Podcasts about Wolfman Jack

In April 1972, Wolfman Jack hosted his final show on XERB, the legendary Tijuana border blaster that launched him into the atmosphere and onto American culture. He began nine years earlier on XERF in Ciudad Acuna, Mexico, right across the border from Del Rio, Texas. Did you know that until his grand unveiling in the 1973 coming-of-age classic “American Graffiti,” directed by George Lucas, nobody knew who he was, what he looked like or even his ethnicity? In his latest article for the Strange Brew, author Scott G. Shea peels back the layers of his incredible rise to fame and separates fact from fiction in this unbelievable tale of arguably the greatest disk jockey of all time. I hope you consider having Scott G. Shea, leading music historian and author of the best-selling book, “All the Leaves Are Brown: How the Mamas & the Papas Came Together and Broke Apart,” on your program to talk about this entertainment icon. Scott not only shares the incredible story of how Wolfman Jack got on the radio and set the airwaves on fire nightly, but also delves deep into the character of Robert Weston Smith, the man behind the mic with the gravelly voice and soulful rap who became a national treasure.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In April 1972, Wolfman Jack hosted his final show on XERB, the legendary Tijuana border blaster that launched him into the atmosphere and onto American culture. He began nine years earlier on XERF in Ciudad Acuna, Mexico, right across the border from Del Rio, Texas. Did you know that until his grand unveiling in the 1973 coming-of-age classic “American Graffiti,” directed by George Lucas, nobody knew who he was, what he looked like or even his ethnicity? In his latest article for the Strange Brew, author Scott G. Shea peels back the layers of his incredible rise to fame and separates fact from fiction in this unbelievable tale of arguably the greatest disk jockey of all time. I hope you consider having Scott G. Shea, leading music historian and author of the best-selling book, “All the Leaves Are Brown: How the Mamas & the Papas Came Together and Broke Apart,” on your program to talk about this entertainment icon. Scott not only shares the incredible story of how Wolfman Jack got on the radio and set the airwaves on fire nightly, but also delves deep into the character of Robert Weston Smith, the man behind the mic with the gravelly voice and soulful rap who became a national treasure.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Éxitos Originales de la Banda Sonora de American Graffiti es el álbum oficial de la película American Graffiti de 1973. Fue certificado triple platino en Estados Unidos, donde alcanzó el puesto número 10 en la lista Billboard 200 . Incluidas en la película, pero no en la banda sonora, están " Ge " de los Crows , " Louie Louie " de Flash Cadillac & the Continental Kids y la interpretación a capela de Harrison Ford en el personaje de " Some Enchanted Evening " (aunque el motivo de la exclusión de las dos últimas es porque esas secuencias no se agregaron a la película hasta el relanzamiento de 1978, estaban ausentes en la versión original lanzada en 1973) Una segunda recopilación, titulada More American Graffiti (MCA 8007) (que no debe confundirse con la secuela cinematográfica de 1979 del mismo nombre ), fue publicada por MCA a principios de 1975 con la aprobación de George Lucas. incluye más éxitos de rock y doo-wop de finales de los 50 y principios de los 60 (solo uno de ellos, «Gee» de The Crows, apareció en la película), junto con diálogos adicionales de Wolfman Jack. Una tercera y última recopilación de clásicos, titulada American Graffiti Vol. III (MCA 8008), también fue publicada por MCA a principios de 1976. Los tres álbumes se lanzaron como conjuntos de dos discos o como cintas de doble duración y actualmente están totalmente agotados. 01. "Rock Around the Clock" - Bill Haley & the Comets 1954/1955 02. "Why Do Fools Fall in Love" - Frankie Lymon & the Teenagers 1956 03. "Runaway" - Del Shannon 1961 04. "That'll Be the Day" - Buddy Holly & The Crickets 1957 05. "The Stroll" - The Diamonds 1957 06. "See You in September" - The Tempos 1959 07. "(He's) The Great Imposter" - The Fleetwoods 1961 08. "At the Hop" - Flash Cadillac & the Continental Kids 1973 08. "She's So Fine" - Flash Cadillac & the Continental Kids 1973 09. "16 Candles" - The Crests 1958 10. "Fannie Mae" - Buster Brown 1959 11. "Almost Grown" - Chuck Berry 1959 12. "Little Darlin" - The Diamonds 1957 13. "Barbara Ann" - The Regents 1961 14. "Smoke Gets in Your Eyes" - The Platters 1958 15. "Peppermint Twist – Part 1" Joey Dee and the Starlighters 1961 16. "The Book of Love" - The Monotones 1958 17. "Maybe Baby" - Buddy Holly 1957 18. "Ya Ya" - Lee Dorsey 1961 19. "The Great Pretender" - The Platters 1955 20. "Party Doll" - Buddy Knox 1957 21. "Ain't That a Shame" - Fats Domino 1955 22. "You're Sixteen" - Johnny Burnette 1960 23. "Love Potion No. 9" - The Clovers 1959 24. "Chantilly Lace" - The Big Bopper 1958 25. "Johnny B. Goode" - Chuck Berry 1958 26. "Come Go with Me" - The Del-Vikings 1956 27. "Since I Don't Have You" - The Skyliners 1958 28. "Get a Job" - The Silhouettes 1958 29. "Do You Want to Dance" - Bobby Freeman 1958 30. "To the Aisle" - The Five Satins 1957 31. "I Only Have Eyes for You" - The Flamingos 1959 32. "A Thousand Miles Away" - The Heartbeats 1957 33. "All Summer Long" - The Beach Boys 1964 34. "Teen Angel" - Mark Dinning 1959 35. "Crying in the Chapel" - Sonny Till & the Orioles 1953 36 ."Only You (And You Alone)" - The Platters 1955 37. "Goodnight, Well it's Time to Go" - The Spaniels 1954😎Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

Bryce Eller, the man behind all the Darth Vader TV appearances and the official Vader meet and greets at local department stores, gives us exclusive stories of his time on many TV variety shows and live meet and greet engagements.  As a companion piece to my article, Star Wars x 1970's Variety TV, I talk with Bryce to fill in details you won't find anywhere else. Bryce appeared on Midnight Special with Wolfman Jack, Donny and Marie, The Wacko Saturday Preview and Other Good Stuff Special, and Kaptain Kool and the Kongs Present ABC All-Star Saturday!  We also go into voicing Darth Vader for these shows, perfecting the Vader walk, and the time he was hit on at a wrap party by a woman who wanted to turn Darth Vader to the deep dark side.  Bryce made his Skywalking debut on the two part episodes - 236 and 237. But little did we know then, there were even more stories to tell. 

Bryce Eller, the man behind all the Darth Vader TV appearances and the official Vader meet and greets at local department stores, gives us exclusive stories of his time on many TV variety shows and live meet and greet engagements.  As a companion piece to my article, Star Wars x 1970's Variety TV, I talk with Bryce to fill in details you won't find anywhere else. Bryce appeared on Midnight Special with Wolfman Jack, Donny and Marie, The Wacko Saturday Preview and Other Good Stuff Special, and Kaptain Kool and the Kongs Present ABC All-Star Saturday!  We also go into voicing Darth Vader for these shows, perfecting the Vader walk, and the time he was hit on at a wrap party by a woman who wanted to turn Darth Vader to the deep dark side.  Bryce made his Skywalking debut on the two part episodes - 236 and 237. But little did we know then, there were even more stories to tell. 

