Podcast appearances and mentions of adrienne brown

Come along and enjoy Adrienne Brown as she shares her homeschooling journey with you.

Race has played a huge role in the creation of mass homeownership in the United States. Discriminatory housing practices including redlining, exclusionary zoning and whitewashing led to great disparities in home ownership among White and Black homeowners. Despite the passage of the Fair Housing Act in 1968, the damage had been done to communities of color and the rates of Black homeownership. Mass homeownership actually changed the definition, perception and value of race, according to a new book called The Residential is Racial: A Perceptual History of Mass Homeownership. In it, University of Chicago scholar Adrienne Brown documents the unexplored history of mass homeownership and how it still plays out today. An associate professor in the Department of English and the Department of Race, Diaspora, and Indigeneity, Brown is also the author of The Black Skyscraper: Architecture and the Perception of Race.

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Owner, operator, tattoo artist and all around warrior woman, Adrienne Brown has enjoyed drawing ever since she was young, going to college for graphic design and illustration, and has taken her passion to a new level with tattooing, opening @moth.and.moon.tattoo in @laurentianhills this past May! In this episode, Adrienne shares:

Adrienne Brown, an Associate Professor in the Departments of English and Race, Diaspora, and Indigeneity, shares her journey of following her interests and passions and how it led her to become a faculty member at the University of Chicago. As a student, she lived in the present and studied what interested her without a clear career path in mind. Her love for English, writing, architecture, and literature kept her motivated, and she pursued these subjects with fervor. Professor Brown's dedication to her interests has opened up many doors, and she continues to explore new opportunities to teach, work, and share her passions.

In this episode, Douglas Cowie and Adrienne Brown (University of Chicago) discuss the life and poetry of Pulitzer-Prize-winning poet Gwendolyn Brooks. They talk about her poems that document life in Chicago, "Kitchenette Building," "In the Mecca," "Chicago Picasso," and "The Wall," and unpack the social, economic, racial, cultural, and political history that informs her life and work. Please see these links for further information about topics mentioned in the episode: Gwendolyn Brooks and others reading her poetry: The Library of Congress Audio: https://www.loc.gov/item/85755182/ YouTube: We Real Cool (Short Film produced by the Poetry Foundation): https://www.youtube.com/watch?v=0USvSvhue70 LP (Caedmon Records, 1968): https://www.youtube.com/watch?v=N9XlIR-SzVg The Wall of Respect (City of Chicago, Department of Cultural Affairs): https://www.chicago.gov/city/en/depts/dca/supp_info/wall_of_respect.html History of The Mecca and IIT (Segregation by Design): https://www.segregationbydesign.com/chicago/iit-and-the-mecca-flats

The detective investigating Adrienne Brown's death gets a tip from an informant who says a doctor in California is responsible for Adrienne's untimely death. Thomas Lake visits this doctor to ask if he killed Adrienne Brown. Meanwhile, one of James Brown's friends says he has a vial of blood which proves that the Godfather of Soul was murdered. And when Jacque Hollander gets a threatening phone call, she thinks it's from someone who wants her to keep quiet about James Brown's death. To learn more about how CNN protects listener privacy, visit cnn.com/privacy Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Lake asks the circus singer more questions about her friendship with Adrienne Brown, who believed there was a criminal organization surrounding the Godfather of Soul that she called “The Machine.” Lake learns that both women were convinced US government agents spied on them and tried to kill them. It turns out James Brown too suspected he was being watched by the CIA during his lifetime. So Lake dives even deeper into the mystery behind government surveillance and celebrity. To learn more about how CNN protects listener privacy, visit cnn.com/privacy Learn more about your ad choices. Visit megaphone.fm/adchoices

