Podcast appearances and mentions of Anna Johnson

Pope Francis centered the climate crisis during his papacy, highlighting the moral obligations that we all share to our fellow humans (especially the poorest among us, as they will be disproportionately impacted by climate change) as well as our responsibilities to the Earth itself. In 2015, Pope Francis released his first encyclical, Laudato si': On Care for Our Common Home, a 40,000 word treatise on both the Biblical mandate to care for creation but also a holistic discussion of the effects of modernity on the ecological function of the planet. While the encyclical became part of the Catholic Church's official teaching, the encyclical was written for both believers and nonbelievers.Catholics are continuing to work together to address climate change through the Laudato Si' Movement, a nonprofit that joins over 900 Catholic organizations and over 10,000 trained grassroots leaders known as Laudato Si' Animators to “inspire and mobilize the Catholic community to care for our common home and achieve climate and ecological justice”Anna Johnson, North American Director of the Laudato Si' Movement, joins the program to discuss Pope Francis' lasting legacy of climate action.Interested in joining fellow Catholics for Climate Action? Laudato Si' Movement has a California chapter!Support the show

It's all a bit rubbish, isn't it?There's still no solution for the residents of Birmingham as negotiations to end the bin strike have once again failed to reach an agreement. As the backlog of waste grows by 1,000 tonnes a week, an infestation of 'cat-sized rats' has taken over the city, with Health Secretary Wes Streeting saying he is “concerned” about the public health risk.We hear from residents in the city about their feelings on Unite Unions' strike action and what it means for their streets, and local Conservative Councillor Timothy Huxtable tells us why people have lost trust in Birmingham city council, blaming Labour for mismanaging the waste service.And on the subject of Labour failings, Kamal and Camilla ask if the Government has let down victims of grooming after it was accused of "watering down" plans for a series of rape gang inquiries.Listen to our interview with a grooming gang survivor hereProducers: Georgia Coan and Lilian FawcettPlanning Editor: Venetia RaineySocial Media Producer: Rachel DuffyVideo Editor: Valerie BrowneStudio Director: Meghan SearleEditor: Camilla TomineyProduction assistance from Anna Johnson and Paul OluwadareOriginal music by Goss Studio Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Osteopathic Manipulated Medicine podcast Dr. Anna Johnson shares about her journey into osteopathic medicine. We discuss the importance of being grounded in anatomy and physiology before trusting intuition, the challenges of truly integrating principles and practice of OMT into  residency, and the wonder of spirituality in osteopathy. Dr. Johnson emphasizes the need for self-care to be effective in patient care and unpacks concept of being 'self-full' rather than 'selfless' as a crucial endeavor for all healthcare providers.Dr. Jordan Little D.O. - jordanlittle.do@gmail.com ONMM Podcast - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠onmmpodcast@gmail.com

This week, The Media Show broadcasts from Washington DC, and asks what the election tells us about the media's role in modern America. The Washington Post finds itself at the heart of a debate on media impartiality after a reported loss of thousands of subscribers following its decision not to endorse a candidate. NPR's media correspondent, David Folkenflik, joins us to unpack the unfolding crisis. With tech billionaires wielding significant influence, this election has seen figures like Elon Musk openly backing Donald Trump. Critics argue that big tech's sway over public discourse has become too potent. Jennifer Huddleston, a senior fellow in technology policy at the Cato Institute, and Marietje Schaake, a former MEP now with Stanford's Cyber Policy Center, debate the issues. For over 170 years, the Associated Press has been at the forefront of election coverage, calling winners across the nation. Anna Johnson, AP's Washington bureau chief, explains how it does what might be "the single largest act of journalism in the world". Also on the show, Lauren Egan, White House reporter for Politico, talks Ros through her job and what access she gets to the President. And David A Kaplan, former Newsweek legal affairs expert, reflects on the 2000 election—a time when the relationship between the media, the candidates and the public looked very different.Presented by: Ros Atkins Produced by: Simon Richardson Assistant Producer: Lucy Wai Sound: Ben Martin

Ros Atkins is in Washington DC and asks what what the upcoming election tells us about the role the media plays in modern America.The Washington Post finds itself at the heart of a debate on media impartiality after a reported loss of thousands of subscribers following its decision not to endorse a candidate. NPR's media correspondent, David Folkenflik, joins us to unpack the unfolding crisis. With tech billionaires wielding significant influence, this election has seen figures like Elon Musk openly backing Donald Trump. Critics argue that big tech's sway over public discourse has become too potent. Jennifer Huddleston, a senior fellow in technology policy at the Cato Institute, and Marietje Schaake, a former MEP now with Stanford's Cyber Policy Center, debate the issues. And for over 170 years, the Associated Press has been at the forefront of election coverage, calling winners across the nation. Anna Johnson, AP's Washington bureau chief, explains how it does what might be "the single largest act of journalism in the world". Presenter:: Ros Atkins

Today, on the 14th episode of the As The Raven Dreams podcast, we have 18 True Chilling stories. These stories come from the shadowy corners of reality, where everyday life takes an eerie twist & ordinary people experience the extraordinary. Today we will be diving into Some terrifying in the woods stories, and some chilling Paranormal stories. There are two ad breaks at about 10 minutes and 65 minutes. So, turn down the lights, tune in, and let the haunting tales of everyday people take you down that dark and creepy road. Remember, these aren't just stories... these are true experiences that remind us that our world can truly be scarier than fiction. Have a Story To Submit? ➤ https://www.astheravendreams.com Or Post to the Subreddit ➤ https://reddit.com/r/TheRavensDream Support the channel for Early Access AND more! Patreon ➤ https://patreon.com/AsTheRavenDreams Join ➤ https://www.youtube.com/channel/UCkW0ihdMHfBUjQrMKjRto6g/join Or Check out the Merch Store! ➤ https://teechip.com/stores/astheravendreams Thank you to all of the authors that have stories in today's Video... TripsWithChris, Star, Teddy, WytchInDeWoods, Hunter Fundin, Codepurple, Tater Tot, Interesting_Win_8210, Sea_Serpent, Alysia Bailey, Gia, Anna Johnson, Hayden, Maria, Carla Base, Carmen As Well As Any Author That Has Requested Anonymity. 'As The Raven Dreams' is a community where we explore the darker parts of human existence through true and harrowing stories. From sinister encounters with strangers and stalkers, to terrifying experiences that defy explanation and unsettling mysteries that linger in the shadows, I am here to tell you the most haunting narratives ever whispered. Much Love, and Sleep Well... ----- #TrueScaryStories #AsTheRavenDreams #RedditStories ➤ Stories include a content warning for language and sensitive/disturbing content. Viewer discretion is always advised. ➤ ALL Audio of this Podcast are copyright of AS THE RAVEN DREAMS / RAVEN ADAMS and may not be duplicated, in any format, without explicit permission ➤ If you like any of the following stories, consider subscribing! - Dark Web horror stories, creepy lets not meet stories, stalker stories, Glitch In The Matrix Stories, Unexplained Horror stories, Paranormal stories, cryptid encounter stories, Crazy ex lover stories, creepy neighbor stories, quantum immortality, true scary stories from reddit, or any other True horror Stories! ➤ And Remember; You are loved, you are important, and you are valid. Never let anyone tell you otherwise. Learn more about your ad choices. Visit megaphone.fm/adchoices

