Podcasts about African American Review

University of Georgia professor, Rafiki Jenkins, joins Doc and Mike to discuss the origins of human monstrosity (can a human be monstrous?) and how horror fictions presents and complicates history and American culture. We hope you have a fortunate Friday the 13th!   Jerry Rafiki Jenkins is Assistant Director of the Institute for African American Studies at the University of Georgia. Rafiki holds a doctorate in Literature from the University of California, San Diego, and his research focuses on Black speculative fiction and film, with an emphasis on horror, and future human studies. Rafiki is the author of Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024) and The Paradox of Blackness in African American Vampire Fiction (Ohio State UP, 2019), and he co-edited, with Martin Japtok, Human Contradictions in Octavia E. Butler's Work (Palgrave Macmillan, 2020) and Authentic Blackness/Real Blackness: Essays on the Meaning of Blackness in Literature and Culture (Peter Lang, 2011). Rafiki has also authored several book chapters, and his peer-reviewed articles appear in Pacific Coast Philology, Screening Noir, African American Review, Journal of Children's Literature, and Science Fiction Studies.     About this podcast: MONSTERS! They haunt our days and chill our dreaming nights, to paraphrase Emily Dickinson. There's not a population on earth that does not have its own unique monster stories to tell to frighten, but also to instruct on the nature of good and evil, right and wrong. But what happens when monsters get out of control, when the monstrous imagination starts to bleed over into the real world? What are the effects of monsters on real people's real lives? This podcast examines the histories and mysteries of some of our favorite monsters to unlock their secrets and expose their influence on our lives.   About the hosts: Michael Chemers (MFA, PhD) is a Professor of Dramatic Literature in the Department of Theater Arts at UC Santa Cruz. His work on monsters includes The Monster in Theatre History: This Thing of Darkness (London, UK: Routledge 2018). Dr. Chemers is the Founding Director of The Center for Monster Studies. Formerly the Founding Director of the Bachelor of Fine Arts in Dramaturgy Program at Carnegie Mellon University, he joined the faculty of UCSC in 2012. He is also the author of Ghost Light: An Introductory Handbook for Dramaturgy (Carbondale, IL: Southern Illinois University Press, 2010) and Staging Stigma: A Critical Examination of the American Freak Show (New York: Palgrave MacMillan, 2007). Dr. Chemers is also an actor, a juggler, and a writer of drama. Mike Halekakis is an entrepreneur, business owner, internet marketer, software engineer, writer, musician, podcaster, and hardcore situational enthusiast. He is the co-founder of What We Learned, a company that specializes in compassionate training courses on complex adult subjects such as caregiving for people who are sick, planning for death, and administering after the loss of a loved one. He is also the CEO of Moneyfingers Inc., a company that trains people on how to successfully create, market, and sell products on the internet. When not burning the candle at both ends with a blowtorch, Mike loves video games, outdoor festivals, reading comics and novels, role-playing, writing and playing music, hanging out with the world's best cats, and spending time with his amazing wife and their collective worldwide friend-group.

This discussion is with Dr. Bryan Sinche, a Professor and Chair of English at the University of Hartford. He has written more than twenty essays and reviews which appear in journals such as American Literary History, African American Review, ESQ, Legacy, and Biography and in collections published by Basic Books, Cambridge University Press, and the University of Wisconsin Press. He is also the editor of two books: The Guide for Teachers accompanying the third edition of the Norton Anthology of African American Literature (2014) and the first scholarly edition of Appointed: An American Novel (2019, co-edited with Eric Gardner). In this conversation, we discuss his latest monograph, Published by the Author: Self-Publication and Nineteenth-Century African American Literature, published by the University of North Carolina Press in 2024, where he discusses the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. 

PEN/Bellwether winner Fabienne Josaphat spoke with me about being born into storytelling, writing socially engaged fiction, and the revolution and injustice at the center of her new novel KINGDOM OF NO TOMORROW. Fabienne Josaphat was born and raised in Haiti, and graduated with an MFA in Creative Writing from Florida International University. Her sophomore novel KINGDOM OF NO TOMORROW was the 2023 winner of the PEN / Bellwether Prize for Socially Engaged Fiction. Barbara Kingsolver established the biennial prize in 2000 to highlight previously unpublished works of fiction that addressed issues of social justice. Barbara Kingsolver, Pulitzer Prize-winning author of Demon Copperhead, said of the book, "This beautifully convincing slice of history is powered not just by good research, but by lots of suspense, compelling characters, and understated political themes that …. bring the fierce vision of the Black Panthers to new generations of readers, adding some stunning context to the modern Black Lives Matter movement." In addition to fiction, Josaphat writes non-fiction, screenplays, and is an anthologized poet. Her work has been featured in The African American Review, The Washington Post, Teen Vogue, The Master's Review, Grist Journal, and many others. [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Fabienne Josaphat and I discussed: Why her grandfather's stories helped shape her into a writer The surreal journey from award-winner to publication of her second novel How the Black Panthers were maligned by mainstream media The importance of preserving the oral storytelling tradition of her culture What writers can do to tame distraction And a lot more! Show Notes:  PEN/Bellwether Prize for Socially Engaged Fiction - PEN America Kingdom of No Tomorrow by Fabienne Josaphat  (Amazon) Fabienne Josaphat on Instagram Fabienne Josaphat on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Diverse Voices Book Review host interviewed Fabienne Josephat, author of Kingdom of No Tomorrow. Kingdom of No Tomorrow  is a historical novel that delves into the Black Panther Party from 1968 to 1969 through the perspective of protagonist Nettie Boileau. She volunteers at the Black Panthers' Free Health Clinics in Oakland and develops a romantic relationship with Melvin Mosley, a defense captain in the Black Panther Party. Their move to Chicago to assist in founding the Illinois chapter exposes them to J. Edgar Hoover's secret operations against civil rights activists.In the interview, Josephat discusses her journey in writing her second novel, her trepidation in tackling such a sensitive subject, and the importance of accuracy and dignity in portraying the Black Panthers. The novel blends historical events with fictional characters, emphasizing the Black Panthers' community programs and the internal conflicts within the movement.Fabienne Josaphat was born and raised in Haiti, and graduated with an MFA in Creative Writing from Florida International University. Her first novel, Dancing in the Baron's Shadow, published with Unnamed Press, Edwidge Danticat said, “Filled with life, suspense, and humor, this powerful first novel is an irresistible read about the nature of good and evil, terror and injustice, and ultimately triumph and love.” In addition to fiction, Josaphat writes non-fiction and poetry, as well as screenplays. Her work has been featured in The African American Review, The Washington Post, Teen Vogue, The Master's Review, Grist Journal, Damselfly, Hinchas de Poesia, Off the Coast Journal and The Caribbean Writer. Her poems have been anthologized in Eight Miami Poets, a Jai-Alai Books publication. Fabienne Josaphat lives in South Florida.Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Twitter - @diversebookshay Email: hbh@diversevoicesbookreview.com  

Where can you find paths to engagement?How can you redefine excellence for yourself?What would it look like for you to embrace curiosity in your own life and stories?...Emily Ruth Rutter is Professor of English, Associate Dean of the Honors College, and affiliate faculty in Women's, Gender, and African American Studies at Ball State University. She is the author of four monographs, most recently White Lies and Allies in Contemporary Black Media (Routledge, 2023). She is co-editor of Revisiting the Elegy in the Black Lives Matter Era (Routledge, 2020) and the forthcoming Black Saturation: Selected Works of Stephen E. Henderson (University Press of Mississippi, 2025). She is the recipient of numerous awards and grants, including from the National Endowment for the Humanities. Her essays have appeared in African American Review, MELUS, South Atlantic Review, and Tulsa Studies in Women's Literature, among other journals and edited collections.Today, Emily introduces herself and shares some of the stories that make her believe that education transforms lives. Abbie and Emily explore the paths to engagement in conversation about antiracism, bias, and intersectionality, especially for white people. Emily explains inclusive excellence as a framework and explores how to make it in our social worlds. Abbie and Emily discuss  mythical norms, epistemology (how we know what we know), imagination, and curiosity. ...Stories Lived. Stories Told. is created, produced & hosted by Abbie VanMeter.Stories Lived. Stories Told. is an initiative of the CMM Institute for Personal and Social Evolution....Music for Stories Lived. Stories Told. is created by Rik Spann.Find Rik on  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to our conversation with Rik in ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ep. 8⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠....Visit the Stories Lived. Stories Told. website.Follow Stories Lived. Stories Told. on Instagram.Subscribe to Stories Lived. Stories Told. on YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Explore all things Stories Lived. Stories Told. here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Subscribe to CMM Institute on Substack.Connect with the CMM Institute on LinkedIn and Facebook.Access all CosmoActivities for FREE!Participate in the CosmoParents Survey.Visit the CMM Institute website.Learn more about Cosmopolis 2045.

581. Part 2 of our conversation with Matthew Teutsch about his article, "Blood in the Pool: The 1868 Bossier Massacre." "Violent, racist attacks didn't just occur in Bossier. They occurred across the Red River in Caddo Parish and all throughout the Red River Valley. Gilles Vandal notes that during Reconstruction 45% of the murders in Louisiana were concentrated in the northwestern part of the state. Caddo accounted for 16% of the homicides even though it only accounted for 3% of the state's population. People may have tried to cleanse the soil of the blood, but the blood remains deep within the earth." "Matthew Teutsch is the Director of the Lillian E. Smith Center at Piedmont College. He maintains Interminable Rambling, a blog on literature, culture, and pedagogy,  and has published articles and book reviews in various venues including Lear, Melus, Mississippi Quarterly, African American Review and Callaloo. His research focus is African American, Southern, and Nineteenth Century American literature. He is the editor of Rediscovering Frank Yerby: Critical Essays (UPM 2020), and his current project examines Christopher Priest's run on Black Panther. Follow him on Twitter at @SilasLapham." Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. July 7, 1912. Grabow 'Lumber War' shootout takes place near DeRidder, 3 killed, 37 wounded. This week in New Orleans history. Summer Showers. July 7, 1939. Beginning in the mid-1930s, and for several years after, the Recreation Project of the WPA sponsored the "Summer Showers" program in conjunction with the New Orleans Fire Department. Several days a week throughout the summer, firemen closed off a street, opened the hydrants and attached special nozzles to their hoses so the children of New Orleans could frolick and beat the heat  This week in Louisiana. 18th Annual Celebration San Fermin in Nueva Orleans Gallier Hall 545 St Charles Ave. New Orleans, LA 70130 Website July 12 · 5:30 pm - July 14 · 2:00 pm Cost $15 – $95. Get Tickets Here New Orleans Running of the Bulls San Fermin in Nueva Orleans 2024- XVIII The 18th Edition of the Running of the Bulls in New Orleans promises to be very different and very exciting! Book your trip and hotel and register today! This years event will be the weekend of July 12-14 and we will have a full slate of events. Txupinazo, Running of the Roller Derby Bulls, and El Pobre de Mi all at an iconic location! Gallier Hall, once the home of New Orleans City Hall!  Stay tuned to all social media channels and we'll keep you updated as the stars align. ¡YA FALTA MENOS! Postcards from Louisiana. The Tremé Brass Band plays at the dba bar on Frenchment St. in New Orleans. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

