Podcasts about grand piano

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.       This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.       Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.  Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle. Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.       This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.       Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.  Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle. Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.       This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.       Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.  Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle. Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.       This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.       Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.  Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle. Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

#SessionLive avec deux poètes de la chanson française : Mathieu Boogaerts pour Grand piano et Albin de la Simone pour Toi là-bas. (Rediffusion) Notre premier invité est Mathieu Boogaerts pour la sortie de Grand Piano. Note d'intention par Mathieu Boogaerts : Mathieu Boogaerts, « Grand piano » ?  C'est le titre de mon neuvième album, et c'est un oxymore : « Figure de style qui vise à rapprocher deux termes que leurs sens devraient éloigner ». « Grand » car je l'ai voulu ainsi : franc, épais, puissant, plus de matière, de volume que ses prédécesseurs... Plus âgé ? Une batterie, une basse électrique, une basse synthétique, une guitare électrique, une guitare acoustique, un synthétiseur, un saxophone, une flûte, un accordéon, un chœur, des percussions, un piano électrique et un piano droit : la gamme de couleurs qu'il m'a fallu pour dépeindre en détails les sentiments que je déploie dans mes douze nouvelles chansons. Mais « Piano », car toujours sur le ton de la confidence, léger, fragile, doux, nuancé. Comment ? J'ai écrit et composé ce répertoire entre septembre 2020 et mars 2023 dans de nombreux lieux dont Londres, Paris, Istanbul, Amsterdam, Budapest, Plaisians, Risoul et les Landes. Le disque a été enregistré « de manière classique » entre 2023 et 2024 à La Frette Studios en région parisienne. Comme pour chacun de mes disques, Renaud Letang a ensuite élaboré le mixage, puis le duo de graphistes M/M (Paris) a conçu la pochette : ici une nature morte illustrant la facture, le geste, l'intention poétique de l'album. Avant ? Né en 1970 à Fontenay-sous-Bois. J'ai sorti mon premier « Ondulé » de clip-vidéo en 1995, suivi de l'album Super. Depuis : huit albums studio, trois albums live, plus de mille concerts à travers le monde, des chansons pour Camélia Jordana, Luce, Zaz, Vanessa Paradis... D'innombrables collaborations. En 2023, en pleine fabrication du disque, j'ai donné vingt concerts à Paris lors desquels je tirai au sort les chansons de ma discographie. Après ? Joie : l'écriture et la réalisation des clips-vidéo des morceaux. Les interpréter sur scène accompagné par mon tout nouveau groupe... Le Grand piano ! Mon meilleur disque ? Oui ! Titres interprétés dans le grand studio - Ma Jeunesse Live RFI  - Faut toujours écouter son corps, extrait de l'album - Dans une case Live RFI.  Line Up : Mathieu Boogaerts, guitare voix. Son : Camille Roch, Jérémie Besset. ► Album Grand Piano (Tôt ou Tard 2025). Site internet - YouTube - Facebook À lire aussiMathieu Boogaerts: «Grand piano», entre intimité et ambition musicale   Puis, nous recevons Albin de la Simone pour la sortie de Toi là-bas (disque) et Mes Battements (livre avec dessins chez Actes Sud). ► Teaser MdM. Le Livre Mes battements. Rome, 30 septembre 2024. Il est 11h du matin, partie à 4h30 chez moi, j'arrive à la Villa Médicis qui me fait le beau cadeau de m'inviter en courte résidence pour finir le livre que vous tenez entre les mains. Donc, à l'heure où j'écris ces lignes, ce n'est encore qu'un tas de dessins et de textes plus ou moins ordonnés. J'ai du pain sur la planche. Car un premier livre de ce type, comme un premier disque, est un peu constitué d'une vie entière, et quand on a 50 ans passés, il y a du tri à faire. À partir du deuxième, si on a bien fait son boulot dans le premier, on part d'une page blanche ou, au pire, d'une page beige. Nous verrons. L'album Toi là-bas. Paris, le 1er décembre 2024. Après quelques saisons très denses, j'ai ressenti à l'automne dernier le besoin imparable de me retrouver seul. Du moins face à moi-même. Je suis parti m'enfermer à la Villa Médicis où j'ai terminé d'écrire et de dessiner mon premier livre (Mes battements, paru en mars 2025 chez Actes Sud), un voyage intérieur qui, depuis des mois, me baladait loin dans le passé, mon village, mon enfance, mon adolescence. Je me suis amusé à reprendre quelques chansons de mes débuts comme Je te manque, Avril 4000 ou Non merci (2005), et j'ai remarqué que je leur donnais quelque chose que je ne voyais pas à l'époque. Je les habitais d'une nouvelle façon. J'ai tiré le fil, et d'autres chansons comme J'aime lire (2008) et enfin Pourquoi on pleure (2017) sont sorties naturellement de la pelote. Alors j'ai eu envie de les enregistrer à nouveau, comme de les photographier dans leur nouveau costume. Je me suis laissé aller sans faire de plans, sans pression, juste pour le jeu de la réinterprétation, pour le plaisir. Beaucoup de plaisir, musical autant que vocal. Les chansons en sont sorties plus sereines et plus sensuelles aussi, je crois. Boîtes à rythmes et basses profondes, synthétiseurs en halos suaves autour de mes instruments acoustiques chéris, comme mon piano Una Corda, et aussi cette incroyable Fender VI chère à The Cure ou Richard Hawley, une guitare électrique des années 60 accordée une octave plus grave, dont le son me retourne (écoutez le solo dans La valse des lilas). J'ai invité Alice on the Roof – avec qui je travaille pour son prochain album et que j'adore – à partager Pourquoi on pleure. Alice a accepté. La chanson en duo a pris un sens nouveau. Je pensais faire un petit EP à sortir à l'occasion de la parution du livre, mais comme je fouillais dans le rétroviseur depuis des mois, j'ai croisé quelques autres chansons importantes dans ma vie. La très souchonesque C'est bien moi que j'ai chantée l'an passé en hommage à Françoise Hardy avec Sage. La sublime Valse des lilas de Michel Legrand dont j'ai tant aimé la version américaine Once Upon a Summertime par Blossom Dearie ou Miles Davis. Et le temps s'arrêtait, d'Adamo, que nous avions arrangée avec Julien Chirol et Renaud Létang en 2003 pour le grand Salvatore lui-même. Et surtout, Ma gueule, lourdeur de Johnny qui me renvoyait au pire de la préadolescence brutale et masculiniste, jusqu'à ce que je découvre en la chantant qu'elle pouvait m'aller comme un gant et m'émouvoir même. Puisque mon livre et mon disque sortent en même temps, puisque leurs visuels et leurs thématiques sont cousins, j'ai quand même eu envie d'écrire une chanson nouvelle pour faire le pont entre les deux. En laissant errer mon regard dans les arbres de la Villa Médicis, j'ai revu Laurence, Natalia, Maud, Sidonie, Ouria… premières amoureuses qui ne m'ont pas connu. Que j'ai aimées, follement, mais de loin. Que j'ai regardées, sans relâche, dont j'ai étudié les gestes, les habitudes, les vêtements, ne détournant le regard que si je sentais le leur se tourner vers moi. J'avais trop peur. Peur de quoi. J'ai aussi entendu dans les arbres les échos de Charlotte Sometimes des Cure, sur laquelle je pleurais ces amours à distance. Trois jours plus tard, j'ai terminé la première maquette de Toi là-bas. Ça n'est donc pas un EP, mais bien un album. Mon huitième. Post-scriptum : Je ne résiste pas à repartir sur la route pour promener mes chansons et mon livre. Cette fois, je serai seul sur scène. Je chanterai et jouerai, je parlerai un peu, mais aussi je dessinerai. À moins d'un miracle anatomique, il est peu probable que je parvienne à faire tout cela en même temps. Titres interprétés dans le grand studio - Pourquoi on pleure Live RFI  - Toi là-bas, extrait de l'album - Quoi ma gueule Live RFI.  Line Up : Albin de la Simone, piano, voix. Son : Benoît Letirant, Mathias Taylor, Camille Roch. ► Album Toi là-bas (Tôt ou Tard). Site internet - YouTube - Facebook   Réalisation : Hadrien Touraud.