After numerous attempts by the Survivors of the 1921 Tulsa Race Massacre to be granted a trial, a judge handed down an unprecedented ruling on May 2nd that provides hope to those who are fighting to repair and restore Greenwood. Carlos Moreno has more. Next Jamie Glisson has the first in a series exploring the candidates running for political office across the state. Here, she speaks with Congressional District 3 incumbent, Congressman Frank Lucas and some new challengers for that seat. Adverse Childhood experiences are responsible for traumatizing millions of children across the state. One organization believes that a mentor can counteract that trauma with an activity as simple as bowling. Dawn Carter shares more about Big Brothers, Big Sisters Bowling for Kids Sake event. Brandy Colbert's book "Blackbirds in the Sky" was written for young adults but doesn't shy away from the tough topic of the Tulsa Race Massacre. Our teen correspondent Adrienne Brown has details about what's been missing from her education and why straight talk in our classrooms matter. Preserving the prairie system is no simple task. And now at the heart of conservation and culture is the Prairie Chicken. While it may not be as familiar as Bald Eagles, Britny Cordera has more on what makes Prairie Chickens just as iconic and in need of protection. Finally Chaz Stephens will connect the dots from Dragonball Z to N.E.R.D. exploring how Black nerds are gaining greater visibility and acceptance in mainstream culture. Focus: Black Oklahoma is produced in partnership with KOSU Radio, Tulsa Artist Fellowship, and Tri-City Collective. Additional support is provided by the George Kaiser Family Foundation and the Charles and Lynn Schusterman Family Philanthropies. Our theme music is by Moffett Music. Focus: Black Oklahoma's executive producers are Quraysh Ali Lansana and Bracken Klar. Our producers are Nick Alexandrov and Vanessa Gaona. Our production interns Torren Doss and Smriti Iyengar.

Tune into the Kim Jacobs' Show on Tuesday February 1st at 11AM EST, to hear from Adrienne Brown, a mother who homeschooled all 8 of her children! She will be speaking with us about Homeschooling With Ease! Take a quick moment to subscribe now and turn your notifications on to receive an alert when we go live: HTTPS://YouTube.com/c/kimjacobsshowToday's episode is sponsored by:Https://Getinsured.solutionsSnowlegal.comSilverShield-Security.comHunter-Everage.comLambfuneral.com#thebalancedoctor #kimjacobsshow #motherdreamer #explorepage #Expertadvice #homeschooling #partyof10 #familygoals #entrepreneurs

We are rewinding to our past episodes featuring  Mississippi Black Artists in celebration of Black History Month.Let's jump back to episode 17, where Mississippi Artist Adrienne Brown-David joins me.Listen in as we talk about her goal to paint 365 paintings in 2021, how she manages work and family, and how she pulls from her family memories to create her stunning works of art.Find Adrienne on Instagram https://www.instagram.com/adriennemeschelle/Find more interviews wherever you listen to podcasts. Be sure to check out our interview archives at www.thelittleyellowbuilding.com where you can listen to all the past artists.If you like what we are doing, make sure you share!Support the show (https://bit.ly/3lXHFEN)

Needing inspiration for starting a new year in the studio? This episode is for you! It was a real treat to invite two podcast + crit group mentor alums back to our platform to ask them about the dynamic work they created in 2021 that was rooted in a big project for each of them. […]

