Podcasts about fugues

durée : 00:25:08 - Alfred Brendel, pianiste (2/5) - par : Philippe Cassard - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard. - réalisé par : Pierre Willer

durée : 00:04:50 - « Afro Bach » ou les fugues afro-cubaines de Joachim Horsley - par : Max Dozolme - Dans ce nouvel album, le pianiste américain se lance dans des reprises inattendues d'airs de Jean-Sébastien Bach. Au programme, la collision entre danses, instruments et genres traditionnels cubains, colombiens et haïtiens avec des préludes, concertos et danses baroques du maître d'Eisenach...

This was an extraordinary Sunday crossword, thanks to one of those "oh, I can't believe they did that!" themes that makes crossword solving such an utter delight. This delight came to us courtesy of Derrick Niederman (edited, as always, by Will Shortz), and we will be savoring it for a loooong time to come. To find out exactly why, and possibly how long is loooong, download today's episode (and don't forget to hit subscribe, so you never miss any future installments!).Show note imagery: The Short-Tempered Clavier, billed as "Preludes and Fugues in All the Major and Minor KeysExcept for the Really Hard Ones", edited by Professor Peter Schickele.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Welcome to the Sandbox! Today, we're diving into the Language of Aesthetics with the incredible Monty. She'll share her insights on how you can tap into this inner dialogue to unlock your own Soul-Self aesthetic.  Monty's Word: Jouska Monty's Teachers:  Kate Northrup (https://relaxedmoney.com/backdoor/) Rob Brezsny (https://freewillastrology.com/) and his book Pronoia Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings Rick Rubin's book The Creative Act: A Way of Being Mentions: Angostura bitters Fugues podcast Rhythm Zero in Greenpoint, Brooklyn The One You Feed podcast “How to Unlock Your Creative Potential through Writing with Natalie Goldberg” Pussy: A Reclamation by Regena Thomashauer Holisticism Hub (my invite link: https://holisticism.mn.co/share/WHajNl2I_-qFmZtw?utm_source=manual) “Broad City” sitcom The Secret by Rhonda Byrne Abraham-Hicks Astro Style workshop at barneyandflow.com Astrology readings by @kpkaszubowski (IG) AI result: “The phrase "ichigo ichie" is a Japanese proverb that means "one lifetime, one encounter". It originated in the 16th century with the tea ceremony master Sen no Rikyu. Rikyu taught his students to focus on each moment of the tea ceremony with sincerity and total attention because each moment is unique and will only happen once.” Ways to Connect with Monty: Website: https://montymontan.com/ Offering details (with prices): https://montymontan.com/hello/ Instagram: https://www.instagram.com/monty_montan/ Tik Tok: https://www.tiktok.com/@monty_montan?lang=en Ways to Connect with April Dawn: Website: www.SandboxAlchemy.com Dream Guidance or Small-Group Dreamwork Membership: www.TheDreamTranslator.com Patreon: patreon.com/SandboxAlchemyTiers: FREE / $1 Fluffle / $5 Pom-poms / $10 Thunder / $30 Galactic For book lovers, my novelette Sandra: A Healing Reimagining of the Babysitter from Hell is available in paperback, ebook, and audiobook (includes Kindle and Audible). Podcast's YouTube channel: @thesandboxpod

durée : 00:13:27 - Préludes et fugues BWV 889 & BWV 893 -

Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes d'Olivier Delacroix. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.

Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes d'Olivier Delacroix. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.

durée : 00:13:36 - Prélude et fugue BWV 846 - 848 -

American classical pianist and educator Christopher O'Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he's also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O'Riley's latest album is of J.S. Bach's Well Tempered Clavier, done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio. Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

Aujourd'hui j'accueille Alice Cheron, créatrice des Fugues italiennes et du média AlidiFirenze sur lequel elle diffuse la joie de vivre à l'italienne ! Alice est une femme solaire et généreuse, qui rayonne l'Italie et les valeurs du beau, de la sagesse, de la couleur, du voyage… Alors si tu as besoin de t'évader pour mieux te retrouver, cet épisode est pour toi ! On a parlé ensemble de la magie de l'échappée belle et de comment la concrétiser dans un quotidien surchargé la puissance du beau pour prendre de la hauteur et retrouver le calme intérieur s'autoriser et bien sûr de joie de vivre à l'italienne ... tout ça avec des clés pratiques pour l'appliquer facilement et concrètement dans ton quotidien ! Belle écoute !  ......... Notes de l'épisode : - Tu peux retrouver Alice sur son⁠ site et sur https://www.instagram.com/alidifirenze/ - Les Fugues italiennes - Le livre d'Alice, l'Appel de la Fugue - La websérie Dolce Follia ........

SynopsisBach's Well-Tempered Clavier is a collection of 48 preludes and fugues for solo keyboard in two sets, each covering all 24 major and minor keys. This music has become a bible for pianists, as well as a challenge for subsequent composers to try to imitate. In the early 1990s, American composer and pianist Henry Martin tossed his hat into the ring with the completion of his first set of 24 Preludes and Fugues for piano, and soon after published a second set of 24.On today's date in 1992, at the National Gallery in Washington, D.C., pianist Sara Davis Buechner performed three of Martin's Preludes and Fugues for broadcast on NPR and later made recordings of all of Martin's “48.”One enthusiastic reviewer of those recordings, Michael Barone, host of American Public Media's Pipedreams organ program, wrote of Martin's music, “We get shades of Debussy's impressionism, the vibrant jazzy riffs of Art Tatum, the spacey harmonies of John Coltrane, and the sophisticated improvisations of Bill Evans … but Martin's own individual genius shines brightly.”Barone's enthusiasm resulted in his commissioning Martin to compose another set of 24 preludes and fugues — this time for organ! We think Bach would have approved.Music Played in Today's ProgramHenry Martin (b. 1950): Prelude & Fugue No. 1; (Ken Cowan, organ) Pipedreams 1004

