Podcasts about Death Proof

Send us a text or a voicemailA weekend of camping intended to break a group of friends out of a recent funk, quickly turns into a weekend of bloodshed, as they are picked off one by one by the ghosts of podcast guests from their past. On Episode 734 of Trick or Treat Radio our feature film discussion is the 80s throwback slasher flick Deathwoods from directors Jake Kopronica and Deryk Wehrley! We also talk about the anatomy of a successful slasher, pay tribute to those we lost this week, and we react to trailers for the following films; Remain, Ithaqua, and Godzilla Minus Zero! So grab a copy of the Halloween video game, make sure to buy plenty of beer for everyone at the campfire, and strap on for the world's most dangerous podcast!Stuff we talk about: Not like the other kids, Better Luck Than Chuck, horror gameshow, RIP Andy “Butcher” Williams, AEW, TMZ, Every Time I Die, Stephen Borden, Bobby “The Brain” Heenan, The Undertaker, Owen Hart, WWE being scumbags, RIP Victor Miller the father of Jason Voorhees, Friday the 13th, Bob Clark, Black Christmas, Lanterns, Kyle Chandler, Aaron Pierre, Ralph Macchio, Rolf Macchio, Buttcrack, The Ghost Breaker, The Blob, Steve McQueen, Endangered Species, Witchboard 2: The Devil's Doorway, Stigmata, Stir of Echoes, Malevolence, Resident Evil Apocalypse, Black Sheep, Deadgirl, Resident Evil: Afterlife, Almost Human, A Low Budget Nightmare, Psycho Goreman, The House That Jack Built, Lords of Salem, Horror Planet, Doom Watch, Bummer, Laser Blast, The Hitchhiker, Crypt of the Vampire, All the Colors of the Dark, Torso, Sergio Martino, The Killer is Still Among Us, The Telltale Heart, The Hunchback of Notre Dome, Robert Wise, The Day the Earth Stood Still, The Haunting, The House of Wax, Halloween sex mini game, David Gordon Green, Colin Mahan, M. Night Shyamalan, Dave Batista, Remain, Nicholas Sparks, The Notebook, Jake Gyllenhaal, The Last Airbender, Mike Flanagan, Daniel Radcliffe, Hammer Presents, Ithaqua, Godzilla Minus Zero, Miami Connection, King Ghidorah, Hope, NWR, Her Private Hell, Blade Runner meets Showgirls, Sophie Thatcher, Boogie Nights, Felissa Rose, Ice Nine Kills, David Byrne, Deathwoods, Jake Kopronica, Deryk Wehrley, Scott Conner, KateLynn E. Newberry, Interloper, Death Proof, Quentin Tarantino, Buffet Infinity, Donald Farmer, Jessa Flux, Nightshot, Motor City, Boots Riley, I Love Boosters, Alan Ritchson, RIP Andy Fish, Evil Corny, Patreon Takeover, Walker Texas Danger, and fat bottom shelves make the rocking world go ‘round.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Episode 306- Big Brother’s Eye on Guns Also Available OnSearchable Podcast Transcript Gun Lawyer — Episode Transcript Page – 1 – of 15 Gun Lawyer — Episode 306 Transcript SUMMARY KEYWORDS Gun laws, Second Amendment, Ninth Circuit, California law, Surveillance, FFL, Self defense, Firearm storage, Heller decision, New Jersey, Guillotine, Weapon definition, Propaganda, CDC data, Gun training SPEAKERS Evan Nappen, Teddy Nappen, Speaker 2 Evan Nappen 00:18 I’m Evan Nappen. Teddy Nappen 00:20 and I’m Teddy Nappen. Evan Nappen 00:21 and welcome to Gun Lawyer. Teddy, welcome back, you new father, you. And I’m the new grandfather. Teddy Nappen 00:29 Yes, I know, and don’t worry, all is good. Just sleep is for the weak. Evan Nappen 00:34 Ah, right, exactly, exactly. Oh my! And how is beautiful, Aliyana, doing? That cute little peanut that she is. Teddy Nappen 00:45 Aliyana is doing quite well. She is. Evan Nappen 00:47 And your lovely wife? How is she? Teddy Nappen 00:50 She’s doing also well. It’s definitely one of those moments when you see your wife holding your newborn child. Definitely that kind of spark. Oh yeah, very special, Evan Nappen 01:01 Oh yeah, very special, special. Teddy Nappen 01:02 Yeah, but they’re both doing quite well, and I’m eternally blessed for that. Page – 2 – of 15 Evan Nappen 01:08 That’s right. And we got the baby to the range. She did great on her first shooting experience there. Teddy Nappen 01:15 I know we took out. Evan Nappen 01:17 She got her CCARE. She’s good. She took out a Charter Arms .22. The trick was the range officer allowed us to just put up balloons to make it easier. It worked. Evan Nappen 01:19 She took out a Charter Arms .22. The trick was the range officer allowed us to just put up balloons to make it easier, and it worked. Evan Nappen 01:28 It was good. It was good. We start them young in the Nappen family. You know, you have to give one day of birth, and then you’re at the range. Teddy Nappen 01:40 There’s two things. Evan Nappen 01:41 Training begins. Teddy Nappen 01:42 The two things Aliyana will grow up with having. Number one, I want to teach her to be a critical thinker, and number two, all I can show her for self-defense. Everything I can for her to be a critical thinker. Evan Nappen 01:56 That’s right. And you do that for all kids. It’s a way of not being a victim, not being a victim. Critical thinking and knowing how to defend yourself – two very important things. Well, I’ve got to tell you, the Ninth Circuit in California had a very interesting decision. The reason I want to discuss it is, I believe this decision may give us hints as to what may be coming in New Jersey and other places. As we see the power of the newly, relatively speaking, empowered Second Amendment crushing gun laws that are literally over a century old, the anti-Second Amendment crowd, the Second Amendment oppressors, are, of course, looking for avenues to oppress our rights, and they have to work within this new framework. This decision out of the Ninth Circuit, I find of great concern because of its potential to possibly be utilized as a mechanism and tactic for the anti-Second Amendment Left. And what happened in the Ninth Circuit is an Appellate Decision, after the trial court in the Ninth, and what it did was leave in place California’s 24/7 gun store surveillance law. Page – 3 – of 15 Evan Nappen 03:31 Now you may say, okay, well that’s just gun stores. Yes, but it’s very easy to expand this, and I’m going to show you why this should be of great concern. So, let’s take a look at what happened in the Ninth Circuit with California law, and then I’m going to discuss where I think the gun rights oppressors may see an opening for shenanigans. We’ve got to be prepared and recognize that this could be a potential area of penetration where they will probably strike and try to oppress us. So, California, requires licensed dealers to video record and audio record. By the way, interior video and audio, and retain all the recordings for at least one year. Now I’m getting this, by the way, from a great article in AmmoLand by one of our favorite authors, John Crump, and it’s called “Ninth Circuit Leaves California’s 24/7 Gun Store Surveillance Law in place”. (https://www.ammoland.com/2026/08/ninth-circuit-leaves-californias-24-7-gun-store-surveillance-law-in-place/?utm_source=Ammoland+Subscribers&utm_campaign=fb0c8bc3fc-RSS_EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_6f6fac3eaa-fb0c8bc3fc-21268623) Evan Nappen 05:02 The article discusses how a three-judge panel of the U.S. Court of Appeals for the Ninth Circuit upheld California’s controversial gun store monitoring law by a two-to-one margin. Now, the case is Richards v. Newsom. No shock that the defendant is Governor Newsom. And what happened in this case was brick and mortar FFLs, two home-based FFLs, gun rights groups, including GOA, GOC, CRPA, and SAF, and individual patrons of the shop, were all plaintiffs in this action. They challenged California’s law, which was enacted in 2024, that requires every California FFL to operate a 24/7 digital video system that also records audio inside the premises. Cameras must cover entries and exits, display areas, points of sale, and clearly identify people, and run at least 15 frames per second. They have to store footage for one year. In addition, dealers must post a conspicuous warning that says, in all bold, THESE PREMISES ARE UNDER VIDEO AND AUDIO SURVEILLANCE. YOUR IMAGE AND CONVERSATIONS MAY BE RECORDED.” Evan Nappen 06:49 At the District Court level, the level below the Appellate level, the law was found constitutional, and the plaintiffs then appealed to the Appeal Court in the ninth, which came out with this decision. It was a three-judge panel, and it was Judge (Lucy H.) Koh, Judge (Ana) de Alba, which were both appointed by Biden, and a Trump appointee, Judge Kenneth Lee. In this case, one of the claims they made was that this violates the Fourth Amendment. That’s the constitutional protection against illegal search and seizure, and the panel rejected the claim, saying that the dealers’ recordings are not themselves a Government search. There is no physical intrusion by the State, citing another case of Jones, and no government acquisition of data, citing two other cases of Carpenter and Chatrie. Dealers are not transformed into state actors by merely being required to keep cameras. Wow, let that sink in. And, of course, the two Biden judges rejected Judge Lee’s inspection theory on three grounds. And that is that the law doesn’t authorize inspections, though there are other penal code provisions that do, and that even if it did, the statute is facially valid under New York versus Burger because it limits who may inspect and what may be inspected. Page – 4 – of 15 Evan Nappen 08:45 The plaintiffs also claim that the law violated the Fifth Amendment takings clause. The Court said no good to that one as well. The majority, again, the two Biden appointees, said it’s not a physical taking. Dealers own and install the equipment, and the Government doesn’t occupy the premises. hey claimed it’s not a regulatory taking. That dealers in this heavily-regulated industry have reduced investment-backed expectations, and the alleged compliance costs, by the way, of $17,000, without a before and after value comparison, do not suffice. And the character of the action is a “public-safety regulation, not a physical invasion”. he Court also rejected the First Amendment claims, where the judge held that overbreadth fails because the statute doesn’t punish or regulate speech. The anonymity claim failed because one, no one must identify themselves, even though cameras must be positioned to identify customers easily. And the Association claim fails because membership is not compulsory, and it shot it all down. hen the majority also declined to adopt the dissent, you know, the good guys’ dissent of the right to receive and exchange information. They rejected that theory, claiming the plaintiffs didn’t raise it, and cited other cases that involved actual prohibitions. So, this is incredible. The one dissenting Judge Lee would have also held that inspection scheme violates the Fourth Amendment as applied to FFLs. There’s no time or place limits. So, agents could theoretically enter home at any hour to check the system, and they left the audio and visual surveillance requirement in place. Evan Nappen 11:08 Now this is California, granted, and this is, of course, on dealers. However, what are the requirements, constitutionally speaking, when it comes to firearm storage, and we’ll argue regulation? You see, we have heard rumors and things have been printed that one of the things that New Jersey is going to pass, particularly in response to the finding of unconstitutionality of both the assault firearm ban and the magazine ban is something having to do with storage. Well, I’m thinking that it probably isn’t simply going to be focused on storage, but may in fact try to utilize a visual and audio surveillance requirement as well, and place that upon anybody that possesses so-called assault firearms magazines, maybe even all guns. Who knows how far they’ll take it? Evan Nappen 12:20 If we take a step back and we look at the Heller decision, in (District of Columbia v.) Heller, the Supreme Court ruled, of course, that requiring lawfully-owned firearms in a home to be kept unloaded and disassembled, or bound by a trigger lock is a violation of the Second Amendment. The Heller Court found that this storage requirement was unconstitutional because it rendered firearms inoperable and prevented individuals from using them for immediate self-defense in the home. Scalia, when he wrote the majority opinion, said the Second Amendment protects the right to keep a working firearm ready for core lawful purpose of self-defense. Now, of course, if it’s surveillance, surveillance does not stop you from keeping the gun ready for lawful purpose of self-defense. t’s simply a surveillance and “security requirement”. Evan Nappen 13:36 Further, the court in Heller noted that the ruling did not cast out on certain other traditional regulations, stating that laws regulating the storage of firearms to prevent accidents under specific or different regulatory contexts were not necessarily invalidated by Heller. Scalia, when he wrote the Heller decisions, suggested that the Court’s analysis did not “suggest the invalidity of laws regulating storage Page – 5 – of 15 of firearms to prevent accidents”. When he talked about that distinguishing feature. He was drawing a sharp legal line. The Court did not say that all storage laws are unconstitutional. Instead, it distinguished between complete baseline disabling of a gun versus conditional safety rules. And you know how the Second Amendment oppressors always try to exploit to the max anything they’re given in any way, and this is an opening that I expect they’re going to attempt to. Evan Nappen 15:01 Let’s take a further look and elaborate. So, for example, the absence of a self-defense exception. ow, the fundamental flaw in the District of Columbia storage law was that it was an absolute 24/7 mandate. Well, in terms of the DC code, a firearm had to be unloaded and bound by a trigger lock, even if an intruder was actively breaking into the home. Now, Heller struck that absolute mandate down, but what Heller preserved was storage regulations that maintain a flexibility enough to allow a person to access and use their weapon dynamically when facing an immediate threat. So, it might still be able to require lock boxes that can instantly be opened. Let’s say with a fingerprint or something like that. This may be a direction they’ll go. Evan Nappen 16:11 There’s a distinguishing between immediate control and unattended storage. The lower courts heavily relied upon in the Heller quote to uphold secure storage and child access prevention, and New Jersey in fact has a law that says you can’t allow a minor to access a loaded firearm. But the crucial legal distinction