Department has put in its press releases and what top officials have said, versus the evidence that was actually presented at trial,” says Intercept reporter Matt Sledge, who has been covering the Prairieland case and was present at the sentencing. “It's a real stretch to assert, as the government did, that this was all one coherent group.”“There's a concerted effort to characterize opposition to ICE or opposition to the Trump administration as some form of conspiracy, as an effort to provoke terrorism,” says Mark Bray, author of “Antifa: The Anti-Fascist Handbook.” “There are a number of things that can be said about the various sentences, but perhaps the most obviously egregious is that handed out to Daniel Sanchez [Estrada]: 30 years for moving some zines, some literature, which is not illegal to possess.”This week on The Intercept Briefing, host Jessica Washington speaks with Bray and Sledge about Prairieland as a test case in Trump's war on dissent, and why the administration is determined to convince the public that antifa is a domestic terrorist organization.“I don't think Trump or his allies really care about antifa per se. It's a useful umbrella term to craft into a boogeyman scare tactic. In a way that ‘Communist' was used in past generations, antifa is used now,” says Bray. He and Sledge point out that in the wake of Charlie Kirk's killing, the Trump administration became much more aggressive in its targeting of the left and dissent in general.Full Transcript: https://interc.pt/4wnyW0eKeep our investigations free and fearless at theintercept.com/join. Hosted on Acast. See acast.com/privacy for more information.

This week on The Golden Era Podcast, Jake and Joey relive the WWE Women's Division from the week of March 27, 2006, as the road to WrestleMania 22 reaches its unforgettable conclusion!

