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Hometown Radio 05/05/25 3:30p: The Red Hot Chili PIPERS are coming to the Clark Center
Hometown Radio 05/05/25 3:30p: The Red Hot Chili PIPERS are coming to the Clark Center
Hometown Radio 03/27/25 4p: Dave Pier from the Clark Center
Hometown Radio 03/04/25 3:30p: Dave Pier from the Clark Center
Misty Rowe stops by to talk about the Hee Haw Honey reunion with Andy Morris happening at the Clark Center.
Hometown Radio 03/04/2025 3:30p John Oates, formerly of Hall and Oates, comes to the Clark Center
Pismo Beach Today 03/02/2025 12p: Anita's guests are Dave Pier of The Clark Center and Roxi Buchanan of The Natural Toolbox. Produced by Jim Richards
Hometown Radio 01/30/25 3p: Dave Pier from the Clark Center
Pismo Beach Today 01/26/2025 12p: Dave Pier of the Clark Center in Arroyo Grande lets us know what is going on. Produced by Jim Richards
Pismo Beach Today 01/25/2025 12p: Dave Pier of the Clark Center in Arroyo Grande lets us know what is going on there. Produced by Jim Richards
Hometown Radio 10/10/24 3p: Dave starts the show then talks with Dave Pier from the Clark Center
Hometown Radio 09/19/19 3p: Dave shares stories from last week then the SF Comedy Competition returns to the Clark Center
Hometown Radio 08/28/24 4:30p: "Six" comes to the Clark Center
Dave Pier from The Clark Center shares the upcoming season.
Hometown Radio with Dave Congalton Show" airs weekday afternoons from 3p to 7p. Join the conversation as Dave discusses important issues facing the community and chats with a mixture of local officials and interesting people.
Hometown Radio 12/18/23 3p: Reporter Karen Velie does a wrap-up on local news then Dave Pier from the Clark Center
In episode 7, I lecture on chapter 5 of the 9th edition of Peter G. Northouse's "Leadership: Theory and Practice." During the segment, I provide an overview of Hersey and Blanchard's Situational Leadership Model, discuss details about the connection between a leader's style and the follower's developmental level, and why it's essential that leaders engage in conversations with their team members. In the Living Leadership Interview segment, I discuss leadership philosophy and principles with Dion Wade. Dion is a Trinity alumnus and is currently the Director of Financial Planning and Analysis at Seattle University. After leaving Trinity he completed a Master's degree at the University of Central Florida and then was a recreational sports professional at Stetson University, the University of Texas at Austin, the Clark Center in Cooperstown, NY, and Seattle University. Dion discusses how his experience as a football player, a first generation college student, working at a pharmacy, and being a father have all shaped his leadership philosophy. He has a deep passion for higher education and helping students become what THEY want and need to be. Dion knows that with great power comes great responsibility and he focuses on leadership as a never ending journey. I love how he describes seeing the potential in others and how he leans into his follower's strengths, builds relationships, and helps others grow. And his discussion about how great leaders focus on equity, not equality is important for us all to hear. Let me know your reactions to my chat with Dion. Reach out on Twitter (errr X) or LinkedIn and let's keep the conversation going.
The Nonprofit Story's Dr. Consuelo Meux says goodbye to Downtown SLO's Bettina Swigger, who is moving on to a new job in Colorado. KCBX's Marisa Waddell speaks to Paula Poundstone, ahead of her Clark Center appearance. Dr. Warren Balfour speaks with KCBX's Rick Mathews about the history of the jazz music programs at Cuesta College.
Hometown Radio 09/19/23 3:30p: Comedian Dan St. Paul previews SF Comedy Night at the Clark Center
Hometown Radio 07/12/23 3p: Dave Pier previews the upcoming season at the Clark Center
Hometown Radio 04/18/23 4p: A drag queen show comes to the Clark Center
Hometown Radio 03/06/23 3:30p: Dave Pier from the Clark Center previews upcoming shows
Hometown Radio 01/17/23 3:30p: "Voices of Mississippi" comes to the Clark Center
Hometown Radio 01/12/23 4p: We talk about Drumline Live at the Clark Center
Hometown Radio 01/05/23 3p: Dave Pier previews upcoming Clark Center shows
“We can't judge people today who could be different tomorrow.” - Michael Glauser The greatest of happiness occurs in relationships, yet as a society, we have lost our way in building and sustaining meaningful relationships. We don't talk to our neighbors as much as we did a decade ago – and the detrimental effects of this lost art is greatly affecting the next generation to lead our world. Over 40% of high school students are persistently sad and feeling hopeless, while 40% of college students say they are too depressed to do their school work. Additionally, 60% of college students say the loneliness epidemic is a very real problem in their own lives. After years of pulling research together about the principles for happiness and civility, Mike Glauser decided it was time to put it all into book form and call it One People One World. In today's episode, Dr. Michelle Robin asks Mike what those six universal truths are that he presents in his book. While these truths have been on this earth for 5,000 years – and are backed by significant academic research – people are still struggling to reconnect to them despite how simple they seem. Mike dives into why action is required – not just reading or thinking about them. Tune in as he shares insight of what he's learned over the years after doing bicycle tours through small-town America. About Today's Guests: Michael Glauser is an entrepreneur, business consultant, university professor, and author of Main Street Entrepreneurand One People One Planet. He's also the Executive Director of the Clark Center for Entrepreneurship at Utah State University. He has built successful companies in the retail, wholesale, and consulting industries. He has worked with hundreds of startup ventures and large corporations. He is the co-founder and CEO of My New Enterprise, an online training, and development company. He's the Director of the SEED self-sufficiency program, helping people around the world to improve their standard of living and benefit their communities through entrepreneurship. Mike's great passion is helping people create successful companies, gain financial freedom, and live the life of their dreams. Mentioned in the Episode: Main Street Entrepreneur by Mike Glauser One People One Planet by Mike Glauser One People One Planet website Mike Glauser's website Big Shifts Foundation
Hometown Radio 12/02/22 4:30p: "An Irish Christmas" comes to the Clark Center
Hometown Radio 12/01/22 3:30p: Dave Pier from the Clark Center
Hometown Radio 10/19/22 4:30p: Barbershop Quartet music comes to the Clark Center
Hometown Radio 09/19/22 3:30p: The San Francisco Comedy Competition returns to the Clark Center
Hometown Radio 08/19/22 5p: Meet Dave Pier, the new director of the Clark Center
Hometown Radio 08/03/22 4p: Ashlea Boyer from the Clark Center
Connie O'Henley of The Clark Center announces the upcoming season and her retirement.