is whether the gun is currently in use or whether it’s sitting unattended. One of the distinctions is the on-person distinction. In challenges that followed Heller, courts ruled that laws requiring guns to be locked up only when not under direct personal control of the owner are constitutional. So, they’re going to be exploiting that. f you’re awake and carrying a firearm or have it on your nightstand while home, that’s within your immediate control. But if you leave the house, if you well, if you leave the house and you go to sleep, and the children are present. The state has a valid interest in regulating the unattended storage to prevent an accidental discharge or theft. Teddy Nappen 17:30 So, my question would be, when it comes to, if they were trying to regulate, let’s say they force everyone to have, okay, you need to have X amount of storage. You need to have a safe in requiring of that. Could there be you’re putting the undue burden of saying, well, now you’re adding essentially a poll tax to a right? Evan Nappen 17:50 That may be one of the arguments about that. I’m not sure how that’ll play out. It’s interesting. Well, and the third thing to keep in mind in Scalia’s reference to “different regulatory contexts”, it means that certain storage laws can be tailored to high-risk environments and specific populations, and they’re historically and legally permissible. So, for example, commercial and public contexts, the Government can mandate strict storage requirements for commercial gun dealers, and California has completely exploited that. You know, usually to prevent like smash and grab robberies or public housing, military barracks, government workplaces, stuff like that. Then there’s preventing vulnerable access. And that’s laws specifically punishing gun owners if a child or legally prohibited person, like a convicted felon, can Page – 6 – of 15 gain access to an unsecured firearm and causes harm are widely considered valid under Heller. So, these do not ban self-defense. They penalize essentially negligence. Evan Nappen 19:04 This is the playing field that we’re going to see the antis try to exploit. And now you can combine that with possibly requiring 24/7 surveillance to the degree that it could be applied to an individual, even in their home. Because remember you had home-based dealers as well that were part of this that were trying to raise these claims. Now, granted, this is the Ninth Circuit’s view of it. New Jersey, frankly, has often taken a strong view when it comes to Fourth Amendment protections. But who knows whether their desire to have Second Amendment oppression will overcome their desire to have Fourth Amendment protection? We’ve got to be aware of this. Teddy Nappen 19:56 I would take it a step further, Dad. Now say, you need to have an AI program required for your camera, and now that AI can calculate and determine firearms, where they’re going, who has them, how many you have, and no longer need it. We’re always worried about Universal Background Check as the way of the national registration. Imagine an AI in every home, and it determines each firearm. There’s your national registration, and now they have their list to come collect them. Evan Nappen 20:26 And then it could be viewed at any time. You could see these things happen. I mean, it’s just outrageous the implications. This is very scary stuff when you combine the potential of a surveillance requirement and mandating alarm systems in a home. Cameras, audio, lighting-all these different things. To what degree can the Government extend its power in the name of public safety? Given what is apparently allowed and disallowed by way of Heller and subsequent courts’ rulings and determinations over those things. So, I see this as a new battlefield, a new front that we’re most likely going to have to be very much vigilant about and wary. I also can see this type of California law, at a minimum, applying to New Jersey dealers. At a minimum imposing and trying to create because New Jersey often follows California for their extreme gun rights oppression, and California often follows New Jersey for what they do. They work often hand in hand, and its extension to citizens is something we need to be very concerned about. Hey, Teddy. What do you have of interest in Press Checks? You had mentioned something that I thought was kind of fascinating, and it reminded me of the French Revolution. What is that you need to tell us about this? Teddy Nappen 22:24 As you know, Press Checks are always free, and this comes from the Capitol Police as they had to arrest. Evan Nappen 22:26 The Capitol in Washington D.C. Page – 7 – of 15 Teddy Nappen 22:34 Yeah. United States Capitol Police seized a guillotine, shot a man, and arrested him for carrying a dangerous weapon, for being in possession of a guillotine. (https://www.uscp.gov/media-center/press-releases/uscp-arrests-driver-guillotine-truckbed) Evan Nappen 22:48 Oh, a guillotine. How did he possess it? Teddy Nappen 22:51 In the back of his pickup truck. Evan Nappen 22:53 So, he’s driving around with the guillotine on the back of his pickup truck. Was he going to use it in a theatrical play or movie, or was he going to use it to make political speech, or did he actually want to start chopping heads? Teddy Nappen 23:09 There was no clarification, but he was just pulled over. There was this giant guillotine on the back of the truck. Evan Nappen 23:16 Could have been a Halloween display in advance. I mean, I don’t know. Well, you know, it’s an interesting kind of weird to say a guillotine is a weapon unless it’s being utilized as a weapon. I mean, what do, you know? What are you gonna say to somebody? You know, give me your wallet, or I’m gonna cut off your head. I mean, what? I don’t really see how. It’s not like it fires a projectile. It’s not like it’s easily carried in one’s pocket. How is it gonna qualify as a weapon unless it is somehow intentionally used as a weapon? Teddy Nappen 23:55 Here’s the problem, though, for the law. From what I was able to pull on DC. They have to prove that he’s able to carry the guillotine in order to charge him with that. Evan Nappen 24:09 Well, I guess it’s a vehicle-mounted weapon. I don’t know. But it’s not a weapon. It’s not firing anything. It’s not projecting anything. It’s harmless unless you actually get somebody to stick their head in it. Other than that, you know, it’s as much a weapon as somebody’s shoe is a weapon. You could take off your shoe and start beating somebody in the head. Now your shoe is a weapon, right? Otherwise, shoes just aren’t weapons. I don’t necessarily see how. If I was handling that case, I would immediately bring a motion that this doesn’t qualify as a weapon. Now, I don’t practice in D.C. So, I don’t know how broad their description of weapons are. But if we were to look at New Jersey, the best they could claim is that it falls under the “other weapons” section of N.J.S. 2C:39-5d. But even with that, the definition of weapon under New Jersey, I don’t even think it’s fitting it unless there’s some allegation that fits it under NJ’s definition of weapon and meets all the elements of it. Page – 8 – of 15 Teddy Nappen 25:33 I want to go a step further and just have someone drive a truck with like an electric chair on the back. Then have another one where he’s driving with the car, and it has the torture device that was used to stretch people. I’m just curious to like what does the extent of where do they can where do the line drawn is it just because it has a blade? Evan Nappen 26:03 Well, here’s where it gets odd, and it’s an interesting thing. Because New Jersey’s definition of weapon, which you’ll find under N.J.S. 2C:39-1r. says that a weapon means anything readily capable of lethal use or inflicting serious bodily injury. However, there are so many things out there. I mean, a kitchen knife, a chainsaw, a hammer, a golf club. I mean, it never ends because anything is readily capable of it. But you still have to fit into New Jersey’s other weapons. Because even before we go there, the term “weapon” under New Jersey law includes, but is not limited to firearms, even though not loaded or lacking a clip. They say a clip. Can you imagine this? I mean, magazine, but okay, or other component to render them immediately operable. Components which can be readily assembled into a weapon. I always hate a definition that tries to define it by using the term itself. That’s frickin’ useless. And then Teddy Nappen 27:30 Definition. Evan Nappen 27:30 And then, gravity knives, switchblade knives, daggers, dirks, stilettos, or other dangerous knives, billies, blackjacks, bludgeons, metal knuckles, sandclubs, slingshots, cesti, or similar leather bands studded with metal filings or razor blades embedded in wood. Well, that sure gives you a lot of great ideas. At least I give it credit there. But anyway, and stun guns or any weapon or other device which projects, releases, or emits tear gas or other substance intended to produce temporary physical comfort, discomfort, or permanent injury through being vaporized or otherwise dispensed into the air. But if you notice, all these things that they’re putting in this category of weapons require a person to use them in a way that an individual would be targeted for being struck or hit or cut. Evan Nappen 28:37 Whereas, a guillotine would require the person themselves putting their head into the guillotine, or being forced to put their head in a guillotine, and that seems like a bit of a challenge to still fit it under the definition of weapon. But even if it did fit under, just for argument’s sake, of being arguably a weapon because it’s capable of that lethal use, you’d have to say. But the definition of weapon isn’t the prohibition in New Jersey law. The prohibition for weapon you’ll find in the weapons prohibition statute, which is the 2C:39-5d. “Other weapons”. And 2C:39-5d. says other weapons. Any person who knowingly has in his possession any other weapon under circumstances not manifestly appropriate for such lawful uses as it may have is guilty of a crime of the fourth degree. It’s felony level offense, and it carries a year and a half max in State Prison. Evan Nappen 30:02 So, what would be circumstances not manifestly appropriate for such lawful uses as it may have? f you’re riding around with the guillotine, let’s say, for political speech purposes, which could be legit, or Page – 9 – of 15 you’re transporting it for making a movie, let’s say, or using it in a play or in a magic show. Okay, because there are magician guillotines. I personally have one called the Arm Chopper, where you do a whole routine where you get a volunteer, and you chop carrots with it. Then you put their arm in it, and it’s a whole fun thing. Of course, it doesn’t chop the person’s arm; it magically does not, and everything’s fine. en there’s another one. A guillotine version, magician, where when you chop it, it’s rigged so that the arm looks like it’s falling into the bag below, but of course it isn’t. Yet you can still lock it in place to cut carrots and demonstrate its effectiveness before you do the trick, you know. But there’s a legitimate, lawful purpose – a magician’s prop. Maybe you are into it for decorative purposes, for craftsmanship purposes. I mean. Teddy Nappen 30:03 You’re trying out a new thing. Teddy Nappen 30:03 You’re trying out a new Gallagher routine with watermelons. Evan Nappen 30:03 I don’t know, but this is intriguing to say the least. I’ve done a lot in almost 40 years of practicing this area of law, but I will have to say that I’ve yet to have anybody charged with possession of a guillotine as a weapon. But I’m ready to defend it; should it be necessary. But there you go. That’s a crazy, interesting story, Teddy. Thanks. Evan Nappen 30:03 Hey, I want to talk about our good friends at WeShoot. WeShoot is a range in Lakewood, New Jersey. That is a range where Teddy and I both shoot, and my family shoots, and my brother shoots. We love it. WeShoot is an awesome resource right there in Central Jersey, easily accessible right off the Parkway. You’ll love it at WeShoot. If you haven’t checked out WeShoot, you really need to. It is a great place, a special place. They have a fantastic state-of-the-art range, a great pro shop with awesome toys, and they can set you up whether you’re a beginner or advanced shooter. They can get you the right equipment, the right gear, the best ammo, best guns, right there at WeShoot, and the best people. They will help you and guide you so that you make the right choices for what your needs are. You need to go to WeShoot, try it out. You’ll see what I’m saying. Evan Nappen 30:03 You can check WeShoot out at weshootusa.com. They have a great website, beautiful photography. They pride themselves on their great photography. They have all kinds of great courses, not just courses, so you can get your CCARE and other certifications that you may need, and other courses for getting permits from even other states, but advanced training and other types of fun shoots and very Important advanced training, and if you are brand new, they can start you off right by learning the basics and beginning with proper instructions so that you don’t become a GOFU. It’s very important training and having a place to shoot. It’s critical in New Jersey, and WeShoot can give it all to you. So check out WeShoot at weshootusa.com. Page – 10 – of 15 Evan Nappen 30:03 Let me also shamelessly promote my book New Jersey Gun Law, the Bible of New Jersey Gun Law, used by, well, everybody that needs a gun law book. They’re using it, and you need to have one so that you don’t become a GOFU. I’ve taken great pains to explain the insane matrix called New Jersey gun law. It’s done in only five over 500 pages, but don’t let that intimidate you. It’s 120 topics all broken down in question and answer, so that you can even you can get an understanding of New Jersey’s insanity and so that you can protect yourself and stay legal. Go to evannappen.com, evannappen.com, and get your copy today. Evan Nappen 30:32 And, of course, we’re all very excited about the Federal Relief From Disabilities Program being reinvigorated by the Trump administration and the DOJ. It’s been 33 years since I’ve been able to help people regain their Second Amendment rights that may have federal disqualifiers. If you’d like to get a free evaluation of whether you qualify and what it can do for you, and what you need to know as its interplay with other states and Jersey law, and to see what it can do for you, go to evannappen.com, and you can fill out our little