Podcast appearances and mentions of nell stevens

Charlotte Mullins and Katja Hoyer are with Tom Sutcliffe to review The Royal Academy of Arts' Kiefer/Van Gogh exhibition, Nell Stevens novel The Original, and German language film From Hilde, with Love. And Sarfraz Manzoor is on to discuss a new Bruce Springsteen compilation – Tracks II: The Lost AlbumsPresenter: Tom Sutcliffe Producer: Claire Bartleet

Nell Stevens writes memoir and fiction. Her debut novel, Briefly, a Delicious Life was longlisted for the 2023 Dylan Thomas Award. She is also the author of Bleaker House and Mrs Gaskell & Me, which won the 2019 Somerset Maugham Award. She was shortlisted for the BBC National Short Story Award in 2018. Her writing is published in The New Yorker, the New York Times, Vogue, The Paris Review, New York Review of Books, Guardian, Granta and elsewhere. Nell is an Associate Professor of Creative Writing at the University of Warwick. On this episode of Little Atoms she talks to Neil Denny about her latest novel The Original. Hosted on Acast. See acast.com/privacy for more information.

Karen Dukess's first book, The Last Book Party, was wildly successful by any measure—sold at auction, Indie Next pick, Discover New Writers pick… you probably read it. The second…Didn't sell. Not as in, not very many people bought it but as in, no publisher published it. She spent the requisite couple years or so, her agent signed on but… no takers. She felt like she was the only person in the whole entire world that that happened to… until she started asking around. Turns out, you know how people say writing books is hard? And publishing is tough? They're right!Never fear, Karen lived to tell the tail. Her next novel (do we call it second or third?), Welcome to Murder Week, is wonderful and available in a bookstore near you (and as you'll hear, I loved it and it's the perfect page-turner but not-anxiety-producing read for a swimming pool, beach, airplane ride or couch). But the real joy is that Karen is willing to dish. You'll hear:What happens when you want to be a bullet journal sticker getting writer with your butt in the chair but you're just … not.How to have fun writing a book that maybe no one will want (and why you'd better).How Karen found the right mindset to keep going.Karen's one rule as a beginning writer who couldn't quite get the hang of 1000 words a day. Links from the Pod:LauraPaloozaKaren Dukess, The Last Book PartyZibby EventsThe Murder of Mr. Wickham by Claudia Gray#AmReadingKaren: The Original, Nell Stevens KJ: Welcome to Murder WeekKaren's Substack Keep Calm and Carry On, a Substack from Karen Dukess or find her on Instagram @karendukess, or her website www.karendukess.comDid you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcript below!EPISODE 452 - TRANSCRIPTJess LaheyHey, it's Jess here. A few years ago, I got to go to Laura Palooza. Laura Palooza is the conference that is run by the Laura Ingalls Wilder Legacy and Research Association. I was invited because I wrote about Laura Ingalls Wilder and the Little House on the Prairie books, and at the very beginning of The Gift of Failure, there's a mention in the opening chapter. And I was invited to go, and it was fantastic. And I got to meet Dean Butler, who had played Almanzo, which was quite a moment for me, because I had been quite in love. Anyway, this year's Laura Palooza 2025 is going to be taking place July 8 through 11th, 2025. Laura Palooza 2025's theme is prairies, pioneers and pages. If you want more information on attending Laura Palooza 2025, you can go to L-I-W-L-R-A — L-I-W-L-R-A dot org slash laurapalooza. I will be putting it in the show notes for whatever episode this ends up on, and it's going to be really, really great. I'm jealous that I can't go again because it's not going to be near me. It's going to be in De Smet South, I hope that's how you pronounce it, South Dakota. But they're going to even have, like, a feature on the fashion at the time. They're going to have a section on planes, claims and all those land deals, a beginner's guide to mapping homestead claims. It's going to be cool, challenging gender norms. Laura Ingalls in fiction, and Rose Wilder Lane in reality. Folklore, fiction or forecasts, separating and linking science, storytelling and mythology in weather, lore, that's going to be by Dr. Barb Boustead, who has been on this very podcast. She's fantastic. Laura Palooza 2025... July, you should go, you should sign up. It's really fun. They're going to be doing a field trip also to the Ingalls Homestead, I believe. Check it out. It's pretty cool.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, nonfiction, in short or really actually, usually long. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia. I am the author of a bunch of novels, the most popular of which is The Chicken Sisters, and the most recent is Playing the Witch Card, and you should read them all. And I have with me today a guest that I'm really excited about for a topic that you all are going to love. So, with me today, I have Karen Dukess, and she is the author of The Last Book Party, which you might have read in 2019 because it was unmissable. It was everywhere. It was an Indie Next. It was a Discover New Writers pick, it was...it was all over the place. And that is partly what we're here to talk about today. And we're also here to talk about her new novel, Welcome to Murder Week, which I have just read and enjoyed, but mostly we're here to talk about the six years in between. So, welcome. I am so glad to have you here. So, Karen and I have met in person. We met at a Zibby book event and at an event for the amazing Annabel Monaghan, who also has a book out this summer. The lovely thing about the universe is that nobody reads just one book.Karen DukessThat is true. Thank you.KJ Dell'AntoniaSo, you can be like, yes, read Annabel's book, read my book. Read. I mean, anybody who reads? I mean, yeah, there are people who read just one book, it's probably not going to be ours. Oh, well, people seem to like the Bible. I don't know that's a popular one. See that? A lot around a lot of Crawdads, also see that. Okay, so anyway, tell us what the story of the long six-year journey between your very, very successful debut novel, and what is about to be your very different sophomore novel.Karen DukessSo, I feel like I have an upside-down writing career in that most people write a lot of novels that don't get published before they write a novel that gets published, and mine went backwards. So, The Last Book Party was my first novel, and I wrote it...Didn't... I wrote it, finished it when I was in my early 50's, around 54 -55, spent about four years writing it, and I had done a lot of writing before, then stopping and starting and thinking that. I must not have what it takes, because this is too hard. I didn't realize that novel writing just is hard, and that is the way it is for all but a few unicorn people. So that novel, I was so happy when I finally finished it. I was so satisfied to just finally have written a novel, and I was truly thrilled, and I I felt like, if it doesn't get published, I'll publish it myself. I'm just so happy to have achieved this goal. And then it sold incredibly quickly. It was unbelievable. I mean, it was like beyond my wildest dreams. It went to auction. It sold very quickly for a good advance, and the publishing experience was great, including the fact that they were originally going to publish it in 2020, but they decided to bump it up to 2019 I don't know why. But I was like, sure, I've waited to my 50's to get this book out, like the sooner the better. And then I dodged the bullet of waiting all these years to publish a novel and have it come out during the pandemic. So, the paperback came out in the pandemic, which wasn't great, but I still felt so grateful that I had gotten this book out before then. So, then I started working on my second novel, which later someone had given me some someone, a friend...it might have even been Annabel. Someone gave her the advice that your second novel, don't make it very, very personal. And I kind of wish I had gotten that advice, even though I'm not sure I would have listened to it. But the thing about a second novel, and I don't know if you experienced this, KJ, but if you have success with your first novel, the second novel is scary because you're like, was I a one hit wonder? You know, was it a fluke? Can I do this again? And people would say, well, you know how to write novels now. And I'd be like, no, I know how to write THAT novel. I have no idea how to write another novel. And the novel I wanted to write at that time was drawing on the many years I spent studying and living in Russia and working as a journalist in Russia. I was in Russia in the 90's, and I wrote a novel that was about an American woman's journey in Russia and some American journalists in Russia. But it was set in Russia in 2017 and with flashbacks to the 90's, and it was hard to write. It was not fun. I think I had, like, sitting on my shoulder this sort of like, oh, can she do it again? You know that kind of thing. And I knew that the luck I had the first one, like, you know, I knew it was unlike, unluck, unlikely to be like that again. Plus, I had this sense of like, this is my Russia novel. And even though it wasn't a novel like, directly about Russia, it still was my chance to sort of give my take on things there. So, I think I also had sitting on my shoulder, like all the journalists I know knew in Russia, and people that studied Russia and the real Russia experts, and what were they going to think of my take?KJ Dell'AntoniaOh, yeah.Karen DukessSo it was, it was not writing, sort of like joyfully, it was a tough novel to write. And then it was also, it was fiction, but it was sort of personal, midlife kind of novel. So, there was just a lot of baggage with that novel. And the writing of it was tough, you know, it was just, it took longer than I thought it it just, I just remember a lot of sort of hair pulling, kind of, you know, those writing days. I had a lot of them. I finished it. My agent said he loved it. I don't think he loved it as much as the other two novels I've written, but, you know, he was ready to send it out on submission. But as I was finishing it, I was getting more and more concerned, because I finished it right around when Russia invaded Ukraine. And my novel, which was set in 2017 Russia, now things were so different, and they had been increasingly becoming different. Suddenly it felt very anachronistic, because I wasn't writing with these big current events in mind. Plus, there was this whole kind of like, oh, Russia, yuck, nobody, you know. And I felt that too. So, I was nervous about it, and my agent was like, just finish it. You've spent this much time on it. Let's finish it and see what happens. And so, we sent it out, and the response I got was kind of... Uh not great, you know, it went to my publisher first. They'd write a first refusal, and we're like, this novel. It about American woman in Russia right now, it's just not the right time. And, you know, there may have been other things about the novel as well, but it was kind of a, like, not a good sell. So, we sent it out to maybe five or six more editors, you know, I got lovely rejection letters, you know. Well, I really enjoyed it. This part was so interesting. But, yeah, I don't know, I don't know how to market this novel right now. And it was, you know, it was crushing, of course, but it also kind of echoed my feelings about the novel. The whole thing gave me a knot in my stomach, yeah, so my agent said, well, we haven't really exhausted the possibilities yet. We can send it out another round, or you can revise it, or you can set it aside. And I felt really sure at that point that I just wanted to, I didn't want to keep submitting it. I just felt like not the right time. And it was disappointing, but it was also kind of a relief, because if someone had decided to publish that novel, I think I would have been really nervous for the whole time before it came out.KJ Dell'AntoniaI think the only thing worse than having your second novel not published is having it published to like, you know, universal hatred.Karen DukessYeah exactly.KJ Dell'AntoniaOr just, or just to your own disappointment, you know?Karen DukessYeah. And then there's a long lead time between the time and novel gets accepted and the time it gets published. And to just feel like, nervous that whole time, I just...KJ Dell'AntoniaYeah.Karen DukessSo, I was relieved and disappointed. And I remember very well thinking like, oh, well, this is what people talk about. When they talk about, you have to be able to deal with rejection as a writer, because I hadn't dealt with it yet. I had been so lucky, and I really had this sense of like, all right, well, now I get to find out if I'm really a writer, like, can I deal with this and or can I not? And so, I was like, I'm going to write something else. But I was determined to write something very, very different. Like, I needed the whole experience to be different, yeah, and it ended up being kind of liberating, because I went on a trip with my sister to England. We went to the Peak District in England for a week. We rented a little cottage, and this was right before the novel went on submission, I think, or maybe right after, maybe it was on submission, I don't know. So, it was around the time when I wasn't feeling good about the novel, but I wasn't sure it was like a dead deal yet. And we had this absolutely fantastic week in the Peak District, where I was my first time traveling in the English countryside. I'd been to London, but I'd never been in the English countryside, and I felt like I was just stepping into the pages of all my favorite English novels, like Pride and Prejudice and Jane Eyre. And also, like I was stepping into scenes of every BritBox masterpiece, mystery thing, I had written, you know, think, oh my god, there's a vicar. And just really, I was in a... my sister, we have similar reading tastes, and we were just both in this mood, like everything was just kind of entertaining us, and we were laughing at ourselves for seeing England through all these fictional characters. So, when I came back, I think I came back, and that's when I kind of realized this Russian novel was dead or shortly thereafter. And I thought, okay, I'm going to, I'm going