580. Part 1 of our interview with Matthew Teutsch about his article, "Blood in the Pool: The 1868 Bossier Massacre."  "Violent, racist attacks didn't just occur in Bossier. They occurred across the Red River in Caddo Parish and all throughout the Red River Valley. Gilles Vandal notes that during Reconstruction 45% of the murders in Louisiana were concentrated in the northwestern part of the state. Caddo accounted for 16% of the homicides even though it only accounted for 3% of the state's population. People may have tried to cleanse the soil of the blood, but the blood remains deep within the earth." "Matthew Teutsch is the Director of the Lillian E. Smith Center at Piedmont College. He maintains Interminable Rambling, a blog on literature, culture, and pedagogy,  and has published articles and book reviews in various venues including Lear, Melus, Mississippi Quarterly, African American Review and Callaloo. His research focus is African American, Southern, and Nineteenth Century American literature. He is the editor of Rediscovering Frank Yerby: Critical Essays (UPM 2020), and his current project examines Christopher Priest's run on Black Panther. Follow him on Twitter at @SilasLapham." Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. June 30, 1870. Robert E. Lee and the Natchez began their famous riverboat race. This week in New Orleans history. On June 27, 1957, Hurricane Audrey reached peak sustained winds of 145 mph, making it a major hurricane.   Without decreasing windspeed, it made landfall between the mouth of the Sabine River and Cameron, Louisiana the following day. Damage in Louisiana resulted in 60-80 percent of the homes and businesses from Cameron to Grand Cheniere being severely damaged or destroyed. Audrey killed at least 416 people, the majority of which were in Cameron Parish.  40,000 people were left homeless, over 300 homeless in Louisiana. This week in Louisiana. Tunes on the Teche 4th of July Breaux Bridge St. Bernard Catholic Church 204 North Main Street Breaux Bridge, LA 70517 Website Live Music with Steve Riley and the Mamou Playboys on the Bayou Teche at Parc des Point in Breaux Bridge for the 4th of July Celebration!  Thursday July 4th at 6:00 PM!  A family-friendly and free night of music, food, drinks, and fireworks on the banks of the Bayou Teche. Postcards from Louisiana. Long Haul Paul. "Mercy Now." Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Today we speak with Harvard professor Robin Bernstein about her new book, Freeman's Challenge: The Murder that Shook America's Original Prison for Profit. While researching a book to develop her earlier interests in race and childhood, Bernstein came across the case of Afro-Indigenous teenager William Freeman, who in the late 19th century was convicted of stealing a horse and sentenced to five years in the federal prison in his home town, Auburn, New York. Forced to work for only nominal pay, beaten so much he lost the hearing in one ear, when released Freeman had the audacity to sue to recover lost wages. He stated repeatedly, “I am not going to work for nothing,” meaning both that he had not committed the crime he was convicted of, and that as a free man, he was not going to work for nothing. Bernstein's book quickly became about the intimately connected stories of Freeman and Auburn prison, about the ways the prison insinuated itself into the town's economy. So much so that any one who might testify against Freeman would likely be compromised by the way they benefitted financially from the prison. This remarkable study has everything to do with today's abolitionist movement, and Bernstein tells how, in the course of writing this book, she herself became an abolitionist. Robin Bernstein is the Dillon Professor of American History and Professor of African and African American Studies and of Studies of Women, Gender, and Sexuality at Harvard University. Her previous books include Racial Innocence: Performing American Childhood from Slavery to Civil Rights, which won five awards. Her new book, Freeman's Challenge: The Murder that Shook America's Original Prison for Profit, was written with support from the National Endowment for the Humanities and the Radcliffe Institute for Advanced Study. She has published in the New York Times, African American Review, Social Text, J19: The Journal of Nineteenth-Century Americanists, and many other venues. She recently published the forgotten 1897 slave narrative of Jane Clark, who liberated herself from slavery in Maryland by undergoing an arduous three-year journey that ended in Auburn, New York in 1859. The full text of the narrative, along with annotations and an introduction, was published in Commonplace. 

Ep. 51 ⁠DuEwa⁠ interviewed author ⁠Courtney Thorsson⁠ about her new book, The Sisterhood: How a Network of Black Women Writers Changed American Culture (2024). Visit Courtney's website at ⁠www.CourtneyThorsson.com.⁠ Follow Nerdacity on IG @nerdacitypodcast and DuEwa IG @drduewawrites. www.duewaworld.com Tweet and follow on X @nerdacitypod1. Fan/follow Nerdacity on Facebook. Donate to Paypal.me/duewaworld  Bio ⁠Courtney Thorsson⁠ is an associate professor at the University of Oregon, where she teaches, studies, and writes about African American literature. Her first book ⁠Women's Work: Nationalism and Contemporary African American Women's Novels⁠ argues that Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism in their novels of the 1980s and 90s. Her writing has appeared in publications including Callaloo; African American Review; MELUS; Gastronomica; Contemporary Literature; Legacy; and Public Books. Her new book, ⁠The Sisterhood: How a Network of Black Women Writers Changed American Culture⁠ tells the story of how a remarkable community of Black women writers and intellectuals transformed political, literary, and academic cultures. She is the recipient of a Public Scholars Award from the National Endowment for the Humanities in support of the research and writing of The Sisterhood.   --- Support this podcast: https://podcasters.spotify.com/pod/show/duewafrazier/support

In this episode we head across the border one more time for a consideration of the Border Trilogy as a whole.  How does knowing how the story begins and ends change how we read any of the different parts?  My guests on this filibuster over the border include Dr. Nell Sullivan, a Kentuckian who earned her BA in English from Vanderbilt University and earned her PhD from Rice University.  She is currently Professor of English at University of Houston-Downtown, where she teaches courses in American literature and the literature of the American South.  A former editor of the Cormac McCarthy Journal, she has published extensively on gender and class representation in McCarthy's novels, and has also published essays on Katherine Dunn, William Faulkner, and Nella Larsen, among others.  Her work has appeared in numerous essay collections and in such journals as Genre, Critique, The Southern Quarterly, Mississippi Quarterly, and African American Review.   She's joined by long time contributor Dr. Stephen Frye.  Steve Frye is professor and chair of English at California State University, Bakersfield and President of the Cormac McCarthy Society. He is the author of Understanding Cormac McCarthy (Univ. of South Carolina Press) and editor of The Cambridge Companion to Cormac McCarthy, and Cambridge UP's Cormac McCarthy in Context. He has written numerous journal articles on Cormac McCarthy and other authors of the American Romanticist Tradition.  Additionally, he is the author of the novel Dogwood Crossing and the book, Unguessed Kinships: Naturalism and the Geography of Hope in Cormac McCarthy, University of Alabama Press. Bringing in a breath of non-academic fresh air is Marty Priola. Voracious reader, a sometime critic, and book collector, Marty attended the Christian Brothers University of Memphis, the Publishing Institute at the University of Denver, and earned his J.D. at the University of Memphis.  Marty's website for McCarthy appreciation became the first website and a foundational part of the formation of the Cormac McCarthy Society, and he still maintains the Cormac McCarthy webpages and forums.  He has written two entries on McCarthy for the Dictionary of Literary Biography. His writing is also featured in exchanges with Peter Josyph in Cormac Mccarthy's House: Reading Mccarthy Without Walls and The Wrong Reader's Guide to Cormac Mccarthy: All The Pretty Horses, which he edited and published in its first (ebook) form.   As always, listeners should beware: there be spoilers here. Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. We appreciate favorable reviews on your favorite podcasting platform.  If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.  To contact me, please reach out to readingmccarthy(@)gmail.comThe website is at readingmccarthy.buzzsprout.com, and if you'd like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.Support the showStarting in spring of 2023, the podcast will accept minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

This is our final of 3 tribute episodes in the wake of Cormac McCarthy's passing this past June.  Guests on this final tribute episode include: Dr. Steven Frye, professor and chair of English at California State University in Bakersfield.  Steve has just stepped down as President of the Cormac McCarthy Society. He is the author of Understanding Cormac McCarthy (Univ. of South Carolina Press) and editor of The Cambridge Companion to Cormac McCarthy, and Cambridge UP's Cormac McCarthy in Context. His book Unguessed Kinships: Naturalism and the Geography of Hope in Cormac McCarthy was released this past summer.  Dr.  Nell Sullivan earned a BA in English from Vanderbilt University and earned her PhD in English from Rice University.  She is currently Professor of English at University of Houston-Downtown, where she teaches courses in American literature and the literature of the American South.  A former editor of the Cormac McCarthy Journal, she has published extensively on gender and class representation in McCarthy's novels, and has also published essays on Katherine Dunn, William Faulkner, and Nella Larsen, among others.  Her work has appeared in numerous essay collections and in such journals as Genre, Critique, The Southern Quarterly, Mississippi Quarterly, and African American Review.Dr.  Bill Hardwig is an Associate Professor of English at the University of Tennessee. His book Upon Provincialism: Southern Literature and National Periodical Culture, 1870-1900 was published by the University of Virginia Press in 2013.  He has written and published various essays on McCarthy and is currently working on a book-length study of McCarthy's fiction tentatively titled How Cormac Works: McCarthy, Language, and Style.  He is also creator of the website Literary Knox (www.literaryknox.com), which presents the rich literary history of the city in which he lives and works, Knoxville, Tennessee.  Rick Wallach is one of the founders of the Cormac McCarthy society, and recently retired after some few years teaching English at the University of Miami, He is senior editor of the Cormac McCarthy Society casebook series, and editor of the two-volume collection of essays Sacred Violence as well as Myth, Legend Dust: Critical Responses to Cormac McCarthy, and co-editor with Lynnea Chapman King and the late James Welsh of From Novel to Film: No Country for Old Men. He has written widely and extensively on numerous topics in literature, film, media and contemporary music.  As always, listeners beware: there be spoilers here. All music for Reading McCarthy composed, performed, and produced by Thomas Frye.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  We appreciate favorable reviews on your favorite podcasting platform.  If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.  To contact me, please reach out to readingmccarthy(@)gmail.com.   The website is at readingmccarthy.buzzsprout.com, and if you'd like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino, or you can support us at www.patreon.com/readingmSupport the showStarting in spring of 2023, the podcast will accept minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

In this episode of the Poetry Edition, Rose Postma interviews Julie L. Moore about her poem “Harlem Sunday.” A Best of the Net and eight-time Pushcart Prize nominee, Julie is the author of four poetry collections, including, most recently, Full Worm Moon, which won a 2018 Woodrow Hall Top Shelf Award and received honorable mention for the Conference on Christianity and Literature's 2018 Book of the Year Award. Recent poetry has appeared in African American Review, Image, Quartet, Sojourners, SWWIM, Thimble, and Verse Daily. Learn more about her work at julielmoore.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/reformed-journal/message

In Part 2 of our conversation with Jesse McCarthy, we discuss the spiritual and intellectual underpinnings of The Souls of Black Folk and break down common misperceptions about the work. Jesse also explains why he always teaches The Souls of Black Folk with music. Jesse McCarthy is the editor of the Norton Library edition of The Souls of Black Folk and Assistant Professor in the departments of English and of African and African American Studies at Harvard University. He has published articles and reviews in the journals transposition, NOVEL, and African American Review and contributed chapters to Richard Wright in Context and Ralph Ellison in Context  as well as a new introduction for Vincent O. Carter's long out-of-print memoir The Bern Book. He is also the author of Who Will Pay Reparations on My Soul? , a collection of essays; and a novel, The Fugitivities.To learn more or purchase a copy of the Norton Library edition ofThe Souls of Black Folk,  go to https://seagull.wwnorton.com/TSOBF.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Listen to our Spotify playlist inspired by The Souls of Black Folk: https://shorturl.at/dASV5.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.Episode transcript at: https://seagull.wwnorton.com/thesoulsofblackfolk/part2/transcript.

