Podcast appearances and mentions of John Lasseter

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hay canciones que trascienden las películas para convertirse en parte de la memoria de varias generaciones. Eso es exactamente lo que ha ocurrido con You've Got a Friend in Me, la canción compuesta por Randy Newman para la primera película de Toy Story. En este episodio recorremos la historia de una de las melodías más reconocibles del cine de animación. Descubrimos quién era Randy Newman antes de trabajar con Pixar, la extraordinaria familia de compositores a la que pertenece y cómo terminó escribiendo una canción que resumía a la perfección la amistad entre Woody y Andy. La historia también nos lleva al nacimiento de Toy Story, el primer largometraje realizado completamente por ordenador, a la decisión de John Lasseter de alejarse del musical clásico de Disney y a la creación de una canción que nació en apenas un día. Además, repasamos cómo ha evolucionado You've Got a Friend in Me a lo largo de las cinco películas de la saga, sus versiones en España e Hispanoamérica, las adaptaciones de artistas como Gipsy Kings y la reciente participación de Taylor Swift en el estreno de Toy Story 5, donde volvió a interpretar junto a Randy Newman el tema que sigue representando la amistad entre un niño y su juguete. Un recorrido por una canción que demuestra que algunas melodías nunca envejecen, aunque en Toy Story 5.... Puedes consultar el listado de canciones en: https://elrecuentomusical.com/toy-story-youve-got-a-friend-in-meEscucha este episodio completo y accede a todo el contenido exclusivo de El Recuento Musical. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/625263

David Senra: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Ed Catmull is the co-founder of Pixar and the former president of Disney Animation. He grew up in 1950s Utah wanting to animate for Disney. Convinced he couldn't draw well enough, he studied physics and computer science at the University of Utah instead, landing in one of the great talent incubators in computing history. In 1972, he animated his own left hand—one of the first 3D computer renderings ever made. Since childhood he had carried a single ambition: to make the first feature film animated entirely by computer. Reaching it took more than 20 years. George Lucas hired Catmull in 1979 to build a computer division at Lucasfilm. When Lucas needed cash, Steve Jobs bought that division in 1986 for $5 million and spun it out as Pixar. For years it sold imaging computers and lost money while Catmull and John Lasseter made short films to keep the dream alive. Jobs sank roughly $50 million of his own money into it. In 1995, Pixar released Toy Story, the first feature animated entirely by computer, and went public days later. Finding Nemo, The Incredibles, WALL-E, and Up followed. Disney bought Pixar in 2006 for $7.4 billion and put Catmull in charge of both studios; he revived a faltering Disney Animation with films like Frozen. Catmull cared about the conditions that let creative work survive its own fragility. Every original idea, he argues, starts out ugly and broken, and management exists to protect it long enough to get good. At Pixar that meant the Braintrust: a room where directors got blunt feedback with no authority attached and the conversation stayed on the problem, never on who was right. He laid it all out in Creativity, Inc. Show notes: https://www.davidsenra.com/episode/ed-catmull Made possible by Ramp: ⁠https://ramp.com AppLovin: https://axon.ai/senra Deel: https://deel.com/senra Chapters (00:00:00) Most Companies Are Full Of Shit (00:04:28) The Brain Trust Mechanism (00:10:13) Why Steve Jobs Was Banned From The Braintrust (00:17:48) Your Job Is To Manage The Dynamics (00:23:27) Betting The Company On Toy Story (00:24:35) Engineering Eisner's Worst Nightmare (00:36:51) Bob Iger's Crappy Hand (00:38:44) Why Disney Never Asked What Pixar Was Doing (00:43:48) Take The Hard Problem (00:44:38) The Director Can't Lose The Team (00:48:48) Quality Is The Best Business Plan (00:52:32) What Walt Disney Taught Him (00:59:25) George Lucas And The Motion Blur Problem (01:08:48) Now What's The Point Of My Life (01:13:31) How Much Of This Was Me (01:16:10) George Lucas Wanted The Whole Industry Healthy (01:25:11) Refusing To Let Anyone Feel Second Class (01:32:38) The Truck In The Building Learn more about your ad choices. Visit megaphone.fm/adchoices

David Senra Intro Check out the episode pageRead the full notes @ podcastnotes.orgEd Catmull is the co-founder of Pixar and the former president of Disney Animation. He grew up in 1950s Utah wanting to animate for Disney. Convinced he couldn't draw well enough, he studied physics and computer science at the University of Utah instead, landing in one of the great talent incubators in computing history. In 1972, he animated his own left hand—one of the first 3D computer renderings ever made. Since childhood he had carried a single ambition: to make the first feature film animated entirely by computer. Reaching it took more than 20 years. George Lucas hired Catmull in 1979 to build a computer division at Lucasfilm. When Lucas needed cash, Steve Jobs bought that division in 1986 for $5 million and spun it out as Pixar. For years it sold imaging computers and lost money while Catmull and John Lasseter made short films to keep the dream alive. Jobs sank roughly $50 million of his own money into it. In 1995, Pixar released Toy Story, the first feature animated entirely by computer, and went public days later. Finding Nemo, The Incredibles, WALL-E, and Up followed. Disney bought Pixar in 2006 for $7.4 billion and put Catmull in charge of both studios; he revived a faltering Disney Animation with films like Frozen. Catmull cared about the conditions that let creative work survive its own fragility. Every original idea, he argues, starts out ugly and broken, and management exists to protect it long enough to get good. At Pixar that meant the Braintrust: a room where directors got blunt feedback with no authority attached and the conversation stayed on the problem, never on who was right. He laid it all out in Creativity, Inc. Show notes: https://www.davidsenra.com/episode/ed-catmull Made possible by Ramp: ⁠https://ramp.com AppLovin: https://axon.ai/senra Deel: https://deel.com/senra Chapters (00:00:00) Most Companies Are Full Of Shit (00:04:28) The Brain Trust Mechanism (00:10:13) Why Steve Jobs Was Banned From The Braintrust (00:17:48) Your Job Is To Manage The Dynamics (00:23:27) Betting The Company On Toy Story (00:24:35) Engineering Eisner's Worst Nightmare (00:36:51) Bob Iger's Crappy Hand (00:38:44) Why Disney Never Asked What Pixar Was Doing (00:43:48) Take The Hard Problem (00:44:38) The Director Can't Lose The Team (00:48:48) Quality Is The Best Business Plan (00:52:32) What Walt Disney Taught Him (00:59:25) George Lucas And The Motion Blur Problem (01:08:48) Now What's The Point Of My Life (01:13:31) How Much Of This Was Me (01:16:10) George Lucas Wanted The Whole Industry Healthy (01:25:11) Refusing To Let Anyone Feel Second Class (01:32:38) The Truck In The Building Learn more about your ad choices. Visit megaphone.fm/adchoices

The toys are back in this 5th installment in Pixar's latest series. The film was written and directed by Andrew Stanton, wrote the previous film and sees a majority of the voice actors return such as Tom Hanks, Tim Allen and Joan Cusack. Joining the voice cast this time around are Conan O'Brien, Greta Lee, Craig Robinson & Shelby Rabara. In this film, the toys get concerned when their owner, Bonnie, gets a tablet, an electronic device that cuts in to their playtime. In the battle between screen time and play time, the toys must band together to take on this new wave of “devices” to ensure their survival. After the 2019 previous film, many thought this marked the end of the road for these characters and their actors but after a few financial set backs after the fourth film, Pixar announced the 5th film in 2023. It hit theaters nationwide on June 19th. 2026 and would mark the first film that didn't feature any involvement from John Lasseter, who wrote and directed the first 2 films, after his 2018 departure from Pixar.

