Podcasts about emailing

Comment une entreprise peut-elle profiter de LinkedIn ?La stratégie à adopter tient en deux mots : employee advocacy. Donnez la parole à vos employés, c'est eux qui ont les clés de LinkedIn.Aujourd'hui je vous propose qu'on parle de cette stratégie encore sous-exploitée et qui pourtant vous allez le voir a beaucoup de vertues en internet et en externe. Pour en parler j'ai invité une spécialiste de la prise de parole BtoB : Emilie Houdou. Vous pouvez en savoir plus sur Emilie en la suivant sur LinkedIn.---------------Pour travailler avec moi vous pouvez :> Suivre une de mes formationsStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

Central Park is often called the green heart of New York City—a peaceful escape from the noise and crowds. But beneath the beauty lies a history filled with tragedy, forgotten communities, and lingering legends.Over the years, countless visitors have reported strange encounters, ghostly figures, and unexplained experiences within the park's boundaries. Could these stories be connected to the land's troubled past?This week, we dive into the fascinating history of Central Park and explore the chilling hauntings that some believe still roam its paths after dark. Check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.centralparknyc.org/park-historyhttps://www.centralparknyc.org/articles/central-park-historyhttps://www.centralpark.com/visitor-info/park-history/overview/https://www.nps.gov/articles/seneca-village-new-york-city.htmhttps://www.centralparknyc.org/articles/seneca-villagehttps://smarthistory.org/seneca-village/https://www.nps.gov/frla/learn/historyculture/vaux.htmhttps://www.tclf.org/pioneer/olmsted-vaux-cohttps://www.nycgovparks.org/about/history/olmsted-parkshttps://www.centralparknyc.org/articles/rediscovery-and-research-of-seneca-villagehttps://www.centralparknyc.org/seneca-village-historyhttps://www.centralparknyc.org/conservancy-historyhttps://www.nps.gov/subjects/tellingallamericansstories/seneca-village.htmhttps://www.centralparknyc.org/restoration/belvedere-castlehttps://www.centralparknyc.org/locations/bethesda-fountainhttps://www.centralparknyc.org/locations/the-ramblehttps://www.centralparknyc.org/locations/the-lakehttps://ephemeralnewyork.wordpress.com/2017/02/27/the-wild-history-of-central-parks-ramble-cave/https://ephemeralnewyork.wordpress.com/2013/05/30/the-victorian-sisters-who-haunt-central-park/https://www.atlasobscura.com/places/the-ramble-central-park-new-york-new-yorkhttps://nyghosts.com/haunted-central-park/https://nyghosts.com/the-dakota/https://www.untappedcities.com/haunted-central-park/https://www.nyc-injury-attorneys.com/blog/unsolved-mysteries-in-central-park-ghosts-and-legends/https://www.loc.gov/exhibitions/drawing-justice-courtroom-illustrations/about-this-exhibition/assassination-and-murder-trials/jury-troubled-during-robert-chambers-trial/https://time.com/2904418/central-park-five-jogger/https://people.com/where-are-daphne-abdela-christopher-vasquez-now-11695618/https://www.centralparknyc.org/locations/strawberry-fieldshttps://www.centralparknyc.org/articles/john-lennon-and-strawberry-fieldshttps://nypost.com/2024/12/08/us-news/lennon-fans-gather-at-strawberry-fields-to-remember-fallen-idol-who-was-murdered-44-years-ago/https://www.centralparknyc.orghttps://www.nyhistory.orghttps://www.nycgovparks.org/parks/central-parkhttps://en.wikipedia.org/wiki/Central_Parkhttps://en.wikipedia.org/wiki/Seneca_Village

If you're searching for how to find government contract opportunities and actually keep up with them, this episode is a real-time, screen-share walkthrough of exactly how it's done. Ryan Atencio shows the entire process of spotting an opportunity, evaluating it, and moving it through a pipeline, no theory, just the actual workflow. Whether you're already bidding or just trying to understand how serious contractors stay organized, this episode breaks down a system you can copy today. In this episode, you'll learn: How a custom Gemini AI gem can instantly "shred" a lengthy statement of work into a condensed summary, saving hours of manual review on opportunities like a 400-square-foot restroom renovation in San Antonio Why high-visibility projects in nationally significant structures (like a National Park restroom facility) come with hidden cost drivers such as toilet trailer rentals, gray water removal, and historic preservation requirements How to email subcontractors using the solicitation's exact naming convention so they can give a fast yes-or-no decision without extra back-and-forth A simple Google Drive folder system for organizing solicitation documents and proposal documents so nothing gets lost over a long weekend How a color-coded pipeline tracker (with linked solicitation folders and SAM.gov references) helps contractors stay on top of SDVOSB opportunities like a Tinker Air Force Base sand repair and roof repair project EPISODE CHAPTERS: 0:00 - Welcome to the Federal Help Center podcast 0:30 - Building a custom AI gem to shred solicitations 1:13 - Breaking down the San Antonio restroom renovation 2:01 - Hidden costs of national park preservation projects 3:04 - Emailing subcontractors using exact solicitation naming 4:24 - Organizing solicitation documents inside Google Drive 6:24 - Building a color-coded opportunity pipeline tracker 8:01 - Linking SAM.gov solicitations to your pipeline sheet 10:03 - Closing thoughts and community recap Mindy gives you the federal opportunities, agency signals, recompete intel, and pursuit briefs that tell you not just what contracts exist, but which ones to chase and how to win them. Sign up for free Daily Alerts and get opportunities delivered to your inbox before the day starts.

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Est-ce qu'en vous promenant sur un site vous vous êtes déjà dit : "mais comment ils font? C'est à moi qu'ils parlent, c'est pour moi que ce produit est fait". Bingo, ils ont juste très bien travaillé leur persona, et pas de doute, leur persona vous ressemble. Dans cet épisode je vais vous expliquer exactement pourquoi travailler son persona c'est la première chose à faire, et la chose la plus essentielle à la réussite de votre business.Et si vous voulez creuser vraiment le sujet, je vous recommande la formation Stratégie Persona (je vous la recommande parce que c'est la mienne hein).---------------Pour travailler avec moi vous pouvez :> Suivre une de mes formationsStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

This week, friend of the show Andrew Crabtree returns to the GraveYard to talk about Season 2 of his hit paranormal podcast, The Void. But as anyone who's listened to our conversations before knows, we rarely stay on topic for long.So pull up a tombstone, settle in, and join us as we venture back into The Void.SponsorMe Undies – MeUndies.com/graveyard (Code: graveyard) Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.netOur ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcast

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Pour célébrer ce 50e épisode, j'avais envie de revenir sur un sujet essentiel : comment construire un business solide dans un contexte où vendre est devenu plus difficile.Dans cet épisode, je te partage les 4 piliers qui permettent de développer une activité durable malgré la crise, l'inflation, l'évolution des comportements d'achat et l'arrivée massive de l'IA.Au programme :pourquoi ton business a besoin d'être structuré et optimisécomment mettre en place une stratégie réellement efficaceles erreurs qui freinent ta visibilité aujourd'huipourquoi il est dangereux de dépendre d'un seul canal d'acquisitioncomment améliorer tes conversions sans devenir un marchand de tapisUn épisode concret, stratégique et sans langue de bois pour t'aider à renforcer les fondations de ton activité et continuer à avancer sereinement.

Comment fait-on pour travailler seul ? Solopreneur. ça a des avantages mais ça a aussi pas mal de contraintes. Et notamment deux contraintes évidentes : le temps et l'argent. Dans cet épisode, je vous donne mes astuces pour développer un business avec peu de temps et peu de moyens.Points principaux :- Les réseaux sociaux servent principalement à la visibilité, pas aux ventes directes.- Le contenu long format renforce la crédibilité et attire du trafic.- Les newsletters favorisent la proximité et la confiance avec votre audience.- Les événements en ligne augmentent l'engagement direct et la conversion.- Les outils d'automatisation permettent de gagner du temps et de simplifier les processus.- L'intelligence artificielle peut considérablement améliorer la productivité des travailleurs solos.- Une gestion efficace du temps est essentielle pour réussir.- Prendre des pauses et du temps personnel est vital pour éviter l'épuisement.---------------Pour travailler avec moi vous pouvez :> Suivre une de mes formationsStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

Êtes-vous prêt à découvrir comment transformer un simple trajet en une expérience marketing inoubliable ? Dans cet épisode captivant de L'Instant MARKETING COMMUNICATION, Florian Grimault et Julie Amico, experte en stratégie de communication terrain chez RFE Publicité, plongent au cœur du Trip Marketing, une approche révolutionnaire qui redéfinit la manière dont les marques interagissent avec leurs clients pendant leurs déplacements quotidiens ou lors de leurs vacances.Julie nous révèle comment le Trip Marketing permet d'intégrer des campagnes publicitaires dans des lieux stratégiques tels que les autoroutes, les bus et les aéroports, créant ainsi des moments de contact uniques avec les consommateurs. En utilisant des tickets de péage personnalisés et des animations sur les aires d'autoroute, les marques peuvent toucher des familles dans un contexte détendu, propice à l'écoute et à l'expérimentation de nouveaux produits. Imaginez pouvoir capter l'attention d'un client potentiel au moment où il est le plus réceptif !Au fil de la conversation, nous explorons des exemples concrets d'opérations réussies, comme celles de Volkswagen et des Repas Plaisir, illustrant comment le Trip Marketing peut se révéler être un levier puissant pour les marques. Julie partage également des conseils d'experts en marketing sur l'importance d'adopter des stratégies de communication efficaces pour se démarquer sur le marché actuel, où l'analyse des médias et le monitoring de l'impact sont essentiels pour réussir.Ce podcast communication de marque vous offre un décryptage des tendances du marketing, du sponsoring sportif à l'influence marketing, en passant par le marketing digital et l'ooh (out of home). Vous apprendrez à optimiser votre plan de communication et à tirer parti du crm (customer relationship management) pour renforcer l'expérience client. Les insights partagés dans cet épisode sont également précieux pour les professionnels cherchant à devenir dircom ou à évoluer dans le domaine de la communication d'entreprise.Ne manquez pas cette occasion d'enrichir vos connaissances sur le Trip Marketing et d'explorer comment des stratégies innovantes peuvent transformer vos campagnes. Écoutez maintenant et préparez-vous à révolutionner votre approche marketing !suivez L'instant Marketing Communication de Florian GRIMAULT sur les réseaux sociauxLinkedIn https://www.linkedin.com/company/l-instant-marketing-communication-de-florian-grimault/?viewAsMember=trueSite internet : https://albatrosconseil.net/Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week we look into the Red-Headed Giants of Lovelock Cave! Have you heard the Piute legend that started it all? Check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://humboldtmuseum.org/mini-tour/6-american-indians/28-lovelock-cave-artifactshttps://www.blm.gov/visit/lovelock-cave-historic-sitehttps://allaroundnevada.com/lovelock-cave/https://www.ancient-origins.net/ancient-places-americas/lovelock-cave-003060https://nevadagram.com/the-red-haired-giant-cannibals-of-the-lovelock-cave/https://en.wikipedia.org/wiki/Si-Te-Cahhttps://www.historicmysteries.com/myths-legends/si-te-cah/29266/https://www.britannica.com/topic/Paiutehttps://utahindians.org/archives/paiutes/history.htmlhttps://en.wikipedia.org/wiki/Lovelock_Cavehttps://en.wikipedia.org/wiki/Si-Te-Cahhttps://en.wikipedia.org/wiki/Sarah_Winnemuccahttps://archive.org/details/lifeamongpiutes00winnrich/page/n5/mode/2uphttps://archive.org/details/lifeamongpiutes00winnrichhttps://www.nvexpeditions.com/churchill/lovelockcave.phphttps://www.legendsofamerica.com/nv-lovelockcave/https://www.onlyinyourstate.com/nevada/lovelock-cave-nevada/https://www.ancient-origins.net/unexplained-phenomena/lovelock-cave-red-haired-giants-001735https://www.smithsonianmag.com/smart-news/the-truth-about-the-red-haired-giants-of-lovelock-cave-180982321/https://www.jstor.org/stable/40316394https://www.researchgate.net/publication/273452930_The_Red-Haired_Giants_of_Lovelock_Cavehttps://nypost.com/2024/04/04/mystery-surrounds-peculiar-giant-skeletons-claimed-to-be-found-in-nevada-caves/https://www.youtube.com/results?search_query=Timothy+Alberino+Lovelock+Cave+Giantshttps://www.youtube.com/results?search_query=Timothy+Alberino+Kandahar+Gianthttps://www.theconfessionalspodcast.com/https://www.blurrycreatures.com/https://timothyalberino.com/https://www.amazon.com/Birthright-Coming-Posthuman-Apocalypse-Ushered/dp/0578424370

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Et si la clé n'était pas de copier la stratégie des autres, mais de construire celle qui correspond vraiment à ton business ?Dans cet épisode un peu particulier, je t'emmène dans les coulisses de quatre accompagnements clients réalisés ces derniers mois.Quatre entrepreneures.Quatre activités différentes.Quatre problématiques de départ.Et surtout quatre stratégies totalement adaptées à leurs besoins.Tu découvriras notamment :✨ Comment une naturopathe a retravaillé son écosystème d'offres et augmenté son chiffre d'affaires.✨ Comment une spécialiste de la souveraineté féminine a doublé le trafic de son site et généré plus de 10 000 € de ventes avec moins de 1 000 abonnés Instagram.✨ Comment une coach en reconversion professionnelle a multiplié ses résultats par 4 en seulement quelques mois.✨ Comment une experte Notion a réussi son repositionnement vers les prestations de services et retrouvé une dynamique de croissance.À travers ces études de cas, tu verras qu'il n'existe pas UNE méthode miracle, mais des stratégies adaptées à chaque situation, chaque personnalité et chaque étape de développement.Un épisode qui devrait te redonner une bonne dose d'espoir si tu as parfois l'impression que le marché est saturé, que les algorithmes sont contre toi ou que tout devient plus compliqué. Parce que oui, développer son activité reste possible en 2026.