#25 Introduction, historical relevance and cosmology in Bach's music and the Well-Tempered Clavier.(Fugue in C# Major BWV 848, WTC Book I)With today's Episode I am inaugurating the first of possibly many Series of episodes united by a musical thread. The Well-Tempered Clavier by Bach is a work of art unique in its kind and a remarkable musical achievement. By looking at one of the Fugues from the first Book (the Well-Tempered Clavier is in two books) I will investigate Bach's creative style and how his music can be heard as a geometric model of the universe. Divine Harmonies: Bach's Metaphysics of Music:Bach's Tonal Cosmology and composing procedures, Robert Levine:Fugue in C# major, BWV 848 from Book I Support Where is the Music Podcast: PATREONFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFYWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE TUNEINRSS FEEDMentioned in this episode:Patreon

The Halloween season continues with our daily re-releases of the scariest DISGRACELAND episodes. Jake is wondering: What's the best rock star/horror movie crossover? What music scares you? Angie from the 443 wants to know what song you want played at your funeral. Do you have a question of the week for Jake and your fellow listeners? Connect at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Classical Tracks - Plinio Fernandes (radio edit) by Plinio Fernandes - Bacheando (Decca)“For me, playing the guitar gives me a sense of identity, because it's something that I have been doing since I was very, very young,” guitarist Plinio Fernandes says. “I don't really remember my life that well before I was 6 or 7, which is when I started to play. Like brushing my teeth, drinking water, showering and breathing, I just have to play a couple of notes and feel like that grounds me.”Fernandes is a Brazilian guitarist who grew up surrounded by music. As his father's guitar rested on the sofa, Fernandes would pluck a few strings. Before he knew it, he was headed to London to study at the Royal Academy of Music. That's where he met his roommate, friend and musical colleague, cellist Sheku Kanneh-Mason. Fernandes and Kanneh-Mason recently completed a tour in support of Fernandes' second recording, Bacheando.Fernandes says the album's name is just a made-up word inspired by the title of Heitor Villa-Lobos' Bachianas Brasileiras and as an homage to the great German master Johannes Sebastian Bach.How does the music of Bach and the rich culture of Brazil come together on this recording?“Villa-Lobos, our greatest composer of all time, who really reshaped Brazilian culture, was massively influenced by Bach. His contemporaries were massively influenced by that connection between Villa-Lobos and Baroque music. In addition to taking the pieces that already existed, Sergio Assad was one of the arrangers and composer on the album. He wrote a piece inspired by that concept to pair with the Prelude, Fugue and Vivace.”One of your favorite pieces by Bach, the Prelude, Fugue and Allegro, is at the heart of this recording. Why is this one of your favorite pieces?“Very simply, it's one of the most beautiful pieces of music I've ever heard. And I grew up listening to it. The three movements represent to me what perfection is.”How did the piece that Assad created for you come about?“I came to him and we were discussing the repertoire for the album and said, ‘Sergio, I would love to have you writing something specifically for that.' And then he was very keen on doing something that he first wrote, the Prelude and Fugues. It's the first fugue that he has ever written, which is quite something and a privilege to have that. And then it just kept on growing until it became this little suite of three movements.”Can you talk about what it means when you're describing colors in playing the guitar? “I was basically trying to use everything that the instrument has to offer. I think it is a very specific thing to the guitar. One can talk about the colors that you create with the piano, but with the guitar … you use both of your fingertips to produce the sound, so it's a very personal thing. Depending on the size of your fingers or the length of the nails, each person will have a very particular and unique sound.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesPlinio Fernandes - Bacheando (Amazon)Plinio Fernandes - Bacheando (Decca)Plinio Fernandes (official site)

REDIFFUSION - Oser la Reconversion est en vacances d'été et revient le lundi 4 septembre. Retrouvez tout l'été les meilleurs épisodes d'Oser la Reconversion. - Episode diffusé initialement le 16 mai 2022 (épisode #59) - Aujourd'hui, j'accueille dans Oser la Reconversion, Alice. Après avoir été chef de publicité en agence à Paris, Alice a tout plaqué pour déménager à Florence et fonder Ali di Firenze, un blog et plus globalement une plateforme (avec un eshop) dédiée à l'Italie. Elle organise également les Fugues italiennes, des voyages d'introspection en Italie. Alice travaille dans une grosse agence de publicité à Paris en tant que chef de publicité. Elle participe à la stratégie, à l'écriture des briefs, coordonne les équipes et organise les shooting. Elle est le cliché de la working girl : elle adore sa carrière, travaille beaucoup, sort beaucoup, court les expos. Une vie parisienne très agitée !  Mais son conjoint est finalement retenu pour faire une thèse en Italie à Florence pendant 4 ans. Après seulement un weekend à Florence, c'est le déclic, Alice pose sa démission et décide de déménager en Italie sans parler un mot d'italien. Pour son entourage, c'est l'incompréhension. Ils ne comprennent pas comment elle peut quitter une carrière qui débute très bien pour "suivre son conjoint" selon leurs mots. Alice, elle, tombe tout de suite amoureuse de l'Italie. Elle apprend l'italien en 6 mois et trouve un job dans la communication à Florence. Elle décide ensuite de lancer son blog Ali Di Firenze où elle partage d'abord ses adresses florentines puis ses voyages en Italie.  Alice a créé en 2018 les fugues italiennes après avoir elle-même fugué. Avec deux enfants en bas âge et lors de sa reconversion, elle a eu besoin de partir quelques jours pour faire le point et se ressourcer. Ses lectrices ont eu envie de faire pareil ! C'est le début des fugues italiennes. Des voyages d'introspection en Italie pour des groupes de femmes qui viennent seules. Alors avec Alice, on a évoqué sa carrière dans la publicité, comment elle a eu envie de quitter l'autoroute qu'elle voyait venir, la dolce vita, comment déménager en Italie, comment elle a fondé ali di firenze et les fugues italiennes. Rejoignez le groupe privé Facebook du podcast pour prolonger la discussion : https://www.facebook.com/groups/1080461892356152/?ref=share  Retrouvez Oser la Reconversion sur Instagram : https://www.instagram.com/oserlareconversion/  Notes & Références :  - Instagram d'Alice @alidifirenze: https://www.instagram.com/alidifirenze/ - Site internet : https://www.alidifirenze.fr/ - Les fugues italiennes : https://www.alidifirenze.fr/la-fugue/ - Eshop : https://atelier.alidifirenze.fr/ Contactez-moi ! Si le Podcast vous plait, le meilleur moyen de me le dire, ou de me faire vos feed-backs (et ce qui m'aide le plus à le faire connaître), c'est simplement de laisser un avis sur Apple Podcast, un commentaire sur Youtube et d'en parler autour de vous. ça m'aide vraiment alors n'hésitez pas.  Pour me poser des questions, participer au podcast ou suivre mes aventures, c'est par ici : - Sur Instagram @clervierose : https://www.instagram.com/clervierose et @oserlareconversion https://www.instagram.com/oserlareconversion/ - Sur Youtube : https://www.youtube.com/channel/UC7Qzm4HrS5OdmdXoY344vqA - Par mail : partenariats@oserlareconversion.com