Episode Summary Erin and Rachel follow Lightning McQueen and Mater around the globe in this discussion of Cars 2, a spy-themed sequel with a convoluted plot and disappointing politics.  Episode Bibliography Abg 13. (2021, February 21). Cars 2 Tokyo Race Lap One w/ Film Maker Commentary (Subs Included). YouTube. https://www.youtube.com/watch?v=eB-qsiCs6us&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=1 Abg 13. (2021, February 27). Cars 2: Making Lemon-Aides (Subs Included). YouTube. https://www.youtube.com/watch?v=8WnBgTtuILU&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=12 Barnes, B. (2011, October 17). John Lasseter of Pixar Defends ‘Cars 2'. The New York Times. https://www.nytimes.com/2011/10/18/movies/john-lasseter-of-pixar-defends-cars-2.html Bastoli, M. (2011, March 21). Screenwriter claims Cars was his idea, sues Pixar. The PIXAR Blog. https://web.archive.org/web/20111006214337/http://pixarblog.blogspot.com/2011/03/screenwriter-claims-cars-was-his-idea.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Billington, A. (2008, September 25). Pixar's Cars 2 Pushed Up to Summer of 2011. FirstShowing. https://www.firstshowing.net/2008/pixars-cars-2-pushed-up-to-summer-of-2011/ Blankenship, M. (2012, October 5). Summer bummer: 5 most disappointing movies. TODAY. https://web.archive.org/web/20121005003851/http://today.msnbc.msn.com/id/44260890/ns/today-entertainment/ Brew, S. (2011, July 24). Denise Ream interview: Eraser, Cars 2, stop motion animation, Star Wars and Pixar. Den of Geek. https://www.denofgeek.com/movies/denise-ream-interview-eraser-cars-2-stop-motion-animation-star-wars-and-pixar/ Cars 2. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_2 Cars 2. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3091760641/ Cars 2 (2011) - Full cast & crew. (n.d.). IMDb. https://www.imdb.com/title/tt1216475/fullcredits/ Chang, J. (2011, June 19). Cars 2. Variety. https://variety.com/2011/film/reviews/cars-2-1117945476/ Child, B. (2011, June 20). Cars 2 premiere - in pictures. The Guardian. https://www.theguardian.com/film/gallery/2011/jun/20/pixar-walt-disney-company cinemajudgetv. (2011, August 16). CARS 2 - In the Studio. YouTube. https://www.youtube.com/watch?v=EP98hbvjc_s Desowitz, B. (2011, April 19). Lasseter Talks 'Cars 2'. Animation World Network. https://www.awn.com/animationworld/lasseter-talks-cars-2 Ebert, R. (2011, June 22). John Lasseter plays with his cars movie review. RogerEbert.com. https://www.rogerebert.com/reviews/cars-2-2011 FILM.TV. (2011, July 27). Cars 2: John Lasseter im Exklusiv-Interview. YouTube. https://www.youtube.com/watch?v=nRBkkuGnL-A Finklea, B.W.  (2014). Examining masculinities in Pixar's feature films: What it means to be a boy, whether  human, fish, car, or toy. [Doctoral dissertation, University of Alabama]. ProQuest Dissertations &  Theses Global.  Greenberg, C. (2011, May 23). State Farm Backs Disney/Pixar's 'Cars 2'. MediaPost. https://www.mediapost.com/publications/article/151040/None Hill, J. (2010, June 24). Hamming it up at Disney's Holiday Showcase. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/hamming-it-up-at-disneys-holiday-showcase/ Hunter, H. (2010, February 15). Cars 2 Gets A Toon Up... Blue Sky Disney. http://www.blueskydisney.com/2010/02/cars-2-gets-toon-up.html Kabuki. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Kabuki Lasseter, J. (Director). (2011). Cars 2 [Film]. Pixar Animation Studios. Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman  (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). McGill-Queen's University Press. Maltin, L. (2011, June 24). movie review: CARS 2. Indiewire. https://web.archive.org/web/20140108213426/http://blogs.indiewire.com/leonardmaltin/movie_review_cars_2 Ness, M. (2018, January 4). Pixar's First Minor Roadblock: Cars 2. Reactor. https://reactormag.com/pixars-first-minor-roadblock-cars-2/ O, C. (2011, June 28). Inside CARS 2 with Director John Lasseter. 5 Minutes for Mom. https://www.5minutesformom.com/cars-2-john-lasseter/ obsessedwithfilm. (2011, July 21). John Lasseter talks Cars 2. YouTube. https://www.youtube.com/watch?v=NO76wBgd1D8 O'Connell, M. (2011, October 18). ‘Cars 2' Director John Lasseter Defends Film, Says Sequel Wasn't About Merchandising. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/cars-2-director-john-lasseter-249910/ Parks, T. (2009, August 25). Disney 'hints at Cars sequel title'. Digital Spy. https://www.digitalspy.com/movies/a173720/disney-hints-at-cars-sequel-title/ Pixar boss reveals Cars movie merchandise made $10bn. (2011, July 21). BBC. https://www.bbc.com/news/newsbeat-14209968 Robertson, B. (2011). The World Is Not Enough. Computer Graphics World. https://www.cgw.com/Publications/CGW/2011/Volume-34-Issue-6-June-July-2011-/The-World-Is-Not-Enough.aspx#articletop Rorie, M. (2011, June 27). Was Cars 2 Too Violent For A G-Rating? Screened. https://web.archive.org/web/20110629141858/http://www.screened.com/news/was-cars-2-too-violent-for-a-g-rating/2473/ Saint, J. (2020, April 30). Oops! Disney's Cars Did Eugenics. YouTube. https://www.youtube.com/watch?v=Y6qMgiA-VY0 Slager, B. (2011, June 28). Sell-uloid: The Marketing of CARS 2. chud.com. https://chud.com/58735/sell-uloid-the-marketing-of-cars-2/ Szalai, G. (2011, February 14). Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/disney-cars-has-crossed-8-99438/ Travers, P. (2011, June 23). Cars 2. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-2-91198/

Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com |  info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com |  info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Dirigida por Nathan Greno, producida por el no muy bien conocido Skydance Animation, PERO con el nombre de John Lasseter (ex director creativo de Pixar y Walt Disney Animation Studios) como jefe de animación, llega la VERDADERA película cambia-corazones del año. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠¡Sígueme en Twitter!⁠⁠⁠⁠⁠⁠⁠⁠⁠Ahora también me pueden seguir en ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠ ❤

Compagnon de notre enfance, plaisir coupable de l'adolescence et objet de collection, de transmission voire de spéculation à l'âge adulte tout en étant un sujet d'encombrement pour tout jeune parent, le jouet accompagne chacun de nous à chaque étape de vie. Le tirage au sort l'a donc imposé comme thématique de choix cinématographique pour ce nouvel épisode placé sous le signe, forcément, de la régression.Forcément lié à des souvenirs d'enfance, le jouet au cinéma tel qu'il est représenté dans notre sélection de boomers à flanc de quarantaine, a au moins pour point commun de rendre vivants ces êtres inanimés habituellement vaisseau d'une imagination galopante en développement.Leurs destins seront toutefois bien différents, entre amitié contrariée dans une aventure calibrée, messagers de discours antimilitaristes voire anticapitalistes ou bâtisseurs d'un monde combattant le conformisme, il y en a encore une fois pour toutes les sensibilités et toutes les envies.Références de l'épisode : • Toy Story de John Lasseter (1994) • Small Soldiers de Joe Dante (1998) • La grande aventure Lego de Phil Lord et Christopher Miller (2014)Cette livraison étant réalisée, il vous appartient à présent de vous amuser et de partager par vos écoutes, abonnements, 5 étoiles, commentaires et autres suggestions, rassemblés pour vous dans un lien unique juste ici : linkr.bio/LEFILMLEPLUSOn vous donne rendez-vous dans 3 semaines pour un nouveau thème qui nous aura mené à une sélection bien tordue, et réalisée sur le fil...#PodcastCiné #LeFilmLePlus #Jouet #ToyStory #SmallSoldiers #LaGrandeAventureLego #Cinéma #CulturePop #Enfance #Boomers #PodcastFrançais #CritiqueCiné #Nostalgie #Lego #JohnLasseter #JoeDante Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

When Hannah and Marcelle go to Disneyland, you can pretty much bank on them returning happier, out some cash, and deep in the throes of processing the experience! So what better return to the pod than an episode about Pixar and Henry Jenkins' theory of affective economics.Tune in for a conversation, led by Hannah, about CGI, John Lasseter, the impact of Pixar's first CGI feature Toy Story (1999), the fantasy of living outside of capitalism, and what Jenkins' theory of affective economics (Convergence Culture, 2006) can do to help us make sense of it all!Related ListeningDisney x PinkwashingAppendix: Fan Studies Revisited (Witch, Please)Works Cited“Computer Animation Production System.” Wikipedia. https://en.wikipedia.org/wiki/Computer_Animation_Production_System. Visited on 28 April 2026. “John Lasseter.” Wikipedia. https://en.wikipedia.org/wiki/John_Lasseter. Visited on 28 April 2026. “Pixar.” Wikipedia. https://en.wikipedia.org/wiki/Pixar. Visited on 28 April 2026. Sandlin, Jennifer A. and Julie Garlen Maudlin. “Disney's pedagogies of pleasure and the eternal recurrence of whiteness.” Journal of Consumer Culture 17.2 (2017): 397-412. https://doi-org.proxy.lib.sfu.ca/10.1177/14695405156023. Music Credits:"Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