Greer Eubanks presents the pet of the week. Heather Muran enjoys Olallieberry Cheesecake from Linn's with us and discusses a performance at The Clark Center. Produced by Jim Richards
Hometown Radio 05/05/22 3p: "Bruce in the USA" comes to the Clark Center
There is much more light in the northern hemisphere today than there was yesterday. This will be the case for 90 more days until the pendulum shifts back the other way, but perhaps now isn’t the time to bring that up. It is time to tell you that this is another edition of Charlottesville Community Engagement and I’m the same version of Sean Tubbs. Spring into new information with a paid or free subscription to the newsletter and podcast!On today’s show:Several stories out of last week’s Albemarle Economic Development Authority meeting, including the pursuit of a designated outdoor recreation area for somewhere in urban AlbemarleThe Crozet Community Advisory Committee learns about transportation CouncilMembers of the Lewis and Clark Exploratory Center talked loan forgiveness with the Albemarle EDA in closed sessionAnd an update on the Broadway Blueprint in Albemarle County First shout-out goes to the Rivanna Conservation AllianceIn today’s first Patreon-fueled shout-out, the Rivanna Conservation Alliance wants wildlife and nature photographers to enter their first-ever photography contest! They want high-resolution photos related to the Rivanna watershed and the winning entries will be displayed at the 2022 Riverfest Celebration on May 1. The two categories are 16 and under, and those over the age of 17. You can send in two entries, and the work may be used to supplement Rivanna Conservation Alliance publications. For more information, visit rivannariver.org.Lewis and Clark Exploratory Center officials met in closed session with EDA to talk loan forgivenessThe Albemarle Economic Development Authority met with leaders of the Lewis and Clark Exploratory Center in closed session last week to share information about the nonprofit’s ability to pay back a loan that dates back to 2013. “The pandemic of course dealt us a hefty blow as I think it did most nonprofits,” said Malou Stark, the president of the center’s Board of Directors. “We were not able to open during most of the pandemic. We began very small last fall with very private small group tours of two or three people at a time.”That’s important as the Center owes just over $125,000 to the EDA for the loan, which was taken out to cover higher-than-expected construction costs to build the Center in Darden Towe Park. The Charlottesville Economic Development Authority also contributed $130,000 for that purpose, and has said it will forgive the loan if the Albemarle EDA follows suit. However, they have consistently indicated they expect repayment. Stark and fellow board member Sarah Gran met with economic development staff before the meeting to speak privately about the issue. “We took away the thoughts and ideas that were addressed a week ago and really wanted to hear what the EDA was saying about repayment about this loan and that we take it seriously,” Gran said. The EDA told the center board members that they want a plan for repayment. Stark said the Center sees an ability to bring in more revenue now that it can open. “We’ve continued renting out our building and we have been very successful during the pandemic in getting grants that we have gone after,” Stark said Stark said the Center will resume holding its summer camp this year and that will be one source of revenue. However, schools are not yet booking the property for field trips. The EDA met with Stark and Gran to discuss the matter in closed session. At the closed session, they also discussed an economic development project with the codename Khaki. There was no action on the matter after the closed session. There will be more from the Albemarle Economic Development Authority later on in this newsletter. Watch the whole thing on the county’s YouTube page. Crozet CAC briefed on transportation infrastructure projectsThis month all of Albemarle’s seven advisory committees have been briefed on transportation projects from the county’s planning staff. In recent years, Albemarle has been successful at securing money for projects, such as the conversion of the Route 151 and U.S. 250 intersection to a roundabout. On March 8, 2022, the Crozet Community Advisory Committee had their turn. Planning Manager Kevin McDermott explained how the process works in Albemarle. “We regularly update a list of transportation priorities and this list basically is every project that’s been identified,” McDermott said. (read the list)Those projects are identified in master plans, small area plans, corridor plans, and so on.“And then we evaluate all of those projects based on a set of metrics which we think kind of capture, really, the needs of a transportation system,” McDermott said. “Those include measuring for safety, congestion, economic development, accessibility, land use, and environmental impact.” That ranking system is similar to the one used by the Virginia Department of Transportation in their Smart Scale process. That’s one of many sources of revenue for transportation projects and McDermott said the priority list is used to help position projects for applications. For the past few years, Albemarle has used a capital fund called “transportation leveraging” that is used to come up with local matches for major projects. Other sources include a revenue sharing program with VDOT and a Transportation Alternatives program for projects for non-motorized users of the public realm. “These projects are things that would cost definitely under a million and it requires a twenty percent local match,” McDermott said. Major projects in the Crozet area include the southern extension of Eastern Avenue (#8). That’s been a plan on paper for many years, but when it came time to apply for funding the cost estimates were out of date. “And so we decided to move forward with an engineering study using local funding and so that engineering study also looked at the potential locations of Eastern Avenue,” McDermott said. The county will find out in April if VDOT will award funds to the Eastern Avenue project, which could have a cost around $25 million. Other projects in the area include conversion of U.S. 250 and Virginia Route 240 to a roundabout and a Smart Scale application for a roundabout at Old Trail Drive and U.S. 250 at Western Albemarle High School. The priorities will be reexamined as part of Albemarle’s ongoing review of the Comprehensive Plan, including new projects suggested in the recent update of the Crozet Master Plan. For more from the meeting, take a look on YouTube:Albemarle EDA releases Habitat for Humanity of Greater Charlottesville from Southwood deed The Albemarle Economic Development Authority has adopted a resolution releasing Habitat for Humanity of Greater Charlottesville of its obligations related to a ground lease for the Southwood Mobile Home Park. According to Albemarle’s property records, Habitat purchased the land and trailers at Southwood on March 1, 2007. Senior Assistant County Attorney Richard DeLoria said the Albemarle EDA took on the note for some of the debt in 2010. “Long story short is that the EDA assumed a $6 million obligation that was secured by a deed that was presented to the EDA,” DeLoria said. DeLoria said Habitat paid back the funding in the form of rent to the EDA but now Habitat is seeking to refinance. That means they needed to clear up the obligation to the EDA. “Habitat would like a deed of release from the EDA and also a termination agreement for the lease,” DeLoria said. The vote to adopt the resolution was unanimous. As of the March 15, 2022 EDA meeting, Habitat had not completed the refinancing packet. Today’s second shout-out goes to LEAPYou don’t need the “luck of the Irish” to be safe and comfortable in your own home. To see what you can do to get the most out of your home, contact LEAP, your local energy nonprofit, to schedule a home energy assessment this month - just $45 for City and County residents. LEAP also offers FREE home weatherization to income- and age-qualifying residents. If someone in your household is age 60 or older, or you have an annual household income of less than $74,950, you may qualify for a free energy assessment and home energy improvements such as insulation and air sealing. Sign up today to lower your energy bills, increase comfort, and reduce energy waste at home!Albemarle making major investment in economic development funding with surplus fundsThe proposed budget for Albemarle County for fiscal year 2023 contains a recommendation from County Executive Jeffrey Richardson that will give the Albemarle Economic Development Authority a large pot of money to use to help close deals. “Our Board has heard the recommendation from Mr. Richardson to put $5 million back into the economic development investment pool,” said Roger Johnson, the county’s economic development director. “That would sort of reestablish our investment pool that we have spending over the last four years or so. It is getting lowered as every project comes along.” The source of the $5 million is funding left over from FY21. These funds are often used to cover the county’s match for grants such as the Virginia Jobs Investment Program (VJIP) and the Agricultural and Forestry Industries Development fund (AFID). The latter was used to help Potters Craft Cider renovate Neve Hall to become its tasting room and production facility and the EDA contributed $50,000. This week, Governor Glenn Youngkin awarded the first AFID grant of his administration to Hidden Pines Meat Processing in Madison County. “The company, which has been operating for more than twenty years, is expanding to year-round operations and adding USDA inspection services to meet surging consumer demand for locally produced meats,” reads the press release. Johnson