In this episode of the Norton Library Podcast, we welcome Jesse McCarthy to discuss who  W. E. B. Du Bois was and how The Souls of Black Folk came to be.  We also explore Souls' most enduring ideas and how these still resonate today with a variety of underrepresented groups.McCarthy is the editor of the Norton Library edition of The Souls of Black Folk and Assistant Professor in the departments of English and of African and African American Studies at Harvard University. He has published articles and reviews in the journals transposition, NOVEL, and African American Review and contributed chapters to Richard Wright in Context and Ralph Ellison in Context  as well as a new introduction for Vincent O. Carter's long out-of-print memoir The Bern Book. He is also the author of Who Will Pay Reparations on My Soul?  a collection of essays and a novel, The Fugitivities.To learn more or purchase a copy of the Norton Library edition ofThe Souls of Black Folk,  go to seagull.wwnorton.com/TSOBFLearn more about the Norton Library series at https://wwnorton.com/norton-library.Listen to our Spotify playlist inspired by The Souls of Black Folk: https://shorturl.at/dASV5.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.Episode transcript at: https://seagull.wwnorton.com/thesoulsofblackfolk/part1/transcript.

Today Trevor sits down with Gregory Pierott to discuss his newest book Decolonize Hipsters. Gregory Pierrot is an Associate Professor of English at the University of Connecticut at Stamford. Along with Decolonize Hipsters, he is also the author of, The Black Avenger in Atlantic Culture (UGA Press, 2019), and co-editor of An Anthology of Haitian Revolutionary Fictions (UVA Press, 2021). He is also a translator, and co-host of the Decolonize That! webcast series with Bhakti Shringarpure. His writing has appeared in Africa Is A Country, L.A. Review of Books, Libération, Public Books, Warscapes and scholarly journals such as The African American Review, Criticism, Atlantic Studies, Studies in American Fiction, and Notes and Queries. This is Part 1 of a two-part episode. Part 2 is free to all paid subscribers over at www.patreon.com/posts/81708080. Become a paid subscriber for $5/month over at patreon.com/champagnesharks and get access to the entire archive of subscriber-only episodes, the Discord voice and chat server for patrons, detailed show notes for certain episodes, and our newsletter. Co-produced & edited by Aaron C. Schroeder / Pierced Ears Recording Co, Seattle WA (www.piercedearsrec.com). Opening theme composed by T. Beaulieu. Closing theme composed by Dustfingaz (https://www.youtube.com/user/TheRazhu_)

In nearly six decades of work, she has mentored hundreds of authors, poets and women globally. Her poetry has appeared in African American Review, Essence Magazine, Ms. Magazine... and dozens of literary journals and lifestyle magazines. In 2003, she was the recipient of the North Carolina Award for Literature (the highest award the state can bestow for significant contributions in science, literature, fine arts, and public service). She was selected for the Forbes distinguished 2022 list, 50 Over 50, in the Lifestyle category. She is an activist and a humanist, expertly versed in the power of words to lift the spirit, and she excels at the magic of  her being. She is passionate about "helping women, children, immigrants and newly literate citizens."She is the first African American and third woman to be appointed as the North Carolina Poet Laureate. When he appointed her in 2018, Governor Cooper stated that “(She) brings a deep appreciation of our state's diverse communities to her role as an ambassador of North Carolina literature.” Her mission is to "promote and expand appreciation of the literary arts" and "help ensure a high quality of life for all North Carolinians." And that's why Here's to Life is proud to welcome, Jaki Shelton Green, poet laureate of the people. "Poetry is about so much more - it is about the work we do here on the planet. It is about crafting quality work and saving lives, elevating lives. It's about the spirit. The serious writer who wants to work with an editor, the serious artist who wishes to workshop her work. My measurement of success is creating someone who is serious about the writing process. This is editing. This is refinement and curation of the spirit.” - Jaki Shelton Green "we are the messengers/new messengers/arriving as mutations of ourselves/we are these messengers/blue breath/red hands/singing a tree into dance"From her poem "who will be the messengers of this land."CREDITS:Guest:  Jacqueline Shelton Green Host and Producer:  Tori ReidExecutive Producer:  Patrick A. HowellCo-Executive Producer:  Tori ReidWriter:  Patrick A. HowellPost Production:  We Edit PodcastsPost Production Assistant:  Alana ColemanVoiceover Artist:  Vïntóry Blake MoorePremier Advertising Sponsor:  Vivreau Water Systems Advertising Sponsor:  Hilton Sacramento Arden WestAd Voiceover Artist:  Ginger LevertLogo Photography:  Bobby Holland / MPTV ImagesPhoto credit for Jacqueline Shelton Green:  Duke University Music:"Sry" by Twelwe"Soft Speak" by Siarate"Febrero" by Vendla"Less Than Endless" by At The End of Times, Nothinga Victory & Noble production@ 2023 Victory & Noble LLC  All Rights Reserved.Find out more about Poet Laureate Jaki Shelton Green here:Jaki Shelton Green booksJaki Shelton Green at Duke UniversityHere's to Life with Tori Reid is a show about living your best life, living it out loud and always using the reservoir of the spirit to fill in life's valleys and mountain tops. Find more of our shows at www.HerestoLifeEveryday.com, also find out more about our host Tori Reid on Instagram at www.instagram.com/iamtorireid.

Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics."I really admire how James Baldwin always talks about jazz as a kind of model for his writing style. But music has certainly had a profound influence on the way I see the world, especially in terms of the social world. One of the big problems we have in all sorts of different places around the world is the question of how to coordinate difference. All sorts of people have different modes of living, different cultural rhythms, and different ideas about the future. Jazz is brilliant at a lot of things, but it notably brings together different people and allows them to retain their own sense of time and rhythm while playing together. It's a really profound model of social coordination. Now, of course, it says something particularly pressing about the United States, but I think as a model for how differences go together, jazz is perhaps unparalleled."www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I really admire how James Baldwin always talks about jazz as a kind of model for his writing style. But music has certainly had a profound influence on the way I see the world, especially in terms of the social world. One of the big problems we have in all sorts of different places around the world is the question of how to coordinate difference. All sorts of people have different modes of living, different cultural rhythms, and different ideas about the future. Jazz is brilliant at a lot of things, but it notably brings together different people and allows them to retain their own sense of time and rhythm while playing together. It's a really profound model of social coordination. Now, of course, it says something particularly pressing about the United States, but I think as a model for how differences go together, jazz is perhaps unparalleled."Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics."It's hard to make generalizations about the novel as a form because there are so many different iterations of novel, there are so many great novels. But in general, especially when thinking about the early 20th century, the novel has a certain kind of idea of progressive development built into it. When you read a novel, it's as if you can feel that sharp edge of the end of the novel mentally. You know there's an ending coming, and you don't know exactly what the ending is going to be, but you know that it's going to link everything up and make it all make sense. It trains you to lean toward the future in a certain way. You read an individual event, but you're subconsciously storing it away, knowing that it will be important later. You train yourself while reading a novel to take individual events and link them all to future redemption. But jazz doesn't do that. It has a certain repetition in it. When something interesting happens in the moment, it is enjoyed for itself. It's not necessarily going to be picked up later or incorporated into an overall form. It is just a contingent event that has its own density and beauty to it in the moment."www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"It's hard to make generalizations about the novel as a form because there are so many different iterations of novel, there are so many great novels. But in general, especially when thinking about the early 20th century, the novel has a certain kind of idea of progressive development built into it. When you read a novel, it's as if you can feel that sharp edge of the end of the novel mentally. You know there's an ending coming, and you don't know exactly what the ending is going to be, but you know that it's going to link everything up and make it all make sense. It trains you to lean toward the future in a certain way. You read an individual event, but you're subconsciously storing it away, knowing that it will be important later. You train yourself while reading a novel to take individual events and link them all to future redemption. But jazz doesn't do that. It has a certain repetition in it. When something interesting happens in the moment, it is enjoyed for itself. It's not necessarily going to be picked up later or incorporated into an overall form. It is just a contingent event that has its own density and beauty to it in the moment."Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics."The interesting text is Quicksand, right? Because it shows a couple of engagements with jazz, and there's a certain point in which the protagonist of Quicksand dances to music in a cabaret, and it's described as 'jungle music'. So we would think of Duke Ellington's Jungle Music Band of the 1920s, and we would also notice the kind of reactionary, racial ideas that go with labeling something as from the jungle. And so there's a way in which jazz is trying to be America's responding to jazz by containing it, thinking of it as something kind of primitive. But this is something that's codified or themetized in Nella Larsen's novel.The protagonist goes in here, and one, she's like the music drives her with a certain kind of intensity, something like ecstasy that's really unparalleled throughout the rest of the novel. And so it's exciting, and it moves her in a certain way, but she knows that if she becomes part of this 'jungle music', she'll be figured as a certain kind of woman. And so there are all sorts of racial assumptions, including primitivism that work to kind of limit recognition of its sophistication and its brilliance and its importance."www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The interesting text is Quicksand, right? Because it shows a couple of engagements with jazz, and there's a certain point in which the protagonist of Quicksand dances to music in a cabaret, and it's described as 'jungle music'. So we would think of Duke Ellington's Jungle Music Band of the 1920s, and we would also notice the kind of reactionary, racial ideas that go with labeling something as from the jungle. And so there's a way in which jazz is trying to be America's responding to jazz by containing it, thinking of it as something kind of primitive. But this is something that's codified or themetized in Nella Larsen's novel.The protagonist goes in here, and one, she's like the music drives her with a certain kind of intensity, something like ecstasy that's really unparalleled throughout the rest of the novel. And so it's exciting, and it moves her in a certain way, but she knows that if she becomes part of this 'jungle music', she'll be figured as a certain kind of woman. And so there are all sorts of racial assumptions, including primitivism that work to kind of limit recognition of its sophistication and its brilliance and its importance."Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics."When I think about the most amazing things that humans can do, I can't help but think about high level jazz musicians. The amount of information that they're processing—harmonic, melodic, rhythmic information all on the spot—and the act of not only taking it all in and figuring out where they fit in it, but also responding to it and creating something with a certain form and meaningfulness to it is, I think, one of the most impressive things that I've known any human being to do.And that's worth thinking about in terms of human capacities. And it's also, of course, going back to this idea that music is sophisticated as something like what Duke Ellington would create was labeled as 'jungle music' in the twenties. It's a sign of the way race was and continues to be a way in which all sorts of human creativeness and inventiveness and intelligence is under-recognized or dismissed."www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"When I think about the most amazing things that humans can do, I can't help but think about high level jazz musicians. The amount of information that they're processing—harmonic, melodic, rhythmic information all on the spot—and the act of not only taking it all in and figuring out where they fit in it, but also responding to it and creating something with a certain form and meaningfulness to it is, I think, one of the most impressive things that I've known any human being to do.And that's worth thinking about in terms of human capacities. And it's also, of course, going back to this idea that music is sophisticated as something like what Duke Ellington would create was labeled as 'jungle music' in the twenties. It's a sign of the way race was and continues to be a way in which all sorts of human creativeness and inventiveness and intelligence is under-recognized or dismissed."Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I really admire how James Baldwin always talks about jazz as a kind of model for his writing style. But music has certainly had a profound influence on the way I see the world, especially in terms of the social world. One of the big problems we have in all sorts of different places around the world is the question of how to coordinate difference. All sorts of people have different modes of living, different cultural rhythms, and different ideas about the future. Jazz is brilliant at a lot of things, but it notably brings together different people and allows them to retain their own sense of time and rhythm while playing together. It's a really profound model of social coordination. Now, of course, it says something particularly pressing about the United States, but I think as a model for how differences go together, jazz is perhaps unparalleled."Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics."There's all sorts of fantastic things in the music, but if we think about the music as a model for social form or interaction, it lets one get away from fixed assumptions about the present and the future and attunes one to other people.You're not dependent upon, if you follow a jazz model, a fixed conception of progress or a calendar, but rather other people. And other people are flexible—sometimes disappointing, but sometimes surprising in fantastic ways. If you take this model of jazz temporality and coordination, it suggests another way of organizing social life. One that is important and productive in all sorts of different ways."www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"There's all sorts of fantastic things in the music, but if we think about the music as a model for social form or interaction, it lets one get away from fixed assumptions about the present and the future and attunes one to other people.You're not dependent upon, if you follow a jazz model, a fixed conception of progress or a calendar, but rather other people. And other people are flexible—sometimes disappointing, but sometimes surprising in fantastic ways. If you take this model of jazz temporality and coordination, it suggests another way of organizing social life. One that is important and productive in all sorts of different ways."Bruce Evan Barnhart is an associate professor of American literature and culture at the University of Oslo and co-director of the project Literature, Rights, and Imagined Communities. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture. His work has appeared in African American Review, Callaloo, and Novel. His latest publications are Temporal Experiments: Seven Ways of Configuring Time in Art and Literature, co-edited with Marit Grøtta, and LeRoi Jones, Jazz, and the Resonance of Class. His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.www.hf.uio.no/ilos/english/people/aca/brucebwww.routledge.com/Temporal-Experiments-Seven-Ways-of-Configuring-Time-in-Art-and-Literature/Barnhart-Grotta/p/book/9781032350240https://www.hf.uio.no/ilos/english/research/groups/temporal-experiments/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