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How do we raise next gen men -- men who can thrive in the 21st century? "When you're on a playground, you can't yell, 'Hey, Tommy, cut that hegemonic masculinity out!'" says Jake Stika, co-founder of Next Gen Men, a Canadian organization dedicated to changing how the world sees, acts and thinks about masculinity. Parents, educators and boys need concrete, practical suggestions and assistance. Talking to boys about consent, for example, is not enough. Today's tweens and teens understand the concept of consent and understand why it's important, but they need help figuring out how to apply consent in their personal relationships. "They want to know, 'What do I actually say, that's not too awkward?'" says Jonathon Reed, youth program manager for Next Gen Men. Boys also need and want to understand their role in the #MeToo era. Many have heard that they should listen to women and girls and want to know if they're allowed to talk as well. "It's really benevolent sexism that we're perpetuating when we don't empower boys to be stakeholders, beneficiaries, and co-conspirators in conversations" about equality, the gender wage gap, childcare, and parenting, Stika says. In this episode, Jen, Janet, Jake & Jonathon discuss: Helping boys understand consent (and giving them words to use in real-life situations) Creating space for boys to find solutions How boys use humor Gendered expectations Gender equity Benevolent sexism Male-on-male violence Why boys (all boys!) need people who see them, value them, & KNOW them The difference between harm & abuse Boys & anger (Did you know that trauma can manifest as anger?) Metabolizing shame Links we mentioned (or should have) in this episode: NextGenMen website Breaking the Boy Code -- our previous ON BOYS conversation with Jonathon Raising Next Gen Men course -- use the ON BOYS coupon code to save 15% ON BOYS episodes featuring ADHD Dude Ryan Wexelblatt (mentioned at 14:17) Boys & Sex (w Peggy Orenstein) -- ON BOYS episode We Will Not Cancel Us -- essay by Adrienne Brown (mentioned at 34:22) Need help with your boys? Subscribe to Jen's newsletter, Building Boys Bulletin Opt-in at Boys Alive! for your free guide: Boys & Big Emotions with Janet Sponsor Spotlight: LCP Medical  Comfortable face masks that capture, disable & discard infectious germs Use the ON BOYS discount code to SAVE 10% off your order Sponsor Spotlight: Cozi #1 organizing app for families  

One this episode: In this episode you will have the opportunity to hear 4 standout women from all over the world discuss women topic that are designed to uplift women during the upcoming WYN Conferences. Dr. Kira Swanson https://kiraswanson.com Paulette Simmons www.livinglifestrongcoaching.com Dr. Carmen Schwalbe MBA https://www.linkedin.com/in/carmen-schwalbe-phd-mba-7b026a133/ Adrienne Brown https://adriennemodicabrown.com/ Look at the WYN Conferences Speakers Magazine: Interactive: https://coachtinaramsay.aflip.in/64a8e59001.html Standard: https://issuu.com/ctrenterprises/docs/ttrs Do you want t be a featured guest on our show? https://www.coachtinaramsay.com/the-tina-ramsay-show #coachtinaramsay #ctrenterprises #wynconference #thetinaramsayshow --- Send in a voice message: https://anchor.fm/thetinaramsayshow/message Support this podcast: https://anchor.fm/thetinaramsayshow/support

In this week's video, I sat down with Adrienne Brown-Norman to talk about her career as a Disney illustrator, being Black, and being married to Floyd Norman. --- Send in a voice message: https://anchor.fm/blkwmnanimator/message Support this podcast: https://anchor.fm/blkwmnanimator/support

Sarah Story talks with Adrienne Brown David, a painter based in Oxford, Miss. In her work, Adrienne captures black childhood in a way that is pure and uninterrupted, drawing inspiration from her four daughters and the Southern landscape. She has exhibited in New York and Oxford alike, was named one of Buzzfeed's “26 Black Artists That'll Help You Start Your Own Art Collection,” and her artwork was recently selected as the poster artwork for the 2021 Mississippi Book Festival. See acast.com/privacy for privacy and opt-out information.

META PERFORMANCE SHOW | Disney/Pixar power couple Floyd Norman (animator) and Adrienne Brown-Norman (illustrator) speak on their crafts and working on iconic animated films, including Sleeping Beauty, 101 Dalmatians, Mary Poppins, Toy Story, and Monster's Inc. The first African American artist at Disney, Floyd worked with legends Walt Disney, Frank Thomas, Ollie Johnston, and Steve Jobs (at Pixar) and shares about getting "chewed out" when he didn't meet the extremely demanding performance standards. The pair also talk about the importance of commitment when you want to excel in a competitive industry and the magic that is Disney cartoons.RESOURCESNorman's life story is told in greater detail in the award-winning feature documentary “Floyd Norman:  An Animated Life” available on Bluray with bonus features at FloydNormanMovie.comNovus Global is a tribe of elite executive coaches who work with Fortune 500 Companies, Professional Athletes, World Renowned Artists and Business Leaders to create lives, teams and companies that go beyond high-performance.Book a free consultation with a Novus Global coach here: http://novus.global/now/ This podcast is produced by Rainbow Creative with Matthew Jones as Senior Producer and Jeremy Davidson as Editor and Audio engineer. Find out more about how to create a podcast for you or your business at rainbowcreative.co