What happens when heartbreak becomes the starting point for a whole new purpose? In this episode of Unstoppable Mindset, I sit down with Heather Christie, author, educator, entrepreneur, and founder of Love Notes, a storytelling movement built around real stories of real love. Heather shares how commuting alone to New York City as a teenager shaped her independence, why she walked away from her creative dreams after marrying young, and how writing helped her rediscover herself after the end of a 30-year marriage. We explore storytelling, resilience, creativity, publishing, relationships, and the power of authentic human connection. You will hear how Heather transformed loneliness into hope through Love Notes, an off-Broadway storytelling series that is now expanding across the country and helping people reconnect with the many forms love can take. Highlights: 01:25 - Learn how early independence shaped Heather's confidence and resilience. 16:03 - Discover why staying true to yourself matters in life and relationships. 19:29 - Hear how heartbreak inspired a search for real love stories. 27:21 - Learn how writing helped Heather reconnect with her creativity. 32:35 - Discover the mindset that helped her push through years of rejection. 47:17 - Hear what Heather believes is at the heart of real love. About the Guest: Heather Christie is a speaker, writer-producer, educator, and the creator of LoveNotes! — Real Stories. Real People. Real Love.®—an Off-Broadway storytelling show that's expanding through satellite productions alongside an award-winning anthology. An award-winning YA author, she wrote What The Valley Knows and The Lying Season, which debuted as an Amazon #1 bestseller in Young Adult Soccer Fiction. Her essays have appeared in Salon, NextTribe, Writer's Digest, Baltimore Style, Scary Mommy, Elephant Journal, The Good Men Project, Grown & Flown, Baltimore Child, Parent.co, Her View From Home, the Erma Bombeck Writers' Workshop, and The Lighter Side of Real Estate. Heather holds a BA in Literary Studies from UT-Dallas and an MFA from Pine Manor College. She is CEO of SocRoc Soccer and an adjunct lecturer at the City University of New York. Ways to connect with Heather: Website: www.LoveNotesWorldwide.com & www.HeatherChristieBooks.com Instagram:@_heatherchristie/lovenotes_worldwideFacebook: @heatherchristiebooks / @LoveNotesWorldwideLinkedIn: https://www.linkedin.com/in/heather-christie-mfa-4b976049/LoveNotes! AnthologyWhat The Valley Knows (book)The Lying Season (book) About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:06 John, thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. Hi everyone, and welcome to another episode of Unstoppable Mindset. Today we get the opportunity and the honor of chatting with Heather Christy, and Heather, Heather is an author. She and her brother have formed a company, so she's clearly an entrepreneur. She's acted, she's a keynote speaker, and I don't know what all we're going to find out in the next hour or so, but definitely an exciting person to get a chance to chat with. So, Heather, welcome to Unstoppable Mindset. We're glad you're here. Speaker 1  01:47 Thank you, Michael. I'm so honored that we're going to have a conversation today. Michael Hingson  01:52 And Heather lives in New York City, she lives in Manhattan, or as we all know it, the city. And before we started this, we were talking about the fact that winter is coming everywhere. Ah, well, what do you do as long as you don't get too much snow back there? Speaker 1  02:11 Yeah, the winters have been pretty mild here the last couple years, so see what happens. Michael Hingson  02:16 Yeah, time will tell. Well, why don't we start? Tell us about the early Heather growing up in some of those things. Speaker 1  02:22 Okay, well, as a young person, I, I wanted to be an actress, and I grew up in a really small rural town, about two hours due west of New York City, in Pennsylvania. It's called the Holy Valley. Michael Hingson  02:37 What town? Speaker 1  02:39 Oh, it's called Oli Oley Valley, it's actually a Michael Hingson  02:42 valley. Okay, Speaker 1  02:43 historic site. And so I had a really interesting sort of upbringing, because I, before it was really in vogue, I was on a work-study program, and I would spend half my day in this small Pennsylvania town, and then I would jump on a bus - it was called the Bieber Bus back then - and drive to New York City on the bus, and that was like two to two and a half hours each way, get off in the, you know, huge metropolis of New York City, go on auditions, go sees, or if I had a booking, I'd do the booking, and then I would jump back on the bus and go all the way back to rural Pennsylvania, and that's how I spent like all my high school years was back and forth, back and forth, back and forth, and then I actually graduated early. I graduated halfway through my senior year. I had enough of my credits done that I'd actually, the first half of my senior year, I went to community college, and I took a class in the evenings, so I could be done by Christmas break, and the only requirement I still needed to fulfill was my physical fitness, so I ended up moving to New York City, and then I would take my physical fitness classes at Steps Dance Studio, and then I was still able to graduate with my class in June, but I was living in New York City from January on of what would have been senior year. Yeah, so it was like the early me, and the one thing that was sort of interesting when I was on the work study, my mom was a mathematician, and my dad was a an ER doctor, so they actually tutored me. My mom tutored me in math, and my father tutored me in chemistry. And then, like my history teacher back back in the day, we had Walkmans, and he would record his three lessons on a Walkman, and I would listen to them on the bus back and forth from New York. Michael Hingson  04:43 Yep, Lockmans were the big thing back in time. Sony created a very clever thing, but as with everything, the technology has advanced beyond that. Now Speaker 1  04:58 that's right. Yeah, now my kids. Wouldn't even recognize a Walkman, Michael Hingson  05:02 they wouldn't recognize a cassette either. Speaker 1  05:05 That's right, yeah, it would be like an ancient artifact. Michael Hingson  05:08 What's really strange is there are a lot of people who don't even really know anymore what CDs are. Speaker 1  05:14 That's true, yeah. Michael Hingson  05:16 Much less, well, and DVD is sort of going the same way, it hasn't quite got there, but we, we are new now, moving more into streaming and things like that, but, gee, what a crazy world. Well, so you went through high school, basically commuting to New York. What did your parents think of that? Speaker 1  05:35 Well, I was one of four children, I was the oldest child, and what's remarkable is in the beginning, my mother would go with me, but it was hard to do that, and have you know three other children at home, so by the time I was 15 I was doing it on my own, and when I.. it's just like such a different culture that children are raised in now, there's sort of this idea that we, we can't let them kind of do their own thing, you know, like there's, we're so follow every move and thing they do, but that was like a lot of independence my parents granted me at such a young age, and so they thought, I mean, it was great, and they gave me the support I needed, but at the same time they allowed me to be really independent at a pretty young age. I know when I tell people, "Oh, yeah, I moved to New York City when I was 17 by myself, they're like, "And your parents let you do that? And New York, and this was in the late 80s, early 90s, and New York was like a whole different place, like when I get off the bus at Port Authority back then, like now that whole strip Times Square is kind of sanitized and disified, but back then it was, it was a little rough, Michael Hingson  06:56 it was a lot of X-rated things, and all that, I did some commuting more in the early 90s. I sold products, and I would travel back to New York, because that's where I sold to. I traveled from California, and I remember it was there was a lot of stuff on 42nd Street that was very X-rated, and so on, a lot different than the musical 42nd Street, but that's okay. Speaker 1  07:20 That's right, yeah, Michael Hingson  07:21 but it is a lot, a lot cleaner now than it was, and I remember times I would go out of my hotel and there would be people who would say you really shouldn't be walking around on your own, and why not, and they said, well, because it's pretty dangerous here, and you know, the the angels that that were out there insisted on escorting me everywhere I went, just because they were concerned about me, and I wasn't, although I understand the the situation, but I wasn't going to go in the middle of Central Park at night either, so you know, Speaker 1  07:58 right, and I was a lot the same for me. I remember, though, getting.. I would get off the bus at the Port Authority, for people who know you, New York City, it's on Eighth Avenue, and then I would feel like I wasn't like fully safe until I could get to Lord and Taylor, which was on Sixth Avenue. Yeah, and then it felt like everything got a little bit safer and calmer, the energy changed. Michael Hingson  08:23 Yeah, Speaker 1  08:23 that Michael Hingson  08:24 was a lot different. You could always go to St. Patrick's Cathedral for refuge too. So, but yeah, the Port Authority was an interesting place to go, and I understand. Well, how did.. how did all that affect you, and how did, how does what you did back then kind of affect you in the way you think today, especially with children and so on? Would you give them that same level of independence today? Speaker 1  08:52 That's a really interesting question. And my children are a little older than I was at that time now, but I do think about when they were 15, 1616, years old, and if I'm to answer the question really honestly, I don't know that I would have. I just feel like, and I don't know what's changed about society that makes it that way, that and part of it I think is maybe like the news cycle just is constantly highlighting everything that's wrong and fear based that that's what we see and it's in our faces so much more because we have all this access to it through social media that it it creates sort of this, this like undercurrent in parenting that, that we're, that we're oftentimes afraid, like, what could happen to our children. So, I don't know if I actually would have let them commute like that by themselves, you know? Like, yeah, I don't think I would have. Michael Hingson  09:56 Yeah, it's definitely different now than it was then, and. And I think you're right with especially the news cycle and also in reality there's there's so much gun violence and other stuff going on and I ask people when we talk about it I ask is it really that there's more now or it's just more visible in the news, and I'm not sure that it's just visibility. I think there is more stuff going on, and it's not being stopped nearly as effectively or as aggressively as it should be, and it does make it a scarier world. It's tougher, I think, by far to be a kid now than it was when you were a kid, much less I believe when I was growing up. We just didn't see the kinds of things that we see today, and I don't think it's all just exposure from the news. I think there's there's some truth to the fact that that there are other issues going on, Speaker 1  11:00 right, that it actually is a more dangerous world that we live in. Michael Hingson  11:03 Yeah, and I think that it is something that we do have to think about, and hopefully someday sanity will come back to it all. I agree, I'm of the opinion that eventually it will, but you know, so that's cool. But, but still, we have to do what we do, but I also think that we can't stifle our children, we have to give them the opportunity to grow. It may be that you might, when your children were the age you were, you might have decided, well, one of us just has to go with you all the time, and we're going to just to keep an eye on you, or you have other people that help, but I think being so aggressively smothering that you don't let children grow is a problem too. Speaker 1  11:53 Yeah, I agree. I think that's, I mean, there's that saying, and maybe I'll get it right, or maybe I'll get it wrong here, that we need to give our children roots and wings, Michael Hingson  12:02 yeah, Speaker 1  12:02 and that's the challenge, is to find the balance, Michael Hingson  12:06 yeah. Well, and so for you, you were given a lot of independence. How did that shape kind of your attitude, and how does it shape the way you look at life today? Speaker 1  12:20 Well, that's a really great question, and for all the independence that I had as a young person, and maybe, maybe I was given too much independence in some ways, because I, I ended up marrying very young, and and I often wonder, like, had my parents not given me as much independence, if I would have done that, but yeah, I still think I'm very independent now, and I've tried to instill that in my children as well, and I think they're, they're really great kids, and they've launched really well, which I know is a common problem with today's young adults, is the this sort of inability to to launch, and I, I feel really good. My both my kids have done that and done it well. Michael Hingson  13:15 Well, and all you can do is your best, Speaker 1  13:19 right? Michael Hingson  13:20 I think we don't do this nearly as much as we should, but it ultimately comes down to, you know, kids want all sorts of independence, and so on. Parents are, are.. I'm talking about parents who really think about what they do, they may not want children to have that much independence, but I think the key is that you really need to communicate with your kids and teach them what's going on and why, Speaker 1  13:48 right. I think that's it's to be open and transparent with, with our children is very, and to have like the hard conversations and give them a safe space in which they can speak to Michael Hingson  14:02 the other side of that is that we should hold them to the same standard and say when you have issues and so on, we're here, we're not going to judge you, you need to have the hard conversations with us too. And I don't think we do nearly as much of that. I know when I was growing up, we had a lot of conversations. Of course, I was blind. I've been blind my whole life, and I encountered a lot of different things growing up, and my parents were glad to talk with me about blindness, and glad to talk with me about different things about independence, and it also was true that they allowed me to be independent. I mean, I rode my own bike around the neighborhood, and some other.. I'm not the only blind kid that did that in the world, but in my town I was brand.. and I think that, you know, I'm. Sure, that I was watched, but parents didn't interfere. I mean, I even fell off the bike a couple times until I really learned how to ride it, but they allowed me to have the opportunity to grow, and I think that there is a way to do that without, without, well, without stifling your kids, and that you can, you can let kids grow, and we should really emphasize curiosity a lot more than we do. Speaker 1  15:29 I agree, I think that's really important, is to give kids the space to grow and encourage curiosity. Michael Hingson  15:36 Yeah, we don't probably do that nearly as much as we ought to, well, so you mentioned you got married at 19. Well, I guess that's a little young, but, but you did that, huh? Speaker 1  15:48 I did. Yes, I did. I married young. Michael Hingson  15:54 How did that work out? Speaker 1  15:56 Well, it, it worked out for a little, well, it worked out for a while. I stayed married a really long time, but I eventually divorced 30 years later, and part of that had to do with I was, I did marry young, but my ex-husband also had some addictions that you know in time just became too hard to manage, so that ended the thing, and he Michael Hingson  16:29 wouldn't, and he wouldn't deal with them Speaker 1  16:31 well. At one point, I mean, we'll ask a lot of times in relationship with addicts, you kind of, there are times when they deal with them, and then times when they don't, Michael Hingson  16:39 right? Speaker 1  16:40 Yeah, so ultimately it dissolved. Michael Hingson  16:44 It's too bad when things happen. Speaker 1  16:47 That's right, yeah, but I'm grateful for the the union, because it produced my two great kids. Michael Hingson  16:56 And what, what else did being married for 30 years teach you? Speaker 1  17:01 Well, wow, that's a great question. I think probably it taught me most of all it's a lesson learned, sort of, that you really need to be true to yourself and listen to yourself, because I think deep down we know, and my I was always trying, like, to try harder, if I just try harder, you know, things will get better, but there's part of me deep down that knew I was sort of trying harder for everybody else but myself. And when I left New York, I had given up everything I'd worked on, and in, you know, in hindsight, when I look back, I, it was in a way I sort of abandon all my dreams and hopes, and ultimately I don't think that's a good thing when you give up yourself for someone else. Michael Hingson  17:50 So, after you got married, what did you do? Where did you go? Speaker 1  17:54 Well, my ex-husband was a professional soccer player, so we ended up going around the United States, he played for a couple different teams, and I went to college, and I finished my degree at the University of Texas, and then I, I did a couple things, I was a flight attendant, and I eventually fell into real estate, and worked in real estate for a long, long time, but along the way, I, there was a, there was a point where I kind of really missed that young creative person that I had started out my life as, and I'd always loved books and lacher, and my undergraduate degree was in literary studies, and I started writing stories, and then at midlife went back to graduate school for a master's of fine arts in creative writing, and and started writing. So I was, I was always doing a bunch of things. I was a real estate broker, I was managing a company, and then I was, I was writing, and began writing novels on the side. Michael Hingson  18:58 What was your bachelor's degree in Speaker 1  19:00 literary studies. Michael Hingson  19:02 Oh, okay, Speaker 1  19:03 yeah. Michael Hingson  19:04 So, you never did get degrees in what either of your parents did. Speaker 1  19:09 No, no, no, Michael Hingson  19:10 you weren't that into math. Speaker 1  19:12 No, not at all. No, I always liked words, words. Michael Hingson  19:16 Yeah, I understand. I do pretty well with math, but by the same token, I've been learning more about words, having now written three books, and appreciate it. I also like to collaborate, so when I write, I generally write with someone. I think that the team approach works, at least it does for me, and there are a lot of people who don't use a second person on their team, other than their publishers, editors, and so on, but for me the collaborative way works, which is fine. Speaker 