#SessionLive avec deux poètes de la chanson française : Mathieu Boogaerts pour Grand piano et Albin de la Simone pour Toi là-bas. (Rediffusion) Notre premier invité est Mathieu Boogaerts pour la sortie de Grand Piano. Note d'intention par Mathieu Boogaerts : Mathieu Boogaerts, « Grand piano » ?  C'est le titre de mon neuvième album, et c'est un oxymore : « Figure de style qui vise à rapprocher deux termes que leurs sens devraient éloigner ». « Grand » car je l'ai voulu ainsi : franc, épais, puissant, plus de matière, de volume que ses prédécesseurs... Plus âgé ? Une batterie, une basse électrique, une basse synthétique, une guitare électrique, une guitare acoustique, un synthétiseur, un saxophone, une flûte, un accordéon, un chœur, des percussions, un piano électrique et un piano droit : la gamme de couleurs qu'il m'a fallu pour dépeindre en détails les sentiments que je déploie dans mes douze nouvelles chansons. Mais « Piano », car toujours sur le ton de la confidence, léger, fragile, doux, nuancé. Comment ? J'ai écrit et composé ce répertoire entre septembre 2020 et mars 2023 dans de nombreux lieux dont Londres, Paris, Istanbul, Amsterdam, Budapest, Plaisians, Risoul et les Landes. Le disque a été enregistré « de manière classique » entre 2023 et 2024 à La Frette Studios en région parisienne. Comme pour chacun de mes disques, Renaud Letang a ensuite élaboré le mixage, puis le duo de graphistes M/M (Paris) a conçu la pochette : ici une nature morte illustrant la facture, le geste, l'intention poétique de l'album. Avant ? Né en 1970 à Fontenay-sous-Bois. J'ai sorti mon premier « Ondulé » de clip-vidéo en 1995, suivi de l'album Super. Depuis : huit albums studio, trois albums live, plus de mille concerts à travers le monde, des chansons pour Camélia Jordana, Luce, Zaz, Vanessa Paradis... D'innombrables collaborations. En 2023, en pleine fabrication du disque, j'ai donné vingt concerts à Paris lors desquels je tirai au sort les chansons de ma discographie. Après ? Joie : l'écriture et la réalisation des clips-vidéo des morceaux. Les interpréter sur scène accompagné par mon tout nouveau groupe... Le Grand piano ! Mon meilleur disque ? Oui ! Titres interprétés dans le grand studio - Ma Jeunesse Live RFI  - Faut toujours écouter son corps, extrait de l'album - Dans une case Live RFI.  Line Up : Mathieu Boogaerts, guitare voix. Son : Camille Roch, Jérémie Besset. ► Album Grand Piano (Tôt ou Tard 2025). Site internet - YouTube - Facebook À lire aussiMathieu Boogaerts: «Grand piano», entre intimité et ambition musicale   Puis, nous recevons Albin de la Simone pour la sortie de Toi là-bas (disque) et Mes Battements (livre avec dessins chez Actes Sud). ► Teaser MdM. Le Livre Mes battements. Rome, 30 septembre 2024. Il est 11h du matin, partie à 4h30 chez moi, j'arrive à la Villa Médicis qui me fait le beau cadeau de m'inviter en courte résidence pour finir le livre que vous tenez entre les mains. Donc, à l'heure où j'écris ces lignes, ce n'est encore qu'un tas de dessins et de textes plus ou moins ordonnés. J'ai du pain sur la planche. Car un premier livre de ce type, comme un premier disque, est un peu constitué d'une vie entière, et quand on a 50 ans passés, il y a du tri à faire. À partir du deuxième, si on a bien fait son boulot dans le premier, on part d'une page blanche ou, au pire, d'une page beige. Nous verrons. L'album Toi là-bas. Paris, le 1er décembre 2024. Après quelques saisons très denses, j'ai ressenti à l'automne dernier le besoin imparable de me retrouver seul. Du moins face à moi-même. Je suis parti m'enfermer à la Villa Médicis où j'ai terminé d'écrire et de dessiner mon premier livre (Mes battements, paru en mars 2025 chez Actes Sud), un voyage intérieur qui, depuis des mois, me baladait loin dans le passé, mon village, mon enfance, mon adolescence. Je me suis amusé à reprendre quelques chansons de mes débuts comme Je te manque, Avril 4000 ou Non merci (2005), et j'ai remarqué que je leur donnais quelque chose que je ne voyais pas à l'époque. Je les habitais d'une nouvelle façon. J'ai tiré le fil, et d'autres chansons comme J'aime lire (2008) et enfin Pourquoi on pleure (2017) sont sorties naturellement de la pelote. Alors j'ai eu envie de les enregistrer à nouveau, comme de les photographier dans leur nouveau costume. Je me suis laissé aller sans faire de plans, sans pression, juste pour le jeu de la réinterprétation, pour le plaisir. Beaucoup de plaisir, musical autant que vocal. Les chansons en sont sorties plus sereines et plus sensuelles aussi, je crois. Boîtes à rythmes et basses profondes, synthétiseurs en halos suaves autour de mes instruments acoustiques chéris, comme mon piano Una Corda, et aussi cette incroyable Fender VI chère à The Cure ou Richard Hawley, une guitare électrique des années 60 accordée une octave plus grave, dont le son me retourne (écoutez le solo dans La valse des lilas). J'ai invité Alice on the Roof – avec qui je travaille pour son prochain album et que j'adore – à partager Pourquoi on pleure. Alice a accepté. La chanson en duo a pris un sens nouveau. Je pensais faire un petit EP à sortir à l'occasion de la parution du livre, mais comme je fouillais dans le rétroviseur depuis des mois, j'ai croisé quelques autres chansons importantes dans ma vie. La très souchonesque C'est bien moi que j'ai chantée l'an passé en hommage à Françoise Hardy avec Sage. La sublime Valse des lilas de Michel Legrand dont j'ai tant aimé la version américaine Once Upon a Summertime par Blossom Dearie ou Miles Davis. Et le temps s'arrêtait, d'Adamo, que nous avions arrangée avec Julien Chirol et Renaud Létang en 2003 pour le grand Salvatore lui-même. Et surtout, Ma gueule, lourdeur de Johnny qui me renvoyait au pire de la préadolescence brutale et masculiniste, jusqu'à ce que je découvre en la chantant qu'elle pouvait m'aller comme un gant et m'émouvoir même. Puisque mon livre et mon disque sortent en même temps, puisque leurs visuels et leurs thématiques sont cousins, j'ai quand même eu envie d'écrire une chanson nouvelle pour faire le pont entre les deux. En laissant errer mon regard dans les arbres de la Villa Médicis, j'ai revu Laurence, Natalia, Maud, Sidonie, Ouria… premières amoureuses qui ne m'ont pas connu. Que j'ai aimées, follement, mais de loin. Que j'ai regardées, sans relâche, dont j'ai étudié les gestes, les habitudes, les vêtements, ne détournant le regard que si je sentais le leur se tourner vers moi. J'avais trop peur. Peur de quoi. J'ai aussi entendu dans les arbres les échos de Charlotte Sometimes des Cure, sur laquelle je pleurais ces amours à distance. Trois jours plus tard, j'ai terminé la première maquette de Toi là-bas. Ça n'est donc pas un EP, mais bien un album. Mon huitième. Post-scriptum : Je ne résiste pas à repartir sur la route pour promener mes chansons et mon livre. Cette fois, je serai seul sur scène. Je chanterai et jouerai, je parlerai un peu, mais aussi je dessinerai. À moins d'un miracle anatomique, il est peu probable que je parvienne à faire tout cela en même temps. Titres interprétés dans le grand studio - Pourquoi on pleure Live RFI  - Toi là-bas, extrait de l'album - Quoi ma gueule Live RFI.  Line Up : Albin de la Simone, piano, voix. Son : Benoît Letirant, Mathias Taylor, Camille Roch. ► Album Toi là-bas (Tôt ou Tard). Site internet - YouTube - Facebook   Réalisation : Hadrien Touraud.