Adrienne Brown, is on a mission to inspire mothers in the personal development of self and motherhood. Inspiring mothers to embrace their natural abilities to build strong families & to help them cultivate a strong sense of tenacity. She is the mother of 8 children, 4 biological and 4 adopted. She feels that her life has been enriched because of the relationships with her children. Adrienne and her husband homeschooled all 8 of their children and motivated the older ones to get into some of the top-tier colleges in the country. Adrienne is a veteran of the United States Airforce, serving 2 years overseas in Germany. She worked for the Department of Defense for 8 years helping to maintain the integrity of computer automation for our American embassies, worldwide. She is a serial entrepreneur and CEO of 2 businesses, Shea'sational Goods, LLC, a bath & beauty products company and Fresh Scents, LLC a commercial cleaning company. Adrienne is also an author with 6 published books on Amazon. Commanded to Homeschool, chronicles her parenting and homeschooling methods and shows new homeschooling moms to find their homeschooling confidence. Adrienne Brown has been a keynote speaker for many originations and events, teaching her methods of personal development and tenacity. She is extremely relatable, authentic, and exuberant about her family and her mission to you. Connect with Adrienne Website: https://www.homeschoolmomof8.com/ Check out here blog feature with all of contact info: https://www.thetinaramsayshow.com/Home-page-7157-5223 Check out our special blog feature on her on the eZWay Wall of Fame https://ezwaywalloffame.com/the-tina-ramsay-show-featuring-meet-adrienne-brown-homeschooling-expert/ Do you want to be a featured guest on our podcast? https://thetinaramsayshow.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thetinaramsayshow/message Support this podcast: https://anchor.fm/thetinaramsayshow/support

#57- Today’s topic is about how to decrease stress, how to consciously take that pause before you react to something emotionally or physically, and how to take care of yourself in order to be your best for others. And not just any others. The most precious of the others: your children. This is going to be a show about parenting. A job worth doing well; you’re absolute best, actually.  In this interview, we will talk about why it is so important, how to be purposeful and present about it, and how to set the intention to be the best parent to your children that you can be. It is an honor to raise a child and bring that child into adulthood. And it is definitely a life skill. One that at first, you usually have no skill. So you definitely have to set some intention about it. Mindset is so important. As is finding great teachers and role models. Being a great parent is something that ideally you do on purpose.My guest today is Adrienne Brown and she has some credentials behind her. Adrienne is the mother of 8 children; 4 biological and 4 adopted. But what’s more, she and her husband have homeschooled all of them and at this point, have guided the older ones into college and successful adulthood.And she has contributed to the betterment of our world by raising kind, decent, productive members of society.She is without doubt a successful parent and a great role model for parents at all stages along the way.  She has a lot to share and I am very happy to have her on this show and talk about the joys and challenges of parenting. All links and everything mentioned in this episode can be found at:howtolife.com/057

Episode 43 A Conversation with Pamela Z Music in the Time of Pandemic   Playlist TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Composed by Pamela Z; written by Geoff Sobelle; instrumentalists, Tom Dambly, Crystal Pascucci, Todd Reynolds; vocals, Pamela Z; voices sampled from Eric Sanderson, Alan Weisman, Robyn Orlin, Lisa McGinn, Stefanie Sobelle, Craig Dykers, Erick Gregory, Colleen Jennings-Roggensack, Jack Tchen, Adrienne Brown, Pamela Z, and Geoff Sobelle. Background music used during this episode (exceprts): Pamela Z, "Quatre Couches" in a solo concert as part of VoxLab Vårfest at Vega Scene in Oslo, Norway, on April 11, 2019. Pamela Z, electronics and voice processing using MAX MSP gesture-controlled MIDI instruments. Pamela Z, “Three Vertical Kilns (Carbon Song Cycle)” Live at BAM/PFA (April 12, 2013). Excerpt from the complete performance of Carbon Song Cycle, a work for chamber ensemble and expanded cinema by composer Pamela Z and video artist Christina McPhee. Ink: commissioned and presented by VOLTI (2021); artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music and video by Pamela Z. TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Pamela Z, “Badagada”from A Delay Is Better (2004 Starkland). Composed by, recorded by, performer, producer, liner notes, Pamela Z. Additional works and links for Pamela Z: Website for Pamela Z TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Ink: commissioned and presented by VOLTI (2021); artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music and video by Pamela Z. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

