Podcasts about fugues

** Réserve ton coaching gratuit de 30 minutes ici pour faire le point sur ta vie pro : https://cal.com/oser-la-reconversion/30min **REDIFFUSION - Oser la Reconversion est en vacances et revient fin février avec de nouveaux invités.- Episode diffusé initialement le 16 mai 2022 (épisode #59)Oser La Reconversion est le podcast dédié aux reconversions professionnelles à quelque stade qu'elles en soient. Aujourd'hui, j'accueille dans Oser la Reconversion, Alice. Après avoir été chef de publicité en agence à Paris, Alice a tout plaqué pour déménager à Florence et fonder Ali di Firenze, un blog et plus globalement une plateforme (avec un eshop) dédiée à l'Italie. Elle organise également les Fugues italiennes, des voyages d'introspection en Italie.  Alice travaille dans une grosse agence de publicité à Paris en tant que chef de publicité. Elle participe à la stratégie, à l'écriture des briefs, coordonne les équipes et organise les shooting. Elle est le cliché de la working girl : elle adore sa carrière, travaille beaucoup, sort beaucoup, court les expos. Une vie parisienne très agitée ! Mais son conjoint est finalement retenu pour faire une thèse en Italie à Florence pendant 4 ans. Après seulement un weekend à Florence, c'est le déclic, Alice pose sa démission et décide de déménager en Italie sans parler un mot d'italien. Pour son entourage, c'est l'incompréhension. Ils ne comprennent pas comment elle peut quitter une carrière qui débute très bien pour "suivre son conjoint" selon leurs mots. Alice, elle, tombe tout de suite amoureuse de l'Italie. Elle apprend l'italien en 6 mois et trouve un job dans la communication à Florence. Elle décide ensuite de lancer son blog Ali Di Firenze où elle partage d'abord ses adresses florentines puis ses voyages en Italie. Alice a créé en 2018 les fugues italiennes après avoir elle-même fugué. Avec deux enfants en bas âge et lors de sa reconversion, elle a eu besoin de partir quelques jours pour faire le point et se ressourcer. Ses lectrices ont eu envie de faire pareil ! C'est le début des fugues italiennes. Des voyages d'introspection en Italie pour des groupes de femmes qui viennent seules. Alors avec Alice, on a évoqué sa carrière dans la publicité, comment elle a eu envie de quitter l'autoroute qu'elle voyait venir, la dolce vita, comment déménager en Italie, comment elle a fondé ali di firenze et les fugues italiennes.  Rejoignez le groupe privé Facebook du podcast pour prolonger la discussion : https://www.facebook.com/groups/1080461892356152/?ref=share   Notes & Références : - Instagram d'Alice @alidifirenze: https://www.instagram.com/alidifirenze/- Site internet : https://www.alidifirenze.fr/- Les fugues italiennes : https://www.alidifirenze.fr/la-fugue/- Eshop : https://atelier.alidifirenze.fr/Contactez-moi ! Si le Podcast vous plait, le meilleur moyen de me le dire, ou de me faire vos feed-backs (et ce qui m'aide le plus à le faire connaître), c'est simplement de laisser un avis sur Apple Podcast, un commentaire sur Youtube et d'en parler autour de vous. ça m'aide vraiment alors n'hésitez pas.Pour me poser des questions, participer au podcast ou suivre mes aventures, c'est par ici :- Sur Instagram @clervierose : https://www.instagram.com/clervierose / et https://www.instagram.com/oserlareconversion - Sur Youtube : @clervierose : https://www.youtube.com/channel/UC7Qzm4HrS5OdmdXoY344vqA - Par mail :

** Réserve ton coaching gratuit de 30 minutes ici pour faire le point sur ta vie pro : https://cal.com/oser-la-reconversion/30min **L'épisode sera disponible en intégralité dès demain. REDIFFUSION - Oser la Reconversion est en vacances et revient fin février avec de nouveaux invités. - Episode diffusé initialement le 16 mai 2022 (épisode #59)

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

durée : 01:28:53 - Quatuor Arod ; Sofia Sacco ; Trio Ernest & Eléonore Billy ; Lia Naviliat Cuncic Quartet - par : Clément Rochefort - Le Quatuor Arod, pour un flamboyant nouvel op. 76 de Haydn ; Sofia Sacco, piano, pour les Préludes & Fugues de Chostakovitch ; le Trio Ernest & Eléonore Billy, nyckelharpa, à la découverte de la compositrice Amanda Maier ; le Lia Naviliat Cuncic Quartet : "Héritage(s)" latino-américains - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Les fugues protagonitzen les grans composicions del final de la vida de Beethoven i gr