I was recently asked to explain chromaticism, so I thought I'd give it a try here. Bach's fugue based on a theme by Tomaso Albinoni in B minor, BWVs 951, and 951a: the subject itself contains a chromatic descent (B, A#, A, G#, G, F#) and though Albinoni himself wrote it, it was Bach who brought the ideas behind such chromaticism to the next level.  HERE is the recording which I was not able to credit. If you know whose recording this is, please write me, I'll fix it! and HERE is the version (BWV 951, not BWV951a) which I played on the MIDI harpsichord, highlighting the chromatic lines on one of my favorite youtube channels.  As always, thank you for your support, your feedback, your passion! -es Support us: https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach   Ideas? Kvetches? Write us: bach (at) wtfbach (dot) com

Un guide 100% audio pour préparer votre voyage à Londres, plus d'infos ici ! -5% sur votre contrat d'assurance voyage avec le code FRENCHIES. Cliquez ici, pour découvrir la AVA Tourist Card ! Il y a une dizaine d'années, Alice découvre l'Italie alors qu'elle suit son compagnon de l'époque. Tout de suite, elle perçoit que l'atmosphère chaleureuse et l'accueil à l'italienne peuvent la rendre heureuse. Ensemble on retrace ses premiers jours italiens, les cours de langue intensifs, et ses premiers jobs. Alice revient sur la douceur de vivre à l'italienne qu'elle apprend au fil des années à maîtriser, même si vous le verrez très vite, c'est une femme, mère et entrepreneuse, qui vit à mille à l'heure. Nous en profitons pour échanger sur la vie de maman d'enfants bilingues et sur l'entrepreneuriat dans son pays d'adoption. Enfin, nous reviendrons aussi sur le concept des Fugues italiennes qu'Alice a créées, quand elle a ressenti le besoin de reconnecter avec elle-même. Elle propose désormais des séjours italiens de quelques jours aux femmes qui ont besoin de prendre du recul et se recentrer sur elles-mêmes en leur faisant découvrir la slow life et l'art de vivre à l'Italienne. Je vous souhaite une très belle écoute en compagnie de la solaire Alidifirenze ! Ambassadrices : Géraldine - @adirondackfrenchie Montage : Charlène Hiron Découvrez les coulisses du podcast et les dernières nouveautés des FRENCHIES autour du monde sur Instagram : https://instagram.com/frenchies_autour_du_monde/ Musique proposée par La Musique Libre MÆSON - Memories : https://youtu.be/0FfQ4WNr9xc MÆSON : https://soundcloud.com/maeson-1

Cette saison, Jessica Troisfontaine vous propose de voyager en Italie et de partir à la rencontre de celles et ceux qui y sont nés, qui en ont fait leur patrie d'adoption ou leur pays de prédilection. Dans cet épisode, elle met le cap sur la Toscane pour discuter avec Alice Cheron. Alice est la fondatrice de la plateforme Ali di Firenze sur laquelle elle diffuse la joie de vivre à l'italienne dans tous ses aspects.Elle est également la fondatrice des Fugues italiennes, des weekends de 3 jours en Italie pour un groupe de 10 femmes voyageant seules, avec l'objectif de leur faire du bien en célébrant la singularité de chacune.Alice est née en Normandie, a grandi à Nice et a fait ses études à Paris, où elle a ensuite travaillé pendant plusieurs années dans une grande agence de publicité parisienne. En 2010, elle est partie sur un coup de tête à Florence et elle n'est en jamais revenue.Un matin de février, Jessica a profité d'être sur place pour le shooting de la collection Printemps de Septem, la marque spécialisée dans les combinaisons et le média d'inspiration dont elle est la fondatrice, pour aller lui poser quelques questions sur elle, sa vie de femme, de mère, de cheffe d'entreprise et bien sûr, sur son rapport à l'Italie. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Fully Scored is back with Season 4! And we have two heavyweights of SA music on this first episode of the year. Dudley Bright, former Principal Trombone of the LSO, tells Matthew about his life, his playing career and his compositions. ‘Arise, my soul, arise!' is one of only two ‘Prelude and Fugues' published by Music Editorial. Derick Kane joins Matthew to talk us through the intricacies of this piece.As well as the regular features (Arid Island Album – featuring Andrew Dickinson (ISB Principal Horn) and Bandmastermind), 2023 sees the inclusion of two new features. Dudley Bright is the first guest to sit in the Band Manager's dugout before we all get to try ‘Sparsely Scored', which is guaranteed to be every listener's new earworm.Hosted by Matthew FrostProduced by Simon Gash Published by Music Editorial Audio extracts used with permission of SP&S Hosted on Acast. See acast.com/privacy for more information.