Our Mothers’ Gardens is a Honeybunch of Stinkweed Production, and features music produced by Ptah. Our Mothers’ Gardens is made possible in part by the generous sponsorship of patrons, Emmett Swan, James McCarthy, and Courtney Tracewski.

Adrienne Brown-David creates gorgeous paintings, drawings, and paper dolls! It was so helpful for me to hear that she doesn’t actually have it all together all the time despite seeming very put together and successful from the outside. She talked about how she allows herself to not be good at everything all the time - to have times where she is excelling at teaching and motherhood, but not painting; and times where she is making incredible artwork, but her home is a mess and her kids are eating cereal. Hearing this felt like permission to give myself more grace, to stop trying to do it all. Adrienne paints her daughters and places them in settings in the American South. She talked about how she captures the varied aspects of her children and validates all sides of them as Black girls who will become Black women in a society that tries to invalidate their complexities. Adrienne Brown-David is a freelance artist living in a small, rural town in northern Mississippi. Though she is originally from St. Louis, Adrienne has lived in both Chicago (where she briefly attended the School of the Art Institute of Chicago) and the Virgin Islands before settling in the south. Adrienne is a wife and mother of four daughters and the experience of motherhood greatly influences her work. Blog post with images and links www.adriennebrown-david.com @adriennemeschelle on Instagram Book: The Well-Trained Mind: A Guide to Classical Education at Home by Susan Wise Bauer and Jessie Wise . . . Follow: @teachingartistpodcast @pottsart Support this podcast. Subscribe, leave a review, or see more ways to support here. We also offer opportunities for artists! --- Send in a voice message: https://anchor.fm/teachingartistpodcast/message Support this podcast: https://anchor.fm/teachingartistpodcast/support

Art encapsulates powerful emotions and draws beauty out of everyday moments. Every portrait an artist paints serves as an opportunity to expand our humanity, allowing us to see the breadth and mystery of other human beings. In the age of social media, we have become devastatingly comfortable ascribing labels to one another and dehumanizing our brothers and sisters in Christ. Art helps us recapture the humanity of others while giving us a refreshing perspective on the vast scope of God's creation.Adrienne Brown-David's artwork reflects the joys of motherhood and parenting, as well as the growth of her children as young black women in America. The majority of Adrienne's work draws inspiration from her four daughters, capturing the richness of freedom and wonderment in childhood. Adrienne Brown-David emphasizes the beauty and individuality of black women primarily by using eyes as the centerpiece. The goal of Adrienne's art is not for others to get something out of it, but rather to capture the fullness of emotion she pulls from photographs.She joins Eddie and Chris to discuss the gift that art can give each one of us, the love she has for her daughters' individuality, and the ways different forms of visual art make us feel. Adrienne acknowledges the way she must consider how her daughters are viewed by the world and the intersection she has always felt between her art and the larger social climate. They also speak about what it means to call Mississippi home and the importance of viewing Mississippi from both the inside and outside. Follow Adrienne Brown-David on the web: https://www.adriennebrown-david.com Check out Adrienne Brown-David's artwork hereLearn more about Adrienne Brown-David hereRead about Adrienne Brown-David in The Local VoiceFollow Adrienne Brown-David on social media:https://www.instagram.com/adriennemeschelle/ 