Robert Weston Smith (January 21, 1938 – July 1, 1995), known as Wolfman Jack, was an American disc jockey active for over three decades.[1] Famous for the gravelly voice which he credited for his success, saying, "It's kept meat and potatoes on the table for years for Wolfman and Wolfwoman. A couple of shots of whiskey helps it. I've got that nice raspy sound."[2]PICTURE: By Author unknown; Photo courtesy Orange County Archives - Wolfman Jack and Marion Knott at Knott's Berry Farm's Halloween Haunt, 1979, Photo from the Knott's Berry Farm Collection, Accession #2006/8. Cropped from original image., No restrictions, https://commons.wikimedia.org/w/index.php?curid=15204729SUBSCRIBE HERE TO ENJOY OUR BACK EPISODES: https://www.youtube.com/@thelegacyofnewyork5216

sMariachi Day. Entertainment from 1982. Carter pardoned the draft dodgers, Lorena Bobbitt got off cutting off her husbands penis, 1st Star Trek convention, Delorean cars began being made. Todays birthdays - Telly Savalas, Benny Hill, Wolfman Jack, Richie Havens, Mac Davis, Billy Ocean, Geena Davis, Baby Spice. George Orwell died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/El Son de la Negra - Mariachi Vagasde TecalitanPhysical - Olivia Newton-JohnRed neckin love makin night - Conway TwittyBirthdays - In da club - 50 Cent      http://50cent.com/Minstrel from gault - Richie HavensBaby don't get hooked on me - Mac DavisCarribean Queen - Billy OceanThe ground you walk on - Geena DavisWhat took you so long - Emma BuntonExit - It's not love - Dokken    https://www.dokken.net/

It's the Best New Artist Breakdown season finale, featuring a MASTAS greatest-hits line-up, the return of sprung rhythm, grand unifying complaints about breakthrough categories, Elt Zeppelin, and how to evolve past Wolfman Jack in pop-music discovery. Do we agree with the Grammys' most recent BNA choices? Have we decided how to tackle the 2025 nominees? Should jerks win awards? Come spook the Recording Academy herd with us! Intro and outro by Laura Barger and Jack Baldelli; for more information/to become a patron of the show, visit patreon.com/mastas. SHOW NOTES Ms. Warwick "roasts" Chance The Rapper Episode 68: "Stay" Title Bout Episode 247: Julia Michaels, "All Your Exes" MB's Top 10 Songs of 2024 at The Lost Songs Project Episode 224: Dua Lipa, "Levitating" Record Of The Year Showdown, Episode 4: 2007-2022 Do Call It A Comeback, Episode 3: The NEXT Next 15 Episode 189: Yola, "Faraway Look" NPR's Stephen Thompson on Ingrid Andress's upsetting anthem Phoebe Bridgers in The New Yorker Single 19: Favorite Discoveries on NPR's Women+ Song List

Comedy is always something that brings people together, even if they like different styles. Matt and I get into some stuff that's laying heavy on his mind, sports, movies and what makes him truly tick...Radio/DJ and everything that goes with it. Enjoy! Mentions: Matt: https://www.instagram.com/realmattmysh/?hl=en High Speed Daddy: https://www.highspeeddaddy.com/?rfsn=7178368.317ce6 Live Rishi: Use the code "TABLE50" get 50% off your entire order - https://liverishi.com/ Composure: https://composurelifestyle.com/ use the code RAW Me: https://berawpodcast.com/ 'til next time! The History of the Radio DJ The radio disc jockey, commonly known as the DJ, has a rich history rooted in the evolution of radio broadcasting and popular culture. The role of the DJ has transformed dramatically over the decades, shaping and reflecting societal changes in music, technology, and communication. The Birth of the Radio DJ: 1920s-1930s The concept of a radio DJ emerged in the early 20th century, shortly after the invention of radio broadcasting. In the 1920s, radio stations primarily focused on live programming, such as news, lectures, and music performed by live bands. However, as phonograph records gained popularity, stations began to experiment with playing pre-recorded music. The term "disc jockey" was first coined in the 1930s by radio commentator Walter Winchell, combining "disc" (referring to records) and "jockey" (a rider or operator). Early DJs played an essential role in introducing audiences to recorded music, often providing commentary and curating selections to entertain listeners. The Golden Age: 1940s-1950s The role of the radio DJ expanded significantly during the 1940s and 1950s, an era often referred to as the golden age of radio. DJs like Martin Block, who hosted the popular "Make Believe Ballroom" on New York's WNEW, pioneered the art of creating a personal connection with listeners. Block's conversational style and his ability to simulate a live music venue using pre-recorded tracks revolutionized radio. During this period, DJs became cultural tastemakers, promoting emerging genres such as rhythm and blues and early rock and roll. Figures like Alan Freed gained national fame for their enthusiastic promotion of rock music, helping break racial barriers in the music industry by introducing black artists to white audiences. Freed's "Moondog Rock and Roll Party" in the 1950s is credited with popularizing the term "rock and roll," cementing the DJ's role in shaping music history. The Rise of Personality DJs: 1960s-1970s By the 1960s, radio had become more competitive, and DJs began emphasizing their personalities to stand out. This era saw the rise of "Top 40" radio formats, where DJs played a carefully curated list of the most popular songs. Radio personalities like Wolfman Jack and Casey Kasem became household names, blending humor, storytelling, and vibrant on-air personas with their musical expertise. During the 1970s, FM radio gained prominence over AM radio, allowing DJs to adopt freer, more experimental formats. Album-oriented rock (AOR) stations gave DJs the freedom to play entire records and explore deeper cuts, appealing to more niche audiences. This period also marked the emergence of specialized DJs for genres like country, jazz, and disco. The Modern Era: 1980s-Present The role of the DJ continued to evolve with the advent of digital technology and the internet. In the 1980s and 1990s, DJs transitioned to digital formats, using CDs and later MP3s to expand their libraries. Radio consolidation in the 1990s introduced more uniform programming, but it also made room for syndicated shows hosted by iconic DJs like Howard Stern and Rush Limbaugh. In the 21st century, the rise of streaming platforms and podcasts transformed how DJs interact with audiences. Many DJs now operate across multiple platforms, blending traditional radio with digital content. While their role has shifted, radio DJs remain vital curators of culture, bringing music, stories, and community to listeners worldwide.

Frank starts the show joined by WABC host Dominic Carter to talk about using Ozempic and its unknown side effects, good and bad. He also discusses radio personality appearances in other media like Wolfman Jack in American Graffiti. Frank talks about the prevalence of short-length media. He also opens listener mail. He then gives the UFO Report on mysterious orbs hovering above Manchester Airport. Frank starts the third hour discussing Rick Rescorla, the man who predicted 9/11 and asks about what people should have movies about them who don't already. He then gives the Conspiracy of the Day on the election conspiracy film, 2000 Mules. Frank wraps up the show asking if people unpack their suitcases while on vacation. He is also joined by James Flippin for News You Can Use. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank starts the show joined by WABC host Dominic Carter to talk about using Ozempic and its unknown side effects, good and bad. He also discusses radio personality appearances in other media like Wolfman Jack in American Graffiti.  Learn more about your ad choices. Visit megaphone.fm/adchoices

American Graffiti is a 1973 American coming-of-age comedy-drama film directed by George Lucas, produced by Francis Ford Coppola, written by Willard Huyck, Gloria Katz and Lucas, and starring Richard Dreyfuss, Ron Howard, Paul Le Mat, Harrison Ford, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips, Bo Hopkins, and Wolfman Jack. Set in Modesto, California, in 1962, the film is a study of the cruising and early rock 'n' roll cultures popular among Lucas's age group at that time. Through a series of vignettes, it tells the story of a group of teenagers and their adventures over the course of a night.

Intro music: Samplefocus.comUsage: Standard licenseStory and Cover art by: Gail NoblesYou didn't think podcasting could have an AM radio sound, did you? Well, I suppose in this digital age, sound quality is king, but let's not forget the charm of those crackly, static-filled airwaves we grew up with. Ah, the golden days of radio! There's something about tuning in to your favorite station, praying that the signal comes in clear so you can enjoy the music without the distraction.Once a radio station ceases to exist, it's as if the very spirit of its history diappears. It's left like a whisper in the wind—only lingering in the minds of those who once tuned in. Take WHIT, for instance. There I was, a little girl in the 70s, listening to what felt like magic coming from a car radio as I enjoyed a ride. I have a notion that it was an AM station, broadcasting from somewhere that felt like a world away.I can almost hear the strains of Randy Newman's “Short People” floating through the air, mixed with the smooth vibe of Paul McCartney's “Silly Love Songs.” There was Charlie Dore crooning “Pilot of the Airwaves,” and Debbie Boone telling me, “You Light Up My Life.” How can I forget Melisa Manchester's “Don't Cry Out Loud,” or Candi Staton's “Run, Heart, Run Free”, and Yvonne Elliman's “If I Can't Have You.” Now, I don't know if I heard all these hits on WHIT specifically, but the memories are neatly tucked away with that station.And let's not overlook the charismatic Wolfman Jack—how could we forget the man who owned the airwaves? He spun records with the enthusiasm only a true radio DJ could muster.AM radio might have been fuzzier than a cat's fur, and the static could drive you nuts, but there was a certain warmth to those imperfect sounds. The music managed to shine through the noise, and that's what made it special. I didn't care about the interference; I was too busy lost in the melodies that carried my dreams.