durée : 00:17:04 - Disques de légende du mercredi 31 décembre 2025 - Composées entre 1950 et 1951, les Vingt-quatre préludes et fugues de Chostakovitch parcourent, en véritable hommage à Bach, les vingt-quatre tonalités du clavier de piano. L'œuvre est créée l'année suivante par son amie, la pianiste Tatiana Nikolaïeva. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:04 - Disques de légende du mercredi 31 décembre 2025 - Composées entre 1950 et 1951, les Vingt-quatre préludes et fugues de Chostakovitch parcourent, en véritable hommage à Bach, les vingt-quatre tonalités du clavier de piano. L'œuvre est créée l'année suivante par son amie, la pianiste Tatiana Nikolaïeva. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.This seems almost the perfect soundtrack for the very end of 2025, chatting with award-winning contemporary composer David Lefkowitz. We discuss his latest album: Preludes and Fugues for Piano featuring 26 preludes and fugues performed by four leading new music pianists.Thanks to David for allowing me to use clips from his Preludes and Fugues for Piano alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Invités :Amaury Bucco, journalisteCenk, le frère de la victimeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Lumière sur le festival littéraire Les Petites Fugues, festival itinérant dont la 24ème édition se tiendra du 17 au 29 novembre en Bourgogne Franche-Comté. Quinze autrices et auteurs partiront à la rencontre du public à l'occasion d'une centaine de rencontres programmées dans divers lieux choisis de la région : bibliothèques, librairies, lieux culturels, établissements scolaires, hôpitaux ou encore établissements pénitentiaires...On découvre le programme de cette 24ème édition avec Géraldine Faivre, cheffe de projet du festival.

durée : 00:25:08 - Alfred Brendel, pianiste (2/5) - par : Philippe Cassard - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Aujourd'hui, je reçois Salia Sanou, danseur et chorégraphe, fraîchement nommé à la direction du Centre Chorégraphique National de Nantes.Artiste burkinabé, il rejoint à 24 ans Mathilde Monnier à Montpellier et fonde en 2011 sa compagnie - Mouvements Perpétuels.Salia est un enfant de la cour de l'Agora, désormais cour Montanari à la Cité internationale de la danse de Montpellier.Pour la 45e édition de Montpellier Danse, il y présente les 3 et 4 juillet De Fugues…en Suites… une création pour 6 femmes portée par l'Art de la fugue de Bach.On l'écoute avec joie.

durée : 00:30:43 - Les Pieds sur terre - par : Sonia Kronlund, Rita Ruggirello - À 15 ans, Thibault s'enfuit de son domicile familial avec sa copine pour l'Italie. Laura, elle, a 14 ans lorsqu'elle fugue avec ses deux meilleures amies pour retrouver un amoureux au Havre. Deux histoires de fugues adolescentes. - réalisation : Benjamin Hû

durée : 00:30:43 - Les Pieds sur terre - par : Sonia Kronlund, Rita Ruggirello - À 15 ans, Thibault s'enfuit de son domicile familial avec sa copine pour l'Italie. Laura, elle, a 14 ans lorsqu'elle fugue avec ses deux meilleures amies pour retrouver un amoureux au Havre. Deux histoires de fugues adolescentes. - réalisation : Benjamin Hû

durée : 00:25:08 - Alfred Brendel, pianiste (2/5) - par : Philippe Cassard - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard. - réalisé par : Pierre Willer

durée : 00:04:50 - « Afro Bach » ou les fugues afro-cubaines de Joachim Horsley - par : Max Dozolme - Dans ce nouvel album, le pianiste américain se lance dans des reprises inattendues d'airs de Jean-Sébastien Bach. Au programme, la collision entre danses, instruments et genres traditionnels cubains, colombiens et haïtiens avec des préludes, concertos et danses baroques du maître d'Eisenach...

This was an extraordinary Sunday crossword, thanks to one of those "oh, I can't believe they did that!" themes that makes crossword solving such an utter delight. This delight came to us courtesy of Derrick Niederman (edited, as always, by Will Shortz), and we will be savoring it for a loooong time to come. To find out exactly why, and possibly how long is loooong, download today's episode (and don't forget to hit subscribe, so you never miss any future installments!).Show note imagery: The Short-Tempered Clavier, billed as "Preludes and Fugues in All the Major and Minor KeysExcept for the Really Hard Ones", edited by Professor Peter Schickele.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Welcome to the Sandbox! Today, we're diving into the Language of Aesthetics with the incredible Monty. She'll share her insights on how you can tap into this inner dialogue to unlock your own Soul-Self aesthetic.  Monty's Word: Jouska Monty's Teachers:  Kate Northrup (https://relaxedmoney.com/backdoor/) Rob Brezsny (https://freewillastrology.com/) and his book Pronoia Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings Rick Rubin's book The Creative Act: A Way of Being Mentions: Angostura bitters Fugues podcast Rhythm Zero in Greenpoint, Brooklyn The One You Feed podcast “How to Unlock Your Creative Potential through Writing with Natalie Goldberg” Pussy: A Reclamation by Regena Thomashauer Holisticism Hub (my invite link: https://holisticism.mn.co/share/WHajNl2I_-qFmZtw?utm_source=manual) “Broad City” sitcom The Secret by Rhonda Byrne Abraham-Hicks Astro Style workshop at barneyandflow.com Astrology readings by @kpkaszubowski (IG) AI result: “The phrase "ichigo ichie" is a Japanese proverb that means "one lifetime, one encounter". It originated in the 16th century with the tea ceremony master Sen no Rikyu. Rikyu taught his students to focus on each moment of the tea ceremony with sincerity and total attention because each moment is unique and will only happen once.” Ways to Connect with Monty: Website: https://montymontan.com/ Offering details (with prices): https://montymontan.com/hello/ Instagram: https://www.instagram.com/monty_montan/ Tik Tok: https://www.tiktok.com/@monty_montan?lang=en Ways to Connect with April Dawn: Website: www.SandboxAlchemy.com Dream Guidance or Small-Group Dreamwork Membership: www.TheDreamTranslator.com Patreon: patreon.com/SandboxAlchemyTiers: FREE / $1 Fluffle / $5 Pom-poms / $10 Thunder / $30 Galactic For book lovers, my novelette Sandra: A Healing Reimagining of the Babysitter from Hell is available in paperback, ebook, and audiobook (includes Kindle and Audible). Podcast's YouTube channel: @thesandboxpod

durée : 00:13:27 - Préludes et fugues BWV 889 & BWV 893 -

Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes d'Olivier Delacroix. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.

Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes d'Olivier Delacroix. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.

durée : 00:13:36 - Prélude et fugue BWV 846 - 848 -

American classical pianist and educator Christopher O'Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he's also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O'Riley's latest album is of J.S. Bach's Well Tempered Clavier, done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio. Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

Aujourd'hui j'accueille Alice Cheron, créatrice des Fugues italiennes et du média AlidiFirenze sur lequel elle diffuse la joie de vivre à l'italienne ! Alice est une femme solaire et généreuse, qui rayonne l'Italie et les valeurs du beau, de la sagesse, de la couleur, du voyage… Alors si tu as besoin de t'évader pour mieux te retrouver, cet épisode est pour toi ! On a parlé ensemble de la magie de l'échappée belle et de comment la concrétiser dans un quotidien surchargé la puissance du beau pour prendre de la hauteur et retrouver le calme intérieur s'autoriser et bien sûr de joie de vivre à l'italienne ... tout ça avec des clés pratiques pour l'appliquer facilement et concrètement dans ton quotidien ! Belle écoute !  ......... Notes de l'épisode : - Tu peux retrouver Alice sur son⁠ site et sur https://www.instagram.com/alidifirenze/ - Les Fugues italiennes - Le livre d'Alice, l'Appel de la Fugue - La websérie Dolce Follia ........

SynopsisBach's Well-Tempered Clavier is a collection of 48 preludes and fugues for solo keyboard in two sets, each covering all 24 major and minor keys. This music has become a bible for pianists, as well as a challenge for subsequent composers to try to imitate. In the early 1990s, American composer and pianist Henry Martin tossed his hat into the ring with the completion of his first set of 24 Preludes and Fugues for piano, and soon after published a second set of 24.On today's date in 1992, at the National Gallery in Washington, D.C., pianist Sara Davis Buechner performed three of Martin's Preludes and Fugues for broadcast on NPR and later made recordings of all of Martin's “48.”One enthusiastic reviewer of those recordings, Michael Barone, host of American Public Media's Pipedreams organ program, wrote of Martin's music, “We get shades of Debussy's impressionism, the vibrant jazzy riffs of Art Tatum, the spacey harmonies of John Coltrane, and the sophisticated improvisations of Bill Evans … but Martin's own individual genius shines brightly.”Barone's enthusiasm resulted in his commissioning Martin to compose another set of 24 preludes and fugues — this time for organ! We think Bach would have approved.Music Played in Today's ProgramHenry Martin (b. 1950): Prelude & Fugue No. 1; (Ken Cowan, organ) Pipedreams 1004

The Halloween season continues with our daily re-releases of the scariest DISGRACELAND episodes. Jake is wondering: What's the best rock star/horror movie crossover? What music scares you? Angie from the 443 wants to know what song you want played at your funeral. Do you have a question of the week for Jake and your fellow listeners? Connect at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Classical Tracks - Plinio Fernandes (radio edit) by Plinio Fernandes - Bacheando (Decca)“For me, playing the guitar gives me a sense of identity, because it's something that I have been doing since I was very, very young,” guitarist Plinio Fernandes says. “I don't really remember my life that well before I was 6 or 7, which is when I started to play. Like brushing my teeth, drinking water, showering and breathing, I just have to play a couple of notes and feel like that grounds me.”Fernandes is a Brazilian guitarist who grew up surrounded by music. As his father's guitar rested on the sofa, Fernandes would pluck a few strings. Before he knew it, he was headed to London to study at the Royal Academy of Music. That's where he met his roommate, friend and musical colleague, cellist Sheku Kanneh-Mason. Fernandes and Kanneh-Mason recently completed a tour in support of Fernandes' second recording, Bacheando.Fernandes says the album's name is just a made-up word inspired by the title of Heitor Villa-Lobos' Bachianas Brasileiras and as an homage to the great German master Johannes Sebastian Bach.How does the music of Bach and the rich culture of Brazil come together on this recording?“Villa-Lobos, our greatest composer of all time, who really reshaped Brazilian culture, was massively influenced by Bach. His contemporaries were massively influenced by that connection between Villa-Lobos and Baroque music. In addition to taking the pieces that already existed, Sergio Assad was one of the arrangers and composer on the album. He wrote a piece inspired by that concept to pair with the Prelude, Fugue and Vivace.”One of your favorite pieces by Bach, the Prelude, Fugue and Allegro, is at the heart of this recording. Why is this one of your favorite pieces?“Very simply, it's one of the most beautiful pieces of music I've ever heard. And I grew up listening to it. The three movements represent to me what perfection is.”How did the piece that Assad created for you come about?“I came to him and we were discussing the repertoire for the album and said, ‘Sergio, I would love to have you writing something specifically for that.' And then he was very keen on doing something that he first wrote, the Prelude and Fugues. It's the first fugue that he has ever written, which is quite something and a privilege to have that. And then it just kept on growing until it became this little suite of three movements.”Can you talk about what it means when you're describing colors in playing the guitar? “I was basically trying to use everything that the instrument has to offer. I think it is a very specific thing to the guitar. One can talk about the colors that you create with the piano, but with the guitar … you use both of your fingertips to produce the sound, so it's a very personal thing. Depending on the size of your fingers or the length of the nails, each person will have a very particular and unique sound.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesPlinio Fernandes - Bacheando (Amazon)Plinio Fernandes - Bacheando (Decca)Plinio Fernandes (official site)