When Hannah and Marcelle go to Disneyland, you can pretty much bank on them returning happier, out some cash, and deep in the throes of processing the experience! So what better return to the pod than an episode about Pixar and Henry Jenkins' theory of affective economics.Tune in for a conversation, led by Hannah, about CGI, John Lasseter, the impact of Pixar's first CGI feature Toy Story (1999), the fantasy of living outside of capitalism, and what Jenkins' theory of affective economics (Convergence Culture, 2006) can do to help us make sense of it all!Related ListeningDisney x PinkwashingAppendix: Fan Studies Revisited (Witch, Please)Works Cited“Computer Animation Production System.” Wikipedia. https://en.wikipedia.org/wiki/Computer_Animation_Production_System. Visited on 28 April 2026. “John Lasseter.” Wikipedia. https://en.wikipedia.org/wiki/John_Lasseter. Visited on 28 April 2026. “Pixar.” Wikipedia. https://en.wikipedia.org/wiki/Pixar. Visited on 28 April 2026. Sandlin, Jennifer A. and Julie Garlen Maudlin. “Disney's pedagogies of pleasure and the eternal recurrence of whiteness.” Journal of Consumer Culture 17.2 (2017): 397-412. https://doi-org.proxy.lib.sfu.ca/10.1177/14695405156023. Music Credits:"Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Stop putting off those doctors appointments and go to https://Zocdoc.com/NOSTALGIA to find and instantly book a doctor you love today. Thanks Zocdoc for sponsoring this message. With the FIFTH movie on it's way, Nostalgia Critic remembers the days when a Toy Story sequel really meant something. Let's take a look at Pixar's Toy Story 2. Come see us at Cedar Falls Comic Con - https://www.cedarfallscomiccon.com/ Come see Doug & Brad March 13th-15th - https://gameonexpo.com/ Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/CURGUGr-iBQ Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Toy Story 2 is a 1999 American animated adventure comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It is the second installment in Pixar's Toy Story franchise and the sequel to the original 1995 film. The film was directed by John Lasseter from a screenplay by Andrew Stanton, Rita Hsiao, Doug Chamberlin, and Chris Webb. Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, R. Lee Ermey, John Morris, Laurie Metcalf and Jeff Pidgeon reprise their roles from the first Toy Story film, with newcomers Joan Cusack, Kelsey Grammer, Wayne Knight, Estelle Harris, and Jodi Benson joining the cast. In the film, Woody is stolen by a greedy toy collector, prompting Buzz Lightyear and his friends to save him, but Woody is then tempted by the idea of immortality in a museum. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this fun episode, we are comparing Cars (2006) and Doc Hollywood (1991) - two films about cocky young guys who make an unexpected stop on their way to California.-----The Movies:Cars (2006)Directed by John Lasseter & Joe RanftWritten by John Lasseter, Joe Ranft, Jorgen Klubien, Dan Fogelman, Kiel & Phil LoriniMDb Rating: 7.3Doc Hollywood (1991)Directed by Michael Caton-JonesWritten by Jeffrey Price, Peter S. Seaman, Daniel Pyne & Laurian LeggettBased on the book by Neil B. ShulmaniMDB Rating: 6.3-----Find us on:Discord - https://discord.gg/dxgmcfj552Tumblr - @ItTakesTwoPodInstagram - @ItTakesTwo_podFacebook - @ItTakesTwoPodYoutube - @ittakestwonzBluesky - @ittakestwoOur website - ItTakesTwo.co.nz-----Content Warning: Mentions of death, injury, illness, sexual themes

In 2009, Disney released The Princess and the Frog, introducing Tiana as their first African-American Disney princess, paving the way for more diverse representation in animation.The CGI animation boom and the disappointing box office returns of the early 2000s had left a scar at Disney, and behind the scenes, there was huge change in the animation department. By 2004, then-CEO Michael Eisner had closed Disney's traditional 2D animation department, convinced that hand-drawn animation was dead.What followed was a corporate coup, with Roy E. Disney leading a campaign to oust Eisner, which worked spectacularly. When Pixar's John Lasseter took over Disney Animation in 2006, his first act was to bring back the very art form Eisner had killed.Lasseter immediately re-hired legendary directors Ron Clements and John Musker, who had left Disney just months earlier after years with projects in development hell following Treasure Planet's failure.Despite the numerous controversies around representing Disney's first Black princess—from changing her name from "Maddy" and her job to avoid slavery connotations, to criticism that she spends only 17 minutes of the film in human form, they ended up with Tiana, one of Disney's most accomplished, hard-working and important princesses, and what was being developed as The Frog Princess became The Princess and the Frog.The film's stunning animation style, represents a heartfelt return to traditional hand-drawn techniques, combined with modern digital artistry to create a visually captivating experience, but as we all know, it didn't last, and The Princess and the Frog became both a creative triumph and a bittersweet swan song for an art form that defined Disney's legacy.Mentioned in this episode: How Disney's Princess and the Frog Has A Problem With Black Males by JoJo Boy Wonder on YouTubeSupport Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

In 1984, Disney had the chance to own the future of animation for just $15 million. They said no. Today, Pixar is a multi-billion dollar cornerstone of the Disney empire, but the journey from a Lucasfilm basement to the top of the box office was a decade-long corporate war. In this episode of Synergy Loves Company, we're diving deep into the three specific inventions Disney rejected, the firing of John Lasseter, and the "worst deal" Steve Jobs ever signed. How did the king of animation miss the paradigm shift happening right under their nose? And how did they end up paying $7 billion for a team they could have owned for a fraction of the price? In this video, we explore: The Lucasfilm "Graphics Group":  The rebel engineering outfit that built the future in a basement. The 3 Key Inventions:  How the Pixar Image Computer, CAPS, and RenderMan changed cinema forever. The Exile of John Lasseter:  Why Disney fired the man who would eventually save their animation department. The Jobs vs. Eisner Showdown:  The high-stakes corporate battle that led to the creation of Toy Story. QUESTION: Have you seen those early Pixar shorts like Luxo Jr., Red's Dream, or Tin Toy? Which one is your favorite? Let me know in the comments! If you love exploring how Disney connects to the broader world of history, business, and pop culture, make sure to SUBSCRIBE  https://www.youtube.com/@synergylovescompany?sub_confirmation=1 Podcast: Listen to Synergy Loves Company → https://synergylovescompany.com Support the Show: Shop official Synergy Loves Company merch → https://shop.synergylovescompany.com Affiliate Disclosure: Some links above may be affiliate links. If you click and purchase, I may receive a small commission at no extra cost to you. Thank you for supporting the channel! Connect with Me: Instagram → https://www.instagram.com/synergylovescompany Bluesky → https://bsky.app/profile/erichsynergy.bsky.social Facebook → https://www.facebook.com/synergylovescompany Credits / Resources: • Synergy Loves Company is not affiliated with The Walt Disney Company or any of its subsidiaries. • Images and clips are used under fair use for commentary, criticism, and education. Until next time, keep discovering the magic in everything! This podcast is powered by Pinecast.

John Lasseter introduced this Japanese animated film to American audiences.  While not a seasonal feature as such, it has many of the values we expect from Christmas movies. Can you guess what it is yet?