said having a dedicated pool allows his team to work without getting an appropriation for each development project. Albemarle County seeking to explore DORA Albemarle County is considering taking advantage of new state laws that allow the use of Designated Outdoor Refreshment Areas to help boost tourism and economic development. “It’s a geographic area licensed by the ABC annually that allows the consumption of alcoholic beverages—wine, beer, mixed beverages—within public spaces or inside a business without an ABC license as long as the business owner agrees,” Johnson said.The Town of Scottsville has used its DORA license on two occasions so far. The city of Charlottesville has discussed the idea but has not pursued it since a majority of the last Council did not appear to support it. Under the DORA, a nonprofit group would hold the ABC license. A business improvement district could also hold the license, but there are none in Albemarle County. “What’s allowed is up to 16 events per year,” Johnson said. “Each event can be no longer than three days. You need a letter of support from the locality, and in this case that’s Albemarle County. You have to submit an ABC application and there is a fee associated with that.”Beverages must be in designated containers. Johnson said he’s met with the Police Department to get their feedback on the events. EDA Director Stuart Munson praised the DORA set up for Scottsville for two events so far. “We saw a significant increase in traffic both on the street and in businesses and we had no problems whatsoever,” Munson said. Other potential uses for a DORA in Albemarle are in Crozet and at Stonefield. EDA briefed on Broadway Blueprint studyThe Albemarle Economic Development Office has officially completed a planning study for a portion of the county around the Woolen Mills Factory on the western banks of the Rivanna River. (read the report)“The general idea was to take the 46 and a half acres on the Broadway Corridor and turn that into a place that people, businesses, and activities all occur at the same time and everyone would like to be there,” Johnson said. Recommendations in the plan include creation of an arts and cultural district, creation of a business association for the corridor, increased bike and pedestrian facilities, design of a multimodal streetscape, and enhanced public transit. The report was delayed by COVID and during that time, Albemarle has adopted a new value of “community” which means equity and inclusion. That’s meant a new round of recommendations after the study was looked at through an equity lens. “The new recommendations include connectivity to all outside communities including the city,” Johnson said. “We were talking about this being a county-only type project but there are some surrounding neighborhoods that we believe it makes sense to connect to as well. It also includes targeting programming and the use of public space to serve the broader neighborhoods.” The item was on the consent agenda for the March 16, 2022 meeting of the Board of Supervisors. On Thursday, the MPO Policy Board will select an alignment for a pedestrian and bike bridge to connect the Woolen Mills with Pantops. One would connect to Charlottesville at Chesapeake Street at a cost of $11.3 million. The other would connect at East Market Street and would have a cost of $15.4 million. (alternatives report) (comparison matrix)Support the program!Special announcement of a continuing promo with Ting! Are you interested in fast internet? Visit this site and enter your address to see if you can get service through Ting. If you decide to proceed to make the switch, you’ll get:Free installationSecond month of Ting service for freeA $75 gift card to the Downtown MallAdditionally, Ting will match your Substack subscription to support Town Crier Productions, the company that produces this newsletter and other community offerings. So, your $5 a month subscription yields $5 for TCP. Your $50 a year subscription yields $50 for TCP! The same goes for a $200 a year subscription! All goes to cover the costs of getting this newsletter out as often as possible. Learn more here! This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit communityengagement.substack.com/subscribe
Dr. Rhiannon Paget is the curator of Asian Art at the John and Mable Ringling Museum of Art in Sarasota, Florida. Ms. Paget joins me on The Unfinished Print to discuss the life and times of mokuhanga printmaker Saitō Kiyoshi, war print production of the later 19th Century and early 20th Centuries and she speaks on kabuki prints through the years. These topics are framed through the three shows which Dr. Paget was involved in, Saitō Kiyoshi: Graphic Awakening (March 14 -August 15, 2021 @ The Ringling), Conflicts of Interest: Art and War in Modern Japan (October 16, 2016 - January 8, 2017 @ the St. Louis Art Museum), and Kabuki Modern (November 13 -July 27, 2021 @ The Ringling) Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Dr. Rhiannon Paget PhD - curator of Asian art at the John and Mable Ringling Museum of Art own Sarasota, Florida. She was also a A.W Mellon Fellow for Japanese Art from 2015-2017, and wrote for The Japan Times. The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here. Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. Cleveland Museum of Art - founded in 1913 and opened in 1916. It has an online collection, and open access to its works in its collection. More info, here. Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here. Isamu Noguchi (1904-1988) - was a U.S born sculptor and designer who traveled the world to understand his own works. He collaborated with many artists from all over the world. More info, here. Kiyoshi Nakashima - an artist and designer who designed woodblock prints, in the 1980's. His most famous are his melancholy women prints. Some can be found, here. Karl Bickle (1881-1972) - an ex newspaper man at the turn of the 20th Century Bickle who retired in Sarasota, Florida in 1935. He was influential in the opening of the Ringling Museum in 1945. More info, here. Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here. Paul Gauguin (1848 - 1903) - self taught artist, ex-stockbroker, travels to Brittany, France in 1886 where he sows the seeds of his Symbolist Movement. He is famous for his works made in Tahiti, perhaps now seen as a bit naïve and privileged, these works, were expressed through painting, woodcuts and the written word. He also painted self portraits, and landscapes searching for the spiritual via colour and form. The National Gallery has a very good history of Gauguin here. François Auguste Rodin (1840-1917) - a sculptor of the human form, Auguste Rodin was a French artist who's work took off when he was commissioned by the French government in 1879. One of his most famous works is “The Gates of Hell” a commissioned work for the Musée des Arts Décoratifs, a museum which was never built. For more information about Rodin, The National Gallery has a biography, here. mokume - is a woodblock printing technique where, by using heavy pressure on wood which contains a heavy grain, the artist can reveal the grain in their work. Kiyoshi Saitō Museum of Art - located in Yanaizu, Fukushima, Japan this museum is dedicated to the art and works of Kiyoshi Saitō. Opened in 1997, the museum holds rotating shows connected to Saitō's works. Museum website can be found, here. Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections. Fukushima Prefectural Museum of Art - opened in 1984 in Fukushima City, Fukushima, this museum contains works from Japan and all over the world. The website is in both Japanese and English, and can be found, here. Ms. Paget uses the Japanese words for certain woods which mokuhanga printmakers can use. They are: kiri - a paulownia wood keyaki - Japanese zelkova tree Steady Gaze - is a print which Saitō produced in 1952, with two cats staring in different directions with two different backgrounds, one red (Animal) and one blue (Two Cats). I found another Steady Gaze cat print from 1950 and sold as a scroll. It can be found, here. Edward Munch (1863-1944) - was a painter from Norway who is collectively famous for his painting, The Scream, painted in 1893. More info can be found, here. Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim. Aizu, Fukushima, Japan - is a geographical area located in West Fukushima Prefecture, , Japan. It has a long history and is one of the nicest areas in Japan that I have visited, Tourist information can be found, here. Toyohara Kunichika (1835-1900) - was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here. Kobayashi Kiyochika (1847-1915) - was a woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). More info, here. Toshihide Migita (1863-1925) - a woodblock designer known for his own print designs of the First Sino-Japanese War, kabuki portraits, bijin-ga, and landscape. More info, here. Pearl Habor woodblock prints - are a series of woodblock prints produced in 1942. One such print, found here, was designed by Hasegawa Sadanobu III (1881-1963). Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between the Imperial Russian and Imperial Japanese military taking place in China. Information about its background can be found here at history.com, and here. Andreas Marks - is a scholar and Mary Griggs Burke curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. print panels - artworks, like woodblock prints, can come in various numbers of panels. Single panels is one print, diptychs are two panels, triptychs are three panels, quadriptych his four panels, pentaptych is five panels. Kawase Hasui (1883-1957) - was a woodblock designer who began his art life as a painter. He worked predominantly with Watanabe Shōzaburō (1885-1962) designing some of the most famous woodblock prints from the Watanabe atelier such as Winter Moon over Toyama Plain, here. Ogata Gekko (1859-1920) - was a woodblock print designer during the Meiji Period (1868-1912) of Japanese history. Famous for his war prints of the Sino-Japanese War (1894-1895.) more info, here. Yokoyama Taikan (1868-1958) - was a Nihon-ga painter who exhibited around the world. His work, such as Mount Fuji in Japan has been deemed to have been nationalistic and proto-fascist. A great book on the subject is, “The Politics of Painting: Fascism and Japanese Art during the Second World War (University of Hawai'i Press, 2019) Hitler Youth - was a a youth organization formed in 1922 to indoctrinate children in Nazi propaganda, to be better prepared to fight in the German military. More info, here. Teiten - started in 1919 until 1934, Teikoku Bijutsu Tenrankai, was one of several (Bunten, Shin Bunten, Nitten, and Shin Nitten) Japanese Fine Arts Exhibition's held yearly in Japan. Teiten was famous for creating a platform for creative woodblock printing. Minami-za - is a kabuki theatre located in. Kyōto, Japan. more, info here. Yamamura Kōka (1885-1942) - was a woodblock print designer and artist who helped design many prints for Watanabe as well as for his Publishing Committee for Yamamura Kōka's prints. more info here. Yotsuya Kaidan - ghost play, predominantly performed in kabuki. Staged for the first time in 1825. It has been performed steadily in kabuki since its first performance. more info, here. Heron Maiden (Sagi Musume)- is a Japanese folk-tale which is a very famous kabuki dance expertly performed by Bandō Tamasaburō V. Watch, here. Bromide photography - is a type of early Twentieth Century commercial photography found in Japan , usually photos of geisha, kabuki actors, and sports people. Junichiro Sekino (1914-1988) - was a woodblock printmaker and illustrator who studied with Onchi Koshiro (1891-1955). More info, here. Yakusha-e - is a Japanese word for kabuki actor prints. More info, here. First Thursday Society - started by Onchi Kōshiro in 1939 to develop sōsaku hanga. more info from Ronin Gallery, here. opening and closing credit music - Tom Petty & The Heartbreakers - Anything That's Rock 'n' Roll (1976) Gone Gator Records © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
Hometown Radio 02/24/22 3p: Deuces Wild Dueling Pianos are coming to the Clark Center
Hometown Radio 01/19/22 3p: Dirty Cello comes to the Clark Center
Hometown Radio 12/14/21 4p: An Irish Christmas comes to the Clark Center
You know, maybe there is something to this idea of six degrees of separation. My guest today, Roberta Kirschenbaum and I and Joe Pilates walked the same streets in New York City and actually, climbed the same stairs in the now famed building, 939 8th Avenue. Without being aware of each other, Roberta and I both took dance classes on the second floor at Clark Center not knowing that on the same floor Joe Pilates once had his first and only Contrology gym.It was during a ballet class in 1984, when Roberta first heard about Carola Trier, one of Joe Pilates disciples. Roberta had injured her back and the studio manager suggested she go see Carola. At that time, Roberta couldn't afford Pilates classes and was able to heal herself, but the buzz around the Pilates method intrigued her and eventually she began studying with Carola. Roberta's story gets much more interesting! In 2005 she returned to 939 8th Avenue not as a dancer but as a Pilates studio owner, and incredibly for the last sixteen years has taught the Contrology system in Joe's original space. I'm very excited to have Roberta here to put a cap on Season Three and to hear how she's helping to keep Joe's method alive. For more information about Roberta Kirschenbaum: https://rolates.com/studioMusic credit: Hot Coffee by Ghostrifter
Hometown Radio 12/09/21 3p: Katie Boeck bring her Joni Mitchell tribute to the Clark Center
Hometown Radio 07/21/21 3p: Connie O'Henley from the Clark Center previews the new season
In today’s first Patreon-fueled shout-out:With the summer heat in full swing, your local energy nonprofit, LEAP, wants you and yours to keep cool. LEAP offers FREE home weatherization to income- and age-qualifying residents. If you’re age 60 or older, or have an annual household income of less than $74,950, you may qualify for a free energy assessment and home energy improvements such as insulation and air sealing. Sign up today to lower your energy bills, increase comfort, and reduce energy waste at home!On today’s show:The executive director of the Lewis and Clark Exploratory Center talks about the sudden acquisition of a statue A look at upcoming county fairs in the areaAnd a look at upcoming meetings to talk about transit in Albemarle and CharlottesvilleVirginia posts a record surplus for FY2021When the pandemic forced the shutdown of many sectors of the economy in the spring of 2020, many predicted tough times for government budgets. However, the Commonwealth of Virginia closed fiscal year 2021 with a $2.6 billion surplus, the highest in history. Even with the slowdown, budget officials expected revenues to be about 2.7 percent over fiscal year 2020, but total revenue collections were 14.5 percent over that year. The details will be released on August 18 at a meeting of the General Assembly’s Joint Money Committee, but preliminary information is available in this release. Though slightly outside of our area, the Fauquier County Fair began yesterday in Warrenton. The event is being held for the first time since 2018, having been canceled by the pandemic last year and by construction in 2019. The fair takes place through Sunday on grounds off of Old Auburn Road in Warrenton. There’s a rodeo on Friday night! Learn more in an article on Fauquier Now or take a look at the Fauquier County Fair website. The Madison County Fair also kicked off yesterday through Sunday. We’ve missed the donkey races but the LumberJack show of Champions is on Friday night. The Louisa County Agricultural Fair begins on July 29. The Augusta County Fair begins on July 27. The Albemarle County Fair is a stripped-down event this year that begins on July 30 at James Monroe’s Highland. “This year the 2021 Albemarle County Fair will focus solely on the exhibition and sale of livestock,” reads a notice on the fair’s website. A group of medical professionals at the University of Virginia’s hospital for youth is opening a food pantry this month at the Battle Building on West Main Street. According to a release from what’s now known as UVA Children’s, the pantry builds on a partnership last November with the Local Food Hub’s Fresh Farmacy program that provided produce to pediatric patients and their families. An internal team put together a program to start the pantry and secured a three-year grant from Molina Healthcare as well as donations from Kroger. Here’s a link to the fundraising site if you want to contribute. The Battle Building will now have a food pantry for qualifying participants. Donate to the cause if you would like to do so. This Friday, riders of Charlottesville Area Transit will get the first of two chances to weigh in on proposed route changes that are intended to help boost ridership. A community meeting begins at noon to hear from representatives of CAT and the consultants Kimley-Horn and the Connectics Group to give public feedback on the new routes, which will extend bus service to Mill Creek. A second meeting will be held next Wednesday (Friday meeting info)But what about people in parts of Albemarle that don’t have bus service? The Thomas Jefferson Planning District Commission has hired consultants to study ways to expand routes into urban sections of Albemarle, particularly on U.S. 29 north of Charlottesville, Pantops, and to Monticello. Two virtual meetings are scheduled later this month to get feedback from people with a focus on U.S. 29 north on July 26 and a focus on Pantops on July 28. These are being held through Microsoft Teams. (July 26 meeting) (July 28 meeting) (Read a StoryMap on the concept)Technically, click here for the above information. On Saturday, July 10, 2021, crews hired by the city of Charlottesville swiftly removed two statues honoring two Confederate generals from two City Parks. A few days before, Council had authorized spending up to $1 million for their removal, but a provision in the resolution cleared the way for some of that money to be used for the removal of the Lewis, Clark and Sacagawea statue that stood at the intersection of West Main Street and Ridge Street since 1919. The expedition west began in 1803 shortly after the Louisiana Purchase by President Thomas Jefferson. Just after 11:30 a.m. on Saturday, the city’s communications office put out a notice that Council would meet in an emergency session at noon. Here’s Charlottesville Mayor Nikuyah Walker.“Thank you all for coming on short notice,” Walker said. “We are trying to just maximize the opportunity that we have with the crew being in town and taking care of just the legal issue of being able to move the statue on Main Street.”To do so, Council had to adopt a motion waiving a requirement that at least five hours notice has to be given before an emergency meeting. (read the applicable City Code provision)City Manager Chip Boyles said there had been no plan to remove the Lewis and Clark and Sacagawea statue, but there was “an unforeseen opportunity” to proceed because the Confederate sculptures were removed quicker than anticipated.