REDIFFUSION - Oser la Reconversion est en vacances d'été et revient le lundi 4 septembre. Retrouvez tout l'été les meilleurs épisodes d'Oser la Reconversion. - Episode diffusé initialement le 16 mai 2022 (épisode #59) - Aujourd'hui, j'accueille dans Oser la Reconversion, Alice. Après avoir été chef de publicité en agence à Paris, Alice a tout plaqué pour déménager à Florence et fonder Ali di Firenze, un blog et plus globalement une plateforme (avec un eshop) dédiée à l'Italie. Elle organise également les Fugues italiennes, des voyages d'introspection en Italie. Alice travaille dans une grosse agence de publicité à Paris en tant que chef de publicité. Elle participe à la stratégie, à l'écriture des briefs, coordonne les équipes et organise les shooting. Elle est le cliché de la working girl : elle adore sa carrière, travaille beaucoup, sort beaucoup, court les expos. Une vie parisienne très agitée !  Mais son conjoint est finalement retenu pour faire une thèse en Italie à Florence pendant 4 ans. Après seulement un weekend à Florence, c'est le déclic, Alice pose sa démission et décide de déménager en Italie sans parler un mot d'italien. Pour son entourage, c'est l'incompréhension. Ils ne comprennent pas comment elle peut quitter une carrière qui débute très bien pour "suivre son conjoint" selon leurs mots. Alice, elle, tombe tout de suite amoureuse de l'Italie. Elle apprend l'italien en 6 mois et trouve un job dans la communication à Florence. Elle décide ensuite de lancer son blog Ali Di Firenze où elle partage d'abord ses adresses florentines puis ses voyages en Italie.  Alice a créé en 2018 les fugues italiennes après avoir elle-même fugué. Avec deux enfants en bas âge et lors de sa reconversion, elle a eu besoin de partir quelques jours pour faire le point et se ressourcer. Ses lectrices ont eu envie de faire pareil ! C'est le début des fugues italiennes. Des voyages d'introspection en Italie pour des groupes de femmes qui viennent seules. Alors avec Alice, on a évoqué sa carrière dans la publicité, comment elle a eu envie de quitter l'autoroute qu'elle voyait venir, la dolce vita, comment déménager en Italie, comment elle a fondé ali di firenze et les fugues italiennes. Rejoignez le groupe privé Facebook du podcast pour prolonger la discussion : https://www.facebook.com/groups/1080461892356152/?ref=share  Retrouvez Oser la Reconversion sur Instagram : https://www.instagram.com/oserlareconversion/  Notes & Références :  - Instagram d'Alice @alidifirenze: https://www.instagram.com/alidifirenze/ - Site internet : https://www.alidifirenze.fr/ - Les fugues italiennes : https://www.alidifirenze.fr/la-fugue/ - Eshop : https://atelier.alidifirenze.fr/ Contactez-moi ! Si le Podcast vous plait, le meilleur moyen de me le dire, ou de me faire vos feed-backs (et ce qui m'aide le plus à le faire connaître), c'est simplement de laisser un avis sur Apple Podcast, un commentaire sur Youtube et d'en parler autour de vous. ça m'aide vraiment alors n'hésitez pas.  Pour me poser des questions, participer au podcast ou suivre mes aventures, c'est par ici : - Sur Instagram @clervierose : https://www.instagram.com/clervierose et @oserlareconversion https://www.instagram.com/oserlareconversion/ - Sur Youtube : https://www.youtube.com/channel/UC7Qzm4HrS5OdmdXoY344vqA - Par mail : partenariats@oserlareconversion.com

I was recently asked to explain chromaticism, so I thought I'd give it a try here. Bach's fugue based on a theme by Tomaso Albinoni in B minor, BWVs 951, and 951a: the subject itself contains a chromatic descent (B, A#, A, G#, G, F#) and though Albinoni himself wrote it, it was Bach who brought the ideas behind such chromaticism to the next level.  HERE is the recording which I was not able to credit. If you know whose recording this is, please write me, I'll fix it! and HERE is the version (BWV 951, not BWV951a) which I played on the MIDI harpsichord, highlighting the chromatic lines on one of my favorite youtube channels.  As always, thank you for your support, your feedback, your passion! -es Support us: https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach   Ideas? Kvetches? Write us: bach (at) wtfbach (dot) com