1  19:49 I've had a little bit more experience later now in my creative career, because I've, and maybe we'll talk about this in a little bit, but I've started producing storytelling shows, so I. Work with the storytellers in helping them in their stories, so that's a much more collaborative exercise, and one one I really enjoy. Michael Hingson  20:09 Yeah, well, well, let's, let's, you know, we could talk about it now. What the heck, we don't have to do this in a linear way. Tell me about storytelling. What you think about storytelling. Why is it so important, and so on. Speaker 1  20:25 Well, for me, so the storytelling that I do, I'm working on this project called Love Notes, which real stories by real people about real love, and that came to me during the darkest, loneliest period of my life. It was, you know, after the disillusion of this 30 year marriage, and I was really despondent and, and disillusioned, and thinking, you know, like, does love even exist, and what does it look like, and I just, I just really didn't even believe in love anymore, and being in the storytelling community, I produced some storytelling shows, stories about motherhood. I put out a call to writers and actors and just regular people to share their true love stories, and so from that, people started sending me all these true stories, they had to be 1000 words or fewer, and so to answer your question, like, what does storytelling do in, in this case, I think story, storytelling, it's different than other mediums, like the personal essay or the novel, it's, it's a, it's a testament, it's a first person testament, and what's really great when you see the different storytelling communities around the country is anybody can do it, and so that's part of the beauty of storytelling. Michael Hingson  22:00 I think the key is, though, it has to be a genuine story. Making it up isn't the same thing, Speaker 1  22:06 right? And that's the difference, right? Because people will write a short story or story thing, but in storytelling, you're exactly right, Michael. It needs to be a true story, and that's what makes it so compelling, and I think so relatable, is that people can see themselves in other people's stories, so like in my case it was a way, it was like the evidence, the proof of love, like what it really looks like as it walks around in the world, Michael Hingson  22:36 so that's it, sounds like changed your view of love, and that you believe in love again. I Speaker 1  22:46 do, I do, and it's it, and even like during the first season of Love Notes, because we do an off-Broadway show here in Manhattan, and we have an anthology, a companion anthology. I remember that first year, like some I'd wake up in the morning and just like be not despondent but upset, like, oh, like this doesn't happen. And then literally there was like a little voice in my head that would say, oh well, don't you remember Stacey's story or Sarah's story? And it was like just like the the universe providing this evidence and this this proof and just hearing enough stories and story after story, yeah, it really did fortify my belief in love, and that love is for everyone, and it comes like from all these different angles, and when you least expect it, and it shows up in so many different forms. Michael Hingson  23:43 Yeah, well, and I think there's there's a lot of merit to that. I know when I was writing this last book that I wrote, which is entitled Live Like a Guide Dog: True Stories from a Blind Man and His Dogs, about being brave, overcoming adversity, and moving forward in faith, I spent a lot of time talking about each of the eight guide dogs that I've had and the lessons I learned from them, and also using those lessons in the book to show the importance of different aspects of what happens in our lives, but I have maintained for years I've learned a lot more about life and learned about leadership and teamwork. I've learned a lot more from these dogs than I ever learned from all the experts in the world, and that's primarily because we'll have some interesting observations. One, I allow my dogs to express themselves, but they also learn what the rules are. Because dogs really want to hear from humans, they want humans to set the rules, they want humans to be the pack leaders, by and large, and they want humans to be the ones to say this is what I expect, but when. That relationship forms, and it forms well. There's it's second to none, and you learn so much. Dogs love unconditionally, but they don't trust unconditionally, but they're open to trust, and we're not. And we really should learn to be more open to trust, and just so many different kinds of things. It has really given me a lot of pause to think over the past several years, while we were writing the book, and, and I, and I think about it now. There are a lot of neat stories in there that really ultimately are love stories in one way or another, and I think that makes a lot of sense. Speaker 1  25:36 Oh, that's so.. I'm actually a new dog owner, well, not too new, I.. I'm for the first time in my adult life have a dog, and I just.. it's such a wonderful, like, experience, and it's opened me up to, yeah, like so many different levels of love. Michael Hingson  25:53 Yeah, dogs want to establish a relationship, but as I said, I don't think that they are open to just trusting they do pretty much love unconditionally, unless something just totally traumatizes them. But trusting is a different story, and that's a trust that has to be earned both ways. It's not just us earning their trust, but they're earning our trust, and the people who really take that to heart and develop that relationship and think about it, find that they have a bond that's really second to none. It's as close to knit a team as you could ever find. Speaker 1  26:35 That's beautiful. Michael Hingson  26:37 So, it's a lot of fun. What kind of dog do you have? Speaker 1  26:40 I have, well, because remember I'm in a small New York City. I have a teacup poodle. Michael Hingson  26:46 Oh, so it isn't a Saint Bernard, okay? Speaker 1  26:49 And she's, she's an eye, she's a, she's a character. She, she acts like she's a cross between a teacup and a pit bull when she's in the, when she's out on the street. She does not like she's a scaredy cat on the street. She would prefer to be carried when we're on the street, so she's got sort of a split personality, but she, and she doesn't take too many people. So, just like you were saying, I can identify with that, like the whole trust element, and she's, she only trusts a few people. Michael Hingson  27:25 Yeah, well, trust isn't something that happens overnight. I've maintained for a long time. I think it takes a good year for me when I am meeting a new guide dog. I think it takes a good year for the trust to become so seamless that we really know what each other is thinking, and I think that we really do understand each other. There's a lot of empathy there, Speaker 1  27:52 that's really great. So, Michael Hingson  27:53 I think it's, it is kind of cool. Well, so, but going back to you getting married and all that, so you gave up for a while a lot of your dreams, that that must have, whether it was conscious or not, been a little bit frustrating. Speaker 1  28:08 Yeah, and I didn't realize it at the time. It was only later, like when my younger self sort of came calling, and I had given up a lot for this marriage that didn't really turn out the way I had hoped, and yeah, so writing was a way for me to find myself again, was not only a refuge during that time in my life when I wasn't really happy, but it also really opened up that whole creative part of myself, which felt really good, and it's, you know, it's been something now I've been working on for the last decade and a half, Michael Hingson  28:57 but it sounds like you didn't really, or at least consciously you didn't really know that you were unhappy. Speaker 1  29:03 No, I didn't, and that's a really interesting observation that that you make, because you know, I had my children, I loved my children, and I loved being a mom, and I had a really fulfilling career, but there was something missing, you know, and I wasn't really able to put my finger on that until I started writing, and then it became more and more obvious that, yeah, this is the part that was missing, this, you know, who you had thought you were going to be a creative, you, you had denied that, and you're right, so it wasn't really conscious, but, like, once I sort of, it started to become more noticeable to me, then it sort of came back with a vengeance. Michael Hingson  29:49 How much writing did you do before you got married? Speaker 1  29:53 Before.. well, I really didn't, because I was more in the.. I read a lot. Lot, and, but I was more into that, the acting, so I didn't really, I mean, I would write some really bad poetry, but not anything. I know some writers will say they were writing from the time they were six years old, but I, it didn't come to me till much later. Michael Hingson  30:16 So, what got you started back writing after your marriage ended, what was the trigger that made that happen? Speaker 1  30:25 Writing and the marriage, it was like the last 10 years of, of my marriage, I was writing, and it's, I sort of wrote my, my way out of the marriage in a way, but what was the trigger, and I do remember there wasn't an absolute trigger. I had a friend who had self-published a book. Michael Hingson  30:45 Okay, Speaker 1  30:46 I was like a friend of a friend. And one afternoon, it was a summer afternoon, we were over at her house because she had been hired to go to an elementary school and do a presentation, and so we were brainstorming and about what she could do at this presentation, and I went home from that, and I was like, I felt like so energized again. I was like, wow, well, I could do this, I could write a children's book, and so I sat down, and I wrote this book called Beatrice Bumblebee is busy. I didn't know anything about publishing, and I thought to myself, okay, well, now I'll just write it, and I'll send it to publishers, and I'll get it published. Well, it was promptly rejected by every single publisher, and I knew nothing about the publishing that point, but it was enough of a spark. And then I did start just sort of playing around, and I had this scene in my head of a girl, like a young girl who's been in a car accident, and she's on the side of the road losing consciousness, and she has this terrible secret that she wants to tell her boyfriend, and this, the scene, it was like a dark, wet Pennsylvania night, and it was an autumn, and like, I could see the mist, and so I had written this scene, and I remember giving it to my father, who was a huge reader, and he's like, well, Heather, this is really good. Why don't you keep trying to work on it? And, and so I did, and I love school, so I was like, well, I don't know how to write, like, how can I learn how to write? And then I sort of discovered, oh, well, there's these MFA programs, and so I ended up applying, and and going back to school, and then it was in my MFA program, where I wrote the first draft of my first novel, but yeah, so the actual trigger was a friend who had published a self-published a book, and it really kind of triggered something in me. Michael Hingson  32:38 Whatever happened to Beatrice Bumblebee is busy, Speaker 1  32:41 she is in a drawer, but I do keep.. I have here on my bulletin board. I'll pull it down if we're on camera. I have this little bumblebee, it's like a rhinestone bumblebee that I keep stuck on my bulletin board as just a reminder that the address in my life. Michael Hingson  33:07 Well, are you ever going to publish it? Speaker 1  33:10 Oh, I don't think it's very good, Michael. Michael Hingson  33:12 Okay, well, maybe you should go back and rewrite it, but Speaker 1  33:16 then, and maybe if I have grandchildren someday, maybe I'll, I'll be, yeah, that's kind of interesting that you say that. Maybe I will go back and just look at it. It would be fun to look at it all these years later. Michael Hingson  33:32 Yeah, well, so you got rejected a whole bunch, which is a pretty common story. What did you learn from that? Speaker 1  33:42 Well, and I do, I do talks at different places, and one of the talks I say is I started with the, you know, Calvin Coolidge said most of humanity's problems can be solved with two simple words, press on, and and that's what I learned through the process. My first book was on submission for like 520 weeks before it finally found a publisher, and it was every degree of rejection that you can get when you're publishing, you know, I'm, and for people who understand the publishing hierarchy, you know, the coveted placement is to land a book deal with one of the big five traditional publishers, and then from there it works its way way down, and we had gotten close on some of the big fives and other places where we'd made it to acquisitions, and we finally ended up with a small indie publisher, but it took so long, and it was so soul crushing in a way, and not so much the first book, and the first book I was still like super, super hopeful, and then once it was published, it did go on, and it won the new. National Indy Excellence Award, and I kind of was always thinking of it as a, you know, a stepping stone, a stepping stone, and that the second book would, would land the big publishing deal, and the second book took just as long, and it ended up right back with the same publisher, so the rejection taught me, yeah, that you just need to keep going. I mean, sometimes people hit really easily, or you know, the way the wind's blowing that day, whatever's on trend or top of mind, and, and sometimes it doesn't, but you have to do it because you, you love it, and you're called to do it. Michael Hingson  35:46 When you were getting rejected, did you get any substantive feedback that helped, or do do publishers do much of that? Speaker 1  35:54 Well, actually, I did, especially on my second book, and on the first book, too, it depends how interested they are in the book, and I did have a couple that were pretty interested and gave what's called like an editorial letter, and oftentimes they won't even do that unless you're under contract, but I did have a couple that had liked it enough, so on my second book, especially my agent and I then took that information and did some like hard edits and rewrites, but that's not always the case. I mean, and I have a lot of friends who are also in the business, sometimes you don't get any, any feedback. Michael Hingson  36:39 So now all together, how many books have you written? Speaker 1  36:42 Well, I've written two, and then I've edited and curated the anthology, the Love Notes anthology, Michael Hingson  36:48 right? Speaker 1  36:49 Which, and I've written a small bit of that. Um, yeah, so I'd like to say three books. Michael Hingson  36:54 Are there more books in you? Okay, Speaker 1  36:58 for sure. We have, you know, we'll. well, first, the second, the second Love Notes edition, I'm definitely editing and curating the stories for that, and that's through a small publisher. And then I have been really sort of toying around with, like, what's my next book, and my first two books were young adult romance, mystery, and thriller, and I kind of think I'm done with that genre, so I have talked about an adult, adult fiction, or even a that would go kind of hand in hand with Love Notes, the my story type of book, you know, rebuilding after divorce and being on, you know, what the space that love notes came out of, and going on, you know, hundreds of dates, and what that, that looked like, but that's in a very sort of nebulous state. It Michael Hingson  37:54 will be fun to see what happens. You'll have to keep us all posted, Speaker 1  37:58 yeah, for sure. Michael Hingson  38:00 But you've, you've described your creative journey, your whole creative journey is basically transforming heartbreak into healing. Tell me more about that. Speaker 1  38:14 Yeah, like I touched on earlier, Love Notes came out as sort of this really dark, lonely time in my life. My 30 year marriage had ended. My children had both left for college, and I'd relocated to New York City. So I was living alone for the first time in my adult lifetime. I was 19 years old, and New York can be a really.. for as many people who live here, it can be a really lonely place. I was really, really starting over, and I started dating at midlife, is, you know, it's not for the faint of heart, and I was going on a lot of dates, and just really discouraged by the whole process, and, like, I had sort of mentioned earlier, that's where I kind of was like almost indignant, like you know, I want proof, like show me proof that that love is real, and and that's where this this call to like look for people's love stories came from, so I do say it, it truly came out of a place of of loneliness and darkness, and then hope, though, too. You know, I was hoping I wanted to, I wanted, I wanted the stories to give me proof. I wanted them to be the evidence, and then, and then that sort of became a calling that, well, then I want to share that with other people and give other people hope, and that's been the most gratifying part for me is when somebody like they come to the show and the shows are really great, these storytelling shows, and now I've started to franchise them, so we have them popping up in some other cities, and I've gone around to some of the other cities, in fact, if you have any listeners who. When I produce a love note show, but the audience members, they're like, "Oh, wow, this, this was.. they don't expect it, first of all, coming into it, and everybody walks out feeling good, and that is like so gratifying to me, that, like, you know, in this, in these like divisive times, that they can come to a show, they can recognize part of the human experience, and they can walk out feeling uplifted and Speaker 2  40:25 hopeful, and that some readers, Speaker 1  40:27 you know, in the book do that too, like having read the book, and someone will reach out and say, "Oh, well, that just really gave me hope. So, hope that answers the question a little bit. Michael Hingson  40:40 Does it? Does it? Does get so the two books that you've written are what the Valley Knows and The Lying Season. Tell me more about those. What the interesting titles, to say the least. Speaker 1  40:52 Yeah, okay, so the both books are they're not ones, they're not a sequel and a prequel, but I would call them a series, because they're both in this fictional town of Millington Valley, which is much like the small town I grew up in, the Oley Valley, and it's all set around this high school, so the peripheral characters in the book stay the same, like the English teacher and the principal, but the kids, you know, because kids are only in high school for four years at a time, so different kids kind of like move through both of the books, they're both mysteries or are thrillers, and they both have like a big kind of like moral question at their center, both sent it set in this Millington Valley, which is a small Pennsylvania town, Michael Hingson  41:45 right? And they're, they're for juveniles, primarily. You said, I