Podcasts about Frank Lucas

This week's Open Mic guest is Congressman Frank Lucas. The Oklahoma 3rd District representative says covid, global military conflicts and trade have heightened concern surrounding the size of the nation's debt. He believes it is right to question government spending with proper oversight and says the upcoming budget reconciliation process will be the "wildest political rodeo" voters have ever seen. Lucas guided the legislature into approving the 2014 farm bill and wants to see a new bill this year.

Send us a textEpisode 540"Godfather of Harlem" Actor: Rome Flynn | (Frank Lucas)Outside of being named MVP of the 2025 NBA All Star Celebrity Game, Rome Flynn is a terrific actor. Rome Flynn, known for his roles in "How to Get Away With Murder" and "With Love," joins the cast of "Godfather of Harlem" for season 4. He portrays the young Frank Lucas, a real-life gangster who becomes the right-hand man of Forest Whitaker's character, Bumpy Johnson.  Season 4 delves into Lucas's early years, exploring his arrival in Harlem and his initial interactions with Bumpy Johnson. While Denzel Washington portrayed Lucas in the film "American Gangster," "Godfather of Harlem" offers a different perspective, focusing on the period before Lucas's rise to prominence.  The series, inspired by the life of crime boss Bumpy Johnson, follows his attempts to regain control of Harlem after being released from prison. Welcome, Rome Flynnwww.mmcpodcast.com#godfatherofharlem #franklucas #romeflynn #nba #theboldandbeautiful #ncis #actor #interview #podcast Reach out to Darek Thomas and Monday Morning Critic!Instagram:   / mondaymorningcritic  Facebook:   / mondaymorningcritic  TikTok:   / mondaymorningcritic  Mondaymorningcritic@gmail.com

Rep. Frank Lucas, the chair of a newly created Congressional task force on monetary policy, discusses the panel's agenda and upcoming hearings, the first of which takes place this week. The Ohio Republican grapples with two separate questions: should the Fed be independent and should it have a direct role in banking supervision? 

Mr. Untouchable, a 2007 documentary directed by Marc Levin, describes the rise and fall of former New York City drug kingpin, Leroy (“Nicky”) Barnes. In the early 1970s, Barnes formed “The Council,” an organized crime syndicate that controlled a significant part of the heroin trade in Harlem. Inspired by the Italian-American mafia, Barnes became one of the most powerful and notorious figures in New York City. A flashy and flamboyant fixture on the free-wheeling social scene of the period, Barnes quickly drew the attention of law enforcement. After several unsuccessful state prosecution attempts, Barnes, along with multiple other associates, was indicted by federal prosecutors in New York in 1977. Barnes was convicted and sentenced to life imprisonment. Barnes, however, was released in 1998, in exchange for working as a government informant, and entered the Witness Protection Program, where he remained until his death in 2012.  Barnes was also depicted in Ridley Scott's 2007 film American Gangster, which starred Denzel Washington as Frank Lucas, another notorious drug kingpin from the era. Cuba Gooding Jr. portrayed Barnes in that film. Joining me to talk about Mr. Untouchable and the Nicky Barnes case is Robert B. Fiske, Jr., Senior Counsel at Davis Polk in New York, where he previously served as litigation partner for many years. Bob Fiske is one of the most prominent and respected trial lawyers in America. He has been involved in some of the most notable cases of the last half-century, including as special prosecutor in the Whitewater controversy and the death of White House counsel Vince Foster, the Three Mile Island nuclear disaster, the antitrust suit between the USFL and. NFL, the most contentious America's Cup ever, and the financial swindler Bernie Madoff.  Mr. Fiske also served as the U.S. Attorney for the Southern District of New York from 1976 to 1980, during which time he led the prosecution of Nicky Barnes. Timestamps:0:00   Introduction3:18     Drug trafficking in Harlem and the South Bronx in the 1970s4:55    Who was Nicky Barnes6:27     Trying to bring Barnes to justice7:57      “Mr. Untouchable” and a call from Attorney General Griffin Bell13:08   A sequestered and anonymous jury17:22    Navigating credibility issues with key government witnesses29:25   An issue with a juror dubbed the “Marlboro Man”33:46   The guilty verdict against Barnes36:25   The larger implications of the Barnes case37:51    The depiction of Nicky Barnes on filmFurther reading:Barnes, Leroy & Folsom, Tom, Mr. Untouchable: The Rise, Fall, and Resurrection of Heroin's Teflon Don (2007)Ferretti, Fred, “Mr. Untouchable,” N.Y. Times (June 5, 1977)Fiske, Robert B., Prosecutor Defender Counselor: The Memoirs of Robert B. Fiske, Jr. (2014)Roberts, Sam, “Crime's ‘Mr. Untouchable' Emerges From Shadows,” N.Y. Times (Mar. 4, 2007)Wertheim, Eric, Note, “Anonymous Juries,” 54 Fordham L. Rev. 981 (1986)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Donald Trump was inaugurated as the 47th President of the United States Monday. We asked former House Ag Committee Chair Frank Lucas how this Trump administration could be different than the last and if farmers should be concerned about another trade war.Then, Michael Marsh from the National Council of Agricultural Employers and Jonathan Coppess of the University of Illinois discuss how farm and nutrition programs may fare in federal budget cuts and how the executive order directing mass deportations could impact farm labor.Want to receive Newsmakers in your inbox every week? Sign up! http://eepurl.com/hTgSAD

Luke Rock and Frank Lucas break down this past Sunday's service.

Sumit Sharma and Chris Mitchell from Breaking Atoms podcast return to Flixwatcher to review Sumit's choice American Gangster. American Gangster (2007) is biographical crime thriller based on Harlem drug lord Frank Lucas. Directed by Ridley Scott and screenplay by Steven Zaillian based on the The Return of Superfly by Mark Jacobson. It's stacked cast features Denzel Washington as Frank Lucas, Russell Crowe as Richie Roberts, Chiwetel Ejiofor as Huey Lucas, Josh Brolin as Detective Trupo, RZA as Moses Jones, Cuba Gooding Jr. as Nicky Barnes, Armand Assante as Dominic Cattano, Idris Elba as Tango and Common as Turner Lucas. In 1960s Harlem Frank Lucas is Bumpy Johnson's right-hand man. When Bumpy dies of a heart attack Frank sees an opportunity to innovate in the drug trade by buying directly from the source in Vietnam and thus cutting out the middle man. Not only that, he trademarks his superior heroin as ‘Blue Magic' and its affordability eliminates the competition. All is going well for Frank until he comes under scrutiny from aspiring lawyer and honest detective Richie Roberts. American Gangster is solid crime drama with a standout performance from Denzel Washington. Like with many Hollywood adaptations what is true and what is there for dramatic effect is unclear but it does make a compelling story of a true life figure. Recommendability scores for American Gangster were high, with a runtime of nearly three hours repeat viewing scores were lower to give an overall rating of 3.88. [supsystic-tables id=379]     Episode #365 Crew Links Thanks to the Episode # 365 crew of Sumit Sharma and Chris Mitchell from Breaking Atoms podcast You can find their website here https://x.com/BreakTheAtoms and at https://www.breakingatoms.co.uk/podcast   Please make sure you give them some love   More about American Gangster For more info on American Gangster can visit American Gangster IMDB page here or American Gangster Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a text about your favourite films relating to the episode.This episode as, yep you guessed it, Ridley Scott keeps churring them out. His latest is the highly anticipated sequel to his masterpiece from 2000, Gladiator, creativity titled, Gladiator, 2. So of course will be ticking off yet more films of the great mans filmography, for our very own sequel episode on Ridley Scott. Joining me to discuss all things Ridders is one half of the Movie Bonerz, in the form of Dustin.Warning we will be talking SPOILERS The guests turn to go first, and Dustin is frankly going for a forgotten masterpiece, Ridley Scotts take on a gangster film, American Gangster. On this one we talk about, how good the two leader are, Denzel Washington and Russell Crowe, and also how good some of acting is in very small roles by great actors who would normally lead their own movie. We talk about the very subtle direction from Ridley Scott presenting these two very different characters in Frank Lucas and Richie Roberts. Plus we talk about Turkey Sandwiches. IMDB page       Movie Bonerz Link treeFVF Social linkstwitterinstagramTikTokAs ever please enjoy.Support the show

This week, Legs McNeil reports on the murder of Melvin Combs—the man who was Sean “Diddy” Combs's father. As Legs reports, “Pretty Boy Melvin,” who had links to the notorious drug kingpin Frank Lucas, was gunned down in 1972, possibly by New York City's Gambino crime family for being a snitch. Then Jonathan Margolis reports on why Londoners may find themselves with a shortage of drinking water. And finally, we have a look at a bookshop in London that is a favorite haunt of espionage agents.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Frank Lucas was a notorious American drug trafficker who rose to power in the 1960s and 1970s, primarily known for his role in the heroin trade. Born in North Carolina in 1930, Lucas moved to Harlem, New York, where he became involved in organized crime under the mentorship of Ellsworth "Bumpy" Johnson. After Johnson's death, Lucas built his own drug empire by bypassing the traditional Mafia-controlled networks and directly sourcing heroin from Southeast Asia, a strategy that allowed him to dominate the market with a purer and cheaper product known as "Blue Magic."At the peak of his operation, Lucas was earning up to $1 million a day, making him one of the most powerful drug lords in the country. However, his success attracted the attention of law enforcement, leading to his arrest in 1975. Lucas eventually cooperated with authorities, providing information that led to the conviction of numerous corrupt officials and criminals. His life story was later dramatized in the film American Gangster, bringing his tale of crime, wealth, and eventual downfall to a wider audience.Lucas passed away in 2019, leaving behind a legacy as both a feared criminal and a symbol of the devastating impact of the heroin trade on American society.(commercial at 9:25)to contact me:bobbycapucci@protonmail.com

Bulletz Gotti discussing infamous figures like Al Po, Kenneth 'Supreme' McGriff, Nicky Barnes, and Frank Lucas must have covered a lot of intriguing and complex history. These individuals are well-known for their roles in the New York underworld, each with their own notorious stories. Al Po (Alpo Martinez): A notorious drug dealer and informant who was deeply involved in the drug trade in Harlem during the 1980s. His story is marked by his eventual cooperation with authorities, which led to his controversial status within the community.Kenneth 'Supreme' McGriff: A significant figure in the drug trade and a key player in the New York City drug scene. His influence extended beyond drugs into the realms of organized crime and violence.Nicky Barnes: An infamous drug lord who led a major heroin distribution ring in Harlem. Barnes was known for his flamboyant lifestyle and his significant impact on the drug trade in the 1970s and '80s.Frank Lucas: A major drug trafficker who operated in Harlem and became famous for his innovative methods of drug distribution and his extravagant lifestyle. His life was depicted in the film American Gangster. Nine Trey Gangsters: This gang was known for its involvement in violent crimes and drug trafficking. Part of the larger Bloods gang, the Nine Trey Gangsters were notorious for their criminal activities in the 1990s. Their operations often led to high-profile conflicts and legal battles, including notable cases where members testified against each other, revealing the inner workings of their organization.Bulletz Gotti Show 2.0: https://www.youtube.com/channel/UCtI30lSX3dsH_TJfZXXRQYQ www.unforbiddentruth.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/unforbidden-truth--4724561/support.