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.       This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.       Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.  Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle. Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.       This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.       Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.  Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle. Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Donna Adelson Tried To Bribe Cell-Mate With Grand Piano & Drugs, Then She EXPOSED Donna Donna Adelson is cornered, and the cracks are showing. With the defense running out of credible witnesses, Donna must decide whether to testify—a gamble that could make or break her case. But the courtroom has already heard testimony that paints her as manipulative, arrogant, and willing to promise anything to protect herself. A jailhouse informant described Donna's constant chatter about her case, her handwritten witness “scripts,” and even bizarre bribes—packages of snacks, a $10,000 payment via Zelle from husband Harvey, and yes, a grand piano. The informant claims Donna wanted her to blame Katherine “Kay” Magbanua for hatching the plot against Dan Markel, a narrative full of language that didn't match Kay's voice. Then came the character witness—Donna's best friend—insisting she'd never heard Donna threaten anyone. But this was “coffee-friend” testimony: shallow reassurances from someone who knew the brunch version of Donna, not the backroom schemer promising money and pianos. And Harvey? His name now surfaces more often, pulled into Donna's supposed promises and linked through Signal and Zelle. Is this just Donna's mouth running, or was Harvey closer to the game than we thought? In this episode, we explore how Donna's narcissism may be her downfall. From bribery attempts that sound like late-night infomercials to character witnesses who barely scratch the surface, the case against her grows more surreal by the day. And as the moment of truth approaches, one question looms: will Donna take the stand to “explain it all,” or will cross-examination shred what little credibility she has left? Hashtags: #DonnaAdelson #AdelsonTrial #DanMarkel #TrueCrime #HiddenKillers #CourtroomDrama #JusticeForDanMarkel #TrueCrimeCommunity #MurderForHire #TrueCrimeDiscussion Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Kohberger's “Mom Text” & Donna's Grand Piano: How Loyalty Turns Criminal Today's full Hidden Killers Live digs into two explosive storylines and a deep psychological dive that ties them together. First, we unpack a new detail in the Bryan Kohberger case: the night-after exchange with his mother, including a link she sent describing the victim's bruises and fight back. Was it innocent true-crime chatter between a mom and her criminology-student son—or something far more unsettling in hindsight? We connect that moment to Kohberger's narrow fixations, the “coffee shop girl,” and his Jekyll/Hyde letters to Washington State University—groveling in one breath, arrogant and contemptuous toward a female professor in the next. Then we pivot to Donna Adelson and the trial reality closing in. We break down the jailhouse witness who says Donna scripted her testimony word-for-word, promised packages and phone time, even floated $10,000, veneers, and a grand piano—with Harvey allegedly wired in via Zelle/Signal. We weigh how much of that is Donna's mouth versus a real logistics web, and whether character-witness “coffee friends” help or hurt her in front of a jury. Hour two zooms out to the system beneath the headlines: enmeshed families. Psychotherapist and author Shavaun Scott joins Tony, Stacy, and Todd to map the continuum (disengaged → balanced → enmeshed), cultural norms around close-knit loyalty, and how a narcissistic parent converts “love” into control. We get granular on roles (golden child, scapegoat), why kids learn not to push back, how “mom in your head” can sabotage adult relationships and marriages, and why some adult children feel literal relief when a controlling parent dies. We also confront the hard question: how does enmeshment escalate from everyday manipulation to high-stakes loyalty—the kind that risks careers, freedom, and, in the Adelson world, alleged cover-ups? If you're following the Kohberger case, the Adelson trial, or you've lived inside a family where loyalty and control got tangled, this is two hours of context, questions, and candid conversation. Drop your take in the comments—what crossed the line for you today? Hashtags : #HiddenKillers #ShavaunScott #BryanKohberger #DonnaAdelson #AdelsonTrial #DanMarkel #EnmeshedFamilies #TrueCrime #PsychologyOfCrime #CourtroomDrama Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Donna Adelson Tried To Bribe Cell-Mate With Grand Piano & Drugs, Then She EXPOSED Donna Donna Adelson is cornered, and the cracks are showing. With the defense running out of credible witnesses, Donna must decide whether to testify—a gamble that could make or break her case. But the courtroom has already heard testimony that paints her as manipulative, arrogant, and willing to promise anything to protect herself. A jailhouse informant described Donna's constant chatter about her case, her handwritten witness “scripts,” and even bizarre bribes—packages of snacks, a $10,000 payment via Zelle from husband Harvey, and yes, a grand piano. The informant claims Donna wanted her to blame Katherine “Kay” Magbanua for hatching the plot against Dan Markel, a narrative full of language that didn't match Kay's voice. Then came the character witness—Donna's best friend—insisting she'd never heard Donna threaten anyone. But this was “coffee-friend” testimony: shallow reassurances from someone who knew the brunch version of Donna, not the backroom schemer promising money and pianos. And Harvey? His name now surfaces more often, pulled into Donna's supposed promises and linked through Signal and Zelle. Is this just Donna's mouth running, or was Harvey closer to the game than we thought? In this episode, we explore how Donna's narcissism may be her downfall. From bribery attempts that sound like late-night infomercials to character witnesses who barely scratch the surface, the case against her grows more surreal by the day. And as the moment of truth approaches, one question looms: will Donna take the stand to “explain it all,” or will cross-examination shred what little credibility she has left? Hashtags: #DonnaAdelson #AdelsonTrial #DanMarkel #TrueCrime #HiddenKillers #CourtroomDrama #JusticeForDanMarkel #TrueCrimeCommunity #MurderForHire #TrueCrimeDiscussion Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Kohberger's “Mom Text” & Donna's Grand Piano: How Loyalty Turns Criminal Today's full Hidden Killers Live digs into two explosive storylines and a deep psychological dive that ties them together. First, we unpack a new detail in the Bryan Kohberger case: the night-after exchange with his mother, including a link she sent describing the victim's bruises and fight back. Was it innocent true-crime chatter between a mom and her criminology-student son—or something far more unsettling in hindsight? We connect that moment to Kohberger's narrow fixations, the “coffee shop girl,” and his Jekyll/Hyde letters to Washington State University—groveling in one breath, arrogant and contemptuous toward a female professor in the next. Then we pivot to Donna Adelson and the trial reality closing in. We break down the jailhouse witness who says Donna scripted her testimony word-for-word, promised packages and phone time, even floated $10,000, veneers, and a grand piano—with Harvey allegedly wired in via Zelle/Signal. We weigh how much of that is Donna's mouth versus a real logistics web, and whether character-witness “coffee friends” help or hurt her in front of a jury. Hour two zooms out to the system beneath the headlines: enmeshed families. Psychotherapist and author Shavaun Scott joins Tony, Stacy, and Todd to map the continuum (disengaged → balanced → enmeshed), cultural norms around close-knit loyalty, and how a narcissistic parent converts “love” into control. We get granular on roles (golden child, scapegoat), why kids learn not to push back, how “mom in your head” can sabotage adult relationships and marriages, and why some adult children feel literal relief when a controlling parent dies. We also confront the hard question: how does enmeshment escalate from everyday manipulation to high-stakes loyalty—the kind that risks careers, freedom, and, in the Adelson world, alleged cover-ups? If you're following the Kohberger case, the Adelson trial, or you've lived inside a family where loyalty and control got tangled, this is two hours of context, questions, and candid conversation. Drop your take in the comments—what crossed the line for you today? Hashtags : #HiddenKillers #ShavaunScott #BryanKohberger #DonnaAdelson #AdelsonTrial #DanMarkel #EnmeshedFamilies #TrueCrime #PsychologyOfCrime #CourtroomDrama Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Donna Adelson Tried To Bribe Cell-Mate With Grand Piano & Drugs, Then She EXPOSED Donna Donna Adelson is cornered, and the cracks are showing. With the defense running out of credible witnesses, Donna must decide whether to testify—a gamble that could make or break her case. But the courtroom has already heard testimony that paints her as manipulative, arrogant, and willing to promise anything to protect herself. A jailhouse informant described Donna's constant chatter about her case, her handwritten witness “scripts,” and even bizarre bribes—packages of snacks, a $10,000 payment via Zelle from husband Harvey, and yes, a grand piano. The informant claims Donna wanted her to blame Katherine “Kay” Magbanua for hatching the plot against Dan Markel, a narrative full of language that didn't match Kay's voice. Then came the character witness—Donna's best friend—insisting she'd never heard Donna threaten anyone. But this was “coffee-friend” testimony: shallow reassurances from someone who knew the brunch version of Donna, not the backroom schemer promising money and pianos. And Harvey? His name now surfaces more often, pulled into Donna's supposed promises and linked through Signal and Zelle. Is this just Donna's mouth running, or was Harvey closer to the game than we thought? In this episode, we explore how Donna's narcissism may be her downfall. From bribery attempts that sound like late-night infomercials to character witnesses who barely scratch the surface, the case against her grows more surreal by the day. And as the moment of truth approaches, one question looms: will Donna take the stand to “explain it all,” or will cross-examination shred what little credibility she has left? Hashtags: #DonnaAdelson #AdelsonTrial #DanMarkel #TrueCrime #HiddenKillers #CourtroomDrama #JusticeForDanMarkel #TrueCrimeCommunity #MurderForHire #TrueCrimeDiscussion Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Kohberger's “Mom Text” & Donna's Grand Piano: How Loyalty Turns Criminal Today's full Hidden Killers Live digs into two explosive storylines and a deep psychological dive that ties them together. First, we unpack a new detail in the Bryan Kohberger case: the night-after exchange with his mother, including a link she sent describing the victim's bruises and fight back. Was it innocent true-crime chatter between a mom and her criminology-student son—or something far more unsettling in hindsight? We connect that moment to Kohberger's narrow fixations, the “coffee shop girl,” and his Jekyll/Hyde letters to Washington State University—groveling in one breath, arrogant and contemptuous toward a female professor in the next. Then we pivot to Donna Adelson and the trial reality closing in. We break down the jailhouse witness who says Donna scripted her testimony word-for-word, promised packages and phone time, even floated $10,000, veneers, and a grand piano—with Harvey allegedly wired in via Zelle/Signal. We weigh how much of that is Donna's mouth versus a real logistics web, and whether character-witness “coffee friends” help or hurt her in front of a jury. Hour two zooms out to the system beneath the headlines: enmeshed families. Psychotherapist and author Shavaun Scott joins Tony, Stacy, and Todd to map the continuum (disengaged → balanced → enmeshed), cultural norms around close-knit loyalty, and how a narcissistic parent converts “love” into control. We get granular on roles (golden child, scapegoat), why kids learn not to push back, how “mom in your head” can sabotage adult relationships and marriages, and why some adult children feel literal relief when a controlling parent dies. We also confront the hard question: how does enmeshment escalate from everyday manipulation to high-stakes loyalty—the kind that risks careers, freedom, and, in the Adelson world, alleged cover-ups? If you're following the Kohberger case, the Adelson trial, or you've lived inside a family where loyalty and control got tangled, this is two hours of context, questions, and candid conversation. Drop your take in the comments—what crossed the line for you today? Hashtags : #HiddenKillers #ShavaunScott #BryanKohberger #DonnaAdelson #AdelsonTrial #DanMarkel #EnmeshedFamilies #TrueCrime #PsychologyOfCrime #CourtroomDrama Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Kohberger's “Mom Text” & Donna's Grand Piano: How Loyalty Turns Criminal Today's full Hidden Killers Live digs into two explosive storylines and a deep psychological dive that ties them together. First, we unpack a new detail in the Bryan Kohberger case: the night-after exchange with his mother, including a link she sent describing the victim's bruises and fight back. Was it innocent true-crime chatter between a mom and her criminology-student son—or something far more unsettling in hindsight? We connect that moment to Kohberger's narrow fixations, the “coffee shop girl,” and his Jekyll/Hyde letters to Washington State University—groveling in one breath, arrogant and contemptuous toward a female professor in the next. Then we pivot to Donna Adelson and the trial reality closing in. We break down the jailhouse witness who says Donna scripted her testimony word-for-word, promised packages and phone time, even floated $10,000, veneers, and a grand piano—with Harvey allegedly wired in via Zelle/Signal. We weigh how much of that is Donna's mouth versus a real logistics web, and whether character-witness “coffee friends” help or hurt her in front of a jury. Hour two zooms out to the system beneath the headlines: enmeshed families. Psychotherapist and author Shavaun Scott joins Tony, Stacy, and Todd to map the continuum (disengaged → balanced → enmeshed), cultural norms around close-knit loyalty, and how a narcissistic parent converts “love” into control. We get granular on roles (golden child, scapegoat), why kids learn not to push back, how “mom in your head” can sabotage adult relationships and marriages, and why some adult children feel literal relief when a controlling parent dies. We also confront the hard question: how does enmeshment escalate from everyday manipulation to high-stakes loyalty—the kind that risks careers, freedom, and, in the Adelson world, alleged cover-ups? If you're following the Kohberger case, the Adelson trial, or you've lived inside a family where loyalty and control got tangled, this is two hours of context, questions, and candid conversation. Drop your take in the comments—what crossed the line for you today? Hashtags : #HiddenKillers #ShavaunScott #BryanKohberger #DonnaAdelson #AdelsonTrial #DanMarkel #EnmeshedFamilies #TrueCrime #PsychologyOfCrime #CourtroomDrama Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Donna Adelson Trial: Jailhouse Snitch Says She Offered Grand Piano for Favorable Testimony  The Trial of Donna Adelson took another shocking turn as jurors heard from a jailhouse witness who claims Donna tried to bribe her for favorable testimony. The inmate told the court that while the two were housed together, Donna offered her something completely out of the ordinary: a grand piano. It was a bizarre promise, but prosecutors argue it was a desperate attempt by the accused matriarch to buy her way out of accountability. According to the witness, Donna didn't just float the idea casually—she pressed the point, suggesting that she could arrange for the extravagant gift if the inmate would help her by testifying in a way that supported her defense. The inmate described how unusual and suspicious the offer felt, painting a picture of a woman who was still trying to manipulate the system even from behind bars. Prosecutors seized on this testimony to argue that Donna's mindset hasn't changed. Just as they claim she orchestrated a murder-for-hire plot for the benefit of her family, now, years later, she was still trying to pull strings from her jail cell—using wealth, influence, and extravagant promises to bend others to her will. For jurors, the story of a jailhouse “grand piano bribe” was almost surreal, but it underscored the prosecution's central theme: Donna Adelson is always plotting, always maneuvering, always working to stay in control. The defense, of course, will attack the credibility of a jailhouse snitch, arguing that inmates have every incentive to fabricate stories for their own benefit. But the detail and sheer oddity of this alleged bribe may be exactly what makes it stick in the minds of jurors. It's not just the money trail or the wiretaps anymore—it's the extreme lengths Donna Adelson was allegedly willing to go to protect herself, even from inside a cell. #DonnaAdelsonTrial #JailhouseSnitch #GrandPianoBribe #TrueCrimeTrial #DanMarkelMurder #CourtroomDrama #MurderForHireCase #DonnaAdelson #JusticeForDanMarkel #TrialCoverage Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Donna Adelson Trial: Jailhouse Snitch Says She Offered Grand Piano for Favorable Testimony  The Trial of Donna Adelson took another shocking turn as jurors heard from a jailhouse witness who claims Donna tried to bribe her for favorable testimony. The inmate told the court that while the two were housed together, Donna offered her something completely out of the ordinary: a grand piano. It was a bizarre promise, but prosecutors argue it was a desperate attempt by the accused matriarch to buy her way out of accountability. According to the witness, Donna didn't just float the idea casually—she pressed the point, suggesting that she could arrange for the extravagant gift if the inmate would help her by testifying in a way that supported her defense. The inmate described how unusual and suspicious the offer felt, painting a picture of a woman who was still trying to manipulate the system even from behind bars. Prosecutors seized on this testimony to argue that Donna's mindset hasn't changed. Just as they claim she orchestrated a murder-for-hire plot for the benefit of her family, now, years later, she was still trying to pull strings from her jail cell—using wealth, influence, and extravagant promises to bend others to her will. For jurors, the story of a jailhouse “grand piano bribe” was almost surreal, but it underscored the prosecution's central theme: Donna Adelson is always plotting, always maneuvering, always working to stay in control. The defense, of course, will attack the credibility of a jailhouse snitch, arguing that inmates have every incentive to fabricate stories for their own benefit. But the detail and sheer oddity of this alleged bribe may be exactly what makes it stick in the minds of jurors. It's not just the money trail or the wiretaps anymore—it's the extreme lengths Donna Adelson was allegedly willing to go to protect herself, even from inside a cell. #DonnaAdelsonTrial #JailhouseSnitch #GrandPianoBribe #TrueCrimeTrial #DanMarkelMurder #CourtroomDrama #MurderForHireCase #DonnaAdelson #JusticeForDanMarkel #TrialCoverage Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Welcome to episode 14 of Season 3!14. Lady Of The Manor & The Grand Piano In this episode we talk about getting to grips with Sefton Place, vision planning for your business and the different types of finance you can use to fund a property development with little to none of your own money. Please help us spread the word with a like, follow and subscribe and drop us a follow over on instagram @secretservicedpodcast#property #podcast #vacationrentals #airbnbhosts #hospitality #aparthotels #finance@changing_spaces_interiors ABOUT THE SHOW Dive deep into the heartbeat of the hospitality world with Mark Winship and Caroline Winship, your hosts and the power couple behind a burgeoning empire of hotels, serviced apartments, and vacation rentals. Witness the real story, unscripted and uncensored, as they unveil the daily hustle, the surprises, and the passion that fuels their ventures. From nerve-wracking live reactions to fresh guest reviews in Review Roulette to the enlightening At Your Serviced chats with fellow vacation rental magnates, every episode promises a rollercoaster of emotions and insights. Laugh, cry, and learn with us- This is not just another property podcast! This is a candid and entertaining insight into the world of serviced accommodation, holiday-lets, vacation rentals, aparthotels, and property investment. Hit subscribe and join the journey where the secrets of hospitality come to life! GETTING IN TOUCHPlease like/follow/subscribe to the podcast wherever you are listening!You can follow what we are up to over on Instagram @secretservicedpodcast Send us a voice note or a DM on Instagram @secretservicedpodcast for your chance to appear on the pod! Hosted on Acast. See acast.com/privacy for more information.