Step into the electrifying world of Hoppe Hour, a captivating and nationally syndicated in-studio circus led by none other than the charismatic Ryan Hoppe. Prepare for an exhilarating rollercoaster ride through the very heart of celebrity news, where scathing satire meets the cutting edge of entertainment journalism.But that's just the tip of the iceberg. Hoppe hour delves fearlessly into the deepest trenches of human experience, engaging in unscripted and riveting conversations about topics ranging from the sultry realms of sex and dating to the profound insights into mental health and the evolving landscape of marijuana culture.But there's more!Ryan Hoppe is your trusted guide into the fascinating world of planet earth's finest talents, spanning the realms of hip-hop, comedy, radio, and even the unexpected corridors of the adult entertainment industry. With each episode, the excitement of anticipation swirls, for you truly never know which luminary he might have in the hot seat.Picture this: it's a sunrise rendezvous with the stars, distilled into the captivating format of a morning radio show, reborn as a podcast that has set the industry ablaze. show less

Jim discusses a classic Black Comedy Horror Film from 1980 written by Robert and Steven Charles Jaffe - "Motel Hell," starring Rory Calhoun, Nancy Parsons, Nin Axelrod, Paul Linke, Wolfman Jack, Elaine Joyce, Dick Curtis, Monique St. Pierre, Rosanne Katon, E Hampton Beagle, John Ratzenberger and directed by Kevin Connor. Farmer Vincent uses a very special ingredient in his famous smoked meats. And what might that be? Find out on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim discusses a classic Black Comedy Horror Film from 1980 written by Robert and Steven Charles Jaffe – “Motel Hell,” starring Rory Calhoun, Nancy Parsons, Nin Axelrod, Paul Linke, Wolfman Jack, Elaine Joyce, Dick Curtis, Monique St. Pierre, Rosanne Katon, E Hampton Beagle, and John Ratzenberger. Farmer Vincent uses a very special ingredient in his […] The post Motel Hell | Episode 419 appeared first on The ESO Network.

Send us a Text Message.Our latest Bonus Track features a great conversation with the legendary Leland Sklar and director Denny Tedesco regarding his film, The Immediate Family. That's right, someone finally made a movie about Lee Sklar, Danny Kortchmar, Waddy Wachtel and Russ Kunkel. If you're a liner notes nerd, you know those names!Here's one example:Jackson Browne's Running on Empty album was one where the music fans got to be part of the process. Because it was recorded live on stage in concert -- and at other points along the touring trail, backstage, in hotel rooms and even on the tour bus - it was a unique and often chaotic experience for those involved in the recording.As Sklar told me, Running on Empty was unlike anything he had ever been a part of. While bands and artists are very used to the uncomfortable nature of playing new material in front of an audience that's just there to hear the hits, Running on Empty captured moments with Browne and the band where they were playing new songs that the audiences hadn't even had a chance to get on an album yet, because they hadn't been recorded.For Sklar, it was just one experience of many songs and albums that he's played on across the decades. While he's worked with countless names, there were a few that kept coming up -- guitarist Waddy Wachtel, guitarist Danny Kortchmar and drummer Russ Kunkel. The four became known as The Section, the '70s heir apparent to The Wrecking Crew of the '60s. Collectively and often together, they've played on thousands of albums.In more recent years, they've acquired a new moniker, one which fits well with their connection to the legendary albums they played on by Warren Zevon, Linda Ronstadt, Carole King, Don Henley and many others -- The Immediate Family. Adding vocalist Steve Postell to their ranks, they've put out several albums.But it was Tedesco who decided to tell the story of the guys, through the words of their famous employers and associates. He's well-suited for the task, having put out a film about The Wrecking Crew, the group of session musicians that featured his father, guitarist Tommy Tedesco. He saw the natural throughline that connected that collective with what Kortchmar, Wachtel, Sklar and Kunkel continued with the Section.The Immediate Family is a fascinating journey, one which weaves together valuable history as recounted by those who were there. The film was recently released on DVD and Blu-ray and continues to screen nationally. You can find further details at immediatefamilyfilm.com.I loved chatting with Denny and Lee -- and it was exciting to hear some details from Denny about his next project, a movie about Wolfman Jack that's currently in process! Can't wait!P.S. I mention it during the episode, but here's a direct link to Leland's YouTube channel.Support the Show.

Wonderful article from Charles P. Pierce   Esquire Magazine May 25 Let's get the whole gang together: Davey Moore, Hattie Carroll, Hollis Brown, Einstein disguised as Robin Hood, the motorcycle black Madonna two-wheeled gypsy queen, Ma Rainey, and Beethoven, John the Baptist, the Commander In Chief, Louis The King, Napoleon in rags, Lucille, Johanna, Sweet Marie, John Wesley Harding, St. Augustine, the joker, the thief, Big Jim, Lily, Rosemary, and most of all, the Jack of Hearts, Rubin Carter, Isis, Tweedledum and Tweedledee, Blackjack Davey, Charlie Patton. All of them. Play me a song, Mr. Wolfman Jack, because if you want to remember, you better write down the names. Bob Dylan turned 83 on Friday. All of him did. All of them did. All the personae, the entire kaleidoscope of masks, the false fronts and head fakes, and, finally, the last, and in many ways, best of them all. The travelling storyteller, the seanchai as the people in the old country would call him. Out on the endless tour, up the endless highway. I think of him and I think of Turlough O'Carolan, the legendary blind Irish harper who would travel the countryside, composing his songs on the spot for whomever would give him food and drink. Go back further. Go back to Homer. Sing to him, O muse. When Dylan dropped "Murder Most Foul," virtually out of a clear blue sky, blessing us with it as consolation for the years when America had gone so terribly wrong, it was Homer of whom I thought, poet and historian both, protector of the shadowland between myth and reality, chronicler of what Greil Marcus called "the old, weird America," a phrase I wish I'd written. He'll be around all summer, travelling with Willie Nelson and John Mellencamp and a whole clutch of other artists in something called the Outlaw Music Festival Tour. It's a high-priced extravaganza but, in a very real way, he's just on the road, heading for another joint. Move along, brother Bob. The highway, as you taught us, is for gamblers, and we take what we have gathered from coincidence. Here's a collection of comments and reflections from Dylan's artistic partners and others just sharing the same spaces with Bob. Interviews I've done over the years to be added to when Dylan turns 85. Interviews with David Bowie Robbie Robertson Susan Tedeschi and Derek Trucks The Avett Brothers Barney Bentall and Steve Dawson Greg Keelor (Blue Rodeo) And Colin Linden (Blackie and the Rodeo Kings)   Wine and Dine – Tofino June i/2. The second story takes place next weekend June 1 and 2 in one of Earth's most beautiful places -  Tofino,  British Columbia. The western edge of Canada on Vancouver island. The community includes surfing, golfing, fishing, underwater adventures and an unusual gathering of chefs. It is where they come to learn how to create seafood dishes and cook with what the forest and oceans give them – and surf their minds out.   It's the second annual Wine and Dine gathering on the front lawns of Best Western Plus Tin Wis Resort. All of the details can be found at  www.tofinowinedine.com  Our guests are the organizers and founders  of Tofino Wine & dine Ronnie Lee and Ryan Orr.