This week on Black and Published, Nikesha speaks with Destiny O. Birdsong, author of the triptych novel Nobody's Magic.  She's also a poet and essayist, and her workhas either appeared or is forthcoming in the Paris Review Daily, Poets & Writers, African American Review, The Best American Poetry 2021, and elsewhere. Nobody's Magic, was published by Grand Central in February 2022 and was longlisted for the Center for Fiction's First Novel Prize.In our conversation, Destiny discusses the deal she made with herself to write whatever came to her mind, shopping a manuscript before it was ready and the power of affirmation that boosted her confidence for writing a story entirely in AAVE. Support the showFollow the Show: IG: @blkandpublished Twitter: @BLKandPublished Follow Me:IG: @nikesha_elise Twitter: @Nikesha_Elise Get My Books

A short take on six frequently featured authors in African American Review.Written by Kenton Rambsy and Howard Rambsy IIRead by Kassandra Timm.

Containing Matters in which the Past reaches the Present. Timestamps: introductions, Butler biography, non-spoiler discussion (0:00) spoiler plot summary (48:17) spoiler general discussion, tv show discussion (1:57:58) Bibliography: Behrent, Megan -"The Personal is Historical: Slavery, Black Power, and Resistance in Octavia Butler's Kindred", College Literature, volume 46, issue 4 (2019) Butler, Octavia E. - "Positive Obsession" in "Bloodchild and Other Stories" (1995) Donaldson, Eileen - "A contested freedom: The fragile future of Octavia Butler's Kindred" English Academy Review, volume 31, issue 2 (2014) Flagel, Nadine, “It's Almost Like Being There”: Speculative Fiction, Slave Narrative, and the Crisis of Representation in Octavia Butler's Kindred, Canadian Review of American Studies, volume 42, issue 2 (2012) Francis, Conseula (ed.) - "Conversations with Octavia Butler" (2010) Guha-Majumdar, Jishnu - "The Dilemmas of Hope and History: Concrete Utopianism in Octavia E. Butler's Kindred" Palimpsest: A Journal on Women, Gender, and the Black International, volume 6, issue 1 (2017) Hua, Linh U. - "Reproducing Time, Reproducing History: Love and Black Feminist Sentimentality in Octavia Butler's Kindred", African American Review, volume 44, issue 3 (2011) LaCroix, David - "To Touch Solid Evidence: The Implicity of Past and Present in Octavia E. Butler's Kindred", The Journal of the Midwest Modern Language Association, volume 40, issue 1 (2007) Levecq, Christine - "Power and Repetition: Philosophies of (Literary) History in Octavia E. Butler's Kindred", Contemporary Literature, volume 41, issue 3 (2000) Long, Lisa A. - "A Relative Pain: The Rape of History in Octavia Butler's Kindred and Phyllis Alesia Perry's Stigmata", College English, volume 64, issue 4 (2002) Miletic, Philip - "Octavia E. Butler's Response to Black Arts/Black Power Literature and Rhetoric in Kindred" African American Review, volume 49, issue 3 (2016) Mitchell, A. - "Not Enough of the Past Feminist Revisions of Slavery in Octavia E. Butler's Kindred", MELUS, volume 26, issue 3 (2001) Octavia E. Butler official website https://www.octaviabutler.com/ Parham, Marisa - "Saying “Yes”: Textual Traumas in Octavia Butler's Kindred", Callaloo, volume 32, issue 4 (2009) Popescu, Irina - "Empathetic Trappings: Revisiting the Nineteenth Century in Octavia Butler's Kindred", Journal of Human Rights (2017) Robertson, Benjamin - "Some Matching Strangeness: Biology, Politics, and the Embrace of History in Octavia Butler's Kindred", Science Fiction Studies, volume 37, issue 3 (2010) Rowell, Charles H. and Butler, Octavia E. - "An Interview with Octavia E. Butler", Callaloo (1997) Rushdy, Ashraf H. A. - "Families of Orphans: Relation and Disrelation in Octavia Butler's Kindred", College English, volume 55, issue 2 (1993) West, C. S. Thembile - "The Competing Demands of Community Survival and Self-Preservation in Octavia Butler's Kindred", Femspec, volume 7, issue 2 (2006)

Join Maya Marshall and special guests for a celebration of her new book All the Blood Involved in Love. All the Blood Involved in Love is an urgent and evocative collection—featuring complex and compelling poems about the choices we make surrounding home, freedom, healing, partnership, and family. In a moment of critical struggle for reproductive justice, Maya Marshall's haunting debut meditates on womanhood—with and without motherhood. Traversing familial mythography with an unflinching seriousness, Marshall moves deftly between contemporary politics, the stakes of race and interracial partnership, and the monetary, mental, and physical costs of adopting or birthing a Black child. Get All the Blood Involved in Love from Haymarket: https://www.haymarketbooks.org/books/1884-all-the-blood-involved-in-love --------------------------------------------------------------------- Speakers: Maya Marshall, a writer and editor, is cofounder of underbellymag.com, the journal on the practical magic of poetic revision. As an educator, Marshall has taught at Northwestern University and Loyola University Chicago. She holds fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, Community of Writers, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016). Her writing appears in Best New Poets 2019, Muzzle, RHINO, Potomac Review, Blackbird, and elsewhere. All the Blood Involved in Love is Marshall's debut poetry collection with Haymarket Books. Destiny O. Birdsong is a poet, novelist, and essayist whose work has appeared in the Paris Review Daily, African American Review, and Catapult, among other publications. Her debut poetry collection, Negotiations, was published in 2020 by Tin House and was longlisted for the 2021 PEN/Voelcker Award. Her debut novel, Nobody's Magic, was published in February 2022 from Grand Central Publishing. Tarfia Faizullah was born in Brooklyn, New York, and raised in Texas. She is the author of Registers of Illuminated Villages (Graywolf Press, 2018) and Seam (Southern Illinois University Press, 2014). She lives in Dallas, Texas. Aricka Foreman is an American poet and interdisciplinary writer from Detroit, MI. She is the author of the chapbook Dream with a Glass Chamber, and Salt Body Shimmer (YesYes Books) winner of the 2021 Lambda Literary Award for Bisexual Poetry. She has earned fellowships from Cave Canem, Callaloo, and the Millay Colony. Aricka lives in Chicago and works as a publicist at Haymarket Books. Nicole Homer is an Associate Professor of English at a community college in Central New Jersey. They are a poet, writer, and performer whose work can be found in the American Academy of Poets Poem-a-Day, Muzzle, The Offing, Rattle, The Collagist and elsewhere. A fellow of The Watering Hole, Callaloo and VONA, Nicole serves as a Contributing Editor at BlackNerdProblems writing pop culture critique through a POC lens. Their award-winning collection, Pecking Order (Write Bloody) is an unflinching look at how race and gender politics play out in the domestic sphere. Natasha Oladokun (she/her) is a poet and essayist. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Her work has appeared in the American Poetry Review, The Academy of American Poets, Harvard Review Online, and Kenyon Review Online. You can read her column The PettyCoat Chronicles—on pop culture and period dramas—at Catapult. She is Associate Poetry Editor at storySouth, and currently lives in Madison, WI. Watch the live event recording: https://youtu.be/qFVhGJYqI98 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join Chris in a sit down with Dr. Destiny O. Birdsong, author of Nobody's Magic (Grand Central Publishing) and Negotiations (Tin House), about passions, process, pitfalls, and Poetry! Destiny O. Birdsong is a poet, novelist, and essayist whose work has appeared in the Paris Review Daily, African American Review, and Catapult, among other publications. Her debut poetry collection, Negotiations, was published in 2020 by Tin House and was longlisted for the 2021 PEN/Voelcker Award. Her debut novel, Nobody's Magic, was published in February 2022 from Grand Central Publishing. During July 2022, she was the Hurston-Wright Foundation's inaugural Writer-in-Residence at Rutgers University-Newark. She will also serve as an Artist-in-Residence at the University of Tennessee-Knoxville from 2022-2023. Connect with her below. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Planet Poet-Words in Space  – NEW PODCAST!  LISTEN to my WIOX show (originally aired June 21, 2022) featuring Cheryl Clarke, remarkable poet, activist, educator and co-organizer of the annual Hobart Festival of Women Writers in Hobart, the Book Village of the Catskills.  Planet Poet's intrepid Poet-At-Large Pamela Manché Pearce also joins us on the show!  CHERYL CLARKE is a black lesbian feminist poet and the author of five books of poetry, the literary study ‘After Mecca': Women Poets and the Black Arts Movement, and the collection, The Days of Good Looks: Prose and Poetry, 1980-2005. She co-edited with Steven G. Fullwood To Be Left with the Body, a literary publication of the AIDS Project Los Angeles for men of color having sex with men.  SINCE 1979, her writing has appeared in numerous journals and anthologies, including Callaloo: A Journal of African American Arts and Letters, African-American Review, and most recently The Georgia Review and Paideuma: a publication of the National Poetry Foundation; and the iconic anthologies: This Bridge Called My Back: Writings By Radical Women of Color and  Home Girls: A Black Feminist Anthology. For nine years, she was an editor of Conditions: A Magazine of Writing for Women with an Emphasis on Writing by Lesbians. She is a member of the editorial board of the long-running lesbian journal, Sinister Wisdom.  SHE is a co-organizer of the annual Hobart Festival of Women Writers in Hobart, the Book Village of the Catskills. “In By My Precise Haircut, Cheryl Clarke collects histories that are all, in effect, personal.  Whether the tone is wily or grieving, wise or wise-ass, the reader is drawn closer by the page and into a world that may be Black, Lesbian middle-aged, sister of a deceased Sgt. J.L. Winters, daughter of the Black Elder – but is certainly a threshold for all.” –Kimiko Hahn, author of foreign Bodies, Toxic Flora and Brain Fever