by Jim Hetherington https://cpcchurchimages.s3.amazonaws.com/wp-content/uploads/2026/07/01220654/June-28-Sermon.mp3 Genesis 50:20 20 You intended to harm me, but God intended it for good to accomplish what is now being done, the saving of many lives. 1 Samuel 17:47 47 All those gathered here will know that it is not by sword or spear that the Lord saves; for the battle is the Lord's, and he will give all of you into our hands.” Luke 24:16 16 but they were kept from recognizing him. Romans 8:18-28 Present Suffering and Future Glory 18 I consider that our present sufferings are not worth comparing with the glory that will be revealed in us. 19 For the creation waits in eager expectation for the children of God to be revealed. 20 For the creation was subjected to frustration, not by its own choice, but by the will of the one who subjected it, in hope 21 that[a] the creation itself will be liberated from its bondage to decay and brought into the freedom and glory of the children of God. 22 We know that the whole creation has been groaning as in the pains of childbirth right up to the present time. 23 Not only so, but we ourselves, who have the firstfruits of the Spirit, groan inwardly as we wait eagerly for our adoption to sonship, the redemption of our bodies. 24 For in this hope we were saved. But hope that is seen is no hope at all. Who hopes for what they already have? 25 But if we hope for what we do not yet have, we wait for it patiently. 26 In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us through wordless groans. 27 And he who searches our hearts knows the mind of the Spirit, because the Spirit intercedes for God's people in accordance with the will of God. 28 And we know that in all things God works for the good of those who love him, who[b] have been called according to his purpose. Transcript (Transcribed by TurboScribe) Our speaker this morning is Jim Hetherington. He needs no introduction and we are so glad to have him as part of our congregation, um, and wherever Jim is. Regrets will come to each and every one of us at some point or time, and they seem to speak the loudest when it’s silent. When things are quiet, that’s when the voices of regret seem to speak the loudest. And regrets can come in small things and come in big things. It can be something small and simple like, I meant to bring some cereal and contribute to the food bank, I just kept forgetting. I meant to take a casserole to my neighbour to support and encourage them, but I just ran out of time. I got busy. Because we get busy, don’t we? And we can use busyness as an excuse for not doing things. Regrets can come in big things. Could be a decision that we made, a financial decision, an investment that we didn’t take advantage of. You come in a career choice, a relationship choice. Regrets can come in all kinds of shapes and forms. The thing they say about regret is that discipline, you know, doing something to encourage, to support, to grow, costs very little. The invoice that we get from regrets is huge, and oftentimes regret hits us when we can’t do anything else about it. I know that many people on their deathbed may be faced with regrets. I guarantee you that they’re not regretting that they can’t get up and go into the office and work on another deal. It’s likely a relationship. It’s likely someone close to them that they regret not investing the time. We just finished a series with Aubrey where he talked about Joseph. Now Joseph, he probably had a few regrets during that course of time. He probably regretted the way he shared that dream, that vision with his brothers. He probably regretted getting himself in a position where he was caught with Potiphar’s wife. There may have been a few regrets because the truth is it took a couple of decades for that entire process from the time he got that dream and shared it to the time that it actually came fulfilled. It was a couple decades. Would you agree that that’s a long time? That’s a long time to hold on to something. That’s a long time to be going through the process, to be going through the stuff. In Genesis 50 verses 20, we read this. Joseph said, you intended to harm me, but God intended it for good to accomplish what is now being done, the saving of many lives. He recognised that through that process, it wasn’t just the circumstances that he found himself in. He could see that God had a bigger picture. God had a bigger plan. So oftentimes we get caught up in circumstances, don’t we? Like I said, you know, we have good intentions of going and supporting and encouraging a friend or a neighbour, but we get busy. Life gets busy. But sometimes those excuses can get in the way and cause even more regret. I know for me, about 15, 16 years ago, I was going through a very busy part and a very busy time in my life and I wasn’t looking after myself. I had the excuse of I’m just too tired at the end of the day to look after myself, to go exercise. I’m too tired. I’m too busy to really eat well and to prepare extra meals. And we can use those excuses. I’m too tired. I’ve been chasing the kids or the grandkids all day long. I’m too tired to spend time reading. I’m too tired to spend time with my husband or with my wife. And we can use excuse after excuse, but all it does is pile up even more regret. Joseph found himself betrayed by his brothers, sold into slavery, falsely accused, and forgotten in prison. Yet he recognised that God was using those circumstances. In 1 Samuel 17 47, we read another familiar story of David and Goliath. David heard about the battle that was about to ensue with the Israelites and the Philistines gathered on the front lines. And as was a custom in that day, they would send out their best warriors and they would duke it out to see who would win. And if it needed, they would go into a full-blown battle. But if it could be resolved just with the two very best from each side, that’s how they handled it. So Goliath came out. This big beast of a man came out, said, send out your best. And everybody quivered and shook and shaked. And I’m sure there was some regrets with some of those men in the army, thinking, I didn’t train hard enough. I wish I was stronger. I wish I was better equipped. I wish I would have bought that better Nike equipment last week when it was on sale. Here I am on the front lines with this poor equipment. But David heard of this and he wasn’t going to live with regret. He was going to stand and face the giant. And he went to Saul. He went to his brothers. He went to everyone and they’re like, you’re crazy. You can’t do that. You’re not equipped. You’re not trained. You’re not anything. They tried to put Saul’s armour on him. It didn’t fit. It’d be kind of like wearing, you know, clothes that are 10 sizes too big for you and trying to function in them. So he stripped it off. He said, no, he said, I know a sling. I know stones and that’s what I’m going to use. And when we read 1 Samuel 17, it said, all those gathered here will know that it is not by sword or spear that the Lord saves. For the battle is the Lord’s and he will give all of you into our hands. That’s a pretty bold declaration to be making in front of a big beast of a man, a huge army. Here’s this guy with just his basic clothes on and a sling and a few stones. But the thing that David recognised is that it wasn’t the stone. We could gather scientists. We could gather all kinds of mathematicians. We could gather all kinds of smart people. And they could probably give us 20 reasons why that stone could not have done what it did. And we would all probably agree with it, right? The math is wrong. The angle was wrong. The trajectory was. The fact that it was just a small stone, it’s impossible. I mean, that stone would have to get past the shield bearer, right? Goliath, he was well equipped, but he had his own guy holding a shield in front of him. So it would have to get past that. It would have to get through that helmet. You’ve seen those helmets with the little pointy thing that comes down between the eyes, right? That stone would have to project through that. But David knew something. He knew that it wasn’t a stone that he was throwing. It was a name that he was throwing. It was the name that he knew that was behind that stone that was going to accomplish what he declared it would accomplish. And it did. He wasn’t focused on the circumstances. He didn’t care how big Goliath was. He didn’t care how much armour he had on. He didn’t care about any of those things because he knew behind him was a name that was greater than any other name. And sometimes we can forget that, can’t we? We can forget that. We’re on this side of glory. We know historically we see all of these stories we read. And we’re going to look at a few more, but we know all of these stories. It’d be kind of like, you know, I was thinking about that movie Back to the Future. You’ve seen that movie Back to the Future? It was about a young guy that was transported back into time and he got to see all the stuff that happened and then came back into the future, into time, and was able to live out things differently. But one of the guys got this almanack and the almanack had every sports team that ever won a championship. Everything that was ever anything it happened. And so he knew what was going to happen. And so being transported back, he knew what was going to happen in that time. And so this guy used the book incorrectly and bet on things and was very successful because he knew what the outcome was going to be. We already know what the outcome is going to be, yet sometimes we forget. Sometimes we forget and we just get so focused on circumstances, don’t we? And it’s hard not to get focused on circumstances. When politically we hear all things, you know, things going on crazily, we hear of robberies, we hear of murders, we hear of thefts, we hear of the economy, you know, tanking and all the different things that we hear. It’s easy to get stuck on circumstances. My challenge is, can we get to the place of getting our focus off of the circumstances and onto God’s perspective? Because that’s really what counts. And David saw that in 1 Samuel. Others were focused on their skills, their strength and ability, the circumstances, but David saw God’s perspective. He didn’t throw a stone, he threw a name. The rest of the army was fearful. I was thinking of Helen Keller. One of her favourite, her famous quotes is, fear, the best way out is through. Do you know what fear stands for? Fear stands for false evidence appearing real. But it can paralyse us until we become like Helen Keller and go through it. And then all of a sudden we realise, oh, it wasn’t as scary as I thought it was going to be. It’s kind of like, it’s kind of like the boogeyman, you know, when we’re little. Boogeyman never showed up when the lights were on, always showed up when the lights were off. Never showed up when our parents were home or when friends were over hanging out with us. It was always when it was quiet, nobody was around, right? The boogeyman never showed up when there was busyness going on, but when things were silent and quiet, all of a sudden. And it’s the same with our regrets. It’s the same with things, situations and times and points in our life. All of a sudden when there’s silence, all of those voices start to rise up. I know people that cannot go a day, they cannot be in their home and not have a television going, have some music playing, some background noise. Why? Because when it’s silent, those voices of regret, the voices of indecision, those voices seem to come up. Similar to the boogeyman when the lights go out. But the truth is that they’re false evidence appearing real. They’re just fears that we need to go through and face. In Luke 24, we read an account of a couple of people walking down the road. This is after Jesus was crucified, dead, buried. They thought it was over, right? The disciples had invested everything believing that Jesus was who he said he was. But when he was killed, crucified, and all of a sudden his body’s missing, they didn’t know what was going on. They said, well, we better just go back to what we know. And so many of the disciples, they went back to fishing because fishing is what they knew. These two were heading back to Damascus, and they’re just walking, just thinking about the circumstances, thinking about what’s going on. And Jesus comes alongside and walks along them, but the scripture tells us in verse 16, it says, but they were kept from recognising him. Interesting. They were so focused on the circumstances, they didn’t even realise that it was Jesus walking alongside with them, having a conversation. Sometimes we can get so focused on our circumstances that we don’t think our prayers are effective. Sometimes we can get so focused on our circumstances that if somebody says an encouraging word, it just goes in one ear and out the other, because we’re so focused on the circumstances. We’re looking at our bank balances. We’re looking at our broken down car in the driveway. We’re looking at the broken relationships that are around us. We’re looking at the economy and the positions that we’re in. We’re so focused on the circumstances, we don’t think that there’s any way that God could possibly use that for good. But yet when we look at it historically, we see over and over and over again how God has used things for good. And as they were walking along the road, they came to their location, and Jesus pretended that he was going to continue on down the road. And they go, wait a minute, wait a minute. It’s getting late. It’s getting dark. Why don’t you come and just hang out with us for the night? Let’s just have a meal together, and then you can set off in the morning. So Jesus agreed, and he goes in, and they sit down, and they have a meal together. And he took the bread, and he broke the bread. And then all of a sudden they looked at each other and went, wait a second. Something’s happening here. Something looks eerily familiar. My spidey senses are starting to tingle. There’s something about this guy that is familiar. And they recognised, and God opened their eyes, and they saw who he was. And then instantly he was gone. But he got their eyes off of the circumstances and onto his perspective. Jesus was right there, but they couldn’t see him because they were so focused on the circumstances rather than his perspective. Just because we can’t see God doesn’t mean that he isn’t working. Sometimes we just feel that, don’t we? I mean, we’re human. We can be real. We can be honest. Sometimes we just don’t feel that God is working. We don’t believe that God’s working because we’re so fixated, so focused. I was thinking about Jonah. I didn’t get a scripture for this, but don’t worry. There’s no scripture verse for this one. But I was just thinking about Jonah. I’m sure he had some regrets, right? God met him, said, Jonah, I want you to go to Nineveh. He said, no way. I’m going this way. I’m out of here. I’m not going down there. And he completely disobeyed, went the wrong way, hopped on a ship, tried to take a cruise to get away from it all, gets thrown off overboard, and gets swallowed up by a big fish. Spends three days in a big fish. How many here, if you spent three days in a big fish, would have some regrets of your decisions? Right? Those would be huge regrets. I’m stuck in the belly of a fish. There would be huge regrets. But he gets a chance for redemption. He gets spit out onto the shore, and God says, head to Nineveh. I’m heading to Nineveh. And off he goes, and he does what he’s told. How about the woman that had the issue of blood? For 12 years, it said, she suffered with this issue. She spent everything that she had, all the doctors, all the specialists, everybody, and she didn’t get any relief. Nothing changed over 12 years. Then she heard about Jesus coming through. She knew of his reputation. She had heard the story. She had heard about the healing. She had heard about all the different things. And she said, this is my moment. I’m not going to regret and allow that to go by without taking my healing, without taking a miracle. And she crept up behind him and touched the hem of his garment just to get a healing. How many of us today, that if Jesus came walking in through that door, came down through all these aisles and went out through that back door, would get out of our pew and ask him for a miracle? Or would we just sit there quietly, wave, nod, you know, just be a little starstruck, and then regret that we didn’t step up, that we didn’t shout out what we wanted, what we needed, what we were asking for. Sometimes it’s our own dignity that keeps us locked in place. Sometimes just looking a little bit foolish keeps us locked in place, fearful of speaking out in that business meeting, fearful of speaking out in that church meeting, fearful of saying something to our children or to our spouse or to a neighbour or to a friend. We just sit with regret and just let the moment go by. In Romans 8, 18 to 28, this is the big one. We’re going to read this one together. I consider that our present sufferings are not worth comparing with the glory that will be revealed in us. For the creation waits in eager expectation for the children of God to be revealed. For the creation was subjected to frustration, not by its own choice, but by the will of the one who subjected it in hope that the creation itself would be liberated from the bondage to decay and brought into the freedom and the glory of the children of God. We know that the whole creation has been groaning as in pains of childbirth right up to the present time. Not only so, but we ourselves who have the first fruits of the Spirit grown inwardly as we wait eagerly for our adoption to sonship, the redemption of our bodies. For in this hope we were saved, but the hope that is seen is no hope at all. Who hopes for what they already have? But if we hope for what we do not have, we wait for it patiently. In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us through wordless groans. And he who searches our hearts knows the mind of the Spirit, because the Spirit intercedes for God’s people in accordance with the will of God. And we know that in all things God works for the good of those who love him, who have been called according to his purpose. So what’s Paul really saying here? It seems a whole lot, but really what he’s offering here is a message of hope. Paul is reassuring the believers that the present sufferings cannot compare to the eternal glory awaiting them. He explains that creation eagerly awaits this redemption. The Holy Spirit intercedes in our weakness, and God uses all circumstances for the of his people. That’s what Paul is saying here. Regrets come in all shapes and sizes, and the way to regret can be heavy, and it can be a real burden and a real struggle. The difficulty is getting our eyes off of our circumstances and viewing and looking at God’s perspective, because God can see through to the other side. It’s kind of like being in an aeroplane, an aeroplane over a highway, right? Imagine yourself in a car driving along the highway, and you’re trying to pass somebody on the highway, and you inch out a little bit, and another car comes the other way, and you zip back in again, right? And then you go a little bit further, and you go, okay, maybe I can try it again. You move out a little bit to see, and then, bam, another car comes down. And it’s like God is in a plane, and he can see the highway as long as it can possibly go, and he knows when we can pass. But we’re so focused on our circumstances that we can’t see his perspective. If we could tune into his perspective, he would say, okay, Alexander, it’s clear to pass. Go. And we could go. It’s the same in life. We get so focused on the circumstances, and we lose connection with God’s perspective. We think, well, I made that choice. I made that decision. I made my bed. I got to lay in it. There’s nothing God can do, nothing God will do. With that kind of attitude, you’re right. You’re right. If we focus on our circumstances and say, oh, it’s too big for God, you’re right. There’s nothing that can change. Nothing can happen. Nothing can ever change. You’re right. We could stay focused on that, and nothing would ever change. But if we will shift our perspective, anything is possible. How many believe that God is a God of the possible? Right? He is. He’s not the God of impossible. He’s the God of possible. We’re praying for a new leader in our church. It’s possible. We know that God is going to bring the right person at the right time, but it’s hard not to get stuck on the circumstances. I don’t see any clear candidates. I don’t see any clear thing, but when we change our perspective, it all shifts. If you take notes, I want you to write down these five words. If you don’t take notes, I want you to write down these five words. I want to encourage you. This is a side note. I want to encourage you to take notes. I’ve got a little black book, and no, it doesn’t have addresses and mean things about people. It’s a black book that I keep notes on, and I want to encourage you to have something, even if it’s a small little notepad that you can slip in your pocket. Women, you’ve got a guy’s beat. You’ve got purses. You can carry things in your purses. Just a little notepad. Back in the day, I used to write on anything and everything, especially when I was in the construction world. You could ask my wife. The collection of stuff that I had up in my office, I would have pieces of two by twelve, right? Just a chunk, two-foot piece of two by twelve, and with a marker, and I would mark down a note or a thought that I had. I would take it home with me. I would be scrambling around, couldn’t find anything. I’d rip open a paper bag and just pencil inside this thing. Cedar shims, anything I could get my hands on, too. You know, little children running by. Right, are you coming home with… No, I wouldn’t do that. But I would just write notes on everything, and I kept that collection for the longest time because I thought it was the funniest thing, and I thought, dummy, just get a little book. Carry a book with you. So that’s what I do, and I carry that with me, and I carry it until I fill it up. Then I put it on my shelf, and then I get another one, and I work on that one until I fill it up. So now I’ve got a collection of these little books that I just put little note things. And it’s a great time, you know, with laptops and iPads and all these different things. There’s no reason why we shouldn’t. This thing in between our ears is the greatest invention in the world. I mean, the capacity that we have in here is fantastic, but you can’t trust it all the time. Anyone notice that? How many have made a list, gone to the grocery store, forgot the list at home, tried to recall everything on the list? Did you forget at least one or two things on that list? Almost every time, right? We know that we can’t trust that thing, but if we write it down, we can trust that thing. So you can trust what you’ve written, but you can’t trust to remember everything. So I want to encourage you to write these things down. The first is regrets. Know that they’re going to happen. They’re going to happen. There’s going to be times where we don’t do the thing. As Paul says, you know, the very thing I want to do or don’t want to do, I do. The thing I know that I should do, the thing that I shouldn’t do is right there all the time. So we know that these things are going to happen. Regrets are going to happen regardless of how young we are, how old we are, how smart we are, how not so smart we are. See how politely I said that? But it’s going to happen. Here’s the thing about regrets. The second word that I want you to write down is repent. Just say, God, I blew it. I forgot to take that casserole. I forgot to bring the cereal again. I forgot to do this again. I forgot to put my tithe in. I forgot to pay that bill. I forgot to do this. I forgot to do that. I didn’t, you know, I didn’t train hard enough. I didn’t do anything. Just confess it. Say, God, I blew it. The next one is redemption. Trust is redeeming grace. Trust that he can use all things together for good. And trust that redemptive work that he’s doing. The fourth one is restoration. Know that he’s going to restore you. Know that as we confess those things, now we’ve gotten rid of the fear that it’s going to happen again. Now we can walk through it as Helen Keller says. And now we’ve, as we confess it, we can walk through in a different way. We’ve shifted our perspective off of circumstances onto God’s perspective. So trust in the restoration. And then the fifth and final one is rejoice. Just give thanks. Just be happy that you can and will get over those things. So that’s a simple formula to get over regret. Is that a good formula? Will you use that formula? I know we’re only human, and it’s going to happen. But here’s what I don’t want to happen, have happen. I don’t want us to be on our last breath, regretting all those regrets that have just piled up over the years, over time. Because the compound interest is not a good interest. It’s not something that you want to compound. Dealing with those things as you’ve done, maybe there’s some broken relationships that need to be restored in your life. Confess that now. Ask for God’s redemptive work. Allow that restoration to happen. Allow the rejoicing to happen while you’re still walking, living, and breathing. While there’s still breath in our lungs, we have the ability to change anything. As we confess it and give it over to God, shift our circumstances, shift out of the circumstances, and shift into his perspective. Does that make sense? So that’s what I want to encourage us with. I knew that today was going to be a challenging day because of the waft of barbecue coming in through the door. Anybody getting a whiff of that? I see that hand back there. Mr. I could eat six hamburgers. One of the things that’s challenging these days as a speaker, as a presenter, is the attention span is a little bit shorter. Attention span is a little bit shorter. Did I say that already? It is, but it’s just gotten shorter and shorter, hasn’t it? Those squirrel moments happen quicker, more frequent. Even for people that never suffered from squirrel syndrome, it happens. We get caught up in those moments, right? It’s just happened. But what you cannot compete with is a group of people that are salivating because they know a picnic is coming. They know a barbecue is coming, and then you get the aroma of that coming in through the building. That is unfair. That is unfair. So I’m going to finish so that we can get out and enjoy those burgers. Who wants to get out and enjoy a burger? All right. Now, while I got some hands moving, who’s going to begin to confess regrets? Not right now. This isn’t confession time, but I want to encourage you to look at those moments when those moments come up and say, okay, I know how to deal with that. All I got to do is confess it, and I can allow God’s work to begin in my life. That’s the start. That’s the beginning. And to begin to accelerate, or begin to propel, or begin to build momentum until everything that you do, God will begin to and continue to use it for good.

