Podcasts about pote

Abandonamos la comuna, el vino heroico y el aislamiento de Negueira de Muñiz. Cruzamos el puente sobre el embalse (rezando un poco porque impone respeto mirar hacia abajo) y entramos triunfalmente en el Principado de Asturias. Solo tenemos que recorrer unos 30 kilómetros bordeando el agua, disfrutando de unas vistas espectaculares, para llegar a Grandas de Salime. Esta localidad cuenta con 774 habitantes, lo que comparado con los 228 de Negueira, nos parece una metrópolis cosmopolita. Su gentilicio es grandalés o grandalesa. Grandas de Salime es un punto clave, estratégico y vital en el mapa: es la última gran parada del Camino Primitivo de Santiago en Asturias antes de entrar en Galicia. Esto significa que el pueblo tiene una vida flotante de peregrinos. Si te sientas en un banco de la plaza, en cinco minutos verás pasar a un alemán con calcetines y sandalias, dos coreanos con sombreros técnicos y un señor de Cuenca con un palo y cara de sufrimiento existencial. Todos arrastrando los pies y buscando desesperadamente un albergue y una cerveza fría. El Camino le da una vidilla al pueblo que ya quisieran muchos. La historia reciente de Grandas está marcada, otra vez, por el Embalse de Salime, ese monstruo de hormigón que vimos en la etapa anterior. Se inauguró en 1954 y es una obra de ingeniería brutal. Pero lo más curioso de este embalse no es la presa en sí, sino el arte. La central eléctrica tiene unos murales gigantescos diseñados por el arquitecto y pintor Joaquín Vaquero Palacios. Son murales de estilo "realismo socialista" pero a la asturiana, que representan la electricidad y el trabajo. Es brutalismo industrial convertido en museo al aire libre. Una auténtica joya desconocida del arte español del siglo XX. Pero si hay algo que tenéis que ver sí o sí, Gonzalo, apúntalo en rojo, es el Museo Etnográfico de Grandas de Salime. Y ojo, que cuando digo museo etnográfico no me refiero a una sala polvorienta con cuatro aperos oxidados colgados de la pared. Estamos hablando de uno de los mejores museos de su género en toda Europa. Fue fundado por Pepe el Ferreiro, un hombre que se dedicó a recopilar la historia rural de la zona antes de que desapareciera. Tienen recreada una casa rectoral completa, una tienda de ultramarinos antigua con sus botes de la época, una barbería que da un poco de yuyu, un molino, una escuela... Entras ahí y hueles a siglo XIX. Es como viajar en el tiempo sin necesidad de Delorean. También tienen historia antigua de la buena: el Castro de Chao Samartín. Es un asentamiento castreño fundado en la Edad del Bronce que llegó a ser una ciudad importante y rica, llena de oro, hasta que un terremoto (sí, amigos, un terremoto en Asturias en el siglo II) se lo cargó todo. Los arqueólogos siguen excavando y sacando joyas de allí. Es nuestro Pompeya particular, pero con más lluvia y menos turistas italianos. Y para comer, aquí se estila el buen comer asturiano. Pote, fabada y ternera. Comida de la que te hace falta una siesta de dos horas para procesar.

Kameto & Prime se séparent 5 ans après le lancement de la KCorp… et c'est sûrement pour le mieux. mais ça nous a fait réfléchir parce que nous aussi : on a un pote SPÉCIAL.En live toutes les semaines sur le twitch CaminoTV : https://twitch.tv/CaminoTVRejoins le Discord Camino : https://discord.gg/ku8rCKkA Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Na estorinha do dia 09 de fevereiro, Glaydson Botelho conta a estória "O pote rachado" Acesse aqui o conteúdo completo!

Dans cet épisode de Tea Time, on parle de différence d'âge, de communication et d'hommes qui se sortent les doigts.Le post originel a été mis à jour : Comment expliquer à mon pote que sa relation est immorale ?Plus de Tea TimeTea Time, c'est chaque mois sur la chaîne Twitch de Marikigai !Pour participer, postez votre histoire sur le Discord de Marikigai ou envoyez-nous un DM !Plus de Mymy HaegelDans la vie, je suis créatrice de contenu indépendante sur Internet ; vous pouvez me rejoindre sur Twitch, sur Instagram, sur Threads et sur Patreon. Je parle de féminisme et d'émotions, de jeux vidéo et de séries télé, de recettes de cuisine et de champignons, de bienveillance et de sel. Pour recevoir mes podcasts en avance et sans pub, abonnez-vous sur Patreon ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

As escolhas de Mourinho e o regresso de Rafa, a noite de Anísio e Banjaqui, elogios para Pote e Bragança e menções mui honrosas para SC Braga e o (quase) cruijfista Estoril Praia. Com Francisco Guimarães e Pedro Barata, o programa é moderado pelo Hugo Tavares da Silva

Zdá sa, že Trump zatiaľ nezaútočí na Grónsko ani sa ho nepokúsi pripojiť silou – aj keď pri americkom prezidentovi človek nikdy nevie. No zdá sa tiež, že mierne ubral a hovorí o nejakej budúcej dohode. Otázkou však stále je, do akej miery jej súčasťou bude Dánsko. Tomáš Prokopčák sa v podcaste Dobré ráno o Davose, o Trumpovi a vývoji okolo Grónska a NATO znovu rozpráva so zahraničným reportérom denníka SME Danielom Hoťkom. Zdroje zvukov: Bloomberg News, CBS News, Fox Business, Česká televize Odporúčanie: A ak hľadáte na víkend príjemnú oddychovku, odporúčam minisériu Seven Dials na Netflixe. Poteší nielen milovníkov detektívok a Agathy Christie, na herecké výkony sa dobré pozerá a zase... nuž, príliš komplikovaná záhada to nie je. – Všetky podcasty denníka SME nájdete na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj audio verziu denného newslettra⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/brifingSee omnystudio.com/listener for privacy information.