Without the profound connection between these two artists, would the world ever have gotten I Know Why The Caged Bird Sings? Starring: Christina Elmore as Maya Angelou and Larry Powell as James Baldwin. Also starring Angelica Chéri as Lorraine Hansberry. Source List:James Baldwin: A Biography, By David Adams LeemingThe Three Mothers, by Anna Malaika TubbsNotes of a Native Son, by James BaldwinAt 80, Maya Angelou Reflects on a ‘Glorious' Life, NPR, 2008The Collected Autobiographies of Maya Angelou, Compilation copyright 2004 by Random House, Inc.Conversations With a Native SonJames Baldwin Biographical Timeline, American Masters, PBSMaya Angelou, World History ProjectJames Baldwin's Sexuality: Complex and Influential, NBC News“James Baldwin on Langston Hughes”,  The Langston Hughes Review, James Baldwin and Clayton Riley “Talking Back to Maya Angelou”, by Hilton Als, The New Yorker“Songbird”, by Hilton Als, The New Yorker“A Brother's Love”, by Maya Angelou“James Baldwin Denounced Richard Wright's ‘Native Son' as a ‘Protest Novel,' Was he Right?” by Ayana Mathis and Pankaj Mishra, The New York Times“After a 30 Year Absence, the Controversial ‘Porgy and Bess' is Returning to the Met Opera”, by Brigit Katz, Smithsonian Magazine“Published More Than 50 Years Ago, ‘I Know Why the Caged Bird Sings' Launched a Revolution”, by Veronica Chambers, Smithsonian Magazine“On the Horizon: On Catfish Row”, by James Baldwin“James Baldwin: Great Writers of the 20th Century” “An Introduction to James Baldwin”, National Museum of African American History & Culture“‘The Blacks,' Landmark Off-Broadway Show, Gets 42nd Anniversary Staging, Jan 31”, by Robert Simonson, Playbill “Do the White Thing”, by Brian Logan“James Baldwin: The Price of the Ticket”, American Masters, PBS“James Baldwin, The Art of Fiction”, by Jordan Elgrably“The American Dream and the American Negro”, by James Baldwin“The History That James Baldwin Wanted America to See”, by Eddie S. Glaude, Jr.“Lost and ... Found?: James Baldwin's Script and Spike Lee's ‘Malcolm X.'” by D. Quentin Miller, African American Review

Episode 28 brings back previous guest Nell Sullivan to discuss a thorny subject: McCarthy's women characters, with digressions into the ways the author tiptoes through the landscape of homosocial desire.  Nell Sullivan earned a BA in English from Vanderbilt University and earned her PhD in English from Rice University.  She is currently Professor of English at University of Houston-Downtown, where she teaches courses in American literature and the literature of the American South.  A former editor of the Cormac McCarthy Journal, she has published extensively on gender and class representation in McCarthy's novels, and has also published essays on Katherine Dunn, William Faulkner, and Nella Larsen, among others.  Her work has appeared in numerous essay collections and in such journals as Genre, Critique, The Southern Quarterly, Mississippi Quarterly, and African American Review.Thanks to Thomas Frye, who composed, performed, and produced the theme music and interludes for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. To contact me, please reach out to readingmccarthy(@)gmail.com. Find us on Twitter and Facebook; the website is at readingmccarthy.buzzsprout.com, and if you'd like to support the show you can click on the little heart symbol at the top of the page to buy the show a cappuccino, or you can support us at www.patreon.com/readingmccarthy.Support the show

Dr. David Pilgrim grew up in Mobil Alabama towards the end of the Jim Crow Era. It was there he got his first racist artifact and decades later he is still collecting. He is the founder and Director of the Jim Crow Museum, the nation's largest, publicly accessible collection of racist objects, located at Ferris State University where he serves as Vice President for Diversity and Inclusion. Dr. Pilgrim, an applied sociologist with a doctorate from The Ohio State University, is a Ferris State University Distinguished Teacher. He has been interviewed by National Public Radio, Time magazine, the British Broadcasting Corporation, and dozens of newspapers, including the New York Times, Washington Post, Boston Globe, Chicago Tribune, and the Los Angeles Times. Dr. Pilgrim is also the author of Understanding Jim Crow: Using Racist Memorabilia to Teach Tolerance and Promote Social Justice, Watermelons Nooses and Straight Razors, Haste to Rise, and The Klan Unmasked. Pilgrim's countless writings, many found at the Jim Crow Museum website, www.ferris.edu/jimcrow, are used by scholars, students, and civil rights and human rights workers to better understand historical and contemporary expressions of racism. His writings, scholarly and creative, deal with multiculturalism and race relations. His short stories have been published in Calaloo, Obsidian, African American Review, Aim, and Shooting Star. Pilgrim has been invited to deliver public lectures at dozens of institutions throughout the United States and Canada, challenging audiences to think deeply about diversity, inclusion, and race relations. Most recently, he also presented at NCORE - the National Conference on Race and Ethnicity in American Higher Education. In 2004, Pilgrim produced, with Clayton Rye, the documentary Jim Crow's Museum to explain his approach to battling racism. The film won several awards including Best Documentary at the 2004 Flint Film Festival. Jim Crow's Museum has shown nationally on PBS affiliates including as part of the series The African Americans: Many Rivers to Cross. He also served as a consultant to Will Smith on UPN's All of Us for the episode called "The N Word." Pilgrim and Carrie Weis, a Ferris State colleague, created two traveling exhibitions to take the Jim Crow Museum's lessons to a national audience. Hateful Things is a 39-piece traveling exhibition of objects found in the Jim Crow Museum. The objects are accompanied by didactic panels that place the images in a proper historical context—offering insight into their past and present popularity. Dr. Pilgrim is looking to expand the Jim Crow Museum as they are constantly getting donations of racist artifacts. Jim Crow Museum - YouTube The Nations Biggest Collection Of Racist Objects Are All In A Michigan College Basement - YouTube --- Send in a voice message: https://podcasters.spotify.com/pod/show/mastermine-mrg/message

James Hannon reads his poem, "Satsang with Guruji," and Julie L. Moore reads her poem, "The False Prophetess Noadiah," both from our Winter 2022 issue. James Hannon is a psychotherapist in Massachusetts, where he accompanies adolescents and adults recovering from addictions, disappointments, and deceptions. His poems have appeared in Blue Lake Review, Blue River, Cold Mountain Review, and other journals, and in Gathered: Contemporary Quaker Poets. His second collection, To My Children at Christmas, will be published in 2022 by Kelsay Books. A Best of the Net and seven-time Pushcart Prize nominee, Julie L. Moore is the author of four poetry collections, including, most recently, Full Worm Moon, which won a 2018 Woodrow Hall Top Shelf Award and received honorable mention for the Conference on Christianity and Literature's 2018 Book of the Year Award. Her poetry has appeared in African American Review, Alaska Quarterly Review, Image, New Ohio Review, Poetry Daily, Prairie Schooner, The Southern Review, and Verse Daily. She is the Writing Center Director at Taylor University, where she is also the poetry editor for Relief Journal. Learn more about her work at julielmoore.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vita-poetica/message Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support

This episode features another Winged, Women in Nature interview with Stefanie K. Dunning. Her unique perspective on connecting to nature as a Black person is very thought provoking. On This Episode Nature as "They" rather than feminine Black people may connect to nature differently Camping while Black Stefanie K. Dunning is an Associate Professor of English at Miami University. She is a graduate of Spelman College and the University of California, Riverside, and a Ford Fellow. Her first book, Queer in Black and White: Interraciality, Same-Sex Desire, and Contemporary African American Culture, from Indiana University Press, was published in 2009. Her latest project, Black to Nature: Pastoral Return and African American Culture from the University Press of Mississippi was published in April 2021. In addition to her published books, she has been published in African American Review, MELUS, Studies in the Fantastic, and other journals and anthologies. She also has a podcast, called Black to Nature: the podcast, available for listening on all major platforms. About the host: Host Sanaa Green is Spiritual Royalty, an Indigo Child, descendant of Madagascar and Lemuria, Reiki Practitioner, Ecopyschologist, Community Activist, Environmental Educator, Youth Development Coach, Teacher of Belly Dance for Earth & Soul and Spiritual Thinker. She is also a graduate of Howard University and a native of Detroit, Michigan. Contact her at Sanaa@centerherpower.com, www.centerherpower.com OR Instagram@centerherpowerpodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sanaa-green0/message

What is the power of writing to carry a voice, or many voices, particularly defiant ones? In this final episode, we return to the impetus for this series, the exhibition Stories of Resistance, as an invitation to consider the medium of words and storytelling. Artist Banu Cennetoğlu and poet Treasure Shields Redmond discuss their work attending to the writings of American Civil Rights activist Fannie Lou Hamer and Kurdish freedom fighter Gurbetelli Ersöz, respectively. They acknowledge the responsibility of caring for the words of activists, especially those who gave their lives to struggle for what's right.Banu Cennetoğlu is a cross-disciplinary artist whose practice incorporates methods of collecting and archiving and enquires into the politics of the production, classification, and distribution of knowledge. Her work Gurbet's Diary (27.07.1995–08.10.1997) inscribed words from Gurbetelli Ersöz's diary—which Ersöz kept while she was a Kurdish freedom fighter before she was killed—onto 145 press-ready lithographic limestone slabs. Cennetoğlu lives and works in Istanbul, where she founded BAS, an artist-run space dedicated to artists' books and printed matter.Dr. Treasure Shields Redmond is a St. Louis metro-based poet, performer, and educator. She has been featured at the Nuyorican Poets Café, and published poetry in such notable anthologies as Bum Rush the Page: A Def Poetry Jam, Breaking Ground: A Reader Celebrating Cane Canem's First Decade, and in journals that include Obsidian and The African American Review. A Cave Canem fellow, Treasure has received an MFA from the University of Memphis, and a PhD from Indiana University of Pennsylvania.-As a major component of the Contemporary Art Museum St. Louis's exhibition Stories of Resistance, Radio Resistance assembles the voices of intersecting local and global agents of change. Artists featured in the exhibition are paired with figures from the past, present, and future of St. Louis, coming together to transmit messages of dissent. Eleven episodes will be released over the course of the exhibition, amplifying shared struggles, collective dreams, and models of individual and group action. Using a historically rebellious medium, Radio Resistance broadcasts social narratives of defiance and hope.Selections of Radio Resistance will be broadcast on St. Louis on the Air, the noontime talk program hosted by Sarah Fenske on St. Louis Public Radio. Full episodes will be released biweekly in a listening station at CAM, and on Apple Podcasts, Spotify, and Stitcher. A publication celebrating Stories of Resistance, featuring episode highlights, will be released later this year.