As our heading suggests, Jay fills this episode with preludes and other short pieces, and songs—by Tchaikovsky, Debussy, Shostakovich, and others. A wonderful, filling assortment. Shostakovich, Fugue in A major, from Preludes and Fugues, Op. 87 Debussy, “La fille aux cheveux de lin” Debussy, “Minstrels” Shostakovich, arr. Tsyganov, Prelude in D flat, Op. 34 Shostakovich, […]

As our heading suggests, Jay fills this episode with preludes and other short pieces, and songs—by Tchaikovsky, Debussy, Shostakovich, and others. A wonderful, filling assortment. Shostakovich, Fugue in A major, from Preludes and Fugues, Op. 87 Debussy, “La fille aux cheveux de lin” Debussy, “Minstrels” Shostakovich, arr. Tsyganov, Prelude in D flat, Op. 34 Shostakovich, arr. Tsyganov... Source

As our heading suggests, Jay fills this episode with preludes and other short pieces, and songs—by Tchaikovsky, Debussy, Shostakovich, and others. A wonderful, filling assortment. Shostakovich, Fugue in A major, from Preludes and Fugues, Op. 87 Debussy, “La fille aux cheveux de lin” Debussy, “Minstrels” Shostakovich, arr. Tsyganov, Prelude in D flat, Op. 34 Shostakovich, arr. Tsyganov, Prelude in C-sharp minor, Op. 34 Bach, arr. Kanneh-Mason, “Komm, süsser Tod” Tchaikovsky, Scherzo, from “Souvenir d'un lieu cher” Tchaikovsky, Mélodie, from “Souvenir d'un lieu cher” Clarke, “The Cloths of Heaven” Dunhill, “The Cloths of Heaven” Debussy, arr. Hartmann, “La fille aux cheveux de lin” Clarke, “Down by the Salley Gardens” Trad., arr. Britten, “Down by the Salley Gardens”

Vooruitblik op het jaarlijkse festival November Music in Den Bosch. Een keur aan eigentijdse muziek, van jazz en world tot klassiek en experimenteel, passeert de revue op tal van sfeervolle locaties in Den Bosch. Vanavond onder meer aandacht voor festivalcomponist Bryce Dessner. 23.04 CD The Unreleased Berlin Studio Recordings (RBB TLR 2203040) César Franck: Sonate voor viool en piano in A - I Allegretto ben moderato Henryk Szering [viool]; Günther Ludwig [piano] 6'21” 23.12 CD Dmitri Shostakovich 24 Preludes and Fugues, op. 87 (Challenge Classics CC72907) Dmitri Sjostakovitsj: Prelude en Fuga nr 22 in g-klein, op. 87 Hannes Minnaar [piano] 6'01” 23.20 CD Nox (Challenge Classics CC72853 ) Rob Zuidam: Nox 1 - Nightfall Hannes Minnaar [piano] 6'01” 23.30 CD Bryce Dessner St Carolyn by the Sea (Deutsche Grammophon 479 2388) Bryce Dessner: St. Carolyn by the Sea Copenhagen Philharmonic Orchestra olv André de Ridder; Bryce Dessner; Aaron Dessner 13'05” 23.45 CD Garcia Counterpoint (RMN Music z.nr.) Bryce Dessner: Garcia Counterpoint Sergio Sorrentino 6'32” 23.55 CD Cylene (Editions Mego – EMEGO 262) François Bonnet, Stephen O'Malley: Des pas dans les cendres François Bonnet, Stephen O'Malley 15'01”

Carey and Lara pod remotely, discussing Carey's harrowing vision journey and deciding to possibly live as a bat. Meanwhile on Jersey Shore Season 2, Episode 3, Ronnie's Miami creeping is causing more strife in the house, with the rest of the roommates wondering if they should tell Sammi or not. Jenni and Snooki have no love for their gelato shop job, and Angelina receives a surprising olive branch.Get tickets to see SUP live in Los Angeles at Dynasty Typewriter on January 11th and January 18th!Listen to this episode ad-free and get access to bonus episodes AND full-length videos before anyone else by joining the SUP PATREON.Be cheap as hell and get full-length videos of the pod for free by subscribing to the SUP YOUTUBE.Re-live the best moments of this iconic podcast by following the SUP TIKOK. Hosted on Acast. See acast.com/privacy for more information.