Dans cet épisode de Tea Time, on parle d'amitié, de forceurs, et de poser ses limites.Le post originel : STB d'avoir bloqué un ami alors qu'il était dans une situation difficile ?Plus de Tea TimeTea Time, c'est chaque mois sur la chaîne Twitch de Marikigai !Pour participer, postez votre histoire sur le Discord de Marikigai ou envoyez-nous un DM !Plus de Mymy HaegelDans la vie, je suis créatrice de contenu indépendante sur Internet ; vous pouvez me rejoindre sur Twitch, sur Instagram, sur Threads et sur Patreon. Je parle de féminisme et d'émotions, de jeux vidéo et de séries télé, de recettes de cuisine et de champignons, de bienveillance et de sel. Pour recevoir mes podcasts en avance et sans pub, abonnez-vous sur Patreon ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

podcast analizar o experimento do pote de pulgas e compara a realidade

Táto relácia vznikla vďaka našim podporovateľom. Pridajte sa k nim, prosím, teraz aj vy na: https://podpora.postoj.sk/podporte-najsilnejsie-konzervativne-medium?referral_source=youtube&referral_campaign=youtube&referral_content=debata&utm_source=youtube. Ďakujeme. "Najbližšie týždne a mesiace budú geopolitické udalosti pre nás oveľa dôležitejšie než to, aký bude štvrtý konsolidačný balíček," hovoria komentátori Postoja v redakčnej debate. ⏱️ Spomínané témy:⏱️ 00:00 Úvod 00:22 Ako svet zmení Trumpov útok na Venezuelu? 09:31 Prečo USA netlačia vo Venezuele na nové voľby? 14:35 Je použitie sily jediný efektívny nástroj v boji s diktátormi? 21:51 Ustojí Európa konflikt s Trumpom o Grónsko? 34:30 Čo útok USA vo Venezuele ukázal o Slovensku? 40:53 Mal byť Fico na mierovom stretnutí o Ukrajine? 45:39 Ako poznačí svetová politika v roku 2026 slovenskú?

134. epizóda Vertiga bude špeciálna. Predstavíme vám dvanásť našich najdôležitejších filmových zážitkov roka 2025 a to nebude všetko. Do štúdia sme si pozvali aj skvelého hosťa, filmového režiséra Jonáša Karáska, ktorého najnovší film Dream Team prichádza o pár dní do našich kín. A ani dnes nebude chýbať tip od ľudí zo spoločnosti ESET. Tentoraz to bude slávne poľské sci-fi Sexmisia z roku 1984 na ktorom sme vyrastali. Zoznam filmov a seriálov z epizódy: Dream Team Hriešnici / Sinners Otec Predátor: nebezpečná zóna / Predator: Badlands Jedna bitka za druhou / One Battle After Another Brutalista / The Brutalist Drobná nehoda / Yek tasadef sadeh Minecraft vo filme / A Minecraft Movie Mickey 17 Franz / Franz Kafka Výber ESET - Sexmisia / Seksmisja 1670 (Netflix) Štúdio / The Studio (AppleTV+) Better Man Citová hodnota / Sentimental Value Novokain / Novocaine Adolescent / Adolescence Sirat / Sirât 2000 Meters to Andriivka See omnystudio.com/listener for privacy information.