Bruce Alford's work has appeared in the African American Review, Imagination & Place Press, The Comstock Review, and elsewhere. He teaches poetry at Louisiana State University. Before working in academia, he was an inner-city missionary and journalist. Links: https://files.captivate.fm/library/939f195f-1704-4f75-8eea-4c690cf57750/from-alford-s-devotional-bruce-alford.pdf (Read "from Alford's Devotional") https://brucealfordcom.wordpress.com/ (Bruce Alford's website) https://sicklitmagazine.com/2016/07/18/poems-by-bruce-alford/ (Poems at SickLit ) https://stormcellar.org/2017/09/15/bruce-alford-perfect/ (“Perfect” at Storm Cellar) https://www.writersforum.org/news_and_reviews/review_archives.html/article/2008/05/05/terminal-switching (Review of Terminal Switching at Alabama Writers Forum)

Bruce Alford's work has appeared in the African American Review, Imagination & Place Press, The Comstock Review, and elsewhere. He teaches poetry at Louisiana State University. Before working in academia, he was an inner-city missionary and journalist. Links: https://files.captivate.fm/library/939f195f-1704-4f75-8eea-4c690cf57750/from-alford-s-devotional-bruce-alford.pdf (Read "from Alford's Devotional") https://brucealfordcom.wordpress.com/ (Bruce Alford's website) https://sicklitmagazine.com/2016/07/18/poems-by-bruce-alford/ (Poems at SickLit ) https://stormcellar.org/2017/09/15/bruce-alford-perfect/ (“Perfect” at Storm Cellar) https://www.writersforum.org/news_and_reviews/review_archives.html/article/2008/05/05/terminal-switching (Review of Terminal Switching at Alabama Writers Forum)

Stefanie K. Dunning is associate professor of English at Miami University of Ohio. She is author of Queer in Black and White: Interraciality, Same Sex Desire, and Contemporary African American Culture. Her work has been published in African American Review, MELUS, Signs, and several other journals and anthologies. She sometimes publishes under the pen name Zeffie Gaines.Listen to her podcast: Black to Nature A Correction Podcast Episodes RSS

Welcome back to another episode of Race, Culture & Beyond, A Naked Conversation Podcast! In today's episode, we have an exceptional guest with us who will share with us all about her journey towards becoming a poet and how her writing has a special connection with religion, childhood, trauma, and racism.   Dr. Rochelle Robinson-Dukes is a professor at the city college of Chicago, where she teaches literature and English composition. She has been published in African American Review, Another Chicago Magazine, Poetry Hall, The Raven's Perch, among many others. In addition, she's the editor of Brownstone Barrio Bards, a journal celebrating its twentieth edition this year (you can find the link to the journal on Lulu, Amazon, and Apple Books).    Dr. Rochelle Robinson-Dukes began writing when she was only 8 years old. She started writing because she felt it was the best way to express her emotions, given that she comes from an era of “children should be seen and not heard.” She was also raised in a religious background that did not allow her to express her thoughts transparently. As a result, Rochelle put off writing for a couple of years, and the year of the pandemic gave her back that space to write about all of the bottled-up feelings she had.    Dr. Robinson-Dukes also speaks about how she never felt she couldn't do anything. She accomplished everything she set her mind to and raised her son based on those beliefs. Rochelle gives those examples to her children: to never accept judgment, categories, or labels. And to instead look up to the leaders we have or have had.    We cover many topics including storytelling in Black culture, religion, abandonment issues, racism, family history and trauma, and self-awareness.    Thank you for listening to the show. It is such an honor to have these conversations with you. They are necessary and needed, and we are here to do the work.    For access to ALL the resources mentioned, sign up for the “resource roundup” at sagebhobbs.com/nc-podcast.    The (short & awesome) newsletter will also keep you in the loop on the latest episodes, and other opportunities.    Let's connect: Like what you hear? Please subscribe to Naked Conversations on Apple Podcasts. Or Stitcher. Or Google Play. Or any of the following – Overcast, Blubbry, TuneIn Radio, Player.fm.   For (much appreciated) gold stars: Leave a rating + review! Just a few short words will help more folks find the show and be a part of this conversation. Thank you!    Also, please send a DM on Instagram to @sagebhobbs or @ericayhoward to let us know what you love about the show, what topics you'd like to hear covered, or your dream interviewee.

SOREN LIT Summer Issue 2021: www.sorenlit.com SOREN LIT Podcast Host and Founding Editor, Melodie J. Rodgers Episode#1- Shanna Greene Benjamin Shanna Greene Benjamin is a biographer and scholar who studies the literature, lives, and archives of Black women. Dr. Benjamin earned her Ph.D. in English and M.A. in Afro-American Studies from the University of Wisconsin-Madison; she received a B.A. in English from Johnson C. Smith University—a historically Black college in Charlotte, North Carolina—where she was class valedictorian. A one-time professor and associate dean at Grinnell College and the former director of the Mellon Mays Undergraduate Fellowship program there, Dr. Benjamin is a member of the 2015-2016 HERS class—a program administered by the Higher Education Resource Service that develops women leaders in higher education—and a 2018 graduate of the Council of Independent Colleges' Senior Leadership Academy. Dr. Benjamin has published on African American literature and Black women's intellectual history in African American Review, MELUS, a/b: Auto/Biography, Studies in American Fiction, and PMLA. Her book, Half in Shadow: The Life and Legacy of Nellie Y. McKay, is forthcoming from UNC Press (April 12). Through her coaching and consulting firm, FireStarter, and her First Book at Mid-Career Institute, Dr. Benjamin lives out her passion for giving post-tenure faculty the strategies and support they need to achieve professional goals that reflect personal, not institutional, priorities. A Mellon Mays undergraduate fellow who now facilitates Social Science Research Council writing retreats for MMUF dissertators and serves on the UNCF/Mellon Board of Advisors, Dr. Benjamin is an independent scholar who lives with her family in Charlotte, North Carolina. --- Send in a voice message: https://podcasters.spotify.com/pod/show/melodie-rodgers/message

Today, the Supreme Court , in a unanamous decision, ruled that Philadelphia may not reject a Catholic organization that refused to work with same-sex couples from screening potential foster parents. We will discuss that ruling with our guests, Stephen M. Engel and Timothy S. Lyle.  We will also be talking about their new book DISRUPTING DIGNITY: Rethinking Power and Progress in LGBTQ Lives (NYU Press, June 2021). In the book, they explore how dignity is deployed by different authorities in different ways—and often brandished to marginalize, restrain, and shame members of LGBTQ+ communities. DISRUPTING DIGNITY explores the concept of Respect versus Respectability, with attention to how the chase for dignity has severed LGBTQ+ communities from the potential of liberated worldmaking.   Stephen is Professor of Politics and an Affiliated Scholar of the American Bar Foundation. He teaches courses in US constitutional law, American Political Development, and LGBTQ+ politics. He is the author of multiple books including Fragmented Citizens: The Changing Landscape of Gay and Lesbian Lives and American Politicians Confront the Courts: Opposition Politics and Changing Responses to Judicial Power.  Timothy (they/them) is an Assistant Professor of English. They specialize in contemporary African American literature and culture, focusing on the intersections of race, gender, sexuality, and disability. They have published work on Tyler Perry in Callaloo and Continuum, on Janet Mock in the College Language Association Journal, Callaloo, and MELUS, and on HIV/AIDS narratives in African American Review and The Journal of West Indian Literature. With co-host Brody Levesque.

Today, the Supreme Court , in a unanamous decision, ruled that Philadelphia may not reject a Catholic organization that refused to work with same-sex couples from screening potential foster parents. We will discuss that ruling with our guests, Stephen M. Engel and Timothy S. Lyle.  We will also be talking about their new book DISRUPTING DIGNITY: Rethinking Power and Progress in LGBTQ Lives (NYU Press, June 2021). In the book, they explore how dignity is deployed by different authorities in different ways—and often brandished to marginalize, restrain, and shame members of LGBTQ+ communities. DISRUPTING DIGNITY explores the concept of Respect versus Respectability, with attention to how the chase for dignity has severed LGBTQ+ communities from the potential of liberated worldmaking.   Stephen is Professor of Politics and an Affiliated Scholar of the American Bar Foundation. He teaches courses in US constitutional law, American Political Development, and LGBTQ+ politics. He is the author of multiple books including Fragmented Citizens: The Changing Landscape of Gay and Lesbian Lives and American Politicians Confront the Courts: Opposition Politics and Changing Responses to Judicial Power.  Timothy (they/them) is an Assistant Professor of English. They specialize in contemporary African American literature and culture, focusing on the intersections of race, gender, sexuality, and disability. They have published work on Tyler Perry in Callaloo and Continuum, on Janet Mock in the College Language Association Journal, Callaloo, and MELUS, and on HIV/AIDS narratives in African American Review and The Journal of West Indian Literature. With co-host Brody Levesque.

Dean Horswell engages in conversation with Sika Dagbovie-Mullins and Eric Berlatsky as they discuss heir co-edited collection, Mixed-Race Superheroes, the intersectionality between Superheroes, racial identity, and racial politics in American popular culture.Sika Dagbovie-Mullins is an associate professor and director of Graduate Studies in the Department of English at Florida Atlantic University where she specializes in contemporary African American literature and Critical Mixed-Race Studies. She is author of Crossing B(l)ack: Mixed Race Identity in Modern American Fiction and Culture (University of Tennessee Press, 2013) and co-editor of Mixed-Race Superheroes (Rutgers University Press, 2021). Her publications have appeared in journals such as African American Review, The Journal of Popular Culture, and Palimpsest: A Journal on Women, Gender, and the Black International.  Eric Berlatsky, PhD, is Associate Dean of Graduate Studies in the Dorothy F. Schmidt College of Arts and Letters, Director of the Comparative Studies Ph. D. Program and Professor of English.  He is also, through June 2021, currently the Acting Chair of the Department of English.  Previous to his current position, he was Chair of the Department of English for 6.5 years.  He is the author of  The Real, The True, and The Told: Postmodern Historical Narrative and the Ethics of Representation (Ohio State UP. 2011) and the editor of Alan Moore: Conversations (UP of Mississippi, 2012).  He has published articles on the fiction or comics of Charles Dickens, Jerry Siegel and Joe Shuster, Virginia Woolf, Milan Kundera, Paul Auster, Graham Swift, Art Spiegelman, Alan Moore and Dave Gibbons, Hanif Kureishi, and Posy Simmonds.  He has co-published work on race and the superheroes Ms. Marvel/Kamala Khan, Black Lightning, Moon Girl, and Spider-Man with Sika Dagbovie-Mullins.  Their co-edited collection, Mixed-Race Superheroes, has just been released from Rutgers UP, and includes his essay on The Flash comics and television show.  

Dean Horswell engages in conversation with Sika Dagbovie-Mullins and Eric Berlatsky as they discuss heir co-edited collection, Mixed-Race Superheroes, the intersectionality between Superheroes, racial identity, and racial politics in American popular culture.Sika Dagbovie-Mullins is an associate professor and director of Graduate Studies in the Department of English at Florida Atlantic University where she specializes in contemporary African American literature and Critical Mixed-Race Studies. She is author of Crossing B(l)ack: Mixed Race Identity in Modern American Fiction and Culture (University of Tennessee Press, 2013) and co-editor of Mixed-Race Superheroes (Rutgers University Press, 2021). Her publications have appeared in journals such as African American Review, The Journal of Popular Culture, and Palimpsest: A Journal on Women, Gender, and the Black International.  Eric Berlatsky, PhD, is Associate Dean of Graduate Studies in the Dorothy F. Schmidt College of Arts and Letters, Director of the Comparative Studies Ph. D. Program and Professor of English.  He is also, through June 2021, currently the Acting Chair of the Department of English.  Previous to his current position, he was Chair of the Department of English for 6.5 years.  He is the author of  The Real, The True, and The Told: Postmodern Historical Narrative and the Ethics of Representation (Ohio State UP. 2011) and the editor of Alan Moore: Conversations (UP of Mississippi, 2012).  He has published articles on the fiction or comics of Charles Dickens, Jerry Siegel and Joe Shuster, Virginia Woolf, Milan Kundera, Paul Auster, Graham Swift, Art Spiegelman, Alan Moore and Dave Gibbons, Hanif Kureishi, and Posy Simmonds.  He has co-published work on race and the superheroes Ms. Marvel/Kamala Khan, Black Lightning, Moon Girl, and Spider-Man with Sika Dagbovie-Mullins.  Their co-edited collection, Mixed-Race Superheroes, has just been released from Rutgers UP, and includes his essay on The Flash comics and television show.  