Lora Chow didn't abandon ambition—she just rewrote its score. In this episode, we trace her unusual arc from elite finance to classical composition. She opens up about choosing Yale over Cambridge, chasing Wall Street dreams, and what it really took to reclaim her voice—literally. This isn't a story about dropping out or burning out. It's about tuning into the parts of yourself that never stopped playing.Key Highlights of Our Interview:Choosing Yale Over Cambridge Wasn't Just About Prestige“My heart wanted music. But my mom majored in math—and Hong Kong wanted finance.”Lora opens up about the early tension between cultural expectation and personal calling.Fitting Into the Ivy League Mold—Until It Didn't“Everyone was applying to Morgan Stanley. I followed the crowd—and got the job.”At Yale, ambition and conformity collided. She got the offer, but the itch for music never left.A Grand Piano, a Grand Salary—But Something Felt Off“I loved music. But I also wanted a home with a grand piano.”Trading dreams for stability was logical—but it came with a cost.Silence Sparked the Return to Sound“I lost my voice for a year. That's when I started composing.”An unexpected health detour brought her back to the keyboard.Bulgaria, Opera, and a Creative Awakening“A summer program opened a door I hadn't dared to knock on before.”A trip abroad flipped the script—and planted the seed for Reveries on Ivories._______________________Connect with us:Host: Vince Chan | Guest: Lora Chow (YouTube Channel)  --Chief Change Officer--Change Ambitiously. Outgrow Yourself.Open a World of Expansive Human Intelligencefor Transformation Gurus, Black Sheep,Unsung Visionaries & Bold Hearts.EdTech Leadership Awards 2025 Finalist.18 Million+ All-Time Downloads.80+ Countries Reached Daily.Global Top 1.5% Podcast.Top 10 US Business.Top 1 US Careers.>>>170,000+ are outgrowing. Act Today.

Step into the world of innovation and tradition as we delve into the captivating story behind the creation of the Bogányi piano. Renowned Hungarian concert pianist Gergely Boganyi's lifelong dream of bringing a new level of beauty and sound to the traditional grand piano design, which had remained unchanged for over 150 years, led to a ground breaking collaboration with industrial designer Peter Uveges. This video reveals the fascinating journey of how their vision and expertise culminated in the revolutionary Bogányi piano. Discover the remarkable differences in design, the cutting-edge materials used, and the extraordinary sound experience offered by this modern-day marvel.Join us as we uncover the legacy and innovation behind the Bogányi piano, a convergence of timeless tradition and state-of-the-art technology.Explore more about the Bogányi piano at https://www.boganyi-piano.com/For more about our guest Boyd Benkenstein you can visit his website: https://www.quaybrands.com/Don't forget to like, share, and subscribe for more fascinating stories of creativity and innovation in the world of music and art!You can also visit our website at https://storycraftersdownunder.com.au This information on this site is intended as a general reference for Internet users. It is made available on the understanding that Talking Business with Mark & John, as a result of providing this information, is not engaged in providing professional advice. Viewers & Listeners should seek their own advice re undertaking any commercial actions. All information in this site is provided "as is", with no guarantee of accuracy, timelineBecome a supporter of this podcast: https://www.spreaker.com/podcast/talking-business-with-mark-and-john--5696935/support.

En 1995 débutait la carrière de Mathieu Boogaerts, avec un album intitulé Super. Il avait alors les cheveux touffus et bruns et des baskets blanches. Trente ans plus tard, les cheveux sont devenus gris, les baskets beiges, et Mathieu Boogaerts sort son neuvième album, Grand Piano. Il y a quelque chose, quand même, qui n'a pas changé : la dévotion de Mathieu pour les soupes de nouilles. Laissez-le donc vous parler du plus vieux resto de ramens parisien, dans lequel il est allé manger plus de 1 500 fois (il a compté). Laissez-le évoquer à vos oreilles la transmission de cet amour de père en fils dans sa famille. Laissez-le, enfin, vous décrire avec poésie le plaisir du bouillon salé qui vient réchauffer l'œsophage. À un moment, il fait même slurp slurp, vous verrez. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today, the Spotlight shines On naturalist and classical pianist Hunter Noack.Redefining what a concert hall can be, Hunter Noack hauls a nine-foot Steinway grand piano to mountaintops, forests, and beaches for his series "In a Landscape: Classical Music in the Wild."Hunter grew up in Central Oregon, where his love for music and nature took root. His concert series gives audiences wireless headphones and encourages them to wander through stunning settings while the music plays. It's part performance, part exploration—turning national parks and historic sites into living concert venues.Since founding the series in 2016, Hunter's brought classical music to over 75,000 people across the American West, many experiencing live classical music for the first time. He's performed in sun, snow, and everything in between—all to break down barriers between listener, music, and landscape.(The musical excerpts heard in the interview are from Hunter Noack's album In a Landscape)–Dig DeeperVisit Hunter Noack at hunternoack.com and the In a Landscape project at inalandscape.orgPurchase Hunter Noack's In a Landscape from Qobuz and listen on your streaming platform of choiceFollow Hunter Noack on Facebook and In a Landscape on Instagram, Facebook, and YouTubeBeloved scenic outdoor concert series announces 2025 tour dates for 10th anniversaryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On naturalist and classical pianist Hunter Noack.Redefining what a concert hall can be, Hunter Noack hauls a nine-foot Steinway grand piano to mountaintops, forests, and beaches for his series "In a Landscape: Classical Music in the Wild."Hunter grew up in Central Oregon, where his love for music and nature took root. His concert series gives audiences wireless headphones and encourages them to wander through stunning settings while the music plays. It's part performance, part exploration—turning national parks and historic sites into living concert venues.Since founding the series in 2016, Hunter's brought classical music to over 75,000 people across the American West, many experiencing live classical music for the first time. He's performed in sun, snow, and everything in between—all to break down barriers between listener, music, and landscape.(The musical excerpts heard in the interview are from Hunter Noack's album In a Landscape)–Dig DeeperVisit Hunter Noack at hunternoack.com and the In a Landscape project at inalandscape.orgPurchase Hunter Noack's In a Landscape from Qobuz and listen on your streaming platform of choiceFollow Hunter Noack on Facebook and In a Landscape on Instagram, Facebook, and YouTubeBeloved scenic outdoor concert series announces 2025 tour dates for 10th anniversaryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