think, right. Speaker 1  41:52 Well, they are. They'd be considered young adults. What the valley knows, that's told from three point of views: two kids, and then one of the kids' mothers, so it has a lot of crossover appeal. So you and that book originally started at six point of views, and that was when I was in graduate school, and I remember my professor saying to me, Well, Heather, that's that's just too ambitious to try to do for your first book, you need to cut it down, and, and just whoever's story has to be there, that's the point of view you, you include, and so it kind of fell into the young adult category by accident, but I have a lot of adult readers who, who it really resonates as well, Michael Hingson  42:43 yeah. You know, I know a lot of people say, especially the early ones, the Harry Potter books are for more young adults, and so on, but I certainly had no problem enjoying them as a full-fledged, real-life middle-aged adult. So I think there's a lot that we can learn by stretching and not necessarily just falling into the trap of reading one kind or, or one sort of book that's, oh, this is for more adults or this is more for for children. Think there's a lot to be learned all the way around. Speaker 1  43:17 I think you're, you're right, Michael, and that's it's kind of like a modern thing that we do, like classifying books as adult fiction, like when we think about Catcher in the Rye, like what would that be considered now? Because the protagonist is a young adult, would it be considered a young adult book? But yeah, that's a really great point that you're making. Michael Hingson  43:40 Well, so you, you wrote these books, and you said that, so they've been published, and I assume they're out there. Do you know if they're audio books also? Speaker 1  43:52 Well, yes, and but here's the thing, I, because I didn't get to pick the publisher, I mean, the, you know, I didn't get to pick the narrator, so the what they both, okay, so what the bally knows is narrated. Yes, I don't like the narrator's voice. I know that's a terrible thing to say, because I would love for people to go and listen to the audio book, but I don't know, and maybe it's just me. And then the second book the publisher actually used like an AI kind of, I don't know exactly how it works, and I didn't really even know it happened till I went on Amazon one day, I was like, oh, they made an audio book of this, and it was in like an AI voice, so, so the answer is yes. Both of them are on audiobook. Love Notes is not the other bar. Michael Hingson  44:49 It's interesting, I'm on several lists that deal with audio books, and so on, and I hear people talking or. Emailing on the list all the time, and what people have often said is nonfiction books that are not what they're necessarily as much into as fiction books, they don't mind it being an AI voice, but when they're reading good fiction, where they really want to be absorbed, AI and synthetic voices text to speech just doesn't do it, and in fact I buy into that. I agree with that. I don't think that we have yet gotten computer synthesized voices to really take the place of human readers, and I don't know that we ever totally will, because we're so used to what people sound like, but it is an interesting thing that does come up. Speaker 1  45:47 Yeah, I agree with you. Michael Hingson  45:50 So, I prefer human readers in general. I've never been as great a fan of having a synthetic voice. Nothing against computers, but they just don't talk as well as humans do. Speaker 1  46:03 No, I agree with you too. I much prefer the human voice. Michael Hingson  46:09 Well, so you, when did you start writing love notes? When did that really start coming to fruition? Speaker 1  46:17 Well, love notes. We're coming into our third off-Broadway season this Valentine's Day, so it started that would, so it was started in 22 Michael Hingson  46:27 Oh, yeah. Okay, Speaker 1  46:29 so it's a relatively young project. We're going into our third year, but I'm super excited. We just cast the show for this upcoming performance, and that's really exciting. We have, you know, a bunch of local New Yorkers, but then we also have about the cast is 12 members, and six of them are from other parts of the country, so it's, it's got a, you know, flavor from from from all over. Michael Hingson  46:57 Now, is Love Notes available in any way online, or is it strictly just the shows, and they're not recorded and disseminated in any way. The Speaker 1  47:06 the all-star show, which is Valentine's Day at Symphony Space in New York City, the APM show is live streamed. Yeah, so it can be enjoyed from anywhere in the world. Michael Hingson  47:19 Okay, but outside of that one being live streamed, are there recordings of any of the shows that are out there for people to hear? Speaker 1  47:28 There are on my website, actually. Both the 2023 show and the 2024 show are available for resale. I think it's like $15 and you can, you can watch it's like it's a great, like date night kind of thing to watch the Love Notes show. Michael Hingson  47:48 Okay. Well, so from all that you have heard and seen and interacted with in doing Love Notes, how do you define real love today? Speaker 1  48:01 Oh that's it. Oh, Michael Hingson  48:03 that for a question out of left field. Yeah, Speaker 1  48:06 that's a great question. How do I define real love? So, I think real love shows up in a lot of different ways, and it.. and what's interesting in love notes, is I've seen all sorts of examples of it. I've seen the type of real love that ignites people when they're young, you know. Speaker 3  48:31 We'll love Speaker 1  48:31 that's the other thing people will say, "Oh, well, you were too young, that's why it didn't work out. But I don't think that's necessarily true. I think I think a little bit sometimes is luck of the draw, but the I've seen examples of people who met when they were 20 years old, and they've stayed together their entire lives, and that shows up in commitment and the ability to grow up together and to grow and evolve together, so I think real love shows up like that, but I've also seen real love, like the second time around type of love, and that sort of love, where people really need to be able to integrate their past and understand they're both two people carrying bags, and now they're going to carry those bags together, and so that shows up in a different way. Real love, and I've even seen it love showing up for people like in their 80s, third time around, or having never had partnered, and finding a partner very late in life, and that shows up in a whole different way, that's absolutely real too, but I think at the core of all types of real love is one, the ability to both people have to want the relationship, and they have. To be willing to work for the relationship, it's not just like what I want or you want, but it's oftentimes if they can ask the question, like what's the problem, and how is are we a team against the problem, or to be able to solve the problem, and I think that's sort of like the realist type of love that's out there, Michael Hingson  50:26 and I would, would also say it goes back to something we talked about earlier with, with dogs, dogs are are very much open to and do love unconditionally, and when we develop that kind of a relationship, it's as strong as any other kind of relationship that we can develop. When both sides of that relationship sense it and know it, it creates a bond that's, as I said earlier, second to none. Speaker 1  50:58 Yeah, that's a really great way of putting Michael Hingson  51:02 it. I would, I would not want to do anything to betray my guide dog or any of the guide dogs that I've had, but I've learned how to create those teams, and I think that's very important. One thing that that sticks in my mind dealing with dogs is when I lived in Northern California, we were very close to the Marin Humane Society, which is one of the more famous organizations of that type in the world. We were talking to one of the people at the Marin Humane Society one day, and they were talking about the fact that they're growing in class sizes and growing in the number of classes that they have to offer, but what they also point out is that 90% of the training isn't training the dog, it's training the human, which is really true. There's so much that humans don't really work to develop the relationship that they should, and that if they really truly understood it, it would, it would be a whole lot different relationship that they would experience, Speaker 1  52:05 yeah, that's a really nice way of looking at it. Michael Hingson  52:10 Well, so you have love notes that are growing by loops and bounds in a lot of ways, and you have, how many different places are doing the shows now? Speaker 1  52:24 Well, so far we have Indianapolis, Chicago, Redding, Pennsylvania, and then we have another Pennsylvania city, Lancaster, Pennsylvania, and we're in talks right now with Atlanta, Georgia, and Tampa, Florida. Michael Hingson  52:42 Wow, so it's growing, Speaker 1  52:45 it's growing, it's starting to spread. We're starting to spread some love. Michael Hingson  52:51 I get it. What do you think about that? Speaker 1  52:54 I think it's great. Like, I hope I'd love to see one in every city. Such a nice event that really brings the community together. Michael Hingson  53:04 So, how often do the shows run? Is it just like on Valentine's Day, or do they go throughout the whole year? Speaker 1  53:10 It can be any time of year, and it's usually just a one-day event. Sometimes there's multiple shows on one day, but yeah, it's just a one day. Oftentimes the local producer will partner with a local charity, so we try to give back in that way too, and they can choose the charity they want, or, or sometimes they're trying to fund like a scholarship fund, or or something like that. I do encourage that, and and we have like a mastermind group among the producers just trying to support each other as creative entrepreneurs. Michael Hingson  53:46 Well, you're you're seeing a lot of success with it. What kind of surprises have you experienced? This must be kind of a thrill, and a lot of, a lot of surprises for you. Speaker 1  53:58 Well, one of the surprises. well, I'm not surprised by it anymore, but I, I can, I'm certain, always surprised when I have a cast member who, at the very last minute, you know, they've gone through all the rehearsals, all the prep work, all the editing, and then at the very last second they pull out of the show, I've had that happen each show, so now I know how to plan for it, and know how to prepare, you know, producers for it. But yeah, that, that's always surprising to me. Michael Hingson  54:34 It's an adventure, isn't it? Speaker 1  54:35 Sure is. Yeah, gotta sing quickly on your feet. Michael Hingson  54:39 Yeah, you definitely have to do that. Tell us a little bit about Socroc, the company you and your brother formed, and what that's all about. Speaker 1  54:47 Sure, well, my brother was a professional soccer player, and he, when he retired, he moved to Manhattan, thinking he was going to be an actor, and as most actors. Oh, they need a second job to support themselves. Yeah, so became a personal trainer, and he was personal training, and some of his clients got word that he'd been a professional soccer player, and they begged him, they're like, can you teach our kids soccer? So it kind of happened by accident, and just a few balls and cones in Central Park, teaching soccer to little kids, and over the years it's grown and grown and grown and grown. We're in our like 20th year, and so during it was like maybe five years ago, he, it just got out of hand, like it was getting too big, and he needed help, and that was when I had gone through the divorce, and I like explained I'd been in business before, and I wanted a change, so he offered me, you know, a position to come and help him and run, so I run the business side of the soccer, and he runs the soccer side, and we're all throughout Manhattan, we, we do public classes in the parks and playgrounds, and then, like, now in the winter time, we rent space all around the city, and then we also partner with private schools and public schools throughout the city, and we do birthday parties and personal training, and we're starting a kids of all abilities program, and that's that's like our new initiative right now, and and then the spring we're expanding into actually into basketball too, BB Rock, we're calling Michael Hingson  56:29 it. Oh, that's cool. Well, you're doing a lot of different things, you speak, you're an author, you're an educator. We haven't talked about, I guess it's you work with Speaker 1  56:39 SUNY. I teach at the City University of New York, which is part of SUNY, and that work I really love. Yeah, Michael Hingson  56:47 tell, tell me about that. Then, Speaker 1  56:49 so they have an initiative, it's through the Manhattan Educational Opportunity Center, and SUNY provides grants for adult students returning who need to get their high school epilepticy, their GED. So I teach writing the writing section of the GED, and this I - these are the students I like the most, and I've taught at all levels, from freshman comp all the way up to graduate level MFA, and it's the GED adult student that I enjoy the most. So, I'll, when I, when I'm done with you, I actually will zoom up to Harlem, and I'll be teaching GED time tonight. Michael Hingson  57:35 Okay. Well, you're doing all of these different things. How do you keep yourself grounded, and how do you keep the creative juices going? Speaker 1  57:44 Well, that can sometimes be a challenge. Michael Hingson  57:46 I bet, Speaker 1  57:47 but I do. I exercise. That's one thing I really, I love to exercise, and I'm getting better at just taking time for myself, but I also feel like what I do isn't work, like I enjoy what I do, so I always try to bring a sense of gratitude to each day in that way. Michael Hingson  58:13 Yeah, well, and taking time for yourself is is important to do, and and now you have a teacup poodle to share it with, and I'll bet you guys have some interesting conversations. Speaker 1  58:26 Yeah, we sure do. She's a cutie, she's just lying on the little chair right over here. Michael Hingson  58:33 Yeah, my, my dog is over here on his bed, so he, he, he monitors me. Speaker 1  58:41 Yeah, she's been really good, because sometimes when I'm on the Zoom like this, she, she'll start to bark. She doesn't like paying attention to somebody else. Michael Hingson  58:48 Well, one of these days we'll have to end up in Manhattan and come and meet her. Speaker 1  58:54 That sounds Michael Hingson  58:55 be kind of fun. Speaker 1  58:57 That sure would. Michael Hingson  58:58 Well, so tell me, what's next for you? What do you envision going forward from here? Speaker 1  59:04 Well, my hope is actually, I would love, because there have so much fodder now, all these different stories, love stories. My hope is to launch a podcast, a Love Notes podcast that would feature the storyteller and their story, and then I would do an interview of the story behind the story, because people always have questions. They'll hear a story, or they'll read the story, and it's really short. It's like 700 or 1000 words, and they'll always want to know, like, well, what happened to them, or how did that end up. So I envisioned this podcast of love notes, real stories by real people about real love, and that would be like the the meat of it, and then they're at the end of each one, there'd be like a love letter, and people could write love letters that would be shared on the podcast, and tell Michael Hingson  59:55 me, Speaker 1  59:56 you know, like, dear Michael, this is why I love you, and then it would be a. Letter, so that's that's I'd like to see more satellite cities. I'd like to get the next edition of the book out, and then launch the podcast by Trifecta. Michael Hingson  1:00:13 Lots going on, needless to say. Well, if people want to reach out to you, talk about creating their own love notes, or as you said, you'd love to find people who want to help produce in various cities. How do they do that? Speaker 1  1:00:27 Well, probably the easiest thing to do is first, if they just want to learn more about the project in general, would just be to check out the website, and that's at www dot Love Notes worldwide.com and from there, then you can, you can get a hold of me, but I'll give my email address also, it's Heather at Heather Christy, C H R I s t i e books.com so either just hit the website or send me an email directly, and I, yeah, I'd love to talk to anybody who's got a story they want to share, or anyone who's thinking like maybe they'd love to bring a love notes to their community. Michael Hingson  1:01:19 Cool. Well, I hope people will reach out and that you'll get lots of interest from our podcast. It's a, it's a fun thing, and I hope that people will respond. So, all of you out there, email Heather. Speaker 1  1:01:34 That sounds great. And my last little plug: if anybody would love to watch the Love Notes show on January, february 14 for Valentine's Day. You can find that information on the website too. Michael Hingson  1:01:48 What I'm trying to remember, what day of the week february 14 is going to be in 2026 Speaker 1  1:01:53 It's a Michael Hingson  1:01:54 Saturday, great day to Speaker 1  1:01:57 do it. So you can watch it, and actually the live stream will stay live for a week, so if you're not able to watch it that night, you can watch it during the week. Michael Hingson  1:02:05 Oh, cool. Well, I hope people will do that, and I want to thank you for being here. But I want to thank all of you out there for being a part of this today. Heather has had a lot of interesting things to say, and I hope that you'll help her and help yourself by helping her to be more successful. I'd love to hear from you. We'd love to hear your thoughts. Please feel free to email me at Michael H i@accessibe.com that's M I C H A E L H I at Accessi B A C C E S S I B e.com We'd love it and would greatly appreciate it if wherever you are listening or watching the podcast, if you'll give us a five star review, but also, or a rating, but also give us a review. We love reviews, we appreciate reviews, and we really value all the people who have done it so far, and we ask that you do it again, or you do it for the first time. So, please let us know what you think by writing reviews. If you know anyone who ought to be a guest, we'd love it if you'd let us know. Heather, you as well. Anyone that you think ought to be a guest on Unstoppable Mindset, we would really love to be introduced. My belief is everyone has stories to tell, so don't be shy. We'd love to hear from you. But Heather, once again, I want to thank you for being here. This has been absolutely wonderful. Speaker 1  1:03:26 Thank you so much, Michael. It's been so much fun to talk to you this afternoon. Michael Hingson  1:03:32 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe? Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others each week. I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together, we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started, 1:04:24 I.