Paramount's new mantra is that they want to make MONEY and are focusing on apolitical action films and tentpoles... and the Hollywood media are BIG MAD about it.We talk about how they dumped the head of animation behind Seth Rogen's Teenage Mutant Ninja Turtles, and how outraged the media is that they hired guys like John Lasseter.This is the new reality, Hollywood. And it'll get worse if Netflix buys Warner Bros. -- guaranteed.Watch this podcast episode on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Fresh off the long Thanksgiving weekend, Jim and Lauren crawl out from under their leftover Pilgrim sandwiches to talk about Zootopia 2 absolutely owning the holiday box office, how that might shape Disney's sequel strategy, and the must-have merch that is already slithering into the parks. They also dig into McDonald's massive 70th anniversary Happy Meal promotion, Disney's official holiday book guide, and a couple of doorstop tomes that are now living in the Hersey household. In the back half, Jim takes Lauren on a whirlwind tour through nearly 80 years of Disney's talking-animal history - from Song of the South all the way to Judy Hopps and Nick Wilde. NEWS • Zootopia 2's Thanksgiving opening pulls in a projected 156 million dollars domestically and around 400 million dollars overseas in just five days - more than half a billion total and one of the biggest Thanksgiving hauls ever. • How those numbers stack up against Wicked for Good and last year's Moana 2, plus why Universal probably is not panicking while it waits for the inevitable Wicked sing-along edition and a newly announced Galinda prequel novel. • The debut of Gary the Snake - a gloriously weird Zootopia 2 sipper at Disneyland - and Jim's crusade to track down Nog the snow seal pup plush that was gifted to Disney Television Animation staffers. • McDonald's 70th celebration Happy Meal, featuring 70 different Disney, Pixar, Marvel, Star Wars, and classic character toys with two figures per box - plus online grumbling over who made the cut (hello, Clarabelle) and who suspiciously did not (sorry, Cinderella). • Disney Parks Blog's holiday book guide, from deep-dive art and history titles like the X Atencio tribute and John Landau's memoir to Moana's “What if she stole the heart?” Twisted Tale, kid-friendly atlases, scratch-n-sniff adventures, and the giant Holiday Magic at the Disney Parks and Bring the Magic Home books currently threatening Lauren's fingernails. FEATURE • A crash course in Disney's history with anthropomorphized animals - starting with the animated sequences in 1946's Song of the South and why so many artists remembered that era as their happiest time at the studio after returning from World War II. • The rise and fall of the abandoned Chanticleer project, the “Roy's Boys” money feud with Walt, and how that detour accidentally sent Mark Davis to Imagineering where he helped create icons like Pirates of the Caribbean and Haunted Mansion. • How The Aristocats, Robin Hood, and even The Jungle Book paved the way for modern animal worlds - including the infamous animation recycling in Robin Hood's “Phony King of England” sequence that sharp-eyed fans still spot today. • The long development path from the shelved spy thriller Savage Seas, starring Jack Savage, to the fully realized animal metropolis of Zootopia - including John Lasseter's notes, Jared Bush's CIA family background, and the last-minute decision to swap Nick Wilde out for Judy Hopps as the true lead. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode of I Want That Too is brought to you by our friends at UnlockedMagic.com - the same trusted team behind the DVC Rental Store and DVC Resale Market. If you are planning a trip to Central Florida to visit Walt Disney World or Universal Orlando, the Unlocked Magic crew has some of the best deals on tickets, so do yourself a favor and use UnlockedMagic.com to make your next vacation just a little more magical. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

WondLa's grand finale to the trilogy is out now on Apple TV! We were lucky enough to sit down with two of the show's leads, Jeanine Mason and Alan Tudyk, to discuss the final season. We chat with both of them about their approach to voice acting and more in these interviews. Make sure to listen before starting the final season of Wondla! About the show: This groundbreaking third and final installment features a star-studded voice cast, including Jeanine Mason ("Roswell, New Mexico") as Eva, Emmy Award winner Brad Garrett ("Everybody Loves Raymond") as Otto, Gary Anthony Williams ("Teenage Mutant Ninja Turtles: Out of the Shadows") as Rovender, Alan Tudyk ("Resident Alien") as Cadmus Pryde, John Ratzenberger ("Toy Story") as Caruncle, John Harlan Kim ("The Librarians") as Hailey, Ana Villafañe ("Castro's Daughter") as Eva 8, Peter Gallagher ("The O.C") as Antiquus, and many more. New cast members include Emmy Award-winning and Academy Award-nominated Shohreh Aghdashloo ("House of Sand and Fog") as Darius and Arius, and Maz Jobrani  ("The Axis of Evil Comedy Tour") as Zin.  In the epic final season of "WondLa," war erupts between humans and aliens. With Orbona's fate hanging in the balance, Eva must embark on her most dangerous mission yet: recapturing the stolen Heart of the Forest. Along the way, she gathers old friends and unlikely allies for one last stand.  But to save Orbona, Eva must do more than find the Heart; she must bridge two divided worlds and prove the ultimate truth: "There is no 'them.' There is only us."  The epic trilogy's final season continues with six thrilling half-hour episodes executive produced by Tony DiTerlizzi and Bobs Gannaway alongside Ellen Goldsmith-Vein, Jeremy Bell, Julie Kane-Ritsch, and Skydance Animation's John Lasseter, David Ellison and Dana Goldberg. The series is also produced by Tony Cosanella.  

In this episode, Tony Zooms with Cuban-American actress and dancer Jeanine Mason, the voice behind Eva in Wondla. Known for her breakout role in Roswell, New Mexico, Jeanine brings a rich background in dance and theater to her animated performance—infusing Eva with instinct, empathy, and fierce loyalty.

Cathy and Todd discuss the making of Toy Story, the 1995 film that changed animation forever. They explore the film's massive cultural impact and the introduction of emotionally complex heroes like Woody and Buzz, who grew up alongside their audience. They also look at the creative forces behind the movie, including John Lasseter's rise and fall and the way Pixar rebuilt its culture in the wake of industry reckonings. They dive into the random facts, hidden jokes, emotional details, and psychological layers that make the movie endlessly rewatchable, from Randy Newman's music to Sid's misunderstood chaos. Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Join Team Zen Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. David Serrano- Certified Financial Planner- 815-370-3780 MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World Find everything ZPR on our Resources Page Guys- Complete a MenLiving Connect profile

Pixar nació como un pequeño experimento bajo el ala de George Lucas y terminó cambiando para siempre la animación con “Toy Story”. Pero detrás de la innovación y la magia, también hubo tensiones, liderazgos tóxicos y acusaciones que derrumbaron a su director, John Lasseter.

Jim Hill and Drew Taylor salute Veterans Day and talk about Xavier “X” Atencio, the new Disney Editions book celebrating the Imagineer behind the Haunted Mansion's “Grim Grinning Ghosts.” Then, Drew and Jim dive into the weekend box office — from Predator: Badlands breaking franchise records to the upcoming Zootopia 2 — before Jim goes solo to finish his deep-dive on the 20th anniversary of Chicken Little: Disney's first CG feature and the film that changed everything at the studio. HIGHLIGHTS Disney Legend spotlight: The new Xavier X. Atencio biography reveals rare sketches, wartime cartoons, and Haunted Mansion concept art — including the one-eyed cat that almost was. Box office breakdown: Predator: Badlands lifts Disney past $4 billion for 2025, while Zootopia 2's early projections could redeem TRON: Ares' underperformance. Streaming watch: Netflix's In Your Dreams wins praise from Collider and The Hollywood Reporter; Star Wars: Visions Vol. 3 drops on Disney+. The forgotten fowl: Why Chicken Little struggled in 2005 — from corporate pressure and story changes to a release window crushed by Goblet of Fire. Animation turning point: How Pixar's arrival, John Lasseter's leadership, and Ratatouille's success permanently shifted Disney away from hand-drawn animation. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Support Fine Tooning and the entire Jim Hill Media Podcast Network at patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where Disney and Universal fans can save up to 12% on park tickets and after-hours events like Mickey's Very Merry Christmas Party and Jollywood Nights. Powered by the same trusted team behind DVC Rental Store and DVC Resale Market. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Drew Taylor salute Veterans Day and talk about Xavier “X” Atencio, the new Disney Editions book celebrating the Imagineer behind the Haunted Mansion's “Grim Grinning Ghosts.” Then, Drew and Jim dive into the weekend box office — from Predator: Badlands breaking franchise records to the upcoming Zootopia 2 — before Jim goes solo to finish his deep-dive on the 20th anniversary of Chicken Little: Disney's first CG feature and the film that changed everything at the studio. HIGHLIGHTS Disney Legend spotlight: The new Xavier X. Atencio biography reveals rare sketches, wartime cartoons, and Haunted Mansion concept art — including the one-eyed cat that almost was. Box office breakdown: Predator: Badlands lifts Disney past $4 billion for 2025, while Zootopia 2's early projections could redeem TRON: Ares' underperformance. Streaming watch: Netflix's In Your Dreams wins praise from Collider and The Hollywood Reporter; Star Wars: Visions Vol. 3 drops on Disney+. The forgotten fowl: Why Chicken Little struggled in 2005 — from corporate pressure and story changes to a release window crushed by Goblet of Fire. Animation turning point: How Pixar's arrival, John Lasseter's leadership, and Ratatouille's success permanently shifted Disney away from hand-drawn animation. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Support Fine Tooning and the entire Jim Hill Media Podcast Network at patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where Disney and Universal fans can save up to 12% on park tickets and after-hours events like Mickey's Very Merry Christmas Party and Jollywood Nights. Powered by the same trusted team behind DVC Rental Store and DVC Resale Market. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we discuss the groundbreaking and enduringly popular computer-animated feature film, Toy Story.SPOILER ALERT We will be talking about this movie in its entirety, so if you plan on watching it, we strongly suggest you do so before listening to our takes.A Walt Disney Pictures release from Pixar Animation Studios. Released on November 22, 1995. Directed by John Lasseter. Written by Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow, based on a story by John Lasseter, Pete Docter, Andrew Stanton, and Joe Ranft. Featuring the voices of Tom Hanks and Tim Allen. Edited by Robert Gordon and Lee Unkrich. Score and original songs by Randy Newman.