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CONTENT ISN'T KING It is often said that content is King. That isn't necessarily true. Content by itself won't gain you an audience. Content isn't King. Great content is King. Anybody can copy information. Your content needs to be infused with story and personality to really connect with listeners. To help you create more powerful interviews, grab my list of "17 of the most Powerful Podcast Interview Questions Ever". It is a free download you can get at www.PodcastTalentCoach.com/interview. BE UNIQUE It really hit me one time when I was interviewing a musician on the air. I won't mention his name, because he called me out right there in the middle of the interview. Before our conversation, I went online and read his bio. I went through the news release they sent me about the new album and the tour. Once the interview began, I felt pretty good. We were rolling along with the standard questions and he was giving the standard answers. In what city will the tour start? When does the album come out.? What can we expect when you roll through here? Then I asked him a question about a detail in his bio. I though it was something unique. But he said, "Well, I see somebody read my bio." That's when I realized I couldn't just ask typical questions and get typical answers. To create great interviews, I needed to get my guests to tell great stories. Everything I was doing to this point was simply a derivative of someone else. I was a cliché, a poor knock off. Why would anyone listen to me when they could get the same thing by listening a variety of other interviews with the same guest? From there, I took my original content and made it great. CONTENT WITH STORIES Later in my career I was interviewing Preston Brust of the country band LOCASH. He and Chris Lucas had been working hard for years writing songs for themselves and others while also recording and touring. LOCASH had a few different record deals, but had never had that big hit they needed to break through. Other artists were recording songs the two had written, but none of those had hit either. In 2011, country superstar Keith Urban not only decided to record a song written by Preston and Chris, but he was going to release it as a single. When I was talking with Preston, I asked him what it felt like when he got the call that Keith Urban was releasing their song. Here is what he said. "Things weren't going so good. I get this phone call. I'm in the backseat of my friends car and I get this phone call and it sounded like something was wrong. And he says, 'I'm sitting next to Keith Urban and he just told me that 'You Gonna Fly' is going to be his next single, and he's releasing it next week.' And I literally had them stop the car and I got out of the car and I just let out this yell. It just felt like I'm back." They were back. That song went to number one on the country charts. Preston and Chris then wrote a hit for Tim McGraw and eventually a top 5 hit for themselves. I guarantee that question about how it felt to get that call hasn't been asked many times if ever of Preston. We created such a relationship over the years that he still texts me. They just finished their latest song called "Hometown Home" and he sent me the early version. That kind of relationship doesn't happen with typical questions and standard answers. Your audience also isn't attracted to typical interviews. Be different. BE YOURSELF Over the years, my style and content developed. I became myself. That is when my show became #1. My content was original and fresh. Nobody else was doing it. If your content isn't great, nothing else matters. The production of your podcast could be the best available. You could have all the bells and whistles available in your studio, including the best mic. The marketing of your podcast could incredibly creative and unique. However, if the content is average, no one will care. Don't simply go through the motions creating your content. Find a unique angle. Your take on the subject should be interesting. Make your content stand out using stories, creativity, and personal revelation. Content won't attract an audience unless it is great content. When your content is great, you become king. Make it happen. There are four key areas of focus when creating great content and tightening up your show.  1. BE ORIGINAL Old-timey radio would say, "Hello Everybody in Radioland!" You're not an announcer talking to a group. Be a person talking to another person. To be engaging, you need to be human. You need to be yourself. As you record your podcast, use your natural voice and your own words. Individuals who are new to broadcasting tend to want to sound like their broadcasting idols. They try to imitate those they have heard on the radio with their voice and clichés. Unfortunately, new broadcasters tend to sound as if they are using scripted drivel done in some character voice that is forced and unnatural. You don't need to sound like Wolfman Jack, Howard Cosell, Don LaFontaine or Howard Stern. In fact, you shouldn't sound like those guys. The big personalities are who they are. You should be who you are. If you are naturally over-the-top, then be over-the-top. If you are not, don't fake it. You'll sound like an amateur and people can tell. Be natural. Talk with a little energy, but always deliver it as you naturally speak. The days of "the voice for radio" are gone. You don't need a big voice to be on the radio. And you surely don't need a big voice to create a podcast. Your voice becomes unique by what you say, not how you sound saying it. Be yourself. Use your own voice instead of trying to impersonate someone else. Use your natural voice and your own words. 2. REPEATING YOURSELF That's right, of course, like I said, obviously. If you find yourself saying "obviously" or "of course", you are making two mistakes. The first error is repeating yourself. If you are saying "obviously" because you feel everyone already knows the information, you are wasting your breath. If it is obvious, there is no need to say it. To frame it in a way to indicate it is something everyone knows, I might simply make a statement. I may say, "Because the sun comes up in the East, I prefer my bedroom windows be on the West side of the house." Everyone listening to me knows the sun comes up in the East. I simply include the statement. If I use a phrase like, "Of course", it appears I didn't want it to look like I was trying to teach you about the sunrise. I didn't want you to think I just learned that. "Of course" plays it off, but it also doesn't need to be there. If it is "of course", there is no need to say it in the first place. CONFIDENCE The second error is lack of confidence, so we add filler words. You may want to sound knowledgeable to those who know the information. Yet, you know there is a segment of the audience that does not know the details. To inform those unaware, you add the "of course". In this case, you're just wasting words. I may say, "The band will be at the arena Saturday night, of course." Some may be aware of this performance. Yet, there may be people in the audience who haven't heard the news. It makes sense to add the information, but you don't need the "of course". The idea is to sound knowledgeable and credible to those that already know, while providing the information to those unaware. You simply need to restructure you sentence and eliminate the cliché. Use a sentence like, "When the band is at the arena Saturday night, parking will be at a premium." This sentence provides new information to both segments of the audience. I include the "arena Saturday night" portion for the new listeners while giving those already aware of the concert new parking information. Both receive a benefit without the filler words. When you include "that's right" or "like I said", you are repeating yourself. Your listener heard you the first time. Most people use these cliches to fill time while they think of the next thing to say. Avoid going in circles. Your listener will quickly become uninterested. Know where you're going and keep moving forward. 3. ELIMINATE CLICHES I hear so many cliches in podcasts today. They are present in business in general. A cliché is a phrase or opinion that is overused and betrays a lack of original thought. It is a very predictable or unoriginal thing or person. We had a leader of our division who would use one particular cliché on every conference call we had. Every month, we would have a conference call to keep each station in sync. It would be run by our division leader. The call would then feature 4 or 5 other speakers covering various topics. The call would last about 30 minutes. After every speaker would finish their report, our division leader would say, "Really good stuff." "That was really good stuff, Ray." "Thanks, Sarah. Really good stuff." When he would talk about new resources that were available to us, he would wrap it up with "really good stuff". When he talked about new music coming out, he would call it "really good stuff". What started out as a compliment became a hollow nod that carried no weight. It was overused and lacked original thought. It was predictable. He got so predictable, as the speaker would wrap up, we would say to ourselves, “that was really good stuff” right before our leader would chime in with the same line. It kept us entertained on the call, but added nothing to the conversation. What cliches are you using? They are everywhere. Many times you don't realize it is a cliché until you start listening to your own show, or a coach points it out. The one that sounds most out of place to me on a podcast is, "To be honest with you". When somebody says "to be honest with you", I immediately think, "were you lying to me before?" What message are you trying to convey when you say, "to be honest with you"? I assume you are simply trying to add emphasis to what you are saying. In reality, the cliché has lost its power. It means nothing. It's a cliché. There are many others. We are thinking out of the box. We are pushing the envelope. We are taking it to the next level. It's Erik here to remind you something or another. You know what I mean? You know what I'm saying. Listen to an older episode or two of your show. Really listen to the shows like a listener. Find the cliches and eliminate them. Be original. 4. AVOID ROUGH TRANSITIONS And now it's time for … This phrase seems harmless. It looks like a logical transition from one segment to another during your podcast. Unfortunately, this phrase gives your listener permission to leave the show. When you use "and now it's time for..." or some similar phrase, it tells the listener that one segment is over and we are moving on to something else. It also signals a natural break in the show and the perfect time to exit. The transition is a lot like a commercial break in a television show. It is time to grab the remote to see what else is available. This is why TV shows started using the cliff hangers to keep you around. Famous American showman P. T. Barnum noticed that people were lingering too long at his exhibits. If he could get them through the exhibit faster, he could get more people through in a day and make more money. Barnum posted signs around the exhibit indicating "This Way to the Egress". Henry would ask Barbara, "Have you ever seen an egress? No? Let's check it out." Unaware that "Egress" simply meant "Exit", people followed the signs to what they assumed was a fascinating exhibit only to end up outside. Take down your "egress" sign. If you truly want to hold your listener from one segment to the next, don't send up the signal. Simply move to the next segment. THE TRANSITION On a coaching call the other day, I pointed out to the host that he was using "I want to keep this moving" quite often in his show. When he says "I want to keep this moving", I know we are switching to a new topic. I can punch out here if I'd like. Instead, just move on. Imagine you are at a cocktail party. You are discussing the baseball game that you saw over the weekend. After the baseball topic runs its course, do you say, "Now it's time to talk about my new car"? I doubt it. You probably just roll right into, "Hey, I bought a new car last week." It is a natural transition. Your friend doesn't think, "Hmm, that was a pretty rough transition." They have moved on right along with you. As you wrap up one segment, move right to the next. You might end the first segment with, "If you take those steps, things should be back to normal." Roll into the next with, "Jackie has a question about teamwork," and play the call. The next segment just starts. You've hooked them on the next segment without opening the door to leave. Don't flash the exit sign. Eliminate "and now it's time for" to hold your listener for the entire podcast. TIGHTER CONTENT Focus on these four areas to create great content. Avoid repeating yourself. Eliminate the cliches. Create smooth transitions in your content. Above all else, be original. When you be yourself and ask great questions, it will be difficult to copy you. The content will be original. And, people will love you for it. If you don't have a mentor who can take your hand and walk you every step of the way, go to www.PodcastTalentCoach.com/apply, click the button and apply to have a chat with me. We will develop your plan and see how I can help and support you to achieve your podcast goals.