93% des consommateurs lisent les avis en ligne avant de faire un achat, et ça va même plus loin : 84% des consommateurs font plus confiance aux avis en ligne qu'aux recommandations personnelles (Brightlocal).Il est plus que temps de travailler vos témoignages clients : mode d'emploi.---------------

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This week on the Roach Koach Podcast it's all about Who's Tweeting, as Lorin and Matt (and a surprise guest) go over the latest in Nu-News, New Nu tracks, and so much more! Topics this episode include:-The bathroom situation at Roach Koach X-Who's Emailing and The First Hundred and Eight-Matt is seeing He-Man-Papa Summer?-The Roadhog Rib Sandwich-Slop summer!-New Sevendust-The return of Unloco-And Stupid F'N Matt's Nu Core for Old Heads 2Take a listen!Roach Koach X is almost here! June 20th at Go Comedy Improv Theater in Ferndale Michigan. Tickets now on sale! Rate, review, and follow Roach Koach on Apple Podcasts and Spotify! We'd appreciate it! Questions about the show? Have album recommendations? Just want to say hi? We'd love to hear from you! Contact the show @RoachKoach on Twitter, Roach Koach on Facebook , Roach Koach on Instagram, or send an email to RoachKoachPodcast at Gmail. Follow the show on Youtube and TikTok! Find every episode of Roach Koach and order your Roach Koach T-shirt at Roach Koach dot com.