Send us Fan MailSomething is lurking in the shadows... and this week, the hosts venture deeper into the darkness of Widow's Bay for Episode 8, "Your Baggage," the horror-comedy mystery series created by Katie Dippold and starring Matthew Rhys, Kate O'Flynn, and Stephen Root. As the Boogeyman steps out of the realm of legend and into terrifying reality, the hosts break down the episode's creepiest moments, biggest revelations, and the unsettling truths behind the entity haunting the town. Be sure to listen, subscribe, and follow the show on Instagram and YouTube @the.gentlemenpodcast.

The Spin Chagrin, a concept that finds Frank having to watch a movie he's never seen before based on the random spin of a wheel filled with off-the-wall genres, continues into its fourth year. All the categories are quotables from Frank himself. In this episode, Frank's category was "Boogey-itis.” For this category, he naturally watched and reviewed the 2008 Boogeyman 3, produced by Blumhouse.

June 26, 2026 Deut. 12:1–32; Ps. 71:7-16; Prov. 17:27-28; Luke 8:26-39

Episode 130. In today's episode, Meredith and Kaity talk The Boogeyman (2023). They go in-depth about this Stephen King short-story featuring Sophie Thatcher and her incredible performance. Intro and Outro music by the talented A Corten, and art provided by Javon Blair.

Did Richard Chizmar stick the landing?After the phenomenal success of Chasing the Boogeyman and Becoming the Boogeyman, expectations were sky-high for the final installment of the Boogeyman Trilogy. In this spoiler-lite review, Jim dives into an Advance Reader Copy of Killing the Boogeyman — releasing October 6, 2026 — to find out whether this highly anticipated conclusion delivers the payoff readers have been waiting for.Can Chizmar bring together the mystery, suspense, true-crime atmosphere, unforgettable characters, and lingering supernatural questions that have made this trilogy such a hit? Or will readers be left wishing for more?Join Jim as he explores what makes this final chapter work so well, who it might appeal to, and whether the Boogeyman trilogy earns a place among the most satisfying thriller trilogies in recent memory.Have you read Chasing the Boogeyman or Becoming the Boogeyman? Are you planning to pick up Killing the Boogeyman when it releases? Let us know in the comments!If you enjoy our content, please Like, Subscribe, and ring the notification bell so you never miss an episode. And if you'd like to help support Fantasy for the Ages, consider joining our Patreon community!: patreon.com/FantasyForTheAges#RichardChizmar #KillingTheBoogeyman #ChasingTheBoogeyman #BecomingTheBoogeyman #BookReview #HorrorBooks #ThrillerBooks #MysteryBooks #TrueCrimeFiction #HorrorCommunity #BookTube #FantasyForTheAgesWant to purchase books/media mentioned in this episode?Chasing the Boogeyman: https://t.ly/YOr9NBecoming the Boogeyman: https://t.ly/V2tAAKilling the Boogeyman: https://t.ly/ySGgyGwendy's Button Box: https://t.ly/f--O8Ways to connect with us:Follow Jim/Father on Goodreads: https://www.goodreads.com/user/show/13848336-jim-scriven Join us on Discord: https://discord.gg/jMWyVJ6qKk Follow us on "X": @Fantasy4theAges Follow us on Blue Sky: @fantasy4theages.bsky.socialFollow us on Instagram: fantasy_for_the_ages Follow us on Mastodon: @FantasyForTheAges@nerdculture.de Email us: FantasyForTheAges@gmail.com Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheagesJim's Microphone: Blue Yeti https://tinyurl.com/3shpvhb4 Jim's Camera: Razer Kito Pro https://tinyurl.com/c873tc2n 0:00 - Opening1:37 - Book Details2:38 - Why Jim Read This3:53 - Spoiler-Lite Synopsis5:26 - Six Reasons You May Enjoy This Novel8:57 - Three Reasons It May Not Work for You10:12 - Jim's Final Thoughts11:32 - Closing & Wrap-Up————————————————————————————Music and video elements licensed under Envato Elements:https://elements.envato.com/