Frank Lucas was a notorious American drug trafficker who rose to power in the 1960s and 1970s, primarily known for his role in the heroin trade. Born in North Carolina in 1930, Lucas moved to Harlem, New York, where he became involved in organized crime under the mentorship of Ellsworth "Bumpy" Johnson. After Johnson's death, Lucas built his own drug empire by bypassing the traditional Mafia-controlled networks and directly sourcing heroin from Southeast Asia, a strategy that allowed him to dominate the market with a purer and cheaper product known as "Blue Magic."At the peak of his operation, Lucas was earning up to $1 million a day, making him one of the most powerful drug lords in the country. However, his success attracted the attention of law enforcement, leading to his arrest in 1975. Lucas eventually cooperated with authorities, providing information that led to the conviction of numerous corrupt officials and criminals. His life story was later dramatized in the film American Gangster, bringing his tale of crime, wealth, and eventual downfall to a wider audience.Lucas passed away in 2019, leaving behind a legacy as both a feared criminal and a symbol of the devastating impact of the heroin trade on American society.(commercial at 9:25)to contact me:bobbycapucci@protonmail.com

We cover the film that told the story of Harlem drug kingpin, Frank Lucas & Ritchie Roberts, the detective that led the task force to catch him -Follow us on socials- Instagram- https://instagram.com/viewanonpod Facebook Group- ⁠⁠V. A. Podcast Watch Group | Facebook⁠⁠ Don't forget to subscribe to our Patreon to gain access to exclusive content! Only $2.99 to sign up. Just click the link below. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Viewers Anonymous | Welcome to Viewers Anonymous | Patreon

Oklahoma is playing its part in national politics.Money is running out to help pay for school counselors in our state.Congressman Frank Lucas is looking to the future of space travel.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Twitter and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

Long inspired by his father, a Harlem NYPD detective, and confronted by the 1970s heroin epidemic in New York City which affected many of his young-adult peers returning from the Vietnam War, Lew Rice found his calling with the Drug Enforcement Administration in 1974. In this episode, Rice describes his journey with the DEA, highlighting his undercover experiences and how he worked his way through the ranks to supervisory roles, all while sharing the best advice he received along the way. He also explains to Dutch and Giovanni how he came to sit down with “American Gangster” drug kingpin Frank Lucas and what he learned during that pivotal time.   About Lew Rice: A native of New York City, Lew Rice earned his bachelor's in criminal justice from St. John's University, Queens, New York. Shortly after graduation, he began his 26-year career with the DEA in 1974 and served in a variety of investigative assignments in the state of New York and in Kingston, Jamaica. In 1984, he was promoted to the position of Supervisory Special Agent in Miami, Florida, where he coordinated numerous international drug investigations against violent drug cartels resulting in the seizure of millions in cash, thousands of kilograms of cocaine and heroin and the arrests and convictions of major drug traffickers. During his career with the DEA, he held additional supervisory assignments in Washington, D.C., Philadelphia, Detroit and New York. In 1996, he was promoted to Special Agent-in-Charge (SAC), Detroit Division covering the states of Michigan, Ohio and Kentucky and in 1997, he was again promoted to the position of SAC of the DEA office in New York, the flagship office of the DEA. In 1998, Rice was selected by President Bill Clinton to be awarded the rank of Meritorious Executive in the Senior Executive Service of the DEA. At the time of this appointment, he was the youngest SAC in the DEA.   Produced by The Mob Museum. Season One of Inside the Life is presented by Levy Online and Levy Production Group. To watch episodes of this podcast, visit YouTube For behind-the-scenes photos, merchandise and exclusive content, visit insidethelife.org For more on the Museum visit themobmuseum.org

Cavario Hodges was raised in Harlem, New York. His entire family was involved in the illegal drug business in NYC for generations. He grew up around notorious figures like Nicky Barnes and Frank Lucas. Naturally, being surrounded by such activity led him down a similar path. He eventually starting running his own dope operation in Baltimore. His activities here was the foundation for the popular show The Wire. Seeing his future ending with either prison or death, he was saved by a spiritual awakening and left the criminal life for good. He tells us all about his road from kingpin to finding a higher and healthier purpose in life. Cavario also gives incredible insight and history of the drug trade in the Eastern United States. He is now an accomplished author and journalist and even conducts interviews for platforms like VladTV. Go Support Cavario! Website (all books available here): https://themindplugacademy.com/ YouTube: @Cavario.Online IG: https://www.instagram.com/themindplug/ This episode is #sponsored by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to https://www.rocketmoney.com/connect Join The Patreon For Bonus Content! https://www.patreon.com/theconnectshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

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We're continuing our June #Denzelathon with a look at Ridley Scott's 2007 crime epic American Gangster, with Denzel starring as heroin kingpin Frank Lucas opposite a New Jersey cop played by Russell Crowe. Join in as we discuss Denzel in the 2000s, Ruby Dee's Oscar-nominated performance as his mom, the film's long development, and its exceedingly flat female characters. Plus: How much of this movie is actually based in reality? Did Frank take Eva to his mom's house on theri first date? How many times was the real Frank Lucas arrested? And, most importantly, when is a coat too fancy to be safe? Make sure to rate, review, and subscribe! Next week: Roman J. Israel, Esq. (2017) --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Welcome back to PPM. Diddy Declassified Dossier #1. Sub to the Patreon to support the show & access upcoming "Diddy Declassified" exclusives: patreon.com/ParaPowerMapping Our objectives: expose Sean “Diddy” Combs's confidential informant credentials examine evidence indicating the Diddler's sex trafficking ring is an intel op run the politically-motivated Tupac assassination back w/ new insights culled from the snowballing Diddy scandals & the Keefe D arrest use the Diddler as a lens w/ which to magnify the Zio powerbloc in the music industry & his enmeshment w/in it use all of the above to sketch the lengthy history of fed law enforcement & intel's efforts to infiltrate, suppress, & break up black liberation, civilian defense, communist, & nat'list movements in the US & abroad, examining the machinations & depredations of the elaborate anti-comm counterintel apparatus that maintains the power structure & status quo thru counterinsurgent, cultural programming, & mass mind control means In Dossier #1, we embark w/ a brief convo about SLANK's musical upbringing, genesis as an MC, & rev potentialities of music... From there, we properly contextualize the Diddler op within the COINTELPRO & F B I War on Black Leaders continuum; SLANK shares about the Hoover black heritage rumors & the counterfeiting dep't in the Bureau that astroturfed & deliberately stirred up shit & feuds within various civil rights & black liberation mvmts from the Harlem Renaissance to the letter sent to MLK Jr purportedly written by a fellow "clergyman" (read: white F B I staff member snake) pressuring him to commit suicide; the Hoover proclivity for kompromat collection & his fabled files; we talk the Clinton Crimeboss's Telecomm Act, music industry corporatization, & its relationship to this tale; we unpack the Ayanna Jackson incident, the NY Studio shooting of Tupac, & the coincidental surveilling presence of feds & informants at both the Tupac & Biggie crime scenes... Kicking off our hard-hitting bio of Sean “Puffy” Combs, we examine his Air Force serviceman Dad's biz ties to Frank Lucas; his likely gang warfare murder when Combs was 3 yrs old; Diddy's internship w/ Andre Harrell at Uptown, his abortive Howard U career & sex assault allegations that date back to his collegiate party promoting days in DC; his possibly incentivized, rumored gay relationship w/ Zio music exec Clive Davis; & we conclude Dossier #1 w/ what may well be an exclusive PPM revelation re Diddy, namely our contention that the Diddler may have been caught up in a major child sex abuse scandal at the Catholic academy he attended as a teen, the implications of which are immense... That before Diddy became the Diddler, he may have been Diddled himself... And if not, there's a strong chance that he landed on the feds' radar or even established contact w/ them at that early age—possibly the beginning of his suspected confidential informant relationship. And much, much more in b/w. I'm privileged to be joined by a scholar w/ a breadth of knowledge re these topics that far exceeds my own. Helping to lead this investigation is someone who can speak to the vitality of hip hop & its revolutionary potential from a place of personal, lived experience. I'm psyched to welcome SLANK to the show—SLANK is a fearsome MC & one part of SLANK & Sunny Ture (recent release: "Nation Time Vol. 2"). SLANK is also a deep historian & a law school grad. The ep opens w/ SLANK's track “Battle Kings”, so if you dig, make sure to check out his projects & give him a follow on Twitter @DabSquad_Slank. Also, a huge shout out to Robert Voyvodic, who took SLANK's & my scribbled chicken scratch Diddler power map & rendered it in glorious, mechanic network graph detail. Def give Robert a follow on Twitter at @rvoy__ & bring him your digital artwork & design needs. Tracks: | SLANK - "Battle Kings" | | Prince Philip Mitchell - "If We Can't Be Lovers" | | Tupac - "Trapped" | | R. Kelly - "I Can't Sleep Baby (If I) Remix" |

Rep. Frank Lucas, the longest serving Republican on the House Financial Services Committee, makes his case for why he should be the next chair, offering his views on community bank consolidation, whether the Fed should be independent, the dangers of quantum computing and how history informs his view of government agencies and programs.

A notorious gangster and drug dealer named Frank Lucas was played by Denzel Washington in the 2007 movie, American Gangster. He made MILLIONS of dollars selling heroin in Harlem during the late 60s and 70s. But someone ELSE was selling drugs around the same time and got his start in New York as well.. But his organization was ASTRONOMICALLY bigger and more profitable. So JOIN US today as we discuss Frank Matthews.. Also known as Black Caesar. Ready to Learn a NEW LANGUAGE? Visit Babbel.com/BlackTrueCrime for 55% OFF your SUBSCRIPTION TODAY To ACCESS the FULL VIDEO EPISODE + ALL PICTURES associated with the case. Join US on PATREON: ⁠⁠www.patreon.com/blacktruecrimepodcast⁠ Follow us on INSTAGRAM: @BlackTrueCrimePodcast Subscribe to our YOUTUBE Channel: www.youtube.com/c/blacktruecrimepodcast Join our PATREON for full video episodes and exclusive content: www.patreon.com/blacktruecrimepodcast For MERCH, visit: www.blacktruecrime.com/shop-merch JOIN OUR FB GROUP:  https://www.facebook.com/blacktruecrimepodcast Intro & Outro music credits: Horror by Paradox Beats Original Beat production ownership is retained by the original producer where applicable. This beat is being used with private/owned leasing rights GRANTED by the producer(s). This audio is 100% free to listen to on this show. --- Send in a voice message: https://podcasters.spotify.com/pod/show/blacktruecrimepodcast/message

Today's DriveTime takes a look at the recent figures from the Consumer Price Index and hears from Sen. Chuck Grassley, R-Iowa, and Rep. Frank Lucas, R-Okla., on a farm bill timeline. 

This week's Open Mic guest is Rep. Frank Lucas, R-Okla. On the sidelines of last week's American Farm Bureau convention in Salt Lake City, Lucas lamented the political headwinds of writing new farm and food policy. Lucas said the nation's spending plan is most challenging and provides inadequate resources for the hungry and producers facing a challenging economic climate. Lucas says more funds are needed and believes reallocating previously approved dollars is the best financial solution. Without those resources, Lucas would favor another extension of the 2018 farm bill to give more time for Congress to allocate resources. Lucas is keen on a pending SCOTUS decision on regulatory deference and wants an “all of the above” approach to the nation's energy policy.

Today’s guest is Rep. Frank Lucas (OK-3) who serves as Chairman of the House Science, Space and Technology Committee. He is a member of the [...]

Freeway Ricky on who had more Money Me or Big Meech Freeway Ricky On Being Against Snowfall and John Eating with him then going and doing the Show Freeway Ricky on Frank Lucas, Big Meech, Big Boz, Freeway Ricky Respond To Big Boz Your Name Was On My Paperwork Snowfall | BIG Meech (Full Interview) Visit and Join our Patreon: https://www.patreon.com/bosstalkpodca... Visit Our Website and Subcribe: https://bosstalkpodcast101.com Subscribe NOW to BOSS Talk 101 its a Unique Hustle:    / eceouniquefashions   Instagram: https://www.instagram.com/e_ceo_/?hl=en Instagram: https://www.instagram.com/bosstalkpod... Apple Podcast: https://podcasts.apple.com/us/podcast... Spotify Podcast: https://open.spotify.com/show/0yD2UzY...

Rob, Arlo, and Cousin Johnny break down the American Gangster, Frank Lucas --- Support this podcast: https://podcasters.spotify.com/pod/show/rob-west8/support

A review of "American Gangster", a 2007 crime drama set in the 1970s that tells the story of the Harlem kingpin, Frank Lucas and Richie Roberts, the police officer intent on bringing him down. But unlike many other films, "American Gangster" doesn't just focus on the glitz and glam of being a crime boss but also touches on the real-life consequences and drawbacks of the lifestyle. Show notes and sources are available at http://noirehistoir.com/blog/american-gangster-movie-review.