to write something about Americans going to England. I want to continue that mood. And I really felt like, if I'm going to do now that I knew you could spend years writing a novel and have it not get published, which I knew intellectually before, but I didn't, hadn't experienced it. I I just felt like, if I'm going to spend another couple years writing a novel like fun has to be the number one thing. It just has to be fun. I'm like, not going to be miserable again. I can't do something like the Russian novel again. I have to just entertain myself and make myself happy, and hopefully it will entertain other people and make them happy too. And that's how I landed on the idea of sending these writing about Americans that go to England to solve a fake murder mystery, which is what Welcome to Murder Week is about. And I just had such a good time writing it. And I wrote it quicker than I've ever written. I wrote it in a little over a year, and it was honestly delightful. Like, I couldn't believe it. Like, writing could actually be really fun.KJ Dell'AntoniaWho knew? The result is also delightful. It just, it's, it's kind of like every warm and lovely book setting on to you you've ever read. It is it Is that I really enjoyed it, So...Karen DukessI'm so glad.KJ Dell'AntoniaI don't know what the Russian novel was like. That doesn't sound fun.Karen DukessI mean it wasn't really heavy, because I'm not like a heavy writer... like it still had...KJ Dell'AntoniaRight.Karen DukessIn it, and it had emotion, etc., but I'm not sad that it's not out.KJ Dell'AntoniaYeah.Karen DukessLet's put it that way, yeah. So, yeah, this one was just fun. And I, you know, my initial idea was to send a group of Americans to England. Initially it was going to be a writing group. I like the idea of putting characters together who would not ordinarily know each other, but to have them together in a space and then a friend of mine said, Okay, so that's an idea. You're going to send some writers on a writing retreat to England, and what are they going to do there? Like, write? Like, that's not very interesting. And that's how I, kind of, you know, ended up moving to this thing where I could have them participate in this weeklong, solve a fake English village murder mystery. And I could have, you know, the villagers, some of them participating in this, and some eagerly participating, some cynical and send a bunch of Americans, you know, Britbox crazed Americans, to compete in this thing. And, yeah, that's, that's how it ended up. And it was fun.KJ Dell'AntoniaI, yeah. I mean, it reads like you had fun. I, as someone who has... so Playing the Witch Card has like a big game sort of Halloween event at the center of it. That would be really hard to do in reality. This is kind of like that.Karen DukessYeah.KJ Dell'AntoniaLike, this is like the dream murder week, both from some of the point of view of someone who might want to put one on and from someone the point of view of someone who might want to go and do one. It's not, it's um, you know, it's not. Sometimes you read these and they're like, they're like, silly and hokey. It's like, very sincere, super fun murder week that anyone would wish that they could do that likes that kind of thing. Anyway, I yeah, I totally enjoyed it. All the characters were really fun. I could see that you must have had fun writing it.Karen DukessI did. And I also, you know, people often say, like, write the novel you want to read. And I really did that with this because I wanted it to have so it has a fake mystery, but then it has a real mystery as well.KJ Dell'AntoniaYeah.Karen DukessLike the main character, thirty-four-year-old Cath, little do you know, she goes on this trip because her estranged mother, before she died, booked them on it, and she's sort of reluctant to go, but can't get a refund. And then I sort of developed this whole story about she teams up with her house, shares a cottage with people to solve the fake mystery, but that she also solves the real mystery of why her mother wanted her to go, her late mother, and that was sort of like the writing the story you want to read. Because I like light and funny, but I also like something that has, like, some emotional heart to it, like I wanted to try to story that was fun, but that has something going on. And the more I wrote, the more Cath's serious story became part of the story, I think, in the first deeply satisfying, yeah, and the first version, the first draft that my agent read, and I had never shared a draft before with him, and, you know, I think I was just hoping he would be like, it's almost perfect. And he was like, well, I think Cath is the hardest story. I think you need to develop that more. And then I went back and did and sort of... blended the two. So, the whole experience was just, yeah, of course. Now I'm like, can I have fun again?KJ Dell'AntoniaYes, yes, you can. Nobody ever tells me my first draft is perfect, and I really hate that.Karen DukessYeah, I know. I think it's, I don't even know if I should have shared it with him, like, I just wanted him to say, like, it's amazing. And he was like, yeah, it could be really good.KJ Dell'AntoniaWell, but you just want them to know that you're doing, yeah, I'm a I'm going to share the first draft of the thing I'm doing with my agent, and it might be a terrible idea, but I'm going to do it anyway, because I want her to know I'm doing a thing. And yeah, I'm excited. And yeah um...Karen Dukess I also think that, like, you know, when I said that, it was liberating, in a way, to sort of have the experience that I had with the Russian novel. I think it was also maybe by the time, you know, getting to the third novel, or maybe it's getting to my age. I felt sort of like, I think I gave my permission, myself, permission to write a novel that, yeah, it has a serious story at the heart of it, but it's not like a deeply serious book, you know? And I think there's a tendency to think like, you know, I would look at the world around me sometimes, when I was drafting it, and feel like there's so many serious things to write about, and I'm writing this funny story, like, is that super fluffy? And, you know, it was like, this is what I wanted to write? That's okay, you know? I don't have to prove anything. Like, here is my serious tome. You know, I really just wanted to give people like, an emotional, amusing, heartwarming experience. And that is okay.KJ Dell'AntoniaIt is funny how locked we get into that, both as writers and as readers, this idea that if it's not serious or experimental or deep or dark, it's, I don't know, somehow not worthy. There was somebody was reading somebody's Substack the other day, and they were sort of deeply apologizing for the book they had recommended, which sounded really amazing. And I was like, why you, you know, you clearly enjoyed this, and it sounded great. And I don't. I mean, as a reader, I don't want to read things that are dark and deep and serious A. all the time...Karen DukessYeah.KJ Dell'AntoniaAnd B. sometimes not at all.Karen DukessYeah, I do like to read dark and serious, but I've learned that I don't like to write that like writing a novel is, it's always so much more time than you think. I mean, even this one was quicker than usual. It's a lot of time, like you're living it. And I was just like, I can't live in a dark place, like I can read a dark book in a couple days, you know? And...KJ Dell'AntoniaYeah.Karen DukessWipe my eyes and move on. But...KJ Dell'AntoniaYeah.Karen DukessYou know...KJ Dell'AntoniaA light one.Karen DukessYou could assume... but you know. When I'm writing a novel, I'm going to bed thinking about their the characters, and I'm thinking about it when I'm exercising, and it's just like churning in there, and I just don't want to be in a dark place for two years.KJ Dell'AntoniaYeah, and most of the time people, I mean, I guess it just depends on, on who you are. But a heart, it's hardly ever dark all the time. I mean, even people that I have known that we're going through some really horrible things have found, you know, levity and joy and pleasure in in some parts of it. And I think we all hesitate to say, well, that's everyone. Or you got to, you know, we don't want to impose that on every, on anyone, because that's kind of also where we are is, is this delicate dance of not wanting to expect anybody else to be the way you think they're going to be. But I it just seems like people find levity, even in even the worst, even in the worst moments. And people want, um, solace, you know?Karen DukessYeah.KJ Dell'Antonia Something... something pleasant... something.Karen DukessYeah, I work with an editor, kind of a more like a writing coach, like she doesn't actually edit, but she sort of helps me figure out the story and stuff. And there was one point when she was reading a draft, and there's a scene in the book. I don't know if it's a minor thing, but when my main character Cath, who there's a little romance in it. And when she's first together with this guy, and they're sort of rolling around in bed, the first draft that, the first version of it, she accidentally hit her head on the headboard, and then she's like, “Oh my god, are you okay?” And she was like, “no”. My coach was like, no, no. I don't want to be anxious that maybe this guy is a little violent. Like, no, no, you've got to take that out. I don't want to be anxious in the reading of this book. And it was such a minor thing that I think she was like...KJ Dell'AntoniaAnd you had him hit his head instead, right? Yeah.Karen DukessBecause I don't think anyone was going to worry that she's violent. But it was funny. It was like, she was very much like this book is, there are books where you want the reader to feel anxious, but she's like, this book is not that I don't want anxiety in this book you know?KJ Dell'AntoniaYeah, yeah.Karen DukessLike she's still concerned about Cath and her story. You can feel sad about what she learns, but not anxiety.KJ Dell'AntoniaYou know I think you've really put your finger on something, because that is exactly right. This book is a page turner, like you want to find out what happens. You want to be with the characters you want to it's a hang and it's like, like, I read something recently where, um, in the middle, you, I found myself sort of, I was still reading it because it was a good hang, but in the middle I was just kind of, like, I forget why we're here. I forget what I'm wondering. You're not really wondering anything, but I like it, so I'll keep this. Your book was not like that at all. This is a fantastic hang but you're right. It never, it's not... that's exactly right. It's not, it's not anxiety producing. And I think that's its own vibe. Like you can have romances that are fun and they're good, but they actually, you do have anxiety around, you know, like, how the characters are going to pull themselves out of this, or how they're going to feel or, yeah, and you can have them or you don't. I like that as, like, a sort of a line in the sand.Karen DukessYeah, yeah. And then I kind of thought about it as I continued, like, yeah, okay, that's right. We're not going to go to like, the really unsettling places.KJ Dell'AntoniaYeah. I mean, even if you really want to know what would what will happen, and you really want, like, the things that happen to turn out in satisfying ways, but it doesn't feel like, if they turn out in some like, there were a variety of available options, none of which felt horrible.Karen DukessYeah, exactly.KJ Dell'AntoniaThank you for that. Thank you for a lovely reading experience. So, what else did you take away? Like, what else did you change between the drafting of the book that does not end up being published, which you know, for all we know, is actually great, but the timing was really bad. What should you change?Karen DukessWhat changed for me... in writing?KJ Dell'AntoniaYeah, what are you changing? Did you change anything in your process?Karen DukessUm, I think I, I don't know if it was completely because of the experience with this book, but definitely it fed into it. Um, I worked with the same writing coach on the Russia book, and she keeps saying that book will be published someday. I'm like, yeah, maybe, maybe not. I don't really care, honestly at this point, but one thing that she really pushed on me, which I discovered in the writing of murder week, was really true, is that to be open and playful and just really to be creative, I needed that. I needed to be in the right mindset, like, I know your thing is always butt in chair, butt in chair. And it is true, you have to, you know, you have to push yourself to finish a novel. It's not easy. And there are times when you just have to push forward. But for me, in the drafting of it, like the butt in chair thing, for me, is more important in the revising and the final draft, when it's like, you've got to get through it, and you've just got to keep sitting there and doing it. But when I'm in this sort of creating stage, when I'm not sure what the story is, when I'm in those moods where I'm just like, sit down and work at this like, I don't write good stuff. I just don't. And she would sometimes say to me, like, if I would talk to her, and I was really angsty and I was really self-critical, or I don't like what I've written, or I don't know where I'm going with this, or whatever , she was really she would very much say, like, when you're in that kind of mood, just walk away. Don't sit at your computer. Like, that is not the time for butt in chair. That is the time for just go do something else and like, lighten up on yourself. And that was really true for this. And I'm trying to remind myself that as I work on the next novel that you know for me, being kind to myself and feeling playful and open is when I'm going to write the best stuff and surprise myself. And that applies whether I'm writing like a serious scene or a funny scene. And the tricky thing about it is, you know, it's always a little scary to write, so it's like, Am I walking away because I need to lighten up my mind, or am I just plain procrastinating?KJ Dell'AntoniaYeah, or am I walking away because I just don't know how to...Karen DukessSo, I think that is something though, that I do feel like I write better from a free place than from a sort of, like, grim, determined place.KJ Dell'AntoniaYeah, that makes sense.Karen DukessI think I