Hey everybody I'm Brian Clapp, VP of Content and Engaged Learning for WorkInSports.com and this is the Work in Sports podcast… Alright, this is the first time I'm speaking about this publicly, I have some big news about the podcast. Something exciting and important.  Over the last decade, we've all watched at sports figures have opened up to the world. Whether via Players Tribune, their own social accounts, their voice in press conferences, what they wear, and how they display their world views - we have gotten to know athletes better.  As I have said many times prior -- In my era, we never really knew how guys like Joe Montana, Michael Jordan, Wayne Gretzky, and Rickey Henderson felt about the world. We knew how they played, and how they acted as teammates...and that was about it.  Back in June when George Floyd was murdered and peaceful protests took over the streets of our nation... they also took over the arenas. Athletes used their voice, sports became a greater vehicle and platform for social justice and expression.  I for one love this. I hate the “shut up and dribble” as if athletes were placed her to sing and dance and run for us… just to entertain. These are human beings with important views and global impact.  At the same time as George Floyd, a group of diverse young professionals also stood out from the rest of the crowd. The 2020 cohort of the  Minor League Baseball FIELD program, which stands for  'Fostering Inclusion through Education and Leadership Development' spoke up, loud and clear, when Minor League baseball was silent.  At the time I was impressed with their unity, fearlessness, and voice. I only wish I had this strength at their age. I began connecting with each and every member of the cohort, offering to help them with their careers and network.  And one young woman, Adrienne Brown, took it one step further. She asked is we could do a series of podcasts with the FIELD cohort to discuss being young and diverse while trying to work and make a name for yourself in the sports industry.  Enthusiastically I said yes.  In the month of October, we will debut our 4-part series titled Moving Forward and featuring young diverse professionals speaking their truth and sharing their experiences. We just conducted our first interview sessions last week, and I couldn't have been more impressed with our first two guests -- Jalen Mitchell an incredibly impressive student at Howard University and Gerald Taylor, a recent graduate of Virginia State who is trying to stand out in the world of diversity and inclusion.  The conversations are eye-opening, and important. Please listen with an open heart and mind.  Ok, on to today's question… Keisha from Chicago… “Hi Brian, I've heard you recently in two different zoom sessions and I was captivated by your talks -- you have a very engaging demeanor and speak with so much passion! I have a follow-up question if you don't mind answering it. You talked about the most important traits you need for the sports industry - being competitive, coachable, and curious. I wrote them down to keep me inspired. But I have a question… is being competitive just another way of saying work hard?” Keisha -- I am so excited by this question. You submitted it via LinkedIn and many times I just respond personally to questions but this one I really really wanted to elevate to the Monday podcast.  So here goes…. NO working hard is not the same as being competitive. I'll explain, but let me run through all the traits first just to get everyone else up to speed, then we'll dive into the difference between being competitive and working hard.  It's true - I try to get these attributes or traits across in just about every presentation because I believe they are vital.  Let's start with Coachable.  I always look for new ways to articulate and back up my theories, and just this weekend I saw “Coachable” in action...so let's talk about it.

Listen to author Adrienne Brown talk all about homeschool life by faith. From curriculum choices to faith and everything in between. Homeschooling boys, adoption testimony, and the Christian faith. Find Adrienne's books here.

In this episode, we will explore the mime ministry and other gifts of Adrienne Brown, and how ministry can come from some of the most unexpected places. As always, we will also share in the weekly "Praise Report" and a special heartfelt dedication. For more info about Adrienne: (Facebook) Adrienne Brown instagram.com/admarieb twitter.com/admarieb For Adrienne's Graphic Design: distinguishyourdesign.com To listen and connect with Freedem Radio: http://facebook.com/freedemradio http://instagram.com/freedemradio freedemradio.com (http://freedemradio.com/) To connect to Derek J. Murphy: http://facebook.com/iamderekjmurphy http://instagram.com/iamderekjmurphy http://twitter.com/iamderekjmurphy derekjmurphy.com (http://derekjmurphy.com/)  

