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Our guest today is Amy Barickman. Born in Michigan, raised in Iowa - Amy graduated from the University of Kansas with a degree in Fine Arts, only wishing it was with an emphasis in textiles versus glass blowing.Always drawn to boutique fashion as well as upcycling and vintage, Vintage Made Modernhas been a theme of many of the books and patterns she produced over the more than 30 the years of product development with the brand she founded in 1990, Indygo Junction. She is the author of the award-winning book; Vintage Notions: An Inspirational Guide to Needlework, Cooking, Sewing, Fashion and Fun. Most recently her passion for vintage and upcycling, led her to create Treasured Threadz with her manufacturing and distribution partner Colonial Patterns. Her latest project, a gift book Love You to Piecesis a combination of her passion for collecting quilts and sharing handmade treasures along with the history behind them . She is coming full circle with her new project - a book based on her collection of quilts and stuffed bears and dolls- she'll also be introducing a collection of doll and bear patterns to companion the book - hoping to add machine embroidery and other products that will inspire the sewing and quilting community. Additionally, she's working with Colonial Patterns on a new line of embroidery products under ABC Amy Barickman Creative. Amy currently spends most of the year in Kansas City, though she enjoys her family home in NW Michigan as well. Her husband is a sixth-grade teacher, and they have two kids who both have graduated college and are working in Kansas City.(2:29) Amy's mother taught her to sew and her grandmother also provided inspiration. She tells about her Girl Scout project…a wrapped skirt. Learn of her mom's business and how that also influenced Amy.(4:30) What business did Amy start in High School? And…how did her mom influence this?(7:57) Supporting local businesses is so very important to Amy. She talks about why she feels this way and why it's important. (9:44) Why the fascination with vintage? Mom and Grandma had a lot to do with this. Hear about the photo with the matching gingham outfits! (12:11) Amy talks about her brand-new line of embroidery products…she's launching them soon! (15:04) Amy is excited about the new makers in sewing. She explains why she feels this way and provides examples. (17:46) How did Amy come up with the name of her first company, Indygo Junction? (18:30) Why dies Amy consider herself a historian? Learn that here! (21:00) Mary Brooks Picken is Amy's muse. Amy tells us Mary's story and why she's had such a powerful influence on her. (25:44) Hear about Mend and Make Do…the precursor to upcycling! (27:30) What inspired Amy? Well, would you be surprised if she said Vintage? (28:53) Amy shares the deep connection she has with the sewing community and how important all of this is to her. (31;59) New book, landing page, launch party! Love You to Pieces is her new book! Amybarickman.com/loveyoutopieces (33:50) What's next for Amy? And of course, what's her dream?! (35:09) Anything we didn't ask? (35:42) How do you reach out to Amy? Amy@amybarickman.com. Also go to amybarickman.com for more info and to join her community. Be sure to follow, rate and review this podcast on your favorite platform. Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.
In this episode of NeedleXChange I interview Hattie McGill.Hattie is an embroidery artist and costume specialist whose goldwork has graced screens from Doctor Strange to Bridgerton.In this first part, we explore Hattie's training at the Royal School of Needlework, her unexpected leap from furniture restoration into embroidery, and the behind-the-scenes craftsmanship that goes into cinematic costume design.For another artist whose embroidery skills are Royal School of Needlework approved, check out episodes 17 and 18 with the wonderful Chrissie Juno Mann.Timestamps: 00:00:00 - Introduction00:01:30 – Embroidery Beginnings: A Family Legacy00:04:32 – The Journey to the Royal School of Needlework00:07:24 – From Furniture Restoration to Embroidery00:10:30 – The Allure of Gold Work00:13:28 – Understanding Gold Work: Techniques and Tips00:16:34 – Teaching and Learning Embroidery00:19:23 – The Challenges of Stitching and Project Management00:22:26 – Film and TV Contributions: A Stitch in Time00:26:05 – The World of Costume Design00:29:23 – Embroidery in Film: A Niche Craft00:33:40 – The Art of Detail: Handcrafted Costumes00:38:02 – Navigating the Film IndustryLinks:Website: hattiemcgillembroidery.comInstagram: hattiemcgillembroideryIntro music is Emmanuel by Joyspring via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comFollow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers
In this episode of NeedleXChange I interview Bren Ahearn.Bren Ahearn is a needlework artist using traditional samplers to unpack masculinity, memory and social conditioning. In the second half of my conversation with Bren Ahearn, we delve into the politics of craft, the evolution of his large-scale samplers, and the emotional realities behind making art that speaks to violence, identity and grief. If you were fascinated by my conversation with Kate Kretz in which we explore ways in which needlework makes a political point - episodes 41 and 42 - you won't want to miss this!Timestamps: 00:00:12 - Intro00:01:30 – Navigating Identity and Masculinity00:12:23 – The Role of Kindness in Art and Life00:22:33 – The Evolution of Craft and Queer Identity00:27:17 – Reflections on School Experiences and Identity00:30:49 – Musical Influences and Cultural Contexts00:34:28 – Literary Inspirations and Alienation00:38:51 – Unexpected Life Experiences and Future AspirationsLinks:Website: brenahearn.comInstagram: brenahearnIntro music is Hipsters are Okay by Daniel Fridell via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.
In this episode of NeedleXChange I interview Bren Ahearn.Bren Ahearn is a needlework artist using traditional samplers to unpack masculinity, memory and social conditioning. In this first part of our conversation. we discuss the concept of magnified moments, early experiences of gender policing, and how these formative events shape identity and artistic voice. Bren also shares how his shift from weaving to embroidery became a way to challenge the gendered expectations of craft itself.If you enjoyed our episodes with John Thomas Paradiso - 11 and 12 - where we talked about his queer thread connections, you'll love this chat with one of the nicest needleworkers you could hope to meet.Timestamps: 00:00:12 - Intro00:01:40 – Magnified Moments: The Weight of Childhood Choices00:07:51 – Embroidery: A Gendered Art Form00:10:43 – The Evolution of Samplers: From Tradition to Commentary00:16:37 – The Creative Process: Balancing Art and Marketing00:19:39 – Contemporary Samplers: Addressing Modern Issues00:22:49 – The Future of Needlework: Blending Tradition with Innovation00:30:37 – Exploring Artistic Expression and ActivismLinks:Website: brenahearn.comInstagram: brenahearnIntro music is Hipsters are Okay by Daniel Fridell via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.