Un guide 100% audio pour préparer votre voyage à Londres, plus d'infos ici ! -5% sur votre contrat d'assurance voyage avec le code FRENCHIES. Cliquez ici, pour découvrir la AVA Tourist Card ! Il y a une dizaine d'années, Alice découvre l'Italie alors qu'elle suit son compagnon de l'époque. Tout de suite, elle perçoit que l'atmosphère chaleureuse et l'accueil à l'italienne peuvent la rendre heureuse. Ensemble on retrace ses premiers jours italiens, les cours de langue intensifs, et ses premiers jobs. Alice revient sur la douceur de vivre à l'italienne qu'elle apprend au fil des années à maîtriser, même si vous le verrez très vite, c'est une femme, mère et entrepreneuse, qui vit à mille à l'heure. Nous en profitons pour échanger sur la vie de maman d'enfants bilingues et sur l'entrepreneuriat dans son pays d'adoption. Enfin, nous reviendrons aussi sur le concept des Fugues italiennes qu'Alice a créées, quand elle a ressenti le besoin de reconnecter avec elle-même. Elle propose désormais des séjours italiens de quelques jours aux femmes qui ont besoin de prendre du recul et se recentrer sur elles-mêmes en leur faisant découvrir la slow life et l'art de vivre à l'Italienne. Je vous souhaite une très belle écoute en compagnie de la solaire Alidifirenze ! Ambassadrices : Géraldine - @adirondackfrenchie Montage : Charlène Hiron Découvrez les coulisses du podcast et les dernières nouveautés des FRENCHIES autour du monde sur Instagram : https://instagram.com/frenchies_autour_du_monde/ Musique proposée par La Musique Libre MÆSON - Memories : https://youtu.be/0FfQ4WNr9xc MÆSON : https://soundcloud.com/maeson-1

Cette saison, Jessica Troisfontaine vous propose de voyager en Italie et de partir à la rencontre de celles et ceux qui y sont nés, qui en ont fait leur patrie d'adoption ou leur pays de prédilection. Dans cet épisode, elle met le cap sur la Toscane pour discuter avec Alice Cheron. Alice est la fondatrice de la plateforme Ali di Firenze sur laquelle elle diffuse la joie de vivre à l'italienne dans tous ses aspects.Elle est également la fondatrice des Fugues italiennes, des weekends de 3 jours en Italie pour un groupe de 10 femmes voyageant seules, avec l'objectif de leur faire du bien en célébrant la singularité de chacune.Alice est née en Normandie, a grandi à Nice et a fait ses études à Paris, où elle a ensuite travaillé pendant plusieurs années dans une grande agence de publicité parisienne. En 2010, elle est partie sur un coup de tête à Florence et elle n'est en jamais revenue.Un matin de février, Jessica a profité d'être sur place pour le shooting de la collection Printemps de Septem, la marque spécialisée dans les combinaisons et le média d'inspiration dont elle est la fondatrice, pour aller lui poser quelques questions sur elle, sa vie de femme, de mère, de cheffe d'entreprise et bien sûr, sur son rapport à l'Italie. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Fully Scored is back with Season 4! And we have two heavyweights of SA music on this first episode of the year. Dudley Bright, former Principal Trombone of the LSO, tells Matthew about his life, his playing career and his compositions. ‘Arise, my soul, arise!' is one of only two ‘Prelude and Fugues' published by Music Editorial. Derick Kane joins Matthew to talk us through the intricacies of this piece.As well as the regular features (Arid Island Album – featuring Andrew Dickinson (ISB Principal Horn) and Bandmastermind), 2023 sees the inclusion of two new features. Dudley Bright is the first guest to sit in the Band Manager's dugout before we all get to try ‘Sparsely Scored', which is guaranteed to be every listener's new earworm.Hosted by Matthew FrostProduced by Simon Gash Published by Music Editorial Audio extracts used with permission of SP&S Hosted on Acast. See acast.com/privacy for more information.

As our heading suggests, Jay fills this episode with preludes and other short pieces, and songs—by Tchaikovsky, Debussy, Shostakovich, and others. A wonderful, filling assortment. Shostakovich, Fugue in A major, from Preludes and Fugues, Op. 87 Debussy, “La fille aux cheveux de lin” Debussy, “Minstrels” Shostakovich, arr. Tsyganov, Prelude in D flat, Op. 34 Shostakovich, […]

As our heading suggests, Jay fills this episode with preludes and other short pieces, and songs—by Tchaikovsky, Debussy, Shostakovich, and others. A wonderful, filling assortment. Shostakovich, Fugue in A major, from Preludes and Fugues, Op. 87 Debussy, “La fille aux cheveux de lin” Debussy, “Minstrels” Shostakovich, arr. Tsyganov, Prelude in D flat, Op. 34 Shostakovich, arr. Tsyganov... Source

As our heading suggests, Jay fills this episode with preludes and other short pieces, and songs—by Tchaikovsky, Debussy, Shostakovich, and others. A wonderful, filling assortment. Shostakovich, Fugue in A major, from Preludes and Fugues, Op. 87 Debussy, “La fille aux cheveux de lin” Debussy, “Minstrels” Shostakovich, arr. Tsyganov, Prelude in D flat, Op. 34 Shostakovich, arr. Tsyganov, Prelude in C-sharp minor, Op. 34 Bach, arr. Kanneh-Mason, “Komm, süsser Tod” Tchaikovsky, Scherzo, from “Souvenir d'un lieu cher” Tchaikovsky, Mélodie, from “Souvenir d'un lieu cher” Clarke, “The Cloths of Heaven” Dunhill, “The Cloths of Heaven” Debussy, arr. Hartmann, “La fille aux cheveux de lin” Clarke, “Down by the Salley Gardens” Trad., arr. Britten, “Down by the Salley Gardens”