“The tremendous work by the city staff, the construction crews, and by our community support, has given the city an opportunity to finalize the interest that was provided by Council on November 15 of 2019 and then funded on Council on July 7, 2021,” Boyles said. “Council has been clear in their interest to relocate the Sacagawea, Lewis, and Clark statue to another location that’s either owned or co-owned by the city.”Such a location is at Darden-Towe Park, which is co-owned by Albemarle and Charlottesville. Along the banks of the Rivanna River is the Lewis and Clark Exploratory Center, which is run by executive director Alexandria Searls, who was contacted shortly before the emergency meeting. The item on the agenda was simply to relocate the statue, and not to transfer ownership. That will have to happen at a later date. Searls said the center would not take the statue without provisions. “It would be my hope that to eventually if you decided to give us ownership of the statue to actually have provisions agreed to first about the type of interpretation because under my leadership, interpretation agreed with the Native Americans of Virginia and the Shoshone is highly important and I would want to ensure that for the future regardless of whether I’m there or not,” Searls said. Searls said she would want to work with the Native American Student Union at the University of Virginia on interpretation efforts, as well as interpretations from others, particularly from Sacagawea’s own tribe. “The Shoshone, the way that they would like the statue to be interpreted is of paramount importance,” Searls said. “Indigenous women are going missing to an alarming extent. Faces and people are disappearing. So one of the things that the statue in a way interprets is moving beyond sort of the white person fixation on Sacagawea and the way they contextualize her to a larger view of people who are living today and how they are represented.”Rose Abrahamson is the great, great, great-niece of Sacagawea and she offered to Council her support to the statue’s transition to the Lewis and Clark Exploratory Center. She had the chance to speak before the vote.“Mayor, Councilors, city, I would like to say that we have come a long way,” Abrahamson said. “We have come a long way to become the human tribe that we should be and come together in unity and come together to educate our young and our future generations.”Abrahamson said the statue’s new location at the Lewis and Clark Center would not be offensive, and a depiction of her ancestor that she personally finds offensive can be used to address a contemporary crisis.“It can educate the public to the missing, murdered Indigenous Women, the plight of women in our society, the Native women,” Abrahamson said. Crews lift bronze representations of Lewis and Clark and Sacagawea into the air with the Lewis and Clark building in the backgroundWithin two hours of the vote, the city shut down the intersection of West Main, Ridge and McIntire by driving public works trucks into strategic positions. That allowed the same crew to come in to remove the bronze sculpture from its granite plinth.At 2:31 p.m. a crane lifted the sculpture into the air eliciting cheers from the assembled crowd. The sculpture was placed on a flatbed trucks and taken straight to Darden Towe Park where Alexandria Searls was waiting to let them the crew in to drop off the sculpture. It has been placed temporarily on a square of wooden beams behind a orange mesh fence. In February, the city had sent out a request for information for groups interested in receiving the statue, and the Lewis and Clark was just one of groups that fulfilled that request. I spoke to Searls inside the Lewis and Clark Center on Monday about the process that got the statue there, and what comes next. Searls:We were founded right before the Bicentennial and we teach the skills of exploration as well as the local and national history of the Lewis and Clark expedition.Tubbs:Can you just describe where we’re sitting?Searls:We are sitting along the banks of the Rivanna River and we are right underneath the Southwest Mountains as well as near the birthplace of George Rogers Clark. The land that we’re on was once very important to the Monacan nation as part of a whole interconnected group of villages along the Rivanna, or what we call the Rivanna. We don’t know their name for the river. Later this was owned by Jonathan Clark who was the grandfather of William Clark. Tubbs: Now it’s been almost a year and a half since the City Council decided to vote to remove the statue. At that time, was there any interest of it coming over here?Searls:There was interest in it coming over but we didn’t want to lobby for a certain outcome because we felt that it was owned by the community and we wanted to value what the community decision was. So we made it clear that we were open to receiving it if that ended up being the decision. I sent a letter to Council at that point saying that if you move it, we are open to receiving it. Tubbs:Well, let’s go back to that because it seems a bit intractable. I think it was last year when the Council said yet again ‘we’d like to see proposals.’ Can you just talk a little about… obviously it’s here now but before it was here, can you give a sense of what are some of the planning things you need to just to anticipate the possibility of it coming here? Searls:That’s an interesting question because it wouldn’t be here right now if I had not done more work than the [Request for Information] asked for. The county of Albemarle has been a wonderful partner to us. And the park people here are amazing. This park is run so well. And when we answered the call for the RFI, I was taking it very seriously. I wanted to make sure I wasn’t promising something that the county wasn’t going to like and I wanted to research and do everything from how we were going to afford somebody to move it to what the site plan requirements are and I got started on this and I was writing a proposal. I talked to the engineer who prepared At the Ready to be moved. I had the figures. Turned out they didn’t even want to know the figures. So when I said I’m getting the permission of the Board of Supervisors to do this, I was told ‘this RFI is not supposed to be detailed. You’re supposed to write a one page proposal and if we like it we’ll ask you to make a long one. I’m really glad I didn’t listen to that because I basically said ‘Albemarle County is my partner and I’m not going to put in an idea for a proposal without them.’ I had before the day of the emergency meeting approached City Hall, not the Councilors, but the City Hall, to be an option for that because with so little money that we have, I knew that this might be the only opportunity to have it here at least for a while. And we used it today in an educational program for the first time so that was exciting.On the other hand, I also started researching the statue and through a genealogist I located the grandchildren of the sculptor.Tubbs:Who was the sculptor?Searls:The sculptor was Charles Keck. He also did the Jackson that was removed. He did both of those. And I was preparing if we were to receive the statue to do a complete evaluation of what the interpretation would be. So I also consulted art historians, I talked to Indigenous historians, I have begun to read books written about Lewis and Clark in the early 1900’s to get an idea of the mindsets of the time when it was created.Tubbs:And when was it created? Was it created for a specific purpose?Searls:That’s an interesting story because it was created as a commission but they only commissioned Lewis and Clark. They did not commission Sacagawea so basically the sculptor decided to add her and that is significant from what I found out from the family because he was a sculptor that took any commission that went his way because he had lost an amazing amount of money in one of the crashes. He owed his best friend who bailed him out about $100,000 and that’s a lot now but it was even more then. So he wasn’t in a position to be discriminate and could no longer do the sculptures that he wanted to do. So basically she was the only sculpture that he did that he wanted to do. And I haven’t sorted that through completely but it was just one aspect of what I wanted to know about the situation.Tubbs:So one of the critiques of the statue for many years has been that Sacagawea is cowering. Others say that she’s searching. I don’t know the statue that well, but isn’t that part of the interpretation process?Searls:Yes, and I’ve got to say here that I’m not finished coming up with my own reactions to this statue. But let me back up by saying that there’s an interesting phenomenon going on and that’s the phenomenon that when something is up, that means its endorsed. And that is not part of my belief at all. I think a statue whose original intent — and I’m not really talking about specifically about Lewis and Clark, I’m talking all statues — was one thing, like to glorify a hero that might not be deserving of glory or to reveal the power of the ruler, ruling class. Just because you leave it up doesn’t mean you agree with it. For example, when I look at that Lewis and Clark statue, even though its meant to glorify them as heroes, I do not think that they were flawless heroes. In fact, a lot of what we do here is examine their failings actually. What do you think?Tubbs:Well, I’m still just trying to figure it out because its interesting. If you look at the three statues that were taken down on Saturday, two of them are in an undisclosed location and may never ever see the light of day. We don’t know yet. But at least with this one, it will have a new life, potentially here, especially if you can get some funding to do the proper interpretation and to install it in some way that maybe you haven’t figured out yet. But at least there’s a sense of ‘well, at we’re going to melt it down as one of the descendants said on Saturday.Searls: One phrase that I think of a lot, not just on these issues but in general is that: In war, treat your victories like a funeral. And to me that means if you’re in a war, someone is dying and even if you win you shouldn’t rejoice because it’s better not to demonize your opponent. It’s better to look at them with some empathy of their dead or of their situation. It’s better not to immediately assume that someone who wants to melt down a statue resembles the Taliban. Maybe they don’t. Or