In this episode of NeedleXChange I interview Neil Twist, an academic and self-confessed beginner stitcher based in Melbourne. Neil's just a year into his embroidery journey, but already he's exploring big questions about masculinity, perception, and what it means to stitch as a man. We talk about the courage it takes to embroider in public, the reactions you get – both expected and surprising – and how those quiet moments with needle and thread can spark real social reflection. Neil's experience as a gay man brings a rich and thoughtful perspective to the conversation, especially as we compare how our respective identities shape our paths in textile art.This wasn't planned as a NeedleXChange but it was such a good chat Neil allowed me to share it!Timestamps: 00:00:00 - Intro00:01:30 - Courage in Needlework: A Gender Perspective00:04:32 - Public Perception and Personal Anecdotes00:07:36 - Exploring the Embroiderers Guild Experience00:10:29 - Cultural Connections Through Needlework00:13:42 - The Historical Context of Needlework in Australia00:16:32 - The Role of Samplers in Education and Morality00:19:35 - The Evolution of Needlework Practices00:22:39 - Cross-Stitch: A Gateway Craft and Its PotentialIntro music is Zulu by Lucas Pittman via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.
When young Shay Pendray told the head of her school that she wanted to learn to sew, he had a prerequisite: He would give her a lamb, and she would learn to process the wool, spin it into yarn, and weave it into cloth, and then she could learn to sew. It was an extraordinary home ec class, but the administrator in question was Henry Ford. Shay was one of the students in Greenfield Village, a living museum on the grounds of what is now the Henry Ford Museum. Shay has combined curiosity, hard work, good fortune, and a passion for needle arts ever since. Many fiber artists will remember Shay from the Needle Arts Studio with Shay Pendray. Wanting to share her knowledge of needlework, she developed a television series that ran on PBS stations for years. Before finding a national television audience, Shay opened successful needlework shops, studied embroidery in Japan, China, and Britain, and wrote several books. After decades as a business owner, television pioneer, and teacher, Shay finds great joy in sitting down with needlework every day, reveling in the variety of threads, materials, and information available to stitchers. Besides needle arts, Shay's other passion is for horses. She loves to ride her horse in the open spaces of Wyoming, admiring the value of the greens and golds in the landscape. Not long before we spoke, USA Today wrote (https://www.usatoday.com/story/news/nation/2019/10/15/85-year-old-michigan-cowgirl-still-drives-cattle-across-wyoming/) about her: “This 85-year-old cowgirl is still herding cattle across Wyoming: ‘We will age together.'” This episode marks the fifth anniversary of the Long Thread Podcast, which was first released in April 2020. I've thought so fondly of this conversation, our first podcast to release, and was excited to revisit it. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. Sustainability and regenerative ranching have been a way of life for the ranches of Shaniko Wool Company for decades. They are the first “farm group” in the U.S. to achieve certification to the rigorous international Responsible Wool Standard and NATIVA Regenerative. Shaniko ranches raise Merino/Rambouillet sheep in the Western United States, delivering a fully traceable wool supply that gives back to the Earth and its ecosystems. To learn more, and discover Shaniko's yarn partners, visit ShanikoWoolCompany.com. (https://www.shanikowoolcompany.com/) Tapestry weaving's simple structure lets you weave almost any image you can dream up. Rebecca Mezoff, author of the bestseller The Art of Tapestry Weaving, will teach you how to weave your own ideas, designs, and adventures. Join Rebecca online to learn all about the magic of making pictures with yarn in the fiber technique of tapestry weaving. Find out more at tapestryweaving.com (https://rebeccamezoff.com/).
This week we welcome Emma Broughton of Fairy Wren Embroidery. The show is sponsored by Sassy Jacks Stitchery. Emma is a graduate, tutor, and Fellow of the Royal School of Needlework; author of the book “Embroidered Boxes” and creator of beautiful box kits; and working to become a member of the Worshipful Company of Broderers. […]
This week's show, sponsored by Sassy Jacks Stitchery, is not our usual needle art designer interview. The good folks at the Royal School of Needlework, through publisher Search Press, have published a new book that we feel should be in the library of every needleworker. The book, 200 Essential Embroidery Stitches, is an excellent print […]
Jessa Fairbrother (b. London) is a British visual artist whose work spans stitch, photography, performance and drawing. The body is her main material. She holds an MA in Photographic Studies from the University of Westminster (2010) and trained at drama school in London in the 1990s. This laid the groundwork for her ongoing investigation of how art and audience collide. The artist book of her work Conversations with my mother, is held in collections at Tate Britain, the V&A, London and The Museum of Fine Art, Houston. Yale Centre for British Art and Bristol Museum and Art Gallery also hold pieces from this series. Her companion piece, Role Play (Woman with Cushion) is included in Acts of Creation: On Art and Motherhood – a Hayward Touring exhibition travelling the UK throughout 2024-2025 and included in the 2024 Thames and Hudson book of the same name by curator of the show, Hettie Judah. She is a Queen Elizabeth Scholarship Trust scholar, training at the Royal School of Needlework in historical hand embroidery, which she incorporates into her photographic work. This is now embedded in her long-term multi-faceted project A Fencing Manual for Women, which has also been supported in it's development by a DYCP grant from the Arts Council of England, The Oppenheim-John Downes Memorial Trust, Hosking Houses Trust, Gane Trust and GRAIN as well as private sponsors. Jessa became an RWA Academician in 2023. She works from her studio in Bristol, UK. Jessa's official website. https://jessafairbrother.com/ Follow Jessa on Instagram. https://www.instagram.com/jessfairbrother/ Tate Papers: Severance: Jessa Fairbrother's Conversations with My Mother 2016 - Jennifer Mundy https://www.tate.org.uk/research/tate-papers/33/severance-jessa-fairbrother-conversations-my-mother Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 27. October 2024 between Perth (AU) and Bristol (UK). Portrait of Jessa Fairbrother by Trish Morrissey in the Acts of Creation: On Art and Motherhood exhibition at MAC in Birmingham.
This month Vicky has a coffee and a chat with Anita, a more recent upholstery student, who works in a creative field, teaching embroidery at the Royal School of Needlework. Royal School of Needlework Restoration of a Bon Marche Chair
While your reader recovers from a Christmas cough, let's rewind back to this relaxing guide to the art and craft of embroidery from two years ago. It's the perfect way to stitch up the year with sweet dreams. Enjoy! Help us stay ad-free and 100% listener supported! Everyone who supports in December will be entered into our holiday giveaways at the end of the month. Hurrah! Patreon: https://www.patreon.com/boringbookspod Buy Me a Coffee: https://www.buymeacoffee.com/d5kcMsW Read “Travels with a Donkey in the Cevennes” at Project Gutenberg: https://www.gutenberg.org/ebooks/535 Music: "Peace,” by Lee Rosevere, licensed under CC BY, https://leerosevere.bandcamp.com If you'd like to suggest a copyright-free reading for soft-spoken relaxation to help you overcome insomnia, anxiety and other sleep issues, connect on our website, http://www.boringbookspod.com.