J.B. and Eddie rev up their engines for a nostalgic ride down Route 66 with Pixar's Cars. From Lightning McQueen's transformative arc to the billion-dollar franchise's dominance in merchandise and theme parks, they unpack why Cars became a cornerstone of Disney and Pixar history. The conversation hits everything from John Lasseter's Route 66 inspiration to the brilliance of Tow Mater, Paul Newman's final role, and how Cars Land transformed Disney California Adventure. Plus, the guys dive into Disney's latest missteps with Disney+ and a surprising new lawsuit over AI. They wrap up with a funny family story about kids growing up a little too fast.

In this episode of Scenecraft, we break down the "Falling with Style" rocket sequence from Pixar's Toy Story (1995), directed by John Lasseter. Drop us a line at contact@scenecraftpodcast.com, or follow us on Instagram, Threads, TikTok, and Bluesky @scenecraftpodcast for the latest news on the show. — Show Notes — Quick Takes ~ 00:00:38 Caught Stealing (2025), The Fountain (2006), Materialists (2025), Task (2025), KPop Demon Hunters (2025), The Paper (2025) Toy Story (General Review) ~ 00:23:13 Scene Selection ("Falling with Style") ~ 00:34:26 Thanks for listening!

This next composer is truly an amazing talent! She is a Malaysian film and television composer whose score for Apple TV+ and Skydance's debut animation Blush has won Best Music Award from Hollywood Music in Media and was nominated for an Annie. Her second Annie nomination followed for her score on Skydance Animation's science fantasy adventure series WondLa, where she collaborated with industry icons such as John Lasseter. She also scored Skydance Animation's inaugural studio logo and I'm so excited to welcome her on to the podcast! And the composer is... Joy Ngiaw! Hosted on Acast. See acast.com/privacy for more information.

This is a very special commentary episode. The commentary begins at 5:17 On this episode of The Snub Club, the gang talks about 1995's Toy Story. Directed by John Lasseter and starring Tom Hanks and Tim Allen, Toy Story  was nominated for three Academy Awards but only won a special achievement (which means it qualifies for the podcast). On this special COMMENTARY EPISODE, Sarah, Danny, and Caleb discuss Randy Newman, Tom Hanks's acting range, and Pixar villains.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Grey Flannel by Vans in Japan

It's the head to head nobody was asking for in 2025. Once again our cultural timing is spot on. This week the boys revisit Antz and A Bug's Life to see which truly is the quintessential CGI-bug movie of the late 90s.Antz is a 1998 American animated adventure comedy film directed by Eric Darnell and Tim Johnson from a screenplay written by Todd Alcott and the writing team of Chris and Paul Weitz. Produced by DreamWorks Pictures, the film stars the voices of Woody Allen, Sharon Stone, Jennifer Lopez, Sylvester Stallone, Christopher Walken, Dan Aykroyd, Anne Bancroft, Danny Glover and Gene Hackman.A Bug's Life (stylized in all lowercase) is a 1998 American animated comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It is Pixar's second feature-length film, following Toy Story (1995). The film was directed by John Lasseter and co-directed by Andrew Stanton, from a screenplay written by Stanton. It stars the voices of Dave Foley, Kevin Spacey, Julia Louis-Dreyfus, and Hayden Panettiere.

In this episode of I Want That Too, Jim Hill and Lauren Hersey unpack what Disney's upcoming Toy Story 5 might really be about - and why it hits closer to home than you think. From Woody's absence to Jessie's promotion, and a new iPad-inspired character named Lilypad, this fifth entry isn't just a sequel - it might be Disney's most self-aware film yet. Jim and Lauren discuss how streaming, AI, and even shoppable shows are reshaping how Disney tells stories - and sells them. They also reflect on the history of Toy Story merch, John Lasseter's mint-in-box rule, and a deeply personal Jessie doll story that brings it all full circle. Toy Story 5's new challenge: an iPad named Lilypad How Jessie becomes the new Woody in Bonnie's room The real reason Toy Story 4's ending felt like closure Disney's experiments with QR codes, GoPuff, and “Shop the Stream” The merchandising legacy of the Mickey Mouse Club Jim's personal story of meeting John Lasseter with his daughter's Jessie doll Whether you're team Woody, team Jessie, or team “Do we need another sequel?”—this episode will give you plenty to think about. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Joan C. Williams joins the show to discuss her book Outclassed: How the Left Lost the Working Class and How to Win Them Back. She explains how the decline of unions, elite cultural codes, and a failure to value stability over novelty have fueled resentment. Mike also examines Pixar's box office collapse, the rise of “bean mouth” animation, and whether John Lasseter's departure was Me Too's costliest ouster. Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack

Elio crashed and burned at the box office this weekend, and now mainstream media is questioning why they can't seem to have any big hits outside of sequels. Maybe they should ask John Lasseter? Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Elio crashed and burned at the box office this weekend, and now mainstream media is questioning why they can't seem to have any big hits outside of sequels. Maybe they should ask John Lasseter?Watch this podcast episode on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Bob Baxley is a design leader who has shaped products used by billions at Apple, Pinterest, Yahoo, and ThoughtSpot. During his eight years at Apple, he led design for the online store and the App Store, and witnessed the iPhone's transformative launch while working under Steve Jobs. A student of history turned software craftsman, Bob discovered his calling after exploring photography, filmmaking, and music, ultimately recognizing software as the most powerful creative medium of our time. Bob champions the moral obligation designers have to reduce frustration in people's daily digital interactions.What you'll learn:• Why design should report to engineering, not product• The “Beatles principle”—why the best products come from teams of 4 to 6, not 40 to 60• How to create design tenets vs. principles (with real examples)• The counterintuitive reason to delay drawing or prototyping as long as possible• Why software is fundamentally a medium, like film or music (not just a tool)• Why Bob “bounced off the culture” at Pinterest, and lessons from failure• The lunar landing story that teaches us about championing radical ideas• How to evaluate if a company truly values design before joining• The moral obligation of software makers to build great products—This entire episode is brought to you by Stripe—helping companies of all sizes grow revenue.—Where to find Bob Baxley:• Instagram: https://www.instagram.com/baxley/• LinkedIn: https://www.linkedin.com/in/bbaxley/• Website: http://www.bobbaxley.com/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Bob Baxley(03:52) Apple's lasting culture(06:15) Navigating unique company cultures(13:19) Finding a company that truly values your role(15:46) What is design?(17:17) How to help founders understand the value of design(23:08) How to align product managers and designers(26:31) Design reporting to engineering(30:54) Integrating engineers early in the design process(33:43) The maker mindset(35:14) Challenging the assumption that design is time-intensive(38:04) Design tenets vs. design principles(45:25) The moral obligation of great design(51:48) Understanding software as a medium(01:01:20) Reducing ambiguity for product teams(01:07:04) Giving designers space for creativity(01:08:48) The "primal mark" concept(01:12:05) AI prototyping tools: benefits and risks(01:17:00) AI as a life coach(01:21:22) Life lessons from the Apollo program(01:28:24) Lightning round and final thoughts—Referenced:• Steve Jobs: https://en.wikipedia.org/wiki/Steve_Jobs• Walt Disney: https://en.wikipedia.org/wiki/Walt_Disney• Pinterest: https://www.pinterest.com/• X: https://x.com/• Uber: https://www.uber.com/• Airbnb: https://www.airbnb.com/• Slack: https://slack.com/• Ed Catmull on X: https://x.com/edcatmull• John Lasseter on X: https://x.com/johnlasseter5• Apple patented a pizza box, for pizzas: https://www.theverge.com/2017/5/16/15646154/apple-pizza-box-patent-come-on• Humane: https://en.wikipedia.org/wiki/Humane_Inc.• Jony Ive: https://en.wikipedia.org/wiki/Jony_Ive• Tony Fadell on LinkedIn: https://www.linkedin.com/in/tonyfadell/• Hiroki Asai on LinkedIn: https://www.linkedin.com/in/hiroki-asai-a44137110/• Tim Cook on X: https://x.com/tim_cook• ThoughtSpot: https://www.thoughtspot.com/• Ben Silbermann on LinkedIn: https://www.linkedin.com/in/silbermann/• Ajeet Singh on LinkedIn: https://www.linkedin.com/in/ajeetsinghmann/• Honeywell: https://www.honeywell.com• IDEO: https://www.ideo.com/• Nutanix: https://www.nutanix.com/• Lego: https://www.lego.com/• Leica: https://leica-camera.com/• Porsche: https://www.porsche.com/• Patagonia: https://www.patagonia.com• Brian Eno's website: https://www.brian-eno.net/• Scenius: why creatives are stronger together: https://thecreativelife.net/scenius/• The Beatles website: https://www.thebeatles.com/• Disneyland: https://disneyland.disney.go.com/destinations/disneyland/• Tomorrowland: https://disneyland.disney.go.com/destinations/disneyland/tomorrowland/• Unconventional product lessons from Binance, N26, Google, more | Mayur Kamat (CPO at N26, ex-Binance Head of Product): https://www.lennysnewsletter.com/p/unorthodox-product-lessons-from-n26-and-more• Larry Page: https://en.wikipedia.org/wiki/Larry_Page• Sergey Brin: https://en.wikipedia.org/wiki/Sergey_Brin• Design Principles: https://principles.design/• Tableau: https://www.tableau.com/• Figma: https://www.figma.com/• Target self-checkout: https://corporate.target.com/press/fact-sheet/2024/03/checkout-improvements• Everyone's an engineer now: Inside v0's mission to create a hundred million builders | Guillermo Rauch (founder and CEO of Vercel, creators of v0 and Next.js): https://www.lennysnewsletter.com/p/everyones-an-engineer-now-guillermo-rauch• eBay: https://www.ebay.com/• Williams Sonoma: https://www.williams-sonoma.com/• Amazon: https://www.amazon.com/• Monument to a Dead Child | Raw Data: https://podcasts.apple.com/ca/podcast/monument-to-a-dead-child/id1042137974• Toast: https://pos.toasttab.com/• The Primal Mark: How the Beginning Shapes the End in the Development of Creative Ideas: https://www.gsb.stanford.edu/faculty-research/publications/primal-mark-how-beginning-shapes-end-development-creative-ideas• The Plant: https://pixar.fandom.com/wiki/The_Plant• Microsoft CPO: If you aren't prototyping with AI you're doing it wrong | Aparna Chennapragada: https://www.lennysnewsletter.com/p/microsoft-cpo-on-ai• How have I been complicit in creating the conditions I say I don't want? | Jerry Colonna (CEO of Reboot, executive coach, former VC): https://www.lennysnewsletter.com/p/jerry-colonna• Joff Redfern on LinkedIn: https://www.linkedin.com/in/mejoff/• John C. Houbolt: https://www.nasa.gov/centers-and-facilities/langley/john-c-houbolt/• The Apollo program: https://www.nasa.gov/the-apollo-program/• Archive clip: JFK at Rice University, Sept. 12, 1962—“We choose to go to the moon”: https://www.youtube.com/watch?v=QXqlziZV63k• Alan Shepard: https://www.nasa.gov/former-astronaut-alan-shepard/• Blue Origin: https://www.blueorigin.com/• Yuri Gagarin: https://en.wikipedia.org/wiki/Yuri_Gagarin• Wernher von Braun: https://en.wikipedia.org/wiki/Wernher_von_Braun• Yuri Kondratyuk: https://en.wikipedia.org/wiki/Yuri_Kondratyuk• John Houbolt's memo: https://space.stackexchange.com/questions/2823/text-of-john-houbolts-letter-proposing-lunar-orbit-rendezvous-for-apollo• Severance on AppleTV+: https://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx• Lawrence of Arabia on Prime Video: https://www.amazon.com/Lawrence-Arabia-Peter-OToole/dp/B0088OINTU• Leica M6: https://leica-camera.com/en-US/photography/cameras/m/m6• Habitica: https://habitica.com/static/home• Andor on Disney+: https://www.disneyplus.com/browse/entity-faba988a-a9f5-45f2-a074-0775a7d6f67a• Edward Tufte quote: https://quotefancy.com/quote/1449650/Edward-Tufte-Good-design-is-clear-thinking-made-visible-bad-design-is-stupidity-made• Ansel Adams quote: https://www.brainyquote.com/quotes/ansel_adams_106035• It Takes a Village to Determine the Origins of an African Proverb: https://www.npr.org/sections/goatsandsoda/2016/07/30/487925796/it-takes-a-village-to-determine-the-origins-of-an-african-proverb• Henry Modisett on LinkedIn: https://www.linkedin.com/in/henrymodisett/• Perplexity: https://www.perplexity.ai/• Golden State Warriors: https://www.nba.com/warriors/• Steph Curry: https://www.espn.com/nba/player/_/id/3975/stephen-curry—Recommended books:• From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism: https://www.amazon.com/Counterculture-Cyberculture-Stewart-Network-Utopianism/dp/0226817423• Hare Brain, Tortoise Mind: How Intelligence Increases When You Think Less: https://www.amazon.com/Hare-Brain-Tortoise-Mind-Intelligence/dp/0060955414• The Elements of Typographic Style: https://www.amazon.com/Elements-Typographic-Style-Robert-Bringhurst/dp/0881791326• Zen and the Art of Motorcycle Maintenance: An Inquiry into Values: https://www.amazon.com/Zen-Art-Motorcycle-Maintenance-Inquiry/dp/0060589469• Time and the Art of Living: https://www.amazon.com/Time-Art-Living-Robert-Grudin/dp/0062503553/—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lennysnewsletter.com/subscribe

Disney keeps on losing. A judge ruled that their lawsuit against YouTube over a poached employee probably won't go anywhere -- and is potentially illegal. Then the guy in charge of their Canadian animation studio just got poached by Netflix. OOF. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

ADV - Prova Veggy Goods! ⁠⁠https://veggygood.sancarlo.com/⁠⁠ ADV - Dona il 5x1000 al WWF: 80078430586 La Pixar è a un passo dal fallimento, Toy Story è bloccato, ma John Lasseter e Steve Jobs ci credono ancora e la storia dell'animazione non sarà più la stessa ------ ⁠⁠⁠https://www.instagram.com/vitescomode.podcast/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

“They want you to be like them. I tried to be, but…”Marquis The Honey Bear joins us for this stop-motion horror collab between Jordan Peele and Henry Selick, which features a diverse cast that includes Raul, a trans boy whose art saves the day. We get into the film's complex anti-capitalist plot – from an underworld carnival to the prison industrial complex to hair cream that raises the dead – and how it explores so many real-world topics, beautiful bodies, and punk music rarely seen in animation.Learn more about Ornithomancy, an upcoming short film from Marquis.Find more from Marquis!Film Release: October 28, 2022‘Wendell & Wild' - Henry Selick (THR's Behind The Screen)Henry Selick Blames Scrapped Stop-Motion Film ‘The Shadow King' on John Lasseter's Interference (IndieWire)Director Henry Selick Interview: Wendell & Wild Set Visit (ScreenRant)From Picasso to Sonny Rollins: Pablo Lobato On Designing The Characters Of ‘Wendell & Wild' (Cartoon Brew)How Music Supervisor Rob Lowry Curated ‘Wendell & Wild's Memorable Afro-Punk Soundtrack (Animation Magazine)Sam Zelaya shares his Experiences as the First Trans Character in a Stop-Motion Animated Film (GenderGP)Part of ⁠The Glitterjaw Queer Podcast Collective⁠⁠Discord⁠⁠ | Patreon⁠E-mail us: pixarpodcast@gmail.comMore from ⁠Doug⁠More from ⁠Derek⁠Theme song features: “Stasis” by Eagle-Eyed Tiger | ⁠SourceClosing song: “Raising the Dead” by Bruno Coulais