Thursday, April 18, 2024 Inside Sports with Al Eschbach -Rain for the Spring Game, Ft. Cobb & Ft. Sill, Mark D. coaching, Wolfman Jack and more.  Follow the Sports Animal on Facebook, Instagram and X PLUS Jim Traber on Instagram, Berry Tramel on X and Dean Blevins on X Listen to past episodes HERE! Follow Total Dominance Podcasts on Apple, Google and SpotifySee omnystudio.com/listener for privacy information.

rWotD Episode 2530: Don't Call Us, We'll Call You Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Sunday, 7 April 2024 is Don't Call Us, We'll Call You."Don't Call Us, We'll Call You" is a hit song by the American rock band Sugarloaf. Co-written by lead vocalist Jerry Corbetta, the song was featured as the title track of the band's fourth and final album. It was their fourth single and was recorded at Applewood Studios in Golden, Colorado. Performing on the track, along with Jerry Corbetta, were session players Paul Humphries (drums), Max Bennett (bass), Ray Payne (guitar), and a group called the "Flying Saucers" (Jason Hickman, Mikkel Saks, and David Queen) on harmony vocals.The song peaked at number nine on the U. S. Billboard Hot 100 in the winter of 1974-1975 and number 12 on the Cash Box Top 100. The song is their second greatest hit. It spent 21 weeks on the chart, four weeks longer than their bigger hit, "Green-Eyed Lady".In Canada, "Don't Call Us, We'll Call You" was a bigger hit, where it reached number five for two weeks. "Green-Eyed Lady" had also charted better in Canada (number one versus number three in the U. S.).The song uses a guitar melody from the Beatles hit, "I Feel Fine" (which is also alluded to in the lyric, "sounds like John, Paul, and George") as well as a riff of Stevie Wonder's hit, "Superstition". An imitation of Wolfman Jack by disc jockey Ken Griffin also is featured briefly; the call sign of a radio station is stated ("Stereo 92" in the nationwide release). Numerous tracks of this line were cut to match local markets."Don't Call Us, We'll Call You" was performed on the TV series, The Midnight Special, with Wolfman Jack himself (the host and announcer of the program) making a cameo appearance on the "Stereo 92" line.This recording reflects the Wikipedia text as of 01:09 UTC on Sunday, 7 April 2024.For the full current version of the article, see Don't Call Us, We'll Call You on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ayanda Neural.

  Gene Di Pierro - Music/Program Director Hamilton Radio Hamilton Radio in the greater Trenton New Jersey area is unique among radio in that they ascribe to a way of broadcasting that no longer exists. A fresh look to the "good ole days" when Alan Freed, Cousin Brucie, Wolfman Jack and John "Records" Landecker ruled the airwaves. Listen in as we relive OUR glory days on a radio trip down memory lane.  This intellectual property is copyright property of: WWTF®™ 88.7  FMI MADDOG MEDIA, LLC No portion of these presentations or any WWTF Radio 88.7 FMI™ Podcast show may be used, reproduced, altered, or uploaded in part or whole without the expressed written consent of Angelo T. DiSipio or any Network Executive authorized to do so.

Join us for a special episode of "Profits with Pajak," hosted by the one and only Wolfman Jack. Dive into the hilarious world of lawn care with our guests, Cheaper Charlie, who once paid a customer for the privilege of mowing their lawn, and Professor GreenThumb, whose groundbreaking (and farmland destroying) concoction almost turned Idaho into a barren wasteland. Filled with legendary quips, jovial banter, and a twist that brings us back to the heart of simpler times, this episode is a testament to the joy and jest found in the world of lawn care. Comments and Questions are welcome.  Send to ProfitswithPajak@gmail.com Episode Links: Apple Podcast Listeners- Copy and paste the links below into your browser.   Upcoming Events: October 14-15, 2024 Louisville, Kentucky LCR SUMMIT- Business Transformation in 2 days!    https://www.lcrsummit.com   October 16-18, 2024 Louisville, Kentucky Equip Expo Get discounted tickets using promo code PAJAK  https://www.equipexposition.com/   Training and Courses Budgets, Breakevens, and Bottom Lines™ Workshop The System is designed to help you avoid common failures and achieve your business' financial goals. https://www.johnpajak.com/offers/qvgvV8m3/checkout   Yardbook Training Workshops Learn to use Yardbook like a pro to streamline your business and make more money! https://www.johnpajak.com/offers/aJ9YX7aB/checkout   Show Partners: Yardbook Simplify your business and be more profitable.  Please visit www.Yardbook.com  Get 30 days of Premium Business level of Yardbook for FREE with promo code PAJAK   Green Frog Web Design Get your first month for only $1 when you use code, PAJAK , and have your website LIVE in 3 weeks from projected start date or it's FREE for a year. https://www.greenfrogwebdesign.com/johnpajak   Mr. Producer- click the link to connect with the best podcast producer in the biz! https://www.instagram.com/mrproducerusa/

Director Denny Tedesco has followed up his smash hit documentary, The Wrecking Crew with an enlightening look at the next generation of session musicians who worked closely with  70s' singer/songwriters in creating the soundtrack which continues to enrich and lift our lives. They are Waddy Wachtel, Leland Sklar, Russ Kunkel, Danny Kortchmar and Steve Postell. The band and the film are called Immediate Family.Denny joins us, along with Waddy and Leland to get into the making of the film and their incredible journey through the history of rock, pop, folk, jazz, country and beyond. Waddy shares career highlights with David Crosby, The Everly Brothers, Warren Zevon, Steve Perry, Jackson Browne, Kim Carnes, and Stevie Nicks. Leland has stories about Carole King, Linda Ronstadt, James Taylor, Neil Young, and Phil Collins. These guys hand crafted our playlists!When Crosby asked Waddy if he should team up with Stills and Nash, Waddy gave him a solid thumbs up. When Don Henley asked Leland what he thought of “The Eagles” as a band name, Lee said, “Sure. Why not?” #TrendsettersIt took Denny 18 years to complete The Wrecking Crew, a love song to his father, Wrecking Crew guitar man, Tommy Tedesco. The fruits of that effort continue to blossom with the credentials and lessons that made Immediate Family possible and now, Denny's next film about Wolfman Jack.Weezy and Waddy have a Cowsills history in common. Waddy appears in her film, Family Band: The Cowsills Story and they share thoughts on the moment in the movie where Billy Cowsill finally stands up to his father, Bud when Bud makes a derogatory remark about Billy's mentor, Waddy. It's a fierce and loving act that gets Billy kicked out of his own band.Fritz and Denny both share impossibly beautiful Linda Ronstadt memories and Leland tells us how a friend of a friend of a friend led to his lifelong relationship with James Taylor.Plus, Fritz and Weezy are recommending the doc, Filling in the Blanks on Prime and Burn Book: A Tech Love Story by Kara Swisher.Path Points of Interest:Immediate FamilyDenny TedescoDenny Tedesco on IMDBLeland Sklar on YoutubeThe Wrecking CrewSound Explosion: Inside L.A.'s Studio Factory With The Wrecking Crew by Ken SharpFamily Band: The Cowsills StoryFilling In The BlanksBurn Book: A Tech Love Story by Kara Swisher