Join me and Dr.Isabella Rosner, embroidery historian and curator of the Royal School of Needlework, to discuss their brand new exhibition "Tales of Textiles". This new intimate exhibition, Tales of Textiles: The RSN Collection in Focus highlights the life of key pieces from the Royal School of Needlework's Collection & Archive with a focus on English embroidery. Objects on display span three centuries and tell a story of wear and use, protection and care, tradition and innovation, and stitchers domestic and professional. Exhibits include a fragile embroidered mirror frame dated 1653, a Georgian man's waistcoat, and a late 19th century Royal School of Needlework-designed cushion cover. The exhibition takes place in one of our Embroidery Studios at Hampton Court Palace and will run from 25 September 2024 to June 2025. Isabella offers her insights into the curation process of the exhibition, and we also discuss the exciting work that we have undertaken together to research, and catalog, much of the amazing fashion and costume held within the collection, and available to see on display at this extinction. Link to purchase a ticket and a private tour, are available here- https://royal-needlework.org.uk/events-exhibitions/tales-of-textiles-the-rsn-collection-in-focus/ https://royal-needlework.org.uk/product/tales-of-textiles-talk-private-view/ https://royal-needlework.org.uk/archive-collection/
Suzanne's Virtual Assistant ServiceJoin my online school for eBay sellers here. Use coupon code 2022FREETRIAL$ for a limited free trial.Set up a consulting session or listing review Suzanne@SuzanneAWells.comEmail your comments, feedback, and constructive criticism to me at Suzanne@SuzanneAWells.comGet your BOLO Books in my eBay Store here. Join my private Facebook group here.Find me on YouTube here.Visit my website here.Happy Selling!So MetaInspiring stories of resilience: overcoming struggles, finding purpose, transforming livesListen on: Apple Podcasts SpotifySupport the show
In this episode of NeedleXChange I interview Dr Susan Kay-Williams.Dr Susan Kay-Williams was the Chief Executive of the Royal School of Needlework from 2007 to 2024 and is a recognised expert on the history of colour and textile art.In this second part of our NeedleXChange we talk about the history of the Royal School of Needlework, and Susan's role within it (something that ends in August 2024). I get her take on the Embroidery as Art debate and we cover a lot of random ground, as I had so many questions that I wanted to ask her. It was a complete pleasure talking with Susan, who has been very supportive of my journey as MrXStitch and I hope that you enjoy the show.Timestamps: 00:00:00 - Introduction00:02:07 - The Story of the Royal School of Needlework00:12:01 - Preserving Embroidery Stitches: The RSN Stitch Bank00:32:17 - Recognising Embroidery as an Art Form00:36:50 - The Resurgence of Embroidery in a Digital Age00:40:29 - The Changing Perception of Crafts Over Time00:48:00 - Susan's Cultural Touchpoints00:56:00 - An interesting fact not many people know about Dr Susan Kay-WilliamsLinks:Website: Royal School of NeedleworkInstagram: royalneedleworkIntro music is This Was Fun by Gavin Luke via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.
In this episode of NeedleXChange I interview Dr Susan Kay-Williams.Dr Susan Kay-Williams was the Chief Executive of the Royal School of Needlework from 2007 to 2024 and is a recognised expert on the history of colour and textile art.In this first part of our NeedleXChange we cover the history of colour in textiles, as well as how tapestries evolved from a utility product to an art statement, and all manner of topics in between. Susan's perspective on the topic is unique and I really enjoyed nerding out about how the textile colours we casually use came to be. It's a great insight into something that we take for granted.Timestamps: 00:00:00 - Introduction00:02:35 - The History of Colour in Textiles00:11:43 - Human Experimentation and the Desire to Understand00:17:58 - The Development of Synthetic Dyes00:28:55 - Tapestries: From Draught Excluders to Art00:38:55 - Metal Threads in Embroidery00:43:54 - The Bayeux Tapestry: Techniques and SignificanceLinks:Website: Royal School of NeedleworkInstagram: royalneedleworkIntro music is This Was Fun by Gavin Luke via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/modern-cross-stitch-magazine/And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.
In this episode, I review three YouTube videos that recreate historical costumes and embroidery, two with input from Hand and Lock and The Royal School of Needlework, the third is presented by a fashion historian.Show Notes: https://stitchsafari.com/videos-recreatin…e-and-embroidery/
This week’s guest, Lucy Martin, has packed an entire needle-art career into just a few years, and she’s just getting started. We’re sponsored this week by Sassy Jacks Stitchery. Lucy’s business is Lucy Martin Embroidery and she is head of education at Hand & Lock. A graduate of the Royal School of Needlework, she’s a […]
This week we visit with Gemma Murray, Anne Butcher, and Dr. Susan Kay-Williams of the Royal School of Needlework. These ladies were responsible for managing all of the needlework that was done for the Coronation of King Charles III a year ago. In our conversation, we learn about the various aspects of the work that […]
In this episode, we talk to Dr. Isabella Rosner, a curator at the Royal School of Needlework and a research consultant at Witney Antiques. Isabella tells us about the evolution of embroidery as a technology, and the complex relationship between needlework and feminism. We use this history to shed light on technology and feminism today.This episode includes an ad for the What Next|TBD podcast.