The AJC's Bill Nigut and Tia Mitchell take a deep dive into the role that unions are playing in this year's presidential race. You'll hear from Yvonne Brooks, president of Georgia's AFL-CIO and the International Association of Machinists and Aerospace Workers, about how organized labor is shaping the political landscape both locally and nationally. Next, Tia Mitchell interviews Anna Johnson, the Washington bureau chief for the Associated Press, to explore how the AP calls the winner on election night. They discuss why this process has become the gold standard for determining the next president. Finally, a discussion about the response to the recent mass shooting at Apalachee High School. While some Republican state legislators in Georgia are open to revisiting gun safety laws, Georgia's GOP members in Congress seem less inclined to support any potential federal legislation.                                                      Have a question or comment for the show? Call the 24-hour Politically Georgia Podcast Hotline at 770-810-5297. We'll play back your question and answer it during the listener mailbag segment on next Friday's episode.   Listen and subscribe to our podcast for free at Apple Podcasts, Spotify, or wherever you listen to podcasts. You can also tell your smart speaker to “play Politically Georgia podcast.”     Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Gary and Julie spoke to Ross over zoom not long after his exhibition, 'Moonlight -Daylight', at King Street on William gallery in Sydney. Ross Laurie is represented by King Street on William Gallery, Sydney.'Laurie has won the inaugural Norville Prize for Landscape Painting, the COFA Print Award at the Paddington Art Prize and the Kings School Art Prize. He has also been selected as a finalist in the Dobell Drawing Biennial and the Wynne Prize, both at the Art Gallery of NSW, Sydney. Notably, Laurie's work has been selected for the Salon des Refuses ten times between 1995 and 2019.The artist's work can be found in numerous state and corporate collections such as Artbank, AGNSW, National Gallery of Australia, New England Regional Art Museum, Tamworth Regional Gallery, the Laverty Collection Sydney, La Trobe University, Melbourne, Macquarie Bank Collection and NRMA Sydney.Ross Laurie's 2020 solo exhibition at King Street Gallery ‘engaged the drought and it did so deeply. Many of the paintings in “Dry at Walcha” were suffused with the glow of pink light. But it was the arid stain of ash rather than nostalgia or eros that made these works glower' (Anna Johnson, 2022). Lauries last major body of work and solo exhibition ‘After Storms And Rain' 2022 ‘found a harder, brighter palette but also bolder geometric forms' (Anna Johnson, 2022).“It might be accurate to say that my work echoes the structure of the land. The verticals in tree forms. Multiple horizons. Forms and shapes embedded from childhood memories. I don't draw in order to paint. If I do draw I'm after a way to help me see. There is no scaffolding.” (Ross Laurie, 2022)Ross Laurie joined King Street Gallery in 2014. He lives and works on his family farm, Rams Gully, in Walcha NSW.'

Take back your thought-life! There are things that try to keep us imprisoned in our mind. We find that instead of controlling our thoughts, our thoughts control us. We may even have intrusive thoughts we'd never imagine having. How do we win the battle? Join PD with Anna Johnson as they discuss intrusive thoughts, panic attacks & guilt. Support Rise on Fire Ministries by contributing to their tip jar: https://tips.pinecast.com/jar/rise-on-fireRead transcript

Transitioning the industrial sector to run on clean energy through electrification is a critical strategy to decarbonize one of our economy's largest-emitting sectors. But electric utilities and the power grid must be able to meet increased demand from electrified industries. Effectively managing electrified load from industry requires new strategies and reliance on tried-and-true methods. This episode features Anna Johnson of the American Council for an Energy-Efficient Economy (ACEEE) to discuss industrial electrification and its implications for the grid, utilities, and states.Guest Bios:  Anna Johnson is a Senior Researcher with the Industry Program for the ACEEE, where she conducts research and analysis to support industrial decarbonization efforts. Prior to joining ACEEE, Anna worked at the Western Pennsylvania Conservancy, in the Pennsylvania Natural Heritage Program as a conservation planner and communication specialist.  Anna earned a PhD in geography and environmental systems from University of Maryland, Baltimore County, and a BA in liberal arts from St. John's College.Electrifying News:  Biden-Harris Administration Announces $20 Billion in Grants to Mobilize Private Capital and Deliver Clean Energy and Climate Solutions to Communities Across America (U.S. EPA)Consumers may soon get access to a share of $8.8 billion in Inflation Reduction Act home energy rebates (CNBC) Biden-Harris Administration finalized the strongest-ever pollution standards for cars that position U.S. companies and workers to lead the clean vehicle future, protect public health, address the climate crisis, save drivers money (U.S. EPA)New Regulations for Greenhouse Gas Emissions from Commercial Trucks & Buses (U.S. EPA)Biden administration finalizes new rules for power plants in one of its most significant climate actions to-date (CNN)Biden-Harris Administration Announces $6 Billion to Transform America's Industrial Sector, Strengthen Domestic Manufacturing, and Slash Planet-Warming Emissions (U.S. DOE)Must-read resources:Enabling Industrial Demand Flexibility: Aligning Industrial Consumer and Grid Benefits (ACEEE 2024)Electrification with Clean Power Is Key for a Growing, Competitive Industrial Sector (ACEEE 2024)Meeting Growing Electricity Demand Without Gas (Energy Innovation 2024)

04/24/24: Anna Johnson has lived in Fargo for 17 years. She currently serves as the Diversity, Equity and Inclusion commissioner for Stonewall Sports, sits on Fargo's Arts and Culture Commission, is a board member for The Arts Partnership, and previously served on Fargo's Native American Commission.  She's now running for Fargo City Commission and joins Joel Heitkamp to talk about her campaign and goals. See omnystudio.com/listener for privacy information.

Depression, suicidal thoughts, and rejection trauma is overwhelming among believers and the world alike. But Yeshua can help us heal and fight against every lie of the enemy. We must know how to identify those lies, place our faith in Christ's power to deliver, and keep watch that we end the cycle with us. Support Rise on Fire Ministries by contributing to their tip jar: https://tips.pinecast.com/jar/rise-on-fire

From a young age, Anna Johnson was an advocate for mental health. But when Anna lost her father to suicide when she was just 22 years old, she decided to create The Butterfly Path, a non-profit organization that provides mental health resources to people in Western Wisconsin and the Twin Cities. Anna credits the Hudson community with providing her family an outpouring of support after her dad's death, and she is now paying it forward with the work she's doing to help others with The Butterfly Path. On this week's episode, Anna joins to talk about her own mental health journey, offers advice to anyone out there who might need help with their own mental health challenges, shares a bit about her podcast "That Foreign Feeling," and more.Follow St. Croix Stories on Facebook and Instagram, and hear all episodes at stcroixstories.com.