#SessionLive avec deux poètes de la chanson française : Mathieu Boogaerts pour Grand piano et Albin de la Simone pour Toi là-bas.  Notre premier invité est Mathieu Boogaerts pour la sortie de Grand Piano.Note d'intention par Mathieu Boogaerts :Mathieu Boogaerts, « Grand piano » ? C'est le titre de mon neuvième album, et c'est un oxymore : « Figure de style qui vise à rapprocher deux termes que leurs sens devraient éloigner ».« Grand » car je l'ai voulu ainsi : franc, épais, puissant, plus de matière, de volume que ses prédécesseurs... Plus âgé ? Une batterie, une basse électrique, une basse synthétique, une guitare électrique, une guitare acoustique, un synthétiseur, un saxophone, une flûte, un accordéon, un chœur, des percussions, un piano électrique et un piano droit : la gamme de couleurs qu'il m'a fallu pour dépeindre en détails les sentiments que je déploie dans mes douze nouvelles chansons.Mais « Piano », car toujours sur le ton de la confidence, léger, fragile, doux, nuancé.Comment ?J'ai écrit et composé ce répertoire entre septembre 2020 et mars 2023 dans de nombreux lieux dont Londres, Paris, Istanbul, Amsterdam, Budapest, Plaisians, Risoul et les Landes. Le disque a été enregistré « de manière classique » entre 2023 et 2024 à La Frette Studios en région parisienne. Comme pour chacun de mes disques, Renaud Letang a ensuite élaboré le mixage, puis le duo de graphistes M/M (Paris) a conçu la pochette : ici une nature morte illustrant la facture, le geste, l'intention poétique de l'album.Avant ?Né en 1970 à Fontenay-sous-Bois. J'ai sorti mon premier « Ondulé » de clip-vidéo en 1995, suivi de l'album Super. Depuis : huit albums studio, trois albums live, plus de mille concerts à travers le monde, des chansons pour Camélia Jordana, Luce, Zaz, Vanessa Paradis... D'innombrables collaborations. En 2023, en pleine fabrication du disque, j'ai donné vingt concerts à Paris lors desquels je tirai au sort les chansons de ma discographie.Après ?Joie : l'écriture et la réalisation des clips-vidéo des morceaux. Les interpréter sur scène accompagné par mon tout nouveau groupe...Le Grand piano ! Mon meilleur disque ? Oui !Titres interprétés dans le grand studioMa Jeunesse Live RFI Faut toujours écouter son corps, extrait de l'albumDans une case Live RFI Line Up : Mathieu Boogaerts, guitare voixSon : Camille Roch, Jérémie Besset► Album Grand Piano (Tôt ou Tard 2025)Site internet - YouTube - FacebookÀ lire aussiMathieu Boogaerts: «Grand piano», entre intimité et ambition musicalePuis, nous recevons Albin de la Simone pour la sortie de Toi là-bas (disque) et Mes Battements (livre avec dessins chez Actes Sud)► Teaser MdMLe Livre Mes battementsRome, 30 septembre 2024. Il est 11h du matin, partie à 4h30 chez moi, j'arrive à la Villa Médicis qui me fait le beau cadeau de m'inviter en courte résidence pour finir le livre que vous tenez entre les mains. Donc, à l'heure où j'écris ces lignes, ce n'est encore qu'un tas de dessins et de textes plus ou moins ordonnés. J'ai du pain sur la planche. Car un premier livre de ce type, comme un premier disque, est un peu constitué d'une vie entière, et quand on a 50 ans passés, il y a du tri à faire. À partir du deuxième, si on a bien fait son boulot dans le premier, on part d'une page blanche ou, au pire, d'une page beige. Nous verrons.L'album Toi là-basParis, le 1er décembre 2024. Après quelques saisons très denses, j'ai ressenti à l'automne dernier le besoin imparable de me retrouver seul. Du moins face à moi-même. Je suis parti m'enfermer à la Villa Médicis où j'ai terminé d'écrire et de dessiner mon premier livre (Mes battements, paru en mars 2025 chez Actes Sud), un voyage intérieur qui depuis des mois me baladait loin dans le passé, mon village, mon enfance, mon adolescence. Je me suis amusé à reprendre quelques chansons de mes débuts comme Je te manque, Avril 4000 ou Non merci (2005), et j'ai remarqué que je leur donnais quelque chose que je ne voyais pas à l'époque. Je les habitais d'une nouvelle façon. J'ai tiré le fil, et d'autres chansons comme J'aime lire (2008) et enfin Pourquoi on pleure (2017) sont sorties naturellement de la pelote. Alors j'ai eu envie de les enregistrer à nouveau, comme de les photographier dans leur nouveau costume. Je me suis laissé aller sans faire de plans, sans pression, juste pour le jeu de la réinterprétation, pour le plaisir. Beaucoup de plaisir, musical autant que vocal. Les chansons en sont sorties plus sereines et plus sensuelles aussi, je crois. Boîtes à rythmes et basses profondes, synthétiseurs en halos suaves autour de mes instruments acoustiques chéris, comme mon piano Una Corda, et aussi cette incroyable Fender VI chère à The Cure ou Richard Hawley, une guitare électrique des années 60 accordée une octave plus grave, dont le son me retourne (écoutez le solo dans La valse des lilas). J'ai invité Alice on the Roof – avec qui je travaille pour son prochain album et que j'adore – à partager Pourquoi on pleure. Alice a accepté. La chanson en duo a pris un sens nouveau.Je pensais faire un petit EP à sortir à l'occasion de la parution du livre, mais comme je fouillais dans le rétroviseur depuis des mois, j'ai croisé quelques autres chansons importantes dans ma vie. La très souchonesque C'est bien moi que j'ai chantée l'an passé en hommage à Françoise Hardy avec Sage. La sublime Valse des lilas de Michel Legrand dont j'ai tant aimé la version américaine Once Upon a Summertime par Blossom Dearie ou Miles Davis. Et le temps s'arrêtait, d'Adamo, que nous avions arrangée avec Julien Chirol et Renaud Létang en 2003 pour le grand Salvatore lui-même. Et surtout, Ma gueule, lourdeur de Johnny qui me renvoyait au pire de la préadolescence brutale et masculiniste, jusqu'à ce que je découvre en la chantant qu'elle pouvait m'aller comme un gant et m'émouvoir même. Puisque mon livre et mon disque sortent en même temps, puisque leurs visuels et leurs thématiques sont cousins, j'ai quand même eu envie d'écrire une chanson nouvelle pour faire le pont entre les deux. En laissant errer mon regard dans les arbres de la Villa Médicis, j'ai revu Laurence, Natalia, Maud, Sidonie, Ouria… premières amoureuses qui ne m'ont pas connu. Que j'ai aimées, follement, mais de loin. Que j'ai regardées, sans relâche, dont j'ai étudié les gestes, les habitudes, les vêtements, ne détournant le regard que si je sentais le leur se tourner vers moi. J'avais trop peur. Peur de quoi. J'ai aussi entendu dans les arbres les échos de Charlotte Sometimes des Cure, sur laquelle je pleurais ces amours à distance. Trois jours plus tard, j'ai terminé la première maquette de Toi là-bas. Ça n'est donc pas un EP, mais bien un album. Mon huitième.Post-scriptum : Je ne résiste pas à repartir sur la route pour promener mes chansons et mon livre. Cette fois, je serai seul sur scène. Je chanterai et jouerai, je parlerai un peu, mais aussi je dessinerai. À moins d'un miracle anatomique, il est peu probable que je parvienne à faire tout cela en même temps.Titres interprétés dans le grand studioPourquoi on pleure Live RFI Toi là-bas, extrait de l'albumQuoi ma gueule Live RFI Line Up : Albin de la Simone, piano, voixSon : Benoît Letirant, Mathias Taylor, Camille Roch► Album Toi là-bas (Tôt ou Tard)Site internet - YouTube - FacebookRéalisation : Hadrien Touraud