On this week's episode we are reviewing the 2007 crime drama American Gangster starring Denzel Washington directed by Ridley Scott! Intro IMDB Summary: An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film. American Gangster Review and Discussion ((~ 00:07:35) The Spice Awards ((~ 00:53:20) Best Actor Most Underrated Performance Favorite Scene Favorite Character Favorite Quote The Salt Award IMDB Wikipedia Rotten Tomatoes We'd be overjoyed if you subscribe to The CinemaMen Podcast and leave us a review on Apple Podcasts or on Spotify. Also head on over to https://cinemamenpodcast.com to check out new and old episodes. We always love to hear from listeners, so if you have a suggestion or just want to give us your take on a movie feel free to email us at feedback@cinemamenpodcast.com or check us out on Twitter at https://twitter.com/cinemamenpod. Support us monetarily (if you are able) at https://anchor.fm/cinemamenpodcast/support. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cinemamenpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/cinemamenpodcast/support

Many of the trendsetters from a couple decades ago have started to see the sun set on their careers.  Whether it's just a lack of work for an aging star or doing something dumb and getting cancelled.  Then there are those that withstand the test of time, adapt and change with new generations, and figure out how to last. We've covered many of these folks on our show before and we'll add another to the list today, Sean Puff Daddy Puffy P Diddy Diddy Combs. While Diddy made his many names in the music world, his business ventures outside of music have really added to his cash stash.  But on his way to the top, Puffy has found his way into the news for a number of reasons.  It's a mix of gangster rap stuff, graduating over the years into a dad defending his son.  But has it all been on the up and up, or has Diddy really been a Bad Boy, like he started out?  How was he linked to Biggie Small's murder?  What do he and Nick Cannon have in common?  We're going to dive into these questions and a whole lot more in this episode of AHC Podcast.       Intro Music Credits: [No Copyright Sound] Old Times - Aries Beats - [ FREE USE MUSIC, Creative Commons, Rap, Hip Hop, Sad, Old School,  Instrumental Beat ] License: https://creativecommons.org/licenses/...         Citations: Ausiello, M. (2020, July 15). Wild 'n out host Nick Cannon fired by Viacomcbs for failing to apologize for “perpetuating anti-semitism.” TVLine. https://tvline.com/casting-news/nick-cannon-fired-anti-semitism-wild-n-out-viacom-2901713/ Brown, P. (2022, January 10). Shyne on Diddy and 1999 Club New York Shooting trial: “I forgave him.” VIBE.com. https://www.vibe.com/news/entertainment/shyne-diddy-1999-club-new-york-shooting-trial-1234642660/ Cam Wolf, B. R. (2018, March 20). The oral history of Sean John, Diddy's game-changing clothing label. GQ. https://www.gq.com/story/sean-jean-oral-history-diddy-creative-director Capeci, J. (2005, June 16). Gang land. Wayback Machine. https://web.archive.org/web/20070819041859/http://www.ganglandnews.com/column437.htm Coleman, C. V. (2022, March 20). Diddy's former security guard accuses puff of helping get Shyne convicted for 1999 shooting. XXL Mag. https://www.xxlmag.com/diddy-former-security-guard-accuses-puff-snitching-shyne-1999-shooting/ Fitzgerald, M. (2017, September 12). Diddy arrested: Latest details after alleged fight with UCLA football coach. Bleacher Report. https://bleacherreport.com/articles/2503532-diddy-arrested-latest-details-after-alleged-fight-with-ucla-football-coach Jacobson, M. (2019, April 11). A conversation between Frank Lucas and Nicky Barnes - Money 2007 -- New York Magazine - Nymag. New York Magazine. https://nymag.com/guides/money/2007/39948/ Melvin Earl Combs (1938-1972) - find a grave... Find a Grave. (n.d.). https://www.findagrave.com/memorial/2640694/melvin-earl-combs Paylor, J. (2013, October 24). Sean “diddy” combs opens up about father Melvin's death as he promotes new music TV network revolt. Daily Mail Online. https://www.dailymail.co.uk/tvshowbiz/article-2474753/Sean-Diddy-Combs-opens-father-Melvins-death-promotes-new-music-TV-network-Revolt.html Ramirez, C. D. (2016, February 6). A brief history of Diddy's legal woes. Peoplemag. https://people.com/crime/a-brief-history-of-diddys-legal-woes/ Sean Diddy Combs – family, Family tree. Celebrity Family. (n.d.). https://www.celebfamily.com/entertainment/sean-diddy-combs-family.html Sinclair, T. (1999, April 30). Sean Combs charged with assault. EW.com. https://ew.com/article/1999/04/30/sean-combs-charged-assault/ Wikimedia Foundation. (2023a, April 18). City College stampede. Wikipedia. https://en.wikipedia.org/wiki/City_College_stampede Wikimedia Foundation. (2023b, August 6). Sean Combs. Wikipedia. https://en.wikipedia.org/wiki/Sean_Combs Wikimedia Foundation. (2023c, August 9). Sean John. Wikipedia. https://en.wikipedia.org/wiki/Sean_John Yahoo! (2020, May 9). Music boss who launched Sean Combs and Mary J Blige dies aged 59. Yahoo! Sports. https://sports.yahoo.com/music-boss-launched-sean-combs-155608486.html

As Chairman of the House Committee on Science, Space and Technology, Congressman Frank Lucas is passionate about strengthening STEM in America.We sat down with the Chairman to talk about the vast technological advances taking place in the U.S. thanks to bipartisan efforts in the Committee, legislation like the CHIPS and Science Act, and the growth of STEM programs in schools today.Through all that progress, there is still work to be done inspiring and equipping the next generation of technologists to fill high-demand careers across every sector of the economy. Hear about the incredible opportunities for today's students, and better understand where STEM education can meet the growing needs of the skilled workforce.3 Big Takeaways from this episode:Don't underestimate agriculture - precision ag is a high-tech field! Having grown up on a fifth-generation family farm in Oklahoma, Frank Lucas has watched agriculture transform tremendously in the last few decades. Today, precision agriculture is a high-tech industry, utilizing satellite networks, drone technology, autonomous vehicles, smart sensors, data analytics and a host of precision machinery.Jobs are going wasted because companies don't have people to fill them; that's where STEM education can help: As technology drives every sector of the economy forward, jobs are becoming higher-skilled but don't necessarily require a four-year degree. Hands-on STEM education, especially delivered in career and technical education programs and community colleges, is a cost-effective way to equip learners to work in these jobs.Research and development around next generation technologies are moving us farther, faster: From nuclear fusion, to high-tech weather prediction technology, to countless new drone applications...technology is evolving at faster rate than ever before. In many ways, it's an exciting time to be in STEM. But there's a lot more work to be done educating students and preparing future generations to keep America moving forward. ResourcesLearn more about organizations featured in this episode:House Committee on Science, Space and TechnologyLearn more about Congressman LucasConnect with the House Committee on Science, Space and Technology:YouTube  |  Facebook  |  TwitterEpisode page: https://techedpodcast.com/lucas/Instagram - Facebook - YouTube - TikTok - Twitter - LinkedIn