Dana and Tom with returning guest and 5x Club Member, Allyson Techmeier (sister of Tom, daughter of Dana) discuss the revolutionary animated film, Toy Story (1995): directed by John Lasseter, written by Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow, music by Randy Newman, starring Tom Hanks, Tim Allen, Don Rickles, Annie Potts, Wallace Shawn, and John Ratzenberger.Plot Summary: Toy Story is an animated film about a group of toys that come to life when their owner, Andy, is not around. The story centers on Woody, a cowboy doll, and Buzz Lightyear, a space ranger action figure. When Buzz arrives and threatens Woody's status as Andy's favorite toy, Woody is overcome with jealousy. However, after an accident, the two must work together after getting lost in the chaos of a move, leading to an unlikely friendship and a heartwarming adventure.The film explores themes of friendship, identity, and the changing nature of relationships as children grow up. The story is heartwarming, humorous, and full of adventure, with memorable characters and groundbreaking animation that set a new standard for animated films.Guest:Allyson Techmeier5x Club Member - My Fair Lady (1964), Mary Poppins (1964), 12 Years a Slave (2013), Batman Begins (2005), Casablanca (1943) Re-RevisitChapters:00:00 Introduction and Welcome to Allyson Techmeier01:49 Cast and Background for Toy Story04:07 Relationship(s) to Toy Story06:53 What is Toy Story About?07:41 Significance of Toy Story in Animation History16:27 Plot Summary for Toy Story17:28 Did You Know?19:18 First Break20:07 Best Performance(s)29:29 Best/Favorite/Indelible Scene(s)38:30 Second Break39:59 In Memoriam40:55 Best/Funniest Lines43:42 The Stanley Rubric - Legacy49:18 The Stanley Rubric - Impact/Significance59:20 The Stanley Rubric - Novelty01:03:50 The Stanley Rubric - Classicness01:10:34 The Stanley Rubric - Rewatchability01:14:20 The Stanley Rubric - Audience Score and Final Total01:17:47 Remaining Questions01:24:21 Thank You to Allyson and Final Thoughts01:27:28 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/toy-story-1995-ft-allyson-duncanFor the entire rankings list so far, go to:

PIXAR TIME BABY! Ellis and Corbin talk about 'Cars,' a movie about a civilization of Cars. Why are the Cars alive? What build the world they live in? How do they reproduce? Then, after they talk about the important stuff, they talk about Pixar, their history and centrality to digital cinema as a practice, the Pixar-to-SFX pipeline, their storytelling technique, and the nostalgia for modernity that lives in this particular movie. Good Episode! Corbin reccomends a new video game, available in your video game e-store of choice. Matt reccomends this. Friday's episode will be about SILL LIFE, a wonderful movie by friend of the program Jia Zhangke, a director I've never said anything bad about. Watch it here. 

We go through every Easter egg in Toy Story 2. From (A113) to (a lot of bugs life Easter eggs) to (John Lasseter), we uncover every hidden message and symbol in this beloved movie!For more Mouse Ears Movie Thoughts content, check out our Instagram, website, and YouTube:Instagram: https://www.instagram.com/mouseearsmoviethoughts?igsh=MTZjYW5ranE0MG0wdQ%3D%3D&utm_source=qrYouTube: https://www.youtube.com/@mouseearsmoviethoughts9688Website: https://htzhxz6sjj.wixsite.com/memtIf you have any comments, questions, or episode ideas you would like to share with us, email us at mouseearsmoviesthoughts@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

Episode SummaryErin and Rachel travel to a frenetic future to discuss Meet the Robinsons (2007), a fever dream of a film that performed poorly at the box office despite intervention from John Lasseter, newly seated Chief Creative Officer of Walt Disney Animation Studios. Sexist and fatphobic content are only minimally present, but that doesn't mean Erin and Rachel enjoyed this chaotic whirlwind of characters and colors any more than the critics who panned it in 2007. Episode BibliographyA Day with Wilbur Robinson. (2023, December 1). In Wikipedia. https://en.wikipedia.org/wiki/A_Day_with_Wilbur_RobinsonAnderson, S. (Director). (2007). Meet the Robinsons [Film]. Walt Disney Animation Studios. Davis, A. M. (2014). Handsome heroes and vile villains : Men in Disney's feature animation. John Libbey & Company, Limited.Desowitz, B. (2007, March 30). 'Meet The Robinsons': Keep Moving Forward at Disney. Animation World Network. https://www.awn.com/animationworld/meet-robinsons-keep-moving-forward-disneyThe Disney Archives. (2024, December 14). Meet The Robinsons - Deleted Scenes. YouTube. https://www.youtube.com/watch?v=kqiYsgkA_rw&list=PLhOndNwQYfNCj2GJsaHTEBLjYj1la10h-&index=5The Disney Archives. (2024, December 14). Meet the Robinsons - Inventing the Robinsons. YouTube. https://www.youtube.com/watch?v=L2Se1oa9AUwJamieson, D. (2020, May 23). THE HOUSE OF MOUSE PROJECT - 'Meet the Robinsons'. The Jam Report. https://thejamreport.com/2020/05/23/the-house-of-mouse-project-meet-the-robinsons/Joyce, W. (n.d.). Meet The Robinsons - Concept art. William Joyce. https://www.williamjoyce.com/mtrart.htmlJoyce, W. (1993). A Day with Wilbur Robinson. HarperCollins.McCarthy, T. (2007, March 29). Meet the Robinsons. Variety. https://variety.com/2007/film/reviews/meet-the-robinsons-2-1200509306/Media Mementos. (2023, July 22). The Complete History of Meet the Robinsons. YouTube. https://www.youtube.com/watch?v=6xBuXocNHM4Meet the Robinsons. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Meet_the_RobinsonsMeet the Robinsons (2007). (n.d.). Box Office Mojo. https://www.boxofficemojo.com/title/tt0396555/?ref_=bo_se_r_1Moore, R. (2007, March 30). Movie review: 'Meet the Robinsons'. Record Online. https://www.recordonline.com/story/entertainment/local/2007/03/30/movie-review-meet-robinsons/52934218007/Nash Information Services, LLC. (2025). Meet the Robinsons (2007). The Numbers. https://the-numbers.com/movie/Meet-the-Robinsons#tab=summaryNess, M. (2016, May 19). When Even Dinosaur Fights Aren't Enough: Disney's Meet the Robinsons. Reactor. https://reactormag.com/when-even-dinosaur-fights-arent-enough-disneys-meet-the-robinsons/Schwarzbaum, L. (2007, March 28). Meet the Robinsons. EW.com. https://web.archive.org/web/20070406232713/http://www.ew.com/ew/article/0,,20016245,00.htmlScott, A.O. (2007, March 30). FILM REVIEW; A Nerdy Orphan Plows Ahead With a Lot of Familiar Novelties. New York Times. https://archive.nytimes.com/query.nytimes.com/gst/fullpage-9B00E1D91030F933A05750C0A9619C8B63.htmlSetyowati, R. (2012). Spreading the spirit of the American dream through Walt Disney's film “Meet The Robinsons”. Register Journal, 5(2), 241-257. Zwecker, B. (2007, March 29). 'Robinsons' a feel-good fantasy. Ocala StarBanner. https://www.ocala.com/story/news/2007/03/29/robinsons-a-feel-good-fantasy/31193623007/

And this is Studio Ghibli's 2001 classic from famed writer-director Hayao Miyazaki. When 10-year-old Chihiro moves with her family to a new neighborhood, a wrong turn sees her trapped in the world of kami, the spirits of Japanese Shinto folklore. Raking in almost $400 million in coin, the film stood as the highest-grossing film in Japan for almost 20 years. Widely regarded as one of the best films ever made, animated or otherwise, it became the first hand-drawn, Japanese anime and non-English-language animated film to win the Academy Award for Best Animated Feature at the 75th Academy Awards. It also received North American distribution from Disney at the urging of Pixar's John Lasseter, who worked on the English dub, raising its profile with audiences stateside and introducing us to Soot Sprites, No-Face, and Haku the Dragon. Now our hosts are here to get Spirited Away!   Someone needs a bath!    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com  