Anna Johnson is a professor and researcher at Georgetown University who has been studying education in Tulsa since 2016. She talks with Ginnie Graham about comparing third grade Oklahoma State Testing Program (OSTP) scores — the state's standardized test — to researcher-administered developmental tests of children's academic skills. Why might these tests not tell the full story of student skills? Would scaling back testing frequency help? Related Opinion column by Anna Johnson: What Oklahoma standardized third grade tests can tell us — and what they can't 2022 state test scores indicate partial academic rebound From 2016: Tulsa's third-grade reading test results climb significantly for second year in a row Click here to submit a letter to the editor Contact us Editorial Editor Ginnie Graham: Email | Twitter | Follow her stories Subscribe to this podcast at: Apple | Google | SpotifySupport the show: https://tulsaworld.com/See omnystudio.com/listener for privacy information.

Summary: Join Cheryl and Kiersten as they talk about the amazing Pinyon Jay. This is one amazing bird, but they have a land management problem. Listen to find out! Show Notes: www.Allaboutbirds.org (Pinyon Jay) “Spirit of Persistence,” by Anna Johnson and Edwin Juarez, Arizona Wildlife Views PeriodicalSeptember/October 2023 page 17-20

Welcome to That Foreign Feeling! Episode 3 part two continues to takes us back to the roots of why we are here creating awareness and resources for mental health. In an interview with our co-host Anna Johnson, founder of The Butterfly Path, Grace and Steph visit about how Anna's mission to create awareness and provide mental health resources started. Anna shares her personal journey with mental health and personal experience with lack of resources, we chat about fundraising and creating partnerships, and we are introduced to the behind the scenes team that serves on the board of The Butterfly Path. That Foreign Feeling exists to support this amazing non-profit, The Butterfly Path, a ministry and resource that we all feel passionate about. “Even one therapy session can help someone”. Thanks so much for tuning, for more resources check out the show notes below! Make sure to reach out with any questions, if you are local and interested in volunteer opportunities, or with any fundraising opportunities ideas! For more resources visit thatforeignfeeling.com. Follow Us!The Butterfly PathInstagram: @The_ButterfyPathFacebook: The Butterfly Paththebutterflypath.orgThat Foreign FeelingInstagram: @thatforeignfeelingFacebook: That Foreign FeelingSupport the showA big thank you to our sponsor who is offering YOU 10% off your first month at BetterHelp by going to betterhelp.com/thatforeignfeeling.Support the show

Welcome to That Foreign Feeling! Episode 3 (part one -- part two coming soon!)  takes us back to the roots of why we are here creating awareness and resources for mental health. In an interview with our co-host Anna Johnson, founder of The Butterfly Path, Grace and Steph visit about how Anna's mission to create awareness and provide mental health resources started. Anna shares her personal journey with mental health and personal experience with lack of resources, we chat about fundraising and creating partnerships, and we are introduced to the behind the scenes team that serves on the board of The Butterfly Path. That Foreign Feeling exists to support this amazing non-profit, The Butterfly Path, a ministry and resource that we all feel passionate about. “Even one therapy session can help someone”. Thanks so much for tuning, for more resources check out the show notes below! Make sure to reach out with any questions, if you are local and interested in volunteer opportunities, or with any fundraising opportunities ideas! For more resources visit thatforeignfeeling.com. Follow Us!The Butterfly PathInstagram: @The_ButterfyPathFacebook: The Butterfly Paththebutterflypath.orgThat Foreign FeelingInstagram: @thatforeignfeelingFacebook: That Foreign FeelingSupport the showA big thank you to our sponsor who is offering YOU 10% off your first month at BetterHelp by going to betterhelp.com/thatforeignfeeling.Support the show

On this episode Leo meets Anna Johnson, a special ed teacher and gun violence prevention advocate from Raleigh, NC. Leo and Anna talk about going to the same college (at different times), Anna's time on the Change the Ref tour, her favorite TV shows, and more. You can follow Anna on Instagram @annagreenj. Anna is also the social media manager for Newtown Action Alliance and Change the Ref. --- Send in a voice message: https://podcasters.spotify.com/pod/show/generation-change/message Support this podcast: https://podcasters.spotify.com/pod/show/generation-change/support