Today's book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner's Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today's book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner's Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Today's book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner's Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
Today's book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner's Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's book is: Stitching Freedom: Embroidery and Incarceration (Common Threads Press, 2024), by Dr. Isabella Rosner, which considers how for centuries, people have stitched in good times and in bad, finding strength in the needle moving in and out of fabric. Stitching Freedom explores the embroidery made in prisons and mental health hospitals — those who have embroidered to distract, to reflect or to calm. From Mary, Queen of Scots to Lorina Bulwer to “Unfortunate Annie” Parker, embroidery historian and curator Isabella Rosner unpicks embroidered histories to discover what can be created when freedom is out of reach. Our guest is: Dr. Isabella Rosner, who is curator of the Royal School of Needlework and a research consultant at Witney Antiques. She hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker, and the author of the History Today article “With Her Own Hair: A Victorian Prisoner's Art,” and the new book Stitching Freedom: Embroidery and Incarceration. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: The Royal School of Needlework Rozsika Parker's The Subversive Stitch. Betty Ring's Girlhood Embroidery: American Samplers & Pictorial Needlework 1650-1850. Maureen Daly Goggin and Beth Fowkes Tobin's Women and the Material Culture of Needlework and Textiles, 1750-1950. A conversation with the director of the Emerson Prison Initiative A conversation about The Journal of Higher Education in Prison Education Behind the Wall Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from more experts inside and outside the academy, and around the world. Please help support the show by downloading and sharing episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices
It’s a Wednesday so we’re chatting about needlework. Topics this week include our upcoming May 5 show about the work done by the Royal School of Needlework to provide embroidered pieces for the Coronation, needle case kits from Tanja Berlin of Berlin Embroidery, Mary Corbet, museums, Wintertur, goldwork, blackwork, and making linen and specialty threads. […]
Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor worldProducer: Ruth Watts
Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor worldProducer: Ruth Watts
This episode is a dream come true for my nerdy heart - I had a chance to talk to Dr. Isabella Rosner, whose podcast Sew What? I've been a fan of for years. We talked about how she got into textile histories, her PhD research and work at the Royal School of Needlework, about what textiles can teach us about what it means to be human and making time to create. Dr Isabella Rosner is the Curator of the Royal School of Needlework and Research Associate at Witney Antiques. She recently completed her PhD at King's College London, researching Quaker women's needlework, waxwork, and shellwork circa 1650 to 1800. Passionate about schoolgirl samplers and early modern women's needlework, Isabella hosts the “Sew What?” podcast about historic needlework and those who stitched it. She is a 2023 BBC/AHRC New Generation Thinker. https://sewwhatpodcast.com/ Thank you for listening!
Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor worldProducer: Ruth Watts
Dr. Susan Kay-Williams, Executive Director of the Royal School of Needlework, returns this week, along with RSN Curator Dr. Isabella Rosner, in a show sponsored by Sassy Jacks Stitchery. Our topic for this sixth visit from the folks at the Royal School is digitizing the entire Royal School of Needlework collection. This is the second, […]
Recycling Victorian clothes, the history of costume design, the messages conveyed in art made from textiles and the stories encoded in ancient embroidery are explored by Shahidha Bari and her guests Isabella Rosner, Rianna Norbert-David, Jade Halbert and Danielle Dove. They also look at exhibitions at the Barbican Gallery in London and the Museum of London in Docklands.Isabella Rosner is the curator of the Royal School of Needlework and a New Generation Thinker. You can hear an Essay from her about Quaker needlework broadcast on BBC Radio 3 in March Jade Halbert is a New Generation Thinker based at the University of Leeds working on the project https://www.constructingcostumehistories.co.uk/ Danielle Dove is a Fellow of the Institute for Sustainability at the University of Surrey researching second hand clothes in the Victorian period Rianna Norbert-David is an assistant curator at the Museum of London and has a MA in textile design from the Royal College of ArtUnravel: The Power and Politics of Textiles in Art runs at the Barbican Art Gallery in London from Tue 13 Feb—Sun 26 May 2024 Fashion City: How Jewish Londoners shaped global style runs at the Museum of London in Docklands until 14 April 2024 Sargent and Fashion runs at Tate Britain in London from 22 Feb - 7 July 2024 Leeds Art Gallery runs monthly stitch art events using works in their collection as the inspiration for textile art. The University is home to the M&S archive https://archive.marksandspencer.com/ Producer: Robyn Read
Ellen Davis takes Melissa through her favorite needlepoint accessories to help you get your best needlepoint yet! Follow Ellen on Instagram @merrylneedleworkaccessories. For the visual version of this episode, watch on YouTube: https://youtu.be/YD8mKdzJh34Join the stitchy fun on Instagram: @pointingitoutpodcastSend us an email: pointingitoutpodcast@gmail.comBe sure to subscribe to our channel here on YouTube: youtube.com/@pointingitoutpodcastHOSTS:Megan Holmes of the Needlepoint Clubhouse in St. Louis@stlneedlepointShop online at https://bit.ly/stlneedlepointMelissa MacLeod of The Wool and The Floss in Grosse Pointe, MI@thewoolandtheflossShop online at https://bit.ly/woolfloss Hosted on Acast. See acast.com/privacy for more information.
In this episode I'm sharing more about an oral history project I'll be running this year - I want to find out how people with disabilities, like myself, used needlework to explore a sense of place and heritage during lockdown. I'm excited to explore topics like resilience in isolation, material and making vs consumption, connection with family stories and more. This of course relates to my Stitching Together project, which you can find out more about here: https://www.yarrowmagdalena.com/stitching/ Thank you, as always, for listening! Love, Yarrow
Dressing for the Tudor Court was no simple matter, with rules around who could wear what, the challenge and expense of obtaining fabrics and jewels, and the fine line between being a glittering appendage to the court or a treasonous upstart! Eleri Lynn, Fashion Historian and author of a number of books on Tudor Fashion and Textiles, joined me to talk about the clothes of the Tudors and how they were as central to their world as politics and religion. Eleri Lynn, a fashion and textiles curator, author and historian, specialising in the Tudor period She gained her experience as an Assistant Curator within the Furniture, Textiles and Fashion Department of the Victoria and Albert Museum before becoming Curator of the Royal Ceremonial Dress Collection at Historic Royal Palaces. She has appeared on many TV documentaries including BBC2's ‘Art That Made Us' and BBC1's ‘Elizabeth: Fashioning a Monarch'. Eleri is the author of several monographs: Fashion in Detail: Underwear (V&A Publications, 2010), Tudor Textiles (Yale University Press, 2020), and Tudor Fashion (Yale University Press, 2017) - on which this interview is based. Eleri has curated several major fashion and textiles exhibitions including Diana: Her Fashion Story (Kensington Palace, 2017) and The Lost Dress of Elizabeth I (Hampton Court Palace, 2019).Most recently she was Head of Exhibitions at National Museum Wales and is a Trustee of the Royal School of Needlework, based at Hampton Court Palace. She is currently working researching and writing a new book on the history of fashion. Get full access to British History at philippab.substack.com/subscribe