it’s better not to think that someone who wants the statues to stay in place is a racist because maybe they aren’t. I get reasons and viewpoints. I receive emails, calls. I’ve listened. And I think that it’s dangerous on so many levels to rejoice in the face of the people who are crying, because any victory anybody somebody is crying. So my effort here is to find a way of compromising even if that might not be possible but at least a way to respect different viewpoints and to let people come to new viewpoints.It’s important to realize that when you have your dead that other people have theirs. For example, if somebody looks at that statue and only sees a heroic Lewis and Clark and doesn’t see the Trail of Tears that followed soon afterwards, that’s celebrating something without crying for the other side. You’re reading to Charlottesville Community Engagement and an interview with Alexandria Searls of the Lewis and Clark Exploratory Center. We’ll be back to that in just a moment. In today’s second Patreon-fueled shout-out: The Rivanna Conservation Alliance is looking for a few good volunteers to help out on Clean Stream Tuesdays, a mile and a half paddle and clean-up to remove trash and debris from popular stretches of the Rivanna River. Trash bags, trash pickers, gloves, and hand sanitizer/wipes will be provided, though volunteers will need to transport themselves to and from the end points. Kayaks for the purpose can be rented from the Rivanna River Company. Visit the Rivanna Conservation Alliance's volunteer page to learn more about upcoming dates.The two male figures continue to look west from their temporary locationThe Lewis, Clark and Sacagawea statue is now on the grounds of the Center inside of Darden Towe Park, which is jointly owned by Albemarle and Charlottesville. Searls said the statue is very different close-up than from where it stood for 102 years and there’s a bit of a mystery. Searls:You know, I still haven’t decided if it’s three people or four people in the statue. I can see the fourth person perhaps now that I can get close to it. When the Shoshone were here, we talked about the terrible plight of missing Indigenous women and since Sacagawea is somewhat missing in terms of when you look at that composition, she’s like down there, and there’s taking up space with their guns. The ultimate sort of disappearing is actually disappearing and never being seen again. And that’s what’s happening to young women today.In terms of white Americans revering Sacagawea at different points because she helped them or she was seen as friendly to white explorers, but really what I would like to see in terms of Indigenous people is really seeing the people of today. And one of the women who came, Dustina Abrahamson, had suggested the statue could be used as some sort of a starting point for people making new art and making people see the people who are disappearing. And I’ve been following her Facebook page since they visited in 2019 and I’ve seen a relative of hers go missing and I’ve seen other challenges that happen in Indigenous communities so I think we need to move beyond these handful of icons that we’ve put up and move into the thousands of native people who are actually here.Tubbs:What can this Center do? Obviously, the whole point is to draw awareness of this past but yet not to say ‘it was this way’ or ‘it was that way.’ People who visit here, what do you want them to takeaway? Do you need the statue to do this?Searls:My staff and I were talking about this today. I don’t think we need anything except the woods, the river, and a place to rest in between. Our programs are very oral. We get all this knowledge and we study and we interpret it and we talk to people basically. You don’t see any signs here telling you what to think about anything. I arrived in Charlottesville on the Greyhound bus or Trailways or whatever it was back then with my duffel bag to be a first year at UVA. I came out of that door with my duffel and there were taxis and there was that statue. I went to high school in New York City and I wasn’t impressed with the statue. All I saw were a bunch of guns and it’s hard for me to imagine that it would become part of my life. And I didn’t even see her. I just saw two men. I didn’t know what it was whatsoever. Let’s go back to what I said about are there three people or four in that sculpture? At first I only thought there were only two when I first arrived in Charlottesville so one of the preeminent art historians, Malcolm Bell from UVA, said that there four people in that sculpture and that she was holding a baby and there’s a cradle-board and the baby’s in there. I didn’t see it. And even though he’s famous with books, I was willing to think he wasn’t right. Then when I encountered the sculpture over there, I saw that he’s very possibly right. And it puts a new spin on it because when you get close you can see that William Clark’s hand and hers are touching along a piece of wood. And they’re both holding it up. You can see a sack in there and you can see more of an extension of something in there in the back. She’s sitting on some rocks and he’s helping her carry that as she’s leaning forward and they’re meant to be on the cliffs looking at the Pacific and so she’s looking down at the ocean and William Clark is looking just ahead and then Meriwether Lewis on top is looking at the far distance and that’s definitely a hierarchy. I mean, it’s Lewis preeminent, William Clark, and then the woman in the way that she is.But it does matter to me whether she’s holding a baby or not and he’s helping her hold whatever it is. So, I haven’t asked Professor Bell what the documentation of this is because I know the sculptor did not take notes of any extent. Now, he did have a collection of books so I think the answer is in what he would have read about Lewis and Clark back then and I read a book written in 1905 about Sacagawea and she never let her baby out of her sight. She was always carrying that baby. So I’m of the opinion now that there are four people in that statue. I’m not 100 percent sure, but I say this to say I’m not exactly sure what’s going on with that statue. I know he wanted to honor her. I know he wasn’t trying to degrade her.And that is important to me. If I felt like he had tried, I would not have wanted that here. And there are people I’m sure who do think that was his goal.Tubbs:So it’s only been here for two days as we’re talking. Now it’s here. You still have the interpretive work. You’re not finished with the work that you thought you were going to have to do to get it here. Suddenly it’s here. How do you feel?Searls: I feel excited. I mean, it is pretty amazing to see these huge faces being pulled up the hill. I was waiting at the gate. I let them in at the gate. It took hours. They told me it would be 20 minutes but I was there for hours. So I opened up the gate and then the cortege comes through. A flatbed. A trailer. A crane. And about 30 cars with lights. To see them all go up the hill and to see those faces going towards the Center was pretty amazing. I wasn’t at the removal of the Confederate statues but they seemed to be moving backwards with their rears so it was sort of more like they were riding out of town whereas this felt like they were arriving and it was pretty amazing.A close-up of the base of the statueTubbs:You said you were excited about this. What are some of the possibilities now?Searls: I think that some of the possibilities [are] that if you’re showing something that is painful to some other people, it requires some work together. And I do think that out of this will come more partnerships with Native Americans about Indigenous representation and I think that we’ll all be more aware. And the park guy said that a woman this morning came and put up a sign up by the statue briefly that this is Native land and she took a picture of the statue with it and then left. But we teach that this is Native land. We teach about the Monacans. We regularly every two years are invited by to different tribes out west as part of being in a Lewis and Clark group. I think that the focus will be even more on that and I am certainly learning much more. I’m reading Jeff Hantmann’s book Monacan Millennium right now, and I’m reading more about Sacagawea and the attitudes that have been about her throughout the decades. So I think it will make those realities more of the story. Not less. Tubbs:You said that you used it today in the camp. How so?Searls:So, when the kids came, they’re 8 to 11, we all walked over there. And actually I invited their parents too because it is a camp that’s about history and it is about exploration and it is actually historic when a 100-year-old monument moves so I wanted them to be part of that history and the first group.And I basically said: Is there a baby there? This is a public episode. Get access to private episodes at communityengagement.substack.com/subscribe
Hometown Radio 10/13/20 3p: Connie O'Henley from the Clark Center
Join us in this Master Class by The Clark Center for Civics Politics and Global Affairs as we discuss what the legal meaning of false imprisonment is. Follow us on Facebook Twitter: @theclarkcenter Instagram: theclarkcentercpga This show is brought to you by: ourtinylittlekitchen.com goatablegear.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Hometown Radio 01/29/20 4:30p: Connie O'Henley from the Clark Center
Beth Schmehling and Meagan Chong from the Elaine Clark Center on Peachtree Blvd. talk about their 50 year old organization and the great work the center does for those with disabilities. https://www.elaineclarkcenter.org/
Hometown Radio 01/15/20 4:30p: The Elton John tribute show comes to the Clark Center
Hometown Radio 10/28/19 3p: Connie O'Henley from the Clark Center
Gaea Powell & Dr. David Marquis came by to talk about the Expo this Sunday at the Clark Center in Arroyo Grande.