contact form there for getting federal relief. And if you need state relief, we do rights restoration, including New Jersey expungements, and getting rid of other disqualifiers that may be in your past, whether it’s old restraining orders or other things that create bars to the exercise of your Second Amendment rights. Go to evannappen.com and learn about those things. And feel free to get in contact with me. I’ll be happy to speak with you, or someone from my team will be happy to help you with your issues. And let me also mention that Teddy has other Press Checks. I’m sure. What else do you have? Teddy Nappen 36:34 This is the famous double Press Checks. I could not pass this one up. When I saw this article, I was shocked, and then reminded that the vast majority of the Left can’t be funny. If you go back to maybe the ’90s, and you’d have. Teddy Nappen 36:54 You laugh at them all the time, though, Teddy. Teddy Nappen 36:56 Yeah, we laugh at them. They try to be funny, and they try to joke on us. But they just come off as boring because comedy was always about pushing the envelope. The all-time favorite movies of comedy, like Blazing Saddles, or even like George Carlin’s bit, “Seven Things You Can’t Say on Television”. George Carlin. Evan Nappen 37:17 George Carlin. I saw him live twice. Yeah. Teddy Nappen 37:20 And you have, you know, Nick DePaolo, Norm Macdonald, people who would their whole idea was to push the envelope. Funniest man alive, Richard Pryor. These are all the ideas, and then comes to the Marxist Left. This is, you know, we’ve got to give it to The Trace, who decided to give them free Page – 11 – of 15 advertising. They decided to make a musical pushing to repeal the Second Amendment. (https://www.thetrace.org/2026/08/good-guy-with-a-gun-musical-interview/) Evan Nappen 37:48 Oh my God! A gun oppression musical. Teddy Nappen 37:53 A musical called “Good Guy with a Gun”. That is their comparison. Evan Nappen 37:57 That’s about as wokey as you can get. A musical doing this. Teddy Nappen 38:02 It’s gay. It’s really gay. Evan Nappen 38:05 Oh my G-d! Teddy Nappen 38:07 And going through this. By the way, you can go on Spotify. You go wherever they have the song list. You can listen to it if you want to. Evan Nappen 38:16 Oh, that’s it. I want to listen to anti-Second Amendment songs. Teddy Nappen 38:20 Yeah. Songs, yes. Evan Nappen 38:23 What are they trying to do this like the other play? What was it that going after or mocking Mormons? Teddy Nappen 38:30 Yeah, the Book of Mormon. It was. Evan Nappen 38:31 There you go. Right. This is the Left’s one of their tools of pushing their agenda is doing. Yeah, I know, real, Teddy Nappen 38:40 Real, real stunning and brave to mock Mormons and going after the Second Amendment. Now, do one on Sharia law and see how that goes. Evan Nappen 38:51 Oh yeah, right. Yeah, that’ll go over big. Sure. Yeah, that’ll be the yeah. Page – 12 – of 15 Teddy Nappen 38:57 Or what is the Chinese play where it’s China before communism, where Chinese have actually sent agents to attack their bus, and do stuff like that. But here. Evan Nappen 39:10 That’s really edgy. Teddy Nappen 39:12 Yeah, no kidding. Evan Nappen 39:13 You know, not this stuff. That’s just you know agenda driven with just another potential way of somehow getting their effed up message implanted. Teddy Nappen 39:27 Yeah. So, they got a bunch of F tier celebrities who wanted to show their virtue signal. They took a pay cut, so they would do this play out of Los Angeles, of course. It is a theatrical concept, billing it as the Book of Mormon for the NRA. The action satire swells on the day the Second Amendment is wiped away, and the numbers reminiscent to Les Misérables begins with the right winger singing, “The day that we’ve always feared the liberals have come to take our guns away. Then comes a brief monolog from a Cockney woman spiles into mania. They came in the night. They took the little ones, the Glocks, the small handguns you keep under your pillow. It was invasion of basement of ant and basement and antics violated antiques violated. Evan Nappen 40:15 Well, they think it’s really hilarious that they’re going to come for the little ones, the handguns”, and then build up from that. That’s so funny, Teddy. It’s just so funny the way they crush our rights. Teddy Nappen 40:29 Well, you have this. It’s the screeching Left who still believe in going after the little ones. Just look at Lindsey Clancy. But anyways. The whole and going I love how they like say this famous actor from “This Is Us” and this other lady from “Orange is the New Black” and the way there and George voice the voice of God was George on Seinfeld. Okay, cool. The whole plot is the character gets a magic gun that turns people conservative. His daughter gets a magic megaphone that turns people liberal, and the antics ensue. In the end, they go into the whole article about the whole point is to dispel the myth of the good guy with the gun. Evan Nappen 41:11 Oh, the myth of the good guy with the gun. Like all these folks that have made a difference in stopping crime, criminals, terrorism that are average citizens, that no longer want to be victims but have chosen to be defenders. And not just defenders of themselves, but defenders of others. As a matter of fact, Teddy, this goofy crap by them on the play, but weren’t you telling me about that very fact? About the difference being made by people that try to stop, for example, mass shootings? What were you telling Page – 13 – of 15 me about that? Let’s talk about good guy with a gun. What have we learned about good guys with a gun? Teddy Nappen 42:02 So, the CDC again have added the data showing that it’s two. Evan Nappen 42:06 And this is their data from the CDC? Teddy Nappen 42:08 Up to 2 million self-defense uses of a firearm. Self-defense uses. That doesn’t even mean pull the trigger. Defensive uses of a firearm. Evan Nappen 42:18 Right. Just the mere presence of a firearm. Teddy Nappen 42:19 So, if it saves one life . . . how about 2 million? Two million lives saved! That is from the CDC’s website. Also the fact that they are now including the FBI reports showing mass shootings. Now they’re showing civilian intervention and stopping the bad guy. Evan Nappen 42:35 You mean, good guys with a gun, or good guys no longer wanting or agreeing to be victims, and good guys making a difference, right? Teddy Nappen 42:47 Yeah. This is something to where they are. This is a logical fallacy right here. It’s called false premise. They’re starting with a false premise, believing that there’s never any good guy with a gun. Even though we can clearly debunk that immediately just by that argument. But going into this whole insanity of the play, I want to remind you all. This is what they’re about. This is what they try to do through propaganda, and yeah, it’s in the gayest way possible. And I’ll take the citizen vigilante that’ll probably sell out more than this play out of. Evan Nappen 43:21 Well, that’s the crazy thing because movies and other things that were not necessarily designed to be propaganda, but that have the message of individuals who fight back. I mean, you can look at “Red Dawn”, which is still considered a classic today, and what was that? Individuals fighting back. You can look at virtually the entire genre of westerns is the individual who fights back. I mean, that’s what we’re really about. Teddy Nappen 43:55 The funniest scene I ever saw for this as a pro gun argument was in the movie “Death Proof”. It’s rated as one of the worst for Quentin Tarantino. I happen to like it. Page – 14 – of 15 Evan Nappen 44:07 I enjoyed Death Proof. I like the music, too. Teddy Nappen 44:07 Oh yeah, it was good there. Just seeing Kurt Russell play a weird twisted serial. Evan Nappen 44:16 Oh my G-d, yeah, did he ever. Teddy Nappen 44:17 There’s one scene where it’s the four girls are sitting on the table. They’re having a discussion. That’s what Quinn Tarantino always does: is having table conversations. The one girl says, “You still carry a gun? Why do you do that? And it’s like, “Why not?” And goes into that whole argument of where, like, “Why you don’t you know you can risk that? You know what I want? I want to carry my gun. I want to go where I’m able to go. I want to be able to defend myself, and she makes and hits home every argument. Where then they say, “What about pepper spray? I don’t want to give them a rash. I want to put them down. Like that’s the whole. Like they’re trying to be satirical. They’re going to be showing it. Evan Nappen 44:55 Big spoiler is that’s what she uses. Yeah, saves the. Teddy Nappen 45:00 hoots it. Shoots at Kurt Russell to get him to go away to save the girls. So, it’s one of those demonstrations. But even I’ll even give it another way, just satirical. Always Sonny did the exact thing where you have two both sides, ones for pro, ones against, and the anti side is like it’s so easy to get a gun. Both of them get denied their background checks immediately. Then they try, and then immediately try to go to a gun show, and they’re trying to do under the table. And the gun dealer’s like, “No, I’m not going to do that. And finally, they try to do a deal to buy it from an illegal alley, and that falls through, and to the point where they’re arguing. They see like, wow, it really is hard to get a gun. Then we realize, and it’s satirical because they show it in a way. This one here in the whole article, they’re trying to like joke on the liberals by she shops at Trader Joe’s. If you’re using a bazooka on one side and a squirt on the other, it’s you’re not both sizing it very easily. Evan Nappen 46:00 Right. Well, that’s not their goal, but that is really interesting. But I don’t think that play will be coming to a playhouse nearby anytime soon. And if it is, it’ll be a financial failure. Teddy Nappen 46:12 Remember, this is the Left’s game, though. Do you remember when they did Julius Caesar? They dressed him as Donald Trump. This was in 2017. In the play where he’s killed. In the play where he’s violently stabbed to death. Evan Nappen 46:15 No, gee, what were they trying to say there? I wonder. Page – 15 – of 15 Teddy Nappen 46:31 Yeah, exactly. And then you have the New Yorker here trying to say, it’s hardly bears the point that art is not life. I love how they play that game every time. Oh, really? Okay. Now cast Ryan Reynolds, Ryan Gosling as Black Panther for in Wakanda. Then tell me it’s not that. No big deal. I love how they always bring that up when it comes to oh art takes that. Cut to the musical of assassins that they had to cancel after the first attempted assassination. Evan Nappen 47:06 Yeah. Teddy Nappen 47:06 Where it’s a musical about Evan Nappen 47:08 Yeah. This is part of their M.O., and it’s disgusting. Well, Teddy, thanks for bringing that to our attention, so we know what play we’re going to never get a playbill for or see. Now, I’ve got to tell you about this week’s GOFU. You know the GOFU is Gun Owner Fuck Up. It’s where gun owners make mistakes that can cost them their freedom, their firearm rights. It cost them a lot of money, and you get to learn for free, so you don’t become a GOFU. And this week’s GOFU is really basic. Some of you listening may say, “Really, seriously?” I’m telling you, why am I talking about this? Because my friends, I get the phone calls. I get the phone calls from the GOFUers. I get those calls. Evan Nappen 48:01 This week’s GOFU is real simple. Practice your draw. Know your firearm. Okay, simple. Practice drawing and firing if you’re carrying. Practice reholstering. Practice it with an empty firearm. Make sure you are proficient in how to handle your specific firearm and know your gun. Know how it operates. You know, some guns have manual safeties. Some guns do not. Know your gun. Know how to use it. Practice and train. Not just on shooting. Not just on hitting the target. But practice on understanding the function of your gun – the loading, the unloading, how to absolutely know it’s empty. How to work your gun and how to draw your gun. How to holster and unholster your gun. Make sure you’ve practiced that with a safe, empty firearm. That you’ve had the right training. That you’re doing it properly, and that you are proficient in that. Because if you’re not and you have a problem, if you have an A.D., if you have some issue, you’ll become the next GOFU, and I don’t want to see that. Evan Nappen 49:35 This is Evan Nappen and Teddy Nappen reminding you that gun laws do not protect honest citizens from criminals. They protect criminals from honest citizens. Speaker 2 49:48 Gun Lawyer is a CounterThink Media production. The music used in this broadcast was managed by Cosmo Music, New York, New York. Reach us by emailing Evan@gun.lawyer. The information and opinions in this broadcast do not constitute legal advice. Consult a licensed attorney in your state. Downloadable PDF TranscriptGun Lawyer S5 E306_transcript About The HostEvan Nappen, Esq.Known as “America's Gun Lawyer,” Evan Nappen is above all a tireless defender of justice. Author of eight bestselling books and countless articles on firearms, knives, and weapons history and the law, a certified Firearms Instructor, and avid weapons collector and historian with a vast collection that spans almost five decades — it's no wonder he's become the trusted, go-to expert for local, industry and national media outlets. Regularly called on by radio, television and online news media for his commentary and expertise on breaking news Evan has appeared countless shows including Fox News – Judge Jeanine, CNN – Lou Dobbs, Court TV, Real Talk on WOR, It's Your Call with Lyn Doyle, Tom Gresham's Gun Talk, and Cam & Company/NRA News. As a creative arts consultant, he also lends his weapons law and historical expertise to an elite, discerning cadre of movie and television producers and directors, and novelists. He also provides expert testimony and consultations for defense attorneys across America. Email Evan Your Comments and Questions  talkback@gun.lawyer Join Evan's InnerCircleHere's your chance to join an elite group of the Savviest gun and knife owners in America.  Membership is totally FREE and Strictly CONFIDENTIAL.  Just enter your email to start receiving insider news, tips, and other valuable membership benefits.   Email (required) *First Name *Select list(s) to subscribe toInnerCircle Membership Yes, I would like to receive emails from Gun Lawyer Podcast. (You can unsubscribe anytime)Constant Contact Use. Please leave this field blank.var ajaxurl = "https://gun.lawyer/wp-admin/admin-ajax.php";