Carey and Lara pod remotely, discussing Carey's harrowing vision journey and deciding to possibly live as a bat. Meanwhile on Jersey Shore Season 2, Episode 3, Ronnie's Miami creeping is causing more strife in the house, with the rest of the roommates wondering if they should tell Sammi or not. Jenni and Snooki have no love for their gelato shop job, and Angelina receives a surprising olive branch.Get tickets to see SUP live in Los Angeles at Dynasty Typewriter on January 11th and January 18th!Listen to this episode ad-free and get access to bonus episodes AND full-length videos before anyone else by joining the SUP PATREON.Be cheap as hell and get full-length videos of the pod for free by subscribing to the SUP YOUTUBE.Re-live the best moments of this iconic podcast by following the SUP TIKOK. Hosted on Acast. See acast.com/privacy for more information.

In which human memory and identity are so fragile that a series of people simply walk away from them, and John wishes more things were the movie Tron. Certificate #28975.

Ben Luke talks to Megan Rooney about her influences—including other artists, writers and musicians—and the cultural experiences that have shaped her life and work. Rooney was born in 1985 in South Africa, but grew up in Brazil and then in Canada, before studying in London. She works in performance, sculpture and painting and has gained particular attention recently for the vast murals she has made in several international museums. Among much else, she discusses the transformative experience of seeing Henry Moore at the National Gallery of Ontario; a life-changing moment seeing works made on the walls by women prisoners in the Carceri dell'Inquisizione, Palermo, Sicily; and about the writing of Maxine Kumin and Haruki Murakami. Plus, Rooney answers our regular questions, including those about the pictures on her studio wall, her daily working rituals and the artwork she would choose to live with, as well as the ultimate one: what is art for?Megan Rooney's With Sun is in Fugues in Colour, Fondation Louis Vuitton, Paris, until 29 August. She is also in the group exhibition Saturation, Thaddaeus Ropac, Pantin, Paris, until 24 September. She will have a solo exhibition at Thaddaeus Ropac, Paris, in early 2023. See acast.com/privacy for privacy and opt-out information.

Oser la Reconversion, le Podcast, épisode #59 Oser La Reconversion est le podcast dédié aux reconversions professionnelles à quelque stade qu'elles en soient. Aujourd'hui, j'accueille dans Oser la Reconversion, Alice. Après avoir été chef de publicité en agence à Paris, Alice a tout plaqué pour déménager à Florence et fonder Ali di Firenze, un blog et plus globalement une plateforme (avec un eshop) dédiée à l'Italie. Elle organise également les Fugues italiennes, des voyages d'introspection en Italie. Alice travaille dans une grosse agence de publicité à Paris en tant que chef de publicité. Elle participe à la stratégie, à l'écriture des briefs, coordonne les équipes et organise les shooting. Elle est le cliché de la working girl : elle adore sa carrière, travaille beaucoup, sort beaucoup, court les expos. Une vie parisienne très agitée ! Mais son conjoint est finalement retenu pour faire une thèse en Italie à Florence pendant 4 ans. Après seulement un weekend à Florence, c'est le déclic, Alice pose sa démission et décide de déménager en Italie sans parler un mot d'italien. Pour son entourage, c'est l'incompréhension. Ils ne comprennent pas comment elle peut quitter une carrière qui débute très bien pour "suivre son conjoint" selon leurs mots. Alice, elle, tombe tout de suite amoureuse de l'Italie. Elle apprend l'italien en 6 mois et trouve un job dans la communication à Florence. Elle décide ensuite de lancer son blog Ali Di Firenze où elle partage d'abord ses adresses florentines puis ses voyages en Italie. Alice a créé en 2018 les fugues italiennes après avoir elle-même fugué. Avec deux enfants en bas âge et lors de sa reconversion, elle a eu besoin de partir quelques jours pour faire le point et se ressourcer. Ses lectrices ont eu envie de faire pareil ! C'est le début des fugues italiennes. Des voyages d'introspection en Italie pour des groupes de femmes qui viennent seules. Alors avec Alice, on a évoqué sa carrière dans la publicité, comment elle a eu envie de quitter l'autoroute qu'elle voyait venir, la dolce vita, comment déménager en Italie, comment elle a fondé ali di firenze et les fugues italiennes. Rejoignez le groupe privé Facebook du podcast pour prolonger la discussion : https://www.facebook.com/groups/1080461892356152/?ref=share Notes & Références : - Instagram d'Alice @alidifirenze: https://www.instagram.com/alidifirenze/ - Site internet : https://www.alidifirenze.fr/ - Les fugues italiennes : https://www.alidifirenze.fr/la-fugue/ - Eshop : https://atelier.alidifirenze.fr/ Contactez-moi ! Si le Podcast vous plait, le meilleur moyen de me le dire, ou de me faire vos feed-backs (et ce qui m'aide le plus à le faire connaître), c'est simplement de laisser un avis sur Apple Podcast, un commentaire sur Youtube et d'en parler autour de vous. ça m'aide vraiment alors n'hésitez pas. Pour me poser des questions, participer au podcast ou suivre mes aventures, c'est par ici : - Sur Instagram @clervierose : https://www.instagram.com/clervierose - Sur Youtube : https://www.youtube.com/channel/UC7Qzm4HrS5OdmdXoY344vqA - Par mail : clervierose@gmail.com