A Breast Expose - The Breast Kept Secret GREED, FEAR, BETRAYAL Are Mammograms the BIGGEST scam ever perpetrated in medical history? Studies conclude the risks mammograms pose may outweigh the benefits. Avoiding them can lower your risk. Mammograms have not decreased the ultimate mortality rate, not even by 1% and 33% to over 50% of women are being over-diagnosed and over-treated. 3D Mammograms are CT scans utilizing more radiation and MRI utilizes toxic contrast agents. Are Breast Thermograms (Infrared Scans), self-breast Exams, ultrasounds and/or Blood Tests better options? Your Life. Your Choice. * Biopsies and Surgeries Spread Cancer Simple Blood Tests (similar to IvyGene) are a much wiser option in determining if cancer is present and can provide Inflammatory Markers so preventative and/or healing therapies can be utilized at the earliest stage. Biopsies (needle and core) and surgeries guarantee the spread of cancer cells. Is that a factor in why cancers routinely metastasize and become more aggressive, even after toxic radiation and chemo-therapies? * Harmful Cut, Burn, and Poison Protocol If diagnosed, PAUSE! You have plenty of time to educate yourself on ALL Available Options (not just the cut, burn and poison option). First, demand on meeting your Pathologist to have ALL of Your Questions Answered. The dictated standard of care has failed millions for decades while providing The Breast Cancer industry TRILLIONS in profits, annually. Please question perceived authority, doctors are not gods. Your hair is not on fire, you are not contagious and you are not replaceable, so take time to discover the course of action that is in Your Best Interest. ***You're invited to join us A Breast Expose at the Fair Oaks Theater on Saturday, September 21st at 10 am for a film to empower women! A Breast Expose provides an opportunity to hear from world-renown Optimal Whole Health and Wellness leaders. The film offers a new paradigm strategy focused on education, prevention, and healing therapies. You can purchase your tickets at ABreastExpose.com for $10 *discount for 4 or more so invite your friends or click the link: https://hippocraticoathangels.com/ ***In Los Angeles on October 6th, 5 pm to 7 pm at Regal Live 1000 W Olympic Blvd Los Angeles, CA 90015 https://www.awarenessfestival.org/event/a-breast-expose-the-breast-kept-secret/ ***If you're in the California Central Coast be sure to attend The Women's Health Expo on October 20th at the Clark Center for the Performing Arts 787 Fiar Oaks Ave Arroyo Grande, CA. from 2pm to 5pm
Hometown Radio 06/28/19 4p: Connie O'Henley previews the upcoming season at the Clark Center
Hometown Radio 03/08/19 6p: Guest host Dan Shadwell talks with Chris Perondi with "The Stunt Dog Experience" playing tomorrow afternoon at the Clark Center. Then Last Call
Host Bill Goodman is joined by the new executive director of the Kentucky Historical Society, Scott Alvey, who has been with KHS for over a decade. Goodman and Alvey address the relevance of Kentucky history in today’s environment and the importance of making history accessible to all. Alvey discusses the variety of programs and services offered by KHS that preserve history and enrich the lives of Kentuckians. Among these programs are the Register of the Kentucky Historical Society, Kentucky Ancestors Online, exhibits at the Thomas D. Clark Center for Kentucky History, the HistoryMobile, and their various research collections.
Host Bill Goodman is joined by Kent Whitworth, executive director of the Kentucky Historical Society. They discuss the construction of the Thomas D. Clark Center for Kentucky History in Frankfort, how to make history relevant today, and using history to confront the challenges of the future.
Mike Glauser has extensive experience as an entrepreneur, business consultant, and university professor. He is the co-founder and chairman of My New Enterprise, an online training and development company for aspiring entrepreneurs. He is also the founder and former CEO of Golden Swirl Management Company and of Northern Lights. Mike has consulted with numerous startup companies and large corporations in the areas of business strategy, organizational effectiveness, and leadership development. His clients have included Associated Food Stores, The Boeing Company, Department of Workforce Services and others. Mike is currently the Executive Director of the Clark Center for Entrepreneurship at Utah State University. He has published numerous articles in magazines and two books on entrepreneurship: Glorious Accidents and The Business of Heart. His latest book, Main Street Entrepreneur, chronicles a 4,000-mile cross-country bicycle journey he took to interview 100 successful entrepreneurs across the United States. What you’ll learn about in this episode What the future of work looks like Why you should not be fearful of failing Having a problem-solver mindset Why you need to have a purpose behind your business Why you should study other successful entrepreneurs Why you need to hire ‘A’ players Why you need to build a platform to reach potential customers Why you need to look at your business as a portfolio of products How best to connect with Mike: Website: www.mikeglauser.com Website: www.themainstreetentrepreneur.com Website: www.mynewenterprise.com Email: mike@mikeglauser.com
Mike Glauser has extensive experience as an entrepreneur, business consultant, and university professor. He is the co-founder and chairman of My New Enterprise, an online training and development company for aspiring entrepreneurs. My New Enterprise developed their own entrepreneur training program, which Mike will tell us all about. He is also the founder and former CEO of Golden Swirl Management Company and of Northern Lights. Both companies were sold to CoolBrands International. Mike has consulted with hundreds of startup companies and large corporations in the areas of business strategy, organizational effectiveness and leadership development. His clients have included Associated Food Stores, The Boeing Company, Department of Workforce Services and Esso of Inter-America. Mike is currently the Executive Director of the Clark Center for Entrepreneurship in the Jon M. Huntsman School of Business at Utah State University. He has published numerous articles in magazines and three books on entrepreneurship: Glorious Accidents, The Business of Heart and Main Street Entrepreneur, which chronicles his 4,000-mile bicycle ride across America to interview 100 remarkable entrepreneurs who have successfully merged livelihood and lifestyle in places they want to live. Mike has appeared on Great Day America, First Business from Washington, Associated Press Radio, Voice of America, Good Morning Chicago, Kansas City Live, and many other radio and TV programs. He received a Ph.D. from Purdue University, and BS and MS degrees from the University of Utah. What you’ll learn about in this episode: Mike’s background My New Enterprise, Mike’s business for teaching what makes a successful entrepreneur My New Enterprise’s entrepreneur training program The goals that drive successful entrepreneurs Why you need to launch a true business opportunity and not just an idea (and the five things that make for a true business opportunity) Developing your supporting cast Maximizing your resources Building a community of raving fans Mike’s book “Main Street Entrepreneur” Why anyone can build a successful business Ways to contact Mike: Website: www.mikeglauser.com Website: www.themainstreetentrepreneur.com Website: www.mynewenterprise.com Book: “Main Street Entrepreneur: Build Your Dream Company Doing What You Love Where You Live” A transcript of this episode is available at: systemexecution.com/mike-glauser
Building a business on what you know is a key factor for success. The more you know about your industry, the greater your outlook for success. The less you know, the greater your chance for failure. Whether you’re already in business, or looking to start a business, it pays to heed the advice of others who have walked in your shoes. Join Mark and Mat as they discuss the importance on building a business on what you know with their guest Mike Glauser. Mike has extensive experience as an entrepreneur, business consultant and university professor. He is the cofounder and chairman of My New Enterprise, an online training and development company for aspiring entrepreneurs. Mike is currently the Executive Director of the Clark Center for Entrepreneurship in the Jon M. Huntsman School of Business at Utah State University. He has published three books on entrepreneurship: Glorious Accidents, The Business of Heart and Main Street Entrepreneur, which chronicles his 4,000 mile bicycle ride across America to interview 100 remarkable entrepreneurs. Mike has appeared on Great Day America, First Business from Washington, Voice of America, Good Morning Chicago and Associated Press Radio. The Show will broadcast LIVE this Wednesday, July 13th, at 12 noon MTN / 2:00 pm EST. You can listen in on the road at 646-668-8326 or listen in from your computer. More info at www.refreshyourwealth.com
Building a business on what you know is a key factor for success. The more you know about your industry, the greater your outlook for success. The less you know, the greater your chance for failure. Whether you’re already in business, or looking to start a business, it pays to heed the advice of others who have walked in your shoes. Join Mark and Mat as they discuss the importance on building a business on what you know with their guest Mike Glauser. Mike has extensive experience as an entrepreneur, business consultant and university professor. He is the cofounder and chairman of My New Enterprise, an online training and development company for aspiring entrepreneurs. Mike is currently the Executive Director of the Clark Center for Entrepreneurship in the Jon M. Huntsman School of Business at Utah State University. He has published three books on entrepreneurship: Glorious Accidents, The Business of Heart and Main Street Entrepreneur, which chronicles his 4,000 mile bicycle ride across America to interview 100 remarkable entrepreneurs. Mike has appeared on Great Day America, First Business from Washington, Voice of America, Good Morning Chicago and Associated Press Radio. The Show will broadcast LIVE this Wednesday, July 13th, at 12 noon MTN / 2:00 pm EST. You can listen in on the road at 646-668-8326 or listen in from your computer. More info at www.refreshyourwealth.com
Today’s Cash Flow Diary podcast guest, Mike Glauser (a.k.a., the Main Street Entrepeneur) has done something not many entrepreneurs have. He bicycled across America talking to small business owners about what makes our country’s entrepreneurs tick! He visited 100 cities and learned a great deal. But before he hit the road he went through the college track, earning his PhD in his 20s. In his first teaching position (in which he would be teaching business organizational skills) it hit him that 1) he was the youngest guy in the room, and 2) if he is to teach actual business owners and those who were there to learn how to take their businesses to the next level he should first obtain the experience of business ownership. So he did. Mike opened a business with his wife and it did amazingly well. Far more quickly than he imagined possible, their business became Very profitable. The next thing Mike knew, he had received a phone call by someone who wanted to buy the business. Long story short, Mike wasn’t interested in selling, but then there was a negotiation that ended in an all-cash offer. It was a life-changing event. Now he could get back to the classroom and teach entrepreneurship differently. He would get out and talk to entrepreneurs in the field, somewhat like an entrepreneurial anthropologist. The next step was to write books about his adventures. Mike has an unwavering passion about helping entrepreneurs launch companies. He does it today through The Jeffrey D. Clark Center for Entrepreneurship. The cool thing is that Mike teaches from the trenches and not from only an academic knowledge base. In this episode you will learn about the mindset shift you need to make to become an entrepreneur and how it isn’t for the “faint of heart.” One must have a passion for what they want to do starting a business. You’ll also learn why more people don’t become entrepreneurs. And that’s just the tip of the iceberg. Learn more. Listen now.