We're back from self-imposed summer exile to finally review a movie that everyone should see, Is God Is (2026) written and directed by Aleshea Harris. Adapted from Harris' stage play of the same name, Is God Is follows twins Racine and Anaia on a revenge mission from God to kill the father that burned them and left them for dead. Is God is is streaming now on Amazon Prime (but you should also buy the dvd!!). Our recommendations: The Color Purple, Deathproof, Kill Bill, Lady Snowblood, Eye for an Eye Shout out to Davalyn for joining this episode! You can follow more of her writing at Professor Horror: https://professorhorror.com/Deep-Cuts/Frights-Camera-Action-Tales-from-the-Crypt-Season-6-When-Even-the-Crypt-Keeper-Cant-Save-the-Show/ Support the show with a Ko-fi! ko-fi.com/blackgirlfilmclub Check out the rest of our socials at linktr.ee/blackgirlfilmclub

¡Bienvenidos a un nuevo episodio de El Calabozo del Reverendo Wilson! Continuando con el repaso al proyecto "Grindhouse" que comenzó la semana pasada con la inconmensurable "Planet Terror", le toca al turno a la aportación de Quentin Tarantino, su majestuosa "Death Proof". Una obra que funciona como una carta de amor al cine de explotación donde Quentin rinde pleitesía a esa forma de entender la cinematografía que ha conformado su infatigable cinefilia. Jugando con la fórmula del slasher y el cine de acción desértico de los años 70, "Death Proof" nos ofrece la vuelta de Kurt Russell como flamante protagonista y una mtificación del papel de la mujer dentro del cinemabis. Enjoy! Preventa "Dosieres desde El Calabozo #2: John Carpenter": https://panoartbookstienda.com/inicio/158-dosieres-desde-el-calabozo-n2-john-carpenter-maestro-de-maestros-ed-fisica.html Si te ha gustado el programa, recuerda que tienes la posibilidad de ayudar a El Calabozo del Reverendo Wilson dándole a "Me gusta". ¡Gracias y feed the cvlt!