Dr. Susan Kay-Williams, Executive Director of the Royal School of Needlework, returns this week in a show sponsored by Sassy Jacks Stitchery. We cover a long list of topics including what’s new with the RSN Stitch Bank (rsnstitchbank.org), one of the best, no-cost resources for needleworkers; revamping the RSN Tutor Training program; and the RSN […]
As the war in the Ukraine brutally shows, few people have had as hard a struggle down the centuries to maintain their identity as Ukrainians. For hundreds of years, they have been occupied and subjugated by one power after another, the Ottomans, the Austro-Hungarian Empire, Russia, Poland, the Nazis, and Russia again. Through it all Ukrainians have held onto their traditions: one of the strongest of these has been the beautifully and skilfully stitched motifs on plain linen or hemp shirts. The embroidery of Ukraine is one of its secret weapons and an incredible defence against the cultural annihilation that has been practiced against it. What it means to be a Ukrainian is powerfully expressed in the complex and beautifully worked stitches that go into decorating their national dress. The knowledge of what each stitch means and the skill to make these shirts is thriving and continues to be passed down the generations. This episode of Haptic & Hue is about how the beautifully embroidered shirts and blouses of Ukraine have endured as a symbol of the country's fight for existence and have become so entwined with the identity of Ukrainians that some refer to it as part of their genetic code. For more information, a full transcript and further links, see https://hapticandhue.com/tales-of-textiles-series-6
Celebrate! Vote! Share! The Black Women Stitch Sew Black at QuiltCon is a finalist for an Anthem Award in the category of Community Engagement in Education Arts and Culture. Please vote for us here and share widely! Voting ends 12/21 . The Black Women Stitch 2024 Wall Calendar is available NOW! Do not miss out on your chance to and get your stitch together with a year of artistic inspiration!Welcome back stitchers! We are sew excited to bring you a new tradition to the Stitch Please Podcast: Holiday Swatches. A fabric swatch is a small sample of fabric that allows you to visualize a project before cutting into yardage. Swatches are useful for sewing because they help us match fabrics, guide fabric prep, and prevent waste. Most importantly, if cultivated, swatches can become an archive of your creativity. This swatch series is here to celebrate the stitch please community by hearing from you all. For the month of December we will be sharing Holiday Sewing Traditions. In the final edition of 2023 we hear all about New Years Eve dresses, some adorable ideas for advent calendars (it's never to early to start!), the importance of a thoughtful gift and Eid! A special thank you to Ashley Chapman, Kya Lee, Ellie L, Olugbemisola Rhuday-Perkovich and Zahiyya Abdul-Karim for sharing their stories this week!=======Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork=======Ashley ChapmanInstagram: @madebybertha Kya LeeWebsite: kyaarts.com Ellie LInstagram: @sallieandsamstyle Olugbemisola Rhuday-PerkovichInstagram:@olugbemisolarhudayperkovichWebsite:https://www.olugbemisolabooks.com/ Zahiyya Abdul-KarimInstagram : @covermechicYoutube: @covermechic Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast
Celebrate! Vote! Share! The Black Women Stitch Sew Black at QuiltCon is a finalist for an Anthem Award in the category of Community Engagement in Education Arts and Culture. Please vote for us here and share widely! Voting ends 12/21 . The Black Women Stitch 2024 Wall Calendar is available NOW! Do not miss out on your chance to and get your stitch together with a year of artistic inspiration!Welcome back stitchers! We are sew excited to bring you a new tradition to the Stitch Please Podcast: Holiday Swatches. A fabric swatch is a small sample of fabric that allows you to visualize a project before cutting into yardage. Swatches are useful for sewing because they help us match fabrics, guide fabric prep, and prevent waste. Most importantly, if cultivated, swatches can become an archive of your creativity. This swatch series is here to celebrate the stitch please community by hearing from you all. For the month of December we will be sharing Holiday Sewing Traditions. From dance moms who are on the emergency stitch team (raise your hand if you've been there) to family sweaters, we have a great series of traditions this week. A special thank you to Neci Harmon, Aaronica Cole, Kristin Taylor, Tanisha Robertson and Jaszmine Howard for sharing their stories this week!=======Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork=======Neci HarmonInstagram: @whatsshecreating Shop: What's She CreatingTikTok: @whatsshecreating Aaronica ColeInstagram: Aaronica B. ColeYoutube: Aaronica B. ColeAudaSEWtea PodcastSimplicity Kristen TaylorInstagram: @unsewcialWebsite:www.unsewcial.com Tanisha RobertsonInstagram:@yimicraftsWebsite:yimicrafts.com Jaszmine HowardTikTok : @jaszminehowardInstagram: @jaszminehoward Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast
Celebrate! Vote! Share! The Black Women Stitch Sew Black at QuiltCon is a finalist for an Anthem Award in the category of Community Engagement in Education Arts and Culture. Please vote for us here and share widely! Voting ends 12/21 .SHIPPING 12/14...The Black Women Stitch 2024 Wall Calendar is available NOW! Do not miss out on your chance to and get your stitch together with a year of artistic inspiration!Welcome back stitchers! We are sew excited to bring you a new tradition to the Stitch Please Podcast: Holiday Swatches. A fabric swatch is a small sample of fabric that allows you to visualize a project before cutting into yardage. Swatches are useful for sewing because they help us match fabrics, guide fabric prep, and prevent waste. Most importantly, if cultivated, swatches can become an archive of your creativity. This swatch series is here to celebrate the stitch please community by hearing from you all. For the month of December we will be sharing Holiday Sewing Traditions. From ugly sweater ornaments to full christmas rooms, we have a great series of traditions this week. Plus! some great gift ideas at the very end if you're scrambling for a last minute idea (thanks Nikki!) A special thank you to Bianca Springer, Dr. Jennifer Hale, Tiffany Turner, Johanna Ali and Nikki Digulis for sharing their stories this week!=======Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork=======Bianca SpringerInstagram: @thanksimadethemWebsite: biancaspringer.com Dr. Jennifer HaleInstagram: @jennygee06TikTok: @jennygee066 Tiffany TurnerBlog: TipStitchedInstagram: TipStitchedFacebook: TipStitchedTikTok: TipStitchedPinterest: TipStitched Johanna AliInstagram:@soveryjoYouTube: SoVeryJo Nikki DigulisTikTok : NikkiDInstagram:@seamsnsuchboutiqueWebsite: seamsnsuchboutique.com Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast
Ever been on a long flight and stumbled upon a passion that would redefine your life? That's exactly what happened to our guest, Jamie Chalmers, also known as MrXStitch. He discovered the craft of cross-stitching mid-flight, finding it meditative and calming. He turned his craft into a career, becoming a celebrated figure in the world of needlework. His unique, tangible designs offer an alternative to the fleeting nature of social media scrolling, proving that crafting can bring immense satisfaction and joy.Cross stitching is often stereotyped as an 'old lady' hobby, but Jamie, the tattooed 'gangster of cross stitching', is here to challenge those assumptions. He's not just about breaking the mold, Jamie is also about promoting and expanding this art form, and he's doing it in his own unique way. He even dabbled in playing Santa Claus, overcoming his initial discomfort to spread holiday magic. His story is about stepping out of your comfort zone and finding joy in the unexpected.Jamie's journey didn't just involve a shift in craft, but a shift in his career path entirely. He left his corporate job to pursue his passion, finding success in the creative industry. His story is a testament to the fact that 'enough' money varies for each individual. The episode wouldn't be complete without adding a touch of humor, as we test Jamie's movie trivia knowledge, making for an entertaining end to our chat. We wrap up the episode by emphasizing the importance of play, encouraging everyone to explore new hobbies and activities. So, sit back and enjoy this exciting journey of creativity, humor, and play with MrXStitch.Find Jamie @MrXStitch on Instagram or https://xstitchmag.com/ (00:18) Cross StitchMrXStitch shares his love for the meditative craft and the satisfaction of creating something tangible.(07:59) Benefits of Gangster Cross StitchingBreaking stereotypes and promoting creativity through cross stitching, embracing passions, and curating textile art.(11:10) Challenging Gender Stereotypes in Cross-StitchChallenging gender norms in cross stitching, embracing passions, versatility of the art form, and the importance of play.(20:43) The Profound Magic of Playing SantaJamie embraces Santa's role, using alter egos like MrXStitch, finding joy in bringing magic to families.(29:15) Layered Career, Financial FreedomA cross-stitch designer left his corporate job to pursue his passion, discussing ad revenue, subscriptions, and workshops, and the concept of "enough" money.Don't miss this opportunity to dive into the world of cross-stitch with us!Support the showSupport the Playful Humans mission to help adults rediscover the power of play: Subscribe to the YouTube channel Subscribe to the Podcast Book a playshop for your team Support our sponsors
The needle and thread have been humanity's constant companions for tens of thousands of years: far longer than the dog, the sword, or the wheel, and much longer than reading and writing. Down the centuries the needle has rendered us incredible service and we have come to depend on it. And yet the activity of stitching has long been ignored in the record of human endeavour. Even the modern trend for embracing making and craft tends to leave out sewing. But a new book just out, comes to try to redress the balance. Haptic & Hue's Book of the Year for 2023 is Barbara Burman's The Point of The Needle. In it, Barbara says ‘stitching and stitches are valued precisely because they embody human life and invention, and cloth itself is inseparable from them'. Barbara was the co-author of the well-received book called ‘The Pocket – A Secret History of Women's Lives', but in this new book, Barbara has a much bigger canvas: to rescue sewing from the twilight and to celebrate it as a fundamental human activity. For more information, a full transcript, and further links, https://hapticandhue.com/tales-of-textiles-series-5/
The Black Women Stitch 2024 Wall Calendar is available for preorder NOW! Do not miss out on your chance to and get your stitch together with a year of artistic inspiration!Welcome back stitchers! We are sew excited to bring you a new tradition to the Stitch Please Podcast: Holiday Swatches. A fabric swatch is a small sample of fabric that allows you to visualize a project before cutting into yardage. Swatches are useful for sewing because they help us match fabrics, guide fabric prep, and prevent waste. Most importantly, if cultivated, swatches can become an archive of your creativity. This swatch series is here to celebrate the stitch please community by hearing from you all. For the month of December we will be sharing Holiday Sewing Traditions. From handbags to to scrap projects, new stitchers to the most skilled knitters, we have a great series of traditions this week. A special thank you to Jonelle Dawkins, Byrd Wadhams, Jamara Alexander, Stacie Sturdivant and DeJanee Kletke for sharing their stories this week!=======Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork=======Jonelle DawkinsInstagram: @scrapatlTikTok: @scraplantaScraplanta Byrd WadhamsInstagram: @yogabyrdsewsFacebook: Yoga Byrd Jamara AlexanderInstagram: sewsewjam Stacie SturdivantInstagram: @sewsewstacieTikTok: @sewsewstacieShop DeJanee KletkeInstagram: deja_made _it Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast
The Black Women Stitch 2024 Wall Calendar is available for preorder NOW! Do not miss out on your chance to and get your stitch together with a year of artistic inspiration!In this episode of the Stitch Please podcast, Lisa welcomes Tiffany Turned, a talented sewist, to share her transformative journey into sewing. Initially skeptical, she discovered her passion through a 30-minute skirt tutorial. With a background in civil engineering, Tiffany approaches sewing with precision and relishes in its step-by-step nature, appreciating the nuances that make a garment special. She champions cost-effective sewing, laying the foundation for her blog and vibrant social media presence where she shares valuable insights and reviews.Tiffany praises the sense of community in live sewing sessions, crediting the Black Sewing Network for fostering camaraderie. She discusses setting ambitious goals, emphasizing the importance of flexibility in the face of unforeseen circumstances. Tiffany's digital sketches in Adobe Photoshop serve as a visual guide for her projects, especially in intricate color-blocking. Recognizing the strengths of different platforms, Tiffany adapts her content creation process, emphasizing the visual appeal of sewing on Instagram. Her sewing journey is a testament to analytical thinking, creativity, and an enduring love for the craft, evident in her carefully crafted content and active engagement in live sessions.This episode showcases how Tiffany's sewing journey is a tapestry woven with threads of analytical thinking, boundless creativity, adaptability, and an unwavering love for her craft. Her dedication to enriching the sewing community is palpable in her meticulously crafted content and enthusiastic participation in live sewing sessions. Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon Store Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation. Tiffany TurnerTiffany Turner is a passionate sewist who discovered her love for sewing in adulthood. Tiffany always admired the idea of creating her own garments to have the perfect fit and style. In 2014, she finally took the plunge, inspired by a tutorial from Mimi G. Over the past decade, sewing has become her unwavering hobby. Tiffany has a background in civil engineering and her analytical mindset is evident in her meticulous approach to sewing. She enjoys breaking down sewing projects step by step, much like her engineering work. Tiffany encourages others to embrace this creative outlet and is dedicated to sharing tips, tricks, and reviews reflecting her commitment to building a supportive sewing community. Embracing social media platforms like TikTok, Instagram, and YouTube, Tiffany continues to inspire fellow sewists while maintaining her love for this fulfilling hobby. Insights from this episode:How Tiffany, a seasoned influencer, leverages her engineering background for a meticulous and analytical approach to sewing, treating patterns as blueprints for her creations.Tiffany's journey started with a desire for custom-made clothing as an adult, overcoming initial challenges with support from her husband. Tiffany's engineering mindset seamlessly integrates into her projects, relying on templates and structured approaches for planning and organization.Employing tools like Adobe Photoshop as a strategy for strategic planning, especially for complex tasks like color-blocking, showcasing the importance of digital sketches.Flexibility is key in Tiffany's approach; she advocates for adapting patterns, emphasizing creativity and liberation in the sewing process.How