Adrienne Brown-David was born in St. Louis, MO. After a brief stint at the School of the Art Institute of Chicago and a short return to St. Louis, Adrienne relocated to St. Croix, US Virgin Islands. It was here that she began to focus on painting and mixed media. She spent several years creating a body of work that is easily identified by its "drip" effect. After marriage and four children, she relocated to Oxford, MS. With the demands of work and family life, she had to take a break from the large mixed media portraits that she had become known for. During this break, Adrienne began doodling tiny neighborhoods in her sketchbook with Sharpie pen to keep her hand and eye sharp. These tiny doodles grew into larger and larger compositions. Her love for these doodles grew as well and they are now her main artistic focus. Each composition is created entirely free hand and a single Sharpie pen is used (until it completely runs out of ink). Most recently, Adrienne has been playing with portraiture in an illustrative form, drawing custom family portraits. These family portraits have been used for Christmas cards, post cards, business cards, as well as beloved keepsakes. They are simple, line drawings of families, but mastering the unique characteristics of each family member makes the resemblance undeniable, even with the lack of facial features. ​That attention to unique details eventually evolved into her current project, custom paper dolls or Minikins. The goal of Minikins is to create a completely customized representation of any and every child. This means that all genders, skin tones, hair types/colors, eye color and abilities can have a toy that represents their unique beauty. Adrienne Brown-David currently works from her home studio in Water Valley, MS where she resides with her husband, Taariq and their four daughters. https://www.instagram.com/adriennemeschelle/

First time guest, comedian and improviser Adrienne Brown joins the guys this week to talk about Getting Old! Everyone is just about hitting that middle age range and they are […]

When soul legend James Brown's third wife was found dead after a plastic surgery procedure, it seemed like an unfortunate event. However, Adrienne Brown's friend insisted for years that it was murder. This friend had her own secrets concerning James Brown. Years later, a secret notebook would reveal that Adrienne's death was not an accident, but a murder. See acast.com/privacy for privacy and opt-out information.

Welcome back to the Reach Your Prime Podcast. In this episode, we interview two courageous women who decided to take risks in order to change their lives for the better. In the first half of this episode, we are joined by Tori Stevens, founder of Evolyoution. Self proclaimed job hopper, Tori took the leap towards entrepreneurship after working five years in education, and another five years in the corporate world. In her interview, she discusses how her previous career experiences lead her to become a self-employed self-awareness coach, helping others discover their purpose. In the second half of this episode, we are joined by Adrienne Brown, a current law student at the University of Florida. We hear about Adrienne’s previous experience working for major entities such as the Philadelphia Eagles, and why she quit her steady job to pursue her ultimate goal of attending law school.   Key Topics: 00:46: Tori shares her working background & her journey that lead her to to become a self-awareness coach. 13:52: Tori’s inspiration for Evolyoution. 15:42: What Tori has learned since taking the leap of entrepreneurship. 22:03: Where we can get in touch with Tori. 23:12: Adrienne discusses her degree and her pre-law school background, working for major entities. 29:51: Why Adrienne chose to pursue law. 42:01: Where we can connect with Adrienne.   Tweetable Quotes: “You literally can be whatever job or whatever career or whatever person that you want to” (09:13) “Habits create comfort. And the thing is that you have to get comfortable with the uncomfortable in order to create change.” (12:10) “Every person has an opportunity in order to make an impact but your impact is not going to be able to be made until you choose how you want to show up in this world and how you want to change this world for the better.” (40:04) “If you don't wield the power of shock you will never move forward.” (33:45) “Never be afraid to do something different. “ (39:33)   Interact with Tori Stevens Website: https://evolyoution.net/   Interact with Adrienne Brown LinkedIn: https://www.linkedin.com/in/adrienneebrown/   Stay up to date with us at https://primeu.org/        