Start… your… engines! That's right, we're back on the GRINDHOUSE beat for volume 2 as we strap ourselves down and feel the rush of 2007's DEATH PROOF. Along the way, we delve into the complicated backstory of what motivated this project to take shape, compare how the two halves of the movie relate to one another, explore why QT can't let go of his video store clerk character, and explore Tarantino's competing slasher film attempts. All this, plus the Millennial Nasties decade, “pick me” characters, Kurt Russell worship, Austin dining guides, KNB group gore, and a pedal to the metal edition of Choose Your Own Deathventure. We ask that you download the entire episode, but all you'll need is the edge!   Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Join Patrick's new newsletter SCREAM SHARE for weekly new/classic/and "free to watch" streaming horror picks, and join him for a virtual watch party on the 3rd Friday of every month!! Check out Gena's newsletter on Ghost!! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Convo here! Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thanks a ton for checking out our podcast!! Video versions can be found on youtube  https://www.youtube.com/@blackandwhitereviews1866 & Please Consider Supporting us on Patreon https://www.patreon.com/BlackandWhiteReviews

HOSTS:Kurt Taylor Steve —————————- Tremble is a horror podcast that cuts through hype to figure out what actually works, whether a movie is trying to scare you, make you laugh, or do both at once. On this episode, the Tremble crew hits the road with Death Proof, Quentin Tarantino's 2007 contribution to the Grindhouse double […]

Next up on the road to 300 we return to the world of Tarantino with one of his more underrated films, Death Proof.

HOSTS:Kurt Taylor Steve —————————- Tremble is a horror podcast that cuts through hype to figure out what actually works, whether a movie is trying to scare you, make you laugh, or do both at once. On this episode, the Tremble crew hits the road with Death Proof, Quentin Tarantino's 2007 contribution to the Grindhouse double […]

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's April, so that means it's time for our “No EscApril” series, where we celebrate the wonder of thrillers! Not quite horror, not quite action, that sweet spot in the middle where danger is afoot, and lives are still on the line! In this week's episode, Alex, Tim, and returning guest K-Tron discuss Brian De Palma's 1981 Hitchcockian giallo that asks “what if Rear Window but with sound,” Blow Out! Embarrassingly bad screams! Chekhov's scream! Abundant split diopter shots split screens! A movie within a movie! A realistic college experience! Liberty Bell-based festivities! A car racing through a parade! A hitman who maybe enjoys his job a little too much! Artistic stabbing! Original music that Quentin Tarantino reused in Death Proof! A tense accident scene with a wonderful Jaws-style jumpscare! Questionable concussion protocol! Government corruption! Everpresent smoking! Excessive Ben Franklin! An incredibly strong audio cable! Possibly the least subtle shot in movie history involving an American flag! A sleep-deprived John Travolta using analog sound tech to play Sound Detective while wearing fingerless Sound Gloves! All that and more in this stylish thriller that also features a murderable Nancy Allen, an evil John Lithgow, and Dennis Franz as a creepy slob! In addition, Alex shares his spoiler-free thoughts on the Zazie Beetz horror-action movie They Will KIll You, Project Hail Mary, Hulu's Mike & Nick & Nick & Alice, and the Chinese action movie Fight Against Evil 2! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. You can follow K-Tron on Letterboxd @puddingtaco. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

On this week's episode we look back at Robert Rodriguez's 2010 film Machete, starring the legendary Danny Trejo. This film was born out of a fake trailer that played in front of 2007's Grindhouse double feature Planet Terrror and Death Proof. Highly anticipated by devotees of Joe Bob Briggs and fans of old school drive in exploitation films, this ridiculous revenge film did not disappoint at release, but certainly hits different in 2026. https://www.spreaker.com/episode/machete--71259674#robertrodriguez #dannytrejo #Machete

[School of Movies 2026] Grindhouse is a deliberate evocation of grotty late night movies at the most questionable and sticky of back-alley theatres in the 1980s. The kind of places you go if you wish to purchase a human kidney. Robert and his frequent colaborator Quentin Tarantino remember these dives fondly and wanted to bring us that feeling with an audacious double-bill of two authentic-feeling movies, Planet Terror and Death Proof, accompanied by trailers for films that did not exist (at least at the time, three of them were made for real afterwards). How did this bold experiment go for them? Here you can find out from a variety of angles, including a journey back to one of the first podcast episodes I ever recorded, as well as the direct response to the first time Sharon and I ever got to see the double-bill as intended and finally a culmination discussion regarding a very decisive re-edit of both films by me. Here is a turning point in the career of Robert Rodriguez, and here is where our Director Season will close out (though we are continuing with discussions on Alita: Battle Angel, Machete and Spy Kids 4 on the patreon After School Club bonus podcast feed for everyone who throws in five bucks or more a month).

Message for March 22, 2026Ephesians 2:1-10

We're continuing our series examining the films of 90's auteurs, Quentin Tarantino and Paul Thomas Anderson! This time Brian and Max are joined by playwright and our newest contributor, Keegon Schuett. We discuss the legacy of Philip Seymour Hoffman, Amy Adams' questionable handjobs and, as always, the problematic behavior of Quentin Tarantino. Is this his most relaxed film, or his most baldly depraved? Questions or comments about what we talked about? Click here to let us know!

paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la filmografía de Quentin Tarantino hablando de “Death Proof”. Lanzada el año 2007 la película formaba parte del proyecto que Tarantino ideo con su amigo Robert Rodríguez de homenajear a las “Grind House”, programas dobles de películas de serie B, generalmente de terror o ciencia ficción repletas de violencia y gore. Rodríguez hizo “Planet Terror” y Tarantino esta joyita injustamente infravalorada que aporta toda la esencia del cine de Tarantino pero protagonizada por mujeres en vez de por hombres. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This week we break down Death Proof!Practical stunts. Killer soundtrack. One of the wildest chase scenes ever put on film.Classic or cult-only?

We are.. BACK! It has been 2 years since the last time The Punks sat down to talk about a film, with some old and new faces gathered around the round table (couch). -The Punks INTRO - 00:00:00 WELCOMING PARTY - 00:00:29 New stuff, new format (explanation) - 00:09:24 MOVIE REEL - 00:11:47 TRAILER - 00:12:00 *Trailer - https://www.youtube.com/watch?v=7mICGcg5-pM* The talk amongst THE ROUND TABLE - 00:14:17 FINAL THOUGHTS/RATINGS - 01:07:57 GAME TIME - 01:23:56 OUTRO - 01:29:39 ***Thank you for listening and check out the stuff below!*** Support Warplot - https://www.facebook.com/Warplot-117953946782902 AND ALWAYS, Support Punks at the Cinema! - we're getting a new link. :p Tyler's Nightmare's plugs - IG - https://www.instagram.com/tyler_nightmare_93/ Big Dingus' butt-plugs - Link - https://officialmontageman1.carrd.co No Copyright Infringement Included.

The Court is suddenly unappetized by nachos when Addison Binek (“Psycho Ape!”) perfects his barbecue sauce for the Great Grindhouse Grill-Off between 2007's “Planet Terror” and “Death Proof.” *** “Planet Terror”: Maynard Bangs. “Death Proof": Addison Binek. Judge: The Honorable Dylan J. Schlender. Jurors: Ryan Luis Rodriguez, Dylan J. Schlender, Big Ben Haslar. *** Advisory: Silvana Carranza. Prologue: Kirk R. Thatcher. Original Theme: WT Golden.What did you think of the verdict?

Get in the car and turn up the volume because we're talking about the next movie in the Grindhouse double feature, Death Proof.

Mark and Aaron Neuwirth (@AaronsPS4 on X) draft their favorite action scenes from horror movies. In this episode, you'll hear them talk about the neat action scenes in The Descent, Train to Busan, Blade, 28 Weeks Later, Death Proof, Gremlins, Predator 2, I Saw the Devil, Malignant and many more cool horror films. Enjoy!

Welcome to Out of the Shadows, a series that dives into the world of (mostly) 80s horror movies. Join Chris Chavez and Jim Clark as they explore the best and worst of what made the 80s the golden age of horror. This week, 31 Days of Halloween continues as Chris and Jim discuss Death Proof, The Willies, Presence, Brooklyn 45, Beyond the Darkness (1979), Y2K, and mother!

his week on The Rotten Horror Picture Show Podcast, Clay and Amanda dive into one of the wildest, weirdest experiments in modern cinema: 2007's Grindhouse, the double-feature mashup from Robert Rodriguez and Quentin Tarantino. On one side you've got Rodriguez's gooey, gonzo Planet Terror, a zombie-action extravaganza filled with melting bodies, exploding heads, and a machine gun leg. On the other, Tarantino's Death Proof, a talky, tense, and brutal slasher on wheels starring Kurt Russell as a stuntman with murderous intentions. Throw in some fake trailers from the likes of Edgar Wright, Rob Zombie, and Eli Roth, and what you've got is a love letter to trash cinema that's messy, ambitious, and unlike anything else that's come out of Hollywood in the last twenty years. Clay and Amanda unpack what worked, what didn't, and why the whole package still holds a strange place in horror fans' hearts.Now, that's all well and good, but I have to admit something: when I heard they were covering Grindhouse, my brain went in a totally different direction. Because to me, “Grind” means one thing — MTV's The Grind, the sweaty, neon-soaked, mid-'90s dance party beamed into homes across America every afternoon. You know the one — crop tops, Jock Jams, people doing the Macarena under pulsating strobe lights. Honestly, I thought Clay and Amanda were about to drop the definitive podcast documentary on Eric Nies' greatest cultural contribution. Imagine my disappointment when it turned out to be about exploding pustules and creepy stuntmen instead of body glitter and choreographed hip thrusts.Still, horror fans are in for a treat, even if my dance nostalgia remains tragically unmet. Join Clay and Amanda as they revisit Grindhouse—just, you know, the blood-soaked one, not the bass-thumping one.And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