In 2007, Boogeyman was part of a backstage segment with the future President leading up to the historic “Battle of the Billionaires” match with Trump and former WWE Owner Vince McMahon. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is The Zone of Disruption! This is the I AM RAPAPORT: STEREO PODCAST! His name is Michael Rapaport aka The Gringo Mandingo aka aka The People's Pickle aka The Jewish Brad Pitt aka Captain Colitis aka The Disruptive Warrior aka Mayor Rapaport 2029 and he is here to discuss: New York Knicks Are World Champions The Knicks have The Boogeyman aka Jalen Bruson The History of being a Knicks fan Growing up wanting to be a NY Knicks SG The next generation of Knicks fans Going through hell with this team Spurs should have put respect on The Knicks name & a whole lotta mo'. This episode is not to be missed! CaptainPicks To Win In Sports Betting: https://www.winible.com/checkout/1357777109057032537?store_url=/captainpicks&c=kickoff Rate & Review on Apple Podcasts or Spotify Send questions & concerns to: iamrapaportpodcast@gmail.com Subscribe to Rapaport's Reality Feeds: iHeartRadio: https://www.iheart.com/podcast/867-rapaports-reality-with-keb-171162927/ Apple Podcasts: https://podcasts.apple.com/us/podcast/rapaports-reality-with-kebe-michael-rapaport/id1744160673 Spotify: https://open.spotify.com/show/3a9ArixCtWRhfpfo1Tz7MR Pandora: https://www.pandora.com/podcast/rapaports-reality-with-kebe-michael-rapaport/PC:1001087456 Amazon Music: https://music.amazon.com/podcasts/a776919e-ad8c-4b4b-90c6-f28e41fe1d40/rapaports-reality-with-kebe-michael-rapaport Stand Up Comedy Tickets on sale at: MichaelRapaportComedy.com If you are interested in NCAA, MLB, NBA, NFL & UFC Picks/Parlays Follow @CaptainPicksWins on Instagram & subscribe to packages at www.CaptainPicks.com www.dbpodcasts.com Produced by DBPodcasts.comFollow @dbpodcasts, @iamrapaport, @michaelrapaport on TikTok, Twitter & InstagramMusic by Jansport J (Follow @JansportJ) www.JansportJMusic.comSee omnystudio.com/listener for privacy information.

June 12, 2026, 5pm: Nicolle Wallace on mail in voting being safe and secure enough for Donald Trump -- just not anyone else -- especially not anyone who wants to vote against him. For more, follow us on Instagram @deadlinewh   For more from Nicolle, follow and download her podcast, “The Best People with Nicolle Wallace,” wherever you get your podcasts.To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Buckle up for this listener request! We're discussing 2023's The Boogeyman, a fresh take on Stephen King's short story. Don't let this PG-13 rating fool you, this movie is creepy AF. This movie thrives on sneak peaks and what might be lurking in the dark. When you finally get to see the creature, it's an imaginative take on the unknown. Listen up as we talk about awful friends, worse parents, HIPAA violations, and how the paranormal affects house insurance! Paired with a Boogeyman cocktail. Rate! Review! Follow! Follow us on Instagram and Letterboxd @toastyhorror Check out our website toasttoromcoms.com Email us at toasttoromcoms@gmail.com

In this special live episode, Clay Edwards goes off-script to expose what he calls a blatant grift involving the “Crime and Accountability Mississippi” Facebook page and its connection to known anti-law enforcement activists. Clay breaks down how the page — which had been posting pro-police content — suddenly launched a GoFundMe for Covington County Deputy Yates Rodney after he was shot and critically wounded in the line of duty. He contrasts this with earlier posts from Shannon Evans (who has publicly identified herself as a moderator and exclusive content creator for the page), where she attacked Deputy Rodney's character and suggested his past alleged misconduct was connected to the shooting. Clay walks through the timeline, showing how the page and its associated individuals attempted to position themselves as supporters of law enforcement while their personal pages and content have long been focused on attacking police. He highlights Shannon Evans' on-camera admission that she runs the page, along with her threat to obtain Clay's files “anonymously.” He also plays a clip of Jamie Partridge (self-proclaimed “Boogeyman”) sharing the video and bragging about hackers and “Anonymous” in connection with Clay's files. Clay reveals that the page is actually owned by Terry Bonham, who had reached out to Covington County authorities seeking permission to start the fundraiser. While Clay acknowledges he was partially wrong about the intent to personally profit from the GoFundMe, he maintains the core issue remains the hypocrisy of anti-police activists suddenly pretending to support a wounded officer. The episode also covers how the “Crime and Accountability Mississippi” page was deleted in the aftermath, which Clay attributes to internal conflict within the group. He closes by offering to donate a portion of proceeds from his merch sales to the legitimate GoFundMe for Deputy Rodney and his family. This is a direct, no-holds-barred episode focused on accountability, grifting, and the people Clay says are using law enforcement tragedies for personal gain.

Today I'm reviewing Becoming the Boogeyman by Richard Chizmar, the second installment in his unique horror-thriller series that blends true crime, psychological suspense, and unsettling horror into something that feels disturbingly real. After thoroughly enjoying Chasing the Boogeyman, I was hopeful this sequel could maintain the same atmosphere and tension. Not only does it succeed, but it expands the story in fascinating ways, raises the stakes, and leaves readers desperately wanting the next installment.In this spoiler-lite review, I'll discuss what makes this sequel work so well, who it's likely to appeal to, a few reasons it might not be for everyone, and whether this series remains worth your time as we head toward the October release of Killing the Boogeyman.Have you read Becoming the Boogeyman? Let me know your thoughts in the comments below!If you enjoy fantasy, science fiction, horror, book reviews, author discussions, rankings, recommendations, and all things speculative fiction, be sure to subscribe to Fantasy for the Ages!Support the channel on Patreon: patreon.com/FantasyForTheAges#RichardChizmar #BecomingTheBoogeyman #ChasingTheBoogeyman #HorrorBooks #HorrorThriller #BookReview #BookTube #HorrorFiction #ThrillerBooks #MysteryThriller #PsychologicalThriller #FantasyForTheAgesWant to purchase books/media mentioned in this episode?Becoming the Boogeyman: https://t.ly/V2tAAChasing the Boogeyman: https://t.ly/YOr9NKilling the Boogeyman: https://t.ly/ySGgyWays to connect with us:Follow Jim/Father on Goodreads: https://www.goodreads.com/user/show/13848336-jim-scriven Join us on Discord: https://discord.gg/jMWyVJ6qKk Follow us on "X": @Fantasy4theAges Follow us on Blue Sky: @fantasy4theages.bsky.socialFollow us on Instagram: fantasy_for_the_ages Follow us on Mastodon: @FantasyForTheAges@nerdculture.de Email us: FantasyForTheAges@gmail.com Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheagesJim's Microphone: Blue Yeti https://tinyurl.com/3shpvhb4 Jim's Camera: Razer Kito Pro https://tinyurl.com/c873tc2n 0:00 - Opening1:44 - Book Details2:42 - Why Jim Read This3:55 - Spoiler-Lite Synopsis6:02 - Six Reasons This Might Be a Great Book for You9:15 - Four Reasons This Might Not Be For You10:54 - Jim's Final Thoughts12:42 - Closing & Wrap-Up————————————————————————————Music and video elements licensed under Envato Elements:https://elements.envato.com/

Welcome back to an all-new episode of the Bamgboshe Happy Hour with Peju Bamgboshe Rothlisberger and Naomi Bamgboshe! This week we're pouring a glass and diving into the biggest stories in sports, entertainment, reality TV, and pop culture.