CRAGG Live from February 24th, 2024Wolfman Jack & The Wolf Pack ProfileWe air on cultradioagogo.com which is a 24/7 free internet radio network of old-time radio, music, movie trailers, old nostalgic commercials, snack bar audio, AND much more!  Join us this week for a show dedicated to the legendary DJ Wolfman Jack! We feature an album profile on the Wolfman's album "Wolfman Jack and the Wolf Pack" and play the entire album. We round out the three hour show with interview clips, trailers and TV appearances by Wolfman Jack as well as a healthy portion of the "American Graffiti" soundtrack! Also, tune in for a special guest surprise show host!Listen to the show HERE.What is CRAGG Live Anyways?!  The flagship radio show of Cult Radio A-Go-Go!'s, CRAGG Live is a lively 2-3 hour talk radio show hosted by Terry and Tiffany DuFoe LIVE from an old abandoned Drive-In Movie theater with Wicked Kitty, Fritz, Imhotep and Hermey the studio cats and CRAGG The Gargoyle. We play retro pop culture, Drive-In movie, classic TV and old radio audio along with LIVE on the air celebrity interviews from the world of movies, TV, music, print, internet and a few odd balls thrown in for good measure. We air Saturdays at 5:00 pacific.We air on www.cultradioagogo.com which is a 24/7 free internet radio network of old time radio, music, movie trailers, old nostalgic commercials, snack bar audio, AND much more!  This show is copyright 2024 DuFoe Entertainment and the live interviews contained in this show may not be reproduced, transcribed or posted to a blog, social network or website without written permission from DuFoe Entertainment.NOTE* There is a brief leader before & after the show which was recorded "LIVE" off the air.

NostalgiaCast '70s Palooza heads back to the '60s for a discussion of AMERICAN GRAFFITI, from indie director George Lucas. Crank up your radios and bop along to the beat as Jonny and Darin chat about the nonstop parade of music and muscle cars that permeate this rock 'n' roll coming-of-age tale. But is it a fun and breezy time at the movies, or the same stilted slog as Lucas's later films?

Paine Radio ClassicsWe Cannot Say Much of the 'Really Good Stuff' on Here That's Why We Created Paine.tv YOU CAN CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** GET the Intel that's Too Hot For Anywhere Else at P A IN E. TV CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** ...This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5788750/advertisement

CRAGG Live from December 16th, 2023The United States Air Force Presents Roger Carroll and Wolfman Jack Christmas Party Album ProfilesJoin us this week as we feature a double album profile of two very different (but in some ways related) albums. First, we highlight series 45 of The United States Air Force Presents Roger Carroll. As a follow up, to ring in the holiday season, we spend an hour and a half with the feature length album/show The Wolfman Jack Christmas Party!Listen to the show HERE.What is CRAGG Live Anyways?!  The flagship radio show of Cult Radio A-Go-Go!'s, CRAGG Live is a lively 2-3 hour talk radio show hosted by Terry and Tiffany DuFoe LIVE from an old abandoned Drive-In Movie theater with Wicked Kitty, Fritz, Imhotep and Hermey the studio cats and CRAGG The Gargoyle. We play retro pop culture, Drive-In movie, classic TV and old radio audio along with LIVE on the air celebrity interviews from the world of movies, TV, music, print, internet and a few odd balls thrown in for good measure. We air Saturdays at 5:00 pacific.We air on www.cultradioagogo.com which is a 24/7 free internet radio network of old time radio, music, movie trailers, old nostalgic commercials, snack bar audio, AND much more!  This show is copyright 2023 DuFoe Entertainment and the live interviews contained in this show may not be reproduced, transcribed or posted to a blog, social network or website without written permission from DuFoe Entertainment.NOTE* There is a brief leader before & after the show which was recorded "LIVE" off the air.

Paine Radio ClassicsWe Cannot Say Much of the 'Really Good Stuff' on Here That's Why We Created Paine.tv YOU CAN CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** GET the Intel that's Too Hot For Anywhere Else at P A IN E. TV CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** ...This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5788750/advertisement

This week we are celebrating 50 years of George Lucas' incredible second film, AMERICAN GRAFFITI. George was challenged to make something that people could relate to and he brought his youth filled with cruising and music to the screen in a way no one had done before. And because he's George Lucas, the film was ahead of its time, influential, groundbreaking and paved the way for his little space fantasy movie. Listen as we talk about AMERICAN GRAFFITI, how it got made, the genius of Walter Murch and more! So get in your big chair, call up Wolfman Jack, listen today and celebrate the love! JOIN THE BLAST POINTS ARMY and SUPPORT BLAST POINTS ON PATREON! MANDALORIAN SEASON 3 COMMENTARIES HAPPENING NOW! KENOBI COMMENTARIES! BOOK OF BOOK REVIEW EPISODES! MANDO SEASON 1 & 2 REVIEW EPISODES! BAD BATCH! CLONE WARS ! BLAST POINTS Q&A EPISODES! ! Theme Music downloadable tracks! Extra goodies! and so much MORE! www.patreon.com/blastpoints SUBSCRIBE ON YOUTUBE TO SEE ALL THE CELEBRATION LONDON SUPER LIVE FROM HOME MADNESS : www.youtube.com/@blastpointspodcast2160/featured New Blast Points T-SHIRTS are now available! Represent your favorite podcast everywhere you go! Get logo shirts and classics like the Ben Burtt and Indiana shirt while supplies last! Perfect for conventions, dates, formal events and more! Get them here: www.etsy.com/shop/Gibnerd?section_id=21195481 If you dug the show, please leave BLAST POINTS a review on iTunes, Spotify and share the show with friends! If you leave an iTunes review, we will read it on a future episode! Honestly! Talk to Blast Points on twitter at @blast_points leave feedback, comments or ideas for shows! "Like" Blast Points on Facebook for news on upcoming shows and links to some of the stuff we talk about in the show!! Join the Blast Points Super Star Wars Chill Group here www.facebook.com/groups/BlastPointsGroup/we are also on Instagram! Wow! www.instagram.com/blastpoints your hosts are Jason Gibner & Gabe Bott! contact BLAST POINTS at : contact@blastpointspodcast.com Send show ideas, feedback, voice messages or whatever! May the Force be with you, always! This podcast is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

A story about Manhattan, and lots of stuff about Wolfman Jack in this podcast. AND a question you may be able to answer. Please give a listen.

It's the big yearly halloween episode that everyone always clamors on and on incessantly about.  And this one's no different.  Who are these people?   What drives them?  Who drives them?  Who's gonna drive them home?  Tonight?Support the showhunchbunny.com

Paine Radio ClassicsWe Cannot Say Much of the 'Really Good Stuff' on Here That's Why We Created Paine.tv YOU CAN CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** GET the Intel that's Too Hot For Anywhere Else at P A IN E. TV CONTRIBUTE TO THE SHOW BY CLICKING THIS LINK -- *** DONATE HERE *** ...This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5788750/advertisement

The Men of Micheaux spend this week of Bootober talking about Micheal Jackson, Eddie Murphy, Wolfman Jack, the Top 5 Black Sitcom Horror Reboots, Liv Tyler, Tom Hanks, Band of Brothers, Mary Tyler Moore, Elvis Presley, and 'honey' -- and then (1:05) there's Tyler Perry and his dependable piece of schlock starring his brass and 'neutered' alter-ego! Rate & Review The Mission on Apple Email micheauxmission@gmail.com Follow The Mission on IG, and Twitter @micheauxmission  Leave a Voicemail for Vincent & Len Subscribe to the Mission on YouTube  Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, it's time for another segment from our other YouTube show, "Exploring Cinema", where we take a deep dive into a particular movie. This time around it's the (other) George Lucas classic "American Graffiti" from 1973 starring Richard Dreyfuss, Ron Howard and Pual LeMat. Listen now!