On this episode of Remainders we watched Spike Lee's 25th Hour, the Edward Norton drama about a drug dealer's final night of freedom before heading to prison. Shot in New York right after 9/11, the movie feels right in the moment, with grief, uncertainty, and the sense that there's no tomorrow. We talk about the ideas like mortality, facing consequences, and what accountability really looks like when time's running out. We also get into about the outstanding cast: Barry Pepper, Philip Seymour Hoffman doing awkward brilliance, Rosario Dawson, and Brian Cox stealing scenes as Norton's dad. Plus, we look at how it fits into Spike Lee's career.Other topics include Montgomery Clift's tragic Hollywood story, Tarantino's Death Proof connections, Patrice O'Neal, Matt Dillon and Singles, favorite Bruce Springsteen albums, first impressions of the new Toxic Avenger, and the new movies at Tarantino's Vista Theater.Songs of the WeekThe Right Profile by The ClashWhirling-In-Rags, 8 AM by Sea PowerRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Abschweifen? Geht auch mit CSB: Heute geht's um unterschätzte oder überbewerte Regisseure. Aber vorher müssen Alper, Marius, Jonas und Schröck über ALIEN: EARTH reden. Oder über YPS-Hefte. ALIEN darf dabei natürlich auch nicht fehlen, bevor sie bei GOD'S ARMY - DIE LETZTE SCHLACHT, den MEMOIREN EINER SCHNECKE, dem neuen DEATHSTALKER oder dem alten TANZ DER TEUFEL landen. Und über die eine oder Abschweifung geht's dann endlich um Quentin Tarantino oder Quentin Dupieux, um INGLORIOUS BASTERS oder DEATH PROOF, um EINE FLIEGE KOMMT SELTEN ALLEIN oder SMOKING CAUSES COUGHING, um Ron Howard und EDEN, um REBEL RIDGE und Jeremy Saulnier, um die Schwierigkeit einen wirklich schlechten Film zu machen oder um unser Studio. Sobald sich alle wieder gefangen haben, sind dann auch noch BO BURNHAM und EIGHTH GRADE oder Oz Perkins und LONGLEGS ein Thema, bevor es noch mit Menschen wie Kiah Roach Turner, Joachim Trier (oder war es doch Thomas Vinterberg?), Walter Hill, Craig S. Zahler oder Paul Schrader weitergeht und schließlich bei Filmen wie WYRMWOOD, DRAGGED ACROSS CONCRETE, BONE TOMAHAWK, DER GROSSE GATSBY, LIMBO oder GOLDENEYE, THE FOREIGNER und DIE MASKE DES ZORRO endet. Kurz gesagt: es war einfach ein herrlicher Plausch über eins der schönsten Themen der Welt. Bei diesem wünschen wir Euch nun viel Spaß wie ein mindestens genauso schönes Wochenende. Bleibt gesund und gut drauf, schaut gerne bei den Jungs von CINEMA STRIKES BACK vorbei und genießt die restlichen freien Tage. Bis bald. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

On our latest edition of The Bible Study, The Reverend and his guests, HB Walsh (Word of Helmouth Podcast & A Pod Of Wings & Filth) and Joe Fordyce (The Flyers Talk Podcast) take a deep dive into the 14th chapter from the digital copy of Death Proof. Along the way they discuss if Stuntman Mike is always on the prowl, the violation of Abernathy's feet, the references to Kill Bill in this chapter and the lack of situational awareness by everyone except Abernathy.Heather Baxendale-Walsh:Listen to the Word of Hell Mouth Podcast: https://podcasts.apple.com/us/podcast/word-of-hell-mouth/id1654712678Listen to A Pod of Wings and Filth: https://podcasts.apple.com/us/podcast/a-pod-of-wings-and-filth/id1812628934Follow HB Walsh on her Socials:Facebook: @HBaxWalshInstagram: @H.B.WalshAuthorWebsite: www.heatherbaxendale.comJoe Fordyce:Listen to the Flyers Talk Podcast here: https://podcasts.apple.com/us/podcast/flyers-talk-a-philadelphia-flyers-podcast/id1497383342Website: https://art19.com/shows/flyers-talk-a-philadelphia-flyers-podcastBecome a member of The Church of Tarantino:Follow us on our Socials:Facebook / Instagram / Threads / Blue Sky & Letterboxd: @ChurchOfQTPodEmail: ⁠⁠TheChurchOfTarantino@gmail.com⁠⁠We're also on the Rabbit Hole Podcast Network: ⁠⁠https://rabbitholepodcasts.com/the-church-of-tarantino/

Cultists, Sinners was a film that wore its influences on its sleeve.  One obvious influence was the ‘90s Cult Classic From Dusk Till Dawn. The film kicked off a series of Grindhouse collaborations between directors Robert Rodriguez and Quentin Tarantino, but does it really have more than superficial similarities to Sinners? Please join us for the Dissection.  Dissection Topic  https://www.imdb.com/title/tt0116367/?ref_=ext_shr  Unholy Sacrament  Mexican Style Lager, Little Beast Brewing https://untp.beer/6jjOG  Vault Of Darkness  Let The Right One In (Alfredson, 2008) https://youtu.be/9ZYH6TAW4mg?si=xF-yyWlYRRRgrNeE  The Mexico Trilogy https://www.arrowvideo.com/4k/the-mexico-trilogy-el-mariachi-desperado-once-upon-a-time-in-mexico-limited-edition-4k-uhd-blu-ray/15401370.html  The Grindhouse Double Feature (2007) Death Proof https://www.imdb.com/title/tt1028528/?ref_=ext_shr  https://www.amazon.com/Grindhouse-Death-Proof-Kurt-Russell/dp/B0CM1M26V5?dplnkId=8baf6bc0-b1ed-4cf6-bf8d-3c560712b0e9  Planet Terror https://www.imdb.com/title/tt1077258/?ref_=ext_shr  https://www.amazon.com/Grindhouse-Planet-Terror-Rose-McGowan/dp/B0B7BZYHC4    #fromdusktilldawn, #dusktilldawn, #robertrodriguez, #quentintarantino, #georgelooney, #harveykeitel, #juliettelewis, #cheechmarin, #fredwilliamson, #salmahayek, #tomsavini, #dannytrejo, #grindhouse, #sethgecko, #richiegecko, #santanicopandemonium,  #thetittytwister, #elrey, #cultclassics, #vampiremovies,

WELCOME BACK TO PURGATORY!!!! I'm not a cowboy Pam...I'm a stuntman This week the boys get together to talk about Tarantino's Death Proof part of the Grindhouse house double feature along with Robert Rodriguez's Planet Terror from 2007.  The film stars Vanessa Ferlito, Sydney Tamiia Poitier, Jordan Ladd, Marcy Harriell, Tracy Thoms, Rose Mcgowan, Kurt Russell, Rosario Dawson, Zoe Bell, Mary Elizabeth Winstead, Michael and James Parks Thanks for checkin us out!!! You can find us on Podbean.com and where other podcasts are found!!! Intro & Outro tracks from the Death Proof soundtrack. 1. Funky Fanfair by Keith Mansfield https://youtu.be/wnNW3ti1NPc?si=LpqpjRtqU07ynE5A The Last Race by Jack Nitzsche https://youtu.be/JjUr7g0KWOY?si=fURDmwWg_umMmYNF 2. Jeepster by T. Rex https://youtu.be/gunperx0vDc?si=1Jtc3AZkU797VOoG  

Michael Knowles sat with Lee Strobel recently and they talked about Near-Death Experiences, but there's something about certain near death experiences that atheists and skeptics simply cannot deny! There is just no good answer for this if you are committed to denying that God exists.Link to original video: https://youtu.be/c11i1an6aRg?si=KWZXzVNovq4yRyqhCheck out my second channel for deep Bible study: https://www.youtube.com/@EveryWord_WD Sign up for my Debate Masterclass: https://wisedisciple.org/masterclassJoin my awesome Patreon community: www.patreon.com/WiseDiscipleAccess exclusive discounts to Logos Bible Software: www.logos.com/WiseDiscipleUse WISEDISCIPLE10 for my discount at Biblingo: https://biblingo.org/pricing/?ref=wisediscipleGet my 5 Day Bible Reading Plan here: https://www.patreon.com/collection/565289?view=expandedGet your Wise Disciple merch here: https://bit.ly/wisediscipleWant a BETTER way to communicate your Christian faith? Check out my website: www.wisedisciple.org

"It's only car chase I can describe as dialogue-heavy."This week's scariest movie is... Death Proof. This film has everything: A scar that somehow makes it hotter that he's murdering you, foot close-ups, and a theory that will have kit marlowe scratching Shakespeare's head. If you love Snake Plissken thirst, feet you didn't consent to seeing, and the cursed brilliance of #Sorkentino, this episode's for you!Please Subscribe, Rate, and Review The Horror Virgin to help more people discover our community.What did you think of our episode on Death Proof? Tell us on social media @HorrorVirgin or @HorrorVirginPod on Twitter.Up Next: Silent Hill (2006)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mark and John discuss the 2007 horror action film Death Proof. Directed by Quentin Tarantino, and starring Kurt Russell, Zoë Bell, Vanessa Ferlito, and a nacho grande platter, the grindhouse film features Kurt Russell as a murderous stuntman who loves crashing his car into people. In this episode, they also talk about movie props, big stunts, and Kurt Rusell's legendary hair. Enjoy!

RIDE OR DIE!! Final Destination 3 Full Reaction Watch Along:   / thereelrejects   Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ With Final Destination: Bloodlines in theatres now, Andrew, Aaron & Johnald continue their death trap marathon giving their Final Destination 3 Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Andrew Gordon, Aaron Alexander, & John Humphrey as they ride the terror of Final Destination 3 (2006), where photographer Wendy Christensen (Mary Elizabeth Winstead, Death Proof, 10 Cloverfield Lane) has a chilling premonition of a roller coaster derailment at an amusement park. With quick-thinking peer Kevin Fischer (Ryan Merriman, Sleepwalkers, The Luck of the Irish) and a handful of classmates—best friends Ashley Freund (Chelan Simmons, Let the Right One In) and Ashlyn Halperin (Crystal Lowe, Final Destination 5), alumnus Frankie Cheeks (Sam Easton), athlete Lewis Romero (Texas Battle, Percy Jackson: Sea of Monsters), and goth couple Ian McKinley (Kris Lemche, In the Land of Women) and Erin Ulmer (Alexz Johnson, Instant Star)—she narrowly escapes Death's first strike. But surviving the “Devil's Flight” is only the beginning: Death's design plays out in bone-crushing booby traps and gruesome accidents—from the tanning-bed inferno and the log-truck diner massacre to the hardware-store stake-fall and the explosive fireworks finale—all foreshadowed in Wendy's photos. Don't miss our breakdown of the iconic subway crash premonition that leaves it all on the line and the desperate race to outsmart an unrelenting fate. #FinalDestination3 #MaryElizabethWinstead #RyanMerriman #ChelanSimmons #CrystalLowe #SamEaston #JamesWong #SlasherHorror #MovieReaction #ReactionReview #AndrewGordon #AaronAlexander #JohnHumphrey #React #Reaction #Movie #Movies #FIlm #Horror #HorrorMovie Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