What you'll learn in this episode:   How Anna finds the plants and animals she incorporates into her work, and how she does so sustainably Why even art jewelry must interact with the body to really be considered jewelry What techniques Anna uses to make delicate materials sturdy and wearable Why Anna hopes her jewelry will connect people to the natural world     About Anna Johnson Anna Johnson is a studio artist, craftswoman and educator residing in Asheville, NC. At a very young age she stumbled upon jewelry making and from then on it became not only her creative outlet, but a space of untampered personal expression that guided her through her educational, professional, and personal development. Equally taken by the depths of the natural world, organic elements began to be her main source of inspiration as her language in jewelry developed.   ​Today her work revolves around the question of where and why our culture perceives value by creating jewelry - often used to display worth, lineage, cultural hierarchy, believe affiliations, etc - with raw elements from directly from the natural world, unique and unpretentiously beautiful, in efforts of providing a fresh line of visual communication, a display of acknowledgment, consciousness, and in alliance with our natural world.   Additional Resources: Website Facebook Instagram   Photos Available on TheJewelryjourney.com    Transcript:   Most people who are drawn to Anna Johnson's jewelry for the first time have no idea it's made from leaves, animal bones and other items from nature—and that's exactly what Anna wants. Adapting techniques to highlight natural materials, she hopes that her jewelry will make people reconsider the world around us. She joined the Jewelry Journey Podcast to talk about what attracts her to delicate materials and how she works with them; how she defines jewelry; and why she considers herself an artist first. Read the episode transcript here.    Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.    Anna Johnson's jewelry is very different. It's made of the bones of small creatures—for example, the mandibles of small reptiles—mixed with gems. You're so taken with the designs that you don't even realize what they're made of. Welcome back.    So, you came in with the idea that the artistry was metalsmithing and jewelry, but metalsmithing brought you to jewelry, and that was all part of the artistry. Am I understanding that correctly?   Anna: Sometimes it's hard for me to articulate because one, I do feel like my work is a bit vague, so I communicate and it's easier to read through that. The thing that probably got me to jewelry was this fascination and curiosity with the small. It just happened to be this perfect storm of, “Oh, I want to make small, detailed things that highlight the things I am fascinated with.” At the time when I was going to school, it was like, “O.K., if I want to make small metals, it's got to be jewelry,” but I also love jewelry. In a weird way it's a conflict, because I'm not saying that I never liked jewelry—because I do.    I love making jewelry, and it's so important to make jewelry wearable. If it's going to be jewelry, then it's very important for it to make you feel good, make you feel right, make you feel good about yourself, make you feel good when you're wearing it. In order for it to be jewelry, it does need to, in my opinion, fit into the framework of being wearable. You see big art pieces which are amazing but maybe not so wearable. Sometimes that's intentional and makes sense with the concept of the piece. Other times, it confuses me with the way I think about jewelry. Why jewelry then? If it's not going to proudly interact with the body, then is it jewelry? I don't know.   Sharon: I understand that with a lot of jewelry. I'm sort of lost at where the bones and the plants came into place with the jewelry.   Anna: Those are my inspirations. Before coming into it, when you're developing your creative voice, hopefully you grow in your medium. Especially with artists and craftspeople, people that are really connected to what they do—and I think it really works as a language for me. I was able to delve in and learn and explore in my own way. I had a love of plants and animals and stones, and I was interested in the shapes and forms across them. As I continued to learn jewelry—or metalsmithing, really—and I continued to learn that craft, I realized how they had come together. That was amazing for me, because I could cast the plants with the bones, and they were so beautiful. I was doing a lot of fragile, little elements, but to me it was so important. It was important enough for me to incorporate them into the work. They were so beautiful I wanted to include this in my pieces.    Then I had to troubleshoot to actually make it wearable and sturdy, so I added a whole other element to my work, and that was with the stones. I use a lot of raw minerals that would be more fragile, so I had to figure out how to stabilize them and back them in such a way where I felt comfortable putting them into the jewelry pieces. That became a big part of my work, and I think that also shaped it. I was constantly getting hit with different things that could have made me be like, “Oh, I just can't include this in the jewelry.” It would be so beautiful to me that I felt like there must be a way. What could that be? It forced me to think outside of the box.    For example, if I had a casting of a leaf that didn't come out all the way, and it had really delicate edges or something like that, that would normally be too fragile to wear on the body. They might get caught on clothing or something. I had to figure out a way to strengthen it to reinforce it. Then, with the materials I was using, I could set a possum tooth and do some stone settings, and those could create more structure to the piece to make it wearable. I had all these “aha” moments of realizing how much more interesting it would be. It might be more complicated for me in the beginning, but it was so worth that extra effort to get to the end result. The end result had a lot more weight and was more successful and different. That's how I carved out a voice.   Sharon: Did you have to explain this to gallery owners and people when you exhibited? Now, today, do you have to?   Anna: Yeah, it takes a little bit of both. I feel fortunate that I think my work will resonate with a lot of people, and it has resonated with people who look at it. It will strike them in some way that initially grabs them. Sometimes, if they don't realize what the materials are at first, they might get a sense of it by taking a closer look. Then I'm like, “Oh, you really like that piece. Well, this is a mandible, and this is a mineral that you don't see that often. I've supported it to make it wearable. Then this is the bud of a daylily.”    I hope—and so far, it seems like this is the case—that the work speaks on its own, but it doesn't need the explanation to make it speak. I think that's a thing with art. It's when it hits someone at their core. Especially if you're thinking about social media and how everyone is getting constant simulation, if you're walking down the street and there's lots of chaos and a mural makes you stop and say “Whoa,” what is it? If you're scrolling on Instagram and you see a piece of jewelry or a piece of ceramic, what is it that makes you stop on something and take a closer look? That's when the piece itself speaks more than whatever the words are behind it. I'm not saying that the words aren't important, but—   Sharon: No, I think that's what I was saying, in that the design attracts you first. I still don't know what the parts of the things I have are made from. You didn't have to explain them.    Anna: I remember a couple of the pieces. You'll have to send me a photo so I can tell you all the bits and pieces that are in them.    Sharon: I like the design.    Anna: Yeah, exactly.    Sharon: Is that what you mean by artistry?   Anna: Yes. You weren't drawn to it because you were like, “Oh, there are bones and plants in there.” It was the overall composition. It's just that the composition is made up of all these really beautiful things that exist in nature. I just pulled them out of context and put them in this form. We might walk by these things every day, and we don't have the time to sit and contemplate and really take in the beauty that's all around us. I think my work is repackaging it in a way that, consciously or unconsciously, it's a connection to the natural world around us.   Sharon: This may be a silly question, but do you think that, if one of the little snakes or something that was alive saw that you incorporated their jaw and put a pearl next to it, they would appreciate that? Do you think they would like that?   Anna: I do. That's another thing. It's something that has been prevalent since the beginning of humankind and across so many cultures, and that's honoring ancestors or animals. It's really important to me that these are things I have found or people I know have found, so I can feel confident that they weren't killed or anything for their bones. I need to find the things in nature so I know where they come from or that they came from someone who understands and appreciates that sentiment.    A lot of times, I'll bury things. If I find something, I'll bury it and let it continue its lifecycle, which I think is just as important. I'm pulling from things in nature, but it is number one that I'm doing it with the most respect for these different elements and the environment and sustainability. I feel like it's convoluted, and I don't think anyone who is creating objects and using resources can actually say they're sustainable, but it's doing as much as I can with as much respect as I can to move toward that as much as possible. At the point when I'm using it in my work, it's completed; it has cycled in a lot of ways. With the tissue and everything, its energy has been able to transfer. Then I can take these things and give those another life as well. All that is really important. I hope they would appreciate it.   Sharon: To me, it's nice. If the animal or the blade of grass knew what was happening to it after it died, it would be happy.   Anna: Yes. I also think there's a disconnect. It's so easy to disconnect from the natural world and not see these things that are living around us. You see a snake or something, and people are like, “I don't know,” and get freaked out by it, but that snake is just living its life. We are living our lives too, and they probably see us and are thinking the same thing about us, acting more in defense. Their reaction is probably much more reasonable than our reaction. Another part of it is that it shifts a bit. Even if someone is wearing vertebrae earrings, there is some part of them that's connected to that. They've looked at that. They've obviously seen something in that as valuable, which is why they've purchased the earrings and are wearing them. With that, maybe they're able to show a little more appreciation.    It's my way of creating this connection wherever I can. Songbirds are really protected, which is amazing, so I think we appreciate birds. There are great resources so you can identify bird sounds, and because of that, we're like, “Oh, they're beautiful. They're wonderful,” and you're not freaking out when you see a robin in a tree. In a way, it's by identifying something. If there's more understanding for things, then we empathize more. I'm not saying my work is doing that in any major way, but I do think it's an interesting way of subtly crossing little wires, giving things a little more context, and that makes us naturally empathize. We name things. If you find something, you should name it. Say you were to get a stray kitten. If you're like, “Oh, I'm going to call you Sebastian,” now you've become attached to it. I think there's something in that. It's like, “O.K., we've identified it,” and then, “Oh, this is beautiful. I'll pay money for this, and a little more to protect it.”   Sharon: Anna, thank you very much for explaining this. It's not easy to explain. It gives me a little more appreciation for what I have. Thank you very much.   Anna: Thanks for asking me. Sometimes I don't know if I break it down in the best way, because I feel like there's a lot of little things going on, and because I am really passionate about what I do with the materials I use. So, sometimes it's hard to articulate that clearly, but I appreciate the chance to get to do that.   Sharon: Thank you very much. It's greatly, greatly appreciated.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.    