On this podcast, we'll taze a mean girl, read deranged letters from our mothers, & we'll see exactly how much $20 of gas will get you in Trump's economy!  All in an attempt to celebrate the brilliance of the 8th episode 'Your Baggage' of AppleTV's new hit show WIDOW'S BAY. We still wonder why the island spirits woke up at this exact moment! Ask why Tom didn't simply tell his son Evan that his mother died when he was 2, and pour one out for the Boogeyman who took his time attempting to hunt down his prey! #WidowsBay Widow's Bay is an American comedy horror television series created by Katie Dippold for Apple TV, starring Matthew Rhys, Kate O'Flynn, and Kevin Carroll.  A skeptical mayor of a New England town refuses to bow to the superstitions of the residents who claim that the place is cursed. 00:00 Intro 01:33 Catfish's Rating 03:15 Bubba's Rating 06:20 Holiday Headache 08:22 Why did the spirits wake up now? 10:15 Favorite Scare 13:17 Island MVP of the Week 16:18 Why'd Tom lie to his son? 18:27 Surviving off the island 19:55 Biggest Laugh 22:35 Upset Patricia lied? 23:32 Background Actors 25:46 Freak of the Week 27:19 #IceCold Put Down 29:03 Boogeyman Motives 32:26 Discussion on the Sheriff's Wife 33:37 Listener Crazy/NotCrazy Theories 41:54 Season One's Ending 44:53 Feedback Directors Hiro Murai Andrew DeYoung Samuel Donovan Ti West Writers Katie Dippold (created by) David B. Harris (executive story editor) Alberto Roldán (executive story editor)  Cast Matthew Rhys ... Tom Loftis Kate O'Flynn ... Patricia Kevin Carroll ... Bechir Stephen Root ... Wyck Kingston Rumi Southwick ... Evan Charles Van Flaherty ... Gil Kylie McNeill ... Kelly Dale Dickey ... Rosemary Jeff Hiller ... Dale Nancy Lenehan ... Gerrie K Callan ... Ruth Kalala Kiwanuka-Woernle ... Hannah Christian Clemenson ... Dr. Morgan Toby Huss ... Reverend Bryce William Hill ... Wayne Olli Haaskivi ... Ray Neil Casey ... Kurt Tom Aulino ... Bart Sipiwe Moyo ... Chelle Marilyn Busch ... Kathy Lauren Bittner ... Kris Emily Davis ... Shelby Airon Armstrong ... Boogeyman David Armstrong ... Employee Marianne Bayard ... Em Pat Fitz ... EMT Dan Ava Gaudet ... Gracie Bobby McFarlane ... Other EMT Composer David Fleming Cinematographer Cody Jacobs Production Designer Steve Arnold (production designer) Art Directors Peter Borck (supervising art director) Bryan Felty Patrick Scalise (art director)

What if the most convincing true crime book you've ever read… wasn't true at all?In this spoiler-lite review, I dive into Chasing the Boogeyman by Richard Chizmar, a brilliantly crafted blend of true crime, mystery, suspense, and horror that feels so authentic you'll constantly have to remind yourself it's fiction. Set in a small Maryland town during the late 1980s, this novel captures the atmosphere of a community gripped by fear as a serial predator stalks the area. Along the way, Chizmar masterfully blends real-life details with fictional events to create one of the most immersive reading experiences I've encountered in years.If you enjoy true crime, small-town mysteries, serial killer investigations, suspenseful thrillers, or realistic horror, this may be a book you need to check out.Have you read Chasing the Boogeyman? Let me know your thoughts in the comments!

Texas is projected to become the leading data center hub and market by 2030. Whatever your concerns—whether it's about growing AI demand, the power grid being overburdened, you don't want hundreds of diesel generators in your backyard, you don't want to subsidize the richest companies in the world, or you don't want communities waning water supplies to be wasted—it's top of mind for most Texans. To break down the big tech boom, we are joined in this two-part pod by Public Citizen Clean Energy Advocate DeeDee Belmares, Texas Environmental Justice Advocacy Series (TEJAS) Staff Member Cain Trevino, and Austin Chronicle Staff Writer Sammie Seamon.Learn more about Public Citizen at https://www.citizen.org/tags/texas/.Learn more about TEJAS at https://www.tejasbarrios.org/.See Sammie Seamon's article on data centers in the Austin Chronicle at https://www.austinchronicle.com/news/how-data-centers-are-eating-up-rural-texas/.See a map of proposed and current data centers in Texas at https://ft.maps.arcgis.com/apps/instant/sidebar/index.html?appid=fdb7678fb2e345eb8b0a3a49971240c4General resources on data centers: https://docs.google.com/document/d/143tA8XVh7de9MD2GBiKQ3BcMFqeonlqx7EsoIy_olfQ/edit?tab=t.kiqp4d9nyakbGrab your very own “Fuck social media, marry free press, kill AI” merch here: https://austin-chronicle.mybigcommerce.com/f-ck-marry-kill-shirt/ Thanks for listening! Learn more about Progress Texas and how you can support our ongoing work at https://progresstexas.org/.

We have questions: Is Evan A Descendant Of Richard Warren? Who will be the Last Man? Is Tom's wife still alive? Did Abigail's death at the dock turn her into the Sea Hag? Was the Boogeyman immortal like Richard Warren? And we'll try to answer because frightened man will do desperate things. We do a deep dive into Apple TV's original television series Widow's Bay episode 6 'Our History' and episode 7 'Seasickness.' #WidowsBay Widow's Bay is an American comedy horror television series created by Katie Dippold for Apple TV, starring Matthew Rhys, Kate O'Flynn, and Kevin Carroll. A skeptical mayor of a New England town refuses to bow to the superstitions of the residents who claim that the place is cursed. 00:00 Intro 01:25 Catfish's Rating  05:40 Bubba's Rating 09:58 Emmy opportunities? 11:13 Theories After Episode 7 17:44 Favorite Scare  21:01 Island MVP of the Week  23:08 Biggest Laugh  28:09 Freak of the Week  29:33 #IceCold Put Down  31:09 Is Mayor Tom's wife alive? 33:36 Is Mayor Tom actually Evan's dad? 35:13 Catfish's History of the F-Word 37:50 Listener Crazy/NotCrazy Theories 46:07 Feedback  Directors Hiro Murai Andrew DeYoung Samuel Donovan Ti West Writers Katie Dippold (created by) Katie Dippold (written by) David B. Harris (executive story editor) Alberto Roldán (executive story editor) Neil Casey (written by) Mackenzie Dohr (written by) Kelly Galuska (written by) Cast Matthew Rhys ... Tom Loftis Kingston Rumi Southwick ... Evan Charles Van Flaherty ... Gil Kylie McNeill ... Kelly Kate O'Flynn ... Patricia Kevin Carroll ... Bechir Dale Dickey ... Rosemary Stephen Root ... Wyck K Callan ... Ruth Kalala Kiwanuka-Woernle ... Hannah Christian Clemenson ... Dr. Morgan Jeff Hiller ... Dale Nancy Lenehan ... Gerrie Toby Huss ... Reverend Bryce David Dean Bottrell ... Pastor Collins Veanne Cox ... Abigail Stevens Betty Gilpin ... Sarah Westcott Warren Hamish Linklater ... Richard Warren Composer David Fleming Production Designer Steve Arnold (production designer)  Art Directors Peter Borck (supervising art director) Bryan Felty Patrick Scalise (art director)

We'll say inappropriate things at Rev. Bryce's memorial, then get LASIK for our 3rd eye AND we enter the Boogeyman's house with the help of delicious 'True Sight' - local, organic mushrooms! Plus we tackle your theories after the 5th episode 'What to Expect on Your Trip' of AppleTV's new hit show WIDOW'S BAY. Is this all "crazy stuff just happens" like the old TV show 'Lost'? Or is the mythology of Widow's Bay going to send us down a reddit rabbit hole?  #WidowsBay Widow's Bay is an American comedy horror television series created by Katie Dippold for Apple TV, starring Matthew Rhys, Kate O'Flynn, and Kevin Carroll.  A skeptical mayor of a New England town refuses to bow to the superstitions of the residents who claim that the place is cursed. 00:00 Intro 01:45 Catfish's Rating 05:26 Bubba's Rating 09:08 Favorite Scare 12:17 How far off the island is 'too far'? 14:39 Island MVP of the Week 16:25 Biggest Laugh 23:44 Freak of the Week 25:26 #IceCold Put Down 27:21 Listener Crazy/NotCrazy Theories 31:54 Our Crazy/NotCrazy Theories 41:15 Feedback Directors Hiro Murai Andrew DeYoung Samuel Donovan Ti West Writers Katie Dippold (created by) Katie Dippold (written by) David B. Harris (executive story editor) Alberto Roldán (executive story editor) Neil Casey (written by) Mackenzie Dohr (written by) Kelly Galuska (written by) Cast Matthew Rhys ... Tom Loftis Kingston Rumi Southwick ... Evan Charles Van Flaherty ... Gil Kylie McNeill ... Kelly Kate O'Flynn ... Patricia Kevin Carroll ... Bechir Dale Dickey ... Rosemary Stephen Root ... Wyck K Callan ... Ruth Kalala Kiwanuka-Woernle ... Hannah Christian Clemenson ... Dr. Morgan Jeff Hiller ... Dale Nancy Lenehan ... Gerrie Toby Huss ... Reverend Bryce William Hill ... Wayne Olli Haaskivi ... Ray Neil Casey ... Kurt Tom Aulino ... Bart Sipiwe Moyo ... Chelle Marilyn Busch ... Kathy Lonnie Farmer ... Harbormaster Beck Nolan ... PJ Shawn Fitzgibbon ... Al/Local Al Ava Gaudet ... Gracie Tim Baltz ... William Elizabeth Alderfer ... Marissa Lauren Bittner ... Kris Emily Davis ... Shelby Marianne Bayard ... Em Megan Robinson ... Martha Bashir Salahuddin ... Arthur Lloyd Len Deming ... Man on TV Meredith Casey ... Lauren Loftis Connor Ratliff ... Deputy Kent Kalala Kiwanuka-Woernle ... Hannah Michael Malvesti ... Kenneth the Custodian Carryl Lynn ... Sea Hag Ian Lyons ... Narrator Will Hines ... Man in Commercial Composer David Fleming Production Designer Steve Arnold (production designer) Art Directors Peter Borck (supervising art director) Bryan Felty Patrick Scalise (art director)