We can't tell the story of hip-hop without mentioning Diddy and the record label he started. Bad Boy took off in 1993 after Puff was fired from Uptown Records. He brought TheNotorious B.I.G. with him from Uptown Record, and signed a 50-50 deal with Clive Davis's Arista Records, and it was off to the races.Bad Boy survived the tragic fallout of the East Coast vs. West Coast rivalry, and reached even bigger heights after Biggie's death. Puff began to rise as a solo artist, but did the rest of the artists suffer as a result?Friend of the pod, Zack O'Malley Greenburg, joins me on this episode to cover 30 years of Bad Boy Entertainment. Here's what we hit on:0:35 Sean Combs come-up story5:16 Diddy breaks in with Uptown Records8:22 Starting Bad Boy Records14:11 What sets Diddy apart21:04 How Diddy controlled the narrative23:58 Bad Boy's formula for success 29:00 East Coast vs. West Coast rivalry30:39 Bad Boy's historic 1997-98 run45:42 Bad Boy curse?48:44 Diddy's reputation compared to Cash Money54:50 Best signing? 55:19 Best business move?57:19 Best dark horse move?1:00:19 Missed opportunity?1:08:52 Possibility of biopic?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: Diddy's ability to sort of walk the line and step back, you know, I think that's what ultimately kept Bad Boy in the position that, you know, that stayed and kept him in the position that he continued to be in.[00:00:09] Dan Runcie Outro Audio: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:35] Dan Runcie Guest Intro: Today's episode is another case study style breakdown, and this time we chose to dive deep on the one, the only Bad Boy Entertainment when it comes to branding and when it comes to marketing. I don't know if there's another record label that has as identifiable as a sound of vibe as bad Boy, you knew what that vibe was.Puff said it himself, they take hits from the eighties, but do it sound so crazy? And that was the formula, and it worked time and time again. What Puff did was smart, it was a modern approach to how Berry Gordy approached the record business with Motown. But then he put his own spin on it, interning with Andre Harrell at Uptown Records, learning from him and then putting his own spin on it even more, making it relevant for the 90s and truly becoming the icon that was synonymous with shiny suits with that Bad Boy flavor.And so much of the success of one of the best MCs ever, the Notorious BIG, some of the most iconic R&B groups at the time, and singers such as Faith Evans, 112 and many more. And plenty of artists that unfortunately also had plenty of challenges and issues when it came to payment, drama, legal disputes and more.And we dive into all of that. I'm joined again by Zack O'Malley Greenburg. He wrote a book called Three Kings, where he dived deep into Diddy, as well as Dr. Dre and Jay-Z in this book, so he's well-versed and shared a bunch of great stories in this one. So let's dive in, really excited for this one. Hope you enjoy it.[00:02:06] Dan Runcie: We are back to talk about the wondrous world that Sean Combs built himself Bad Boy entertainment and joined by the one and only Zach Greenburg. Welcome back[00:02:15] Zack Greenburg: Oh, thanks for having me, Dan.[00:02:17] Dan Runcie: Bad Boy is so fascinating because Puff is someone who has in many ways been this larger than life character even before people knew him externally as that.And he has really stayed true with that throughout his time in hip hop and even before then. And most people know the origin story starting back in his days at Howard. But I think based on the research you've done, I know you have some backstory with some of the lessons and some of the things he did even before that.So walk us back. Who was puff in the early days before the world? Got to know him.[00:02:52] Zack Greenburg: Yeah, I mean, you know, I think the funny part is that, that puffy was always puffy and, you know, it just took a while for a little while for the world to kind of figure it out. But you know, there are these kind of consistent themes when you go back through his youth and you, kind of get a sense of who he was.And, you know, I remember writing my book Three Kings, you know, Diddy being one of these kings, talking to people who grew up around him. He really was that same guy from the very beginning. So even when he was a kid, you know, he spent his very earliest years in Harlem, but then moved to Mount Vernon, kind of a suburban neighborhood.you know, just north of the city limits. And you know, he had not just one paper route, he had multiple paper routes and on every, you know, every route. He had this philosophy of like, he wasn't just gonna take the paper and fling it into the family's yard. He was gonna get up and he was gonna go, you know, open the screen door and put the paper in between the screen door and the main door so that people didn't have to go up and do so like he was, you know, that dedicated, that hardworking from the very beginning. you know, I think another story I learned from his youth, Puffy was like, there was some, Some debate, you know, some kid had a pool party and, Puffy wasn't invited. there may have been some racism at play, we don't know. But anyway, Puffy's solution was to convince his mom to build a pool in their backyard and then start his own pool parties and, you know, I mean, it's like the most puffy move ever, right? So he just ended up finding, you know, wealthier and wealthier backers to build the proverbial pool as the years went on.[00:04:23] Dan Runcie: That is the perfect story to encapsulate him because I feel like I could imagine other people having white parties. He doesn't get invited to the white party, so he's like, all right, bet I'm gonna go start my own white party. And now it's this annual thing, however many years running.[00:04:37] Zack Greenburg: Exactly. I mean, and you know, you know, as you kind of trace his evolution, you know, in between it was the same thing. So, you know, we all know the Howard Days, he was taking the Amtrak up, sometimes hiding in the bathroom, so they didn't have to pay for the tickets. He didn't have any money but, you know, he would go up back up to New York on the weekends, he would plan these parties.He started to build a name for himself. and it was exactly that, you know, so from the pool parties, in Mount Vernon to the parties that he was throwing, you know, his colleges to the White party, you get that through line of Puffy that, you know, kind of continues all the way through, through the Ciroc era, you know, I think, which really makes this sort of art celebration, ethos, you know, all the more credible, right.[00:05:16] Dan Runcie: Right, and you mentioning him taking Amtrak. Of course, that's him going from DC to New York to go to Uptown Records where he pushes and fights to get his unpaid internship. Working with Andre Harrell, who was on the Ascension himself. He had started that record label in the mid to late eighties. He then sees the rise.He's early on, new Jack Swing has so many of the early folks making that sound there. And then Puff comes in, he sees a opportunity to elevate and position that brand because the whole thing that Uptown was about, they were trying to push Ghetto Fabulous. They wanted to show that there was a opportunity for people who grew up with nothing to feel like they had that release.And Andre Harrell, he since passed away a few years ago, but he spoken about this a few times and you can see how Puff at the time adapted a lot of that. He worked with Jodeci. He was so integral with how he styled them and making sure they had the right jackets. And at the time, Jodeci was very much seen as this alternative to Boys to Men, Boys to Men was a bit more buttoned up.They made music that was G-rated that you could play everywhere. And Jodeci definitely leaned into the sex appeal, which is something that we saw continue play through with. Bad Boy records of Bad Boy Entertainment in the future. He did similar with Mary J. Blige, taking her from just being a R&B singer to giving her more of a hip hop Ben, and doing a bit more of that crossover vibe, which is something that we saw again with Bad Boy too.And as Puff continued to show his influence, things started to clash because the intern then becomes VP of A and R, and that VP in A and R starts to butt heads and really challenge Andre Harrell on a number of things.[00:07:06] Zack Greenburg: Yeah. And, you know, I think, you know, like you said, Puff really had an idea of what Uptown could be that was, you know, a little bit different from Andre. But it really worked, right? It was the idea that it was, it had a little bit more of an edge to it. you know, like Jodeci had a little more edge than boys to men.you know, that every artist that was gonna be out on Bad Boy would have like, you know, would have that level of class, but also would have kind of like, you know, kind of like a street smart edge. And so, right, it was like the Tims and the backwards hat, but, you know, maybe you had like a nice jacket.It was that kind of mix. And it was very much like in line with Puffy himself. and I think, you know, it's a theme that you kind of started to see. as kind of, he moved on, you know, whether it was Bad Boy or Roc or whatever it was, the thing was synonymous with Puffy. Puffy was synonymous with the thing. But as he began to later on build these assets, you know, he could sell the businesses in a way that he couldn't sort of sell his own image and likeness necessarily. So, that started with, Uptown for sure, it was Andre's thing, but it started to feel like it was Puffy's thing.And I think there was some thought that, you know, that there sort of couldn't be two kings in the castle. And Andre eventually pushed him out and, you know, that kind of left it, the Diddy, you know, in his early twenties kind of figuring out like, Hey, you know, what am I gonna do next? How am I gonna really start my own thing here?[00:08:22] Dan Runcie: And I have this quote from Andre. This was from a documentary a few years later. He says, when Puff got fired, he was on payroll and his artists were on payroll. He's still recording his artists, but he was able to find the best deal, so we never fired him to hurt him. But he fired him to basically make him rich.I will say that quote is much nicer than certain things that Andre said immediately after that firing, especially in the 90s. But it was cool to see the two of them find opportunities to continue to work together after that. But I think the key thing from his time in Uptown is that he was able to find and work with art is that eventually he started working with on Bad Boy.That's when he first works and discovers Big. That's when he first works and really begins to hone in on that sound. And then he officially launched Bad Boy in 1991, but it really wasn't until 1993. He starts working with Big, he starts working with Craig Mack and then it all leads up to this deal that he ends up signing with Arista records to officially do this joint venture with Arista.Arista, of course, was run by Clive Owen, legendary music executive, and they do their 50 50 split. And as the story goes, Clive was on the fence. At first he wanted to hear more, but then Puff Plays flavor in your ear. Craig Max first single, and he was like, all right, I need to be part of this, whatever it is.So that was the song that took things off and made it happen.[00:09:50] Zack Greenburg: Yeah, I mean, Clive Davis, of course, you know, legendary, record men, you know, discovered Janice Joplin, Whitney Houston, Puffy, like you could say, he discovered all these people. they were, they were kind of there already, and, I sort of suspect they would've had their success even if it were not for Clive Davis.But, you know, that, we could debate that. But, know, Clive Davis certainly had an eye for talent, one way or the other. So, I mean, I think what's really fascinating too is, you know, you got think where Puffy was at that point in his life before he got that deal. He was shopping Bad Boy around right?To a bunch of different labels and it says so much about him and his whole ethos, the way he approached it, and this was another anecdote that I found in my reporting, by one of the founders of The Fader who happened to work at EMI at the time. He was in the room when Puffy brought the Bad Boy deal, to the folks at e Emmi and, you know, so like, just to refresh, here's Puff early twenties, just been fired.Just had his first kid, I think. And also, you know, he'd been a part of, this charity basketball tournament at City College where a bunch of people got, crushed in a stampede. He was ultimately found, you know, not guilty of any kind of criminal charges or anything, but his name was all over the papers.Like there's a lot of negative press around him. He was kind of, you know, almost radioactive at this point, or at least one might have thought that turned out he wasn't. But, so anyway, he goes into this meeting with e Emmi and, you know, Their big thing was, Vanilla Ice. And he sort of goes into this meeting and he's like, that dude's corny.Like, I have no interest in anything having to do with Vanilla Ice. Let me tell you how to run your business. And, you know, so he proceeds to like, give them this vision. And then at the end of it, I mean, and I'll read the quote cause it's just so good. he says, when you guys get in a room with all them suits and you're gonna decide what you're gonna pay Puff, just when you get to a number that you think is gonna make Puff happy, I love how he was referring to himself the third person, right?He says, get crazy on top of that. And then when you're there, I want whipped cream and a cherry on top. and this is the best part, he goes, I don't even want to think about the money. That shouldn't even be an issue. Don't be coming at me with no n-word money. Goodbye. And like that was vintage puff.Like that was billionaire Puffy. Before he was billionaire, before he even had. Like before we had a company. So, you know, I think there's just such a great lesson in there, which is kind of like, you know, the sort of, if you can pull off the, fake it till you make it, if you can have that kind of swagger. And to be fair, not available to everybody and like, you know, don't try this at home, kind of if you don't have it.But man, if you can pull that off, if you have that kind of confidence in yourself, you can accomplish some pretty incredible things. He didn't even, you know, end up going with EMI but I think he made a similar pitch at Arista and, you know, and that ultimately got him the deal, that created Bad Boy and, you know, that was really the engine for so much of, what he ended up achieving as the years went on.[00:12:46] Dan Runcie: That story is one of the reasons why he has lived on to become meed and in many ways become a bit of a gift himself. Whether you look at the Chappelle Show skit where, Dave Chappelle is making fun of making the band, and he has that whole sketch about, I want you to get me some Cambodian milk from a goat, or whatever it is.And it's something that sounds completely absurd, but one, it sounded like a lot of the shit that he would say in that MTV show make in the band. And it sounds exactly like that quote that you just shared from that story. The difference is he did this, whether it was for pure entertainment on a show like making the band or when there was really things at stake, like he was at this point when there wasn't a deal in place, he was recently fired.But regardless of whether he's up or down, trying to get it still the same guy.[00:13:39] Zack Greenburg: Absolutely. You know, and I think it just kind of goes to the point like, did he creates brands. He is the brand. He imbued the brand with his essence. And then the brand becomes that much more valuable, whether it's a brand that he can sell, you know, for some huge gain, or whether it's a brand that is compensating him, you know, handsomely for his association or in some cases both. That's kind of the formula and, you know, not everybody can pull it off because not everybody has a brand that is that clear.[00:14:11] Dan Runcie: And let's dig into this because I think this is one of the things that does set him apart. Denny used to be a club promoter as well. And this is a persona that we've seen oftentimes in music where the club promoter or the party promoter works their way up to then become the executive. You see it now with Scooter Braun, someone who's a billionaire now, or close to it in his own right.And he was a party promoter in Atlanta. You saw with Desiree Perez who now runs Roc Nation. She was a party and a club promoter before as well. And you've seen it plenty of times before and I think there's a few things there. There's a hustle and a relentlessness that you need to have to make that work.You need to create momentum around some of that isn't there. You need to understand and be tapped into what people want to hear and what people wanna do and how people wanna feel entertained and how they wanna leave from something feeling like, damn, I had a good time. We need to go do that again. And that is a lifestyle and what Puff did was aligned himself by building businesses that allowed him to do that. Some of those businesses worked better than others, but I think that is the key through line there. On the flip side, I do think that some of these operators and business leaders can often struggle with the bigger picture because there's so many more elements to building companies outside of the marketing brand promotion and those things, and I think we can get into some of that here because I think we saw some of those dynamics play out with Bad Boy as well.[00:15:39] Zack Greenburg: Yeah, for sure. And you know, I mean, I think one of the things about Bad Boy is it wasn't like this was the first record label to develop an ethos and kind of build a lifestyle around it. And, almost like, assembly line, right? I mean, Puffy was doing that himself at Uptown before he just took that same idea and, Pufified it even more.But, you know, I would kind of almost liken it to Motown. I mean, if you look at, Berry Gordy's role, I mean, you see Berry Gordy, credited as a producer on so many, of those songs and, you know, he wasn't like the only person in the room, producing right? he was putting together the right songwriters, the right musicians, everybody to be in the same place. And he was tying it all together with this kind of Motown ethos. And when, you know, when you had a Motown record coming out, you knew what it was. And I think that's why people in the old days used to be fan people would be fans of like, specific labels, right? They're like, I like the stuff that this label puts out, you know, I trust them. It's almost like, you know, I don't know, you know, Coachella sells out, even before the artists are announced because you know what you're gonna get if you like Coachella and you just trust that that's what's gonna happen. That's what it was like, Motown, that's what it's like with Bad Boy.So I think Diddy really followed that model that he was going to be the person, you know, sort of putting things together, you know, maybe he was going to, do a guest verse here and there. Maybe he was gonna be more involved in the production of this play of this song or another song. but it was really more in the vision and the ethos of the brand, the Bad Boy brand, what that looked like, what success looked like, you know, the Diddy version of success looked like maybe a little different from the Uptown Andre Herrell version. And, you know, it was like, like a little more swagger, like, you know, like a little more edge to it. And he was really able to kind of like, make that tangible. So, you know, I would keep going back to that as like something that sets him apart, you know, following the footsteps of the likes of Berry Gordy and[00:17:34] Dan Runcie: The Motown example is good because they also were able to maximize the most from the broader roster they had from the hits that they had Berry Gordy, of course, was famous for one artist on his record, has a huge deal. Okay, we're gonna get another artist on that record on that label to then do it again.You saw that with Aint' No Mountain High Enough. Marvin Gaye has his version that goes through the roof. Okay, let's get Diana Ross to do her own version, her own spin on it. That becomes a song in its own right. And you saw, did he do this to some extent with remixes? How one artist had the remix that worked out well.Okay, or one artist had the original song that worked out well, okay, let's get the remix now. Let's get the whole Bad Boy crew on this remix to go do their own verse and do this thing. They did that time and time again, and then in the early two thousands he had that album. We invented the remix, and there's plenty of debate on whether or not they actually did invent the remix, but that remix that they did of Flava in Ya Ear with, Craig Mack, and they had Biggie on that one as well. That is one of the more classic iconic remixes that people do go back to. And I think the other way that they're , similar too is some of the disputes that artists have had about pavements and things like that, which we can get into eventually.But that's always been the model. I think there in many ways, you're right, it's more like Motown than it is like uptown.[00:18:58] Zack Greenburg: for sure. And you know, on the Biggie point, I mean, people forget sometimes, but Biggie was originally signed to Uptown and Puffy had to go and get him back, and I think they were able to negotiate his release or his transfer of his deal from Uptown to Bad Boy for something like half a million dollars, which, you know, turned out to be, a pretty good deal all the way around.So, you know, he knew that sometimes he would have to shell out and, you know, he did from time to time. That certainly didn't stop there from being disputes, as time went on. But, you know, I think one of the other fascinating things is sort of this interplay, you know, he really walked this line, of sort of like, you know, the corner in the corner office, right?you know, the boardroom, and the street, and, he played up this sort of like lineage that he had of the Harlem gangster world like his dad, Melvin was an associate of Frank Lucas from, you know, the subject of American gangster. And you know, like his dad was known in Harlem. I think they called him, pretty Melvin.Like he was very flashy, you know, he always had the best suits and, you know, and all that kind of thing. But, you know, he definitely came from that sort of like grand gangster era. you know, Frank Lucas and Nick Barnes and all those guys. I mean, that was sort of Puffs lineage.And he definitely played up and he certainly played up, you know, sort of different sort of, street edge, you know, when things got heated in the Bad Boy Death Row situation. But at the same time, he never really wanted to go too deep into it.And I talked to somebody who sort of grew up around him, and he called him Jimmy Clean Hands, you know, because he didn't really want to get like, like he used the association. When it was sort of convenient, but also he didn't want to get too deeply associated, with that side of things.So, to me it's, a really fascinating tightrope walk, how he pulled it off. And, if he'd gone further, toward that side of things, I don't think that would've ended well for him. And if he hadn't gone quite as far as he might not have had, you know, a certain credibility or an edge that, you know, that contributed to so much of the success of Bad Boy, especially in those days.[00:21:04] Dan Runcie: And he did it at a time in the 90s when it was easier for hip hop stars to be able to control the narrative and push what they wanna push and not have other things cover or not have other things be uncovered, or all these internet rabbit holes. I could imagine him trying to do this 10, 15 years later, and it could be a situation like Rick Ross where all of a sudden there's photos of you as a correctional officer popping up on the internet and people are like, bro, what the hell's going on here?I thought every day you were hustling. I could have seen something like that happening the same way that Diddy, but by the time that plenty of people have had those debates about, oh, well, you know, Diddy was actually a kid that grew up in the suburbs and went to college and X, Y, Z, and there's plenty of ways that you could flip that story, but by the time that even became a discussion point, at least in circles where I heard him growing up, he was already an established star.So there was really nothing else that you could do at that point.[00:21:58] Zack Greenburg: yeah. And I guess he could walk that line because he really did kind of embody both, right? Like he was the son of a, you know, a Harlem gangster. he was born in Harlem. His dad was killed, you know, on I think Central Park West and 108th Street or something, you know, in a dispute a case of I think mistaken identity.I mean, so there were real, you know, tough things that, he was born into. And at the same time, he was also, you know, like the college dropout. Like you know, he went to school, he did his thing like, you know, you could say he was like a proto backpack rapper in some ways, like if you wanted to spin it that way.And he kind of embodied both of these worlds, but I think that really, if he hadn't actually lived both those lives, it would've been harder to sort of embody them simultaneously as he did.[00:22:47] Dan Runcie: And even in him, in his own right, there were many incidents that he had that people felt could have supported this narrative that he wanted to, for better or worse, whether it was the 1990 Club nightclub, the 1999 nightclub shooting after the Nas Hate Me Now Music video, him and his team going into Steve Stout's office and then, you know, assaulting him.And then everything that came up after that, or even as recently as within the past 10 years, the incident at UCLA with the coach yelling at his son. There's been plenty of things that have came up that show, you know, that the relentless, the temperament that could often work against his advantage as well.[00:23:26] Zack Greenburg: Yeah. I mean, you know, didn't he bash Steve Stout over the head with a champagne bottle or something? I mean, you know, but what's that line? We back friends like Puffy and Steve Stout, you know, like it, 50 cent had that line. I think he has a remarkable ability to, you know, to end up being sort of friendly with, people who he had these disputes with in the past.So, you know, whether, Steve Stout or, Shine or whoever, like, he finds, various ways to, sort of bridge divides in the end. I don't know how it turned out with the coach from, was it UCLA, or USC. But I suspect that's fine too. but yeah, he does find a way of patching things up.[00:23:59] Dan Runcie: No, he definitely has and we could talk a little bit more about some of the disputes that came with some of the artists, but I do wanna talk a bit about the business of Bad Boy itself and how it went about things. And one of the things that we saw from successful record labels, of course, Zach and I have done past conversations on Cash money, and Roc-A-Fella, and they'll always find innovative ways to work within their constraints or find ways to make things work even when you don't have all of the resources in the world.And one of the things that Bad Boy did was they really leaned into sampling and sampling hits from the eighties and making them the most successful things they could be. What's that line from that May song Making, taking hits from the eighties make 'em soundso Make it sound so crazy. Yeah.so they have their in-house production as well with hit men who then do most of the production, and they give you that Bad Boy sound that you can identify when you hear it immediately on a song, whether it's a total song or it's a one 12 song.And they were able to do that and that formula worked so well because you had this generation that grew up listening to those songs because their parents heard all those songs as well. These are black music classics and then they were able to repurpose them and because of the time and things weren't quite as oversaturated, it sounded quite authentic in a way where I think even some samples now can feel almost a bit forced because you can be like, okay, they're really trying to work that artist.And who knows? I might be also looking at this now, someone in my thirties as opposed to in the 90s, looking at it as someone that's growing up experiencing this. But still, I do think that there was a bit of like a authenticity and a vibe that they were able to create with each of those sample tracks.And plenty people tried to do it. Of course they didn't invent it. I know that Death Row and NWA, Dr. Dre had done it successfully before Diddy, but Diddy and Bad Boy were definitely able to put their own unique spin on making that as effective as it was.[00:25:57] Zack Greenburg: Yeah, definitely. I think, you know, I mean, I think to your point, but it, like it really opened up this sort of aspect of mainstream hip hop when, you know, maybe there were some radio stations that weren't gonna play some of these songs, but, you know, like a puffy song or a biggie song ordinarily, but, you know, if you have like, Oh, that's David Bowie in the background.Like I'm familiar with this. then, you might be sort of like more inclined to put it on the radio if you were a certain kind of dj, which then might reach a certain kind of listener who didn't, you know, ordinarily listen in hip hop and, you know, and you kind of have this, kind of snowball effect.you know, sure.[00:26:32] Dan Runcie: And then from a personal perspective, I'll be the first to admit the amount of songs that I had heard the first time as Bad Boy Version. And then growing up, you then later hear the original one that they sampled from the eighties or seventies, whatever Disco tracker, soul Tracker was, and you're like, oh, that's what that song was from.It's happened endless times and it continues to still happen.[00:26:54] Zack Greenburg: Yeah. I must confess, I heard I'll be missing you before, I heard I'll be watching you, so, yeah, yeah, yeah, yeah. you know, so yeah, and I think a lot of that narrative around the sort of peak Bad Boy sampling era, you know, I think it gets unfairly criticized as sort of being uncreative and like, you know, essentially just being cover and, not adding much to it.But, I disagree entirely, and I think that in addition to creating a different song with a different vibe and everything, you know, th those songs did introduce a whole generation of people, to eighties music that, you know, they may not have been alive to have heard, you know, from, you know, let's say I was born 85, some of these songs came out before I was born.So, yeah, I think that does get missed sometimes.