Si on en veut plus c'est qu'on n'arrive PAS à en avoir plus. Alors pour qu'est-ce qui nous freine? Qu'est-ce qui nous empêche d'aller chercher l'étape d'après? Qu'est-ce qu'il faudrait changer pour avoir de la croissance?C'est ce que je vous propose de décortiquer dans l'épisode d'aujourd'hui avec mon invité Matis Cauver.>> Téléchargez le

This week we look into Loyd Hall Plantation in Louisiana! There are interesting historical stories about this place and if true they explain some of what is experienced there nowadays!Check out Cowboy Revolution Apparel https://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.netOur ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://touringlouisianaplantations.wordpress.com/2016/06/13/loyd-hall-plantation-cheneyville-la/https://www.weirdsouth.com/post/who-s-haunting-the-halls-of-louisiana-s-loyd-hallhttps://www.bon-voyage.co.uk/activities/loyd_hall_plantation_homehttps://www.carolana.com/NC/Civil_War/civil_war_battles_skirmishes_louisiana.htmhttps://civilwartalk.com/threads/the-carnival-of-death.24095/https://wbrparish.org/953/The-Antebellum-Periodhttps://64parishes.org/entry/plantation-slavery-in-antebellum-louisianahttps://www.youtube.com/watch?v=13uyF_FX2Hohttp://bayouboeuflouisiana.blogspot.com/2013/12/stop-7.htmlhttps://www.doa.la.gov/media/tuudzphu/louisiana_state_historical_land_records_and_their_relevance_to_genealogists.pdfhttps://npgallery.nps.gov/GetAsset/c5d4b451-2ff8-474a-b1f6-bf48eb399c7ahttps://en.wikipedia.org/wiki/Loyd_Hall_Plantationhttps://rapidesgenealogy.org/history/loydhall.htmhttps://www.chron.com/life/travel/weekend-getaways/article/Ghost-stories-of-the-past-at-Louisiana-plantation-5938488.phphttps://www.louisianalife.com/whats-the-truth-behind-haunted-louisiana/https://www.kalb.com/2024/05/29/haunted-history-loyd-hall-plantation/https://www.bon-voyage.co.uk/activities/loyd_hall_plantation_homehttps://www.onlyinyourstate.com/louisiana/most-haunted-places-la/https://www.hauntedrooms.com/louisiana/haunted-places/haunted-hotels/loyd-hall-plantationhttps://www.legendsofamerica.com/la-hauntedplantations/https://www.louisianatravel.com/bed-breakfasts/loyd-hall-plantation

Joyce talks about: A former federal prosecutor charged after emailing confidential DOJ records from Jack Smith's investigation into President Trump to herself.What's going on with the Save America Voting Rights Act.The Media's lies and sowing division. Class warfare What is a fair share?Cost of living leading to switches of political party. Ilhan Omar's comments on President Trump not attending his son's wedding. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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In this episode of the Booked and Paid Speaker Blueprint, Sean Douglas breaks down exactly how speakers should approach targeted outreach, contact event planners, and increase visibility in order to book speaking engagements consistently. Sean explains why visibility is the foundation of every successful speaker business, how to craft outreach emails that actually get responses, why speaker reels outperform one sheets, and how to position yourself so event planners immediately understand your value. This episode is a practical, tactical walkthrough for speakers who want to stop guessing and start building a repeatable outreach system. In This Episode, Sean Covers: Why visibility drives every speaking business How to find the right event planners What to include in outreach emails Why long speaker one sheets no longer work How to position yourself as the right speaker The difference between speaker reels and highlight reels Why your website should house your speaker reel How to niche correctly as a speaker Using social media to build authority Creating daily short-form content How to book local and regional speaking engagements Finding associations and conferences that hire speakers Tools and platforms for finding speaking opportunities Key Takeaways Visibility Creates Opportunities If event planners are not seeing you, they cannot hire you. Your marketing, social media, podcast appearances, videos, website, and outreach all work together to create visibility. Targeted Outreach Wins Do not send generic mass emails. Research: The organization The event theme The audience The problem they need solved Then position yourself specifically for that opportunity. Keep Outreach Simple Event planners do not want: Long bios Massive attachments Overwhelming emails They want clarity: What do you speak on? What problem do you solve? Why are you the right fit? Your Topic Is Your Niche Do not niche only by audience. Niche by: Problem solved Topic expertise Transformation delivered One topic can apply to many industries. Speaker Reels Matter Your speaker reel should: Showcase delivery style Demonstrate stage presence Build trust quickly Live on your website, not just YouTube The No BS No Fluff Guide to Getting Booked to Speak A practical guide with: Speaker outreach email scripts Booking strategies Positioning frameworks Visibility tactics Targeted Outreach Booked and Paid Speaker Blueprint Sean Douglas' six-month speaker business mentorship program focused on: Building speaker systems Increasing visibility Positioning speakers professionally Creating scalable outreach Booking consistent paid engagements Connect with Sean Douglas Website: The Success Corps Subscribe & Review If this episode helped you: Subscribe on your favorite podcast platform Subscribe on YouTube Leave a rating and review Share this episode with another speaker Your support helps more speakers learn how to get booked and paid consistently.