ARE WE AN EFFECTIVE TEAM?!? Oblivion Full Reaction Watch Along:   / thereelrejects   Check Out Our Reject Apparel! https://www.rejectnationshop.com/ With Mission: Impossible - The Final Reckoning dropping soon & Joseph Kosinski returning with the highly-anticipated F1, Tara & Aaron give their Oblivion Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Tara Erickson & Aaron Alexander as they journey into Joseph Kosinski's visually stunning 2013 sci-fi epic Oblivion. Tom Cruise (Edge of Tomorrow, Mission: Impossible – Fallout) stars as Jack Harper, one of the last drone repair technicians on an Earth ravaged by war, whose meticulously ordered life alongside partner Victoria (Andrea Riseborough, Birdman, Prometheus) unravels when he rescues Julia (Olga Kurylenko, Quantum of Solace, Centurion) from a downed spacecraft. Nikolaj Coster-Waldau (Game of Thrones, The Other Woman) commands the mission as Sykes, while Oscar-winner Melissa Leo (The Fighter, Frozen River) lends her voice to the omnipresent AI “Sally” and stunt legend Zoë Bell (Kill Bill, Death Proof) turns up as a fierce survivor. Don't miss our breakdown of the film's most memorable moments—from the gravity-defying drone dogfights and the haunting hydro-rig panoramas to the mind-bending final twist that redefines everything Jack thought he knew about his mission and himself. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Please note: Like how Death Proof uses fake film grain to make it seem like it's an older movie, only to stop doing it halfway through, Laci and Matt's audio improves halfway through this episode. You might not even notice the audio isn't great in the first half... but if you do, just know it gets better eventually.   Friend of the Show Cinema Chris joins Laci and Matt to talk about Quentin Tarantino's Death Proof (2007). Originally a 90-minute movie presented as part of a double feature alongside Robert Rodriguez's Planet Terror, Death Proof now stands on its own (in an expanded edition) as one of the more fascinating entries in Tarantino's filmography. We discuss the beautiful animal that is Kurt Russell, Rose McGowan's captivating pronunciation of “chocolate milk,” and how much joy there is to be had in a car going vroom-vroom real fast.    Follow Chris on TikTok (https://www.tiktok.com/@cinemavault), Instagram (https://bit.ly/3GKiYc9), and Letterboxd (https://bit.ly/4m5AGqr).    Next week: Final Destination (2000)   Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! patreon.com/loadbearingbeams    Time stamps: 00:02:40 — Our personal histories with Death Proof 00:13:00 — History segment: The history of grindhouse; the history of Grindhouse  00:31:21 — In-depth movie discussion 01:30:00 — Final thoughts and star ratings   Sources: “House Party: Girls! Zombies! Serial killers! Step inside Quentin Tarantino and Robert Rodriguez's down 'n' dirty double feature, 'Grindhouse'” by Mike Cotton| Wizard Universe (2007) - https://bit.ly/42SuIR0  “Online Exclusive: Horror Film Directors Dish About 'Grindhouse' Trailers” by Gavin Edwards | Rolling Stone (2007) - https://bit.ly/43fCx3J  “Hungry zombies! A psychopath in a killer car! It's ‘'Grindhouse'!” by Chris Nashawaty | Entertainment Weekly (2007) - https://bit.ly/43fN52O    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ   Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social  

Hey folks, we had to make a programming change this week because one of our bodies did a medical oopsie and we ended up in the emergency room. Everything's fine... but wait till the bill comes, am I right?? Anyway, we had to push back our Death Proof episode, so now, we have unlocked our Royal Tenenbaums episode from behind the Patreon paywall. See you in a week! Love you goodbyeeee.

Friend of the Show Jen (@JenWalksN2Walls on TikTok) joins us to cover Sister Act 2. We once again follow the misadventures of Deloris (Whoopi Goldberg), a Las Vegas headliner who selfishly abandons the backup dancers, crew members, and support staff who rely on her show to make their living, all so she can go be a substitute teacher at a Catholic school for some reason. Seriously, is she paying all these people out of her pocket while her show is on hiatus? Or is she like Jimmy Fallon during the 2023 strikes, sending them each a $20 gift card and best wishes?   Anyway. This movie's a lot of fun, but it is all over the place. Looking into the production history, we see it's a hastily produced sequel that seems almost as if it started as an original, unrelated script about a high school choir competition and then had the Sister Act nuns awkwardly grafted onto it. Still, Whoopi Goldberg is her usual delightful self, but she's outshined by these delightful kids, including a just-about-to-be-a-superstar Lauryn Hill as Rita, a high schooler whose mom hates choirs more than anything else.    Next week: Death Proof (2007)   Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get extra episodes! In April, we're covering the pilot episode of the American Office, Matt has thoughts on Captain America: The Winter Soldier, and we're reviewing M. Night Shyamalan's The Happening. Subscribe at patreon.com/loadbearingbeams     Time stamps: 00:06:42 — Our personal histories with Sister Act 2 00:21:45 — History segment: Production of Sister Act 2 under director Bill Duke and its lasting legacy 00:39:30 — In-depth movie discussion 01:30:30 — Final thoughts and star ratings   Sources: “Bill Duke on ‘Deep Cover,' ‘Sister Act 2,' and Reshaping What Black Movies Could Be in the '90s” by Robert Daniels | IndieWire (2022) - https://bit.ly/3RNWPvw “How did ‘Sister Act 2' become a classic musical?” by David Dennis Jr. | Andscape (2019) - https://bit.ly/3Yz9Xse  “Sister Act 2 Cast Reunites to Sing 'Joyful, Joyful' and 'Oh Happy Day,' 30 Years After Film — Watch” by Dave Quinn | People Magazine (2024) - https://bit.ly/3G80r98  “A Fresh Take on Black America: On ‘Sister Act 2'” by Brandon Tensley | Los Angeles Review of Books (2023) - https://bit.ly/4iiL9vS  “‘Sister Act 2' Set the Gold Standard for Bad Sequels” by Caspar Salmon | Vice (2018) - https://bit.ly/3RkxkSv  “Whoopi Goldberg looks back on Sister Act” by Mary Sellosi | Entertainment Weekly (2017) - https://bit.ly/4ig3Obm    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ   Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social  

Episode 53: Good 4 Her - Femme Revenge Horror Part Two This episode was recorded on February 27, 2025 and posted on April 19, 2025.  Content Warning: Light vulgarity.  Introduction Welcome to No Bodies Episode 53 Introductions to your Ghost Hosts with the Most - Lonely of Lonely Horror Club and Suzie aka Projectile Varmint Introductions to our guests - Sarah & Kelly of Final Girls Podcast Today's Topic: Good 4 Her - Femme Revenge Horror Media Discussion The Nightingale (2018) Violation (2020) The Apology (2022) Best & Worst Representations of Femme Revenge Spoilers ahead! Worst The Woman (2011) - Sarah, Kelly & Suzie Best Promising Young Woman (2020) and Thelma & Louise (1991) - Sarah Promising Young Woman (2020) and Death Proof (2007) - Kelly The Nightingale (2018) and The Dark (2018) - Lonely True Detective Season 1 (2014) - Suzie Suzie's Deep Cuts & Surface Wounds This segment highlights lesser known films based on their IMDB ratings. If something has 5k or under reviews on IMDB, we'll call it a Deep Cut. If something has between 6-10k reviews on IMDB, we'll call it a Surface Wound. Locked In (2023) Closing Thoughts Do you think consuming rape-revenge horror is vital to being a “true” horror fan? Why or why not? Thank you to our guests! Check out Kelly & Sarah's show Final Girls wherever you get your podcasts! Follow Final Girls on instagram @finalgirlspodcast.  Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Subscribe to our YouTube channel for exclusive video episodes coming soon! Take part in our audience engagement challenge - The Coroner's Report! Comment, share, or interact with any Coroner's Report post on our socials to be featured in an upcoming episode.  Projectile Varmint - keep up with Suzie's film musings on Instagram @projectile__varmint Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you!  Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources McAndrews, M. B. (2019, October 8). [Through Her Eyes] The history of Rape-Revenge films and the importance of female directors. Bloody Disgusting! https://bloody-disgusting.com/editorials/3586210/eyes-history-rape-revenge-films-importance-female-directors/ Wikipedia contributors. (2025, January 16).  Rape and revenge. Wikipedia. https://en.wikipedia.org/wiki/Rape_and_revenge#:~:text=Rape%20and%20revenge%2C%20or%20rape,underground%20cinema%2C%20and%20arthouse%20cinema.

Brian and Shelly discuss 2000s slashers including My Bloody Valentine, Behind the Mask and Death Proof

Going Gonzo for Chocobo Samantha Inoue-Harte may just have the most diverse resume of anyone that we have ever interviewed on the show. She is an actress, voice actress, worked in VFX, Special Effects, owns a recording studio, works as head of content and so much more. And then, to top it all off, she plays the drums as well ... so yeah, she's a musician. Oh , and then .... shes also partnering with Wu Tang Clan to bring an Afro Samurai clothing line to market. No biggie ... You have seen Samantha's work in movies like Office Space, Predators, Alita: Battle Angel, Death Proof, and Planet Terror. You have heard her in shows and games like Final Fantasy Unlimited, Star Wars: The Old Republic, Negima!, World of Warcraft, Idiocracy, and more! For more on Samanthan Inoue-Harte, please visit the following - Instagram - @animegirl_sami IMDb - https://www.imdb.com/name/nm1404109/ For more on our show partners - Bones Coffee - http://www.bonescoffee.com/FSFPOPCAST and use code FSFPOPCAST Idea Farm - www.ideafarm.store - use discount code FSF15 Level Up Sabers https://bit.ly/FSFLevelUpSabers Win free loot - sign up here - www.fsfpopcast.com/contact Tim Beisiegels articles - https://couchsoup.com/author/byeseagull For more on our Show - Join our Patreon https://patreon.com/fsfpopcast Join our Discord! https://discord.gg/cpry4fCDTq Visit our website - https://www.fsfpopcast.com FSF PopCast on BlueSky, Instagram, Threads, and Facebook - @fsfpopcast This podcast is powered by Pinecast.

It's time for one of those huge episodes. Well, it's a three parter anyways. 2007 was a damn fine year for horror movies. Unfortunately though, there is no iron clad masterpiece amongst them. Just a ton of really decent films. But, what do I think was the very greatest horror movie that came out during 2007? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and a 4+ hour running time split over 3 episodes. This is 2007, A Year In Horror.It's a pretty long journey this one, part 3 of 3 in fact. I am going to give you the time codes below so if you don't want spoilers then, please, avert your eyes.0.32 - The Mist (w/ Howard H. Smith) 39.14 - Death Proof (w/ Perran Helyes)1.28.33 - Outro You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.

Take 153: Kill Bill Vol. 2, & Death Proof. Tarantino In Review Pt. 3

Welcome to Dev Game Club, where this week we begin a new series on 1997's Interstate '76. We set the game a bit in its time, talk about Activision (almost as an afterthought), and then start getting into the characters and the vibe, of which there is much. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Early mission or two Issues covered: a game time forgot, playing a sim game genre, a unique take on the sim genre plus car combat, prepping the sim elements vs the actual play, other games from that year, taking a formula and doing something different with it, modern exploitation-inspired games, exploitation cinema, grindhouse, other potential influences and inspirations, why you pick sparse environments, breakable cacti, a huge variety of games, low-cost film-making and democratization, vigilantes, a bland corporation, text adventures, a business and not a game company, seeing the impact of acquisition or mergers, character introductions, fake actors playing characters, character names, Groove Champion vs Stiletto Anyway, stylized and simplified characters, flat shading and seeing every polygon, connecting to the character in the cockpit and via the radio, naturally cinematic, stylized presence, jitteriness and physics, compounding errors, deterministic physics, preserving this game and finding ways to play it, just shipping a game, dealing with a controller vs keyboard.    Games, people, and influences mentioned or discussed: TIE Fighter (series), Starfighter, MechWarrior (series), Voltron, Diablo, Resident Evil, The Last Express, Fallout, GoldenEye, Castlevania: SotN, Age of Empires, Outlaws, Curse of Monkey Island, Dark Forces 2, Shadows of the Empire, Wing Commander: Prophecy, Final Fantasy VII, Mario Kart 64, Gran Turismo, PlayStation, Dark Forces, Final Fantasy Tactics, Wet, Kane and Lynch, Suda 51, Grasshopper Interactive, Killer 7, Death Race 2000, Russ Meyers, Death Proof, Mad Max (series), MegaMan 8, Kaeon, Cleopatra Jones, Enter the Dragon, Jim Kelly, Bruce Lee, Game of Death, Quentin Tarantino, Kill Bill, Fist of Fury, Starsky and Hutch, River Raid, Pitfall, David Crane, Atari, Call of Duty, Guitar Hero, Capcom, Blizzard, id Software, Interplay, Infocom, Zork (series), Witness, Enchanter (series), Ballyhoo, Lurking Horror, Electronic Arts, Bobby Kotick, Nintendo, BattleZone, Pac-Man, Jason Schreier, Play Nice: The Rise and Fall of Blizzard Entertainment, Hearthstone, Marvel Snap, Ultima (series), Bioware, Treyarch, Raven Software, Heretic/Hexen, Quake, Battletech/FASA Entertainment, Anachronox, Pam Grier, Chuck Norris, Dungeon Keeper, Half-Life 2, Indiana Jones and the Internal Machine, Video Game History Foundation, Star Wars: Episode I: Racer, Forza (series), Falcon (series), Dark Souls, Minecraft, LostLake86, Mors, Kirk Hamilton, Aaron Evers, Mark Garcia.   Errata: Lost Treasures of Infocom actually originally came out in 1991. We regret the error.  Next time: More I'76! Twitch Discord DevGameClub@gmail.com

Today we are talking Quentin Tarantino's 2007 film Death Proof. We explore its unique take on the slasher genre, the iconic performances by Kurt Russell and its throwback to 1970s exploitation cinema. Join us as we break down the film's thrilling car chases, dialogue-heavy moments, and the balance between horror and action that make Death Proof a standout in Tarantino's filmography.Apple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3YouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videosInstagram: https://www.instagram.com/wheel_of_horror/Twitter/X: https://twitter.com/HorrorWheel

Join us on our latest podcast episode as we dive deep into the cinematic worlds of Quentin Tarantino with a thrilling review of "Death Proof" and "Inglourious Basterds"! We'll explore the gritty homage to grindhouse cinema in "Death Proof," dissecting its unique storytelling while also unraveling the audacious reimagining of World War II in "Inglourious Basterds," where revenge and dark humor collide.

Grab your belts and hop on the roof of that car because we're discussing our very first Quentin Tarantino film in 2007's pseudo-slasher/exploitation film Death Proof. Join us as we conclude the Grindhouse double feature that we started last year with Planet Terror. From the debates about the film's feminist messaging to Tarantino's own disillusionment with the film, we have a lot to say! Plus: dialogue, dialogue and more dialogue, discussing the rest of the fake trailers, why Arlene/Butterfly (Vanessa Ferlito) is Joe's favorite character and one Hell of a final shot. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, BlueSky, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon!   Theme Music: Alexander Nakarada    Learn more about your ad choices. Visit megaphone.fm/adchoices

Our feature presentation! Join Reneé, John Paul, and Travis as they discuss the 2007 double feature "Grindhouse," which consists of Robert Rodriguez's "Planet Terror" and Quentin Tarantino's "Death Proof." Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem  Pod Mortem / Stairhole Productions Merch: https://www.teepublic.com/user/thepodmortem Pod Mortem would like to thank Original CINematic for sponsoring this week's episode! https://www.ogcinpro.com/  Feel free to contact: William Rush: wrush@ogcinpro.com Xxena Rush: xrush@ogcinpro.com    Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem Follow us on Instagram: https://www.instagram.com/thepodmortem https://www.instagram.com/travismwh https://www.instagram.com/bloodandsmoke https://www.instagram.com/juggalodaddy84 Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh What would you rate Grindhouse and what should we watch next? Email us at thepodmortem@gmail.com    "Pod Mortem Theme" written and performed by Travis Hunter-Sayapin. https://youtube.com/travismwh

It's the day after the election, and the crew dives into politics with a mix of humor and honesty. Get ready for adult themes, bold opinions, and some unexpected twists! This week, Trevin makes an enlightening trip to Massachusetts, where he uncovers "America" in a unique way, sparking a deep reflection on childhood roles—whether you're the "bedroom kid" or the "living room kid"—and the power of acceptance in shaping young minds. Meanwhile, Amanda is stuck dealing with a sinkhole that local officials have decided can wait until next year. In Killer Facts, we uncover some wild trivia about "The Beast," the president's fortified limo (also known by the codename Stagecoach). Amanda surprises Trevin with the imaginative world of Kane Kwei's fantasy coffins, leading to a fun debate on what custom coffin design Trevin would choose. And now for what you've all been waiting for: Story Time! Trevin shares the wild story of Emily Grover and the stolen election of 2020, complete with intense interrogations and a dose of political satire. Amanda tells the tale of comedian Ariel Elias and her unforgettable encounter with someone else's political rage. Both stories offer a humorous yet candid look into the world of politics, only the way Live, Laugh, Larceny could. Today's Stories: The Stolen Election of 2020 When Q&As Go Wrong (Discussions include: Politics, Election, Voting, America, Pride, BLM, Berkshires, Churches, Roadwork, Pothole, Armored Vehicle, Cadillac, Presidential Fact, Bulletproof, Deathproof, Laura Carroll, Tate Highschool, Election Runner, Rigged, Cheating, Samantha Guerrer, Comedy Club, Stand-up Comedy, Joe Biden, Donald Trump, Uncle Vinnie's, New Jersey, Pensacola, Florida, Heckler, Beer, Tyler Fischer, Jimmy Kimmel Live, Stephen Colbert) Join our Facebook Group: https://www.facebook.com/groups/livelaughlarcenydoomedcrew For ad-free episodes and lots of other bonus content, join our Patreon! https://www.patreon.com/LiveLaughLarceny  Check out our website: HereFollow us on Instagram: HereFollow us on Facebook: HereFollow us on TikTok: HereFollow us on Twitter: Here  If you have a crime you'd like to hear on our show OR have a personal petty story, email us at livelaughlarceny@gmail.com or send us a DM on any of our socials!

Welcome the finale of our Halloween Series! For this episode, you get a double feature--Quentin Tarantino's Death Proof and Robert Rodriguez's Planet Terror. Both flicks pay homage to exploitation genre of 70s horror. That means you'll see deliberately damaged film stock, missing reels, and cheesy dialogue.It's a fine line between clever and indulgent. Where do these movies fall? Are they scary, or just goofy? How does an all-star cast handle the film? Tune in to this special bonus episode and find out!#horror #DeathProof #PlanetTeror #2000s #halloween #Cinemavino

If there was such a thing as the American ambassador to 60s French Pop it would have to be Elinor Blake, better known as April March. Elinor began her professional career in the world of animation back in the early 80s before she took on the April March rock and roll alter-ego. You've probably heard her music over the last few decades classic cartoons like The Ren and Stimpy Show and I Am Weasel and cult favorite films including But I'm A Cheerleader and Death Proof. She's rubbed shoulders with all kinds of heavy figures in the entertainment world, including Ronnie Spector, Pee Wee Herman, Frank Zappa, Maya Rudolph, and numerous figues in classic and contemporary Franch pop. I spoke with Elinor in the Summer of 2024 about her storied career, starting with a sneak preview of her upcoming 2025 album Villerville.

Roughly 10 years ago, when I was in my early days of covering film festivals, I was thrilled to get the opportunity to sit down with the team responsible for a movie that spotlighted a group of women who were, and still are, utter forces in film and television. That team? The filmmakers behind Raze, led by prolific stunt performer and coordinator, Zoë Bell.Well aware of her work in Kill Bill, Death Proof, Inglorious Basterds, Whip It, and then some, I was quite eager to see what Bell could do both in front of and behind the lens in new ways. Not only did she headline Raze, but she also produced it and heavily contributed to the development of the story and the action right from the start. It was a significant leap that suggested she'd continue to soar in film and television in a multitude of ways.Sure enough, at the end of September 2024, there we were celebrating Raze 10 years after release, discussing her accomplishments working on blockbusters like Thor: Ragnarok and Once Upon a Time… in Hollywood, and teasing her upcoming feature directorial debut. Bell is a proven unstoppable powerhouse in this business, and it was a treat and honor to get to discuss how she found her craft and voice in such a high-pressure line of work, and how she continues to expand that skill set every step of the way, making a bigger and bigger mark on this industry with her art. Hosted on Acast. See acast.com/privacy for more information.

Actor and improviser Ken Breese is back, this time to sing the praises of Tarantino's DEATH PROOF (2007), one of Joe Cabello's favorites. What's it like being cornered by not one, but two tarantino fanatics? Ask Sasha, or simply listen to find out. Episode Links: Joe's Patreon Mr. Owl's Website