was learning that and trying to learn that when I was writing the Russia novel, but it really came true with this one, which is why I think I was able to write it quicker, because it's actually, you know, the weaving together of the fake murder mystery and the real mystery and the arcs of all the different characters. Like, it wasn't simple putting all together, but yet it was simpler for me to write, because I was just looser about it.KJ Dell'AntoniaRight. I think you learned to trust that you would finish this, even if you didn't finish it today.Karen DukessYeah.KJ Dell'AntoniaDoes that make sense?Karen DukessYeah.KJ Dell'AntoniaI, yeah.Karen DukessAnd I just think, like, trusting the process is so important, you know. And I talk about this with friends in my writing group, you know, sometimes when you're like, working so hard to figure it out, because it feels good to figure the novel out before you write it, because then you don't have the anxiety of, what if I don't figure it out? But it doesn't always work best that way. I don't think, like, I think there are times for that, and there are times to just, like, just keep going and like, let it go a little and let some interesting things happen, and then you'll figure out how to put it all together for me anyway. But obviously I'm not a plotter kind of person, so...KJ Dell'AntoniaI think, yeah, I think that varies. But what's what I'm really hearing here is that, like, even you knew, okay, if I don't, maybe I don't sit down today. That doesn't mean I'm never sitting again, down again. And I think that is, that's part of what I struggle with in my like 1000 words a day. Just, just keep doing it time. And I, and I think I, too, have come around to the idea that I'm going to finish it like...Karen DukessYeah.KJ Dell'AntoniaI'm not. I'm not suddenly, you know, just because I only got to 700 words today, that doesn't mean tomorrow I'm going to be like, yeah, I'm not a writer anymore. Oops!Karen Dukess Yeah, exactly. Well, I think, and I think I've learned that, like, I can't tell you how many times, I mean, I've listened to your podcast forever, and, like, years ago, I would listen to it, and I would be like, Yes, I'm going to do the stickers, or, Yes, I'm going to do 500 words a day, or, Yes, I'm going to text a friend or you know, none of that stuff. I could never sustain it.KJ Dell'AntoniaIt doesn't work for you.Karen DukessI have no routine; I have no methods. But what I've learned now is like, but I get books done, so it's okay, like, yeah, I will sometimes go a couple days where I don't write, or I will, you know, think I'm on a routine of 500 or 1000 words a day for a while, and then I'm not, and that's okay, because it's just like, I know that I can still get them done in my crazy way.KJ Dell'AntoniaThat is what we have tried to start saying more often, is, listen, this doesn't work for everybody. If you're doing something different and you're getting the work done, then you're great, yeah, if you're doing something different and you're not finishing things, then maybe try this.Karen DukessYeah, well I remember, like, when I was working on The Last Book Party, right before I got kind of serious on it, I was in a writing group, and I was starting, then I was like, I was learning in the writing group through, finally being in a community with other writers. So, like everybody struggles. Published writers struggle. Really great writers struggle like and that, and I loved reading interviews with writers like I couldn't get enough of interviews and essays about writer's struggles, because I had to, like, keep convincing myself that like, my struggles didn't mean I wasn't a writer. But then there was one point where I remember making a rule for myself. And I was like; I am not allowed to read about writing if I haven't written that day. You know, spend a lot of time...KJ Dell'AntoniaYes.Karen DukessWorking on your novel, but what you're actually doing is like, reading about writing and reading interviews and listening to podcasts. So, it's like, I cannot listen to KJ's podcast until I've done some writing. So, I've had to, I have had to make some rules.KJ Dell'Antonia Yeah, well, that's, I mean, that's how you turned yourself into somebody who gets the work done, and now into somebody who has her own like now you have a way people ask you, so what's your process? How did you get this done?Karen DukessI don't think anyone has tried my process, but yeah. And it can be different for every book, I guess, you know?KJ Dell'AntoniaHorrifyingly, I think that it can when you see pointed out, yeah, you that you knew how to write that book, that is so true, and that has been a huge thing for me, is to realize that even after writing a bunch of books, people still struggle, it's still hard, every book is hard. Every book has, I mean, we have a joke among the podcasts, you know, because you get to a point where you're like, okay, I hate this now, and we'll all be right, right-on target,Karen DukessExactly.KJ Dell'AntoniaBaby's developing nicely. Here's our 18-month checklist. Aww and you're crawling, and you hate your book. Yay!Karen DukessYeah, yeah. I don't think the process gets easier, but I think knowing that you can get through it makes it a little easier. Maybe it diminishes the panic a little bit like, you know, you'll figure it out. You'll figure it out.KJ Dell'AntoniaWell, this, I mean, this has been great. I'm sure it's going to be inspirational for everyone. It is inspirational for me, because I also... so I have a book that I worked on for the last year and a half, and I, we didn't, we didn't try to sell it because, because it's not very good.Karen DukessAre you still working on it? Or...KJ Dell'AntoniaIt's leaving, it's living. I make these gestures as though, like, there's like, a blobby object over here that is my, but is my finished, but also not revised and not good uh...Karen DukessI had this theory about books, like, it's the same theory I had with au pairs.KJ Dell'AntoniaOkay.Karen DukessWe had a lot of au pairs when my kids were growing up and I was working out of the home, you know, not writing. And I felt like every time I selected, you know, they would come for a year. One or two of them stayed for two years. But every time I selected a new au pair, it was in reaction to the problems of the other... the previous au pair. So, like, when I had an au pair that was like a horrible driver, so much so that we had to, like, get rid of her. Then I was like, okay, where is it hardest to get a driver's license? Germany. Okay, I'm having a German au pair, you know. Then I had, like, a German au pair who was great, but it was like, she was too, I don't know, whatever if I had an au pair, that was like, two lax, then the next one was like, oh, this person has, like, you know, worked in a boys school. I want that.KJ Dell'AntoniaRight? yeah.Karen DukessAnd I feel like, you know, I wrote Welcome to Murder Week because I had had this tough experience with this Russia novel. Then it was like, I'm going to do something really fun. So, and I don't know that I would have written that if I hadn't needed so badly to have fun. I don't know that I would have said, no, yeah, forget doing something, you know, serious or with some geopolitical things in it. I'm going to write a, you know, a murder week story. I don't know that I would have written it if I could have gone on that vacation and just had a great time and come back and not felt the need.KJ Dell'AntoniaWritten something else.Karen DukessSo, you know, maybe the one that's not working is going to lead you to write the next fabulous thing.KJ Dell'AntoniaWell, I hope I'm already well into... I'm well into something else, but, yeah, it's, you know, you spend a lot of time on something, not everything works. It's one of the reasons this is a terrible job, and you absolutely shouldn't do it unless you know, you can't do anything else,Karen DukessExactly.KJ Dell'AntoniaOr unless you really want to.Karen DukessYeah.KJ Dell'AntoniaThere. That's that. That's really good advice. That's going to make a great bumper sticker. All right. So have you read anything good lately besides Welcome to Murder Week, which, in fact, is what I will be raving about in just a second.Karen DukessUm, yes, I read a book called The Original by Nell Stevens. It out in June. She's a British writer, and it's really good. It's sort of an also kind of genre, blending the way my book is, but it's very different. It's like a gothic novel. It's set in an old house in England in the 1800's and it involves an orphan who's being raised by relatives, and she has an incredible talent for painting forgeries, and she sort of has this secret business in selling forgeries, but it also involves an imposter who returns from abroad in the family, and there's a queer romance in it, and it's totally unlike anything I've read, and very compelling.KJ Dell'AntoniaOof, I love that.Karen DukessIn a really compelling way.KJ Dell'AntoniaAnd by the time people hear that, that this, this will either be out, or like, buy your next week self a present. That sounds great.Karen DukessYeah, it was very... it's very good. It's kind of like a rainy day book. You know?KJ Dell'AntoniaI love that. Well, I already raved about Welcome to Murder Week, but I'm telling you all, it's a real it's a real joy. I want to compare it to things. But there's almost like it's, I'll think of things that I that I want to...Karen DukessIt's hard to compare because it's not a traditional mystery,KJ Dell'AntoniaYeah, no, um, I feel like Clare Pooley's books are, and I can't even think of the titles of them, but that, yeah, that is kind of ringing the right bell for me. I don't know who else a little bit of the like the murder, like, if you really thought The Murder of Mr. Wickham was super fun, which I absolutely adored, that is completely different, and yet also it's the same, like, it's the same... I think the vibe we're looking for here is page turner, no anxiety. And I love that. I love that for all of us...in England.Karen Dukess Yes, yeah.KJ Dell'AntoniaSo go grab this one. You're going to enjoy it, all right. Well, thanks so much. This was really fun. Thank you for being so open, and not just, you know, wandering around saying, well, I just it took me six years to write this because it's very good.Karen DukessYeah, I have to say, you know, I think that writers should talk more often about their failures. And by that...KJ Dell'AntoniaYeah.Karen DukessI mean, like novels that they wrote and abandoned, or novels that they wrote and tried to get published and couldn't, because it was only until I wrote this Russian novel and didn't sell it, and I would mention it to people. Then all these writers I knew, and people I knew, you know, would suddenly tell me about their own published novels. And I was like, why did I know about this beforehand? There's no shame in it... you know? It's a tough business. It's a tough business. The writing is tough; the publishing is tough. And now I'm like, oh my god, like so many writers I know have novels that did not get published, and for whatever reason. And I'm sure many of those novels are great novels, and but knowing that you know the journey of being a writer, just like I don't know a single author who hasn't like lost their editor at some point, you know, their editor leaves. Then they find a new, you know, be assigned to a new editor. That happens everybody, and I realize how many people have novels that did not see the light of day, and it was comforting to know it. So, I think people should be more open about it.KJ Dell'AntoniaI think we just are afraid that, you know, a reader will hear, well, I don't know if she's capable of writing something... that doesn't work, maybe it's not very good, which readers aren't listening to anything. They can barely remember our names. They just know if the book sounded good and someone pressed it into their hands.Karen DukessYeah, had a great cover.KJ Dell'AntoniaYeah, had a great cover. Yeah, all, all of the things, and it's just, it's, it's just a little scary to admit, because I guess one of the scary things about it, of course, admitting that that has happened means it could happen again. And hey It could! Oh well.Karen DukessYeah, but I've survived it. So...KJ Dell'AntoniaYou've survived it, you would survive it again. And also, it didn't happen this time. Welcome to Murder Week is great, and everyone is going to be sitting with it by the pool looking very happy. This is my wish for you. All right?Karen DukessThank you. Thanks so much KJ.KJ Dell'AntoniaOh, thank you. Hey, anywhere people should follow you? Oh, you have a Substack. What is it? I love it!Karen DukessI have a Substack. I mean, I think on Substack you can find it by my name Karen Dukess, it's, I don't know... it's called, “Keep Calm and Carry On”, but I think you can just look me up by name on Substack, and I am on Instagram more often at Karen Dukess, as I post about books that I'm reading all the time. Obviously, there'll be a lot of quarter week stuff, but I try to, you know, I'm reading eclectically and all the time. So, I'm always posting about books. Those are probably the best places to find me. And I have my website with all my events on it.KJ Dell'AntoniaIt'll be linked. It'll be linked.Karen DukessGreat.KJ Dell'AntoniaHopefully I can get to something... all right. Well, thank you so much. And all you listeners out there, I mean, you know you do you, but in some way, keep your butt in the chair, hey and or your head in the game.Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Join us for our Brave Brands episode of The Advertising Club of NY presents Mixed Company Podcast! This episode celebrates Advertising Week and the annual Brave Brands celebration! We're diving into the amazing Grimace's Birthday campaign by Wieden + Kennedy and McDonald's. We can't wait to chat with our talented creatives & guests: Kelsey Heard, Nell Stevens, and Chane Rennie. We'll explore how this iconic campaign blended nostalgia and innovation, capturing the hearts of long-time fans and a new generation of young consumers. We'll share the journey of modernizing a beloved character and how they stayed true to McDonald's brand values. Plus, we'll discuss the team's bravest moments in bringing this campaign to life! Take look at the campaign here: https://www.wk.com/work/grimaces-birthday-mcdonalds/