Tous les mots ne se valent pas. Certains mots vous permettent de vendre. Ce sont les mots magiques.Dans cet épisode mon invité Selim Niederhoffer nous en révèle trois et nous explique comment les utiliser pour maximiser nos résultats.Vous pouvez retrouver Sélim sur LinkedIn et acheter son livre Les Mots Magiques, c'est une pépite pour tous les créateurs de contenu.---------------Pour travailler avec moi vous pouvez :> Suivre une de mes formationsStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

This week let's take a look at Santa Fe, New Mexico! Santa Fe has always been a crossroads throughout history, and has a very interesting history… and that ties in directly to the hauntings! Check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://sanmiguelchapel.org/https://www.historicsantafe.org/san-miguel-chapelhttps://www.discoversantafe.us/blog/fact-or-fiction-americas-oldest-church/https://www.sanmiguelchapelsantafe.org/general-clean-1https://ictnews.org/news/explainer-the-pueblo-revolt-of-1680/https://indianpueblo.org/pueblo-revolt/https://blogs.loc.gov/law/2013/10/1680-the-pueblo-revolt/https://santafe.com/san-miguel-chapel/https://www.sanmiguelchapelsantafe.org/general-clean-1https://savingplaces.org/stories/turning-to-solar-at-santa-fe-san-miguel-chapelhttps://usghostadventures.com/santa-fes-most-haunted/haunted-santa-fe/https://www.legendsofamerica.com/nm-santafeghosts/https://www.santafe.org/blog/post/ghost-stories-to-scare-you-into-coming-to-santa-fe/https://en.wikipedia.org/wiki/San_Miguel_Missionhttps://www.santafe.org/visiting-santa-fe/attractions/san-miguel-chapel/https://www.koat.com/article/family-says-they-experienced-paranormal-activity-at-drury-hotel-in-santa-fe/https://www.legendsofamerica.com/nm-lorettochapel/

>> Soyez cité dans les réponses des LLM - Téléchargez gratuitement la checklist complète

This week on the New Music Business podcast, Ari sits down with Oskar Med K, a breakout Norwegian EDM producer. Oskar breaks down the "overnight" success that was actually years in the making—from the days of sending 500 cold emails to labels with no response to finding his home at 7CULT. In this episode, Ari and Oskar talk about the marketing strategies that helped him scale from 40k monthly listeners to 11 million, why "simple" content often outperforms high-production on TikTok, and the surreal feeling of playing Coachella as his first-ever music festival.https://www.instagram.com/_oskarmedk/03:54 – Intro: The Release of Oskar's Debut Album Feel05:24 – Albums vs. Singles: Building a Body of Work in the Streaming Era09:12 – The Remix Story: How Khalid Ended Up on a Remix12:52 – Behind the Tracks: Songwriting and Collaborating Remotely17:19 – The Early Grind: From iPad Beats to Music School in Norway19:00 – From 0 to 1: The "Hustle" of Emailing 500 Record Labels20:17 – Breaking Through: Finding the Right Label via LabelRadar25:12 – Marketing Strategy: Simple Content vs. High-Production TikToks33:42 – Moving to the Stage: Transitioning from Studio Producer to Live Act40:40 – The Coachella Milestone: Playing Your First-Ever Festival44:29 – The Future of Music: Addressing the AI Debate and "Making It"Edited and mixed by Ruben ZarateMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Are you pushing off your email marketing? Maybe you think you only need to email your list a few times a year, when you're offering mini-sessions. In today's episode, I'm sharing what photographers get wrong when it comes to email marketing. The Shoot It Straight Podcast is brought to you by Sabrina Gebhardt, photographer and educator. Join us each week as we discuss what it's like to be a female creative entrepreneur while balancing entrepreneurship and motherhood. If you're trying to find balance in this exciting place you're in, yet willing to talk about the hard stuff too, Shoot It Straight Podcast is here to share practical and tangible takeaways to help you shoot it straight. This episode is brought to you by Root To Rise, a high-touch mastermind for established female photographers ready to lead their business, not just run it. Over the six-month experience, you'll gain clarity on your vision and offers, build sustainable systems, and get to know the most supportive community of women. The program also includes lessons with incredible industry experts, weekly calls, and ongoing accountability. Sign up today to join the waitlist. Review the Show Notes:The numbers prove the value of email marketing (3:11)The shift in your strategy (4:56)Emailing only when you're selling (6:19)Selling to the same list over and over (9:17)“I don't have anything to say outside of my business” (10:16)Email does not have to be salesy or formal (13:32)Email is a relationship tool (15:32)Mentioned In This Episode: Root To Rise Mastermind: sabrinagebhardt.com/mastermind-waitlistEpisode 193: Why Your Mini Sessions Aren't Selling Out Anymore (It's Not Your Pricing Or Your Photos): sabrinagebhardt.com/podcast/193-why-your-mini-sessions-arent-selling-out-anymore-its-not-your-pricing-or-your-photosConnect with Sabrina:Website: sabrinagebhardt.comInstagram: instagram.com/xo.sabrinagebhardtTikTok: tiktok.com/@xo.sabrinagebhardt Hosted on Acast. See acast.com/privacy for more information.

Were you today-years-old learning something maybe every other adult probably knows? Thanks to Bethany for kicking that off, and then in Group Therapy, our listener has been emailing her ex and wants to know if that's considered cheating! Plus #dudeknowledge!

This week we look into the Moore's Creek Battlefield! The battle was short but decisive and it left a mark that people claim to experience to this day! Check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://grc-usmcu.libguides.com/battle-studies/moores-creekhttps://www.visitnc.com/moores-creek-national-battlefieldhttps://www.nps.gov/mocr/https://www.battlefields.org/learn/revolutionary-war/battles/moores-creek-bridgehttps://www.ncpedia.org/moores-creek-bridge-battlehttps://www.dncr.nc.gov/blog/2023/12/08/moores-creek-bridge-d-6https://www.battlefields.org/learn/articles/battle-moores-creek-bridgehttps://northcarolinahistory.org/encyclopedia/the-battle-of-moores-creek-bridge-1776/https://www.nps.gov/mocrhttps://www.nps.gov/articles/verifying-independence-archeology-moores-creek.htmhttps://en.wikipedia.org/wiki/Moores_Creek_National_Battlefieldhttps://www.battlefields.org/learn/articles/moores-creek-bridgehttps://northcarolinahistory.org/encyclopedia/the-battle-of-moores-creek-bridge-1776https://www.hauntedwilmington.comhttps://www.ncpedia.org/moores-creek-bridge-battlehttps://www.visitnc.com/listing/6XnH/moores-creek-national-battlefieldhttps://www.legendsofamerica.com/nc-haunted-places/

>> Soyez cité dans les réponses des LLM - Téléchargez gratuitement la checklist complète

Définir son offre, c'est une étape essentielle et c'est une étape qui fait peur. Parce que sans offre le marketing ne sert à rien.J'ai demandé à la Queen de l'offre irrésistible de nous livrer ses secrets, j'ai nommé Laurine Bemer. Si vous ne connaissez pas Laurine, attendez-vous à être scotché, du haut de ses 25 ans cette fille a tout compris au marketing. Elle l'applique, et ça marche.Si vous voulez enfin savoir comme construire votre offre, vous devez écouter cet épisode.Vous pouvez suivre Laurine sur les réseaux @lameuf_enrouge et lire son livre "Faites de vos réseaux sociaux une machine à cash"---------------Pour travailler avec moi vous pouvez :> Suivre une de mes formationsStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

This week let's take a look at Mt. Fuji in Japan! Besides having deep historical, cultural, and religious ties, it has some high strangeness that has occurred!  Check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.netOur ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.britannica.com/place/Mount-Fujihttps://www.fujisan-3776.jp/en/value/index.htmlhttps://travel.gaijinpot.com/mount-fuji/https://www.japan-guide.com/e/e2172.htmlhttp://www.fujisantrip.com/fujisan/the-spiritual-element/https://www.smithsonianmag.com/travel/mount-fuji-endures-powerful-force-japan-180962782/https://hatsukoi.co.uk/blog/114-mount-fuji-national-symbol-sacred-site-and-home-to-a-goddess.htmlhttps://whc.unesco.org/en/list/1418/https://www.fujisan223.com/en/reason/https://www.toki.tokyo/blogt/2023/8/9/experiencing-the-enchanting-mt-fujihttps://www.abs-cbn.com/classified-odd/2024/5/20/locals-in-central-japan-near-mt-fuji-count-on-ufo-craze-for-tourism-1108https://www.historicmysteries.com/unexplained-mysteries/kofu-ufo/33422/https://matadornetwork.com/read/japan-ufo-tourism/https://www.newsnationnow.com/space/ufo/japan-ufo-task-force/https://www.paranormalinsight.co.uk/blog/the-monsters-beneath-mount-fuji-cryptids-of-japan-s-sacred-mountainhttps://www.japanpowered.com/japan-culture/japans-forest-ghosts-aokigaharahttps://medium.com/@divanur.2022/ghosts-around-the-globe-lost-souls-of-aokigahara-cf9489769ca9

>> Devenir partenaire du Podcast du MarketingIntégrer un grand groupe, sur le papier, c'est le jackpot. Mais dans la réalité, le défi est bien plus subtil : comment profiter de la puissance d'un grand groupe sans perdre son identité, sa vitesse et sa capacité à innover ?Dans cet épisode, je reçois Olivia Jorel, CMO de TrainMe (groupe Decathlon). Ensemble, on décrypte comment une entité peut trouver sa place dans un grand groupe… et même devenir un véritable moteur de croissance.Ce que vous allez apprendre dans cet épisodePourquoi intégrer un grand groupe peut être à la fois une opportunité… et un risqueComment TrainMe a trouvé l'équilibre entre agilité start-up et puissance d'un grand groupePourquoi la complémentarité entre produit (Decathlon) et service (TrainMe) change toutEn quoi le B2B et le B2C sont beaucoup plus proches qu'on ne le penseComment créer de l'engagement et de l'usage avec un marketing “doux”Pourquoi le sport en entreprise est bien plus qu'un simple avantage salarié---------------Pensez à vous abonner au Podcast du MarketingÀ rejoindre ma  newsletterEt à me laisser un  avis 5 étoiles sur iTunes ou Spotify---------------Vous pouvez aussiVous rendre visible en sponsorisant le Podcast du Marketing ou sa newsletterGagner en clarté avec mes accompagnements marketingMe faire intervenir sur une conférenceMe suivre sur Linkedin--------------CMO, webinaire, base email, cas concrets, stratégie ia, openai et gpt, contenu long, chatgpt et ia, omnicanalité, algo linkedin, positionnement, valeur client, marketing digital, actualité seo, geo, lancement offre, parcours client, directeur marketing, directrice marketing, interview de cmo, relation presse, relations presse, inbound marketing, créer du contenu, conseils d'experts, stratégie client,Digital, email marketing, formation marketing, influence digitale, landing page, lead magnet, mailing list, management, marketeux, marketing digital, stratégie marketing, stratégie de marque, branding, stratégie de communication, emails automatisés, erreurs marketing, stratégie d'acquisition, digital, stratégie marketing, mailing list, formation marketing, accompagnement marketing, sprint marketing, advocacy marketing, conseil marketing.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week on the Roach Koach podcast it's the return of KORN! Yes, new Korn music! Are the boys in fine form? Other topics covered this week:-Fred Durst guests for MGK-What is going on with Fieldy?-The No Skips Tour-Who's Emailing and the “Nu-Metal Watergate”-Who's Ready for the Worst Night of Your Life-And Stupid F'N Matt's Nu-Core For Old HeadsTake a listen!The Crack, the Butt Rock Bracket is here on the Roach Koach Patreon! Subscribe today! Rate, review, and follow Roach Koach on Apple Podcasts and Spotify! We'd appreciate it! Questions about the show? Have album recommendations? Just want to say hi? We'd love to hear from you! Contact the show @RoachKoach on Twitter, Roach Koach on Facebook , Roach Koach on Instagram, or send an email to RoachKoachPodcast at Gmail. Follow the show on Youtube and TikTok! Find every episode of Roach Koach and order your Roach Koach T-shirt at Roach Koach dot com.

Dans cet épisode, Rebecca et moi discutons des meilleures pratiques pour optimiser les campagnes d'emailing et de marketing automation. On y aborde l'importance de l'omnicanal, de l'optimisation mobile, du ciblage et de la personnalisation, ainsi que des aspects techniques comme la délivrabilité et le support technique. Rebecca partage des conseils pratiques pour améliorer l'efficacité des campagnes et souligne l'importance de tester les solutions disponibles.Vous pouvez suivre Rebecca sur LinkedIn, en apprendre plus sur l'emailing sur la chaine Youtube d'Active Trail. ---------------Pour travailler avec moi vous pouvez :> Vous former en autonomieStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)Stratégie Advocacy : Donnez les clés de LinkedIn à vos employés (à venir)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