Aujourd'hui j'ai rendez-vous avec Alice Cheron, la créatrice d'Alidifirenze, une plateforme sur l'art de vivre à l'italienne et organisatrice depuis quelques années des Fugues italiennes, des voyages de quelques jours dédiés aux femmes dans de grandes villes italiennes telles que Venise ou Florence pour aider à lâcher prise et se reconnecter à soi. Alice n'a aucun lien avec l'Italie lorsqu'elle débarque à 25 ans pour suivre son amoureux de l'époque. Elle se sépare quelques années plus tard mais décide de rester à Florence et de lancer ce qui est au début un blog sur ses péripéties de française en italie. L'aventure n'est pas simple, tout est à apprendre, à commencer par la langue, mais Alice s'accroche, et prend petit à petit confiance. Aujourd'hui elle a accompagné plus de 200 femmes dans ses fugues italiennes, et ses plannings pour l'année à venir sont quasi pleins. Avec Alice on parle de dolce vita, de la difficulté d'entreprendre, des questions qu'on ne se pose pas et de comment voyager en italie… J'espère que cet épisode vous inspirera autant qu'Alice devant un risotto… Belle écoute!--------- Le site d'Alice: AlidifirenzeLe livre d'Alice, L'appel de la fugue Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In which human memory and identity are so fragile that a series of people simply walk away from them, and John wishes more things were the movie Tron. Certificate #28975.

La joyeuse équipe de l'Ouvroir de littérature potentielle se produit tous les mois à la BnF. Marcel Benabou, Jacques Jouet, Hervé Le Tellier, Clémentine Mélois et leurs acolytes y font résonner en public lectures et créations originales.Ils ont choisi cette saison de porter leur regard amusé sur les mots de la musique. Séance enregistrée le 4 octobre 2022 à la BnF I François-Mitterrand. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Alfons Pérez, investigador i activista de l'Observatori del deute en la Globalització, explica que les fuites als gasoductes Nord Stream 1 i 2 són "un fet sense massa precedents amb gasoductes marins".

Ben Luke talks to Megan Rooney about her influences—including other artists, writers and musicians—and the cultural experiences that have shaped her life and work. Rooney was born in 1985 in South Africa, but grew up in Brazil and then in Canada, before studying in London. She works in performance, sculpture and painting and has gained particular attention recently for the vast murals she has made in several international museums. Among much else, she discusses the transformative experience of seeing Henry Moore at the National Gallery of Ontario; a life-changing moment seeing works made on the walls by women prisoners in the Carceri dell'Inquisizione, Palermo, Sicily; and about the writing of Maxine Kumin and Haruki Murakami. Plus, Rooney answers our regular questions, including those about the pictures on her studio wall, her daily working rituals and the artwork she would choose to live with, as well as the ultimate one: what is art for?Megan Rooney's With Sun is in Fugues in Colour, Fondation Louis Vuitton, Paris, until 29 August. She is also in the group exhibition Saturation, Thaddaeus Ropac, Pantin, Paris, until 24 September. She will have a solo exhibition at Thaddaeus Ropac, Paris, in early 2023. See acast.com/privacy for privacy and opt-out information.

Oser la Reconversion, le Podcast, épisode #59 Oser La Reconversion est le podcast dédié aux reconversions professionnelles à quelque stade qu'elles en soient. Aujourd'hui, j'accueille dans Oser la Reconversion, Alice. Après avoir été chef de publicité en agence à Paris, Alice a tout plaqué pour déménager à Florence et fonder Ali di Firenze, un blog et plus globalement une plateforme (avec un eshop) dédiée à l'Italie. Elle organise également les Fugues italiennes, des voyages d'introspection en Italie. Alice travaille dans une grosse agence de publicité à Paris en tant que chef de publicité. Elle participe à la stratégie, à l'écriture des briefs, coordonne les équipes et organise les shooting. Elle est le cliché de la working girl : elle adore sa carrière, travaille beaucoup, sort beaucoup, court les expos. Une vie parisienne très agitée ! Mais son conjoint est finalement retenu pour faire une thèse en Italie à Florence pendant 4 ans. Après seulement un weekend à Florence, c'est le déclic, Alice pose sa démission et décide de déménager en Italie sans parler un mot d'italien. Pour son entourage, c'est l'incompréhension. Ils ne comprennent pas comment elle peut quitter une carrière qui débute très bien pour "suivre son conjoint" selon leurs mots. Alice, elle, tombe tout de suite amoureuse de l'Italie. Elle apprend l'italien en 6 mois et trouve un job dans la communication à Florence. Elle décide ensuite de lancer son blog Ali Di Firenze où elle partage d'abord ses adresses florentines puis ses voyages en Italie. Alice a créé en 2018 les fugues italiennes après avoir elle-même fugué. Avec deux enfants en bas âge et lors de sa reconversion, elle a eu besoin de partir quelques jours pour faire le point et se ressourcer. Ses lectrices ont eu envie de faire pareil ! C'est le début des fugues italiennes. Des voyages d'introspection en Italie pour des groupes de femmes qui viennent seules. Alors avec Alice, on a évoqué sa carrière dans la publicité, comment elle a eu envie de quitter l'autoroute qu'elle voyait venir, la dolce vita, comment déménager en Italie, comment elle a fondé ali di firenze et les fugues italiennes. Rejoignez le groupe privé Facebook du podcast pour prolonger la discussion : https://www.facebook.com/groups/1080461892356152/?ref=share Notes & Références : - Instagram d'Alice @alidifirenze: https://www.instagram.com/alidifirenze/ - Site internet : https://www.alidifirenze.fr/ - Les fugues italiennes : https://www.alidifirenze.fr/la-fugue/ - Eshop : https://atelier.alidifirenze.fr/ Contactez-moi ! Si le Podcast vous plait, le meilleur moyen de me le dire, ou de me faire vos feed-backs (et ce qui m'aide le plus à le faire connaître), c'est simplement de laisser un avis sur Apple Podcast, un commentaire sur Youtube et d'en parler autour de vous. ça m'aide vraiment alors n'hésitez pas. Pour me poser des questions, participer au podcast ou suivre mes aventures, c'est par ici : - Sur Instagram @clervierose : https://www.instagram.com/clervierose - Sur Youtube : https://www.youtube.com/channel/UC7Qzm4HrS5OdmdXoY344vqA - Par mail : clervierose@gmail.com

De plus en plus d'adolescents fuguent. Cette année, on observe une hausse de 21%. Comment l'expliquer ? Comment accompagner les jeunes en détresse ? Quels sont les risques pour les jeunes qui fuguent ?