#SessionLive avec deux poètes de la chanson française : Mathieu Boogaerts pour Grand piano et Albin de la Simone pour Toi là-bas.  Notre premier invité est Mathieu Boogaerts pour la sortie de Grand Piano.Note d'intention par Mathieu Boogaerts :Mathieu Boogaerts, « Grand piano » ? C'est le titre de mon neuvième album, et c'est un oxymore : « Figure de style qui vise à rapprocher deux termes que leurs sens devraient éloigner ».« Grand » car je l'ai voulu ainsi : franc, épais, puissant, plus de matière, de volume que ses prédécesseurs... Plus âgé ? Une batterie, une basse électrique, une basse synthétique, une guitare électrique, une guitare acoustique, un synthétiseur, un saxophone, une flûte, un accordéon, un chœur, des percussions, un piano électrique et un piano droit : la gamme de couleurs qu'il m'a fallu pour dépeindre en détails les sentiments que je déploie dans mes douze nouvelles chansons.Mais « Piano », car toujours sur le ton de la confidence, léger, fragile, doux, nuancé.Comment ?J'ai écrit et composé ce répertoire entre septembre 2020 et mars 2023 dans de nombreux lieux dont Londres, Paris, Istanbul, Amsterdam, Budapest, Plaisians, Risoul et les Landes. Le disque a été enregistré « de manière classique » entre 2023 et 2024 à La Frette Studios en région parisienne. Comme pour chacun de mes disques, Renaud Letang a ensuite élaboré le mixage, puis le duo de graphistes M/M (Paris) a conçu la pochette : ici une nature morte illustrant la facture, le geste, l'intention poétique de l'album.Avant ?Né en 1970 à Fontenay-sous-Bois. J'ai sorti mon premier « Ondulé » de clip-vidéo en 1995, suivi de l'album Super. Depuis : huit albums studio, trois albums live, plus de mille concerts à travers le monde, des chansons pour Camélia Jordana, Luce, Zaz, Vanessa Paradis... D'innombrables collaborations. En 2023, en pleine fabrication du disque, j'ai donné vingt concerts à Paris lors desquels je tirai au sort les chansons de ma discographie.Après ?Joie : l'écriture et la réalisation des clips-vidéo des morceaux. Les interpréter sur scène accompagné par mon tout nouveau groupe...Le Grand piano ! Mon meilleur disque ? Oui !Titres interprétés dans le grand studioMa Jeunesse Live RFI Faut toujours écouter son corps, extrait de l'albumDans une case Live RFI Line Up : Mathieu Boogaerts, guitare voixSon : Camille Roch, Jérémie Besset► Album Grand Piano (Tôt ou Tard 2025)Site internet - YouTube - FacebookÀ lire aussiMathieu Boogaerts: «Grand piano», entre intimité et ambition musicalePuis, nous recevons Albin de la Simone pour la sortie de Toi là-bas (disque) et Mes Battements (livre avec dessins chez Actes Sud)► Teaser MdMLe Livre Mes battementsRome, 30 septembre 2024. Il est 11h du matin, partie à 4h30 chez moi, j'arrive à la Villa Médicis qui me fait le beau cadeau de m'inviter en courte résidence pour finir le livre que vous tenez entre les mains. Donc, à l'heure où j'écris ces lignes, ce n'est encore qu'un tas de dessins et de textes plus ou moins ordonnés. J'ai du pain sur la planche. Car un premier livre de ce type, comme un premier disque, est un peu constitué d'une vie entière, et quand on a 50 ans passés, il y a du tri à faire. À partir du deuxième, si on a bien fait son boulot dans le premier, on part d'une page blanche ou, au pire, d'une page beige. Nous verrons.L'album Toi là-basParis, le 1er décembre 2024. Après quelques saisons très denses, j'ai ressenti à l'automne dernier le besoin imparable de me retrouver seul. Du moins face à moi-même. Je suis parti m'enfermer à la Villa Médicis où j'ai terminé d'écrire et de dessiner mon premier livre (Mes battements, paru en mars 2025 chez Actes Sud), un voyage intérieur qui depuis des mois me baladait loin dans le passé, mon village, mon enfance, mon adolescence. Je me suis amusé à reprendre quelques chansons de mes débuts comme Je te manque, Avril 4000 ou Non merci (2005), et j'ai remarqué que je leur donnais quelque chose que je ne voyais pas à l'époque. Je les habitais d'une nouvelle façon. J'ai tiré le fil, et d'autres chansons comme J'aime lire (2008) et enfin Pourquoi on pleure (2017) sont sorties naturellement de la pelote. Alors j'ai eu envie de les enregistrer à nouveau, comme de les photographier dans leur nouveau costume. Je me suis laissé aller sans faire de plans, sans pression, juste pour le jeu de la réinterprétation, pour le plaisir. Beaucoup de plaisir, musical autant que vocal. Les chansons en sont sorties plus sereines et plus sensuelles aussi, je crois. Boîtes à rythmes et basses profondes, synthétiseurs en halos suaves autour de mes instruments acoustiques chéris, comme mon piano Una Corda, et aussi cette incroyable Fender VI chère à The Cure ou Richard Hawley, une guitare électrique des années 60 accordée une octave plus grave, dont le son me retourne (écoutez le solo dans La valse des lilas). J'ai invité Alice on the Roof – avec qui je travaille pour son prochain album et que j'adore – à partager Pourquoi on pleure. Alice a accepté. La chanson en duo a pris un sens nouveau.Je pensais faire un petit EP à sortir à l'occasion de la parution du livre, mais comme je fouillais dans le rétroviseur depuis des mois, j'ai croisé quelques autres chansons importantes dans ma vie. La très souchonesque C'est bien moi que j'ai chantée l'an passé en hommage à Françoise Hardy avec Sage. La sublime Valse des lilas de Michel Legrand dont j'ai tant aimé la version américaine Once Upon a Summertime par Blossom Dearie ou Miles Davis. Et le temps s'arrêtait, d'Adamo, que nous avions arrangée avec Julien Chirol et Renaud Létang en 2003 pour le grand Salvatore lui-même. Et surtout, Ma gueule, lourdeur de Johnny qui me renvoyait au pire de la préadolescence brutale et masculiniste, jusqu'à ce que je découvre en la chantant qu'elle pouvait m'aller comme un gant et m'émouvoir même. Puisque mon livre et mon disque sortent en même temps, puisque leurs visuels et leurs thématiques sont cousins, j'ai quand même eu envie d'écrire une chanson nouvelle pour faire le pont entre les deux. En laissant errer mon regard dans les arbres de la Villa Médicis, j'ai revu Laurence, Natalia, Maud, Sidonie, Ouria… premières amoureuses qui ne m'ont pas connu. Que j'ai aimées, follement, mais de loin. Que j'ai regardées, sans relâche, dont j'ai étudié les gestes, les habitudes, les vêtements, ne détournant le regard que si je sentais le leur se tourner vers moi. J'avais trop peur. Peur de quoi. J'ai aussi entendu dans les arbres les échos de Charlotte Sometimes des Cure, sur laquelle je pleurais ces amours à distance. Trois jours plus tard, j'ai terminé la première maquette de Toi là-bas. Ça n'est donc pas un EP, mais bien un album. Mon huitième.Post-scriptum : Je ne résiste pas à repartir sur la route pour promener mes chansons et mon livre. Cette fois, je serai seul sur scène. Je chanterai et jouerai, je parlerai un peu, mais aussi je dessinerai. À moins d'un miracle anatomique, il est peu probable que je parvienne à faire tout cela en même temps.Titres interprétés dans le grand studioPourquoi on pleure Live RFI Toi là-bas, extrait de l'albumQuoi ma gueule Live RFI Line Up : Albin de la Simone, piano, voixSon : Benoît Letirant, Mathias Taylor, Camille Roch► Album Toi là-bas (Tôt ou Tard)Site internet - YouTube - FacebookRéalisation : Hadrien Touraud

Make a Logo on FiverrLast Updated on March 30, 2025 7:08 pm by Jeffrey Powers It's time to give your keyboard a new lease on life and make it sound like you're actually playing a Grand Piano. Pianoverse is here to transform your outdated equipment into a sonic powerhouse. In this video, we are checking […] The post From Outdated to Outstanding: Pianoverse will Breathe New Life into Your Keyboards appeared first on Geekazine.

Grand Piano (2013) Category: Tubi Roulette 3/3 LD brings this category gamble to an end with a classical piano concert. Bones proves his love to Emma. Kron thinks Shaq is the ultimate pianist. Bones and LD put Kron in a Sophia's Choice and the Freak Offs start. RFK and The Nolan's stop by as well.  -Crash & Burn  JOIN THE DISCORD https://discord.gg/z2r7pcrB QUESTIONS? EMAIL US AT 5dayrentalspodcast@gmail.com Theme by Dkrefft https://open.spotify.com/artist/1yxWXpxlqLE4tjoivvU6XL Sounds effects provided by  freesound.org & zapsplat.com

durée : 00:04:52 - Dans la playlist de France Inter - En Playlist de France Inter, le neuvième album de Mathieu Boogaerts, mélancolique et syncopé

durée : 00:28:28 - Les Midis de Culture - par : Marie Labory - Le chanteur et compositeur Mathieu Boogaerts revient avec son 9ᵉ album "Grand Piano", qui marque ses 30 ans de carrière. Il y partage ses questionnements autour de la paternité, de la vieillesse... Comme toujours, on retrouve son ton léger, drôle et intimiste. - réalisation : Laurence Malonda - invités : Mathieu Boogaerts Auteur-compositeur-interprète

On the 424th episode of Piecing It Together, Arthur Howell joins me to talk about Carry-On! This tight thriller is set at an airport at Christmas... So I suppose welcome to our Christmas episode! Puzzle pieces include Die Hard, Collateral, Grand Piano and Phone Booth.As always, SPOILER ALERT for Carry-On and the movies we discuss!Written by T.J. FixmanDirected by Jaume Collet-SerraStarring Taron Egerton, Jason Bateman, Sofia Carson, Danielle Deadwyler, Dean NorrisNetflixhttps://www.netflix.com/title/81476963Arthur Howell is a film critic and podcaster and hosts 2 Cents CriticCheck out 2 Cents Critic at https://linktr.ee/two_centscriticFollow 2 Cents Critic on Twitter @two_centscriticMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music is the 24 for 2024 series in which I'm releasing a new single on the 1st and 3rd Fridays of every month in 2024. 24 new songs total. Follow along on the Spotify Playlist at https://open.spotify.com/playlist/4PDKoUQ1CoFpiogLu2Sz4D?si=3cb1df0dd0384968My latest music video “Burn" which you can watch at https://www.youtube.com/watch?v=UxKAWFm0gAoThe song at the end of the episode is "Up Up Up" from my upcoming compilation album MISSING PIECES: 2018-2024. Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our TeePublic store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://www.teepublic.com/stores/piecing-it-togetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts,

La pianista española Isabel Dobarro nos presenta su primer álbum grabado para el sello Grand Piano, que se llama Kaleidoscope interpretando un repertorio de obras de compositoras del siglo XXI.

Winner of Bathurst 1000 Brodie Kostecki joins us to unpack the race, we have a look at some extremely pampered pets & Tom Gleisner joins us to talk "Have You Been Paying Attention". Plus, comedian Tahir joins us with some shit magic tricks.Join Mick & MG weekday mornings from 6am or grab the podcast everyday on LiSTNR or where ever you get your podcasts. #MickAndMGInTheMorningSee omnystudio.com/listener for privacy information.