Oh, man! Look at us bringing you more books. Your TBR must be so long. Well, you better keep reading because we have no plans on stopping.  This episode will give you 5 books that you may or may not, want to read.  Let us know which ones made the cut.  Sarah's Shelf: When the Day Comes by Gabrielle Meyer The Lion Women of Tehran by Marjan Kamali Good Joy, Bad Joy by Mikki Brammer    Jayme's Shelf: Chasing the Boogeyman by Richard Chizmar Read Between the Lines by Rachel Lacey

We'll down some sunset cocktails, hop in Patricia's Pattiwagon of Free Books & breakdown what's real and what's not to determine what's happening in the 4th episode 'Beach Reads' of AppleTV's new hit show WIDOW'S BAY. This week, we have fun talking theories on Is Widow's Bay cursed by witches or something otherworldly? #WidowsBay Widow's Bay is an American comedy horror television series created by Katie Dippold for Apple TV, starring Matthew Rhys, Kate O'Flynn, and Kevin Carroll. A skeptical mayor of a New England town refuses to bow to the superstitions of the residents who claim that the place is cursed. 00:00 Intro 02:57 Catfish's Rating 06:20 Bubba's Rating 08:46 Favorite Scare 10:52 Was teenage Patricia visited by the Boogeyman? 16:09 Biggest Laugh 20:25 Freak of the Week 22:00 Help Patricia fill out Worksheet 24:52 Crazy/NotCrazy Theories 33:09 Annoying Kid Characters Directors Hiro Murai Andrew DeYoung Samuel Donovan Ti West Writers Katie Dippold (created by) Katie Dippold (written by) David B. Harris (executive story editor) Alberto Roldán (executive story editor) Neil Casey (written by) Mackenzie Dohr (written by) Kelly Galuska (written by) Cast Matthew Rhys ... Tom Loftis Kingston Rumi Southwick ... Evan Charles Van Flaherty ... Gil Kylie McNeill ... Kelly Kate O'Flynn ... Patricia Kevin Carroll ... Bechir Dale Dickey ... Rosemary Stephen Root ... Wyck K Callan ... Ruth Kalala Kiwanuka-Woernle ... Hannah Christian Clemenson ... Dr. Morgan Jeff Hiller ... Dale Nancy Lenehan ... Gerrie Toby Huss ... Reverend Bryce William Hill ... Wayne Olli Haaskivi ... Ray Neil Casey ... Kurt Tom Aulino ... Bart Sipiwe Moyo ... Chelle Marilyn Busch ... Kathy Lonnie Farmer ... Harbormaster Beck Nolan ... PJ Shawn Fitzgibbon ... Al/Local Al Ava Gaudet ... Gracie Tim Baltz ... William Elizabeth Alderfer ... Marissa Lauren Bittner ... Kris Emily Davis ... Shelby Marianne Bayard ... Em Megan Robinson ... Martha Bashir Salahuddin ... Arthur Lloyd Len Deming ... Man on TV Meredith Casey ... Lauren Loftis Connor Ratliff ... Deputy Kent Carryl Lynn ... Sea Hag Ian Lyons ... Narrator Will Hines ... Man in Commercial Composer David Fleming Production Designer Steve Arnold (production designer) Art Directors Peter Borck (supervising art director) Bryan Felty Patrick Scalise (art director)

It's the young guns (which excludes our panelists, sadly) who take centre stage this episode, from Zekhetelo and the Boogeyman at the Sharks to the Baby Boks and even LBB at Bordeaux. U20s, URC, Super Rugby, and Currie Cup all coming to you courtesy of the boys at ERB. Music by @monstroid, 80s TV Show.

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On this episode: Headlines scream disaster—are you letting clickbait steer your retirement plan and risk tolerance? One Medicare premium bump can distract from the bigger IRA tax math—especially for spouses and heirs. A neat rule of thirds sounds simple—until your goals, emotions, and income needs refuse to fit the buckets. DIY investing feels great in your 60s—what happens when paperwork, health, and life events collide in your 70s? Subscribe or follow so you never miss an episode! Check out Fire Your Financial Advisor on YouTube! Learn more at GoldenReserve.com or follow on social: Facebook & LinkedIn.See omnystudio.com/listener for privacy information.

A crypto billionaire who escaped fraud allegations after investing hundreds of millions of dollars into the Trump family's crypto projects is now accusing them of fraud. Originally published on May 8, 2026.

Ripple CEO sits down with CoinDesk from Consensus Miami. Ripple CEO Brad Garlinghouse joins CoinDesk Live at Consensus 2026 in Miami with a wide-ranging conversation from the Bullish-Equiniti deal to Ripple's own institutional push. Plus, why he is not an XRP maxi and his stand on AI in the modern workforce. - Timestamps: 00:00 Brad Garlinghouse Joins CoinDesk Live at Consensus 2026 00:34 Bitcoin Above $80K and the Bullish-Equiniti Deal 01:21 Tokenization's "Magical Moment" 02:01 Hidden Road and XRP as Institutional Collateral 02:13 Coinbase Layoffs and Crypto's Speculation Problem 02:55 Why Ripple Sees AI as a Growth Accelerant, Not a Cut 03:57 AI Isn't the ‘Boogeyman' 05:06 How Ripple Uses AI Across Finance, Marketing, and Code 06:04 U.S. Crypto Market Structure 07:18 Ripple's Brand and the XRP Army 08:11 Why Tribalism Hurts Crypto: It's a Multi-Chain World 09:03 Ripple's Mission for XRP Adoption, Liquidity, and Trust - This interview was hosted by Jennifer Sanasie and Sam Ewen.

Vivien Lyra Blair (Obi-Wan Kenobi, The Boogeyman) headlines this story from the indigenous peoples of Siberia about a supernatural spirit with a very cold shoulder. Sign up for our monthly newsletter, "The Lion's Roar", here.

Join David Lee Corbo (The Raven) and Top Lobster on Nephilim Death Squad as Thomas the Paranoid American returns for one of the wildest episodes yet! Thomas, 15-year conspiracy & occult comic creator, ex-Disney animator, ex-military, and current Freemason, drops his viral theory: BUGS ARE DEMONS.He traces the 14th-century Middle English origin of “bug” meaning disembodied spirit, hobgoblin, and ghost — not insect — then connects it to biblical Beelzebub (Lord of the Flies), plague locusts that sting like scorpions, worms that don't burn, Exodus flies, and Mesopotamian scorpion-men from the Epic of Gilgamesh.Thomas announces live he is ready to renounce Freemasonry entirely and bend the knee to Christ as King. They break down Masonic boy bride rituals, Albert Pike, the controversial South American photo that triggers every Mason, and why low-level Masonry feels like Rotary Club networking while higher degrees hide darker truths.Plus: Bohemian Grove 2026 updates, general admission tickets still available first to Patreon members at TopLopsa.com, cursed Paranoid American merch (grab it at the Standard Coffee Shop Casino / NDS studio), Thomas's new children's chemtrails book “Connect the Dots” (Magic School Bus style with real research on Morgellons, nanotechnology, Draco star system & Space Preservation Act), eat-the-bugs WEF propaganda, parasites as spiritual conduits, pop culture insect demons in Men in Black (Edgar the Bug), Constantine (Vermin), The Tingler, Alien, Naked Lunch, Spawn's Violator, Nightmare Before Christmas Oogie Boogie, Kafka's Metamorphosis, and more.Thomas also performs at Bohemian Grove every year and is the official Donut convincer. Full episode packed with etymology, scripture, Hopi Ant People, Zoroastrian fly demon Nasu, devil's coach horse beetle, and why killing (or eating) bugs carries spiritual weight.Support the show & get early/ad-free access + Bohemian Grove priority: patreon.com/NephilimDeathSquadTickets & merch: TopLopsa.comThomas's comics, books & cursed merch: paranoidamerican.com  00:00 – Welcome to Nephilim Death Squad  00:45 – Patreon & Bohemian Grove 2026 Tickets Announcement (VIP sold out, General Admission still available for Patrons first)  03:10 – Introducing Thomas “Paranoid American” – 15 years of conspiracy/occult comics, ex-Disney animator, ex-military, current Freemason  05:55 – Thomas drops the bomb: “I'm ready to renounce Freemasonry and bend the knee — Christ is King”  08:40 – Paranoid American merch, cursed merch at the studio, and why it's all “full of lies”  11:20 – Bohemian Grove performance history + Thomas is the official “Donut convincer”  14:30 – How the “Bugs Are Demons” theory was born (flippant comment that went viral)  17:05 – Etymology bombshell: “Bug” originally meant disembodied spirit, hobgoblin, ghost (14th century Middle English)  20:15 – Biblical connections – Beelzebub (Lord of the Flies), plague locusts that sting like scorpions, worms that don't burn, Exodus flies  25:40 – Mesopotamian scorpion-men, Epic of Gilgamesh, and human-insect hybrids  29:50 – Morality of killing bugs – is it okay? Personal stories (cricket torture, son's environmentalism)  35:20 – Parasites as spiritual conduits + demonic possession overlap  39:10 – Pop culture insect demons: Men in Black (Edgar the Bug), Constantine Vermin, The Tingler, Spawn Violator, Oogie Boogie, Kafka's Metamorphosis  45:55 – Hopi Ant People, Zoroastrian fly demon Nasu, Devil's Coach Horse Beetle & more demon-named bugs  51:40 – “Eat the Bugs” WEF agenda + why it feels nefarious  56:30 – Thomas's new children's chemtrails book “Connect the Dots” (Magic School Bus style with real research)  1:01:10 – Chemtrails as spiritual Faraday cage theory  1:05:45 – Deeper Freemasonry talk: Albert Pike, boy bride ritual photo, low-level vs high-level Masonry  1:12:20 – Thomas Edison's Necrophone, bugs in technology, and demons in AI/code  1:18:50 – Closing thoughts + where to find Paranoid American  1:22:30 – Final “Christ is King” moment & outroBecome a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