What you'll learn in this episode:   How Anna finds the plants and animals she incorporates into her work, and how she does so sustainably Why even art jewelry must interact with the body to really be considered jewelry What techniques Anna uses to make delicate materials sturdy and wearable Why Anna hopes her jewelry will connect people to the natural world     About Anna Johnson Anna Johnson is a studio artist, craftswoman and educator residing in Asheville, NC. At a very young age she stumbled upon jewelry making and from then on it became not only her creative outlet, but a space of untampered personal expression that guided her through her educational, professional, and personal development. Equally taken by the depths of the natural world, organic elements began to be her main source of inspiration as her language in jewelry developed.   ​Today her work revolves around the question of where and why our culture perceives value by creating jewelry - often used to display worth, lineage, cultural hierarchy, believe affiliations, etc - with raw elements from directly from the natural world, unique and unpretentiously beautiful, in efforts of providing a fresh line of visual communication, a display of acknowledgment, consciousness, and in alliance with our natural world.   Additional Resources: Website Facebook Instagram   Photos Available on TheJewelryjourney.com    Transcript:   Most people who are drawn to Anna Johnson's jewelry for the first time have no idea it's made from leaves, animal bones and other items from nature—and that's exactly what Anna wants. Adapting techniques to highlight natural materials, she hopes that her jewelry will make people reconsider the world around us. She joined the Jewelry Journey Podcast to talk about what attracts her to delicate materials and how she works with them; how she defines jewelry; and why she considers herself an artist first. Read the episode transcript here.    Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    Anna Johnson's jewelry is very different. It's made of the bones of small creatures—for example, the mandibles of small reptiles—mixed with gems. You're so taken with the designs that you don't even realize what they're made of. That's exactly what happened to me. I loved the earrings I saw, and I have several pairs, but I didn't realize they were made of different parts of animals until a jeweler said to me, “Oh, look what these are made of.” I didn't even realize it.    Anna is a city girl who grew up in Appalachia and went to college in Boone. She's won several international awards and has been exhibited in a lot of different galleries, but she'll tell us all about that. Anna, maybe you can tell us. I know with Covid, it must have been really hard for you. Can you tell us about how you came to work with all these animal parts?   Anna: First, thank you so much for having me, Sharon. I'm so excited to have the opportunity to chat with you again. I've been working with lots of different elements from nature, and those have really spoken to the development of my body of work.  I think of all the little bones in the same way I think of plants and the gems and minerals I use in my pieces. In looking at nature, the animals and their lifecycles, which would include the bones, are equally important to highlight. They're also so beautiful and interesting in their shapes and textures and all of those things. The bones are also durable, especially when you pull the idea of taboo off of them. I feel like a lot of times when bones are used, they're used in the context of the taboo or the macabre. I'm trying to take the focus away from that and put them in the same context of how I use plants and minerals, which are elements that you see highlighted and recognized as being beautiful more regularly. It's leveling the playing field a little bit, if that makes sense.   Sharon: It makes a lot of sense. From what I understand or what I've seen, all of it is one of a kind, right? It's not production.   Anna: I do have a body of limited-edition pieces I can repeat. Those are things I would be able to multiply. For example, I have a collection, my serpentine collection, and that whole collection was born from this little scientific specimen a friend of mine found in an abandoned high school in Boone, North Carolina, which is where I went to college at Appalachian State University. She had gone in and found all these specimen jars. There was a crawfish and hermit crabs. One of them had this perfectly coiled little snake. It was just incredible. She gave it to me, and I cast it because I couldn't know if I wanted to have an infinite supply of tiny snakes. One, I have a great respect for snakes, and two, when do you come across an item like that? I was able to take a mold of the original casting and make multiples. Because of that, I was able to develop a limited-edition line of the serpentine collection. But for the most part, my work is one-of-a-kind pieces.   Sharon: That's what I thought. You're in a lot of different galleries, right?   Anna: Yes.   Sharon: I first saw you in Mora Gallery, but looking at your website, I see you're in a lot of different galleries I've never heard of. Maybe you could tell us.   Anna: I'm in Mora Contemporary Jewelry in Asheville. I'm in Hecho a Mano, which is located in Santa Fe. I'm in the gallery shop at the Metal Museum located in Memphis, and I'm in Galleria Alice Floriano located in Brazil.    Sharon: Are you a distributor? Do you go to these places, or do they come to you?   Anna: These were places that came to me. I used to show at a lot more galleries, but because of how I produce and how I work, I can't produce as quickly. So, I had to limit the amount of places because if I show somewhere, I want to have a strong, full collection of work there. The galleries I work with now are places where I value the relationship I have with the staff and where I know they want to know my work and share that with the consumers. It's enabled me to focus on them and create that relationship. Because I make my living off of it, it's important that I'm working with places that are going to actually connect the work with the clients. I really like the places I work with.    Sharon: What did you do during Covid? If you're doing one-of-a-kind, did you line them up and hold them in your studio and then release them?   Anna: Somewhat. Covid was a funny time. It's interesting, especially talking to creative people and people in general. Covid affected everyone in a bunch of different ways. Talking to different artists, I heard a lot of folks that dove in and thrived during that time and were able to be really creative. Unfortunately, it really shut me down. I think the brain is such an interesting thing. I heard it described this way: think of it as though you're trying to sip through a straw, and stress and anxiety start to close that off. The creativity is what you're trying to get through that straw, and all of a sudden it's constricted. It's funny. It's weird, because I would have never thought it would have affected me in that way.    In a lot of ways, when everything was happening at the beginning, I was trying to find the positive in it and thinking that I was going to have this time I wanted. I could go in without having as many deadlines and having to focus on producing rather than the artistic and creative side of it. I was like, “O.K., this will be great.” Except that it shut that down for me. It was a struggle, but it was interesting. I think I was creative in different ways, but not necessarily where I normally expressed it. There was a lot of gardening. It was such a weird time, and I wish I could say I was able to go in and just produce, but that wasn't the case for me. I feel like after that, I was with a lot of people also in that boat, trying to regroup and reprioritize and feel grounded again. I feel like it put a lot of things in perspective. Yeah, it was a weird time.   Sharon: When you talk about reprioritizing, did you say that gardening was more important than jewelry making?   Anna: No, because I wanted it. I would go in my studio and try. It's just that things weren't flowing the way they normally would. It was really frustrating, having to force something that normally flowed pretty well. Another thing was the structure of the business. I'm running a business as a creative person and having to do the business side of it, but also the business is based off my passion and that spirit and how much I believe in what I create. I kind of lost my train of thought. I think the gardening thing came in with things that I didn't have time for before. Then when I started doing it, I really dove into that.    Another reason was that it was very much in the creative vein and still feeding the work. Because I do cast a lot of plants, I was able to focus on getting out of the studio and looking at different plants. A lot of plants I grow I am actually able to cast. I think it brings it full circle, that I can be working in my studio but also be outside. Examining and cultivating plants is also cultivating my work, in a sense.   Sharon: How did you come to the fact that you like plants and animals so much? Your videos and your website show you're looking for these things. How did this come to you?   Anna: I think it's just in me. As a small child, we would come up to the mountains a lot and go hiking, and I think it sparked a lot of my imagination. Actually, the other day, I was going on a hike in this area that I specifically remembered going to when I was a child. If you're hiking, sometimes there are little offshoots; they might be little deer trails. I called them bunny trails. I would always want to go down them, and I appreciate my parents for being really tolerant of letting me follow my imagination, which in that sense would be following a little bunny trail. It was like, “Ooh, what's going to be there?”    I remember this one trail I went on. I was walking, and I specifically remember following a little trail. It was a rock face, and I remember it being filled with tiny, little garnets. It very well could have been, because there are garnets found in this area. It was so magical. Of course, I loved hiking to the big landscapes and waterfalls and all that stuff, but I was really engaged with the tiny, little elements and animals. That was something I always liked. I just loved animals.    I was talking with one of my old assistants a couple of years ago. I told her this story, and she looked at me like, “Well, this makes sense of what you do.” This was probably in early elementary school. It was kindergarten, I think. It could have even been before that. There was a little baby robin that had fallen out of the nest, and my sister and I found it. It was in my backyard, and we took it in and were feeding it. You have to feed baby birds constantly, and my mom was helping. The bird stayed alive through the week, but then my sister and I both went to spend the night at friends' houses. When we came back, the bird was not in good shape and ended up passing away. We buried it in my backyard.   I had three pet snakes when I was little. We would find lizards and frogs and all these little things. Sometimes we would keep them, and sometimes we would bring them to the nature center. Anyway, we buried this little bird. Some of my best neighborhood friends down the street were at the beach. When they came back, they had missed the baby bird, but I wanted to show Hannah, my neighbor. So, not understanding, I was like, “I'll just show you,” and I started to dig up the bird. My dad comes and sees it, and he's like, “Oh no,” and stops me. I just didn't understand. Luckily, I didn't open it because I probably would have been mortified, but it was interesting at that point.    I wonder if that had an effect in some way on what I make. At that point, there was this innocence of not understanding the separation between life and death and what's acceptable and what's not acceptable. There are these little events in people's lives that might tick them or might not. Aside from that, I always had this fascination and this really strong imagination when it came to looking at these elements.    Sharon: So that's how you got interested. Coming from a city girl aspect, were you afraid to touch some of these things or pick them up or look at them?   Anna: Going back to the snake thing, I was little; I just loved them. Now I don't love them quite as much. I don't seek out holding them, but I still have a tremendous amount of respect for these different animals. My mom was and still is a wonderful gardener. I used to go out and help her with gardening. There were worms in the yard, and I'm like, “Hooray!” I would get so excited about these different elements.    For some reason, it didn't dawn on me to be grossed out or scared of those things. I just embraced that. My grandfather also always had a big vegetable garden, and I would be out there helping him. I think there was this fascination in watching the plants grow. Seeing this cycle really resonated with me. l never lost that. That fascination stuck with me, and I found this way to not only express and continue that curiosity, but also share it with others so people can be like, “Oh yeah, that is amazing. That's not gross.” I feel fortunate that I found what I consider a gift. Hopefully I can share that excitement with other people in my work.   Sharon: What led you to incorporate it into jewelry?   Anna: That was another love as a small child. That's something that always stuck with me. I've loved doing things with my hands ever since I was a small child, and jewelry was one of the first things that landed. I think it was because I could, going back to what I said before, enjoy focusing on these teeny, tiny little objects. I first started with macramé, little friendship bracelets, very simple things. Then I went to a bead store. At some point in elementary school, my brain exploded with the possibilities and all of these tiny, little curios that were filling space and how I could put them together.    I always liked to pick up different mediums. I went through an origami phase. I was playing with sewing, but jewelry always popped back up. It continued to challenge me and intrigue me. I could always make things that were different, which was exciting. There were textures and colors. It was engaging for me as a child, through adolescence and into adulthood.    Sharon: First of all, I want to know about Boone College. Were your professors or teachers supportive or understanding about what you wanted to do?   Anna: I went to Appalachian State University through their metals program. I went into the program of studio art knowing I was there to go into the metals program. I knew that coming into it. It's in the Appalachian Mountains, so because of the area, it makes sense that I was pulling from nature for subject matter. So were other people in the class. I think if people are going to that school, they're probably there in part because they love the outdoors.    Margaret Yaukey was my metals professor until she went on sabbatical. My senior year, Angela Bubash was my professor. I was very lucky to have had both of them. They were really supportive. The first casting class I took was when I discovered casting plants. It was so exciting because all of a sudden, I could take these plants I loved and actually put them into jewelry. Otherwise, they wouldn't hold up; they're not permanent. This was the amazing alchemy of turning plants into metal. That was so exciting.    Sharon: You are described in different places as an artist, a metalsmith and a jeweler. I didn't understand how the artistry came in. What do you consider yourself?    Anna: I love this question, especially because I'm at a point right now where I'm looking at that a lot. The first thing I consider myself wholeheartedly is an artist. I came to that because I really consider art an expression. To me, it's a language. It's also a space for me to feel innovative, even if I'm working within a medium. So, because it's such a form of expression to me, I consider myself an artist.    Again, I always like the little, tiny, small things. I love jewelry, and I am a jeweler for sure. I make jewelry, but I didn't come to it to be a jeweler necessarily. I think it was the fascination of focusing on this small scale. I was also into miniatures and collections and things like that. I was attracted to that, so jewelry made sense because it's the idea of little things that don't have a function. They're little tchotchkes. I feel like it doesn't get enough credit for the potential it can hold, but jewelry has this innate sense of preciousness. I also have always loved jewelry. I always wear jewelry, so it was enjoyable for me to make something I could actually put on my body and bring out into the world.   I think jewelry is also interesting because it's a craft. It's considered a functional object, but it's not functional in the same way that a cup is. It doesn't serve a utilitarian purpose necessarily. It's site-specific, which seems like that's the function of it to me, but so is sculpture. If it's a sculpture that's meant to live outdoors, you have to accommodate the space it's going into. With jewelry, it's site-specific, but it can still be artistic and sculptural.   Sharon: We will have photos posted on the website. Please head to The JewelryJourney.com to check them out.  