It's the episode all about fugues! They are some of the most complicated compositional art forms out there, and Michael Gesme is here to gush all about how cool they are.Support the show

Do you ever pipe-dream about what you would wish for if you found a genie? The thought has crossed most everyone's mind at some point or another. But it's all just fantasy right? Well, maybe. But we know what "fantasy" really means to the curators at the Hidden Archives. In tonight's tale, we see how far this fantasy can go.   This story was written, directed, and engineered by Phillip Clark. The Hidden Archives was created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.  Executive Producer: Phillip Clark Co-Executive producer: Nicole Clark   The “Curator” and "Victoria" were voiced by Nicole Clark, and “The Jinn” was voiced by Phillip Clark.   Music: Theme is “Goldberg Variations, BWV 988 - 22 - Variatio 21 Canone alla Settima" by J.S. Bach; and story music is Preludes and Fugues by J.S. Bach, S. 462 - 1. Präludium und Fuge in A minor   Please remember to follow us on Facebook and Instagram at hiddenarchivespodcast, and on Twitter @PodcastHidden.   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. Phillip will always respond to every direct message and comment!  

This question was sent by Stephen, and he writes: “I love the Zipoli Pastorale...!!! Thank you... Zipoli is one of my favorite early Baroque composers!” Vidas: I wrote to him, “Thanks Stephen! What other composers do you like?” And Stephen writes: “In a more contemporary "vein" I am fond of Dale Wood's music. There are passages in his work that require a legato technique especially with chords...Sometimes I am at a loss as to how best to play them...finger substitution..but which is best..that sort of challenge. In answer to your question, what composers do I like ....Of course BACH, esp some of the Chorale Preludes. and I intensely care for the Eight Short Preludes and Fugues attributed to Bach but maybe not ?? I think his pupil Krebs may have had a hand in composing these??? I cannot prove that of course. but I love these pieces and I have always played them from the Wayne Leupold Edition...Sandra Soderland, editor. I prefer to follow her revelations as to style and registrations etc...all toes pedal!!!! I love them and find they never bore me....I studied them formally with Dr. Laura Ellis. Always from the Soderland Ed.! I never learned them any other way. so I was lucky :) Thank you and your wife/life partner for all you do to extend education to all who seek ....” Vidas: And I wrote to him again, “Thanks Stephen! Yes, Wayne Leupold publishes great educational material. Current scholarship thinks these short preludes and fugues might have indeed been written by Krebs but there is no proof. So it's safe to say they were written by the Bach Circle. You mentioned finger substitution being a challenge. It's just a matter of time spent and experience. Just continue to play easier pieces and little by little you can master more difficult ones as well. Fingers have muscle memory. And something more. They start to sense the best patterns after a while. The first 20 years are difficult and then it's easy.” Vidas: Stephen wrote back to me: “I just found a piece I had enjoyed and practiced several years ago...would like to share it with you ...I enjoy and care a lot for Marcel Dupre's work....This is one of the Seventy Nine Chorales Op. 28, he wrote for teaching purposes...I am guessing that you know them: XXVIII The Son of God is Come....very short and beautiful... And I wanted to share my a guiding principle in my organ study which I think is in agreement with yours: "It is only through playing a lot of easier pieces and being able to consolidate our progress at a manageable standard that we can go on to greater things" I want to play easier pieces well ..rather than difficult pieces badly! I find the ZIpoli can present some challenges… having the fingering at hand thanks to you...makes the task of learning it so much easier. Dupre marked all the fingering and pedaling in the Chorales. Happy Holidays: All of them!!!”

How does increased power impact human minds? It's almost not someone's fault if empathy wanes while power accumulates. In fact, it's basically inevitable.  Joe Smarro, one of the subjects of the HBO documentary, "Crisis Cops: Ernie and Joe," is an exception to the rule. Joe is a police officer and trainer who gives a Master Class in how to sidestep fate when encountering people in crisis. We hear a few fugues from Joe illustrating what it's like to be a cop in these situations. And we give it the post-fugue treatment with inner voice, helping us to understand the cognitive effects of power and how to avoid unnecessary conflict.Join us for the third and final part of this series on fate and biology. --Credits:Written and produced by Gabriel Berezin.Original music and sound design by Grant Zubritsky. Additional music courtesy of Sami Jano.Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) Editorial insight by Melissa "Monty" Montan Logo design by Justin MontanFollow Fugues on Twitter and Instagram.--Relevant Fugues episodes:The Brain's Molotov Cocktail | Fate & Biology | 1Bonding, for Better or Worse | Fate & Biology | 2Why So IrrationalReferences:HBO's Crisis Cops, Ernie & JoeJoe Smarro's TEDx talkSolution Point + (Joe & Jesse's first responder training organization)Follow Joe on TwitterWaco Drama Series PreviewWaco Siege HistoryGary NoesnerDigby, The De-escalating Dog (that prevented a suicide)Jamil Zaki on police empathy and powerCognitive effects of power (Adam Galinksy, Deborah H Gruenfeld, and Joe C. Magee)Power drains empathy (Adam Galinksy)