Toy Story y la revolución animada, 30 años ¿En qué momento pasaron 30 años del estreno de Toy Story al día de hoy? Hace 10 950 días (más o menos) una empresa llamada Pixar colocaba en los cines su primer largometraje que es, al mismo tiempo, el primer largo en la historia completamente animado por computadora. La mesa estaba servida para pasar a la historia. Pero además Pixar, con esta película dirigida por John Lasseter y escrita por él mismo, Joss Whedon, Joel Cohen y Alex Sokolow, entregó un producto cálido y humano… A pesar de no contar entre sus protagonistas a nadie cálido y mucho menos humano. Ocho premios en los Annie Awards son suficientes para dar constancia de su calidad, pero su permanencia en la memoria del público cinéfilo a pesar del paso del tiempo y los avances tecnológicos son, probablemente, su mayor sello de garantía. En 2025 Toy Story cumple 30 años de haber revolucionado el mundo del cine y para celebrarlo invitamos a este podcast a Eduardo Limón, cuentista, entrevistador, cronista, locutor, cinéfilo y testigo del paso del tiempo. Felices 30 Toy Story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest: Bobby Kotick, former CEO of Activision Blizzard; and Bing Gordon, general partner at Kleiner PerkinsIn 2020, when President Trump signed the executive order that would ban TikTok in the U.S., Bobby Kotick called his old friend Steven Mnuchin. The former Secretary of the Treasury told him that, if TikTok's U.S. operations were to be sold to an American company, Microsoft would be the only bidder.A couple calls later, he reached ByteDance founder and CEO Zhang Yiming, who said he'd rather sell to Bobby than Microsoft. Concerned about his ability to get the deal done solo, Bobby called Microsoft CEO Satya Nadella and offered to make a joint bid. Nadella declined, but added, “ if the deal doesn't get done, we should sit down and talk about us buying Activision.” TikTok currently remains Chinese-owned, but three years later, Microsoft paid $75 billion for Activision Blizzard.Chapters:Mentioned in this episode: Harvard-Westlake School, Alison Ressler, Vivendi, Berkshire Hathaway, Bruce Hack and Arnaud de Puyfontaine, John Riccitiello and EA, Call of Duty, Bizarre Creations, Atari, Apple II, Commodore 64, Jean-Louis Gassée, Apple Lisa, Howard Lincoln, Philips, Magnavox Odyssey, Sutter Hill Ventures, Infocom and Zork, Toys-R-Us, Howard Hughes, E. Parry Thomas, Sun Valley, Thom Weisel, William Morris Endeavor, Guitar Hero, Davidson & Associates, Michael Morhaime, Allen Adham, World of Warcraft, Medal of Honor, Steven Spielberg, Michael Crichton, Chris Roberts, Overwatch, Tencent, Time Warner, Jeff Bewkes, Sheryl Sandberg, Lean In, Lina Khan, Samsung, Elon Musk, James L. Jones, UFC, E. Floyd Kvamme, Toy Story 2, Procter & Gamble, Ron Doornik, John Lasseter, Xerox PARC, Shigeru Miyamoto, Satoru Iwata, Goldeneye 007, James Bond, Barbara Broccoli, Oculus, Apple Vision Pro, Bill Gates, Steve Ballmer, Sam Altman, Mustafa Suleyman, Spotify, Candy Crush Saga, Disney, Phil Spencer, Clarence Avant and Motown Records. Links:Connect with BobbyTwitterLinkedInConnect with BingTwitterLinkedInConnect with JoubinTwitterLinkedInEmail: grit@kleinerperkins.com Learn more about Kleiner PerkinsThis episode was edited by Eric Johnson from LightningPod.fm

Dr Alvy Ray Smith is the co-founder of Pixar, a computer scientist and pioneer in the field of computer graphics and to celebrate 39 years to the day that Pixar was officially founded, I wanted to release my interview with Alvy from Series 3.After starting his career in academia, Alvy had an epiphany following a serious skiing accident. He decided to move to California to combine his two passions - art and computers - in a place where he felt something good was about to happen. Alvy was always a pioneer. From creating his first computer graphic in 1965, Alvy became an original member of the Computer Graphics Lab at the New York Institute of Technology, he witnessed the birth of the personal computer at Xerox PARC, and he was the first director of computer graphics at George Lucas's Lucasfilm. It was there that Alvy gathered some of the smartest people he knew to develop computer graphics software, including early renderer technology. He and colleague Ed Catmull then spun out to co-found the famous Pixar, soon followed by the hiring of Lucasfilm colleague John Lasseter, and Steve Jobs as an investor. It was at Pixar that Toy Story would be made - the very first, entirely computer-animated, feature film. In 2006, Pixar was sold to Disney for $7.4 billion.In this interview, Alvy recounts his career from the early days at Xerox PARC to how Pixar got started. We discuss the Pixar journey in detail, as well as his latest book – A Biography of the Pixel  (you can buy here)- including how innovation is born from three strands: An idea, chaos and a tyrant. And how Steve jobs was both the saviour and the tyrant in the incredible Pixar story.A true pioneer, this is one of my favourite conversations.Enjoy!-----NB This episode was first released in Series 3.Let us know what you think of this episode and please rate, review and share - it means the world to me and helps others to find it too.Danielle Twitter / Instagram / Substack Newsletter / YouTubeAll my podcast episodes are edited with Descript - try it for FREE hereAlvy Ray Smith on Twitter @alvyray / website Buy Alvy Ray Smith's book A Biography of the Pixel here. -----This episode was hosted by me - Danielle Newnham, a recovering founder, author and writer who has been interviewing tech founders and innovators for ten years - and produced by Jolin Cheng. Image of Alvy Ray by Christopher Michel.

In this episoed we explore an often overlooked but nevertheless essential part of Pixar- Randy Newman. This award-winning composer and songwriter worked with John Lasseter on numerous films and has solidified the prominence if some of Pixar's best works. Listen to hear just how important this legend is.For more Mouse Ears Movie Thoughts content, check out our Instagram, website, and YouTube:Instagram: https://www.instagram.com/mouseearsmoviethoughts?igsh=MTZjYW5ranE0MG0wdQ%3D%3D&utm_source=qrYouTube: https://www.youtube.com/@mouseearsmoviethoughts9688Website: https://htzhxz6sjj.wixsite.com/memtIf you have any comments, questions, or episode ideas you would like to share with us, email us at mouseearsmoviesthoughts@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

The iconic animated adventure that started it all, 1995's Toy Story made nearly $400 million dollars at the box office and introduced Buzz and Woody to the world. Starring the voices of Tom Hanks, Tim Allen, and more, the movie covered a lot of ground for its Smurf-sized 81-minute running time. But now, in the cynical 2020's, is the first Story the worst story? Can the film's close calls and oh-so convenient twists survive the wrath of now-grownup fans nearly 30 years later? And, yikes, is Woody a jerk? The Old Roommates revisit all the computer-generated chaos through their middle-aged lens. Listen to this. Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#toystory #JohnLasseter #TomHanks #TimAllen

Matt Belloni and Lucas Shaw dive into the impressive Q3 earnings posted by Netflix… And whether the streamer can fine tune its film strategy to achieve even further world domination.  Plus, Kim Masters speaks to Chris Sanders, the writer and director of The Wild Robot. The veteran animation director acknowledges the good and not so good impact of CG animation, talks about his experience of working at Disney during the studio’s famed Renaissance period, and explains why he left the studio to work at Dreamworks after John Lasseter took over Disney Animation in 2006. Plus, Sanders discusses his very special relationship with Stitch, of Lilo and Stitch.

Kim Masters and Matt Belloni banter about the summer box office, noting that it started with a whimper but is ending with a bang thanks to a sequel and two superheroes. Edgar Bronfman Jr. has withdrawn his bid for Paramount, and as the Venice Film Festival kicks off, Italy's increasingly right-wing government is courting Hollywood productions. Additionally, Meg LeFauve and Dave Holstein, the writers of the Pixar megahit Inside Out 2, join Kim Masters to discuss the importance of putting animated movies in theaters instead of only on streaming platforms — as former Disney CEO Bob Chapek did during his tenure. They also address whether the culture at Pixar has changed since John Lasseter’s 2018 departure amid misconduct allegations.