Barbara Peters in conversation with Ryan Pote and Steve Urszenyi

The heart of the Pesukeh De'zimra section consists of the final five chapters of Tehillim, each of which begin and end with the word "Halleluy-ah." While all five of these chapters are significant, the third and fifth chapters (Psalm 148 & Psalm 150) – "Halleluy-ah Halelu Et Hashem" and "Halleluy-ah Halelu Kel Be'kodsho" – are the most important. Therefore, if a person arrives late, and is unable to recite all five chapters, he should try to recite at least these two. We present here a number of insights into these chapters in order for us to get a glimpse of the unlimited depth and countless layers of meaning underlying the words. In the first of these chapters, we proclaim, "Ahalela Hashem Be'hayai, Azamera L'Elokai Be'odi" – "I shall praise G-d in my lifetime; I shall sing to my G-d while I still exist." The word "Be'hayai" ("in my lifetime") has been understood to mean when we are still healthy and functioning. As long as we are physically capable of speaking and giving praise to the Almighty, we are obliged to do so. Rav Chaim Brim (Jerusalem, 1922-2002) noted the implication of this verse that one of the most important things in life, one of our most central obligations, is to give praise to Hashem. Among the purposes of our existence here in this world is to recognize Hashem's goodness, to express our gratitude, and to sing His praises. If a person would be asked what he would do if, after his passing, he could be resurrected for five minutes, his response should be that he would use this time to praise Hashem. This concept is emphasized further in the next chapter, which begins, "Halleluy-ah Ki Tob Zamera L'Elokenu" – we should praise Hashem because "it is good to sing to our G-d." One of the greatest privileges we have is the opportunity to praise Hashem each and every day. The fourth of these five chapters exclaims, "Shiru L'Hashem Shir Hadash" – "Sing a new song to G-d." This verse uses the masculine term for song – "Shir" – as opposed to the feminine form – "Shira." The difference between the masculine and feminine form is that the feminine form implies succession, that there will be other songs, just as a woman produces children, whereas the masculine form refers to a song that does not produce more songs. The masculine term "Shir" is used in this Psalm because it speaks of the final song, the song that we will sing at the time of Mashiah's arrival. Indeed, the end of this chapter talks about G-d taking revenge from Israel's enemies – "La'asot Nekama Ba'goyim" – as it refers to the final redemption, when our enemies will be vanquished. The final of these chapters, "Halleluy-ah Halelu Kel Be'kodsho" – concludes with the verse, "Kol Ha'neshama Tehalel Y-ah Halleluy-ah" – "Every soul shall praise G-d, Halleluy-ah" – and it is customary to recite this concluding verse twice. One of the reasons given is that by repeating this verse, we end up recite the verb "Hallelu"/"Tehalel" twelve times, an allusion to the custom to recite Hallel on Rosh Hodesh, at the beginning of each of the twelve months of the year. The Arizal taught that the first letters of the words "Kol Ha'neshama Tehalel" – Kaf, Heh and Tav – spell a Name of Hashem associated with protection from danger. Having this intention while reciting these words can help protect a person from harm. It is likewise recommended to recite these words with this intention anytime one fears some sort of danger. The Arizal noted that this also helps protect pregnant women from miscarriage. Rav David Abudarham (Spain, 14 th century) writes that the Pesukeh De'zimra service is constructed in a manner that corresponds to the "Asara Ma'amarot" – the ten pronouncements through which G-d brought the world into existence. Pesukeh De'zimra begins with the blessing of Baruch She'amar, which corresponds to the first pronouncement. It is followed by Mizmor Le'toda – which parallels the second pronouncement, that of "Va'yehi Or" ("There shall be light"), and so on. The chapter of "Halleluy-ah Halelu Kel Be'kodsho" corresponds to the final pronouncement, the creation of Adam, and thus concludes, "Every soul shall praise G-d," emphasizing the point that the human being is the only one among the world's creatures capable of giving praise to G-d. After completing these five chapters of Tehillim, we recite four verses: "Baruch Hashem Le'olam Amen Ve'amen" (Tehillim 89:53); "Baruch Hashem Mi'sion, Shochen Yerushalayim…" (Tehillim 135:21); "Baruch Hashem Elokim Oseh Niflaot Le'bado U'baruch Shem Kebodo Le'olam…" (72:18-19). The first of these verses marks the conclusion of the third of the five books of Tehillim, and the fourth and fifth verses mark the conclusion of the second book. We thus recite these verses as a fitting conclusion to our recitation of Tehillim in Pesukeh De'zimra. Additionally, the first verse has five words, corresponding to the congregation's five-word response to Barechu – "Baruch Hashem Ha'meborach Le'olam Va'ed." The second verse consists of six words, alluding to the six words of the verse "Shema Yisrael Hashem Elokenu Hashem Ehad." Finally, the third and fourth verses contain a total of 19 words, paralleling the 19 blessings of the Amida prayer. The first and final verses conclude with "Amen Ve'amen." The Ben Ish Hai (Rav Yosef Haim of Baghdad, 1833-1909) explains that the word "Amen" is repeated to affirm the eternal truth of our praise of Hashem, both in this world and the next. One should not add other chapters of Tehillim or other verses in Pesukeh De'zimra. For example, if somebody completed Pesukeh De'zimra before the Hazan, he should not add recitations while he waits for the Hazan to finish. Neither should a person repeat any of the text of Pesukeh De'zimra. Even if one realized that he had recited Pesukeh De'zimra without Kavana (concentration), he should not repeat it. (The exception is the verse "Pote'ah Et Yadecha U'masbi'a…" which should be repeated if it was recited without Kavana, as we discussed in a previous installment.)