Why do we help strangers? And why do we love revenge stories so much?  The same thing that connects those questions connects us all - bonding.There's an invisible line between groups of people - it can be a thin dotted line between acquaintances, a steel girder between mother and child, or a series of chain links between millions of people in the same country.In Part 2 of this series on fate and biology, we identify the brain chemical that plays a central role in how we bond, and explore why certain group behaviors are inevitable. --Credits:Written and produced by Gabriel Berezin.Original music and sound design by Kirk Schoenherr and additional music by Grant Zubritsky.Opening and closing music by Monuments - featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar).Editorial assistance by Melissa "Monty" Montan.Logo design by Justin Montan.Follow Fugues on Twitter and Instagram.Help us out - rate and comment on iTunes!Further reading:Part 1 of Fate and Biology: The Brain's Molotov CocktailCounting to Twelve (the ultimate funk on Sesame Street)Won't You Be My Neighbor (Mr. Rogers Documentary)Philadelphia greases light posts before 2018 Superbowl“Are we the baddies?” Aka, an existential crisis for nazis (mentioned by Inner Voice)The Science of Kindness (and oxytocin)The Neurobiology of friendshipNasal spray and oxytocin increased male cooperationThe above study debunked (in Vox)Book: Sapiens (by Yuval Noah Harari)Book: The Power of Us (by Jan Van Bavel and Dominic Packer)Paying Mentorship Forward (podcast episode for the NeuroLeadership Institute featuring Josh and Kendrick)Panel in the Vatican celebrating the St. Bartholomew's Day Massacre

At one point in his life, Shostakovich considered the career of a concert pianist. He was talented enough to become a Soviet competitor at the international Chopin Competition of 1927, but he was struck down with acute appendicitis, and he had to leave with only a diploma rather than a major prize. Whether his pain and disappointment soured his relations with the piano we cannot be sure, it is astonishing that his piano music studiously avoids the virtuosity he had assiduously cultivated as a young performer. Almost all his piano writing is in some way experimental, conceptual, challenging the pianist to make sense of piano writing that often seems ungrateful, not unlike Musorgsky's Pictures at an Exhibition, which we heard in the first lecture of this series. Even so, Shostakovich's monumental cycle of Preludes and Fugues stands at the very core of his output. Written "for the desk drawer" in his most difficult years, following a second round of official criticism, it often rejoices in the very "formalism" he was accused of. Following the example of J.S. Bach, Shostakovich offers us twenty-four strictly constructed fugues in all the keys, each preceded by a free-flowing prelude. The set takes us on a fascinating journey, beginning with near-pastiches of Bach, into a world where Russian folk song can meet Jewish cantillation, and where Baroque idioms meet modernism, with extremes of emotion that can rival any of Shostakovich's symphonies.A lecture by Marina Frolova-Walker and Peter DonohueThe transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-and-events/shostakovich-pianoGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege

Matt and Zoe are joined by RSO Principal Flute, Mary Boodell, who has been playing with the Symphony for 30 years (!) Mary walks the duo through her musical beginnings, details why she loves playing in the RSO wind section, and gives an impromptu lesson on historical flutes. There might even be a spontaneous recording of Mary performing solo...This episode also highlights Vitezslava Kapralova's Suita Rustica, as performed by the Richmond Symphony in 2018.  Want to be featured on Question of the Week? Email us a question at podcast@richmondsymphony.com with the subject line "Question of the Week" and we might answer your question in a future episode. (Please be sure to indicate if you are comfortable with your name being shared.) All sorts of questions welcome!Masterworks 7: (In-Person and Watch from Home available!)Staunton Music Festival Chamber Music Society of Central VirginiaLearn more about featured composer Vitezslava Kapralova on The Kapralova Society website.Thoughts, feelings, opinions? Email us at podcast@richmondsymphony.com.

By the 1920's, jazz had grown too large for its humble origins in New Orleans and was impacting the musical world, including the greatest classical European musicians and composers, as well as American listeners and fellow jazz musicians.What came next was an explosion of creativity among the musical who's who of the day.The world's stage was filled to capacity with Europe's heavy-weights, like Toscanini, Rachmaninoff and Stravinsky and American classicists, like Leonard Bernstein, George Gershwin, Aaron Copland, not to mention the greats of the jazz world, like Louis Armstrong,  Woody Herman, Benny Goodman, and Duke Ellington, just to name a few.  All these mind-blowingly awesome artists were  active and collaborating among each other.  Could this have been the history's greatest musical period? Find out what happened and how it happened, right here on American Song.Tracks:The Rite of Spring - Igor StravinskyCharleston - Sidney BechetFireworks - Louis ArmstrongGolliwogg's Cakewalk - Claude Debussy; performed by Branford MarsalisRagtime for 11 Instruments - Igor StravinskyCentral Park in the Dark - Charles IvesTea For Two - Art TatumAndre Previn and Oscar Peterson talk about Art TatumLivery Stable Blues - Original Dixie Land Jass BandFerde Grofe talks about working with George Gershwin Rhapsody in Blue - Paul Williams Orchestra, pianist George GershwinIra Gershwin Talks About George GershwinLa Creation du Monde - Darius Milhaud; performed by Branford MarsalisAaron Copland Talks About HimselfRodeo; I: Buckaroo Holiday - Aaron CoplandMusic for the Theater; Aaron Copland, performed by Leonard Bernstein & New York PhilharmonicFour Piano Blues: 3 - Muted and Sensous - Aaron Copland; performed by Leo SmitJazz Suite No. 2; 3:  Dance - Dmitri ShostakovichEbony Concerto - Igor Stravinsky; performed by Woody Herman and His Thundering HerdOverture From Westside Story - Leonard Bernstein; Film Soundtrack, 1961Leonard Bernstein Talks About HimselfPreludes, Fugues, and Riffs - Leonard Bernstein; performed by Leonard Bernstein, Benny Goodman and the Colombia OrchestraCreole Rhapsody - Duke EllingtonConcerto for Cootie - Duke EllingtonDont' Get Around Much Anymore - Duke EllingtonBlack, Brown & Beige - Duke Ellington