[00:27:35] Dan Runcie: Yeah, and I'm in the same boat. I knew Juicy before. I knew the original Juicy Fruit. I knew Mase Bad Boy before I knew Hollywood Swinging, and I could go on and on with all the songs that they were able to help in introduce and connect the dots there. Another thing that I think Bad Boy did at this time that was a continuation of Uptown was how intentional and borderline maniacal Puff was about continuing that image.So, they had the Can't Stop Boat Stop documentary that came out a couple years ago. And the artist from one 12, which was the main male R&B group that Puff had signed to the record label at the time, they said that they were styled, dressed and personified to be an image of Puff themselves, to essentially be Puff as R&B singers, which was really interesting.And then on the more controversial side, which I don't think would ever fly in the same way today, Faith Evans, who was married to Biggie at the time, she was sent by Puff to go to tanning salons cuz she a light-skinned black woman. They sent her to tanning salons so that her skin can be darker because he wanted to be able to sell her as a certain image that would never fly again the same way today.But that's how Puff was. He was so maniacal, even things down to the nail color and things like that for women. He wanted to make sure that people looked a certain way.[00:29:01] Zack Greenburg: Yeah, and I think what's, you know, especially interesting when you, kind of zoom back on the 90s and that, that era of Bad Boys, you know, given the level of control he had over, you know, that level of detail, you know, the whole east coast, west coast thing, the whole Bad Boy Death Row thing obviously got way out of control.and, you know, culminating in, the desert of big and pop and you know, obviously we don't know exactly who was behind each of those things, but it's, you know, still kind of debate to this day. But, the fact is that, you know, got kind of wrapped up in this kind of, know, sort of thing, like the fact that Puffy could bring Bad Boy back from that, and kind of like continue to have the same brand, you know, after everything that went down, you know, I think is another testament to like the identity of the brand, right? I mean, you know, cuz I remember in that period of time hip hop was really under fire from, you know, so, you know, like the Tipper Gores of the world and the parental advisories and all that, and there was this narrative of like, oh, this music is dangerous.And there was a whole period of time, you know, after everything that went down, in the mid to late 90s, like there were questions like, is hip hop? You know, really a viable commercial genre? Are brands really gonna want to be attached to this? you know, because of the violence that happened, you know, really publicly there.And I think, you know, whether you love him or hate him, like, I think he deserves some credit for pulling things back from the brink. you know, regardless of whatever role he played in getting them, to the brink, but he really did kind of pull things back from the brink and show that hip hop could be this, you know, commercial force.you know, that would be like a mainstream success sort of thing. And really pretty quickly, after all this went down,[00:30:39] Dan Runcie: If you go back to winter 96, the height of this beef, you have that infamous vibe cover with Tupac, Dr. Dre Snoop, and Suge Knight. They're there, the Beef and Bad Boy and, Biggie as well. Were on respective vibe covers as well. If you asked people, okay, five, 10 years from now, which of these two record labels will be in the stronger position, you probably would've put your money on Death Row.To be frank, they had the better artists just from like a roster perspective. With those four, the leadership seemed in many ways quite as strong and there were similarities there as well. You had these two relentless, large and life figures. Granted, Suge and Puff are very different in a lot of ways, but that's where you would've taken things.But then two years later, it's a completely different story. Death Row is imploding and bad Boy had the biggest year that any record label has ever had. If you look back at that 1997 to 1998 stretch, and this is after the death of the biggest rapper as well, they end up releasing Biggie's second album, Life After Death, ironically, 16 days after he passed away.And then Puff himself becomes this larger than life icon. He releases his own album, Puffy, P uff Daddy, the Family, No Way Out. And they continue to go on this run. And in many ways, as other heads and other figures in hip hop have faded and necessarily taken their own path, he continued to stay on that.It really is a remarkable journey when you look at each of those steps in it, because I probably would've put my money on Death Row if I didn't know better.[00:32:21] Zack Greenburg: Yeah, Yeah, I mean, it sure felt that way, right? I mean, but if you kinda, if you compare the leadership, if you compare Puffy to Suge, you know, I think that so much of, you know, the back and forth between Bad Boy and Death Row, you know, it was a case of like, these guys were playing a role, right?I mean, they were, it is funny in some of my reporting, people say like, both Puffy and Suge, especially Suge, were sort of, it was like they were acting in their own bad gangster movie. And I think the main difference was, you know, Suge really came to believe it and live it in a way, that Diddy, didn't quite do it you know, as we were saying before, Diddy kind of walked that line.but Suge just kind of got deeper and deeper into it, and that was kind of who he was, you know, all the time. So, you know, that there's not really like, kind of like a way to, back out, you know, to kind of come up for air when you, when you've kind of like gotten that deep into it like Suge did. I think that was the main difference, you know? I mean, I think he became just completely, you know, is like possessed by this image that he created for himself. And he started to live it, you know, all the time and Diddy's ability to sort of walk the line and step back, you know, I think that's what ultimately kept Bad Boy in the position that, you know, that stayed and kept him in the position that he continued to be in.in[00:33:42] Dan Runcie: And everything that went down to that 1995 Source Awards is a perfect example about how they dealt with this whole thing. Suge and Death Row, famously win Best soundtrack for Above the Rim. He goes up, accepts the award, and he makes the infamous line. If you wanna sign with the label, you don't wanna have your executive producer all on the record, all on the video dancing come to Death Row, and then you see.Puff is there just looking, not saying anything, but everyone knows who he's talking about. But then later on the night Puff goes and is on the mic, he doesn't go necessarily take a shot back at Suge, but he just makes some type of more global statement, Hey, we're all in this together. I forget Puff's exact quote, but that's a perfect example of this, right?Of knowing that line cuz as we know, puff had a temper. Puff wasn't afraid to throw down in the moments, right? But he knew that in that stage, in that setting, especially even on his home turf, this was all the West Coast guys coming there because, you know, there was that famous scene of Snoop Dogg standing up being like, East Coast ain't got no love for Dr. Dre and Snoop.That's my horrible Snoop dog voice there. But Puff was cool, calm, collected during all of that, and as you put it, the difference behind the difference between the two of them is more than puff deciding to be all the video and should not be in, the video. The same way it was everything that you explained it more.And that is one of the biggest reasons, I think for that difference. And what helped Bad Boys essentially be even stronger, unfortunately. So after Big's death,[00:35:21] Zack Greenburg: yeah, totally. And you know, I think with Puff, he ultimately. He had that calm, cool, collected side to him that came out, you know, I think at, helpful points, but he was ultimately about, you know, protecting the bag, right? Like Diddy is a business, he is the business. And he, knows that he has to kind of keep that in mind.And I think, you know, Suge on the other hand just kind of like got too deep in his own narrative and couldn't kind of like poke his head up over the clouds and see the view from, you know, 35,000 feet or whatever. So, I think Diddy's business sense, you know, I think ultimately helped keep him, keep him, you know, just above the fray.So, still super remarkable when you look at it. He threw that first white party in 1998. That was really, that was what, like a year, a year after Biggie was killed. And, you know, just to give you an idea of the kind of stuff that was going down. I mean, he bought this house in East Hampton, and he decided that he was gonna throw the most exclusive party people just to give the background.I did some reporting on this too, but like, it apparently if you got invited to the white party and Puffy's White party, you could not get in If you wore like a cream suit, they'd throw you out. If you had, like a blue stripe on your white shirt, they would throw you out.So you had like grown men running home to get like an all white proper shirt to go to these parties. And you know, like pretty quickly you had Martha Stewart and Howard Stern and Donna Koran and like, Donald Trump used to go to these parties, you know, with his daughter everything. So, it was kind of like a who's who of like a certain type of celebrity in the late 90s.And to go from, you know, from the depths of the East coast, West coast thing to that, in like a year. I think it just shows how Puffy's able to kind of flip things around and that's what he was able to do with Bad Boy. He pivoted the whole narrative and suddenly it was about Puff Daddy, the family.It was about, you know, Godzilla soundtrack and, you know, doing the thing with an orchestra and Jimmy Page and whatever. And, you know, singing, he's able to like recreate himself and also these brands like Bad Boy that's created in his image. you know, like in a remarkably quick timeframe, I think.[00:37:38] Dan Runcie: And to share some numbers on this era. This is peak Bad Boy. I would say this whole 97 to 1999 stretch. 1999, they sold 130 million worth of records. And for some context there, that was more than Madonna's Maverick label had that year. And this was, or Madonna, during that whole Ray of Light era, if I'm remembering the timeline, and Beautiful Stranger, if I remember the timeline correctly and more than Def Jam had at its peak that year, and this was, we did the Def Jam pod recently.This was around the same time that Lyor was trying to get X and Jay-Z to release those albums in the same year, and Bad Boy was still doing its thing then they're Puff Daddy and the Family Tour. They went on their own arena tour, they made 15 million that year, and Puff was starting to extend himself in the same way that we saw other moguls do the same.We talked in the Roc-A-Fella episode about, this was the time that Dame Dash had started to have different partnerships in film and district and sports and things like that. We saw Master P as well in the late 90s get his hand involved with a number of things. And one of the things that stuck out from this era is that Sean, is that, did he actually made a partnership with Johnny Cochran at the time, who was his attorney during all of the drama that he had in the late 90s after that nightclub shooting. And they started a management business that was gonna be focused on NBA players. And this just gives you an idea of all of the things that he was interested at the time.So it really is remarkable. And a lot of it came because Diddy himself was putting himself out there. He became the brand, it was him putting it on, and he really became the most successful artist on this label. But around this time, if you start talking to some of the other artists on the label, they start to get a bit frustrated because they feel it's no longer about their development.It is now about Puff building and doing everything for himself.[00:39:36] Zack Greenburg: Yeah, and I think that's when you know, he really starts to have all these brand extensions and, you know, you can see there's actually, I think the first Forbes cover on a hip hop artist was Puffy in 1999. And, it was a celebrity issue. And they had, Puffy and Jerry Seinfeld on the cover together, which always cracks me up.But, you know, Seinfeld's wearing this suit and Puffy's got this like Sean John denim t-shirt on. you know, just like a walking advertisement on the front of this magazine, which is just brilliant. And, you know, so he is got that going. He's like opening restaurants, you know, and like really kind of like realizing that, he could be not only the sort of the straw that stirs the drink and like the producer and whoever behind the scenes, but also the, you know, the main artist.And you know, I can imagine that being another artist on Bad Boy at this point, could start to get a little frustrating.[00:40:28] Dan Runcie: Right. And I think he had a quote around the time he wanted to be David Geffen. He wanted to be bigger than David Geffen. And of course this was Pete Geffen making moves with Dreamworks and everything else. Still being, in many ways, music's prominent mogul. That was due his thing there. And this was around the same time that we have another quote from, Andre Harrell.And I remember if you mentioned earlier, or if I mentioned earlier, there were some other quotes at the time that were less favorable than Diddy, than the ones that Harrell ended up having later. This was one of them. He said, and this was in a New York Times 1999 interview. He, Puff, gotta separate the young man thing from the business thing.If there's an incident where the situation is going in a way that he feels slighted or disrespected, the only way for him to handle it is as if he was a 45 year old IBM, CEO, which is a very interesting way. But he's essentially saying, Hey, you gotta change your act based on where you're going and where things are.And this is, that trending the line that we're talking about that I think that Diddy was eventually able to get to. But there was still some question marks about that and the trajectory in 1999. But to some extent, I think that kind of played to as factor. There was something about, especially some of those celebrities you mentioned, these are some more buttoned up, you know, white celebrities that never really did much on a, anything that was risky.So someone that has the image of Puff at that time, it's like, Ooh, I'm doing this risky thing. It's almost like the person in high school that wants to date the Bad Boy literally called his label bad voice. So they're leading into that whole persona, and I think it worked a bit to his advantage there as well.[00:42:07] Zack Greenburg: Yeah, totally. And you know, another thing people talk about, you know, I think that this time, and a lot of times I think there's a lot of jealousy going around and, you know, Puffy does this, puffy does that. But, know, one of the things that I, that I've always heard is that, Like, yeah, he's the last one at the club and you know, he's always out and, doing whatever, but he's also the, first one in, like, he outworks everybody and you know, he's somehow manages on, you know, like a couple hours of sleep at night or something.I mean, this is another thing you sometimes hear about fantastically successful people. I hear about this, about like Richard Branson and other people too, that they just can operate on four hours of sleep or something like that. And man, you know, I mean, if you think about it, if you have that much confidence and you're that brilliant, and then also you get an extra four hours a day, you know, you get another, was it, 28 hours a week, you get like an extra day every week basically to just like do shit.that's pretty hard to, contend with. I mean, like an extra day, like two extra waking days, to get things done. I mean, that, that's a pretty big advantage.[00:43:13] Dan Runcie: That was a whole 90s mentality from, overall, from people that were successful. Now that I'm thinking about it, cuz of course Richard Branson, that the 90s was a transformational decade for him. You are Bill Clinton, especially when he was president, talk about getting four or five hours of sleep at night, still being able to operate and do his thing.Even folks like Madeline Albright, who worked for him and in his cabinet were doing the same thing. And even someone like Kobe Bryant, there's that memorable. A piece of the Redeem Team documentary that came out on Netflix last year, where the younger guys at the time, LeBron, Bosh, Wade, were all going out to the club.Were all gonna go out for the night because that Olympics was in Beijing and they're coming back from the club and Kobe's on his way to the gym in the morning. And then Kobe spoke about this himself as well. He is like, no, I'm gonna do another practice to wake up earlier than everyone else. So you think about how this compounds over time, and that's what you're saying about how that essentially gives you two, three extra days a week.You do that time and time again, and just how much better you get. Granted the fact that those people can still do that while not requiring that much sleep. I know. I mean, I couldn't do that myself. I need those hours of sleep, but I commend those people that can.[00:44:25] Zack Greenburg: Yeah. I mean, and who knows, you know, from a health perspective, how it affects you, you know, sort of like later in life and whatever. And, you know, do you lose more years of your life on the tail end because you didn't sleep more earlier? I mean, I guess we'll never really know, and it's hard to kind of pull out the factors and really test that. But in any case, you know, it does give a decided advantage, at least in the, present tense. And, he really kind of like worked with that. but you know, I mean, and then just when you thought that he was kind of out of the woods, with the specter of violence, you know, again, 1999, there's the whole thing in the club, a gun goes off, you know, there's this whole like, situation, Diddy and Shine are in the club. There's this dispute, whatever, and you know, who knows what really happened, but at the end of it, Shine went off to go to jail. And, you know, and Diddy ended up, you know, without really any kind of anything other than like, a little bit of reputational hit.So, I think that, you know, he continued to walk that line, right? And there were just these instances kept popping up. But once again, he always managed to sort of, you know, avoid any really serious repercussions and then, you know, go on to some even bigger and better commercial thing, shortly thereafter, you know, which he did eventually with Ciroc and, what have you.But, you know, it didn't really seem to hurt anything with Bad Boy. Although I think around that time, you know, his career as a solo artist started faltering a little bit to be sure[00:45:42] Dan Runcie: And I think this is a good time to talk about the proverbial Bad Boy curse that's been discussed. There are a number of artists that have had their issues with Bad Boys, specifically with Diddy in terms of whether they feel like they were fairly compensated for things. And it's artists like Faith Evans 112, Mark Curry, and the Locks as well as most recently as a couple years ago, Mase famously people that have publicly claimed to try to get what's theirs called out Diddy for not doing certain things.And then on the flip side, you have people that surrounded themselves with Diddy, and Diddy was the one that came out, scott free, and they were the ones that ended up in challenges and some of that Diddy benefited from by associating himself with them, but they didn't necessarily work outta that same way.You of course mentioned Shine, who, his career never really took off after he had that brief moment where that Bad Boy song came out. I think that was in 2000. They had sampled that, the Barrington Levee reggae song and then had him on that. But you had a few instances like that. I look back on one of my favorite songs from The Bad Boy era.let's Get It with G. Dep and Black Rob. And the sad part about that song is that you have G. Dep, the first person that was. Or essentially his lead single, he's saying that he's saying, or he did special delivery as well. G. Dep eventually ended up being locked up for a murder that he had done in the 90s, but then it had some run-ins after that Black Rob unfortunately passed away a few years ago, and I don't think was ever really able to capture that momentum after Whoa. And a few of the other songs he had with Bad Boy had come out. And then of course you had Diddy who, you know, is still thriving doing his thing.And I think that's true as well. You look at an artist like Lone who l kind of had his moment where they were trying to make lone really be a thing, especially with the, I need a girl, part one and part two, but then Loon as well, ends up getting locked up. I think there was a heroin charge or something like that.So all of these folks that were around Diddy in some way ended up having their challenges. Not all of them, but some of them.[00:47:50] Zack Greenburg: For sure. And I think, you know, probably around this time, you know, the sort of like the turn of the millennium was, you know, the moment, when did he kind of realize that he had to, he did have to start figuring out his next step. And if it wasn't gonna be him, as an artist, you know, and it wasn't gonna be somebody else on his roster, it was gonna have to be something else. And so I think this is sort of like when you think about the Bad Boy era, you know, I don't know, I think about it as sort of like early 90s to late to, you know, to really the end of the decade. And although, you know, of course it went on and it continues to stay at different, you know, sort of capacities.It's like that was sort of the prime era. And, I think once the fortunes of the label became too closely intertwined with Diddy's as a solo artist, then when he stopped being such a big deal as a solo artist, the prospects of the of Bad Boy itself were a little bit more limited.[00:48:45] Dan Runcie: Agreed. Question for you. Do you think that, well, lemme take a step back. In the Cash Money episode that we talked about not just the disputes people have had with Birdman and Slim over the years, over disputes, but also the notorious reputation that they've built up. Do you feel like the reputation with Puff is similar in that way?And if it's different, why do you think so?[00:49:09] Zack Greenburg: So you mean Puff like the Cash Money sort of similarly having trouble paying people?[00:49:13] Dan Runcie: Yeah, Yeah, and whether that reputation has stuck with Puff the same way that it's clearly stuck with Bert and Slim.[00:49:21] Zack Greenburg: I think they both have, you know, or rather the three of them, I think it does follow them around, but in different ways. I mean, I think, I think with cash money, there's some element of it that's like, well, you know, I think their response to a lot of it is this stuff began when, you know, the things weren't properly papered up and, you know, nobody really knew how these things worked and blah, blah, blah.And you know, you can sort of agree with that or not, right? Or maybe you could say it is to some extent your responsibility to make sure things are paid up, you know, once you become that successful. but, you know, I think that Puff was sort of like, you know, Bad Boy was, done through Clive through real estate.It was done through a major label, sort of from the beginning. And, you know, I think you could argue actually that that's why Cash Money was ultimately worth more, like, was like a bigger source of the Williams Brothers wealth than Bad Boy ever was, for Diddy. And he had to go, you know, do these other things. But you know, like it wasn't as though there were no lawyers involved. It wasn't as though there wasn't some big record label apparatus. There absolutely was. And you know, so I, think that excuse sort of like, doesn't fly quite as much. it's probably not leveled quite as much with him either, but, you know, but it's definitely there and, it's sort of like, it's hard to look past it in some regards.[00:50:41] Dan Runcie: Yeah. I think that one of the reasons why I think the public image of it is different is because of the businesses that the two are involved in. Bird man's a music man almost in the same way that Clive Davis is a music man. That's what we know him as even in the conversation you had shared last time where you were doing this extensive feature profile with them on Forbes and you were gonna have another follow-up conversation with him that night, and he's like, no, no.Bird Man's still in the studio. He's doing his thing like that's what he wants to do versus Puff has his interest in all these other areas, beverages, spirits, sports, entertainment, now with Revolt or Sean John, or whatever it is. So there's so many more things we know him as, or he's running the New York City marathon, he's trying to launch this thing, and all of those things can broaden your image of him.So if you hear a complaint about the one particular aspect of this business, that's one area of what he's doing, as opposed to us knowing Bird and Slim as. The owners of this record label, and now there's a dispute with the one thing that we know them for.[00:51:49] Zack Greenburg: Yeah. Okay. I see what you mean. So it's sort of like, in a way it's less central like the music is less central to his identity, therefore we hear less about the disputes because we just hear less about the music side overall.[00:52:01] Dan Runcie: Right.[00:52:02] Zack Greenburg: Yeah, that makes a lot of sense. I mean, and then, when you look at what happened to Bad Boy, you know, even just from a corporate perspective, it was a 2005, he sold 50% of it to Warner for 30 million bucks, something like that.So, obviously that, means, you know, by those numbers it was worth 60 million. At the time there was probably just the recorded music side and there was publishing as well, which is separate. I think you did some other publishing deals too, but you know, that number in 2005, I mean, I'm sure that's lower than.Cash money was valued at in 2005. But, you know, he just kind of made the decision to pull some money off the table, right? And I think that says some, something about his priorities too, that he wasn't that focused on the music side of things. So, you know, like, let's make this deal and then move on, to the next thing.And I think a couple years after that was when he launched Ciroc or, you know, came on with Ciroc and launched his Ciroc campaign presence, whatever you wanna call it. you know, partnership thing. So, I think ultimately for Bad Boy, you know, I think it had a peak that was as high as really, you know, any label, in hip hop did.But its fortunes became so wrapped up with Puffy that once, once he moved away from music, it's like, how are you ever really gonna come back from that?[00:53:15] Dan Runcie: Right. It really wasn't a business it was a business, but almost in the same way that a lot of people that are creators now and trying to do things, there's this ongoing discussion or debate they have about whether are you trying to build a business with a roster around you, or is this more so a soul entity?And I think Bad Boy definitely saw both of those things, but you normally seen in the flip side where you start with the lead person being known as the thing, and then they add the roster around them. But Bad Boy was kind of the opposite, where you had this roster and then it becomes the lead person becoming more known for the thing.[00:53:48] Zack Greenburg: And I think it moved away from that assembly line idea, you know, the Motown thing, the Coachella thing, whatever, you know, you're gonna, buy the tickets for, you know, who's there. It just became all about Puff and, you know, I think in a way he realized it was more lucrative that way, right? N o matter how involved he was in however many different pro projects as sort of the, the Berry Gordy, he could make more, you know, for himself being Puff. And in a way, when you look at Ciroc, it's like, you know, it's the same thing, right? Like he's selling the Art of celebration. He's selling his brand of success. He just doesn't have to sign other artists to it, you know? So I see has Ciroc Boys, you know, that's, I mean, it is almost like a record label to some extent, you know, if you like an extension of, Bad Boy. If you think about, you know, the different artists who are kind of like involved on some level, you know, over the years with that brand, it just, you don't have to get involved in like publishing and, you know, licensing and mechanical royalties and all of that fun stuff.[00:54:50] Dan Runcie: Right. And I think with that it's a good chance to talk about some of these categories we have here. So what do you think is the best signing that Bad Boy did?[00:54:59] Zack Greenburg: I think a hundred percent, you gotta go with Biggie, no doubt. I mean, you know, if you're calling the signing $500,000 to get him over from uptown, you know, plus whatever they ended up paying him. I mean, you think about the success of Life after Death and all the other albums and, you know, the albums that, were sort of in the hopper after he died.I mean, I think hard to top that.[00:55:19] Dan Runcie: Agreed. Yeah, No debates there. That was the same one. What do you think is the best business move to come from Bad Boy?[00:55:26] Zack Greenburg: I would, I would argue that, I would argue Sean John because, you know, in creating the Bad Boy image, that was, you know, really bankrolled like all those videos, obviously Bankrolled by Arista, bankrolled by, you know, the, parent company, you know, Puffy created this aura around himself, which was very fashion oriented.And then he was able to parlay that into creating, you know, an actual fashion brand that he owned, or at least, you know, partially owned and himself, which then generated hundreds of billions of dollars. And then he sold and got, you know, whatever it was, a hundred million dollars and he bought it back.but anyway, he did really well for himself. I think with the help of this shine that was kind of like given or enabled at least, by a Bad Boy.[00:56:13] Dan Runcie: Yeah, I think that's a good one. The other thing that I wanna give some love to, that we haven't talked about much yet, but was the Bad Boy Street team and how they went about promoting and pushing their records all over the major cities. A lot of people may think that Bad Boy invented to the street team.I think I still do give loud of records credit for that, but Bad Boy did take things to another level, and this goes back to Puff and his strength as a promoter. This is what Club promoters do. This is how you push and get the word out there. So he's able to replicate himself. He's able to empower the people to feel like they're part of Bad Boy himself and making sure that they're styled in the same way, to be able to help sell that same image that Puff wants to sell himself.And you saw him replicate this as well with Ciroc Boys and things like that. And shout out to Sean Perez, who worked with Puff at Bad Boy and on Ciroc on this same strategy.[00:57:07] Zack Greenburg: Yeah. Although, you know, it was a great one, and a great strategy, but it didn't always work. What's the line? I felt like Bad Boys Street team, I couldn't work. the locks.True.[00:57:19] Dan Runcie: Yeah. Usually worked. But yeah, they just needed to see the vision as they said. what's the best dark horse move? You have a good one for this.[00:57:27] Zack Greenburg: Yeah. Yeah, yeah. Okay. maybe a little controversial. I don't know. I'm gonna go shine. Because if Paul hadn't signed Shine, I mean, I don't know, you know, I'm not a lawyer or anything, but, all I know is that something went down in that