Episode 090. Len Lawson discusses the value of Afrofuturism, community, and finding your voice as a poet. Len Lawson is the author of Chime (Get Fresh Books, 2019) and the chapbook Before the Night Wakes You (Finishing Line Press, 2017). He is also co-editor of Hand in Hand: Poets Respond to Race (Muddy Ford Press, 2017) and The Future of Black: Afrofuturism and Black Comics Poetry (Blair Press, 2021). His poetry has been nominated for the Pushcart Prize and Best of the Net. He has received fellowships from Callaloo, Vermont Studio Center, Virginia Center for the Creative Arts, Obsidian Foundation, and others. His poetry appears in African American Review, Callaloo, Mississippi Review, Ninth Letter, Verse Daily, Yemassee, and elsewhere. Len is also a Ph.D. candidate in English Literature and Criticism at Indiana University of Pennsylvania, earning the 2020 IUP Outstanding Doctoral Student Award. He has taught English in South Carolina higher education for over ten years. http://www.lenlawson.co

READING MCCARTHY is a podcast devoted to the consideration and discussion of the works of one of our greatest American writers, Cormac McCarthy. Each episode calls upon different well-known Cormackian readers and scholars to help us explore different works and various essential aspects of McCarthy’s writing. Scott Yarbrough is your host in these deep dives into the world of McCarthy. This episode is a consideration of McCarthy’s second novel, Outer Dark. Our guest is Nell Sullivan. Dr. Sullivan grew up in Kentucky and earned a BA in English from Vanderbilt University and earned her PhD in English from Rice University. She is currently Professor of English at University of Houston-Downtown, where she teaches courses in American literature and the literature of the South. A former editor of the Cormac McCarthy Journal, she has published extensively on gender and class representation in McCarthy’s novels, as well as essays on Katherine Dunn, William Faulkner, and Nella Larsen, among others. Her work has appeared in numerous anthologies and in such journals as Genre, Critique, The Southern Quarterly, Mississippi Quarterly, and African American Review.Music for READING MCCARTHY is composed, performed, and produced by Thomas Frye. Interludes this week include “The World to Come,” “Toadvine,” “Running with Wolves,” “Much Like Yourself,” a refrain of “The World to Come,” and “Blues for Blevins.” The opinions of the host and his guests do not necessarily reflect the opinions of their institutions or the Cormac McCarthy Society. Reach out to us at readingmccarthy@gmail.com. Download the podcast on Apple iTunes, Spotify, Stitcher, Amazon Music, or wherever you get your podcasts, and if you feel inclined please leave a favorable review. Find us on Facebook and Twitter.

In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Dr. Derrick R. Spires is Associate Professor of Literatures in English at Cornell University. He specializes in early African American and American print culture, citizenship studies, and African American intellectual history. His first book, The Practice of Citizenship: Black Politics and Print Culture in the Early United States (University of Pennsylvania Press, 2019), won the MLA Prize for First Book and the Bibliographical Society/St. Louis Mercantile Library Prize. His work appears or is forthcoming in African American Review, American Literary History, and edited collections on early African American print culture, and the Colored Conventions movement. Dr. Spires was an Albert M. Greenfield Foundation Fellow in African American History at the Library Company in 2008. This chat originally aired at 7:00 p.m. Thursday, February 25, 2021.

Tameka Cage Conley, PhD is a graduate of the fiction program of the Iowa Writers' Workshop where she was awarded the Truman Capote Fellowship and the Provost Postgraduate Visiting Writer Fellowship in Fiction. Her work is published in Ploughshares, The Virginia Quarterly Review, Callaloo, The African American Review and elsewhere. She has received writing fellowships from the Iowa Writers' Workshop, the Cave Canem Foundation, the Virginia Center for the Creative Arts, the Squaw Valley Community of Writers, and the Vermont Studio Center. The opera for which she wrote the libretto, A Gathering of Sons, was awarded the Bronze Medal in the Society and Social Issues category of the New York Festivals TV and Film Awards. Tameka received her PhD from Louisiana State University in 2006, where she was a recipient of the Huel Perkins Doctoral Fellowship and recipient of the Lewis Simpson Distinguished Dissertation Award for her dissertation. She is at work on her first novel, You, Your Father--an epic family saga that considers the untimely deaths of African American men over six decades beginning in the early 1940s in northern Louisiana. She is Assistant Professor of English and Creative Writing at Oxford College of Emory University. Tameka and I discuss the origin of her pain, love and strength as a Black Woman growing up down South and her travels to Ghana, West Africa. --- Support this podcast: https://anchor.fm/ontheedgewitheddie/support

We discuss gender and race relations and the use of clothes in Ann Petry’s 1946 novel The Street. See links below. Ann Petry, The Street (Virago 2019, first published 1946): https://www.virago.co.uk/titles/ann-petry-5/the-street/9780349012926/ Ann Petry, The Narrows (Virago 2020, first published 1953): https://www.virago.co.uk/titles/ann-petry-5/the-narrows/9780349013398/ Biographical information for Ann Petry at New York Public Library: http://archives.nypl.org/scm/24832#overview Tayari Jones, ‘In praise of Ann Petry’, The New York Times (10 November 2018): https://www.nytimes.com/2018/11/10/books/review/in-praise-of-ann-petry.html Tayari Jones, ‘The Street: the 1940s African American thriller that became a huge bestseller’, The Guardian (14 December 2019): https://www.theguardian.com/books/2019/dec/14/the-street-the-1940s-african-american-thriller-that-became-a-huge-bestseller Heather J. Hicks, ‘Rethinking Realism in Ann Petry’s “The Street”, Melus. Vol. 27, No. 4 (Winter 2002): https://www.jstor.org/stable/3250621 Heather J. Hicks, "This Strange Communion": Surveillance and Spectatorship in Ann Petry's "The Street", African American Review, vol. 37, no. 1 (Spring 2003): https://www.jstor.org/stable/1512357 All-American news IV (1945), Library of Congress: https://www.loc.gov/item/2018600204/ One tenth of a nation. The Arts (1954), Library of Congress: https://www.loc.gov/item/2020600724/

Bro. Yao(Hoke S. Glover III) is an Assistant Professor in the Department of Language, Literature, and Cultural Studies at Bowie State University. His poetry has been published in Ploughshares, African-American Review, Rattle, and other journals and anthologies. His first book, Inheritance, was published by Willow Books in Summer of 2016. For fifteen years he ran and operated Karibu Books, one of the nation's largest African American book stores. He also writes non-fiction and his essay "Hospital for the Negro Insane" was a finalist in the Crab Orchard John Guyon Non-Fiction Literary Prize in 2015, and his essay the "Fifty Four" on African American book stores and book culture was a finalist in the Missouri Review Jeffrey E. Smith's Editor's Prize in 2018. Much of his current work focuses on reading "yin' in African American culture.

Faye Snowden is the author of three published mysteries with Kensington— Spiral of Guilt (1999), The Savior (2003, 2004) and Fatal Justice (2005, 2006). She has published short stories and poems in various literary journals and small presses including The African American Review, Calliope, Red Ochre Lit, Bay Area Poets Coalition and Occam’s Razor. A new book, A Killing Fire (Flame Tree Press) made its debut in August, 2019. Aside from her publications, she also managed two boys, a husband, five dogs and three writing fellowships over the years. Today, Faye works and writes from her home in Northern California. website: www.fayesnowden.com Twitter: @faye_snowden Instagram: fayesnowden Facebook: https://www.facebook.com/faye.snowden.9

Faye Snowden is the author of three published mysteries with Kensington— Spiral of Guilt (1999), The Savior (2003, 2004) and Fatal Justice (2005, 2006). She has published short stories and poems in various literary journals and small presses including The African American Review, Calliope, Red Ochre Lit, Bay Area Poets Coalition and Occam's Razor. A new book, A Killing Fire (Flame Tree Press) made its debut in August, 2019. Aside from her publications, she also managed two boys, a husband, five dogs and three writing fellowships over the years. Today, Faye works and writes from her home in Northern California. Website: www.fayesnowden.com Twitter: @faye_snowden Instagram: fayesnowden Facebook: https://www.facebook.com/faye.snowden.9

Bro. Yao (Hoke S. Glover III) is a poet, teacher, former owner of Karibu Books, and author of the book "Inheritance." His work has centered on issues of literacy and the promotion of reading in the African American and larger community. He is currently an Assistant Professor of English at Bowie State University. His poetry and/or essays have been published in African American Review, Smartish Pace and Ploughshares, as well as Rattle #52 and #60. He has recorded with Black Notes and Sunny Sumter, and is currently working with a musician group Free Black Space. For more information, visit: http://freeblackspace.blogspot.com/ Order "Inheritance" at: https://www.mahoganybooks.com/9780997199642 ___ Prologue featuring: Three poems by Alejandro Escude Epilogue featuring open mic readings by: Charlie Baylis Liz Rizzo John Luna Liz Gallo Michelle Parks Cathy Prather Russell

Faye Snowden is the author of three published mysteries with Kensington— Spiral of Guilt (1999), The Savior (2003, 2004) and Fatal Justice (2005, 2006). She has published short stories and poems in various literary journals and small presses including The African American Review, Calliope, Red Ochre Lit, Bay Area Poets Coalition and Occam’s Razor. Her new book, A Killing Fire (Flame Tree Press) will made its debut in August, 2019.​Aside from her publications, she also managed two boys, a husband, five dogs and three writing fellowships over the years. Today, Faye works and writes from her home in Northern California.

A Book at Lunchtime seminar with Michele Mendelssohn, literary critic and cultural historian. Dr Sos Eltis (Brasenose, Oxford), Dr Charles Foster (Green Templeton, Oxford), Chaired by Professor Dame Hermione Lee (Wolfson, Oxford). Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other. About the Author Michele Mendelssohn is a literary critic and cultural historian. She is Associate Professor of English Literature at Mansfield College, Oxford. She earned her doctorate from Cambridge University and was a Fulbright Scholar at Harvard University. Her previous books include Henry James, Oscar Wilde, and Aesthetic Culture and two co-edited collections of literary criticism, Alan Hollinghurst and Late Victorian Into Modern (shortlisted for the 2017 Modernist Studies Association Book Prize). She has published in The New York Times, The Guardian, African American Review, Journal of American Studies, Nineteenth Century Literature, and Victorian Literature and Culture. She is joined by Dr Sos Eltis (Brasenose, Oxford), Dr Charles Foster (Green Templeton, Oxford), Chaired by Professor Dame Hermione Lee (Wolfson, Oxford).