Wolfman Jack was a larger than life Radio DJ that broke out after he adopted a persona and created a very interesting character. Can you say marketing? Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not so secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I'm Stephen's sidekick and business partner, Dave Young. Before we get into today's episode, a word from our sponsor, which is, well, it's us, but we're highlighting ads we've written and produced for our clients. So here's one of those. [Tapper's Jewelry Ad] Dave Young: Hey guys and gals, midnight Pals, Dave Young here with Stephen Semple, and Stephen whispered in my ear Just now that today we're going to talk about Wolfman Jack, famous disc jockey, American disc jockey on a Mexican radio station. Stephen Semple: Can you do the howl? Can you do the howl, David? Dave Young: Not really. No. Stephen Semple: You're not even going to try, are you? Dave Young: He had a really interesting voice, Wolfman Jack. Right, he did. He was the first guy to do that with his voice. Kind of what made Famous in American Graffiti, in the movie. I mean, I think he was regionally famous before that, but became a part of the whole public consciousness, probably as a result of American Graffiti. And now we're to the point where I don't know a whole lot else. Stephen Semple: American Graffiti put him on the map. Midnight Special. He was on the Odd Couple. He was a regular guest on the Howard Stern Show. And look, he has a star on the Hollywood Walk of Fame. Dave Young: A guest on Howard Stern way before Howard Stern was Howard Stern. Stephen Semple: Yes. But I felt like I needed to do this one because a couple of reasons. So many of our partners come from a radio background and Wolfman had such an influence in that space. Plus it closes a loop on Episode 23 on Dr. Brinkley. Remember Dr. Brinkley? Dave Young: Oh yeah. The guy that, do we... Stephen Semple: Well let people go back and listen to it to really get the punchline on it. But when we think about one of the things that happened with Dr. Brinkley, Dr. Brinkley was such a quack and such a thief that he was kicked off of radio stations in the United States. So he went south of the border into Mexico, built this radio tower that had such a strong frequency that he could blanket all the US and even into Canada. And guess what? That was the station that Wolfman Jack found himself on. Dave Young: Nice. Stephen Semple: So to me, it kind of closes this loop because this is the station where Wolfman Jack became famous and became an icon, and as we said, was in American Graffiti, Midnight Special, the Odd Couple, has a star on the Hollywood Walk of Fame, Lifetime Achievement Award from the National Broadcasters Association. He's in broadcast pioneers of Philadelphia Hall of Fame. The list goes on and on. He had a big influence in not only radio but pop culture. Dave Young: Sure. When did he start on that station? When did he get a foothold? Stephen Semple: Basically, 1960 is when he got a foothold in that station. Now his real name is Robert Weston Smith, and he was born on January 21st, 1938 in Brooklyn, New York. He was the son of a truck driver and he had this passion for music and entertainment at a young age. Wolfman Jack's family later moved to Norfolk, Virginia where he attended high school and got his start in radio. He started on air as Daddy Jules on the radio station, Newport News in Virginia in the 1950s. And one night while playing music, he howled like a wolf and a listener commented, "It sounds like you got a Wolfman in there." And it stuck. And he later added Jack to the name as a tribute to Jocko Henderson and the early influence of his. Dave Young: Wow. Okay. Stephen Semple:

A classic interview with a Violinist/Psychic Healer and his cure for a Japanese cartoon epilepsy incident, the level of "help" Junior is giving Roger is discussed and debated, Grab Bag, as Stan promised he aired a clip from an old interview with Wolfman Jack just before he died, Local Beat, Roger's Entertainment Corner, a game of Stan's 10 to 200, Fluffer, your emails, a classic Haney bit, News, and more...

A classic interview with a Naples doctor and an interesting technique, Stan reveals he found an old interview with Wolfman Jack just before he died and promises to play it the next day, Grab Bag, Local Beat, Roger's Entertainment Corner, Junior's Food Hack, a game of Stan's I Wish I Didn't Know, Fluffer, your emails, Question of the Week (your first car and what happened to it), News, and more...

Brian and Ed discuss Wolfman Jack, birthdays, Josh Gad and:Bezos and Sanchez - https://people.com/human-interest/jeff-bezos-engaged-lauren-sanchez/NBA "sorry motherfuckers" -https://www.barstoolsports.com/blog/3467465/we-do-got-a-lot-of-sorry-motherfuckers-paul-george-and-demar-derozan-think-there-are-a-smooth-75-100-nba-players-that-stinkBecky Hammon suspended - https://sports.yahoo.com/becky-hammon-suspended-2-games-for-comments-on-dearica-hambys-pregnancy-aces-also-forfeit-draft-pick-in-2nd-investigation-172501276.htmlZac Gallen accidentally killed a bird -https://www.espn.com/mlb/story/_/id/37672178/d-backs-zac-gallen-accidentally-kills-bird-pregame-throwLGBTQIA+ - https://www.espn.com/mlb/story/_/id/37681060/dodgers-disinvite-lgbtqia+-group-pride-nightMike Bohn - https://trojanswire.usatoday.com/lists/troubling-details-emerge-about-mike-bohns-management-of-usc-athletics/Schemy Schembechler - https://www.detroitnews.com/story/sports/college/university-michigan/2023/05/20/shemy-schembechler-resigns-from-um-post-three-days-after-being-hired/70240193007/Lana Rhoades' baby - https://www.outkick.com/nba-fans-think-nuggets-bruce-brown-jr-might-be-porn-star-lana-rhoades-baby-daddy/*a comedy podcast about sports, pop culture, movies and dicks*Support this podcast at — https://redcircle.com/the-baller-lifestyle-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This interview with Lee Hacksaw Hamilton took place on July 20, 2022, on the John Riley Project podcast. *** Legendary sports radio and NFL play-by-play icon, Lee “Hacksaw” Hamilton joined for a wide conversation about his career, the San Diego sports media market, the San Diego Chargers and more. The History of Sports Talk Radio Lee shared his Long Island roots and the start of his radio news/DJ career in his college days on a radio station in Appalachia.  After a great run broadcasting pro hockey in Cleveland, he took his talents to the desert to announce Arizona State football and basketball. Hacksaw also hosted a sports talk show on KTAR in Phoenix shocking the locals with critical comments of ASU's football suspension, the Suns getting blown out in the first round of the 1981 NBA playoffs, and the ineptitude of Bowie Kuhn during the 1981 MLB strike. This was the start of the “Best 15 Minutes in Radio.” This was the start of “Putting Topics on the Table.”  “React!”  Lee was determined to grab his listeners by the throat and hold them for 4 hours of compelling sports talk radio. Hacksaw's reputation in Arizona led to a 1986 phone call from the Noble Broadcast Group in San Diego to be the San Diego Chargers play by play guy and start a sports talk show on the Mighty 690.  At the time the station was broadcasting rock ‘n roll and Wolfman Jack. Little did they know that things were going to radically change in the next few years. Lee was the only sports guy in the entire station, and he started with a blank slate.  How in the hell was he going to pull this off? He started by creating a 9-hour NFL Sunday broadcast with a 2-hour Countdown to Kickoff pre-game show, the live game, and then a post-game show with caller participation.   The Mighty 690 Sports Talk Radio Meanwhile, every afternoon drivetime Hacksaw hosted his talk radio show using many of his provocative techniques to drive listenership. Lee was a sensation bringing sports facts, stats, and opinions in the late 1980s. He was the internet before the internet was a thing. After a brief transition to sports and news talk, the station went 100% sports starting in 1989. The Mighty 690 was the 3rd radio station in America to go all sports, and the first on the west coast. 690 had a “blowtorch signal” that carried Lee's show from “Baja to the Canadian Rockies.” As 690 went all sports, many new voices took the microphone to create a wide variety of opinions and styles on sports talk: Jim Rome came on board to start his Scrub Saturday show. He later got the night shift right after Hacksaw's show, working on developing his style, his smack, and his clones. Rome later went on to national fame, but did you know Hacksaw was first offered the national gig prior to Rome but he turned it down. Steve Hartman joins the station and with Lee's recommendation he was paired up with former Monday Night Football producer Chet Forte.  Two loudmouth guys: one young, one old, one west coast, one east coast.  It was perfect. Steve Mason and John Ireland took on the morning show and later saw their careers take them to new places. Scott Kaplan and Billy Ray Smith joined the station creating a strong show and a loyal listening audience of Great Friends. The Coach John Kentera joins the station sharing his wealth of knowledge of local high school sports, plus offering his commentary on the San Diego pro and collegiate sports teams.   San Diego Chargers: I root for Herbert to Win, but Spanos to Lose As a long time voice of the San Diego Chargers play-by-play, and as an NFL junkie, Hacksaw was right at home broadcasting the Chargers every Sunday. We retrace some of the magical moments of the Chargers Super Bowl season including stories about Bobby Ross, Stan Humphries, Stan Brock, Tony Martin, Dennis Gibson, and the playoff run against the Dolphins in Steelers. We reminisce about the good vibes as both the team and the community both c...