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adrienne Brown joins the New Books Network this week to talk about her fascinating 2017 book, The Black Skyscraper: Architecture and the Perception of Race (John Hopkins University Press, 2017), which was a recent recipient of the Modern Studies Association's First Book prize. Tracing the interconnected histories of the skyscraper and racial thought between the 1880s and the 1930s, Brown provides a sophisticated account of how vertical as well as horizontal expansion within the modern American city helped to shape perceptions and understandings of race and racial difference. Drawing on a rich array of material, including art, literature, architectural design and urban planning records, The Black Skyscraper explores architecture's effects on the process of seeing and being seen as a racialized subject. In this bold and deeply interdisciplinary work, Brown demonstrates the centrality of race to modern architectural design and the impact of the skyscraper on perceptions of race in the late nineteenth and early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Adrienne Brown and Adom Getachew met with Saidiya Hartman in the offices of Critical Inquiry to discuss the varieties of unfreedom that Hartman continues to explore in her work. Hartman was the 2018 Critical Inquiry Visiting Professor. She is the … Continue reading →

Episode 10 - Adrienne BrownAdrienne Brown is a Rigging Grip who works all over the Southeast.CONTACT:Email: Thesecondstickspodcast@gmail.comInstagram: @thesecondstickspodcastTwitter: @secondstickspodSubscribe!Thanks!

This episode was recorded live in Chicago at the Haymarket Pub & Brewery. It featured Chris Churchill, Adrienne Brown, Drew Love, David Himmel, Don Hall and Dana Jerman.Topics were:Toxic Masculinity: Nature or NurtureGun Control: All or NothingDo These Pants Make My Ass Look Fat?

We chat with Adrienne Brown from the Philadelphia Bar Foundation, discuss self-care tips for winter, and share resources.

Join us for #IndieMusicLIVE! 77 - Get the latest in #IndieMusic news and listen to the best #IndieMusicians we have found in the past week! Join Musicoin HERE>>> https://musicoin.org/accept/fde4016f Playlist: Palaceburn - "Cold Front" Vizualye - "Unbelievable" Maverick - "Drift Away" Adrienne Brown - "Whiskey" Chris S Giles - " I Can't Breathe" Hosted by JoeJoeKeys & David Werba Produced by Robert Hix of Hixvideo Submit your music for consideration at http://www.indiemusicplus.com/

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson's “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois' fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson's “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois' fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of black writers, artists, and performers. The author chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields–from astronomy to physiology–to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. Britt Rusert received her Ph.D. in English and certificate in Feminist Studies from Duke University. Her research and teaching focus on African American literature, American literatures to 1900, speculative fiction, the history of race and science, U.S. print cultures, and critical theory. She is currently working on a book-length research study of William J. Wilson’s “Afric-American Picture Gallery,” a text that imagines the first museum of black art in the United States. She is also editing W.E.B. Du Bois short genre fiction with scholar Adrienne Brown. Their edition of W.E.B. Du Bois’ fantasy story, “The Princess Steel,” was recently published in PMLA, the journal of Modern Language Association of America. Fugitive Science: Empiricism and Freedom in Early African American Culture is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Learn more about your ad choices. Visit megaphone.fm/adchoices

A very pregnant Autonomy along with Ms Medic and Malice talk to Dr Adrienne Brown, clinical psychologist and founder of Mindful Beginnings, an organisation aimed to help parents prepare for birth in a mindful way. The team also talk about the recent issues surrounding the Australian governments 'No Jab No Pay' policy, memories and the importance of remembering the past and how much screen time is good for children - all on this jam packed ep of Radiotherapy!

Today I am joined by Mississippi Artist Adrienne Brown-David. Listen in as we talk about her goal to paint 365 paintings in 2021, how she manages work and family, and how she pulls from her family memories to create her stunning works of art. Find Adrienne on Instagram https://www.instagram.com/adriennemeschelle / Find more interviews wherever you listen to podcasts. Be sure to check out our interview archives at www.thelittleyellowbuilding.com ( http://www.thelittleyellowbuilding.com ) where you can listen to all the past artists. If you like what we are doing make sure you share!