In this exciting crossover event, the teams from You Can't Kill the Boogeyman, the Pixie Dust Twins Podcast Featuring Dan, and Robby Reviews... sit down for a chat with the legendary horror icon Danielle Harris. You'll hear her discuss the transition from "Halloween 4" to "Halloween 5" along with surprising behind-the-scenes stories from her time as a child on set (including the logistics of being lowered into a laundry chute with real knives!). Plus, she shares insights on con etiquette and her experiences meeting fans at events like Spooky Empire. And, when asked which horror universe she'd choose to survive in, Danielle picks a Boogeyman Pod favorite! Everyone also bonds over the differences between growing up in the 80s and 90s versus today's world of instant gratification and spoiler filled YouTube videos.Produced by: Limitless Broadcasting Network.For more info, merch, and all the other podcasts, visit: www.limitlessbroadcastingnetwork.comFollow the shows on Instagram @boogeymanpod, @pixiedusttwinspodcast, & @robbyreviewsmoviesYou can also find us on TikTok @1950Studios Mentioned in this episode:Canvas in Crime: Turning True Crime into Quirky CharactersGet your own notorious shot glass or art print at www.canvasandcrime.com! You can also find Elizabeth on Facebook at https://www.facebook.com/eak.creations and on Instagram @eakcreations. She also has a YouTube channel https://youtube.com/@canvasandcrime where you can see creativity in action.

In this exciting crossover event, the teams from You Can't Kill the Boogeyman, the Pixie Dust Twins Podcast Featuring Dan, and Robby Reviews... sit down for a chat with the legendary horror icon Danielle Harris. You'll hear her discuss the transition from "Halloween 4" to "Halloween 5" along with surprising behind-the-scenes stories from her time as a child on set (including the logistics of being lowered into a laundry chute with real knives!). Plus, she shares insights on con etiquette and her experiences meeting fans at events like Spooky Empire. And, when asked which horror universe she'd choose to survive in, Danielle picks a Boogeyman Pod favorite! Everyone also bonds over the differences between growing up in the 80s and 90s versus today's world of instant gratification and spoiler filled YouTube videos.Produced by: Limitless Broadcasting Network.For more info, merch, and all the other podcasts, visit: www.limitlessbroadcastingnetwork.comFollow the shows on Instagram @boogeymanpod, @pixiedusttwinspodcast, & @robbyreviewsmoviesYou can also find us on TikTok @1950Studios Mentioned in this episode:Canvas in Crime: Turning True Crime into Quirky CharactersGet your own notorious shot glass or art print at www.canvasandcrime.com! You can also find Elizabeth on Facebook at https://www.facebook.com/eak.creations and on Instagram @eakcreations. She also has a YouTube channel https://youtube.com/@canvasandcrime where you can see creativity in action.

In this episode of Derapy, Kendrick ain't even on Instagram like that lolSupport the channel for $1

A medical mystery/A cat man haunts an cruel boy/A ghost girl who hates drugs Fan Art by Cretin Cave Productions Dead Rabbit Radio Movie night April 24th 7pm PST Join the Patreon, Free or Paid, for more info! https://www.patreon.com/user?u=18482113 Dead Rabbit Radio Movie Morning April 25th 9am PST Follow me on  https://www.youtube.com/@DeadRabbitRadio or any of my socials for more info! Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share Dead Rabbit Radio Archive Episodes https://deadrabbitradio.blogspot.com/2025/07/ episode-archive.html https://archive.ph/UELip Dead Rabbit Radio Recommends Master List https://letterboxd.com/dead_rabbit/list/dead-rabbit-radio-recommends/ Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg "Alien Flyer" By TVP VT U https://imgur.com/gallery/aPN1Fnw "QR Code Flyer" by Finn https://imgur.com/a/aYYUMAh Links: Brian Blackwood https://brian-blackwood.com/ EP 1410 - Dream Girl (Suicide Ghost Ghost Ages Brother Guardian Angel episode) https://deadrabbitradio.libsyn.com/ep-1410-dream-girl Facts & Statistics About Epilepsy https://www.epilepsy.com/what-is-epilepsy/statistics Maine CDC's Post https://www.facebook.com/MaineCDC/posts/1-in-10-people-will-have-a-seizure-at-some-point-in-their-lifelearn-how-to-provi/821187703381435/ Epilepsy https://www.mayoclinic.org/diseases-conditions/epilepsy/symptoms-causes/syc-20350093 Hood River County Public Service Announcements https://www.hoodrivercounty.gov/index.asp?SEC=AF40862A-8B0E-4107-B2B4-956029C71941&DE=11E4744C-DDC6-4DBD-8F95-B86EFBB310E6 Seizure Management in Creutzfeldt-jakob Disease https://aesnet.org/abstractslisting/seizure-management-in-creutzfeldt-jakob-disease Probable sporadic Creutzfeldt–Jakob disease mimicking focal epilepsy https://pmc.ncbi.nlm.nih.gov/articles/PMC6369248/ Two Deaths in Oregon County Linked to Fatal Brain Disorder https://www.neurologyadvisor.com/news/two-deaths-oregon-county-fatal-brain-disorder/ Hood River County health officials say 2 deaths linked to rare brain disease https://www.youtube.com/watch?v=igGoljRxpi0&t=1s I threw a sick cat at sea and haunted me afterwards later that night https://archive.ph/x4H19 I threw a sick cat at sea and haunted me afterwards later that night [ Removed by moderator ] https://www.reddit.com/r/Paranormal/comments/1ryo7v5/removed_by_moderator/ Spooky Stories and Personal Experiences: The Thread (Ghost Girl Ghost Ages Dryad Butthole story) https://archive.ph/qiIyI Peganum harmala https://en.wikipedia.org/wiki/Peganum_harmala Syrian rue tea: a recipe for disaster https://pubmed.ncbi.nlm.nih.gov/18803088/ ------------------------------------------------ Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ: Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Discord Mods: Mason, Rudie Jazz Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny the Cat http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2026

Brendan is cozy on the couch for a solo episode. He talks about time as a construct, breaks down this week's prompts from The Artist's Way, and dives into the looksmaxxing craze. JOIN THE PATREON FOR BONUS EPS EVERY WEEK: patreon.com/sagdaddydapod WATCH BRENDAN'S SPECIAL "THIN LIPS": https://youtu.be/HpA3u7ZctsY SUBSCRIBE TO THE POD ON YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@BrendanSagalow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Who do you want to see on the show next? Got topic ideas? Email us at sagdaddydapod@gmail.com. FOLLOW BRENDAN: Tickets: https://punchup.live/brendansagalow Instagram: https://www.instagram.com/brendansagalow X: https://x.com/BrendanSagalow TikTok: https://www.tiktok.com/@brendansagalow Facebook: https://www.facebook.com/Brendansagalow4 YouTube: https://www.youtube.com/@BrendanSagalow FOLLOW NICOLE: Instagram: https://www.instagram.com/nicoleclyons/ Produced by Nicole Lyons Productions Instagram: https://www.instagram.com/nicolelyonsproductions/ Website: www.nicolelyonsproductions.com Credits: Theme Song: Brendan Sagalow and Linds Cadwell Show Art: Doctor Photograph Learn more about your ad choices. Visit megaphone.fm/adchoices

ITL debates what signs matter most and whether this recent run proves Houston is back to being a feared contender.