We are back from a break and catch up on what the team have been up to, P. Diddy is in a bit of trouble & listeners "Beg MG For Grand Final Tickets". Plus, comedian Dom Knight joins us for a bit of local Sydney news. Join Mick & MG weekday mornings from 6am or grab the podcast everyday on LiSTNR or where ever you get your podcasts. #MickAndMGInTheMorningSee omnystudio.com/listener for privacy information.

Send us a textThis week, after a bit of a hiatus, the boys return reviewing SO MANY RELEASES to com out in August including Alien Romulus, Cuckoo (completing the Dan Stevens 2024 Trifecta), Trap, Blink Twice, Midnight Vampire, The 100, Sting, Hundreds of Beavers (for the 4th time), Grand Piano, Borderlands, and the New Crow movie!Plus, Jacob goes on a New England Adventure, Jay teases new episodes of Cryto-Zoo, and Correia will not stop saying inappropriate things about Alien Romulus. Its all New on Eye On Horror!Movies Mention in this Episode: https://letterboxd.com/correianbbq/list/eye-on-horror-podcast-sn-7-ep-13/Follow us on the socials: @EyeOnHorror or check out https://linktr.ee/EyeOnHorrorGet more horror movie news at: https://ihorror.com

This is an eclectic assortment of the Jazz-Soul-Funk-Disco throughout the decades. These gems are prized pieces of the vinyl collection which are featured on DJ Rhythm Dee's BMS Podcast. So get yourselves ready so we can take this soulful ride together on the hippest trip this side of a Friday night.Featuring, Gwen Guthrie, Grand Master Flash & the Furious Five, Sun, George Clinton, ‘Jellybean' Benitez, Mass Order, and many more of my favorites.PLAYLIST1. BOOPS by SLY & ROBBIE2. SEVENTH HEAVEN by GWEN GUTHRIE3. VOICES INSIDE MY HEAD by COMMON SENSE4. HEAR THE DRUMMER (GET WICKED) by CHAD JACKSON5. DISCO DREAM by THE MEAN MACHINE6. THE PARTY MIX by GRAND MASTER FLASH & THE FURIOUS FIVE7. I CAN'T GO FOR THAT by HALL & OATS8. DO FRIES GO WITH THAT SHAKE by GEORGE CLINTON9. REACTION SATISFACTION by SUN10. I WANNA MAKE IT WITH YOU by ROSE ROYCE11. WE GOT OUR OWN THING by CJ & COMPANY12. HOLLYWOOD PARTY by BROOKLYN EXPRESS13. BODY WORK by HOT STREAK14. SEXY LADY by SIMON HARRIS15. INNOCENT (HOUSE MIX) by ALEXANDER O'NEAL16. SPILLIN' THE BEANS by JELLYBEAN17. THINKING ABOUT YOU by WHITNEY HOUSTON/KASHIF18. SO EMOTIONAL 12" MIX by WHITNEY HOUSTON19. TASTE THE MUSIC by KLEEER20. FUNKY SOUL MAKOSSA by NAIROBI21. DANCE TO THE DRUMMER'S BEAT by HERMAN KELLY & LIFE22. TIME by STONE23. LIFT EVERY VOICE by MASS ORDER24. HEAT IT UP by THE WEE PAPA GIRL RAPPERS25. TOUCH ME by 49ERS26. DON'T YOU LOVE ME by 49ERS27. GRAND PIANO by THE MIXMASTERS28. DO YOU LOVE WHAT YOU FEEL by INNER CITY29. DISCO NIGHTS by GQ30. ROCK FREAK by HERBIE MANN31. (PARTY DOWN) J'AIME LA MUSIQUE by PIERRE PERPAL

I almost got scammed a few years ago. A woman hit me up on Instagram asking if I wrote songs. “Of course,” I responded. She then sent a long message asking if I could compose a song for her son Daniel's sixth birthday. She claimed she'd pay me $500. I agreed. I already wrote and recorded music regularly. It sounded like an easy $500. Then the scam emerged.After I sent the song, the delighted woman told me that she had a check that she would mail me. There was an issue, though. The bank accidentally made the check out for $5,000 instead of $500. She wanted to know if she could send me the $5,000 and then have me send $4,500 back. At this point, I realized it was some sort of check scam, so I blocked her and forgot about it pretty quickly. But last week this scam came rushing back when someone tried to scam me in an even stranger way. As a reminder, this is the podcast version of the newsletter Can't Get Much Higher. Click here to read the newsletter. It contains charts, graphs, and pictures that will color your listening. Click here to listen on Apple or Spotify. For a playlist of every new song that I've recommended, click here. For a playlist of every old song that I've recommended, click here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chrisdallariva.substack.com/subscribe

Freaked is a 1993 American black comedy film directed by Tom Stern and Alex Winter, both of whom wrote the screenplay with Tim Burns. Winter also starred in the lead role. Both were involved in the short-lived MTV sketch comedy show The Idiot Box, and Freaked retains the same brand of surreal humour seen in the show. Freaked was Alex Winter's last feature film before he shifted to cameo and television films for many years until 2013's Grand Piano.

In this episode of One Symphony, conductor Devin Patrick Hughes interviews internationally renowned pianist Quynh Nguyen (pronounced Quin Nwen), exploring her remarkable journey in music. Born in post-war Vietnam, Nguyen's path has been shaped by her family legacy, global influences, and dedication to her craft. From her early beginnings at the Hanoi Conservatory to her studies in Moscow, Paris, and the United States, Nguyen's story exemplifies perseverance and the power of music to transcend boundaries. The interview examines Nguyen's direct connections with French composer Olivier Messiaen and studying with his wife Yvonne Loriod, her respect for Germaine Tailleferre's resilience, and her collaboration with Paul Chihara on his Concerto Fantasy for Piano and Orchestra. Nguyen also explores music's capability to promote peace between nations in her touching final remarks.   Quynh Nguyen has performed throughout the United States, Europe, and Vietnam, in venues including Carnegie Hall, Lincoln Center, Smithsonian's Freer Gallery, Berlin Konzerthause, and the Opera House in Hanoi, Vietnam. Broadcast appearances include Voice of America, WQXR, WGBH, NHK Television in Japan, Vietnamese national television, and “Grand Piano,” on cable TV channels across the United States. Her discography includes recordings on Arabesque, Naxos's American Classics Series, and Music and Arts labels.   Dr. Nguyen is a graduate of The Juilliard School and Mannes College of Music and received her Doctor of Musical Arts degree from the Graduate Center of City University of New York. She is the recipient of several highly prestigious scholarships and awards, including the United States Presidential Academic Fitness Award, the American Prize, and the Fulbright Fellowship to France.   Thank you for joining us on One Symphony. Thanks to Quynh Nguyen for sharing her music and spirit. You can find more info at https://www.quynhpiano.com   All music selections feature Quynh Nguyen on Piano. The following albums were featured on One Symphony today: “Fleurs de France: No. 2, Coquelicot de Guyenne” and “Berceuse” composed by Germaine Tailleferre from the album The Flower of France available from Naxos.  From Vingt regards sur l'Enfant-Jesus I. No. 15. Le baiser de l'enfant-Jesus ("The kiss of the infant Jesus") composed by Olivier Messiaen from the album Quynh Nguyen: Live in Concert - New York available from Arabesque Records. Concerto Fantasy, composed by Paul Chihara and featuring Nguyen with the London Symphony Orchestra “Drinking Songs for Kittens,” “Like Rising Must,”  and “Kleine Toccata…” from the Twice Seven Haiku.  4 Reveries on Beethoven (2021 Version): No. 2, Pastorale.  All these selections are available on the album Chihara: Concerto-Fantasy for Piano and Orchestra, Bagetelles, Reveries & Ami on the Naxos label.   You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!   https://www.quynhpiano.com https://www.priceattractions.com/devin-patrick-hughes-conductor  

Episode 123 Love Spells in Electronic Sound Playlist   Track Time Start Time Introduction –Thom Holmes 06:48 00:00 1.     Mystic Moods Orchestra, “Love Token” from Love Token (1969 Philips). Sound Effects, producer, sound director, Brad Miller; Vocals and vocal effects, The Mystic Moods. 04:33 06:48 2.     Four Tet, “Love Cry” from There Is Love In You (2010 Domino). Written, produced, and performed by Kieran Hebden. 09:06 11:14 3.     Deborah de Luca, “Love is a Losing Game (Mix Raw)” from Nina (2015 Sola_mente Records). Written, produced, and performed by Deborah de Luca. 07:14 20:16 4.     Steven Halpern, “Hot Chakra” from Enhancing Sensual Pleasure (1993 Sound Rx). Bass, Marc Vanwaginengen; Silver Flutes, Emerald Web; Grand Piano, Electric Piano, Producer, Trumpet, Steven Halpern; Harp, Susan Mazer; Lyricon, Dallas Smith; Percussion, Kenneth Nash. 06:48 27:26 5.     Steven Halpern, “Thigh Chi” from Enhancing Sensual Pleasure (1993 Sound Rx). Bass, Marc Vanwaginengen; Flute, Paul Horn; Silver Flutes, Emerald Web; Grand Piano, Electric Piano, Producer, Trumpet, Steven Halpern; Harp, Susan Mazer; Lyricon, Dallas Smith; Percussion, Kenneth Nash. 05:31 34:08 6.     Klaus Schulze, “Moogetique” from Body Love, Vol. 2 (1977 Island). Producer, Composer, instruments, Klaus Schulze; Drums, Harald Grosskopf. Original electronic music for a film by Lasse Braun. 13:12 39:34 7.     Klaus Schulze, “Stardancer II” from Body Love, Vol. 2 (1977 Island). Producer, Composer, instruments, Klaus Schulze; Drums, Harald Grosskopf. Original electronic music for a film by Lasse Braun. 14:13 52:44 8.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” from Events (1980 Harvest). Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMI, Liner Notes, Eberhard Schoener; Fairlight CMI, Morris Pert; Fender Rhodes, Roger Munnis; Tenor Saxophone, Olaf Kübler; Vocals, Clare Torry. 10:56 01:06:50 9.     Nora En Pure, “Norma Jean” from Come With Me (2013 Enormous Tunes). Written, produced, and performed by Nora En Pure. 05:48 01:17:45 10.   Art Linkletter, “Narrates The Story Of Where Did You Come From?” (side 1) from Narrates The Story Of Where Did You Come From? (1963 20th Century Fox). This was an early 60s sex-education LP. Linkletter was a Canadian-American radio and television personality. I've intermixed this disc with tracks of rolling white sound (by me) and a track by Kazumoto Endo, “Falling In and Out of Love” from Never Gonna Make You Cry (1999 Kling Film-Records). Written, produced, and performed by Kazumoto Endo. All to present a slightly odd view of love. 19:12 01:23:32 11.   Donna Summer, “Summer Fever” from Four Seasons Of Love (1976 Casablanca). Written-By Donna Summer, Giorgio Moroder, Pete Bellotte; accompanied by The Munich Machine; recorded in MusicLand Studios, Munich; mixed and produced by Giorgio Moroder. 08:12 01:42:44   Opening background music: The Love Symphony Orchestra, “Let's Make Love in Public Spaces” from Penthouse Presents The Love Symphony Orchestra (1978 Talpro). Keyboards, Synthesizer, Clifford Carter. (03:12) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.