It's the episode all about fugues! They are some of the most complicated compositional art forms out there, and Michael Gesme is here to gush all about how cool they are.Support the show

This question was sent by Stephen, and he writes: “I love the Zipoli Pastorale...!!! Thank you... Zipoli is one of my favorite early Baroque composers!” Vidas: I wrote to him, “Thanks Stephen! What other composers do you like?” And Stephen writes: “In a more contemporary "vein" I am fond of Dale Wood's music. There are passages in his work that require a legato technique especially with chords...Sometimes I am at a loss as to how best to play them...finger substitution..but which is best..that sort of challenge. In answer to your question, what composers do I like ....Of course BACH, esp some of the Chorale Preludes. and I intensely care for the Eight Short Preludes and Fugues attributed to Bach but maybe not ?? I think his pupil Krebs may have had a hand in composing these??? I cannot prove that of course. but I love these pieces and I have always played them from the Wayne Leupold Edition...Sandra Soderland, editor. I prefer to follow her revelations as to style and registrations etc...all toes pedal!!!! I love them and find they never bore me....I studied them formally with Dr. Laura Ellis. Always from the Soderland Ed.! I never learned them any other way. so I was lucky :) Thank you and your wife/life partner for all you do to extend education to all who seek ....” Vidas: And I wrote to him again, “Thanks Stephen! Yes, Wayne Leupold publishes great educational material. Current scholarship thinks these short preludes and fugues might have indeed been written by Krebs but there is no proof. So it's safe to say they were written by the Bach Circle. You mentioned finger substitution being a challenge. It's just a matter of time spent and experience. Just continue to play easier pieces and little by little you can master more difficult ones as well. Fingers have muscle memory. And something more. They start to sense the best patterns after a while. The first 20 years are difficult and then it's easy.” Vidas: Stephen wrote back to me: “I just found a piece I had enjoyed and practiced several years ago...would like to share it with you ...I enjoy and care a lot for Marcel Dupre's work....This is one of the Seventy Nine Chorales Op. 28, he wrote for teaching purposes...I am guessing that you know them: XXVIII The Son of God is Come....very short and beautiful... And I wanted to share my a guiding principle in my organ study which I think is in agreement with yours: "It is only through playing a lot of easier pieces and being able to consolidate our progress at a manageable standard that we can go on to greater things" I want to play easier pieces well ..rather than difficult pieces badly! I find the ZIpoli can present some challenges… having the fingering at hand thanks to you...makes the task of learning it so much easier. Dupre marked all the fingering and pedaling in the Chorales. Happy Holidays: All of them!!!”

How does increased power impact human minds? It's almost not someone's fault if empathy wanes while power accumulates. In fact, it's basically inevitable.  Joe Smarro, one of the subjects of the HBO documentary, "Crisis Cops: Ernie and Joe," is an exception to the rule. Joe is a police officer and trainer who gives a Master Class in how to sidestep fate when encountering people in crisis. We hear a few fugues from Joe illustrating what it's like to be a cop in these situations. And we give it the post-fugue treatment with inner voice, helping us to understand the cognitive effects of power and how to avoid unnecessary conflict.Join us for the third and final part of this series on fate and biology. --Credits:Written and produced by Gabriel Berezin.Original music and sound design by Grant Zubritsky. Additional music courtesy of Sami Jano.Opening and closing music by Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) Editorial insight by Melissa "Monty" Montan Logo design by Justin MontanFollow Fugues on Twitter and Instagram.--Relevant Fugues episodes:The Brain's Molotov Cocktail | Fate & Biology | 1Bonding, for Better or Worse | Fate & Biology | 2Why So IrrationalReferences:HBO's Crisis Cops, Ernie & JoeJoe Smarro's TEDx talkSolution Point + (Joe & Jesse's first responder training organization)Follow Joe on TwitterWaco Drama Series PreviewWaco Siege HistoryGary NoesnerDigby, The De-escalating Dog (that prevented a suicide)Jamil Zaki on police empathy and powerCognitive effects of power (Adam Galinksy, Deborah H Gruenfeld, and Joe C. Magee)Power drains empathy (Adam Galinksy)

Why do we help strangers? And why do we love revenge stories so much?  The same thing that connects those questions connects us all - bonding.There's an invisible line between groups of people - it can be a thin dotted line between acquaintances, a steel girder between mother and child, or a series of chain links between millions of people in the same country.In Part 2 of this series on fate and biology, we identify the brain chemical that plays a central role in how we bond, and explore why certain group behaviors are inevitable. --Credits:Written and produced by Gabriel Berezin.Original music and sound design by Kirk Schoenherr and additional music by Grant Zubritsky.Opening and closing music by Monuments - featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar).Editorial assistance by Melissa "Monty" Montan.Logo design by Justin Montan.Follow Fugues on Twitter and Instagram.Help us out - rate and comment on iTunes!Further reading:Part 1 of Fate and Biology: The Brain's Molotov CocktailCounting to Twelve (the ultimate funk on Sesame Street)Won't You Be My Neighbor (Mr. Rogers Documentary)Philadelphia greases light posts before 2018 Superbowl“Are we the baddies?” Aka, an existential crisis for nazis (mentioned by Inner Voice)The Science of Kindness (and oxytocin)The Neurobiology of friendshipNasal spray and oxytocin increased male cooperationThe above study debunked (in Vox)Book: Sapiens (by Yuval Noah Harari)Book: The Power of Us (by Jan Van Bavel and Dominic Packer)Paying Mentorship Forward (podcast episode for the NeuroLeadership Institute featuring Josh and Kendrick)Panel in the Vatican celebrating the St. Bartholomew's Day Massacre