ITL asks the big question: what more do you need to see before believing the Houston Astros are officially back to being the boogeyman of the league? The guys break down the recent stretch, what's looked dominant, and whether this version of the Astros is trending toward that feared, inevitable contender again. Then in Lunch-Time Confessions, ITL reacts to yet another MLB umpire mistake, diving into the frustration around officiating and whether anything will truly change. To close the hour, it's Judge Lopez, as John puts Jalen Hurts on trial and debates whether he's actually the issue holding the Philadelphia Eagles offense back.

FREEDOM - HEALTH - HAPPINESSThis podcast is highly addictive and seriously good for your health.SUPPORT DOC MALIK For the full episodes, bonus content, back catalogue, and monthly Live Streams, please subscribe to either:The paid Spotify subscription here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creators.spotify.com/pod/show/docmalik/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The paid Substack subscription here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://docmalik.substack.com/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to all the new subscribers for your lovely messages and reviews! And a big thanks to my existing subscribers for sticking with me and supporting the show! ABOUT THIS CONVERSATION: I never expected this conversation. Sitting down with Nick Griffin, we unpack identity, immigration, power, and the future of society. Agree or not, understanding matters. Strip away the noise and it comes back to family, community, and questioning everything.Much loveDocLinks Website ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://substack.com/@nickjgriffin⁠⁠⁠⁠⁠⁠⁠⁠IMPORTANT INFORMATIONCONSULTATION SERVICEIn a world of rushed 7-minute consultations and endless referrals, I offer you something rare: time, context, and clear guidance.As your health advocate, I can help you:Understand your diagnosis and decode medical jargonBreak down treatment plans in plain, easy to understand non jargon EnglishPrepare for surgery, understand your risks, obtain true informed consent, and optimise yourself pre-op Recover from surgery, advise you how to heal faster and quicker and minimise post-op complicationsManage chronic illness with lifestyle, mindset, and dietary changesExplore holistic options that complement conventional careImplement lifestyle changes like fasting, stress reduction, or movementAsk better questions, and get real answersGet an unbiased second opinionReady to Take Control?If you're navigating a health concern, preparing for a big decision, or simply want to feel more confident in your path forward, I'd love to support you.Book here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://docmalik.com/consultations/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out my AFFILIATE LINKS visit my website for moreSeagreenI highly recommend trying Sea Greens, a rich source of bioavailable iodine and trace minerals that nourish thyroid function, balance hormones, and provide a clean daily boost from wild ocean plants. Use the code DOCMALIK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://seagreens.shop/go/docmalik/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Heracles Wellness SaunaHeracles Wellness offer a fantastic range of beautifully crafted saunas and cold plunge systems, perfect for creating your own healing sanctuary at home.Use the code DOCMALIK3 at checkout to get 3% off all products. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://heracleswellness.co.uk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hunter & Gather FoodsCheck out the products from this great company⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://hunterandgatherfoods.com/?ref=DOCHG BUY HERE TODAY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use DOCHG to get 10% OFF your purchase with Hunter & Gather Foods.IMPORTANT NOTICEIf you value my podcasts, please support the show by making a one-off donation.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/docmalik⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

The fallout from Ball In shakes the BookIt!Verse as LilXFudge presents a chaotic new episode of BIV 5: Malice! The newly crowned BBW Trios Champions, The Model Citizens, lock in their newest member after a wild Custody of Pretty Deadly Match that changes everything.But the biggest story of the night? PPW invades BBW, igniting tensions and signaling a potential takeover.Danhausen and The Boogeyman are fighting to keep their jobs, Mustafa Ali challenges Owen Hart for the BBW World Championship in the main event, and the future of BBW hangs in the balance.Fallout, invasion, and must-see moments—this is Malice.

History is full of revenge stories - but almost none of them spiral into full-blown, years-long war against an entire nation. This week, host Ben Thompson is joined by producer Andrew Jacobs to dive into the blood-soaked legend of Jeremiah “Liver-Eating” Johnson -a mountain man who survived brutal winters, outlaws, and ambushes… and then allegedly spent years hunting down members of the Crow Nation after the murder of his family. It's a story of myth vs. reality, frontier violence, and one man's transformation into something closer to folklore than human. Because when your nickname is Liver-Eating, you're already way past the point of reasonable behavior.

The passing of an acting legend, a puzzling philsopher, Mads made me mad, a sweet story, two movies I wanted to love but didn't, a surprisingly scary movie, reefer madness, and some examples of starting over. Stuff mentioned: The Way of the Dragon AKA Return of the Dragon (1972), Good Guys Wear Black (1978), A Force of One (1979), The Octagon (1980), An Eye for an Eye (1981), Silent Rage (1982), Missing in Action (1984), The Delta Force (1986), Invasion U.S.A. (1995), Friday the 13th: The Final Chapter (1984), Code of Silence (1985), The Fugitive (1993), Top Dog (1995), Hamnet (2025), Beast (2017), Hammett (1982), It Was Just an Accident (2025), Paranormal Activity (2007), Islands (2025), Body Heat (1981), Boogeyman 2 (2007), Boogeyman (2005), Boogeyman 3 (2008), Starting Over (1979), Animal House (1978), Friday the 13th (1980), John Lennon "(Just Like) Starting Over" (1980), and John Lennon Double Fantasy (1980).

Rattled & Shook is back with full episodes this THURSDAY! March 5th! Mark your calendars. Shout out to Madeline A. for sharing her story with us! This episode includes voicework by Raven Brinson (Apartment Boogeyman). To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

For decades, an alternate suspect has been the center of scrutiny in the murder of Earl O'Byrne. The PROOF team uncovers a connection between this suspect and a key piece of evidence that was never fully investigated. Meanwhile, Scott Baldwin is approached by a fellow inmate who begins asking too many questions not only about his case, but other cold cases as well — including one of Kalamazoo's most horrific crimes: the Polderman murders.   Visit our website at proofcrimepod.com. Follow us on social media. On Instagram, Twitter, and Facebook we are @proofcrimepod. Listener questions or tips about any of the cases we cover are welcome @proofcrimepod@gmail.com.    Sponsor Deals:  Go to Quince.com/proof for free shipping on your order and 365-day returns. Go to GREENCHEF.com/proofgraza and use code proofgraza to get started with 50% off Green Chef + FREE Graza Olive Oil Set in your 2nd and 3rd boxes. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Garrett and Payton dive into the case of Robin Lawrence, a woman found murdered in her home in a crime that left investigators with almost no leads and a mystery that lingered for decades. As time passed and technology evolved, a hidden piece of evidence quietly waited in the background, holding the potential to change everything. Links: Netflix: https://www.netflix.com/murderwithmyhusband Patreon: https://www.patreon.com/murderwithmyhusband NEW MERCH LINK: https://mwmhshop.com Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Twitch: https://www.twitch.tv/themwmh Instagram: https://www.instagram.com/murderwithmyhusband/ Watch on Youtube: https://www.youtube.com/@murderwithmyhusband Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7?si=f5224c9fd99542a7 Case Sources: CBSNews.com - https://www.cbsnews.com/news/stephen-smerk-new-york-robin-warr-lawrence-murder-virginia-cold-case-48-hours/ USAToday.com - https://www.usatoday.com/story/news/nation/2025/03/10/stephan-smerk-virginia-murder-robin-lawrence/82233382007/ NBCWashington.com - https://www.nbcwashington.com/news/local/after-killers-sentencing-30-years-of-unanswered-questions-come-to-end-for-1994-cold-case-victims-family/3862175/ CBS6Albany.com - https://cbs6albany.com/news/local/niskayuna-man-sentenced-to-70-years-for-1994-virginia-murder-featured-on-cbss-48-hours-robin-lawerence-stephan-smerk WJLA.com - https://wjla.com/news/local/this-man-will-pay-virginia-family-finds-closure-after-murderer-is-sentenced-to-life-cold-case-murder-guilty-conviction-killer-found-crime-dmv-investigation-forensics-fairfax-burke-case-robin-lawrence-death-stabbing-family-smerk TheIndependent.com - https://www.the-independent.com/news/world/americas/crime/serial-killer-sentencing-robin-lawrence-b2716557.html AugustaFreePress.com - https://augustafreepress.com/news/the-boogeyman-chilling-confession-brings-end-to-northern-virginia-murder-case/ FFXNow.com - https://www.ffxnow.com/2025/03/07/former-army-soldier-sentenced-to-70-years-in-prison-for-1994-west-springfield-murder/ TMZ.com - https://www.tmz.com/2025/10/25/stephan-smerk-30-year-cold-case-murder-dna-arrested/ WUSA9.com - https://www.wusa9.com/article/news/crime/man-sentenced-for-1994-cold-case-murder-of-virginia-mother-life-in-prison/65-1b50f3a2-a6c8-4e30-98fb-1abfefb953ca WashingtonPost.com - https://www.washingtonpost.com/dc-md-va/2025/03/07/stephen-smerk-cold-case-sentencing-robin-lawrence/ Learn more about your ad choices. Visit podcastchoices.com/adchoices