Less than six months ago, Anna Johnson, purchased Atelier Studio in San Jose, California. Today we learn about how the transition of ownership took place and what obstacles and epiphanies she's faced as a new salon owner. Whether you are new or a seasoned salon owner, you will take away great tips from Anna! WATCH ON YOUTUBE: https://youtu.be/FsQNlCBrLX4   JOIN mya! joinmya.com   LET'S CONNECT! BTT Instagram: https://www.instagram.com/beyondthetechnique MYA Instagram: https://www.instagram.com/join_mya/   FOLLOW ATEILER STUDIO! Website: https://ateliersalon.com/ Instagram: https://www.instagram.com/atelieraveda/

I'm so excited to introduce you to Anna Johnson founder of The Butterfly Path. In this episode we get into the story of how it came to be, the journey of finding her purpose and passion along with creating a community of of people who are helping others who are struggling with mental illness. The Butterfly Path is part of the 4th edition of Healthy in the Valley. If you'd like to donate to help others in our community get receive the help and resources they need to better their life and those around them, please consider a small donation here.  This is the best place to donate as their are no processing fees taken out. Gold Tournament Details Healthy in the Valley is a FREE digital resource for the entire St. Croix Valley.  In each publication, you'll find the areas best &  leading business owners who are passionate about health and wellness. Helping and serving  you live your best life in mind, body and soul. So if you're local to the St. Croix Valley in Hudson WI - I invite you to grab your FREE copy by going to www.healthyinthevalley.com#healthandwellness#stcroixvalley#hudsonwi#stillwatermn#riverfallswi#healthyinthevalley Did you love today's podcast?