Movie Synopsis: American Gangster is a 2007 American biographical crime film directed and produced by Ridley Scott and written by Steven Zaillian. The film is fictionally based on the criminal career of Frank Lucas, a gangster from La Grange, North Carolina who smuggled heroin into the United States on American service planes returning from the Vietnam War, before being detained by a task force led by Newark Detective Richie Roberts. The film stars Denzel Washington and Russell Crowe with co-stars Ted Levine, John Ortiz, Josh Brolin, Chiwetel Ejiofor, Ruby Dee, Lymari Nadal and Cuba Gooding Jr. Development for the film initially began in 2000, when Universal Pictures and Imagine Entertainment purchased the rights to a New York magazine story about the rise and fall of Lucas. Two years later, screenwriter Steven Zaillian introduced a 170-page scriptment to Scott. Original production plans were to commence in Toronto for budget purposes; however, production eventually relocated permanently to New York City. Because of the film's rising budget Universal canceled production in 2004. After negotiations with Terry George, it was later revived with Scott at the helm in March 2005. Principal photography commenced over a period of five months from July to December 2006; filming took place throughout New York City and concluded in Thailand.

Our guest today is Oklahoma Congressman Frank Lucas. Congressman Lucas is a fifth-generation Oklahoman whose family has farmed here for more than 120 years. He was born and raised near Cheyenne, Oklahoma, and graduated from Oklahoma State University with a degree in ag economics in 1982. He was first elected to the U.S. House of Representatives in 1994. During his time in Congress, he has served on several committees and in different capacities. Some of the most notable is the Chairman of the House Agricultural Committee, and the current Chairman of the House Science, Space, and technology committee,  he is the longest-serving member on the House Financial Service Committee. He's been an advocate for Oklahoma, Oklahoma Agriculture, and the American farmer ever since he was elected. 