Mike Glauser has extensive experience as an entrepreneur, business consultant, and university professor. He is the co-founder and chairman of My New Enterprise, an online training and development company for aspiring entrepreneurs. He is also the founder and former CEO of Golden Swirl Management Company and of Northern Lights. Mike has consulted with numerous startup companies and large corporations in the areas of business strategy, organizational effectiveness, and leadership development. His clients have included Associated Food Stores, The Boeing Company, Department of Workforce Services and others. Mike is currently the Executive Director of the Clark Center for Entrepreneurship at Utah State University. He has published numerous articles in magazines and two books on entrepreneurship: Glorious Accidents and The Business of Heart. His new book, Main Street Entrepreneur, chronicles a 4,000-mile cross-country bicycle journey he took to interview 100 successful entrepreneurs across America. The book is available now wherever books are sold. Secret – timesaving technique Mike creates a plan for what he wants to achieve in the next year or two -- plan your days so that you make steps for achieving these goals. ONWARD! Daily habit that contributes to success Taking breaks is critical -- Mike takes a break every morning to exercise. Could have ruined your business – but now – an invaluable learning experience Mike's company was seeing a major decline in sales in its established locations -- and Mike tells the whole story here. Most influential lesson learned from a mentor "Business is all about relationships." How best to connect with Mike: Course: mikeglauser.com/mainstreet
This week, Travel Today with Peter Greenberg is coming from the new JW Marriott Minneapolis Mall of America, located at the massive Mall of America in Bloomington, Minnesota. And we've got a stellar guest lineup, ranging from Andrew Zimmern from the Travel Channel, who's called Minneapolis his home for the last 25 years -- and he explains why. We'll hear about the cool places to go in Minneapolis and Bloomington that aren't in the guide books from a real insider -- Minneapolis fire department assistant chief Bryan Tyner. Also stopping by, Bloomington Mayor Gene Winstead and Beth Blair, author of The Unofficial Guide to the Mall of America. Some surprises you might not know about Minneapolis: Andreas Marks, curator of Japanese and Korean art at the Clark Center at the Minneapolis Institute of Art on how they came to have the largest collection of Japanese art in the western world. And then, Everton Clarke, executive chef of Cedar and Stone at the JW Marriott unveils his strategy for going beyond the traditional definition of hotel food. All that and more when Travel Today with Peter Greenberg comes from the JW Marriott at the Mall of America.
This week, Travel Today with Peter Greenberg is coming from the new JW Marriott Minneapolis Mall of America, located at the massive Mall of America in Bloomington, Minnesota. And we've got a stellar guest lineup, ranging from Andrew Zimmern from the Travel Channel, who's called Minneapolis his home for the last 25 years -- and he explains why. We'll hear about the cool places to go in Minneapolis and Bloomington that aren't in the guide books from a real insider -- Minneapolis fire department assistant chief Bryan Tyner. Also stopping by, Bloomington Mayor Gene Winstead and Beth Blair, author of The Unofficial Guide to the Mall of America. Some surprises you might not know about Minneapolis: Andreas Marks, curator of Japanese and Korean art at the Clark Center at the Minneapolis Institute of Art on how they came to have the largest collection of Japanese art in the western world. And then, Everton Clarke, executive chef of Cedar and Stone at the JW Marriott unveils his strategy for going beyond the traditional definition of hotel food. All that and more when Travel Today with Peter Greenberg comes from the JW Marriott at the Mall of America.
Carla Shatz, PhD, director of Bio-X and professor of neurobiology and of biology, reflects on the Clark Center and how the building embodies the spirit of the Bio-X initiative, which began 15 years ago.
The lecture will provide an introduction and overview into Japanese woodblock prints from the 17th to 19th century, commonly called ukiyo-e. Arguably the most recognizable of all Japanese art forms, ukiyo-e have spread over the world and become very popular outside of Japan. Works like Hokusai's Great Wave, large head beauties by Utamaro, and striking actors by Sharaku, were all produced with the same techniques, as were hundreds of thousands of other designs. At first the printing was done off a single woodblock until color printing encompassing several blocks was invented in the second half of the 18th century. The production process, for which the publishers played a crucial role, will be addressed as well as print collecting then and now. BIOGRAPHICAL NOTE: Dr. Andreas Marks is the Head of the Japanese and Korean Art Department and Director of the Clark Center at the Minneapolis Institute of Arts. From 2008 to 2013 he was the Director and Chief Curator of the Clark Center for Japanese Art and Culture in California. Before coming to the U.S., he was the Managing Director of an international exhibition and fair organizer based in Germany with branches in Calif., the U.K., Australia, and China. He has a master's degree in East Asian Art History from the University of Bonn, and a Ph.D. from Leiden University in the Netherlands. Dr. Marks has curated and co-curated 15 exhibitions on various aspects of Japanese art including paintings, prints, ceramics, weaponry, as well as works of bamboo. The special exhibition "The Audacious Eye: Japanese Art from the Clark Collections" (Oct. 6, 2013 – Jan. 12, 2014) that he curated, showing over 100 works from the 8th century until 2012, recently opened at the Minneapolis Institute of Arts. Amongst others, he is the author of "Japanese Woodblock Prints: Artists, Publishers and Masterworks, 1680–1900” (520 ill., Tuttle, 2010) and "Genji’s World in Japanese Woodblock Prints" (Hotei, 2012). His "Publishers of Japanese Prints: A Compendium" (576 pp., Hotei, 2011), is the first comprehensive reference work in any language on print publishers from the 1650s to 1990s. In late 2013, his new book, "Kunisada's Tōkaidō: Riddles in Japanese Woodblock Prints" (364 pp., Hotei), will be published.