What if your dream was to run a half marathon but you had fibromyalgia and lived with chronic pain? Julie Anna ran it anyway. Running helps her process the things she's holding onto and it's brought in a beautiful community of runners. Plus that half marathon brought in her next love - trail running. We never know where our journey's going to go, and we'll never know, especially if we don't start. Be inspired xoCome and hang out with me and our amazing community!Instagram: My.Soul.Life.PodcastFacebook Group: Our Soul Life CommunityThanks for being here and remember, you're already living your Soul Life. Let's keep growing and evolving because it's totally possible to live a life you love everyday, right where you are xo

In another post-election episode, host Dawn Vaughan talks with several more folks on our Election Night coverage team to get behind-the-scenes looks at candidate watch parties. Plus what Raleigh Mayor Mary-Ann Baldwin's reelection means, including her new fellow City Council members. With N&O reporters Luciana Perez Uribe Guinassi, Anna Johnson, Colleen Hammond and Korie Dean. And, of course, our Headliners of the Week, including the latest on lead found on the UNC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is  Naturopathic medicine? How can you get started? In this episode, we interview Dr. Anna Johnson, a wealth of knowledge and experience healing through nutrition and listening to body.  Join us for an in depth discussion around the affects of flight or flight on our digestive system, listening to our body/ and find our rhythm,  eating based on our blood types, oncology, and more.​​Dr. Anna Johnson, a first year resident at HNNH, is a board certified Naturopathic Doctor licensed in the state of New Hampshire. She earned her clinical doctorate in naturopathic medicine at the University of Bridgeport, CT, after completing a Master of Public Health degree with honors at Nova Southeastern University, FL. Prior to her graduate studies she completed a Bachelor of Arts in Molecular, Cellular, Developmental Biology at University of Colorado at Boulder.  Dr. Johnson has a strong passion for global health and has always been drawn to helping underserved populations. For her MPH thesis project, she completed a sustainable water purification system at an orphanage in rural Kenya with the International Health Initiatives. During her undergraduate career she completed medical mission trips with Global Medical Brigades in Honduras and Panama. Her most recent publication includes Project H.O.P.E. (Homelessness in Osteopathic Predoctoral Education), with Nova Southeastern University's College of Osteopathic Medicine, a curriculum designed to bridge the gap between healthcare and homelessness.Dr. Johnson found her calling in naturopathic medicine through her personal experience with a lifetime of chronic allergies. For the first time in her life she found relief through diet and lifestyle changes that were introduced to her while traveling abroad. Her decision to specialize in oncology became clear during her second year of medical school when a close family member was diagnosed with a rare blood cancer which, since then, has been managed successfully by naturopathic medicine. In her free time, Dr. Johnson enjoys painting, hiking, biking, snowboarding, nature, traveling, and spending time with her husband, family and friends.Resources:Blood type test: https://www.amazon.com/Blood-Type-Kit-Eldoncard-Micropipette/dp/B000FSOCR4About Mystics Rising:Mystic-rising.comIG: @MysticsRisingSupport Us on PatreonMystics Rising is a platform to share rising healers and leaders, and showcase foundational classes for inner work (check out the website for discounts). Help us normalize and catalyze healing and spiritual awakening! If you feel touched by this work, please help us share the podcast with friends or support us on Patreon. Follow, listen along, and reach out if you feel called to collaborate.

In Episode 3 of Overcoming Daily with Anna Johnson, Anna shares her personal testimony of how through prayer God gave her a husband and greater fellowship with Him in her life.

In Episode 2 of Overcoming Daily with Anna Johnson, Anna shares her personal testimony of how through prayer God delivered her from an abusive relationship in less than 24 hours after she had been assaulted by her abuser.

In Episode 1 of Overcoming Daily with Anna Johnson, Anna shares her personal testimony of how God equipped her to overcome challenges that could have hindered her from fulfilling her call of duty to the Kingdom of God.

In light of recent events, for the first week of airing, my guest and I will be donating a dollar to local abortion funds across several states for every listen this episode gets. You can feel free to spread the word or join me in the fundraising. If you'd like to match a portion of the listens, please reach out to me on instagram or twitter @yfbpodcast We're chatting about one of the most famous American short stories ever written, "The Lottery" by Shirley Jackson. Anna and I chat about how unfortunately timely this story feels, some wonderfully unexpected moments while reading this story, our grievances against long-held American traditions, and so much more. Everything is spoiled, so consider yourself warned! There are also some lighter reading recommendations at the very end, so stay tuned for those.

Why are you telling yourself you can't be a runner? Is it because you think you're “too old” or because you have too many health or injury-related issues?   My guest this week is Julie Anna Johnson, a life coach and athlete with fibromyalgia, who was walker-bound just 10 years ago. She's sharing how she achieved her dream of running her first half marathon last year, and what has helped her navigate the mind drama we all experience.   Get full show notes and more information here: https://notyouraveragerunner.com/253

In Episode 13 of Overcoming Daily with Anna Johnson, Anna interviews her mother, Carolyn Cox. Carolyn shares how she overcame addiction and childhood rebellion through an unexpected teenage pregnancy that changed the course of her life choices. She tells how her faith in God helped her endure the shame and pressure that came from being an unwed teen with a bi-racial baby in the 70s. Her testimony is one of hope, determination, and faith in the midst of life's pressures.

How can the Catholic Church fight for climate justice and embrace the voice of young people in this work? On this week's episode, host Samantha Yanity sits down with four young women working for environmental justice. Samantha, Anna R., Emily, Teresa and Anna J.* discuss the impacts of environmental degradation, the ways that each of their communities are impacted, especially young people and indigenous communities, and how, grounded in their faith, they feel called to respond to this crisis. Over the last year, the four of them, along with over 30 young adults have been developing a forthcoming curriculum oriented towards young Catholic climate advocates. This work seeks to provide training, tools, and formation for youth and young adults to ground themselves in spirituality rooted in creation, personal transformation and education, and social action and structural advocacy to take action to create a more sustainable and healthier climate. *Episode Note - Speakers enter the conversation in the following order: Anna Robertson, Emily Burke, Teresa Tsosie, Anna Johnson. 