By the 1920's, jazz had grown too large for its humble origins in New Orleans and was impacting the musical world, including the greatest classical European musicians and composers, as well as American listeners and fellow jazz musicians.What came next was an explosion of creativity among the musical who's who of the day.The world's stage was filled to capacity with Europe's heavy-weights, like Toscanini, Rachmaninoff and Stravinsky and American classicists, like Leonard Bernstein, George Gershwin, Aaron Copland, not to mention the greats of the jazz world, like Louis Armstrong,  Woody Herman, Benny Goodman, and Duke Ellington, just to name a few.  All these mind-blowingly awesome artists were  active and collaborating among each other.  Could this have been the history's greatest musical period? Find out what happened and how it happened, right here on American Song.Tracks:The Rite of Spring - Igor StravinskyCharleston - Sidney BechetFireworks - Louis ArmstrongGolliwogg's Cakewalk - Claude Debussy; performed by Branford MarsalisRagtime for 11 Instruments - Igor StravinskyCentral Park in the Dark - Charles IvesTea For Two - Art TatumAndre Previn and Oscar Peterson talk about Art TatumLivery Stable Blues - Original Dixie Land Jass BandFerde Grofe talks about working with George Gershwin Rhapsody in Blue - Paul Williams Orchestra, pianist George GershwinIra Gershwin Talks About George GershwinLa Creation du Monde - Darius Milhaud; performed by Branford MarsalisAaron Copland Talks About HimselfRodeo; I: Buckaroo Holiday - Aaron CoplandMusic for the Theater; Aaron Copland, performed by Leonard Bernstein & New York PhilharmonicFour Piano Blues: 3 - Muted and Sensous - Aaron Copland; performed by Leo SmitJazz Suite No. 2; 3:  Dance - Dmitri ShostakovichEbony Concerto - Igor Stravinsky; performed by Woody Herman and His Thundering HerdOverture From Westside Story - Leonard Bernstein; Film Soundtrack, 1961Leonard Bernstein Talks About HimselfPreludes, Fugues, and Riffs - Leonard Bernstein; performed by Leonard Bernstein, Benny Goodman and the Colombia OrchestraCreole Rhapsody - Duke EllingtonConcerto for Cootie - Duke EllingtonDont' Get Around Much Anymore - Duke EllingtonBlack, Brown & Beige - Duke Ellington

Why are we so prone to bad logic? We're going to hear two everyday fugues in this episode: the search for a lost spatula and a spilled beer. The real story here is how easy it is to be irrational. Who is “we” in this episode? It's me and my inner voice obviously. Inner Voice and I will do some post-fugue analysis to find out what mental phenomena are at play while I make really bad assumptions about events in my surroundings. By the end of the episode maybe you'll appreciate why we're actually doing a lot better than we think we are as a society given how mistake-prone our brains are.--Credits: Written and produced by Gabriel BerezinOriginal music and sound design - Grant ZubritskyOpening and closing music: Monuments (featuring Grant Zubritsky (bass), Robby Sinclair (drums) and Bryan Murray (saxophone), Gabriel Berezin (guitar)) Editorial insight - Melissa "Monty" Montan Logo design - Justin MontanFind Fugues on Twitter and Instagram.References:Apophenia in the Queen's GambitApophenia in Stranger ThingsWacky Conspiracy Theory showing Back to the Future predicted 9/11 How Netflix uses big data to inform its contentThe Brain's Autopilot (Scientific American)Daniel Kahneman's System 1 vs 2 Thinking (article)Thinking Fast and Slow (book)Anil Seth's TED talkHow Much of What You See is Hallucination (TED Ex)Abracadabra! A Classic Magic Trick Fools Expectations, Not EyesMy Special Egg SpatulaEpisode Song Playlist:Delirious - PrinceMemories Can't Wait - Talking HeadsNot My Own - MonumentsWhere is My Mind  - The PixiesCrazy - Gnarls BarkleyThere There - Radiohead

What's a fugue? In this podcast it's a story - a story that sheds light on how our conscious experience of any given moment operates. Find out what each fugue tell us about the basic ingredients of mind. --Credits:Written, produced and hosted by Gabriel Berezin.Music and sound design by Grant Zubritsky and Monuments.Logo and art design by Justin Montan.Follow Fugues on Twitter and Instagram.

We discuss the second and third fugues from "The Art of Fugue" by J.S. Bach. We hear them played on a clavichord and a piano, then both arranged electronically with some new insights.  Topics covered: How quiet is a clavichord? So... what's the vibe in general of The Art of Fugue? Countersubjects, inverted entrances, and the subject beginning to change.  Find a playlist of the music here: https://open.spotify.com/playlist/1Ha250UDFktGqZjpt1hk7L?si=fIqZwtTUQJmzB9SYwskeYA Support us: https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach   Suggestions? Want Evan to analyze a specific piece of Bach? Have other questions for Evan about music or anything at all? Write us: bach@wtfbach.com