Sumario Informe Enigma Dirige y Presenta: Jorge Ríos Contacto Yolanda Martínez: 647552954 Ayúdanos desde 2.99 al mes, ayúdanos a seguir creciendo. Escúchanos cada semana en Radio Platja d'Aro cada viernes de 23:00 h a 01:00 h en el 102,7 fm o en el siguiente enlace online: http://www.rpa.cat/docs/Live.html Síguenos en faceebok: https://www.facebook.com/InformeEnigma/?ref=bookmarks 1/ No solo el Gobierno pasa de todo, sino que la sociedad vive feliz e indiferente ante esta irresponsabilidad, día tras día nos bombardean con diferente propaganda, leyes y demás historias que hacen que nuestra sociedad se deshaga por las esquinas.¿Alguna vez escuchaste hablar de gobiernos en la sombra? ¿de un nuevo orden mundial? Te sorprenderá saber que nosotros no creíamos en tales historias de la conspiración pero viendo la que esta cayendo quizá hallamos cambiado de opinión. Hoy, Juan Carlos Baruque hablaremos de todo lo que esta pasando. 2/ Junto a Juan Antonio Sanz y Frank Lucas, viajaremos a la antigua Ruta de la Seda y por el Camino de Santiago. 3/ Sueños, ¿Qué son los sueños? ¿Qué mensajes nos dan? Todo esto y mucho más con Yolanda Martínez.