strategically utilizing various platforms like Instagram, TikTok, YouTube, and her blog, tailoring content to each one's strengths and target audience can help to further reach.Actively participating in sew-alongs with the Black Sewing Network, Tiffany values the sense of community and shared experience these events offer.Tiffany encourages listeners to prioritize enjoyment and avoid unnecessary stress, highlighting the importance of finding joy in the process of sewing.Sharing knowledge and empowering fellow sewists is a core value for Tiffany, aiming to provide valuable information in her content. Quotes from the show:“I think that's such a powerful claim in so many ways. The idea that you could look at clothes in a store and say I like this thing about it, but I don't like that thing about it. Instead of saying, let me see if I can buy another thing that looks like what I want, you said, let me see if I can make it.” - Lisa Woolfork, Stitch Please, Episode #208“That's how I think I sort of look at sewing patterns, right? Like you have a pattern and you have this 2D piece of tissue or paper or 2D flat fabric and then you turn it into this three-dimensional object. And so I think that transfers very similarly to me. Like when we look at someone's outfit and we say, oh my God, that's so cute and we immediately start like deconstructing it in our heads so we can put it back together for us later. I think my engineering brain is just very attuned to doing that.” - Tiffany Turner, Stitch Please, Episode #208“I feel like one of the contributions that I appreciate about your work, Tiffany is how you are. Like, it's like you're a big cheerleader for sewing and you're not, yeah, you're not just gonna say ra ra, I love sewing. You say all that, but then you also equip people for success. and I see that in your channel.” - Lisa Woolfork, Stitch Please, Episode #208“I really love the way you think about structure and the way you think about planning. I love all of that. I love templates. I love like, OK, these are the three steps I know I have to do every single time, that just makes me, it just gives me a sense of confidence, you know, like I might not be able to get to the exact outcome as I might envision it right now. But I do know if I follow these steps, I'm gonna, it'd be much closer to it.” - Lisa Woolfork, Stitch Please, Episode #208"A plan is a set of guidelines. A plan is a set of possibilities. A plan is a set of actionable options.” - Lisa Woolfork, Stitch Please, Episode #208"I tend to see sewing as a laboratory practice something that's meant to be freeing and in some ways, patterns can absolutely be that." - Lisa Woolfork, Stitch Please, Episode #208"You don't buy a pattern because you and your friends all want to look, exactly the same or exactly like the person on the envelope." - Lisa Woolfork, Stitch Please, Episode #208“It's more of a guideline or a road map. But if I decide to take a detour, so be it.” - Tiffany Turner, Stitch Please, Episode #208“It can be very solitary because typically it's you and your machine in your space, whether that's a whole floor, a loft, or a corner at the dining room table… The Black sewing network makes it like a group activity all of a sudden.” - Tiffany Turner, Stitch Please, Episode #208“Most people will say that you regret the things that you didn't do, not the things that you did… I agree. I feel like if it's something out there that you want to try and you in any way shape or form have the means to do it, do it. If you want to sew, learn to sew.” - Tiffany Turner, Stitch Please, Episode #208Resources Mentioned:Black Sewing NetworkYoutube: TipStitchedAdobe Photoshop ProgramMicrosoft Paint ProgramYoutube: Mimi G StyleSimplicity: Mimi GStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please PodcastLisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa WoolforkTiffany TurnerBlog: TipStitchedInstagram: TipStitchedFacebook: TipStitchedTikTok: TipStitchedPinterest: TipStitchedSubscribe to our podcast + download each episode on Apple Podcasts and Spotify.This episode was produced and managed by the Fermata Audio Collective.
The Black Women Stitch 2024 Wall Calendar is available for preorder NOW! Do not miss out on your chance to and get your stitch together with a year of artistic inspiration!In this episode of the Stitch Please podcast, Lisa interviews Grace Christopher, the creative genius behind African Zesty Couture. Grace shares her journey into sewing, which began as a way to keep her mind active after moving to the United States (US) with her one-year-old child. Growing up in Nigeria, Grace had been exposed to her mother's sewing, but it wasn't until later that she truly delved into the craft. Grace's sewing journey began with an old treadle machine but when she moved to the US, she acquired an electric sewing machine, making her sewing experience more accessible. Her early projects were primarily for herself and her son, driven by a desire to connect with her Nigerian heritage. As Grace's sewing skills grew, so did her interest in different types of fabrics. She now offers a wide range of fabrics on her website, including Knit Ankara, Silk Adire, and Kampala. Grace provides insights into the cultural significance and unique characteristics of each fabric type, shedding light on their origins and traditional uses. Grace's approach to designing garments is influenced by her desire to celebrate the diversity of African fashion. She emphasizes the importance of allowing the fabric to speak for itself and encourages people to experiment with different styles and fabric combinations. Grace actively builds a sense of community among her customers through sew-alongs and challenges. These events provide opportunities for individuals to explore their creativity and gain confidence in working with African fabrics. The podcast episode concludes with Grace expressing her aspiration to flood the streets with African prints and her dedication to empowering others to embrace and incorporate these fabrics into their own creations. The conversation exemplifies the rich cultural tapestry that sewing can encompass, and the potential for creativity to connect people across continents.Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreGrace ChristopherGrace Christopher's journey is an extraordinary fusion of law and creative passion. Initially drawn to law, she devoted years to her legal career. However, her early exposure to her mother's sewing ignited a lasting passion. From her mother's vintage machine to crafting her own garments as a teenager, Grace's creativity found its roots. A move to the US and motherhood rekindled her love for sewing, inspiring her to blend her Nigerian heritage with her creative passion for sewing. Grace's designs breathe life into African fabrics, infusing them with modern flair. Through approachable teaching and challenges, she cultivates a community of creatives, aiming to saturate the streets with African fashion. As a mother, business owner, and designer, Grace exemplifies the transformative power of self-expression and celebrates the beauty of diversity. Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation. Insights from this episode:How Grace's experience with sewing was both a way to stay busy and to feel connectedGrace's transition from practicing law to pursuing a career in sewing, driven by a desire to keep her mind active and find joy in creativityAfrican Zesty Couture, specializes in offering various types of fabrics that have cultural and regional significance, and she aims to provide a wide range of options to cater to different tastes and preferencesThe silk adire fabric, traditionally associated with the Yoruba people, is known for its tie-dye patterns and is now also produced in silk, giving it a unique texture.How Grace approaches design: sometimes starting with a specific fabric that inspires a creation, while other times she envisions a style and looks for a fabric to matchTikTok as a strategy to connect with others through sew-alongs and challenges, encouraging others to explore their creativity with African fabricsGrace hosts live TikTok session primarily on Fridays at 12:30 PM Central TimeInitiatives that aim to break down the perception that African prints are exclusive or difficult to work withThe ultimate goal of Grace's business is to "flood the streets with Ankara," emphasizing the accessibility and versatility of African fabrics in everyday wearGrace's journey from practicing law to becoming a successful entrepreneur in the sewing industry reflects her passion for creativity, her cultural connection, and her dedication to empowering others to explore their own creative potential Quotes from the show:“The growth of your son and the growth of your sewing skills seem to kind of come up at the same time, like they're rising together.” - Lisa Woolfork, Stitch Please, Episode #207“I always encourage people do not see African fabrics as something difficult to work with or exclusive.” - Grace Christopher, Stitch Please, Episode #207“It just depends on how I'm feeling at the moment. I think as creatives, we tend to go back and forth based on how we are feeling and that's part of the beautiful thing about being a creative.” - Grace Christopher, Stitch Please, Episode #207“You also spend time building community among your customers and not just your customers but everybody, by having different sew-alongs, having different challenges... I think that's really encouraging because it shows that you really want to build a relationship between yourself and your clients and you want anyone who is consuming your fabric to feel confident that they can use it for something that would make them happy.” - Lisa Woolfork, Stitch Please, Episode #207“The fundamental reason why I do that is I feel like I cannot spread this thing fast enough on my own because one of the goals of my business is I say it like a little catch phrase to to flood the streets with an Ankara.” - Grace Christopher, Stitch Please, Episode #207“Your challenge is really more like an invitation for people to investigate their own creativity.” - Lisa Woolfork, Stitch Please, Episode #207“I think sometimes we stumble into great things when we don't even plan on them.” - Grace Christopher, Stitch Please, Episode #207"Be kind to yourself... embrace the journey and learn as you go." - Grace Christopher, Stitch Please, Episode #207"Color your life with these beautiful prints." - Grace Christopher, Stitch Please, Episode #207 Resources Mentioned:Black Sewing NetworkYoutube: Zesty African CoutureStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please PodcastLisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa WoolforkGrace ChristopherAfrican Zesty CoutureEtsy: African Zesty CoutureInstagram: Zesty CoutureTikTok: @AfricanzestycoutureYoutube: Zesty African CoutureFacebook: Zesty CouturePinterest: Zesty CoutureSubscribe to our podcast + download each episode on Apple Podcasts and Spotify.Produced and Edited by the Fermata Audio Collective:EP - Krystal HillProducer - Mike Bryant
Sewing is one of the most vital but also one of the most overlooked human crafts. Every piece of clothing we wear has been put together by someone who has learned to sew. Millions of people sew for pleasure and millions more earn their living in the textile and clothing industries – often in underpaid and unprotected jobs. The craft of using a needle has been one of humanity's greatest skills, ever since this tiny piece of technology came into use around 60,000 years ago. It is something that unites us all as human beings, regardless of ethnicity, religion or geography. For most of time, sewing as a skill was passed from generation to generation. But, in the last few hundred years, as textiles and thread have been produced in abundance, how we learned to sew became a political matter. Governments, churches, politicians, and corporations all had a view on the morality and the methods necessary to turn out the ideal needlewoman. This episode of Haptic & Hue tells the little-known story of how two separate sewing schools on different sides of the Atlantic gave women all over the world a new life of economic independence, social status and personal power. One of these education programmes took the Singer sewing machine into every corner of the globe. The other, a ground-breaking teacher training college in London, had an impact on the lives of millions of girls all over the world. For more information, a full transcript and further links, https://hapticandhue.com/tales-of-textiles-series-5/
In today's episode of Silhouettes I'm chatting with Isabella Rosner, host of the Sew What? Podcast, curator of the Royal School of Needlework and research consultant for Whitney Antiques. She also runs the Instagram page Historic Embroidery, and is a wealth of knowledge on everything to do with historic embroidery and needlework; from the 16th century onward. On this episode we discuss how studying historic embroidery can teach us about lives of teenage girls, the transition of girlhood, how we can trace what was important to people and their lives through fashion and how needle work as a practice has weaved its way through peoples lives in one way or another throughout history. Join the Behind The Seams family to support the podcast and gain access to bonus content: www.patreon.com/silhouettespodcast Thanks for listening, and stay fab everyone. Follow the show on Instagram @Silhouettespodcast for more updates --- Send in a voice message: https://podcasters.spotify.com/pod/show/silhouettes/message
In today's episode of Silhouettes I'm chatting with Isabella Rosner, host of the Sew What? Podcast, curator of the Royal School of Needlework and research consultant for Whitney Antiques. She also runs the Instagram page Historic Embroidery, and is a wealth of knowledge on everything to do with historic embroidery and needlework; from the 16th century onward. On this episode we discuss how studying historic embroidery can teach us about lives of teenage girls, the transition of girlhood, how we can trace what was important to people and their lives through fashion and how needle work as a practice has weaved its way through peoples lives in one way or another throughout history.Join the Behind The Seams family to support the podcast and gain access to bonus content: https://www.patreon.com/silhouettespodcastThanks for listening, and stay fab everyone.Follow the show on Instagram @Silhouettespodcast for more updates Become an aCast+ subscriber to support the podcast and gain access to bonus content: https://plus.acast.com/s/silhouettes-a-fashion-history-podcast-1. Hosted on Acast. See acast.com/privacy for more information.
Needlework tours, cruises, and the upcoming World Needlework Convention are our topics this week with Maureen Laughlin of Needlework Tours & Cruises. The show is sponsored by Avlea Folk Embroidery. Maureen is a needleworker who loves to travel. She combined her two loves and, with her husband, created a family business to help others enjoy […]
Needlework in Jane Austen's novels is commonly referred to as simply "work." But what exactly does this work entail, and why is it important to characters like Elizabeth Bennet? Guest Dr. Jennie Batchelor is here to answer these questions and more. We discuss the difference between plain and fancy needlework, the significance of needlework in the pantheon of ladylike accomplishments, and the ways in which needlework functioned as a Regency woman's CV. Thank you so much to Jennie for joining us for this episode! You can learn more about her and her work at https://www.jenniebatchelor.net. Jennie's digital catalogue of embroidery patterns from the Lady's Magazine can be found at https://ladysmagazine.omeka.net. You can find Jennie on Twitter @JennieBatchelor and on Instagram @BatchelorJennie. You can find us online at https://www.thethingaboutausten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com.
Today's curious adventure will require setting foot on a boat or two, but the journey will be worth it.See omnystudio.com/listener for privacy information.
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