Tyehimba Jess is the author of two books of poetry, Leadbelly and Olio. Olio won the 2017 Pulitzer Prize, the Anisfield-Wolf Book Award, The Midland Society Author's Award in Poetry, and received an Outstanding Contribution to Publishing Citation from the Black Caucus of the American Library Association. It was also nominated for the National Book Critics Circle Award, the PEN Jean Stein Book Award, and the Kingsley Tufts Poetry Award. Leadbelly was a winner of the 2004 National Poetry Series. The Library Journal and Black Issues Book Review both named it one of the “Best Poetry Books of 2005.” Jess, a Cave Canem and NYU Alumni, received a 2004 Literature Fellowship from the National Endowment for the Arts, and was a 2004–2005 Winter Fellow at the Provincetown Fine Arts Work Center. Jess is also a veteran of the 2000 and 2001 Green Mill Poetry Slam Team, and won a 2000–2001 Illinois Arts Council Fellowship in Poetry, the 2001 Chicago Sun-Times Poetry Award, and a 2006 Whiting Fellowship. He presented his poetry at the 2011 TedX Nashville Conference and won a 2016 Lannan Literary Award in Poetry. Jess is Poetry and Fiction Editor of African American Review and Professor of English at College of Staten Island. Jess' fiction and poetry have appeared in many journals, as well as anthologies such as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, Beyond The Frontier: African American Poetry for the Twenty-First Century, Role Call: A Generational Anthology of Social and Political Black Literature and Art, Bum Rush the Page: A Def Poetry Jam, Power Lines: Ten Years of Poetry from Chicago's Guild Complex, and Slam: The Art of Performance Poetry.

In honor of Black History Month, lets see what Brer Rabbit and all the other Brer animals are up to.Lets Be SocialFacebook:www.facebook.com/monstersadvocate/Tumblr:monstersadvocate.tumblr.com/Twitter:@monstersadvoInstagram:@monstersadvocateEmail: monstersadvocatepodcast@gmail.comReferencesJoel Chandler HarrisCochran, Robert (2004). "Black father: the subversive achievement of Joel Chandler Harris". African American Review. 38 (1): 21–34Walker, Alice (Summer 1981). "Uncle Remus, No Friend of Mine". Southern Exposure. 9: 29–31.Sundquist, Eric (1998). To Wake the Nations: Race in the Making of American Literature. Belknap Press of Harvard University Press. ISBN 0-674-89331-X.Trickster HareHare: Infamous Trickster God. godchecker.comBrer Rabbit TalesLester, Julius (1987). The Tales of Uncle Remus: The Adventures of Brer Rabbit. Dial Books. ISBN 0-8037-0271-X.http://americanfolklore.net/folklore/2010/07/brer_rabbit_falls_down_the_wel.htmlhttp://themoonlitroad.com/how-brer-coon-gets-his-meat/ See acast.com/privacy for privacy and opt-out information.

Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself. In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism. Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.” James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself. In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism. Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.” James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself. In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism. Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.” James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself. In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich's other primary interests: identification and film spectatorship. Reich's own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism. Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.” James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself. In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism. Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.” James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Website: http://www.promethea.com/ Facebook: https://www.facebook.com/rflowersrivera/ Twitter: https://twitter.com/rflowersrivera R. Flowers Rivera is native of Mississippi, she completed a Ph.D. in English, specializing in African American literature and creative writing, at Binghamton University and an M.A. in English at Hollins University in addition to an M.S. in human resource development from Georgia State University and a B.S. from The University of Georgia. Xavier Review Press published her debut poetry collection, Troubling Accents (July 2013), which received a nomination from the Mississippi Institute of Arts and Letters and was selected by the Texas Association of Authors as its 2014 Poetry Book of the Year. Rivera’s second collection, Heathen, has been selected by poet and literary activist E. Ethelbert Miller as the winner of the 2015 Naomi Long Madgett Poetry Award, published by Lotus Press, Inc. and distributed by Wayne State University Press (forthcoming March 2015). Rivera’s work limns and re-imagines the intersections of race, gender, class, orientation, and regional identity. Rivera was awarded the 2009 Leo Love Merit Scholarship in Poetry in association with the Taos Summer Writers Conference. Her short story, “The Iron Bars,” won the 1999 Peregrine Prize, and she has been a finalist for the May Swenson Award, the Journal Intro Award, the Gary Snyder Memorial Award, the Paumanok Award, the Crab Orchard Series, and the Gival Poetry Prize as well as garnering nominations for Pushcarts. Rivera has been anthologized in Mischief, Caprice & Other Poetic Strategies and included in a book on poetics titled The Rhythm Method, Razzmatazz and Poetry. She has been published in journals such as African American Review, Columbia, Evergreen Chronicles, Beloit Poetry Journal, Feminist Studies, Obsidian, The Southern Review, and UCity Review. Currently, she lives in McKinney, Texas.

Monday Reading Series t'ai freedom ford is a New York City high school English teacher, Cave Canem Fellow, and Pushcart Prize nominee. Her poetry has appeared or is forthcoming in Drunken Boat, Tupelo Quarterly, Winter Tangerine, The African American Review, Vinyl, Muzzle, Poetry and others. Her work has also been featured in several anthologies including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. In 2014, she was the winner of The Feminist Wire's inaugural poetry contest judged by Evie Shockley. She is currently a 2015 Center for Fiction Fellow and the winner of the 2015 To the Lighthouse Poetry Prize. Her first poetry collection, how to get over is forthcoming from Red Hen Press. t'ai lives and loves in Brooklyn, but hangs out digitally at: shesaidword.com. NYC-based poet-filmmaker Stephanie Gray is the author of Shorthand and Electric Language Stars and I Thought You Said It Was Sound/How Does That Sound? (Portable Press at Yo-Yo Labs 2015, 2012); Place your orders now! (Belladonna*, 2014); A Country Road Going Back in Your Direction (Argos Books, 2015); and Heart Stoner Bingo (Straw Gate Books, 2007). Her super 8 films have screened internationally and she often reads live with her films. Shorthand and Electric Language Stars was selected as a finalist for a 2016 Lambda Literary Award in Lesbian Poetry.

Ahmad is associate professor of English and director of creative writing at North Carolina A & T University. She graduated from Agnes Scott in English and Creative Writing in 1992 and received an MFA from New York University in 1994 and a Ph.D. in English and Creative Writing from the University of Missouri- Columbia in 2003. Her publications include two volumes of poetry, necessary kindling (2001) and the color of memory (1997). Her poems have also appeared in The Black Scholar, African American Review, All That Jazz, Ikon, Midlands, O'Henry Magazine, PLUCK, Obsidian III, Estuary Journal and other journals. Her current work includes two new volumes, when i was your angel (poetry and prose) and at the edge of the dusky world: poems of witness, which explores poetry, music, and blindness. She has won the Margaret Walker Alexander Award for Poetry of the College Language Association and has been awarded residencies at the Headland Center for the Arts and Wildacres Retreat.

Five women writers from various regions of the globe discuss the voice and role of women past, present and future, on the page and living life as only women can. The conversation will be moderated by Linda A. Duggins, Hachette Book Group (pictured.) Authors include:Connie May Fowler, How Clarissa Burden Learned to Fly (Grand Central Publishing)Iris Gomez, Try to Remember (Grand Central Publishing)Elizabeth Nunez, Anna-In-Between (Akashic Press)Dolen Perkins-Valdez, Wench (Amistad/HarperCollins)Tiphanie Yanique, How to Escape From a Leper Colony (Graywolf Press) Connie May Fowler is an award-wining novelist, memoirist, and screenwriter. She is the author of seven books, including her new novel, How Clarissa Burden Learned to Fly, which will be released in April. Her books have received the Chautauqua South Literary Award, the Southern Book Critics Circle Award, and the Francis Buck Award; three of her novels have been Dublin International Literary Award nominees. (www.conniemayfowler.com) Iris Gomez is the author of two poetry collections, Housicwhissick Blue and When Comets Rained, which earned a prestigious national poetry prize from the University of California. Originally from Colombia, she is a public interest immigration lawyer and law school lecturer. Her novel, Try to Remember, will be released in May. (www.irisgomez.com)  Elizabeth Nunez is the author of seven novels, inlcuding Prospero's Daughter (New York Times Editors' Choice) and Bruised Hibiscus (American Book Award). She is coeditor, with Jennifer Sparrow, of the anthology Stories from Blue Latitudes: Caribbean Women Writers at Home and Abroad. (http://aalbc.com/authors/elizabet.htm)  Dolen Perkins-Valdez's fiction and essays have appeared in The Kenyon Review, African American Review, and other publications. A former George McCandlish Fellow in American Literature at George Washington University, Dolen was a finalist for the 2009 Robert Olen Butler Short Fiction prize. Wench is her first novel. (www.dolenperkinsvaldez.com)  Tiphanie Yanique is from the Hospital Ground neighborhood of St. Thomas, Virgin Islands. She is an assistant professor of Creative Writing and Caribbean Literature at Drew University and an associate editor with Post-No-Ills. (http://tiphanieyanique.blogspot.com/) Program partners: Recorded On: Saturday, March 6, 2010

Today we talked with Eric Gardner, who is chair and professor of English at Saginaw Valley State University. The interview focuses on Jennie Carter: A Black Journalist of the Early West (University Press of Mississippi, 2008), a new book which Dr. Gardner both authored an introduction to and edited. This is the first collection from an African American journalist writing for the San Francisco based newspaper, the Elevator. Gardner’s introduction does an excellent job of placing Carter into both the context of the history and literature of the American West. Dr. Gardner is also the editor of Major Voices: The Drama of Slavery and has authored works which appear in the African American Review, the African American National Biography, and Legacy. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we talked with Eric Gardner, who is chair and professor of English at Saginaw Valley State University. The interview focuses on Jennie Carter: A Black Journalist of the Early West (University Press of Mississippi, 2008), a new book which Dr. Gardner both authored an introduction to and edited. This is the first collection from an African American journalist writing for the San Francisco based newspaper, the Elevator. Gardner's introduction does an excellent job of placing Carter into both the context of the history and literature of the American West. Dr. Gardner is also the editor of Major Voices: The Drama of Slavery and has authored works which appear in the African American Review, the African American National Biography, and Legacy. Please become a fan of “New Books in History” on Facebook if you haven't already. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today we talked with Eric Gardner, who is chair and professor of English at Saginaw Valley State University. The interview focuses on Jennie Carter: A Black Journalist of the Early West (University Press of Mississippi, 2008), a new book which Dr. Gardner both authored an introduction to and edited. This is the first collection from an African American journalist writing for the San Francisco based newspaper, the Elevator. Gardner’s introduction does an excellent job of placing Carter into both the context of the history and literature of the American West. Dr. Gardner is also the editor of Major Voices: The Drama of Slavery and has authored works which appear in the African American Review, the African American National Biography, and Legacy. Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lyrae Van Clief-Stefanon received her B.A. from Washington and Lee University and her M.F.A. from Penn State. Her work has appeared in such journals as African American Review, Callaloo, Crab Orchard Review, Rattapallax, and Shenandoah, and in several anthologies, including Bum Rush the Page and Role Call. A semi-finalist in the “Discovery”/The Nation Contest in 1999 and 2001, she was one of 20 writers featured in the 2005 PSA Festival of New American Poets. Her first book, Black Swan, was awarded the 2001 Cave Canem Poetry Prize.Ernesto Quiñonez is the author of the novels Bodega Dreams, which was chosen as a Barnes and Noble Discover Great New Writers title as well as a Borders Bookstore Original New Voice selection, and Chango’s Fire.J. Robert Lennon is the author of six novels, including Happyland, serialized in Harper’s in 2006, and the forthcoming Castle. He is also the author of Pieces For The Left Hand, a collection of 100 anecdotes.All three writers are members of the Cornell University Creative Writing faculty. They delivered the Richard Cleveland Memorial Reading on March 28, 2008, at the Hollis Auditorium in Cornell’s Goldwin Smith Hall. This interview took place the following day. Leading the conversation were three Cornell Lecturers in English: Stephanie Gehring, Jon Hickey, and George McCormick.