The heart of the Pesukeh De'zimra section consists of the final five chapters of Tehillim, each of which begin and end with the word "Halleluy-ah." While all five of these chapters are significant, the third and fifth chapters (Psalm 148 & Psalm 150) – "Halleluy-ah Halelu Et Hashem" and "Halleluy-ah Halelu Kel Be'kodsho" – are the most important. Therefore, if a person arrives late, and is unable to recite all five chapters, he should try to recite at least these two. We present here a number of insights into these chapters in order for us to get a glimpse of the unlimited depth and countless layers of meaning underlying the words. In the first of these chapters, we proclaim, "Ahalela Hashem Be'hayai, Azamera L'Elokai Be'odi" – "I shall praise G-d in my lifetime; I shall sing to my G-d while I still exist." The word "Be'hayai" ("in my lifetime") has been understood to mean when we are still healthy and functioning. As long as we are physically capable of speaking and giving praise to the Almighty, we are obliged to do so. Rav Chaim Brim (Jerusalem, 1922-2002) noted the implication of this verse that one of the most important things in life, one of our most central obligations, is to give praise to Hashem. Among the purposes of our existence here in this world is to recognize Hashem's goodness, to express our gratitude, and to sing His praises. If a person would be asked what he would do if, after his passing, he could be resurrected for five minutes, his response should be that he would use this time to praise Hashem. This concept is emphasized further in the next chapter, which begins, "Halleluy-ah Ki Tob Zamera L'Elokenu" – we should praise Hashem because "it is good to sing to our G-d." One of the greatest privileges we have is the opportunity to praise Hashem each and every day. The fourth of these five chapters exclaims, "Shiru L'Hashem Shir Hadash" – "Sing a new song to G-d." This verse uses the masculine term for song – "Shir" – as opposed to the feminine form – "Shira." The difference between the masculine and feminine form is that the feminine form implies succession, that there will be other songs, just as a woman produces children, whereas the masculine form refers to a song that does not produce more songs. The masculine term "Shir" is used in this Psalm because it speaks of the final song, the song that we will sing at the time of Mashiah's arrival. Indeed, the end of this chapter talks about G-d taking revenge from Israel's enemies – "La'asot Nekama Ba'goyim" – as it refers to the final redemption, when our enemies will be vanquished. The final of these chapters, "Halleluy-ah Halelu Kel Be'kodsho" – concludes with the verse, "Kol Ha'neshama Tehalel Y-ah Halleluy-ah" – "Every soul shall praise G-d, Halleluy-ah" – and it is customary to recite this concluding verse twice. One of the reasons given is that by repeating this verse, we end up recite the verb "Hallelu"/"Tehalel" twelve times, an allusion to the custom to recite Hallel on Rosh Hodesh, at the beginning of each of the twelve months of the year. The Arizal taught that the first letters of the words "Kol Ha'neshama Tehalel" – Kaf, Heh and Tav – spell a Name of Hashem associated with protection from danger. Having this intention while reciting these words can help protect a person from harm. It is likewise recommended to recite these words with this intention anytime one fears some sort of danger. The Arizal noted that this also helps protect pregnant women from miscarriage. Rav David Abudarham (Spain, 14 th century) writes that the Pesukeh De'zimra service is constructed in a manner that corresponds to the "Asara Ma'amarot" – the ten pronouncements through which G-d brought the world into existence. Pesukeh De'zimra begins with the blessing of Baruch She'amar, which corresponds to the first pronouncement. It is followed by Mizmor Le'toda – which parallels the second pronouncement, that of "Va'yehi Or" ("There shall be light"), and so on. The chapter of "Halleluy-ah Halelu Kel Be'kodsho" corresponds to the final pronouncement, the creation of Adam, and thus concludes, "Every soul shall praise G-d," emphasizing the point that the human being is the only one among the world's creatures capable of giving praise to G-d. After completing these five chapters of Tehillim, we recite four verses: "Baruch Hashem Le'olam Amen Ve'amen" (Tehillim 89:53); "Baruch Hashem Mi'sion, Shochen Yerushalayim…" (Tehillim 135:21); "Baruch Hashem Elokim Oseh Niflaot Le'bado U'baruch Shem Kebodo Le'olam…" (72:18-19). The first of these verses marks the conclusion of the third of the five books of Tehillim, and the fourth and fifth verses mark the conclusion of the second book. We thus recite these verses as a fitting conclusion to our recitation of Tehillim in Pesukeh De'zimra. Additionally, the first verse has five words, corresponding to the congregation's five-word response to Barechu – "Baruch Hashem Ha'meborach Le'olam Va'ed." The second verse consists of six words, alluding to the six words of the verse "Shema Yisrael Hashem Elokenu Hashem Ehad." Finally, the third and fourth verses contain a total of 19 words, paralleling the 19 blessings of the Amida prayer. The first and final verses conclude with "Amen Ve'amen." The Ben Ish Hai (Rav Yosef Haim of Baghdad, 1833-1909) explains that the word "Amen" is repeated to affirm the eternal truth of our praise of Hashem, both in this world and the next. One should not add other chapters of Tehillim or other verses in Pesukeh De'zimra. For example, if somebody completed Pesukeh De'zimra before the Hazan, he should not add recitations while he waits for the Hazan to finish. Neither should a person repeat any of the text of Pesukeh De'zimra. Even if one realized that he had recited Pesukeh De'zimra without Kavana (concentration), he should not repeat it. (The exception is the verse "Pote'ah Et Yadecha U'masbi'a…" which should be repeated if it was recited without Kavana, as we discussed in a previous installment.)

The section of Ashreh, which we recite three times each day, contains the famous verse, "Pote'ah Et Yadecha U'masbi'a Le'chol Hai Rason" – "You open Your hands and willfully satiate every living creature" (Tehillim 145:16). This verse is especially significant, and, in fact, it is one of the reasons why we are to recite this chapter of Tehillim three times each day (Berachot 4b). It must therefore be recited with concentration, and it behooves us to properly understand its meaning. While the verse's meaning is generally straightforward, the final word – "Rason" – requires explanation. This word means "will," that which a person wishes for. What exactly did King David mean when he said that Hashem satiates all living beings "Rason"? One explanation is that Hashem does not just give us a livelihood – but He does so willfully, lovingly. Just as a parent loves giving to his or her children, and wants to give them as much as possible, Hashem similarly loves us and wants very much to give us a livelihood. It is his pleasure, so-to-speak, to sustain us. Others explain "Rason" as referring to our will, the will of the beneficiaries of Hashem's kindness. He fills our needs and grants us what we wish for. There is also another possible interpretation of the word "Rason" in this verse. Very often, financial success results from a person's likeability, his finding favor in other people's eyes. He earns other people's respect and fondness, and it is because of this that they buy his product or solicit his services. It is not always the product itself which attracts buyers; sometimes it's the seller's character and demeanor. The phrase "U'masbi'a Le'chol Hai Rason" thus might refer to G-d's providing a livelihood by granting a person "Rason" – a certain charm and likeability. Hashem often helps a person succeed by giving him this quality whereby he attracts customers and his products or services are eagerly sought after. The scholars of Kabbalah have unearthed numerous additional layers of interpretations underlying this verse. The Kaf Ha'haim (Rav Yaakob Haim Sofer, Baghdad-Jerusalem, 1870-1939) writes that the vast majority of people should not try to have deep kabbalistic intentions while praying, and should instead ensure to concentrate on the plain, straightforward meaning of the words. Seeking to pray with these deep intentions could lead one to overlook the plain meaning, and the Kaf Ha'haim warns that this could be harmful to the person's Tefila. Nevertheless, there are two relatively straightforward kabbalistic allusions in this verse which are worthwhile for even us to learn and have in mind while reciting it. The first letters of the words "Pote'ah Et Yadecha" – Peh, Alef, Yod – spell a Name of Hashem that is associated with His providing us with Parnasa. Another Name is formed by the final letters of these words – Het, Tav, Chaf. It is recommended, when possible, to have these Names in mind while reciting this verse in the Tefila. If one recites this verse in Ashreh and then realizes that he recited it without Kavana (concentration), then he must repeat it. This is the ruling of the Ben Ish Hai (Rav Yosef Haim of Baghdad, 1833-1909). If the person realized his mistake before he completed Ashreh, then he simply returns to the verse of "Pote'ah Et Yadecha" and continues from there. If he did not realize his mistake until he began the next chapter of Tehillim ("Hallelu-ya Haleli Nafshi"), then he should complete that chapter and then recite "Pote'ah Et Yadecha…" before beginning the following chapter ("Hallelu-ya Ki Tob Zamra"). Meaning, the verse should be inserted in between the subsequent chapters, and not in the middle of a chapter. If a person realized his mistake only later, after Pesukeh De'zimra, then he should ensure to have Kavana when reciting this verse in Ashreh before U'ba Le'sion. And if he failed to have Kavana also at that point, then he should try again while reciting Ashreh at Minha. Some Poskim maintained that one who did not recite this verse with Kavana and realized his mistake only later should repeat it after the Amida, but Hacham Ovadia Yosef ruled that it suffices to ensure to recite it with Kavana in Ashreh before U'ba Le'sion. The Ben Ish Hai and the Hesed La'alafim (Rav Eliezer Papo, 1785-1828) write that when one needs to repeat this verse, he should begin two verses earlier, from "Somech Hashem Le'chol Ha'nofelim." From the Shulhan Aruch and other Poskim, however, it appears that it suffices to recite just "Pote'ah Et Yadecha…" This is the view of Hacham Ovadia Yosef, in Yalkut Yosef. Nevertheless, if time allows, it is recommended to begin from "Somech Hashem Le'chol Ha'nofelim." Some noted the distinction drawn by Halacha between one who recites "Pote'ah Et Yadecha" without Kavana, and one who recites the first blessing of the Amida without Kavana. While one of course must endeavor to concentrate throughout the entire Amida, one must minimally have Kavana while reciting the first Beracha. Nevertheless, the Halacha is that if one did not have Kavana during the first blessing, he does not repeat the Amida, because of the likelihood that he will not concentrate the second time, either. When it comes to "Pote'ah Et Yadecha," however, as we have discussed, one who recited this verse without Kavana is required to repeat it. Two explanations are given for this distinction. First, quite simply, it is far easier to concentrate while reciting a single verse, and so there is little reason to think that one who did not have Kavana while reciting this verse during Ashreh will not have Kavana when he repeats it. Additionally, Halacha is always more careful when it comes to the recitation of Berachot, given the prohibition against reciting a Beracha in vain. Therefore, a person who did not have Kavana during the first Beracha of the Amida is told not to repeat the Amida due to the concern that he will not concentrate the second time, and the blessings of the Amida will then have been recited in vain. When reciting a verse from Tehillim, however, there is no such concern, and thus the person should repeat the verse despite the possibility that he will not concentrate. It is customary to open one's hands when reciting this verse, which speaks of Hashem opening His hands to give us our livelihood. This is done to symbolize our preparedness to receive the blessing that G-d bestows. Of course, we do not need to actually open our hands to receive the Beracha, but we nevertheless perform this action as a visual expression of our desire to receive Hashem's blessings. The Ben Ish Hai writes that one should open his hands horizontally, side to side, without lifting them up in the air. Some stand for the recitation of "Pote'ah Et Yadecha," but this is not our practice. Summary: One must have Kavana (concentration) when reciting the verse "Pote'ah Et Yadecha…" in Ashreh during the prayer service. If one realized during Ashreh that he had recited this verse without Kavana, then he must go back to recite it with Kavana, and then proceed from there. If he remembers after Ashreh, then he should add this verse in between chapters of Pesukeh De'zimra. According to some opinions, if the person did not realize his mistake until after Pesukeh De'zimra, then he should repeat the verse after the Amida. Others maintain that he should just ensure to have Kavana during Ashreh before U'ba Le'sion. If one needs to repeat this verse, it is preferable to begin two verses earlier, from "Somech Hashem Le'chol Ha'nofelim." It is customary to open one's hands while reciting "Pote'ah Et Yadecha." They should be opened only horizontally, side to side, and not lifted in the air.

O Miolo de Pote, podcast da TV Unifor, recebe Roberto Victor.O Podcast tem por objetivo conectar os ouvintes aos participantes da conversa, ou também como uma forma de promover e divulgar os valores de uma marca. Uma variação desse produto é o videocast, formato que ganhou força com a pandemia, momento em que as lives e as produções audiovisuais se destacaram.Dê o play e confira!

O Miolo de Pote, podcast da TV Unifor, recebe Abimael Carvalho.O Podcast tem por objetivo conectar os ouvintes aos participantes da conversa, ou também como uma forma de promover e divulgar os valores de uma marca. Uma variação desse produto é o videocast, formato que ganhou força com a pandemia, momento em que as lives e as produções audiovisuais se destacaram.Dê o play e confira!

EXCLU PODCAST : La question du chat - Cazarre raconte-nous une histoire de tromperie arrivée à un pote Chaque jour, venez nous proposer des questions, Cazarre et J-C répondent à tout, vraiment tout ! 

Saša Potežica is a long-time music industry professional, event organizer, and DJ who has played a vital role in shaping Serbia's electronic music scene. From selling pirate CDs in Belgrade to working at iconic clubs like Drugstore and managing the No Sleep stage at Exit Festival, his journey offers a unique insider perspective.In this episode, Sasa dives into the rise of techno culture in Serbia, how the underground scene thrived despite political turmoil, and how clubbing has been intertwined with social movements. He shares stories from Belgrade's wild 90s raves, the unexpected government support of early electronic music, and how the industry has changed in the age of social media.Expect to learn about Serbia's legendary clubs, the impact of piracy on the local music scene, how COVID reshaped nightlife, and why DJs are now supporting national protests, and much more.=======================TBA timestamps=======================Mentioned in the episode:TBA=======================SUPPORT THE PODCASTPaypal

Au collège, certains disent que Charlotte et son meilleur copain sont en couple, parce que les filles et les garçons ne pourraient pas être vraiment potes. Pourtant, l'amitié, c'est d'avoir des points communs, de se faire confiance, de se soutenir, de rigoler ensemble… et tout ça, c'est possible entre une fille et un garçon, non ?Dans cet épisode, tu vas découvrir comment laisser parler les rageux si tu es 100 % sûre de ton amitié avec un garçon et si tu as des doutes, tu pourras répondre au vrai/faux « Pote ou crush ? » concocté par Juju, histoire de faire le point !CréditsDirection éditoriale : Aurélya Guerrero. Scénario : Sarah Barthère. Réalisation : Qude. Avec les voix de Candice Sansano, Augustine Pouplin et Alexia Neveu. Création visuelle : Emma Tissier. Responsable marketing : Jean-Luc Monchy. Un podcast de Milan presse 2025. Droits réservés.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

Súhrn diania v kresťanskom svete od vedúceho redaktora Sveta kresťanstva Pavla Rábaru.

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

V nejnovějším Questu se Šárka, Jarda a Lukáš noří do temnoty Seattlu, kde se mezi neony a sněhovou vánicí znovu odehrává boj o moc, krev a tajemství. Vampire: The Masquerade – Bloodlines 2 mělo být triumfálním návratem jednoho z nejkultovnějších RPG herní historie. Místo toho vyvolává zmatek, rozpaky i pořádně vroucí debatu i mezi samotnými moderátory.

Chris fait un récap' de l'UFC de cette nuit; Ante Delija, l'ami de Tom Aspinall, met un eye poke, puis prend un KO. Isaac Dulgarian dans un combat truqué ? Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us a textFormer USN SH-60 pilot, Ryan Pote, shares what it was like to live and work from the ship, which includes stories of the more unglamorous side of being a naval aviator.There is also some great personal footage of deck ops, LSO duties and landing and taking off from a Chinese military ship.Check out Ryan and pick up his book, "Blood and Treasure" - https://www.ryanpote.com/Help to keep the channel going:        PATREON - https://www.patreon.com/aircrewinterviewDONATE - http://www.aircrewinterview.tv/donate/* Pick up some AI merch - https://www.teepublic.com/user/aircrew-interview Purchase our Aviation Art Book, Volume One - https://amzn.to/3sehpaP  Follow us: https://www.aircrewinterview.tv/https://www.instagram.com/aircrew_interviewhttps://www.facebook.com/aircrewinterviewSupport the show

„Niekedy sa môže stať, že veci začnú fungovať...“ spievala Para na svojom debutovom albume - a či sa tak naozaj stalo, posúdite sami, keď si vypočujete crossover rozhovor, ktorý pripravil Martin Bajaník z projektu Hurbanista so SPvR. Osamelý bežec zišiel z cesty a horský cyklista zosadol zo svojho stroja, aby sa poprechádzali po národnom psyché a podali náhľad jedného z exulantov naň a súvisiace otázky. Ďalšie rozhovory projektu Hurbanista.sk nájdete streamoch, alebo na YouTube tu: https://www.youtube.com/@hurbanistapodcast , resp. na webe: https://www.hurbanista.sk/ Eseje SPvR v textovej podobe sú k dispozícii na: https://spvr.substack.com/ Potešíte nás, keď si všetky naše platformy zapnete na odber a podporíte nás akokoľvek formou. SPvR by chcel vysloviť špeciálne poďakovanie Martinovi Bajaníkovi z projektu Hurbanista.sk za príležitosť a skvelý rozhovor aj následnú spoluprácu.

Blood and Treasure by Ryan Pote https://www.amazon.com/gp/product/0593953169 https://www.ryanpote.com/ The destruction of the International Space Station and the discovery of an ancient scroll are inextricably intertwined in this debut crossover thriller from a former Navy helicopter pilot. The International Space Station suddenly loses contact with Earth. When a NASA tech devises a way to restore the feed, the images that come through are unfathomable: a scene of terrible violence, the crew unresponsive, droplets of blood hovering in zero gravity. But which of the astronauts on board would have done such a thing? And why? Off the coast of Mozambique, former special ops pilot and current treasure hunter Ethan Cain sees something he can't believe: an object shot out of the heavens plunging deep into the Indian Ocean. When he goes to investigate, it becomes even less intelligible. A space capsule has crashed into the sea, and inside is a woman—alone, unconscious, and injured. Ethan knows he must save her. What he doesn't know is who she is, how she got there . . . or why she's the only survivor of a killing spree conducted 254 miles up in the sky.

JK Cast #233 - Brasil Potência Mundial, Criação de Moeda e Inflação, Novo Consenso de Washington?

What if the real threat isn't coming from the skies, but from the depths below? In this gripping conversation, Navy pilot Ryan Pote recounts a harrowing 2013 encounter during a drug interdiction mission when his crew tracked a fast-moving object across the Pacific Ocean, only to watch it come to a dead stop and submerge effortlessly beneath the waves. Pote, backed by sensor footage and eyewitness accounts from his crew and ship, challenges the idea that such technology is even human. His haunting story spirals into a deeper, spiritual lens on UAPs, demonic deception, and the unsettling possibility that unseen wars are being waged just beneath our feet, and far above our heads. Please pray for Tony's wife, Lindsay, as she battles breast cancer. Your prayers make a difference! If you're able, consider helping the Merkel family with medical expenses by donating to Lindsay's GoFundMe: https://gofund.me/b8f76890 Become a member for ad-free listening, extra shows, and exclusive access to our social media app: theconfessionalspodcast.com/join The Confessionals Social Network App: Apple Store: https://apple.co/3UxhPrh Google Play: https://bit.ly/43mk8kZ Tony's Recommended Reads: slingshotlibrary.com Get your ticket for the NEW documentary premiering July 27, 2025 @ 8PM EST: "The Meadow Project" Ticket link HERE: moment.co/themeadowproject My New YouTube Channel Merkel IRL: @merkelIRL My First Sermon: Unseen Battles Sasquatch and The Missing Man: merkelfilms.com Merkel Media Apparel: merkmerch.com Ryan Pote: Blood and Treasure Book SPONSORS SIMPLISAFE TODAY: simplisafe.com/confessionals GHOSTBED: GhostBed.com/tony CONNECT WITH US Website: www.theconfessionalspodcast.com Email: contact@theconfessionalspodcast.com MAILING ADDRESS: Merkel Media 257 N. Calderwood St., #301 Alcoa, TN 37701 SOCIAL MEDIA Subscribe to our YouTube: https://bit.ly/2TlREaI Reddit: https://www.reddit.com/r/theconfessionals/ Discord: https://discord.gg/KDn4D2uw7h Show Instagram: theconfessionalspodcast Tony's Instagram: tonymerkelofficial Facebook: www.facebook.com/TheConfessionalsPodcas Twitter: @TConfessionals Tony's Twitter: @tony_merkel Produced by: @jack_theproducer OUTRO MUSIC Joel Thomas - Imposter YouTube | Apple Music | Spotify

Où l'on parle de masculinité, mais aussi d'amitié.

Ryan Pote joins the show to talk about his debut novel Blood and Treasure. We'll discuss how Ryan's background, his writing habits, creating Ethan Cain, Blood and Treasure and much more! The winner of The Great Circle Giveaway will also be announced at the end of the episode! Pick up a copy of Blood and Treasure https://a.co/d/h4iyKVz Pick up pulp treasure hunt novel, One Man's Treasure https://a.co/d/i19YMn7 Pick up 1920's Aviator novella, Unwanted Passenger https://a.co/d/5FVQJWU  Follow Ryan https://www.ryanpote.com/ https://www.instagram.com/ryanpotebooks https://www.goodreads.com/author/show/52592124.Ryan_Pote https://x.com/ryanpotebooks https://www.facebook.com/ryanpotebooks Follow The Show! https://terrancelayhew.com/suitup/ https://www.instagram.com/suitup.author https://www.facebook.com/tlayhew  

Pedro Gonçalves (mais conhecido como Pote), jogador de futebol do Sporting, é o mais recente convidado de Daniel Oliveira no programa Alta Definição. Família, carreira e superação são os três pilares do jovem atleta leonino. Desde os receios e inseguranças desportivas à concretização pessoal e familiar, Pedro Gonçalves abre o seu lado mais íntimo com Daniel Oliveira. Saúde mental, desafios sociais e a pressão da modalidade, são alguns dos temas que marcam o percurso do jovem leão. Oiça aqui o Alta Definição emitido na SIC a 28 de junho.See omnystudio.com/listener for privacy information.

Today in the interrogation chair, it's Ryan Pote, author of the hot new thriller, BLOOD AND TREASURE. Hear about how Ryan went from Navy rescue helicopter pilot to NTSB investigator/IRS auditor/program manager for test flight operations for the government, his unpredictable novel BLOOD AND TREASURE, and what he'd do if he moved back to Hawaii and had to live on a beach. Welcome to The Dossier Podcast! ryanpote.com | thewritersdossier.com | Voice credit: Hillary Huber

De olho no futuro, metade da bancada desse programa é substituída por robôs cambaleantes, enquanto a outra negocia o que deve para a Receita, flerta inofensivamente no Instagram e tenta conter o processo alérgico dos pêlinhos de cacto se alojando no corpo. Um episódio patrocinado por Mandy Viday Gourmet. Acompanhe o SAD: iTunes | Android … Continue lendo "210 | Bolo de Pote com Glade, Dívidas na DM do Insta e Esporos de Cactozinho"

In part 2, former USN MH-60R pilot, "Ryan "Nemo" Pote shares some of amazing and diverse missions he flew while in the Navy (footage included) and we also discuss his book, "Blood and Treasure" which you can pick up here - https://amzn.to/3E5TKUJ Check Ryan out: https://www.ryanpote.comhttps://www.facebook.com/ryanpotebookshttps://www.instagram.com/ryanpotebooks/ https://x.com/ryanpotebooks* Pick up some AI merch - https://www.teepublic.com/user/aircrew-interview Help keep the channel going:      PATREON - https://www.patreon.com/aircrewinterviewDONATE - http://www.aircrewinterview.tv/donate/Purchase our Aviation Art Book, Volume One - https://amzn.to/3sehpaP Follow us:https://www.aircrewinterview.tv/https://www.instagram.com/aircrew_interviewhttps://www.facebook.com/aircrewinterviewhttps://www.twitter.com/aircrewtvSupport the show

Former USN H-60 pilot, Ryan 'Nemo" Pote shares what it was like to fly the SH-60B and MH-60R with plenty of great stories throughout!EnjoyPick up Ryans book, "Blood and Treasure" - https://amzn.to/3E5TKUJ Check Ryan out: https://www.ryanpote.comhttps://www.facebook.com/ryanpotebookshttps://www.instagram.com/ryanpotebooks/ https://x.com/ryanpotebooks* Pick up some AI merch - https://www.teepublic.com/user/aircrew-interview Help keep the channel going:      PATREON - https://www.patreon.com/aircrewinterviewDONATE - http://www.aircrewinterview.tv/donate/Purchase our Aviation Art Book, Volume One - https://amzn.to/3sehpaP Follow us:https://www.aircrewinterview.tv/https://www.instagram.com/aircrew_interviewhttps://www.facebook.com/aircrewinterviewhttps://www.twitter.com/aircrewtvSupport the show

Ser a garota nova na escola já é difícil, mas o que acontece quando ninguém consegue pronunciar seu nome? Tendo acabado de se mudar da Coreia, Unhei está ansiosa para se adaptar. Assim, em vez de se apresentar no primeiro dia de aula, ela decide escolher um nome americano em um pote de vidro. Mas, embora Unhei pense em ser uma Suzy, Laura ou Amanda, nada parece certo. Com a ajuda de um novo amigo, Unhei aprenderá que o melhor nome é o seu próprio. Escrito e ilustrado por Yangsook Choi, e ainda não publicado no Brasil, por isso eu traduzi e adaptei especialmente pra esse episódio.  Para acompanhar a história juntamente com as ilustrações do livro, compre o livro aqui: ⁠⁠⁠https://amzn.to/43ZeQ1r Se vc gostou, compartilhe com seus amigos e me siga nas redes sociais! ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/bookswelove_livrosqueamamos/⁠⁠⁠⁠⁠⁠⁠ E fiquem ligados, porque toda sexta-feira publico uma nova história. Até mais!Trilha sonora:Music: Glimmers Of The Past by Sascha EndeLink: https://filmmusic.io/en/song/12287-glimmers-of-the-past

Former USN MH-60 pilot, Ryan Pote talks about the tragic incident including a MH-53E in 2014 and draws some of the parallels from his time flying in the Navy.Pick up Ryans book, "Blood and Treasure" - https://amzn.to/3E5TKUJCheck Ryan out:https://www.ryanpote.comhttps://www.facebook.com/ryanpotebookshttps://www.instagram.com/ryanpotebooks/https://x.com/ryanpotebooksHelp keep the channel going:      PATREON - https://www.patreon.com/aircrewinterviewDONATE - http://www.aircrewinterview.tv/donate/Purchase our Aviation Art Book, Volume One - https://amzn.to/3sehpaP Follow us:https://www.aircrewinterview.tv/https://www.instagram.com/aircrew_interviewhttps://www.facebook.com/aircrewinterviewhttps://www.twitter.com/aircrewtvSupport the show

Tous les dimanches, toi et moi on papote en Facetime

*Liga Match Day 29, 1st & 2nd Division. *Benfica, FC Porto, Sporting CP, SC Braga, Vitoria SC & Other Liga Stuff of Interest.*SC Braga Set Sights on Top 3 Finish.*Lage Rising, Borges & Anselmi Struggling.*Mourinho & Portugal are in the news again.