This week's book guest is Briefly, A Delicious Life by Nell Stevens. In this episode Sara and Cariad discuss creative geniuses, parenting, France, big trousers, travel and beef curtains. Thank you for reading with us. We like reading with you!Trigger warning: In this episode we brielfly discuss eating disorders and baby loss. Briefly, A Delicious Life by Nell Stevens is available to buy here or on Apple Books here. Tickets for our live shows on 9 April are available to buy here.Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Aniya Das for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Bored and in love, Nell Stevens found a hobby combing the internet and entering her name into online contests. But, when she actually wins a prize — a luxury honeymoon in India — her world falls apart: The man she thought she was going to marry breaks up with her.She decides to go on the trip anyway.On today's show, the host Anna Martin talks with Nell about her fiancé-less honeymoon — and what she had discovered about herself by the time she returned home.Today's story“How I Lost the Fiancé but Won the Honeymoon ,” By Nell Stevens

There's something poignant about knowing that you will never see a particular painting again, even if you don't even really like that painting. Today, Katy shares an excerpt from a book she's reading The Victorian and the Romantic, by Nell Stevens (known under the title Mrs. Gaskell and Me in the UK), about a woman in the the Victorian period who had been in Rome for three months, and as she prepares to leave forever, she contemplates the fact that she will never ever see the painting she is looking at again. We muse on the topic of the privilege of living in Rome and being able to see amazing works of art at any moment—or living in Seattle and getting to see the Puget Sound any time you want. And when you travel to a place and fall in love with something there, and know you will never be back, how do you come to terms with the fact that you may never see that thing again? ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Jane Smiley, and writing gay lives from the past with Tom Crewe and Nell Stevens