A music legend that is a drummer and a member of The Kingsmen since 1963. The group best known for the hit, Louie Louie.We begin the show learning about when Dick started playing for the drums and how he was in the right place at the right time to join the group, The Kingsmen in 1963. He gives the background of how the group started touring and Louie Louie being banned!He tells us what the music scene was like in Portland, OR in the sixties that had groups such as The Wailers, Paul Revere & Raiders, and others. Richard Barry wrote Louie Louie, recorded it and wrote the song and sold all his rights for $750! Dick gives story how he changed the music industry where record companies must pay their royalties in four year or lose it. The number of times he has played the hit song which was named the worst record at one time. Are the FBI the reason the song stayed alive? What is the longest time the song has been played consecutively? Dick explains going from high school to buying a Ferrari due to this pandemonium. What are the lyrics!?How it became the official state song in Washington and played at all Seattle Mariners home games during the 7th inning stretch. Book- “Louie Louie, Me Gotta Go Now” (see show notes). The other songs The Kingsmen have recorded charted in Billboard. He tells us about Mike Mitchell whose guitar break you hear at beginning of the song. Wolfman Jack, his legacy, and songwriting wraps this fantastic episode up.  Dick Peterson Links:Website: https://louielouie.org/Buy Book-Louie Louie, Me Gotta Go Now: https://www.amazon.com/LOUIE-Me-Gotta-Go-Now/dp/1420856103 Before the Lights:Buy The Bundles: https://www.beforethelightspod.com/shopBecome a BTL Member: https://www.beforethelightspod.com/supportTHE LIGHT: https://www.youtube.com/channel/UC_cBUd3MLwoejlVpn5Vt9JAHire Tommy to Speak: https://www.beforethelightspod.com/public-speakingjeBuy Tommy a glass of vino here: https://www.buymeacoffee.com/beforethelightsSupport the showFollow the show on Instagram: https://www.instagram.com/beforethelightspodcast/Follow the show on Face Book: https://www.facebook.com/beforethelightspodcast/Follow the show on Tik Tok: https://www.tiktok.com/@beforethelightspodcast?lang=enFollow Tommy on Face Book: https://www.facebook.com/tcanale3Rate & Review: https://podcasts.apple.com/us/podcast/before-the-lights/id1501245041Email the host: beforethelightspod@gmail.com

Spencer is channeling a depressed Wolfman Jack, Kevin is strongly against Steven Seagal but for Marcel the Shell. Dr. Mindflayer returns to challenge us both in an exciting quiz game. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian and Ed discuss Cobra Kai, the Liver King, Mike Tirico, Wolfman Jack, Hostess items: RANKED and: Cardinals fire assistant coach Sean Kugler after the 56 year old was accused of groping a member of hotel security the night before their game in Mexico Cityhttps://www.theguardian.com/sport/2022/nov/23/arizona-cardinals-reportedly-fire-assistant-coach-kugler-over-groping-allegationOdell Beckham Jr. forced off flight after fading in and out of consciousness while flight attendants were trying to get him to fasten his seatbelt. The incident caused major delays on the busiest traveling day of the year.https://www.the-sun.com/sport/6780331/odell-beckham-jr-kicked-off-plane/Gisele Bundchen burns down all bridges with Tom Brady by getting rid of appliances that remind her of former husbandhttps://www.animatedtimes.com/gisele-bundchen-burns-down-all-bridges-with-tom-brady-brazilian-goddess-gets-rid-of-appliances-that-remind-her-of-former-husband-after-alleged-affair-with-joaquim-valente/Antonio Brown posted a photoshopped picture of Gisele naked on Snapchathttps://www.tmz.com/2022/11/22/antonio-brown-fake-gisele-nude-pic-bizarre-tom-brady-beef/Belgian soccer star Eden Hazard chastised Germany for their OneLove support suggesting they would've won their match against Germany if they weren't posting a supportive picture. Then Belgium went out and lost to Moroccohttps://www.mirror.co.uk/sport/football/news/eden-hazard-belgium-morocco-worldcup-28595726Iran calls for the US to be kicked out of the 2022 world cup for a social media post showed support for Iranian protesters. Also an Iranian reporter scolded US captain Tyler Adams for mispronouncing Iran.https://www.cnbc.com/2022/11/28/iran-is-calling-for-the-us-to-be-thrown-out-of-the-world-cup-after-flag-change.htmlFake Neymar had so many Brazil fans convinced the real Neymar was in the stands with themhttps://indianexpress.com/article/trending/trending-globally/fifa-world-cup-fake-neymar-fools-fans-inside-stadium-829617/https://indianexpress.com/article/trending/trending-globally/fifa-world-cup-fake-neymar-fools-fans-inside-stadium-829617/Jessie James Decker defends her kids' ripped abs after criticism that they look weird or she photoshopped themhttps://people.com/parents/jessie-james-decker-addresses-accusations-of-photoshopping-abs-on-her-children-in-photos/Washington Post uncovered a 1957 photo of Jerry Jones in a crowd of people blocking black students from entering North Little Rock High Schoolhttps://profootballtalk.nbcsports.com/2022/11/24/washington-post-unearths-1957-photo-of-jerry-jones-in-crowd-blocking-black-students-from-entering-school/DeShone Kizer said in one of his first meetings with Aaron Rodgers, Rodgers pressed him on 9/11 conspiracies and said he should "read up on them"https://www.mediaite.com/sports/former-nfl-qb-claims-aaron-rodgers-pushed-9-11-conspiracy-theories-he-told-me-i-should-read-up-on-them/A TIKTOK user claiming to be a time traveller has shared a bizarre clip purportedly showing the final of the World Cup, including the teams and score.https://www.the-sun.com/sport/6783422/world-cup-final-score-qatar-time-travel-tiktok/French man wins the right to not be fun at work after he was canned for not taking part in work social functionshttps://www.washingtonpost.com/world/2022/11/27/france-man-fired-company-drinking-culture/You can now spend a night in DJ Khaled's shoe closet through Airbnb for $11/nighthttps://www.foxbusiness.com/lifestyle/dj-khaled-lists-miami-sneaker-closet-airbnbMatt Lauer was "really upset" by Katie Couric's revelations in her memoir and still doesn't trust people 5 years after he was dismissed by NBChttps://www.dailymail.co.uk/tvshowbiz/article-11480499/Matt-Lauer-tightens-inner-circle-getting-semi-slammed-Katie-Couric-2021-memoir.htmlBob Dylan apologizes for selling autosigned merchhttps://www.thedailybeast.com/bob-dylan-apologizes-for-selling-auto-signed-merchPeople got all hot and bothered over the new "sexy" Smokey the Bear balloon in the Macy's Thanksgiving day paradehttps://www.yahoo.com/entertainment/sexy-smokey-bear-balloon-gets-173318403.htmlLuxury fashion house Balenciaga has been dealing with backlash from an ad where children were holding bags shaped like teddy bears wearing bondage gearhttps://nypost.com/2022/11/28/balenciaga-addresses-controversial-ad-campaign/*a comedy podcast about sports, pop culture, movies and dicks*Support this podcast at — https://redcircle.com/the-baller-lifestyle-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy