Podcasts about red camera

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.Rene boasts 24 years of working with 16 startups, starting young working for his parent's startups in silicon valley. He's also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood, and designed the first ARwall Lab in Burbank.Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.I also recommend you watch The Gallery, a behind-the-scenes show on how they made The Mandalorian.I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today.Enjoy my conversation with Rene Amador.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.Rene boasts 24 years of working with 16 startups, starting young working for his parent's startups in silicon valley. He's also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today.Enjoy my conversation with Rene Amador.

Chris, Rick and Aldus discuss dreams and being on secret lists.

I can't be more excited about the conversation I'm about to share with you. Today on the show we have filmmaker and indie film legend Albert Hughes. Albert, along with his brother Allen began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made the short film The Drive-By and people began to take notice.After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers. Albert and his brother then began directing music videos for a little known rapper named Tupac Shakur. These videos lead to directing their breakout hit Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. Albert followed up that success with Dead Presidents (1995).On the streets, they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets, he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!Albert continued displaying his highly stylized and visual filmmaking with From Hell (2001) starring Johnny Depp and The Book of Eli (2010) starring Oscar winners Denzel Washington and Gary Olman.The Book of Eli has the distinction of being the first studio feature film shot on the RED Camera. In the example below, you can see how Albert pushed the camera to its limits with the ground-breaking color grade he gave the film.Most recently Albert brought to the screen the epic film Alpha (2018). The project was shot on the Arri ALEXA 65 for a truly larger than life experience.An epic coming-of-age adventure set in the last Ice Age. A young boy becomes unlikely allies with a lone wolf, enduring countless dangers and overwhelming odds to survive the harsh wilderness and find their way home before the deadly winter arrives.My conversation with Albert was EPIC. We began the episode aiming for our standard 60-90 min run time but we were having such a good time talking shop we just kept going. The final episode clocks in around 3 hours and it was, by far, one of the best times I have ever had on the Indie Film Hustle Podcast.Two filmmakers talking shop and telling stories. We discuss his public beef with Tupac, his rise after the breakout success of Menace II Society, how he navigated the shark-infested waters of Hollywood, working on big-budget studio films, his creative process and Albert even throws in a story about how he stood up to Harvey Weinstein while the disgusting predator was still a power-player in the business.Do yourself a favor and listen to the entire episode. There are knowledge bombs drop throughout!Enjoy my EPIC conversation with Albert Hughes.

Interview by Haze https://www.instagram.com/mike_tall We recently got the chance to speak with well known Director Cricket for an exclusive “Off The Porch” interview! During our conversation he discussed growing up on Detroit's East 7 Mile, starting ff a beat maker, working with J Dilla, moving to Atlanta, being in Atlanta during the highlight of the music industry, explains how he got into filming, meeting Bankroll Fresh through Parlae from Dem Franchise Boyz, Parlae talking him into making a movie, Bankroll Fresh previewing his first single for him, making the “Mind, Body, and Soul” visual after the passing of Bankroll Fresh, featuring Fresh's son in the video, not wanting to glorify the streets with his music videos, reveals how he accidently leaked Gucci Mane's “Bussin Juggs” music video, Gucci Mane calling him and saying he owed him 10 videos for the mishap, Gucci Inviting him to the studio with Zaytoven, Gucci teaching him his worth with his videography career, Gucci buying him his first Red Camera, catching Peewee before he got he started rapping, filming the “Sneaking N Geekin” video, shooting Gucci's “Truth” video, his dynamic with Young Mazi, was chosen to film Young Thugs “Stoner” visual but didn't fall through, dealing with different industry politics, advice for young creatives, shooting NBA Youngboy's “Outside Today” video, Youngboy bring easy to work with, lists some do's and dont's for directors, working on new films, his project “Dirty Game” and “Blue Devils” and much more! 

Jenn Gotzon's career break came playing Pres. Nixon's daughter Tricia in the Oscar-nominated "Frost/Nixon", which launched Gotzon starring in many family films on Amazon winning awards and nominations for The Farmer and The Belle: Saving Santaland, Doonby, God's Country, Forgiven, Unbridled and My Daddy Is In Heaven. Producer, speaker, author, jewelry creator, International model and award-winning actress, Jenn Gotzon brings a natural radiance, emotional depth and transformed ability to the protagonist roles she plays on-screen revealing hope to the human condition.Gotzon is married to her actor-producer husband Jim E. Chandler sharing their love story in "The Farmer and The Belle: Saving Santaland," a funny Christmas movie for the family. The movie has a message to bring value about inner beauty to girls and women inspired by Gotzon's personal life. Gotzon created the #Beauty Bracelet with five charms (smooth, coin sized with a Tiffany inspired chain) engraved with affirmative sayings to overcome life's lies about your physical appearance. This bracelet is the main story point in the family, Christmas movie, "The Farmer and The Belle: Saving Santaland" and is selling on QVC. Gotzon also co-authored with Michelle Cox (Hallmark's When God Calls the Heart) her first book, a devotional that unlocks revelation to the #Beauty Bracelet called Divine Beauty: Becoming Beautiful based on God's Truth. All products can be purchased at WWW.TheFarmerandTheBelle.net/shop.With 2 Oscar-nominated films, under her belt, playing historical characters - Tricia Nixon in Ron Howard's "Frost/Nixon" & British captive Lydia in "Alone Yet Not Alone" - Jenn's developed an uplifting brand as an American leading lady in wholesome and redemptive movies. Jenn Gotzon appears as the cover model on several magazines including Valley Social who printed, "Gotzon continuously garners awards for her Meryl Streep chameleon-like transformations" inspired from the Hollywood casting director Bill Dance after he saw Jenn win "Best Actress" for her protagonist role in short film "Stained." He told the press, "I felt like I was watching a young Meryl Streep on screen."Jenn has won awards from the Film Advisory Board for her performance as a destructive alcoholic party girl in "Doonby" opposite of John Schneider and Ernie Hudson. Followed by a festival "Best Actress" nod for her role as the Ferrari-driving egocentric firm partner in "God's Country." She received best actress for "Forgiven" playing hostage bound pastor's daughter and good-nature, adulterated wife in "The Good Book." Gotzon received recent success for bringing harmony to the racial divide through her first comedic role in the trending award-winning comedy "Love Different." Jenn's movies sell strong to her loyal following in the faith & family market: USA, Brazil, Europe & Asia.Eventually, Gotzon made her way out west working in human resources for Google acclimating googles. In 2002, she landed her first protagonist role in romantic-drama "Julie and Jack" (directed by James Nguyen best known for his cult-classic "Birdemic") earning her a Best Actress award in the San Francisco independent film market. Finally, she journeyed south of San Francisco to the lights and glamour of Hollywood. She learned about Studio productions by doing stand-in work and made featured appearances on TV shows "Pushing Daisies", "House", "CSI: NY" and films "Yes Man" and "500 Days of Summer".In 2008, she was blessed to help make cinematic history by starring in the dramatic short film "Stained" which was the first film ever shot on the RED Camera to win multiple awards at a film festival pulling in an astounding 13 accolades including a Best Actress...

Batgirl movie directors, Bilall Fallah and Adil El Arbi, revealed in an interview that they have no footage for batgirl because it was wiped clean from their server. Warner Bros. Discovery definitely didn't want a Snyder Cut situation. SHOW TIMELINE: 0:00 - Opening 3:30 - Intro 8:45 - Da Tweets! 22:19 - Warner Bros. Discovery Didn't Want Another Snyder Cut Situation with Batgirl 33:01 - Matt Reeves Lands Multi-Picture First Look Deal for The Batman 38L43 - Zack Snyder and the New RED Camera 44:06 - Matt Damon Controversial Take on Movies Now? 50:56 - Twitter Questions

I can't be more excited about the conversation I'm about to share with you. Today on the show we have filmmaker and indie film legend Albert Hughes. Albert, along with his brother Allen began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made the short film The Drive-By and people began to take notice.After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers. Albert and his brother then began directing music videos for a little-known rapper named Tupac Shakur. These videos lead to directing their breakout hit Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget.Albert followed up that success with Dead Presidents (1995).On the streets, they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets, he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!Albert continued displaying his highly stylized and visual filmmaking with From Hell (2001) starring Johnny Depp and The Book of Eli (2010) starring Oscar winners Denzel Washington and Gary Olman.The Book of Eli has the distinction of being the first studio feature film shot on the RED Camera. In the example below, you can see how Albert pushed the camera to its limits with the ground-breaking color grade he gave the film.Most recently Albert brought to the screen the epic film Alpha (2018). The project was shot on the Arri ALEXA 65 for a truly larger-than-life experience.An epic coming-of-age adventure set in the last Ice Age. A young boy becomes unlikely allies with a lone wolf, enduring countless dangers and overwhelming odds to survive the harsh wilderness and find their way home before the deadly winter arrives.My conversation with Albert was EPIC. We began the episode aiming for our standard 60-90 min run time but we were having such a good time talking shop we just kept going. The final episode clocks in around 3 hours and it was, by far, one of the best times I have ever had on the Indie Film Hustle Podcast.Two filmmakers talking shop and telling stories. We discuss his public beef with Tupac, his rise after the breakout success of Menace II Society, how he navigated the shark-infested waters of Hollywood, working on big-budget studio films, his creative process and Albert even throws in a story about how he stood up to Harvey Weinstein while the disgusting predator was still a power-player in the business.Do yourself a favor and listen to the entire episode. There are knowledge bombs drop throughout!Enjoy my EPIC conversation with Albert Hughes.

The conversation about race continues with our guest Enyo (@augustine_joseph_ctv) before we segue into conversations about Photography. TeaRon (@tearonworld) and Enyo discuss their dream cameras and the goals Enyo has as he furthers his journey into the world of photography. Checkout out Enyo's photography:  augustinejphoto.comUbiquitous Blacks InstagramUbiquitous Blacks FacebookSupport the show (https://www.patreon.com/user?u=31825951&fan_landing=true)

I can't be more excited about the conversation I'm about to share with you. Today on the show we have filmmaker and indie film legend Albert Hughes. Albert, along with his brother Allen began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made the short film The Drive-By and people began to take notice.After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers. Albert and his brother then began directing music videos for a little known rapper named Tupac Shakur. These videos lead to directing their breakout hit Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. Albert followed up that success with Dead Presidents (1995).On the streets, they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets, he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency!Albert continued displaying his highly stylized and visual filmmaking with From Hell (2001) starring Johnny Depp and The Book of Eli (2010) starring Oscar winners Denzel Washington and Gary Olman.The Book of Eli has the distinction of being the first studio feature film shot on the RED Camera. In the example below, you can see how Albert pushed the camera to its limits with the ground-breaking color grade he gave the film.Most recently Albert brought to the screen the epic film Alpha (2018). The project was shot on the Arri ALEXA 65 for a truly larger than life experience.An epic coming-of-age adventure set in the last Ice Age. A young boy becomes unlikely allies with a lone wolf, enduring countless dangers and overwhelming odds to survive the harsh wilderness and find their way home before the deadly winter arrives.My conversation with Albert was EPIC. We began the episode aiming for our standard 60-90 min run time but we were having such a good time talking shop we just kept going. The final episode clocks in around 3 hours and it was, by far, one of the best times I have ever had on the Indie Film Hustle Podcast.Two filmmakers talking shop and telling stories. We discuss his public beef with Tupac, his rise after the breakout success of Menace II Society, how he navigated the shark-infested waters of Hollywood, working on big-budget studio films, his creative process and Albert even throws in a story about how he stood up to Harvey Weinstein while the disgusting predator was still a power-player in the business.Do yourself a favor and listen to the entire episode. There are knowledge bombs drop throughout!Enjoy my EPIC conversation with Albert Hughes.

KAI ZAMMIT - Filmmaker, Storyteller and Colour AddictNick and Kersten catch up with Kai Zammit, filmmaker, colourist and storyteller par excellence. Kai creates highly cinematic commercials and promotional films for commercial and government clients. He gives an insight into his editing process and talks about the power of storytelling in film and the importance of colour grading in video as well as photography.THIS WEEK’S LINKS:Kai Zammit on the web:https://www.smokescreenvisuals.co.uk/Kai Zammit on Social Media:Instagram: https://www.instagram.com/kaizammit_filmmakerTwitter: https://twitter.com/kai_zammitFacebook: https://www.facebook.com/kai.zammitYouTube: https://www.youtube.com/user/kaizammitCAMERA SHAKE PODCAST ON YOUTUBE:Camera Shake Photography Podcast on YouTubehttps://www.youtube.com/camerashakeFULL EPISODE 39 IS ALSO AVAILABLE ON: YouTube: https://youtu.be/-KZr2cRukB8Apple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2GFollow Kersten and Nick’s photo challenges on Instagram @camerashakepodcast https://www.instagram.com/camerashakepodcast/Kersten’s website: www.kerstenluts.com

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages?

What if indie filmmakers could access the same virtual production systems used on the hit Disney+ show The Mandalorian? What if you could use that same technology at home for your productions? What if it cost less than most RED Camera packages? Today's guest wants to do exactly that. Rene Amador is the co-founder and CEO of the virtual production tech company ARWall.Rene boasts 24 years of working with 16 startups, starting young working for his parent’s startups in silicon valley. He’s also directed over 350 commercials, short films, and pilots. Most recently as co-founder at ARwall, Rene won the SXSW Accelerator 2018 AR/VR category pitch, has been acknowledged as a top AR tech evangelist in Hollywood and designed the first ARwall Lab in Burbank.Rene and his team have developed a professional virtual production system that filmmakers can use at home powered by the most powerful real-time graphic engine on the market. How does this all work you may ask? ARFX requires a tracker and at least two sensors installed on set.Once the tracker is calibrated and attached to the camera, the director of photography has the ability to move anywhere inside the tracked space. The virtual scene runs on the system updates in perfect real-time, no matter where the camera is positioned. This creates a seamless window illusion into the virtual space.Filmmakers really put this tech to the test on Disney+'s Star Wars show The Mandalorian. If you haven't seen this show do yourself a favor and get a monthly subscription to Disney+, sit back and enjoy.I also recommend you watch The Gallery, a behind the scenes show on how they made The Mandalorian.I'm not saying a newcomer to the filmmaking process will just be able to pick up this tech and make The Mandalorian but the tools are there for filmmakers who are ready to make that leap.This is a massive jump in how filmmakers tell their stories. ARWall's Home Studio is the next jump for indie filmmakers. The cost is cheaper than most RED or ALEXA cameras.This technology is one of the most exciting filmmaking tools to come out since digital cameras became the norm. Not only is this tech cool but the speed that it became affordable for the independent filmmaker is mind-blowing.It took a decade before we had access to the same ground-breaking technology that was used in Jurassic Park.Rene and I talk virtual production, The Mandalorian, the future of the AR Wall, and how indie filmmakers can start using this technology today. Enjoy my conversation with Rene Amador.

SEASON 2!Your hosts Matt Thompson, and Matt Quemada, and Jon Zomer are back with season 2 of the Norman Camera Podcast. This episode we're joined by a fellow NCC employee, Sean "Regenold" Newton to talk views of the camera industry. Motorsports, and "Steezy" Edits for this thing called GRIDLIFE.If you have topics you'd like to hear tweet us about it @Normancamera and use the Hashtag #NCCPodcast. We'd love to hear what you think!Additional info about the store and future events as discussed. All events and classes are posted on our social media and on our website below.Facebookhttps://www.facebook.com/normancamera/Instagramhttps://www.instagram.com/normancamera/Twitterhttps://twitter.com/normancameraWebsite:https://www.normancamera.com/

A lot of times we think if we get that new piece of equipment, we will be able to charge more or get the perfect client. In reality, confidence and clarity will go much further than an expensive upgrade. After all it's the wizard - not the wand that makes an epic experience.

It's Time...for the 64th installment of #TBKoW. The #GoodBrothers are all over the place on this episode. We constantly get off topic with #IceCream on our mind. We kick things off by recapping our week and discussing Uncle Ole's new gig and the new #Red Camera's that he is getting to use. Finally after nearly 30 minutes we transition to discussing the recent release of #AntonioBrown by the #Patriots and the possibly ramifications of his abhorrent actions. We stay on sports by discussing the projected statistics of Patrick #Mahomes, reflecting on the weird career of Eli #Manning, and check-in with our College Football teams, the NC #TarHeels and the LSU Orgeron's (#Tigers). #OneTeamOneHeartbeat. We switch gears and discuss the #Emmy Award show from his past weekend, Canadian PM Justin Trudeau's a McDonald's employee that strangled a patron over cold fries, #Amazon attempting to go carbon-neutral, the recent #ClimateChange Marches/Parades, states banning #vaping due to illness and deaths, and the US deploying ‘some” troops to #SaudiArabia at the request of surrounding countries. Oh yeah, and we bring back Uncle Boobah's favorite segment takes #AOC to task over some of her recent comments against Nancy Pelosi. As this month is #SuicidePreventionMonth, please remember to be kind to check-in on one another. Reach out and your part. Always be kind! Music - “Sweet Home Alabama” by Lynyrd Skynyrd Drink - New Belgium Voodoo Ranger Juicy Haze IPA and Sierra Nevada Oktoberfest Show support for our Network by picking up some Merch (http://bit.ly/TBKoWShop). If you pick up some merch, DM us pictures to be featured on our Show IG Page. For all things te/so https://teso.grsm.io/tbkow and be sure to use PROMO CODE “TBKOW” to receive 15% OFF of your total purchase. FOLLOW us on #TheGram (https://www.instagram.com/bestkindofworst/) OR #Twitter (http://www.twitter.com/bestkindofworst). SUBSCRIBE to us on Apple Podcast (http://bit.ly/TBKoWApplePodcast) SUBSCRIBE to us on YouTube (http://bit.ly/TBKoWTube) SUBSCRIBE to us on SOUNDCLOUD (https://soundcloud.com/thebestkindofworst) SUBSCRIBE to us on SPOTIFY (http://bit.ly/TBKoWPod) LIKE US on Facebook. Only if you wish cause, well, FaceBook is the worst. You can also listen and subscribe to us on many third-party podcasting apps (Stitcher, iHeartRadio, OverCast,...).

Hey Guy's! In today's Episode we talk about the Red Camera Company selling fake SSD's. Please be careful when buying products even if you know the brand well. Please Consider Donating and Following us on Instagram @Helloworld_Podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/helloworldpodcast/message Support this podcast: https://anchor.fm/helloworldpodcast/support

Have you ever considered shooting a wedding on a RED camera? What about filming in 8K? Well, Australian wedding filmmaker Sam Fregonese is doing just that! Sam joins today's podcast to discuss international weddings, finding his ideal clients, and of course his YouTube work and specifically shooting weddings on RED. Grab some headphones or play this episode on your next drive... you don't want to miss it!Support the show (https://www.buymeacoffee.com/WVSPodcast)

Guest - Aaron Blum - Trailer Editor - apparently Will goes to parties - talking pottery - Hey Hollywood, let Jerry Zucker out of movie jail - the crazy stacked cast of Rat Race, the ultimate cable movie - Starz - hook us up - remembering when Neo Nazis weren’t real - Mr BeanCast, cockdoggies - is narcolepsy funny? - Cuba Gooding Jr cinematic universe, putting in work in 2001 - Vince VielufCast, Joey KernCast - we contemplate the tongue piercing - the Seth Green Extended Universe, stunt talk - becoming the Las Vegas Hawaiin Shirt guy - in defense of Peggy Bundy, Married with ChildrenCast - the birth of the ‘Prairie Dogging it’ and ‘Thats What She Said’ - CrocTalk, when was the last time you grubbed? - John Cleese vs the Meteor - Amy Smart, Topanga Canyon native - road trip math, we do it - that cow puppet, Thomas E Ackerman fucks - talking to people in helicopters - Guinness World Record show appreciation, tv show tapings - Sean Kent, the black sheep of the Superman family - Rat Race, a masterclass of set up and payoff - cell phones ruin another premise in 2019 - world record road tripping, Cannonball Run talk - Good guy Google maps, Computer Legos, Tetris talk - Parie Dogging Redux, The Office talk - do smart phones ruin plots now? - The Barbie Musuem, Red Camera’s aggressive marketing - I Love the many Lucy’s - Andy Breckman appreciation (no one feel bad for him) - Smashmouth is having the best year ever - Far and AwayCast - AFI: Days of the Phoenix EP talk, music video breakdowns - Emailing directors, Petaluma CA talk - the good ol days of local band shows - the economics of keeping a punk venue open - my AFI, your AFI, their AFI - Gaslight Anthem appreciation - The Offspring: Don Cuco’s - controversial bullet trains 

A podcast hosted by Mitch Williams and Sam McGhee, of Inland Film Co., creators of the #DAILYREEL. Mitch and Sam discuss small shop filmmaking, commercial and documentary work, storytelling, and more. In this installment, Sam and Mitch sit down with fellow Cinematographer, and Filmmaker, Cameron Hotchkiss, and discuss filming extreme sports and the short film about river surfing called StrongWater (2016) he was DP on, and the documentary Brighter Night (2018) where he scaled glaciers at night in Alaska to capture glaciers lit up with colorful lights and how he almost lost his life shooting that film. Mitch and Sam discuss Sam's near-death experience last winter, and how he broke his leg. Cam shares where his inspiration comes from, his start to filmmaking, and what he loves about his RED Camera. Mitch, Sam, and Cam talk about the Pacific Northwest, the creative climate, and opportunities for filmmakers in their region. Connect with Mitch Williams twitter.com/mtchwllms www.instagram.com/mtchwllms/ Connect with Sam McGhee twitter.com/dpsammcghee www.instagram.com/sammcghee/ Connect with Cameron Hotchkiss www.instagram.com/camhootch/ www.instagram.com/momentummediaco/ Follow Inland Film Co. www.inland.film/ www.instagram.com/inlandfilmco/ www.facebook.com/inlandfilmco twitter.com/inlandfilmco Watch the #DAILYREEL www.youtube.com/playlist?list=PLU…-9Nm54zj13n5ODYZi Brighter Night (2018) https://www.mountainfilm.org/media/brighter-night StrongWater https://vimeo.com/170469631

On The New Screen Savers recorded on Saturday, November 10, 2018, with Leo Laporte and Jason Snell:Leo and Jason discuss Samsung's unveiling of its first foldable phone and other hot topics. We have all the new products Apple announced last week starting with the completely redesigned iPad Pro which features an edge-to-edge Liquid Retina display, FaceID, the A12X Bionic chip that rivals the power of most PCs, a USB-C port, the new Apple Pencil, and more. Leo and Jason also give their take on the new thinner and lighter MacBook Air that adds Retina display, Touch ID, and a Force Touch trackpad to the popular ultrabook. Leo also compares the MacBook Air to a similarly priced Windows ultrabook, the Huawei MateBook X Pro, packing features an edge-to-edge display, 8th-gen Intel Core i7, and a dedicated NVIDIA GeForce MX150 GPU. Jason Snell gives his review for the new Mac mini which hasn't had a major update in 4 years, greatly increasing its performance with quad or 6-core Intel processors, up to 64GB of RAM, and a fast SSD up to 2TB. RED, a leading maker of digital cinema cameras, entered the Android market with the Hydrogen One which features a 3D holographic display. Jason Howell gives his review.​ Hosts: Leo Laporte and Jason Snell Guest: Jason Howell The New Screen Savers records live every Saturday at 3PM Pacific on twit.tv/live. Episodes are available for download and streaming later that evening at https://twit.tv/shows/new-screen-savers. Sponsors: WordPress.com/nss RocketMortgage.com/NSS

On The New Screen Savers recorded on Saturday, November 10, 2018, with Leo Laporte and Jason Snell:Leo and Jason discuss Samsung's unveiling of its first foldable phone and other hot topics. We have all the new products Apple announced last week starting with the completely redesigned iPad Pro which features an edge-to-edge Liquid Retina display, FaceID, the A12X Bionic chip that rivals the power of most PCs, a USB-C port, the new Apple Pencil, and more. Leo and Jason also give their take on the new thinner and lighter MacBook Air that adds Retina display, Touch ID, and a Force Touch trackpad to the popular ultrabook. Leo also compares the MacBook Air to a similarly priced Windows ultrabook, the Huawei MateBook X Pro, packing features an edge-to-edge display, 8th-gen Intel Core i7, and a dedicated NVIDIA GeForce MX150 GPU. Jason Snell gives his review for the new Mac mini which hasn't had a major update in 4 years, greatly increasing its performance with quad or 6-core Intel processors, up to 64GB of RAM, and a fast SSD up to 2TB. RED, a leading maker of digital cinema cameras, entered the Android market with the Hydrogen One which features a 3D holographic display. Jason Howell gives his review.​ Hosts: Leo Laporte and Jason Snell Guest: Jason Howell The New Screen Savers records live every Saturday at 3PM Pacific on twit.tv/live. Episodes are available for download and streaming later that evening at https://twit.tv/shows/new-screen-savers. Sponsors: WordPress.com/nss RocketMortgage.com/NSS

3:30 Mark talks about how late they stayed up promoting their social media and although leaving early in the morning, it wasn’t quite early enough to make the right light for the sage grouse.7:15 Michael explains how the cold weather effects his Red Camera and shares some hacks to prevent the camera from shutting down.9:28 Mark talks about the cool knee pads that look something like Darth Vader gear and how awesome they are when crawling through the snow and cactus.10:52 Ron describes how the grouse will stay in the open areas but not far from cover if they need to escape, and how to locate the birds.13:03 Ron shares the hack of saving your knees and back when photographing grouse, describing the turkey chair.14:00 Mark tries to explain how he wasn’t sleeping and simply helping Michael out by lying low and letting Michael shoot video. Images attached will explain.17:30 Michael attempts to convince himself that it’s not always about getting that great shot. Sitting back and watching can be just as fulfilling.18:18 Ron talks abut balancing your exposure for the snow and the white breasts of the sage grouse.24:06 Ron talks about the ranchers in the area get a bad name, but the ranchers don’t want to see these birds gone. He also explains how the ranchers will remove their livestock during the leck activity in order to not disrupt the birds.27:50 Michael explains how the three of them left the leck and birds and went to fly the drone documenting and illustrating their story and efforts into the wilderness.35:02 Wrapping up the end of podcast, listen to the next podcast with more lecking news.

RED camera, entrepreneurship & more!

Episode six of the Radium Media podcast… In this discussion, Bradley and Kevin speak on the latest music taking over the Billboards,  Amazon taking over new industries, Apple taking Spotify's market share, RED Camera making Phones for the first time, and lastly Hans Zimmer making plugins. Stay tuned in to learn more on the music ...

This part two of our two-part look at what it's actually like to be a video or film editor. Soo Zee makes up a fake short film and we talk you through the whole edit process. How long does transcoding take? How many cuts do you usually go through? What's all that exporting mumbo jumbo? All this and more in this episode! Show notes: • What is the RED Camera of which we speak? More here http://www.red.com • Soo Zee mentioned Scott Pilgrim vs. The World type graphics. Those are awesome! Nerdwriter talked about them in detail over here https://youtu.be/pij5lihbC6k • Why yes, I did compare directors to Winnie the Pooh. You can read all about him sitting down to a good think here http://lib.ru/MILN/pooh.txt_with-big-pictures.html#5 • If you haven't watched every single one of Tony Zhou's Every Frame a Painting film essay series, you should, starting with this one about how editors know when to make a cut, titled (aptly) "How Does an Editor Think and Feel?" https://youtu.be/3Q3eITC01Fg I'd love to do a much longer episode about that middle artistic process. If you're interested in more details about what I called the "kumbaya" part of editing, tell us. If the idea makes you break out in hives on the other hand, we want to know that too. Let us know in a review!

Born on the eastern shores of Hawai‘i, Cliff has dedicated most of his life towards discovering innovative means of environmental stewardship while also remaining deeply rooted in tradition. Scheduled to obtain a chemistry PhD from the University of California San Diego in 2018, his academic career is uniquely complemented with his athletic commitment to the sea. While contributing several peer-reviewed publications to the fields of molecular biosciences and chemistry, he has also produced a handful award-winning films that discuss under-represented topics in indigenous activism, ocean conservation, global food security and virtual reality. Fortunate to be featured in several international magazines and newspapers, he has also worked alongside top organizations such as Polynesian Voyaging Society, The New York Times, National Geographic, BBC, NOVA, The Waitt Foundation, Surfer Magazine, Red Camera, Freesurf Magazine, Surfline, The Inertia, Korduroy TV, Pacific Network TV, Oiwi TV, Na Kama Kai, Intertribal Youth, Save the Waves foundation and more to share with global audiences the power of education.

Born on the eastern shores of Hawai‘i, Cliff has dedicated most of his life towards discovering innovative means of environmental stewardship while also remaining deeply rooted in tradition. Scheduled to obtain a chemistry PhD from the University of California San Diego in 2018, his academic career is uniquely complemented with his athletic commitment to the sea. While contributing several peer-reviewed publications to the fields of molecular biosciences and chemistry, he has also produced a handful award-winning films that discuss under-represented topics in indigenous activism, ocean conservation, global food security and virtual reality. Fortunate to be featured in several international magazines and newspapers, he has also worked alongside top organizations such as Polynesian Voyaging Society, The New York Times, National Geographic, BBC, NOVA, The Waitt Foundation, Surfer Magazine, Red Camera, Freesurf Magazine, Surfline, The Inertia, Korduroy TV, Pacific Network TV, Oiwi TV, Na Kama Kai, Intertribal Youth, Save the Waves foundation and more to share with global audiences the power of education. Get full access to Writing by Kyle Thiermann at thiermann.substack.com/subscribe

Insta-celeb glory requires some deliberate setup. Get more shareable results by putting this photo gear into rotation. The number one rule of influencing is Always Be Gramming. Be ready for the shot anywhere, anytime, by stashing your phonecam accessories in this ruggedly handsome leather bag. That way you won't be fumbling around in your cluttered backpack the next time llamas escape from the zoo. | $149 Your fans want to see your face at the concert, not a blurry silhou­ette.

--- ► Subscribe to My Channel Here: http://bit.ly/2lZYHDP Some big things have come out in the camera world: RED EPIC-W and the Movi PRO. Would or should you buy something that expensive? How can you buy a RED EPIC-W camera package that costs $75,000+? Option 1) Cash money. Option 2) Borrow/Financing Options You'll need a down payment, factor in the interest rate, and calculate if you can make the monthly payments. A way to pay off that monthly payment is to rent out the gear to other filmmakers. A RED EPIC-W with the 8K sensor could easily rent for $600/day which could be your monthly payment! Having a professional cinema package could also spice up your Cinematography CV because now you are a Cinematographer/RED Camera Owner. Producers can hire just you and you bring along your gear. (The whole package, so to speak.) But what happens when you can't rent out your camera? You're basically staring at $75,000 worth of metal and plastic sitting on your desk. That can get scary if no one calls in. You have to weigh the benefits and risks of owning a RED Camera or any valuable piece of film equipment. What is your experience with big filmmaking purchases? Was it worth it? Did you get screwed over? I would love to hear your stories. --- WEBSITE- http://jordanpanderson.com INSTAGRAM- http://instagram.com/jordanpanderson FACEBOOK- http://facebook.com/jordanpandersonfilm TWITTER- http://twitter.com/jordanpanderson SNAPCHAT- http://snapchat.com/add/valley_films My Gear- http://bit.ly/2mw6R4D Canon 70D- http://bit.ly/2mw6R4D Canon 10-18mm- http://bit.ly/2mw6R4D RODE VideoMic Pro- http://bit.ly/2mw6R4D iPhone 6- http://bit.ly/2mw6R4D Adobe Premiere Pro CC- http://bit.ly/2mw6R4D New to the Vlog? -- How to Start A Production Company- https://goo.gl/OA6MKq My Life Story (sort of)- https://goo.gl/U5b2Ja I can remember picking up my family's video camera as a teenager and being enthralled that I could make an impact in someone's life. The filmmaking process is complex but at the heart of it simple: tell a compelling story. What resonates the hardest is visual storytelling. The ability to create an emotion or convey an idea through an image is what drives my career as a filmmaker. My marathon mentality is focused on becoming the best cinematographer possible.

Now before I get a bunch of hate mail please let me explain. I love cinematographers. You can;t make a movie without on. It's by far one of the toughest positions on set. The pressure is immense.With that said the explosion of low cost cameras and lighting gear has thrown a huge amount of "cinematographers" into the market place.This podcast is a warning to young and inexperienced filmmakers not to hire not just a director of photography but any top level crew member  solely because they on some of the latest gear.This advice also goes for sound department, editorial, lighting, visual effects and definitely color grading. When hiring any top level positions in a film production it should be based on resume, demo reel, or reputation.All I'm saying is don't hire a crew member just because of the gear he or she owns. You'll thank me. Take a listen to this episode to hear my horror story that cost me over $50,000. OUCH!Get Social with Indie Film Hustle:Facebook: Indie Film HustleTwitter: @indiefilmhustle Instagram: @ifilmhustleYouTube: Indie Film Hustle TVPodcast: IFH Podcas

Suki Medencevic ASC and the Art of CinematographyI have found over the years that is one of the biggest technical issues in independent film. Someone borrows a friends RED Camera or Arri Alexa and thinks that's all you need. Cinematography is not only a mystical art but imperitive in today's gluttony of indie films in the market place.Good cinematography can really make your independent film project rise out of the gutter of poorly produced indie films. Today on the show I interview Suki Medencevic ASC (American Society of Cinematographers).For all the show notes goto: http://www.indiefilmhustle.com/009

8AM NEWS UPDATE, THE RED CAMERA TICKET, CELEB NEWS

We catch up with HD Mua and Expert Suzanne Patterson this Sunday at 9pm EST. Suzanne will update us on the Red Camera and makeup techniques that work well with this new technology. www.BlogTalkRadio.com/beautytalkwithillusions.

Take control of your footage with the power of curves applied in film-log space. FxFactory powers hundreds Effects for Final Cut Pro, Motion and After Effects: http://fxfactory.com/fxfactory/

In this episode Dave Helmly is back to show us the NEW RED Camera plug-in for Premiere CS4. RED Camera is the hottest thing to hit Hollywood since, um, Film! Now you can edit RED camera footage natively in Premiere Pro CS4.

We finish our basic compsiting series by doing some creativie masking inside After Effects. We also talk about tilt shift photography, The Red Camera and Give you a free winter background loop!

Richard Bluck was 2nd Unit Director of Photography on the Lord of the Rings Trilogy and King Kong. Richard is also the DP on the short Peter Jackson directed to test the RED Camera called Crossing the Line. He joins Joel to talk about his experience shooting miniatures, working with Peter Jackson, and testing out the RED Camera.

This episode includes a wrap up of NAB. I focus on Apple and Adobe's new products and a little bit about the Red Camera. Although I didn't attend the first week of the new Module, "Film Project 1",  I lay out the details: get coverage for two 5 minute videos, one  demonstrating how to do something, the other is a profile of an individual. Check out these podcasts that provided a lot of live coverage of the NAB event: This Week in Media, FX Podcast and Digital Production Buzz.

Alex and Emery give you the scoop on some of the cool mac-related gear at the annual "National Association of Broadcasters" convention. Check out new RAIDS, Motion tools, the Red Camera and more! Hosts: Alex Lindsay and Emery Wells

Alex and Emery give you the scoop on some of the cool mac-related gear at the annual "National Association of Broadcasters" convention. Check out new RAIDS, Motion tools, the Red Camera and more! Hosts: Alex Lindsay and Emery Wells