As we enter this week of remembrance leading up to April 19, hear from a powerful lineup of guests who remind us Why We Run.On April 19, 1995, Congressman Frank Lucas, representing Oklahoma's 6th district, was in Dallas with the Oklahoma congressional delegation. That morning, he learned from a reporter that an explosion occurred in downtown Oklahoma City, just over a block away from his own office. From that moment, he has been a vocal advocate for those killed, their families, the survivors and first responders. Hear his account from that harrowing day, including the search for his injured staff members and how he was forever changed.Nick Chafey was just four years old when his mother, Rona Linn Kuehner-Chafey, was killed in the Oklahoma City bombing. Twenty-eight years later, he's honoring her memory and the memory of the 168 killed by volunteering his athletic training services alongside on-course medical chairman and his mentor Ed Sunderland. Together they reflect on Nick's and his family's journey and remind us Why We Run.And finally, there's one pandemic-related change to the Memorial Marathon that's here to stay: the Why We Run Weekend series. Instead of all races occurring on one day, six races are now split between two days, allowing runners to experience the Marathon in a more meaningful way with the 5K on Saturday and the half or full Marathon on Sunday. Memorial Marathon ambassador Jennifer Hilger is just one of these runners and stops by to explain why she Runs to Remember on Saturday and Sunday.Follow the Oklahoma City Memorial Marathon on Facebook, Twitter and Instagram for the latest marathon updates and visit www.OKCMarathon.com to sign up to run, volunteer or learn more.Facebook: https://www.facebook.com/OKCMarathonTwitter: https://twitter.com/okcmarathonInstagram: https://www.instagram.com/okcmarathon

O filme American Gangster conta a história real de Frank Lucas, um traficante de drogas que se tornou um dos principais criminosos de Nova York na década de 1970. Lucas, interpretado por Denzel Washington, constrói um império do tráfico de heroína ao contrabandear diretamente do sudeste asiático para os Estados Unidos, enquanto enfrenta a investigação do detetive Richie Roberts, interpretado por Russell Crowe. O filme retrata a ascensão e queda de Lucas, e a corrupção generalizada da época.

2007 was a good year for Denzel Washington, starring in Ridley Scott's "American Gangster" as well as directing his second film "The Great Debaters". YouTuber Jaylon Lee (@jayyxvii.x on Instagram) from The Loft (@theloft818 on YouTube) joins Louis to discuss these films and the larger historical picture at play. Jay's dogs are hanging out too in the video version, it's a good time. I hope that you never find yourself bound to a chair as Frank Lucas douses you with gasoline, sets you aflame, and shoots you multiple times point blank. May we all beat the official Harvard account in debates on Twitter instead. [The Great Debaters discussion begins at 1:05:50] You can follow Cinema Span on Instagram, Twitter, and Letterboxd! The video edition of this episode is available on our YouTube channel. 

An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film.DirectorRidley ScottWritersSteven ZaillianMark JacobsonStarsDenzel WashingtonRussell CroweChiwetel Ejiofor Buzzsprout - Let's get your podcast launched! If you liked this episode, please rate/review us on Spotify and Apple Podcasts!Follow us on Instagram and Twitter: @ApexMountainPodSend us an email: apexmountainpod@gmail.comCheck out our TikTok: tiktok.com/@apexmountainpodcastCheck out our movie list: letterboxd.com/apexmountainMusic from bensound.comSupport the show

Growing up a sharecropper's son in the segregated South, Louie McKinney joined the U.S. Marshals Service and rose through the ranks to become the agency's first Black Director. Louie has done it all and seen it all. In this episode, we'll discuss some of the more infamous characters to have crossed his path. Among them, Frank Lucas, John Hinckley Jr. and Joe "the Animal" Barboza. Along the way, Louie was almost an unwitting accomplice to the Watergate break-in scandal. Louie McKinney became a legendary lawman over the course of his career and has some great stories to tell. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Voice of Reason sits down with Congressman Frank Lucas, 3rd District Oklahoma, to discuss debt ceiling, farm bill, China, Science Space and Technology committee, and more. 

This week's Open Mic guest is Rep. Frank Lucas, R-Okla. The former House Ag Committee chairman is back on the panel in time to help craft a new farm bill, and he says the budget and spending will be an issue in nearly every policy proposal crossing the House floor in the 118th Congress. Lucas believes a new farm bill can be delivered on time in the year ahead but admits there could be a number of issues — including nutrition programs — that could slow work on the bill. Lucas also discusses the implications of concessions made by House Speaker Kevin McCarthy to gain enough votes to secure the Speaker's gavel.

This week's Open Mic guest is Rep. Frank Lucas, R-Okla. The former House Ag Committee chairman is back on the panel in time to help craft a new farm bill, and he says the budget and spending will be an issue in nearly every policy proposal crossing the House floor in the 118th Congress. Lucas believes a new farm bill can be delivered on time in the year ahead but admits there could be a number of issues — including nutrition programs — that could slow work on the bill. Lucas also discusses the implications of concessions made by House Speaker Kevin McCarthy to gain enough votes to secure the Speaker's gavel.

INTERVIEW WITH BRIMSTONE: PRO-WRESTLER Interview with Brimstone Pro-Wrestler | Actor | Voice Actor | Author | Comic Hero | Entrepreneur | Host of Grindhouse Radio Brimstone has had a successful and rewarding career spanning well over four decades; participating in numerous entertainment fields boasting a list of titles including professional wrestler, radio host/professional podcaster, actor, voice actor, author, musician, philanthropist, food critic, horror model, and comic book/animated/children's book/video game hero. He's been called a Renaissance man by many, but more accurately described as a well-seasoned entertainer, celebrity personality and serial entertainment entrepreneur. Brimstone has been SAG-AFTRA since 1980. As a child actor, he made appearances on iconic pop culture shows such as Sesame Street and Romper Room. Under his given name, he was a touring musician as the drummer for bands like Who's Laughing Now and Bugsy. He later became best known for his career in professional wrestling where he has made countless appearances worldwide for the leaders in sports entertainment and throughout the Independents. Brimstone has had a long history appearing in various films, television programming, short films, documentaries, video game voice acting, and cameos in music videos. Notable nationally televised appearances include WWF Superstars, MTV's TRL, 106 and Park and The Ricki Lake Show as well as countless appearances on national and local affiliates including NBC, CBS, ABC and The CW. He's been featured in documentaries including Wrestling Then & Now and Standing in the Stars: The Peter Mayhew Story as well as music videos like, Touch & Go by rapper Joe Budden, Dawn Monroe's Get it Poppin, Bethany Davis' Lose Control and multiple videos by Frank Lucas, Jr. (Street Star and Let's Go). He's also been credited with background vocals on guitarist Bumblefoot's 2015 release, Little Brother is Watching. Video game voice-over credits include, Seduce Me 2: The Demon War, Sorim Story: Race World (Brimstone is a playable character, available skin and voice of multiple characters), Viking Vengeance as the character Wotan, Triagat as the character Idium, Brimstone's own Forza Infernis (on Android, Apple & XBox One), Wasteland Wars & GHR: The Great Airspace Chase; is voicing the character Wrath in the game, Rose & Locket and was announced as voicing the lead character, Terror T in the upcoming 2D video game (and animated series) Cereal Killaz. In VR - Brim voices the lead character, Wyatt in the Western based shooting game Finger Gun for the Oculus Quest 2; as well as the character Skalakron in the game, The Search for the Lost Weld (releasing 2023 on Steam, Nintendo Switch and other platforms). Brim's voice can also be heard in a variety of Q&E Productions' animated shorts, as Game Day in The Weeklings animated series, Santa Claws for viral YouTube channel, eLL Cartoons, as well as a surprise character in the viral, God's School. He will be voicing characters including Commander Frosting in Donut Baby for Noise Nest Animation Network (Viacom) and the lovable Beezal in Brush Brigade. Brim has a cameo on a celebrity stacked, narrative fantasy podcast, Children of Sperea where he voices the role of Private Carla. He can be heard on the Kikkoman Corporation's national radio ads that he not only voiced; but collaborated in the conception and production thereof. Read his complete Bio @ https://www.therealbrimstone.com/brimstone Contact information: www.therealbrimstone.com Host Contact Information @: www.drajrbutler.com --- Send in a voice message: https://anchor.fm/momentsofgrace/message Support this podcast: https://anchor.fm/momentsofgrace/support

Farm and Ranch News for Tuesday, December 27, 2022 In today's farm and ranch news, Ron Hays features parts of his recent conversation Congressman Frank Lucas on his efforts to return to the House Ag Committee to work on the 2023 Farm Bill.

We start of this episode recapping Halloween festivities with our kids and Lendery shares news that Jerry Jones dressed up as a blind ref and it offended the blind. (2:22) RIP TAKEOFF!!!!! No surprise here, our first story we cover the tragic incident that lead to Takeoff's untimely death. Like the rest of the world, (at the time of recording) we speculate what happened and or lead to the shooting at the bowling alley where the incident took place. (11:00) Next we touch on Kyrie Irving being suspended five games for retweeting a link to an antisemitic video which contains untrue facts in a Jewish documentary. It leads to Keenan & Chris explaining how Twitter functions work to Lendery & Johnny. We also ask is there any freedom of speech anymore? (22:14) Last story comes from a recent interview on Diary of a CEO Podcast that features Dame Dash. We give our thoughts and opinions on it and share what we took from the interview. (42:43)#Halloween #Candy #Costumes #Takeoff #Migos #RIP #KyrieIrving #Amazon #JeffBezos #Twitter #Freedom #Speech #Retweet #DameDash #CEO #KansasCity #Podcast #Entertainment #NewsDo remember! We drop audio each and every Tuesday. Make sure you like, comment, subscribe & share and follow us on all of our social media so you'll never miss anything!YouTube: We're The Weird Ones PodcastTwitter: @jweirdonespodIG: @theweirdonespodLike us on FaceBook @The Weird Ones Podcast

Richard M. Roberts (born November 28, 1937) is an American attorney. Roberts was a former law enforcement officer who worked as a detective in the Essex County Prosecutor's Office and Essex County Bureau of Narcotics. After completing law school at Seton Hall University and passing the bar examination, Roberts served as an Assistant Prosecutor in the Essex County Prosecutor's Office. Roberts is recognized for his role in the investigation, arrest, and prosecution of Harlem "drug kingpin" Frank Lucas, who operated a heroin smuggling and distribution ring in the New York City neighborhood. In addition to bringing down Lucas's operation, Roberts's investigation also uncovered police corruption connected with the drug trade. Lucas's criminal enterprise and the investigation by Roberts were the subject of the 2007 film American Gangster, starring actor Denzel Washington (as Lucas) and New Zealand actor Russell Crowe (as Roberts). After Lucas was incarcerated, Roberts entered private practice as an attorney specializing in criminal defense and was retained by Lucas as defense counsel. In April 2017, Roberts pleaded guilty to tax crimes after an investigation against him by the Internal Revenue Service's criminal division and investigators from the U.S. Attorney's Office.

We start the episode by discussing iconic Harlem drug kingpins of the 1970s, such as Melvin Combs (P-Diddy's father), Frank Matthews, Nicky Barnes, and Frank Lucas. Legendary DEA undercover agent Frank Panessa joins us and explains how the African American crime bosses and Italian Mafia worked together as a global heroin network.

Wade Burleson is a podcaster, writer, avocational historian, and former pastor. He is a native Oklahoman He was pastor of Emmanuel Enid for 30 years, and recently began running for U.S. Congress District 3 in Oklahoma against incumbent Frank Lucas. Wade is a powerful communicator with a powerful message about why the Church MUST engage in this moment in history! Watch the podcast on YouTube | Rumble --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/heidistjohn/message Support this podcast: https://anchor.fm/heidistjohn/support