Deaconess Anna Johnson of Concordia Publishing House Enduring Faith

Anna Johnson of Sacred Life Coaching speaks again on overcoming! Join Laura Lee as she discusses Anna Johnson's overcomer retreats and the important of community to help one overcome! Enjoy the music from Nate Sanders and look for the next show with Messianic Lamb Radio Host Chelle Wagner as they discuss recovery from alcoholism and the 12 steps of the recovery process! Chelle's youtube channel https://www.youtube.com/watch?v=rJ8is79eJds   Nate's music: https://www.youtube.com/watch?v=RtjwSHWY4n8 http://www.bethelightworship.com/

*Listener discretion advised* About this episode:  There have been more works written on the American Civil War than there have been days since it ended, and the number of topics can be overwhelming. However, one aspect of the military experience has largely been overlooked. Hidden from families and posterity, a topic as timeless as war itself. This episode: sex and the American Civil War. ----more----   Some Characters Mentioned In This Episode: Charles Lutwidge Dodgson - AKA Lewis Carroll Joseph Hooker Louis Pasteur Walt Whitman Joshua Speed Daniel Sickles   Additional Resources: "Prostitute License" for Anna Johnson   "Prostitute License" for Bettie Duncan   Get The Guide: Want to learn more about the Civil War? A great place to start is Fred's guide, The Civil War: A History of the War between the States from Workman Publishing. The guide is in its 9th printing.   Producer: Dan Irving   Thank you to our sponsor Bob Graesser, Raleigh Civil War Round Table's editor of The Knapsack newsletter and the Round Table's webmaster at http://www.raleighcwrt.org  

In Episode 12 of Overcoming Daily with Anna Johnson, Anna interviews Jordan Mulson. Jordan shares how particular mindsets had sabotaged his goals in several areas of his life. He shares what mindset shifts helped transform the way he approaches and experiences life.

In Episode 11 of Overcoming Daily with Anna Johnson, Anna interviews Cathie Bradley. Cathie shares her story of the loss of her daughter Sky and how God helped her through a time of shock and sorrow.

In Episode 10 of Overcoming Daily with Anna Johnson, Anna interviews Dawn Perry. Dawn shares how she experienced betrayal and rejection from the church she was ministering to and how God worked through it all. #betrayal, #rejection, #discipleship, #faith, #overcomer, #testimony

In Episode 9 of Overcoming Daily with Anna Johnson, Anna interviews Lena Olmos. Lena shares her personal past struggle with pornography and how God delievered her from addiction.

In Episode 8 of Overcoming Daily with Anna Johnson, Anna interviews Jane Calendrillo. Jane shares her personal struggle with Obsessive Compulsive Disorder and how she is overcoming through the help of God.

In Episode 7 of Overcoming Daily with Anna Johnson, Anna interviews Alicia Wornicov. Alicia shares her overcomer story about how she overcame through utilization of support and Biblical principles.

In Episode 6 of Overcoming Daily with Anna Johnson, Anna interviews Darius Lindsey. Darius shares how his relationship with God transformed his life and delivered him from addiction.

In Episode 5 of Overcoming Daily with Anna Johnson, Anna interviews Shoshana.

In Episode 4 of Overcoming Daily with Anna Johnson, Anna interviews Kodie. Kodie shares how childhood origin issues contributed to feelings of rejection, anxiety, and depression. Tune in and see how she is overcoming daily.

A nursing grad from Grand Canyon University, after working for Phoenix Children's Hospital and Hospice of the Valley, Mrs. Anna Johnson has served as the lead nurse in the Northwest Christian Student Health Office for two years.  And, what a two years they have been!  Anna literally started at the school as the pandemic was gearing up and has spent nearly every day in these last two years working overtime to keep the Crusader community safe.In today's special Kingdom Culture Conversation, Anna sits down with Geoff Brown and talks through the driving motivations behind the release of a slightly revised COVID-19 Campus Readiness Plan for Northwest Christian School.  In today's conversation, the two candidly discuss the current strategy, its efficacy, and the resulting impact in terms of infections, quarantines, and isolations.To review the updated version of Northwest Christian's COVID-19 Campus Readiness Plan, please follow this link:  https://conta.cc/3Gejo4K"Kingdom Culture Conversations" is a podcast created through Frameworks, a Biblical worldview initiative of Northwest Christian School.For more information on Frameworks, please visit:  https://frameworks.ncsaz.org/For more information on Northwest Christian School, visit:  https://www.ncsaz.org/To reach out to Geoff Brown, please email gbrown@ncsaz.org or you can reach him by cell phone:  (623)225-5573.

Anna Johnson is the Founder of The Butterfly Path, a mental healthy advocacy nonprofit in Western Wisconsin. Anna and I talk about our own struggles with mental health, the stigma around it, and the toll social media can take on our wellbeing. This honest and raw conversation discusses important topics that may be difficult for some, but we hope sharing our own stories encourages others to seek resources like we both have. To learn more information, visit: https://jorditiffany.com/

Today, Anna Johnson joins us on Episode 9 on Conversations with Cam. Anna & I met through Chi Omega, which is a sorority at Ohio State. She is a senior at OSU, majoring in Marketing with a minor in Fashion & Retail Studies. We go through Anna's mental health journey with anxiety and depression and how we can break the stigma of mental illness by being open and vulnerable ourselves. Anna talks about how we all need to fill our own cups by taking care of ourselves and speaking our truth. Anna— I am truly so thankful for you!!! Lots of Love, Cam Business Inquiries: camrynnicolem@gmail.com Instagram: @conversationswcam @camrynnicolem camrynnicolem.com

Guest: Anna Johnson Reidel, Villas at Killearn Lakes Anna Johnson Riedel has over 35 years working for WCTV, a CBS affiliate, in Tallahassee, Florida as an anchor and in Public Relations.  She is also known for her leadership role in the community with non-profit organizations. She has retired from the broadcasting business but is currently a partner and the spokesperson for the new assisted living concept called the Villas at Killearn Lakes. Hosts:  Joy Tootle, Esq., Rosanna Catalano, Esq., and Jeanne Curtin, Esq. https://www.villasatkillearnlakes.com https://rocketshipconsultants.com https://TheFloridaville.com

KRISTOFER COLLINS is the publisher at Low Ghost Press and the books editor at Pittsburgh Magazine. He is the co-host of the Hemingway's Summer Poetry Series. Over the years, he created a literary name for himself with projects such as The New Yinzer and The Bridge Series. HIs latest book is THE RIVER IS ANOTHER KIND OF PRAYER: NEW & SELECTED POEMS. Collins lives in Pittsburgh, PA with his wife Dr. Anna Johnson and their son Cassidy.

The Cajun Libertarian talks with Anna Johnson the LP State Chair of Washington! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app