Episode 122 Electronic Music for Babies Playlist   Track Time Start Time Introduction –Thom Holmes 09:56 00:00 1.     Raymond Scott, “Lullaby” (14:06) and “Sleepy Time” (4:25) from Soothing Sounds For Baby Volume I: 1 To 6 Months (1964 Epic). Monophonic recording. Mine includes the insert. 18:30 09:56 2.     Raymond Scott, “Tempo Block” (3:15) and “The Happy Whistler” (10:45) from Soothing Sounds For Baby Volume II: 6 To 12 Months (1964 Epic). Monophonic recording. Mine includes the insert. 14:12 28:22 3.     Raymond Scott, “Little Tin Soldier” (9:24) and “Little Miss Echo” (7:23) from Soothing Sounds For Baby Volume III: 12 To 18 Months (1964 Epic). Monophonic recording. Insert is missing. 17:10 42:17 4.     Rosemary, “Undiscovered Island” from Rosemary And Little Andy, Lullaby From "Rosemary's Baby" (Sleep Safe And Warm) (45 RPM) (1968 Columbia). Written by, arranged and conducted by Stan Applebaum; Producer, Wally Gold. This single was not from the movie soundtrack to Rosemary's Baby, but was inspired by the movie and featured an alternative version of the lullaby from the film. I found that track to be a little too unsettling for a podcast about music for babies, but I did find that the B side, “Undiscovered Island” had a much more calming effect. I believe the instrument heard is a Moog Modular keyboard with the glide feature. Wally Gold, who produced this album, is known to have use the Moog Modular on other recordings. Monophonic recording. 02:57 59:17 5.     Steven Halpern, “Brahams Lullaby Part 3” from Lullabies & Sweet Dreams (1984 Halpern Sounds). Grand Piano, String Synthesizer, Steven Halpern; Violin, Daniel Kobialka. I couldn't help but include a track from Steven Halpern, one of the founding fathers of new age music. As for electronics on this one, there is a string synthesizer. 02:25 01:02:21 6.     Luke Slater, “Dreams of Children” from X-Tront Vol. 2 (1993 Peacefrog Records). This track is a little bit manic for relaxing babies, but it has a minimalist repetition that becomes trance-inducing. And one could find solace in that sound. 07:50 01:04:44 7.     Howie B., “Music for Babies” from Music For Babies (1996 Polydor). Keyboards and treatments, Howie B. 05:27 01:12:24 8.     N., Tracks 12, 19, 22, 23” from Memories From Before Being Born (2005 + Belligeranza). This is a solo work of one Davide Tozzoli, who lives in Italy. An unusual disc of glitch sounds, processed two empty tape recorders an echo machine, and minimal synthetic filters. I selected four of the more mesmerizing tracks and strung them together. “Two empty tape-recorders, one connected to the other, no sound if not the distortion produced by the tape-recorders themselves in play/rec. On this recording of Nothing the modulations of vintage analogic effects: emptied frequencies, prenatal sounds without any sonic grain, audio for a flat electroencephalogram. Memories from before being born," a possible conceptual-noize manifesto.” 05:41 01:17:41 9.     Pete Namlook, Music for Babies (excerpt) from Music for Babies (2009 Fax +49-69/450464). On Christmas 2011 "Music For Babies" CD release without cover or catalog# was sent out as a give-away with orders directly from the label. All tracks written, mixed, and produced by Pete Namlook. We have hear prenatal heartbeats mixed with electronic music. Perfect! 15:39 01:23:18 10.  Chris Kimbell, “Sleepwave” from Ultrasound / Sleep (2007 Pause). A mellow ambient tune but without any detectable prenatal ultrasounds, as the title might indicate to some. 11:04 01:38:50 11.  Lee Rosevere, “Dreaming” from The Ambient Baby (2009 Kazoomzoom). Composed, performed, produced by Lee Rosevere. All original material designed specifically for infants from birth to about two years of age. “Little ones are engaged early on by rhythmic sounds at the start. The sounds then weave into a gentle and soothing environment to help babies fall asleep.” 05:59 01:49:50 12.  Lullaby Movement, “Ru-Ru (Sleep Little Baby)” from David Holmes – LateNightTales (2016 LateNightTales). An eclectic mix of tracks from DJ David Holmes, includes this muted little lullaby with a haunting vocal. 03:55 01:55:42 13.  Dana Falconberry, “Sea Stones” from Dreamland (Songs For Lulling) (2017 Not on label). Falconberry explains why she created the private recording: “Years ago, I made an album of lullabies for a friend of mine who had just had her first baby. She encouraged me to release a lullaby album to the public, since it helped her with her child so much, which was the main inspiration for this album (thanks Lisa!!). . . . People have been telling me for as long as I can remember that my voice puts them to sleep. Even more common has been fans approaching me at the merch table after a show and telling me that they use my albums to put their babies to sleep. Now, I can say that is a complicated thing for a songwriter to digest, but ok babies, I hear you, let's go. Here's a full album of songs to take you off to Dreamland.” 04:39 01:59:30   Opening background music: Pete Namlook, “Attracting Attention” and “The Womb” from Music for Babies (2009 Fax +49-69/450464). Excerpt (12:57) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.

See omnystudio.com/listener for privacy information.

Sara-Jayne Makwala King speaks to Manie van Schalkwyk, CEO at the South African Fraud Prevention Centre about the Yamaha baby grand piano scam and others currently doing the rounds and targeting unsuspecting victims.See omnystudio.com/listener for privacy information.

There's a special birthday happening this weekend in the Coromandel township of Thames. The Thames Music Group's Grand Piano is turning 40.  Elizabeth Jones is one of the founding members of the group.

DCEU's movie The Flash is now considered a box office flop, but do the boys think it deserves this demise? And one of our fans suggests a little known thriller titled Grand Piano. Well Jackson “rediscover” his admiration for screen writer Damien Chazelle?? And you're so money you don't even KNOW it! Dad introduces son to the movie that is “Swingers.” Listen up!!

A Jubal Phone Prank is when our listeners set-up a friend or family member to wake up with The Jubal Show, phone prank style. Today, Jubal Fresh calls a woman who's brother set her up for a Jubal Phone Prank! She is a piano teacher and she had to send it in to get fixed, and now Jubal is calling her to tell her that he accidently sent it rolling down a hill and it is now in little pieces... Listen to hear how she reacts in this new Jubal Phone Prank!Leave a rating and review wherever you listen. It will help the show out in a big way. If that's not your thing, you can find us on social media here:https://instagram.com/thejubalshowhttps://twitter.com/thejubalshowhttps://www.tiktok.com/@thejubalshowSee omnystudio.com/listener for privacy information.

A Jubal Phone Prank is when our listeners set-up a friend or family member to wake up with The Jubal Show, phone prank style. Today, Jubal Fresh calls a woman who's brother set her up for a Jubal Phone Prank! She is a piano teacher and she had to send it in to get fixed, and now Jubal is calling her to tell her that he accidently sent it rolling down a hill and it is now in little pieces... Listen to hear how she reacts in this new Jubal Phone Prank!Leave a rating and review wherever you listen. It will help the show out in a big way. If that's not your thing, you can find us on social media here:https://instagram.com/thejubalshowhttps://twitter.com/thejubalshowhttps://www.tiktok.com/@thejubalshow

Blackberry Tablets, how to deal with your drunk friends, and Locksmiths talk back! All this and much more on this week's Lasts Looks episode. Paul dishes up advice on the Help Line and digs into all of your Corrections and Omissions from Grand Piano. We save a very special Better Call Saul Quar Chat for the very end of the episode (Caution, Spoilers!). Jason hops on first to dig into everything him and Paul are watching, listening to and loving!Paul and Jason's recs: Top Gun, Braven, Ambulance, Bad Boys. TV: Star Trek Brave New Worlds, The Good Wife, Better Call SaulFor upcoming HDTGM info visit https://www.hdtgminfo.com/HDTGM Discord: discord.gg/hdtgmPaul's Discord: https://discord.gg/paulscheerCheck out Paul and Rob Huebel live on Twitch (https://www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: listen.earwolf.com/deepdiveSubscribe to Unspooled with Paul Scheer and Amy Nicholson here: listen.earwolf.com/unspooledCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to Find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is Not on Twitter

This week Paul, Jason and June break down the 2013 thriller, Grand Piano, starring Elijah Wood and John Cusack. They cover everything from the needless deaths, the confusing piano lock, to June questioning the intent of locksmiths and Paul reading the Baldomeric Oath.For upcoming HDTGM info visit https://www.hdtgminfo.com/HDTGM Discord: discord.gg/hdtgmPaul's Discord: https://discord.gg/paulscheerCheck out Paul and Rob Huebel live on Twitch (https://www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: listen.earwolf.com/deepdiveSubscribe to Unspooled with Paul Scheer and Amy Nicholson here: listen.earwolf.com/unspooledCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to Find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is Not on Twitter