In this special spooky episode, Ellie and Carrie discuss the cultural logic of hauntings in both American history and their own lives. They grapple with childhood notions of their late father's ghost, something Carrie feared and Ellie denied. Understanding hauntings as living loss, they bring in the work of historian Tiya Miles, whose book Tales from the Haunted South offers ghost stories as potentially radical works of historiography that often deal with narratives left out of the official record. But such narratives are also taken less seriously because they are ghost stories. For Miles, the Native American ghost and the enslaved ghost play twin roles interrogating trauma in the American gothic. Ellie offers a brief history and social explanation of the Salem witch trials, undergirded by patriarchal prescriptions and the anxieties of Puritan predestination. Meanwhile, how have misogynistic conceptions of women as vessels prone to hysteria colored female possession narratives from Dido to Bertha Mason to Regan MacNeil (a.k.a. the Exorcist girl, who's chained to a bed while the Devil makes her say "Fuck me! Fuck me!")? During the Victorian era, women spiritualists used such stereotypes to their advantage, finding their own voices while speaking for the undead. Other topics include the role of inherited trauma in the most powerful horror stories (see the Graham family in Ari Aster's Hereditary), queerness and ghosts (see Dani in The Haunting of Bly Manner), and the relationship between 19th-century spiritualism and technology, especially when it came to the new medium of photography. In addition to Miles, books referenced are Judith Richardson's Possessions: The History and Uses of Haunting in the Hudson Valley, Renée L. Bergland's The National Uncanny, Sacvan Bercovitch's The American Jeremiad, and, of course, Susan Sontag's On Photography and Regarding the Pain of Others. Articles are “Most witches are women, because witch hunts were all about persecuting the powerless” by Bridget Marshall for The Conversation (2019), “Why Did So Many Victorians Try to Speak with the Dead” by Casey Cep for the New Yorker (2021), and “What Ghost Stories Taught Me About My Queer Self” by Nell Stevens for the New Yorker (2022).