Why are we so prone to bad logic? We're going to hear two everyday fugues in this episode: the search for a lost spatula and a spilled beer. The real story here is how easy it is to be irrational. Who is “we” in this episode? It's me and my inner voice obviously. Inner Voice and I will do some post-fugue analysis to find out what mental phenomena are at play while I make really bad assumptions about events in my surroundings. By the end of the episode maybe you'll appreciate why we're actually doing a lot better than we think we are as a society given how mistake-prone our brains are.--Credits: Written and produced by Gabriel BerezinOriginal music and sound design - Grant ZubritskyOpening and closing music: Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) Editorial insight - Melissa "Monty" Montan Logo design - Justin MontanFind Fugues on Twitter and Instagram.References:Apophenia in the Queen's GambitApophenia in Stranger ThingsWacky Conspiracy Theory showing Back to the Future predicted 9/11 How Netflix uses big data to inform its contentThe Brain's Autopilot (Scientific American)Daniel Kahneman's System 1 vs 2 Thinking (article)Thinking Fast and Slow (book)Anil Seth's TED talkHow Much of What You See is Hallucination (TED Ex)Abracadabra! A Classic Magic Trick Fools Expectations, Not EyesMy Special Egg SpatulaEpisode Song Playlist:Delirious - PrinceMemories Can't Wait - Talking HeadsNot My Own - MonumentsWhere is My Mind  - The PixiesCrazy - Gnarls BarkleyThere There - Radiohead

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79The Well-Tempered Clavier (Das Wohltemperierte Klavier), BWV 846–893, is a collection of solo keyboard music composed by Johann Sebastian Bach. He first gave the title to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study." Bach later compiled a second book of the same kind, dated 1742, but titled it only "Twenty-four Preludes and Fugues." The two works are now usually considered to make up a single work, The Well-Tempered Clavier, and are referred to respectively as Books I and II

This question was sent by John, and he writes, Dear Ausra, thanks so much for this superb recital! Sorry I couldn't join it live, I've been very busy traveling and catching up with family, Covid restrictions are returning in Australia so I am cherishing every moment with family. Well done on the Bach, it sounded great, your articulation was so clear! How do you decide on a tempo for these Prelude & Fugues, do we have any historical indications or is it more based on how it sounds in the acoustic you play in? And please thank Vidas from me for his lovely contributions also! I am so lucky to know you both as friends and my teacher, you are so inspirational! Happy New Year to you and your family! Please stay safe and well! Take care, John

What's a fugue? In this podcast it's a story - a story that sheds light on how our conscious experience of any given moment operates. Find out what each fugue tell us about the basic ingredients of mind. --Credits:Written, produced and hosted by Gabriel Berezin.Music and sound design by Grant Zubritsky and Monuments.Logo and art design by Justin Montan.Follow Fugues on Twitter and Instagram.

This question was sent by Stephen, and he writes: “At 72 years of age my goal is to play some of Bach's organ music with musicality and appropriate style...i.e. registration ...trills ..phrasing. I have explored the "Little preludes and Fugues" using Soderlund's book on authentic technique for that period. To be able to continue to practice. (I own an Viscount Digital Organ with appropriate AGO standards. I also studied formally with an organist for 2 years) To be able to improve my pedal technique. I have used your Pedal Mastery Course to help in that regard. I purchased it when you first offered it to us. I would like to know other sources of exercises that might help in improving. To be able to memorize even at my age....I find that practicing the organ and piano HELP keep my mind sharp ...Excellent therapy... Stephen”

Knowledge + Action = Power (Barry's Equation) Serial bootstrap entrepreneur Barry Thornton, "the guy that looks like Santa Claus," shares his riveting and far-ranging wisdom with the Bootstrap Austin Ideation Subgroup. ClearCube, Monster Cable, are just a couple of the companies he cofounded. He opines on the uselessness of patents, logos, education, degrees and getting consumed with ideas. Conversely, the importance of self-understanding, taking action, demonstrations, solving a pain, making decisions, customers, finding partners along the way, swapping the "sell" and "demo" steps and combatting fear and inaction by telling people. During Q&A, Barry uncovers the true game of venture capital and its evolution over multiple generations A smattering of topics Barry covers: Jethro Tull, Joe Cocker, Gödel Escher Bach, Fugues and the mind, Thomas Jefferson, the lies people tell you and who you really should talk to, long tails, the evolution of the mind, homo sapiens as "decision maker," where ideas come from, how entrepreneurship is co-creative, being on an excursion versus being in business, starting in the garage and leaving it as soon as possible, the role of employees, changing lives, salespeople, gaining strength from the ideation process, Geoffrey Moore's Crossing the Chasm, & Inside the Tornado, creating wakes, careers versus entrepreneurs, vanity items, provisional patents and "entremanures!" BootRap ATX is produced by Brian Massey of the Intended Consequences Podcast.

We discuss the second and third fugues from "The Art of Fugue" by J.S. Bach. We hear them played on a clavichord and a piano, then both arranged electronically with some new insights.  Topics covered: How quiet is a clavichord? So... what's the vibe in general of The Art of Fugue? Countersubjects, inverted entrances, and the subject beginning to change.  Find a playlist of the music here: https://open.spotify.com/playlist/1Ha250UDFktGqZjpt1hk7L?si=fIqZwtTUQJmzB9SYwskeYA Support us: https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach   Suggestions? Want Evan to analyze a specific piece of Bach? Have other questions for Evan about music or anything at all? Write us: bach@wtfbach.com

AVA175: I'm Working On #8 Of Eight Little Preludes And Fugues by Vidas Pinkevicius