See Also is a weekly dispatch that connects the dots of pop culture, with plenty of further reading and ideas to Add To Cart – or at least Open in New Tab.This week, Kate and Brodie are doing a housewives check-in. We cover the new RHONY cast members, debrief on SLC and discuss the bad sisters on RHOBH and on Apple TV's series, Bad Sisters. It finished last week and we have a lot of accent work to cover. Sorry Ireland! Also: we saw Bros and Barbarian. Also: Alsos!See AlsosJinxy is reading Sally Olds' collection of essays 'People Who Lunch'BL is reading her cat's namesake's book, 'What Remains'Joanna Hogg and Tilda Swinton admire foamGawker susses out our new kosher housewifeJenna Lyons owns a Jonathan Zawada table!Bros was set up to failGuy Branum talks Bros with Sam Sanders Sharon Horgan on needing audiences to want to see a guy dieMusic from Bad SistersDon't Breathe (2016)The Brood (1979)The Descent (2005)Berlin Syndrome (book and film)Death Proof (2007)Also Alsos READ ALSO: Deborah Levy's Hot Milk READ ALSO: Alice Oehr's 'Off to the Market'DRINK ALSO: The 2022 Rainbow Juice from Gentle FolkBAGS ALSO: Baggu Puffy Laptop Sleeve in Trippy Swirl SalmonGHOST ALSO: 'What Ghost Stories Taught Me About My Queer Self' by Nell Stevens in the New YorkerWATCH ALSO: Saint Maud (2019)Find us on Instagram @seealsopodcast Hosted on Acast. See acast.com/privacy for more information.

North and South is Elizabeth Gaskell's fourth novel and considered by many to be her best. It tells the story of Margaret Hale, a principled young middle-class woman from the rural South whose family are obliged to re-settle in the Northern industrial town of Milton. Joining us to discuss the novel's contemporary relevance, are two new guests: Jennifer Egan, author of A Visit from the Goon Squad and Nell Stevens, author of the memoir, Mrs Gaskell & Me. We cover the books presentation of labour relations at the height of the Industrial Revolution, the changing position of women in society, the reasons for Elizabeth Gaskell's uncertain reputation, her unsentimental treatment of death and – spoiler alert – whether the novel's ending works. Also in this episode, Andy is impressed by No Document, Australian writer Anwen Crawford's ground-breaking work of elegiac non-fiction and John enjoys the exquisite imagination on display in Chloe Ardijis's Dialogue with a Somnambulist, the Mexican novelist's recent collection of stories, essays and pen portraits.

A romantic, historic ghost story.

Nell Stevens returns to Little Atoms to talk to Neil about her debut novel Briefly, A Delicious Life. See acast.com/privacy for privacy and opt-out information.

With Jane sick upstairs, Elizabeth is stuck navigating the drawing room at Netherfield in chapters 9 through 12 of Pride and Prejudice. Vanessa and Lauren discuss the influence of The Enlightenment on Austen, continue their discussion about Caroline Bingley, and evaluate the budding chemistry between Elizabeth and Darcy.Nell Stevens joins us at the end of the episode to discuss the ‘mean girl' trope. You can pre-order her upcoming book here. Our next episode is on June 17th and we'll meet the wonderfully silly Mr. Collins! See acast.com/privacy for privacy and opt-out information.

In this episode, Nicole and Gayle share the remaining books that have caught their eye and are coming out in June and July! As always, they also update us on what they've been reading during these two weeks. As always you can find below the whole booklist they run through during the episode: Strangers on A Train by Patricia Highsmith | https://amzn.to/3r4Y5xy (Amazon) | https://bookshop.org/a/2143/9780393351934 (Bookshop) Memphis by Tara Stringfellow | https://amzn.to/3Md1hPx (Amazon) | https://bookshop.org/a/2143/9780593230480 (Bookshop) Mr. Wrong Number by Lynn Painter | https://www.amazon.com/Mr-Wrong-Number-Tiktok-Made-ebook/dp/B09VYS4J85/ref=sr_1_1?keywords=Mr.-Wrong-Number-&qid=1654184998&sr=8-1 (Amazon) | https://bookshop.org/a/2143/9780593437261 (Bookshop) This Time Tomorrow by Emma Straub | https://amzn.to/3MtQ7GQ (Amazon) | https://bookshop.org/a/2143/9780525539001 (Bookshop) You Have a Friend in 10A by Maggie Shipstead | https://amzn.to/3Mczqib (Amazon) | https://bookshop.org/a/2143/9780525656999 (Bookshop) Any Other Family by Eleanor Brown | https://amzn.to/3m9zF36 (Amazon) | https://bookshop.org/a/2143/9780593328545 (Bookshop) The Weird Sisters by Eleanor Brown | https://amzn.to/3GGrZia (Amazon) | https://bookshop.org/a/2143/9780425244142 (Bookshop) Shmutz by Felicia Berliner | https://amzn.to/3PVFu1G (Amazon) | https://bookshop.org/a/2143/9781982177621 (Bookshop) NSFW by Isabel Kaplan | Amazon | https://bookshop.org/a/2143/9781250822895 (Bookshop) Tomorrow, and Tomorrow, and Tomorrow by Gabirelle Zevin | https://amzn.to/3m8T988 (Amazon) | https://bookshop.org/a/2143/9780593321201 (Bookshop) The Pink Hotel by Liska Jacobs | https://amzn.to/3GFVnoR (Amazon) | https://bookshop.org/a/2143/9780374603151 (Bookshop) The Last White Man by Mohsin Hamid | https://amzn.to/3NfoaCX (Amazon) | https://bookshop.org/a/2143/9780593538814 (Bookshop) Reputation by Sarah Vaughan | https://www.amazon.com/Reputation-timely-page-turner-everyone-talking-ebook/dp/B09FKK6DRJ/ref=sr_1_4?keywords=Reputation&qid=1654185621&sr=8-4 (Amazon) | https://bookshop.org/a/2143/9781668000069 (Bookshop) Notes on an Execution by Danya Kukafka | https://amzn.to/3fMQddW (Amazon) | https://bookshop.org/a/2143/9780063052734 (Bookshop) Keya Das's Second Act by Sopan Deb | https://amzn.to/3GMJ6iy (Amazon) | https://bookshop.org/a/2143/9781982185473 (Bookshop) Joan: A Novel of Joan of Arc by Katherine J. Chen | https://www.amazon.com/Joan-stunning-feminist-reimagining-Arc-ebook/dp/B09SCNTXMR/ref=sr_1_1?keywords=Joan%3A-A-Novel-of-Joan-of-Arc&qid=1654185563&sr=8-1 (Amazon) Corinne by Rebecca Morrow | https://amzn.to/3M5RYAM (Amazon) | https://bookshop.org/a/2143/9781250279996 (Bookshop) Briefly, A Delicious Life by Nell Stevens | https://bookshop.org/a/2143/9781250279996 (Amazon) | https://bookshop.org/books/briefly-a-delicious-life/9781982190941 (Bookshop) When Were Bright and Beautiful by Jillian Medoff | https://amzn.to/3GJTDuT (Amazon) | https://bookshop.org/a/2143/9780063142022 (Bookshop) Haven by Emma Donoghue | https://amzn.to/3NUpafX (Amazon) | https://bookshop.org/a/2143/9780316413930 (Bookshop)

Kate Molleson visits Glyndebourne Festival Opera to hear about its new production of Ethel Smyth's ‘The Wreckers' – the first major staging of this tale of a hostile coastal community in many, many years, heard, as the composer intended, with its original French libretto. This new edition of the opera was researched and typeset by Martyn Bennett, Head of Music Library and Resources at Glyndebourne, using source material from the original score, with missing fragments orchestrated by Tom Poster, and additional help from the British Library. ‘Briefly: A Delicious Life' is a new novel by the writer Nell Stevens, a ghost story based around Fryderyk Chopin and his partner – the French novelist – George Sand, set in a monastery retreat in Mallorca. Kate meets the author to discover more about this tale of love, creativity and sexuality. The folk singer Angeline Morrison, writer and broadcaster Kevin Le Gendre and folk singer and academic Fay Hield all join Kate to discuss the overlooked black history in English folk music. And Tom Service meets conductor Michael Tilson Thomas, recovering from major surgery, still working, and in the UK recently to continue his long association with London Symphony Orchestra.

Welcome to Sizzling samachar of the day on OTTplay, I'm your host NikhilNews first up,Sharon Stone joins cast of DC's Blue BeetleLegendary Hollywood actress, Sharon Stone, has joined the cast of DC's Blue Beetle as the film's villain. Mayans M.C actor Raoul Max Trujillo has also joined the cast of the superhero film, while Cobra Kai star Xolo Maridueña will play the lead as Jaime Reyes/Blue Beetle. Sharon Stone will play the role of Victoria Kord, a new villain created for the film. While there is limited information regarding the film directed by Angel Manuel Soto, Stone's character, Kord, is a reference to the first Blue Beetle from the comics, Ted Kord - hinting that Victoria Kord might be a vengeful relative of the former superhero Ted Kord/Blue Beetle.Victoria Pedretti to play the lead in Hulu drama series Saint X Victoria Pedretti, the star of hit TV shows such as The Haunting of Bly Manor and You, will play the lead in the upcoming Hulu drama series, Saint X. Based on Alexis Schaitkin's novel, the story revolves around a woman investigating the unsolved death of her sister who was on a tropical vacation. Mudbound director Dee Rees will direct the eight-episode series while Leila Gerstein has joined as lead writer. Gina Rodriguez joins comedy series Not Dead YetJane the Virgin star Gina Rodriguez will play the lead in the upcoming ABC comedy series Not Dead Yet. The series is helmed by This is Us writers Casey Johnson and David Windsor, and the plot revolves around Rodriguez's character, Nell Stevens, who decides to restart her life  after a painful breakup. She reluctantly returns to work as an obituary writer but soon discovers that her new career path was just the right antidote to move her life forward. Joel Edgerton to play the lead in Apple TV+ series Dark MatterAcclaimed Hollywood star, known for films such as Warrior, Black Mass, The Great Gatsby, and The King, will play the lead in the upcoming Apple TV+ series Dark Matter. The nine-episode series is based on Blake Couch's book of the same name., who will also serve as showrunner for the series. Edgerton will essay the role of Jason Dessen, a physicist who is taken to an alternate reality of his life. Edgerton will also appear in the upcoming Star Wars series, Obi-Wan Kenobi, alongside Ewan McGregor and Hayden Christensen. The series will premiere on Disney+ on the 25th of May. Bianca Kajlich joins Supernatural prequel The WinchestersThe highly anticipated prequel series to CW's Supernatural titled  The Winchesters has added Bianca Kajlich to the cast as Millie Winchester, mother of John Winchester, and grandmother to Supernatural protagonists Dean and Sam Winchester. The prequel series will focus on younger versions of Mary and John Winchester, played by Meg Donnelly and Drake Rodger. Samantha Smith and Jeffery Dean Morgan played the older version of the characters in Supernatural. While Jensen Ackles and Jared Padalecki will not be returning as the monster-hunting brothers, Dean and Sam, Ackles will serve as narrator and executive producer. Jennifer Lopez to produce Prime Video series Backwards In HeelsLegendary singer and actor, Jennifer Lopez, will produce a new TV series for Amazon Prime Video titled, Backwards In Heels. The series will focus on the legendary Barbizon Hotel in Upper East Side Manhattan and it is set in post-World War II New York City. Barbizon Hotel became popular for offering safe housing for young professional women in the mid-twentieth century. Well that's the Sizzling news from the world of movies and entertainment, until the next podcast it's your host Nikhil signing out.Aaj kya dekhoge OTTplay se poocho

We take a break from the American Girls (in more ways than one!) this week to discuss a British childhood classic of both page and screen, Roald Dahl's "Matilda". Matilda is a quintessential bookworm who uses her unmatched smarts and special powers to triumph over her less than ideal surroundings dominated by neglectful and at times abusive adults. In this episode, Hannah, Kelsey, and special guest/Matilda enthusiast Sarah discuss the eternal art vs. the artist debate, examine the various tropes of womanhood present, and *gasp* - consider whether the movie might be better than the book?! We also talk to Dr. Margaret Peterson from the College of Education at the University of Maryland about the depiction of teachers in children's literature.  These Books Made Me is a podcast about the literary heroines who shaped us and is a product of the Prince George's County Memorial Library System podcast network. Stay in touch with us via Twitter @PGCMLS with #TheseBooksMadeMe or by email at TheseBooksMadeMe@pgcmls.info. For recommended readalikes and deep dives into topics related to each episode, visit our blog at https://pgcmls.medium.com/.                                                                                We mentioned a lot of topics and articles in this episode. Here's a brief list of some of them if you want to do your own further research: Roald Dahl Family Apology for Anti-Semitic comments: https://www.roalddahl.com/global/rdsc-and-family-noticeAnalysis of anti-semitism in Roald Dahl's works and personal life: https://time.com/5937507/roald-dahl-anti-semitism/Racism in Charlie and the Chocolate Factory: https://www.processhistory.org/yacovone-dahl-racism/4/Roald Dahl's life: https://theculturetrip.com/europe/united-kingdom/wales/articles/the-story-of-roald-dahl/Nell Stevens article that Kelsey cites re: at vs. artist debate: https://www.theguardian.com/books/2018/sep/10/should-we-stop-reading-authors-lives-books-vs-naipaul?CMP=twt_books_b-gdnbooksVox article about art and artists: https://www.vox.com/culture/2018/10/11/17933686/me-too-separating-artist-art-johnny-depp-woody-allen-michael-jackson-louis-ckArguing that kids SHOULD read things that scare them: https://www.booktrust.org.uk/news-and-features/features/2019/february/fear-with-a-safety-net-why-children-should-read-scary-books/Some things actually just straight up go over kids heads. https://www.bustle.com/articles/177023-why-matilda-was-more-messed-up-than-your-childhood-self-realized But not everything, which is why parent's discretion is always suggested. 

We're welcoming in a new year of reading with not one but two books, Writers & Lovers by Lily King, and Early Work by Andrew Martin. Two aspiring writers, two messy love lives, two very different books that each take the craft of writing as their main theme, one from the female perspective and one from the male. How did they compare? What did Laura's book club make of them? Should they be on your TBR? Listen in to find out. Plus a maximalist recommendations session at the end partly because we love ‘em, and partly because we had so many great books on the subject to share. BOOKLIST: The Wonder Boys by Michael Chabon, The Possessed and The Idiot by Elif Batuman, Bleaker House by Nell Stevens, Conversations with Friends by Sally Rooney, Exciting Times by Naoise Dolan and Rainbow Milk by Paul Mendez Browse our complete archive of episodes at thebookclubreview.co.uk, from blockbusting bestseller Where The Crawdads Sing by Delia Owens to life-changing non-fiction like Why We Sleep by Matthew Walker. You can also follow us for daily book reviews and recommendations on Instagram or Facebook @BookClubReview podcast, on Twitter @bookclubrvwpod or email thebookclubreview@gmail.com.

Nell Stevens is remarkable. Her 2017 book, Bleaker House, detailed her decision to move to an empty island in the Falklands in order to try and write a novel. She failed – but the memoir she wrote instead went on to become a critical and commercial hit, described by Lena Dunham as her favourite book that year. She has followed it with Mrs Gaskell and me, another (sort-of) memoir, detailing a doomed love affair and Nell's growing obsession with Elizabeth Gaskell, which has just come out in paperback. I love Nell's books, they're really funny and totally strange and brilliant. Here we chat about baring her soul in print, surviving on just 1,085-calories when on the island, her friendship with Lena Dunham, and why she is drawn to surreal situations. She also reveals the one piece of advice she'd give to any aspiring writer. Buy Mrs Gaskell & Me here: https://www.waterstones.com/book/mrs-gaskell-and-me/nell-stevens/9781509868186 Twitter: @aliceazania @Nell Stevens Instagram: @aliceazania @nellstevens Edited by Chelsey Moore

What we've been reading outside of book club – the books we get to pick and choose. On the list: Things I Know About Love by Dolly Alderton, Mrs Gaskell and Me by Nell Stevens, I Am I Am, I Am by Maggie O'Farrell, Billie by Anna Gavalda, A Natural History of Dragons by Marie Brennan, The Last Samurai by Helen De Witt, and Moneyball by Michael Lewis.

The Sunday Salon is a podcast celebrating brilliant books and the women who write them, hosted by journalist Alice-Azania Jarvis. Each week she chats to an inspiring female author about her work, her career, how she writes, what she reads and everything in between. This is not some academic textual analysis – it's about finding the stories behind the stories, and celebrating the joy that books bring, no matter what genre, or style. Tune in each Sunday to hear from guests including How Do You Like Me Now author Holly Bourne, Ordinary People's Diana Evans, The Reading Cure's Laura Freeman, and Nell Stevens, author of Mrs Gaskell and Me. Edited by Chelsey Moore

We announce the winner of the 2018 BBC National Short Story Award and the Young Writers' Award live from West Road Concert Hall, Cambridge and celebrate the power and possibilities of the short story.Judges Sarah Howe and Stig Abell discuss the merits of the entries from the shortlisted authors. In contention for the £15,000 prize are Kerry Andrew, Sarah Hall, Kiare Ladner, Ingrid Persaud and Nell Stevens.Radio 1 presenter Katie Thistleton will also announce the winner of the BBC Young Writers' Award and consider the strengths and emerging themes of the stories with fellow judge Sarah Crossan, the Irish Children's Laureate / Laureate na nÓg.The Student Critics Award is a new scheme mentoring school students in their critical reading, helping this generation to be literary critics in a digital world where everyone can be a reviewer. Poet Dean Atta has been workshopping in a school and describes his work with the young people he met. The BBC National Short Story Award is presented in conjunction with Cambridge University and First Story. Presenter : John Wilson Producer : Dymphna Flynn.

New documentary Matangi/Maya/MIA about the political rapper MIA, uses self-filmed archive footage of the outspoken and ‘controversial' Sri Lankan immigrant artist who took up the Tamil cause. So how does the film by director and friend Stephen Loveridge help us understand her life and music? Journalist Kieran Yates reviews.The Man Booker Prize 2018 shortlist of six books has just been announced and features two debuts, the youngest ever writer to make the list, a novel in verse and four women authors. Toby Lichtig of the Times Literary Supplement and critic Arifa Akbar give their thoughts on a list which includes some notable omissions - Sally Rooney and Michael Ondaatje for example.Nell Stevens is the final shortlisted writer for this year's National Short Story Award. She joins Kirsty to talk about The Minutes, her darkly funny and mysterious tale which follows a group of students captivated by an enigmatic stranger as they protest against the demolition and gentrification taking place in their neighbourhood.Roy Williams pays tribute to fellow playwright Stephen Jeffreys, who has died aged 68. He is best-known for writing The Libertine, about the hedonistic Restoration poet and courtier - the Earl of Rochester. Jeffreys also long championed the work of young, new dramatists, including Roy, offering them support and advice.Presenter: Kirsty Lang Producer: Harry Parker

Nell Stevens has a First in English and Creative Writing from Warwick, after which she went on to study Arabic and Comparative Literature at Harvard, to receive a Marcia Trimble Fellowship and the Florence Engel Randall Graduate Fiction Award for her MFA in Fiction at Boston University, and to complete a Ph.D. in Victorian literature at King’s College London. Previously the author of the memoir Bleaker House, her latest book is Mrs Gaskell and Me. See acast.com/privacy for privacy and opt-out information.

The New York Times called it a 'powerfully expansive novel' and it was shortlisted for the Booker, but what did Laura's book club make of 'Do Not Say We Have Nothing' by Madeleine Thien? For our regular book club interview we get radical with London's Radical Reading Group and we finish as always with some fresh recommendations for your next book club read. •
 Get in touch with us at thebookclubreview@gmail.com, follow us on Instagram @thebookclubreviewpod, on Twitter @bookclubrvwpod, or leave us a comment on iTunes. Drop us a line – we'd love to hear from you. Subscribe and never miss an episode. • Books mentioned on this episode were 'The Concubine's Children' by Denise Cheong, 'The Noise of Time' by Julian Barnes, 'The Rest is Noise' by Alex Ross, 'Ru' by Kim Thuy and 'Brother' by David Chariandy. Terri Jane of the Radical Reading Group talked about 'Close to the Knives' by David Wojnarowicz, 'Your Silence Will Not Protect You' by Audre Lorde and 'Too Much and Not in the Mood' by Durga Chew-Bose. To find out more about the Radical Reading group find them on facebook under Radical Reading London. And if you keep listening to our extra bit at the end we discuss 'Children of Blood and Bone' by Tomi Adeyemi, 'Bleaker House' by Nell Stevens and 'Cartes Postales' by Victoria Hislop. • 
Next up on The Book Club Review is A Far Cry from Kensington by Muriel Spark

Author and critic Alex Preston and Rachael Kerr, Unbound's Editor at large, join John and Andy around the table to discuss Charles Sprawson's ground breaking 'Haunts Of The Black Masseur', together with all things aquatic. The subtitle of the book is 'The Swimmer As Hero' and Sprawson's book tells the tale of literary swimmers from Byron to Cheever. Also discussed; Outskirts by John Grindrod and Bleaker House by Nell Stevens.

A young would-be writer travels to a frozen island in the Falklands, with only penguins for company, to craft her debut novel . . . That writer was Nell Stevens, who joined us to talk about Bleaker House . . . not the novel she hoped to write, but the honest and hilarious story of how she failed to write it.

Gail Honeyman, Nell Stevens and Angie Thomas on the Book She'd Never Lend