>> Devenir partenaire du Podcast du MarketingEt si le podcast était aujourd'hui l'un des médias les plus puissants pour construire votre influence ?Dans cet épisode, je reçois Adeline Cointe, attachée de presse et fondatrice d'Haut comme 3 comm®, pour explorer un angle encore trop peu traité : le podcast comme levier marketing et RP.On ne parle pas ici de lancer son propre podcast. On parle d'utiliser le podcast comme un véritable média d'influence, pour gagner en visibilité, en crédibilité et en autorité.Parce qu'aujourd'hui, les règles du jeu ont changé. L'attention est fragmentée. La confiance est fragile. Et les marques doivent trouver de nouveaux moyens pour exister durablement dans l'esprit de leurs prospects.Le podcast coche toutes les cases.---------------Pensez à vous abonner au Podcast du MarketingÀ rejoindre ma  newsletterEt à me laisser un  avis 5 étoiles sur iTunes ou Spotify---------------Vous pouvez aussiVous rendre visible en sponsorisant le Podcast du Marketing ou sa newsletterGagner en clarté avec mes accompagnements marketingMe faire intervenir sur une conférenceMe suivre sur Linkedin--------------CMO, webinaire, base email, cas concrets, stratégie ia, openai et gpt, contenu long, chatgpt et ia, omnicanalité, algo linkedin, positionnement, valeur client, marketing digital, actualité seo, geo, lancement offre, parcours client, directeur marketing, directrice marketing, interview de cmo, relation presse, relations presse, inbound marketing, créer du contenu, conseils d'experts, stratégie client,Digital, email marketing, formation marketing, influence digitale, landing page, lead magnet, mailing list, management, marketeux, marketing digital, stratégie marketing, stratégie de marque, branding, stratégie de communication, emails automatisés, erreurs marketing, stratégie d'acquisition, digital, stratégie marketing, mailing list, formation marketing, accompagnement marketing, sprint marketing, advocacy marketing, conseil marketing.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Kickstarter has become a key part of the author business for those who want to make more money per book, connect directly with readers, and produce beautiful editions they're proud of. In this episode, I share excerpts from interviews with Oriana Leckert, Head of Publishing at Kickstarter, Russell Nohelty, and Sacha Black, alongside my own hard-won lessons from six campaigns that have now made over $140K combined. Whether you're considering your first campaign or looking to refine your process, we cover everything from overcoming your fears to rewards, fulfilment, shipping, marketing, and why I keep coming back for more. In the intro, Writing StoryBundle; Spotify Expands Audiobook Features and Printed Books; Draft2Digital Activation and Maintenance Fees; comment by Kevin McLaughlin; and Barnes & Noble Press change to Minimum Retail Price for Printed Books; AI-Assisted Artisan Author webinars. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn is an award-winning New York Times and USA Today bestselling author of thrillers, dark fantasy, short stories and travel memoir under J.F. Penn and also writes non-fiction for authors and hosts The Creative Penn Podcast. What Kickstarter is and why it works differently from a normal book launch The fears that held me back for almost a decade — and whether they were justified Starting small: Why you don't need sprayed edges and special hardbacks to run a successful campaign. Creative reward ideas beyond merch: digital rewards, experiential rewards, naming rights, and bundling your backlist Common mistakes that sink campaigns: overestimating your reach, getting shipping costs wrong, and not allowing enough time Fulfilment realities, printing timelines, and reinvesting profit into future stock Marketing your campaign: pre-launch signups, content marketing, email lists, social media scheduling, and Facebook/Meta ads My update for campaign #7, Bones of the Deep: what's changed, what I'm doing differently, and how AI tools are part of my process now Why I now love Kickstarter campaigns and how the spike income model fits a sustainable creative career You can find my Kickstarter campaign for Bones of the Deep here (until 5 May, 2026) and all my previous campaigns here. Introduction Jo: In this episode, I've included excerpts from my own previous solo show about Kickstarter, as well as excerpts from interviews with Oriana Leckert, the Head of Publishing at Kickstarter; Russell Nohelty, who has done lots of successful Kickstarter campaigns and teaches direct sales; and Sacha Black, who did a six-figure campaign last year. I've also added my updates to the end of the episode filling in any last thoughts. You can listen to the full episodes here: Kickstarter for Authors with Oriana Leckert The Mindset and Business of Selling Direct with Russell Nohelty Lessons Learned and Tips from Pilgrimage, My First Kickstarter Campaign Two Different Approaches to Selling Direct with Sacha Black and Joanna Penn What is Kickstarter, and why use it instead of a normal book launch? Here's Oriana Leckert, Head of Publishing at Kickstarter — and the numbers she shares will be higher now, as the episode is from February 2025. Oriana: Kickstarter is a crowdfunding platform. We are unique in the crowdfunding landscape for a few reasons. We are only for creative projects, so you can't use Kickstarter for medical bills, investment funding, or charitable donations. Every project has to create something new to share with the world. Jo: Have you got any numbers on how big the Kickstarter industry is now with publishing, or anything you can share around that? Oriana: Yeah, I would love to. First I'll tell you Kickstarter overall by the numbers. Since our inception, there have been 273,000 projects funded, eight and a half billion — with a “b” — billion dollars pledged, from more than 24 million backers. In publishing specifically, we've had 69,000 projects launched, 3.2 million unique backers, and over $380 million pledged to campaigns. I have lots of other stats, but a few things I'll share. The publishing category keeps growing The publishing category has grown year over year, every year since 2017, in terms of number of projects launched, number of projects successful, and the overall success rate. There has never been a dip since 2017. Another stat I really love about the publishing category: if you look at campaigns that have at least 25 backers, the overall success rate is 84%. I think that's really telling, because 25 backers is a little bit more than your mum, your best friend, the folks who are essentially obligated to support anything you do. So if you can get a little bit beyond that inner circle, your chances of succeeding on the platform are tremendously high. Backers are paying more — and waiting longer Another thing I wanted to call out — I just got some new numbers around this. The average backing amount per backer across the whole category has nearly doubled since 2020. We used to see an average backing around $40, and it's currently at $72 per backer. I think this is clearly around the trend of special and deluxe editions, but it's a great indication that backer behaviour on Kickstarter is just very different from your general book-buying public. People don't come here looking for 99-cent ebooks — the lowest bargain-basement prices. Folks are really willing to pay more because they understand this is a different kind of thing. It's not exactly a purchase. It really is supporting, bringing a strange and wonderful new thing into the world that wouldn't exist before. People are also much more forgiving about timelines. If you buy something from most online booksellers, you're expecting to have it in your hands within a couple of days. People wait months and sometimes years to get their Kickstarter rewards, and they don't mind if the creator is clear and transparent. You're also doing the work of demystifying the publishing process. Why does it take so long? Where are books printed? How long does it take them to ship via freight over the ocean? What do all these things really look like? So it's really interesting just figuring out what your backers want and will bear versus the general book-buying public out in the world. Kickstarter is not just for “desperate” authors anymore Oriana: People used to think Kickstarter was just for desperate folks who couldn't get a book deal through the traditional systems. The change has been so dramatic — people now understand that Kickstarter can be transformative for an author's career, and that it can work for traditional publishing, indie publishing, hybrid publishing, all kinds of authors. Kickstarter is really about collapsing the boundaries between a writer and their readers, a publisher and their fan base, any creative person and their audience. And there are so many benefits to doing that. You get to really thrill your backers with new and exciting rewards. You get to turn what can be a standard book release into a moment. You get to build your brand, your profile, get press, test out ambitious projects. You get to understand so much more about your audience and what they want and how you can give it to them. It's been really marvellous seeing the great success that people can have on our platform and outside of it. Why do a Kickstarter campaign? Jo: Why Kickstarter and not a usual book launch? Benefits for backers If you back a Kickstarter, you get special editions, bonus content, interesting merchandise, bundles, digital specials, print specials, early access. All of them pretty much are really cool books from creators you either already love or those you've never heard of, because you just want to see their cool stuff. I've started buying books from people I have never heard of because I think their books are really cool. Once you start supporting campaigns on Kickstarter, the algorithm will recommend campaigns for you. It's essentially a different way of shopping for great books and other products, and it's just another part of my ecosystem for how I shop. It's a form of direct sales, so you also have a closer connection with the creator. You can message them, for example, and they get it — rather than buying through an online retailer or bookstore. Benefits for creators In terms of benefits for creators, you get to know people in a more personal way through the campaign, messaging with people and connecting more than you would when selling through a retailer, when you don't know who is buying your books. As an author, you can make more money more quickly and retain a higher percentage of the royalties, rather than wait months or years to get paid and have a large percentage taken out by everyone down the chain — publishers, platforms, distributors, and retailers. Brandon Sanderson's $41 million Kickstarter was clearly the pinnacle of what can be achieved, but many authors are happy making a few thousand for their book project upfront and use campaigns multiple times during the year. Kickstarter takes 5% for their fee, although of course you have to factor in the cost of production and marketing. But even then, I make more profit on my book sales through selling ebooks and audiobooks direct, and also printing with BookVault, than I do with KDP Print or IngramSpark print on demand. Higher average order and faster payment Another way you make more money is that the average order per customer is higher with Kickstarter than sales on the usual stores. The average order on my campaign was £37.24 — that's around $45 US — which is at least four times higher than I might have made selling Pilgrimage in the usual way on the major retailers. You get paid two weeks after the campaign finishes, so the money is in your bank account much faster than if you sell on retailers. In terms of cash flow, make sure you time your campaign so you get the money before you have to pay for printing, shipping, and other significant bills. Spike income vs monthly income There are many creators who now make Kickstarter the core of their business. It's a spike income model rather than a monthly income, which most indie authors are used to. The monthly income model is fantastic — I love getting money every month — but it also has the effect of making indie authors behave as if this is a normal job: work every month, get paid every month, put out another book so you get paid in another few months' time. With the Kickstarter model, you can get a bigger chunk of money in one go, so you could potentially move to a big launch and then take more time off before ramping up to the next launch months later. And amusingly, this sounds a bit more like traditional publishing. It's just that as an indie author, when you get that amount of money, it's much bigger. So that kind of launch tempo is an attractive prospect if you think about it: if I just get this big spike of money even once a year, that's really cool. And then of course you can sell it later. What are some of the fears that might stop you? Jo: I held back from doing a Kickstarter for years — almost a decade, in fact — where I backed campaigns and resisted doing a campaign for my own books. Here are some of my fears. Prepare to face your fears Jo: This entire experience thrust me out of my comfort zone and into a new way of creating, launching, and connecting with readers. Pilgrimage is my first memoir, my first special hardback with colour photos, and my first Kickstarter crowdfunding campaign. So I had a lot to learn. The book is very personal and I bare my soul about some dark times, so that was terrifying in itself, let alone trying a new product edition and publishing platform. On the evening I clicked the launch button — and yes, you have to actually click an actual launch button — my heart was hammering out of my chest. I have not felt that nervous since probably the first time publishing on Amazon. I was afraid of failure. I was afraid of being embarrassed if my campaign didn't fund. I wrote a book on marketing — how to market a book — so I would be mortified if I had not funded. In fact, I even changed my target from £5,000 to £1,000 the night before, as I was so terrified it wouldn't fund. I was afraid of getting something terribly wrong and ending up out of pocket through issues with printing and shipping. I was afraid of letting backers down by promising something I might not be able to deliver. I was afraid I had overcommitted myself to a whole load of work I might even resent doing. I am a one-person business, and although I work with freelancers, I still do pretty much everything myself. I am a control freak — you might have noticed. So yes, there was a lot of apprehension and fear. You don't have to go huge Another fear might be the fear of failure — that you'll put up a campaign and no one will buy from you. But one answer is just to do a modest campaign. You don't have to do special hardbacks or merchandise. As Russell says: Russell: Somehow all of the teaching that we have given over the last two years has been executed in a way that makes it seem like you have to do this enormous campaign with sprayed edges and big, beautiful hardcovers and interior illustrations and vellum and all of that stuff. And I want to say first: that is absolutely not true. You don't have to do any of those things. If you look at two of the last three campaigns I've done, all I was offering was paperback books and ebooks, and then audio commentary for one of the campaigns. You can do a Kickstarter — and I often will tell people, especially if they're not an already successful author — do a campaign that is small and easy to get data on before you do something big. The direct connection is actually the point Jo: One of my resistances to this was a sort of, “Oh, I'm actually going to have to do a more higher-touch thing.” But as you say, the reframe is: oh my goodness, this is amazing, because I actually do get to connect with people. Just yesterday I sent a signed book — Pilgrimage, which I did my last Kickstarter on — and this guy was like, “I bought it for myself. Can you sign it to me, because I'm going to do the Camino in a wheelchair?” And I was just so touched. Emailing him back, I just felt, oh my goodness, I'm having a connection with this person that if they'd just bought a book on Amazon, I would not have had. So now it's almost like — it's this totally different view of my business, which is that direct-first means a much more personal way. It really is like we're in that thousand true fans moment that we first talked about 20 years ago. Were my fears realised? Jo: Just to recap, I was afraid of failure and embarrassment if I failed to fund, of getting something wrong and being out of pocket, of letting backers down, and of overcommitting myself and resenting the workload. Really, the only thing that happened was overcommitment and a lot more work than I expected. But the time I put in was also likely the reason for the campaign's success and the reason that the other things didn't happen. I had to learn a new platform and a new approach to publishing and book marketing, so it was kind of a mini degree at the same time. So yes, I will do another Kickstarter — but only for special projects that are suited to this kind of intensive campaign. Tips for campaigns In this section, Oriana shares her thoughts on rewards, and then I'll go into some more of my tips. Thinking beyond merch Oriana: The rewards are really at the heart of the Kickstarter proposition and what makes this kind of fundraising so interesting and thrilling. Basically, your process is you're inviting people on a creative journey. You're saying, “I'm going to make this cool thing. I want your support, and in exchange, you're going to get stuff, you're going to get to be part of my process.” Obviously your main reward is going to be your book, or your series, or if you're a publishing company, your season — whatever it is. That's your main tier. Then you're going to build everything else out above and below that. A lot of people think rewards means swag and merch. Which is fine, but merch can add a lot to your production costs. It's causing you to learn how to produce all kinds of things that maybe you've never done before. So that's not the only way to do it. If you're going to do some merch, I think it's nice to come up with some custom items that feel really related to the work that you're doing. If you've got a romance novel with a pivotal scene on the beach, maybe you'd make some candles that smell like the ocean. Maybe you do some kind of handkerchief that's printed with the pattern of the dress your heroine is wearing. Digital and experiential rewards Oriana: But you can really think beyond merch into digital rewards and experiential rewards. There are a lot of parts of the writing process that can be pulled out and packaged as rewards — things like notes from the field, outtakes, deleted scenes. I've had people write bloopers, as if it were a comedy movie, added new scenes or novellas, other pieces from different works that you've done. Certainly your backlist and other books you've written can all be included. We've seen people do tours of the writer's studio, things like that. Also think about what skills you have in addition to your writing. Perhaps you're excellent at marketing or social media or poetry — you can offer webinars on those sorts of things. Other kinds of ways that people can experience your creative practice. High-end and naming rewards Oriana: Then you can get into high-end, one-off, crazy rewards. One whole section of rewards I love is naming rights. We've seen all kinds — “We'll name the dragon after your dog, or after your mother-in-law. We'll name the hero after your son.” There's a LitRPG novelist named Matt Dinniman who does this really well. He writes these big-cast novels — there are dungeons, and you're in an intergalactic reality TV show with hundreds of characters. In his last campaign, for $666 he would kill you off in his next book, and for $777 he'd let you live and write a whole scene around you personally. You can also do book release parties. You can do book clubs. If you're writing children's books, you can do colouring pages or supplemental material for teachers or other educators. The sky is really the limit, and it is based on your creativity and the things that both you can make and that your audience wants. This is another opportunity — talk to them. Ask them: if I'm going to do a piece of swag, would you rather have an enamel pin or a makeup bag? If I'm going to do alternate covers, would you like the blue cover or the red cover? See what your people are interested in, and then figure out whether it's possible for you to deliver it to them. Learn about the platform from experts Jo: I've been publishing and selling books through online retailers, as well as my own store, since 2008. I know what I'm doing, but I still had a lot to learn. With Kickstarter, it's essentially a completely different ecosystem, with different rules and a different audience, so you have to learn the ropes. Even if you're super successful in other places, you might crash and burn on Kickstarter unless you understand how it works and change your approach accordingly. Start backing campaigns Jo: See how it feels to back Kickstarter campaigns and discover what draws you in as a reader and a fan of specific things. You might find projects you love outside of books — there's plenty of other projects outside of books. You can browse the publishing category to find new books, and also use the search to find things you might like. In this way, you can support fellow creators and learn how the Kickstarter site works for discoverability and marketing. Make sure you go through the Kickstarter.com resources — they have a creator pack which will give you direction on the campaign. Also, their terms of use are really important to read, as there are some assumptions you'll have because you've published on another platform that are incorrect. So do not assume you know what you're doing if this is your first campaign. Ask for feedback before launch Jo: Once you have a draft of your campaign, ask specific people to review it before it launches. You can share a preview prior to launch and get feedback on your page. This helps you refine your story and the rewards, answer any questions before the campaign goes live, and it can also help pique the interest of your audience. I asked specific people who had done Kickstarter campaigns for help at different stages of the process, and this was really useful too. Review common mistakes from other campaigns Jo: If you examine how others made mistakes, you can learn from them. The most common seem to be: Not finishing the book before the campaign Getting the financials wrong for production, shipping, and any other rewards. I know some authors who have ended up breaking even, or sometimes even out of pocket from campaigns. Don't do that. Not making the most of the story sales page and not including everything necessary, so backers don't understand and don't want to support the campaign — essentially, not being clear enough Setting unrealistic goals, like expecting to make six figures on a first campaign Not allowing enough time for everything Not seeking feedback from people who have done it before Not marketing the campaign enough Overpromising and under-delivering Poor communication with backers about the status of rewards Set aside more time than you think you need Jo: The campaign ended up being far more significant than I expected in terms of workload and time to complete. Everyone told me that beforehand, but it was still a surprise. It took time to prepare the multiple editions for the rewards. I usually produce an ebook, paperback, and a large print edition, and I narrate my own nonfiction audiobooks. But for this Kickstarter, I also wanted to do this special hardback with colour photos, a flyleaf cover and silver foil. I wanted to create a special print product I could be proud of. I'm proud of all my books in terms of the content, but the usual paperback print-on-demand books are more about the content than the true beauty of the product. For Pilgrimage: A Book of My Heart, I wanted a special edition, so I worked with Jane on the design, going through my photos from the various pilgrimages to find those that resonated with the content — for example, the cadaver tomb at Canterbury, and my Compostela from the Camino de Santiago. Once we finished, I had that proof copy rushed so we could turn around everything. And I love, love, love the hardback. It has a silken-finish cover and it feels lovely and weighty. The pictures came out well, as the paper is of a higher quality and weight to allow for colour printing. Overall, I am incredibly proud of the finished product. I even sent a copy to my mother-in-law, which I have never done before. And yes, she thinks it's good. I definitely should have allowed more time, as I spent most of the Christmas and New Year period working on the book, recording and editing the audiobook, and preparing for the campaign. I also didn't have time to prepare, record, edit, and produce the Writing Setting and Sense of Place course until after the campaign, and it was really hard to find the energy to do this afterwards. Building the campaign page Jo: It took time to build the Kickstarter campaign page, create the video, and incorporate feedback. Most authors don't write sales pages anymore. Sure, we write a sales description for the book page on the retailers, but we don't often do a whole page for multiple editions. On Kickstarter, you are basically writing a sales page for your campaign, which they call a “story.” Some of your existing audience might just click through and back the campaign without reading it, but most backers will check out the details to find answers to any questions they have. It is a very long page, and you also need a video — or you don't need one, but it's highly recommended. It's best to record the video at the last stage when everything else is done. You can still see my Kickstarter video on my campaign page, so I won't go through everything in detail. But the key aspects are: Who the campaign is aimed at Why the campaign is important to me and the book What products are available Pictures of everything — the page should be really visual — and I included the images in the video as well Sample chapters and sample audio Specifications, with weight, pages, listening time, table of contents About me, the author Stretch goals Add-ons Any questions, risks, and challenges So it's pretty long. Then the reward levels have to be set up carefully for each pledge level with shipping costs, and specific details about what's included. Eventually, I felt like my page had way too much information, but since I didn't really get many backer questions, I guess it did what it was supposed to do. I rewrote and edited that page so many times — adding and changing the order of things, responding to feedback, switching things around. But hopefully I can use that as a template for other campaigns. Marketing takes time too Jo: It took time to prepare the marketing for the campaign. I'm pretty low-key for most launches these days — I publish a book, send a few emails to my lists, announce it on the podcast, do a little social media, update my websites, and move on to the next book. So this was probably my biggest effort in terms of a launch since my first novel back in 2011. I only had a two-week campaign, so I needed to make the most of that window. I'm going to detail the marketing in a separate section, but it took a lot of time to prepare the various things and execute them, as well as keep the energy up for promotion during the campaign. Two weeks was definitely the longest I would want to do — I was really over it by the end. Delivering stretch rewards Jo: It took more time to create and deliver the extra stretch rewards I promised. Since I had pretty low expectations of funding, I set my first stretch goal at £10,000 for “Lessons Learned from Writing a Travel Memoir.” When I promised it, I thought it might be a few pages of tips, and I didn't even think we would get there. But I'm incapable of delivering something that is half done. So when we did hit £10,000, I wrote essentially a short book on the topic, which I then formatted as an ebook and recorded as an audiobook. I'm actually going to turn that into a proper book at some point, so the content will get reused. But that definitely took more time than I expected, because I hadn't prepared it in advance. The backer spreadsheet and fulfilment Jo: It took time to figure out the backer spreadsheet and check all the fulfilment details. Once you finish your campaign, you send out surveys for mailing addresses and to fulfil rewards. I also needed to turn the backer report into a printing order for BookVault, and that was nerve-wracking. The spreadsheets were different formats, and then we spot-checked the orders to make sure people got the right books based on their orders. I was petrified that some people might get the wrong book, and I checked and checked and checked — both on the spreadsheet, and then once the orders were loaded, I checked BookVault as well. I was worried I'd have to resend the right book, which would end up with me out of pocket because they'd have to do double printing and shipping. But thankfully, all the checking made everything good, and I haven't heard from anyone who got the wrong book. Following up with backers Jo: It took time to follow up on failed payments and address issues. Most backers were easy to deal with — they received the updates and Kickstarter emails, they filled in the surveys, and I didn't have any problems. But there were problems with about 5% of backers, most of which were not their fault. There were failed payments when banks thought Kickstarter might be fraud. There were missed emails because of issues with deliverability, so backers didn't receive the rewards, or they didn't fill in the survey and return their address, which meant I couldn't do the order with BookVault — I had to do it later or manually. I had to follow up with every single one of these, some of them multiple times, and I slowly reduced my list of outstanding backers. A tip: If you back a Kickstarter campaign, please log on to Kickstarter a few weeks after the campaign has finished and check for updates. It's possible that you're not receiving the emails from Kickstarter, and the creator may need details from you in order to fulfil your pledge. Tax implications Jo: It took time to figure out the tax implications. This is not legal or financial advice, and your taxes will vary by jurisdiction. Please ask your accountant how you need to treat Kickstarter or any other book-related income. Wherever you are in the world, you will need to pay tax on the income, because we all have income tax, but the complicating factor is whether you also need to consider sales tax. And this definitely differs by jurisdiction. I went to my accountant, who said we should handle it as per any other book sales. I followed my accountant's advice, which treats backers the same way as my customers who buy on Shopify. Ask a professional in your jurisdiction about taxes and finances, even if you are in the UK. I cannot answer any questions. I'm not an accountant. Closing the loop Jo: I haven't had much time to do anything else, as I felt like I couldn't start anything new until everything in the campaign was finished. As soon as the campaign window closed, I felt like I had an open loop in my brain. I desperately wanted to close it in order to say the project was done. I have now delivered all the book and course rewards, and these lessons learned are really the last part of it. I've talked before about the different kinds of energy you need as an author — starting energy, pushing-through energy, and finishing energy. Once the campaign was funded, my finishing energy kicked in and I was driven to get everything finished as soon as possible. I sent the digital rewards out within a few days of the campaign closing, and also shipped the unsigned books, ordered the print books, then went and signed them, and then recorded the course. It has been my primary focus for the last few months, and I haven't been able to do much else except the podcast, which is my weekly commitment to you. Once again, I should have blocked out the time. Bonus tip: Don't plan an international speaking and book research trip during the campaign. International shipping and fulfilment Jo: Be careful with international shipping and fulfilment of signed books or products. Shipping costs can sink your campaign if you get them wrong, so be very careful with this area. I have sold books in 175 countries, and this podcast has a listenership in 228 countries, so I really wanted to have a completely international campaign. I wanted to ship Pilgrimage in any format to any country. Originally I thought I would just charge a bit extra for the book and include shipping. But once I set the book editions up at BookVault and I had the weight and dimensions sorted, I started checking the shipping costs to different countries. For example, we lived in New Zealand for seven years — my husband is a New Zealander, so we go back — so I definitely had to sell in New Zealand. And of course the shipping to New Zealand is very, very different to the US, for example. It is crazy how much shipping costs vary. I discovered I couldn't just assume it would all wash out and I'd end up making a profit somehow. I had to be a lot more careful with the calculations. So I focused on my biggest markets, which in terms of my book sales are the US, UK, European Union, Canada, Australia, New Zealand, and South Africa. I added a note on the campaign to say I would add any other country for print shipping if people contacted me. As it turned out, no one asked for any other countries, so that was the best way to go in the end. If you're in a country where the shipping is outrageous — if you're willing to pay for the shipping, then that's absolutely fine. It's just that for the campaign, I had to focus. When the unexpected happens Jo: Of course, you can try to prepare for everything and then something unexpected and out of your control happens. A big spanner in the works for my campaign was the Russian hack, which took down the UK Royal Mail just before my launch. If you're not in the UK, you wouldn't have heard about this, because in some ways it's a very small issue — but it basically took down Royal Mail and a lot of shipping went into flux. It specifically hit the international side, and other shipping firms ramped up to take the slack. But it made planning for the launch difficult, as the prices were shifting and I didn't know how delivery was going to work. Even for posting in the UK it was hard, because the mail offices were getting backed up. Once again, I'm grateful for BookVault's adaptability, because I could check different addresses and shipping prices even as things changed, and they added new providers for shipping. About 95% of my shipping ended up being within an acceptable range of what I charged. So do your research, weigh and measure your items so you can get exact quotes for each. Check what kind of packaging you need. If you're doing your own shipping, you have to actually type in the shipping costs per reward and per country — it's a lot of manual setup to get it right. But this is critical, so check and double-check — and in fact, I triple- and quadruple-checked, then went to sleep, and then the next day checked again. Having spent 13 years as an IT consultant prior to this career as an author, I will always remember and have learned from the fact that something just might not be working, and then literally if you just go away, go to bed, come back the next day, it'll probably just be working. Sometimes it actually works. So yes, I did that, and every time I checked, pretty much I found something I'd typed in that didn't quite match, because you also have to retype — if you include all the books in the add-ons, you have to type it again. I didn't stop checking until the day before the launch, and then it was right. I was happy, and everything seemed to be fine. Shipping is always a moving target Jo: Revisiting this section made me laugh, because as I record this, in the week before I launch Bones of the Deep, international shipping is disrupted again — by the war in Iran, and the Strait of Hormuz being closed, which is affecting fuel prices. This underscores yet again how important it is to check your shipping. Of course, you can add shipping on later — Kickstarter allows this, as does BackerKit and other services. But as a backer, a customer of people on the platform, I hate being asked to pay shipping later. And since I hate that myself, I don't want other people to feel the same way. So just add a little buffer in, as asking people to pay an extra dollar in their pledge is not that big a deal, but you being out of pocket for every book shipped may well be. Sacha Black on pre-launch and fulfilment In an interview I did with Sacha Black, who writes as Ruby Roe, in December 2025, we talked about her issues with fulfilment. Sacha does a lot of complex printing, shipping, and custom book boxes and more. Her last campaign made over six figures, but of course it had its challenges. Here's Sacha with some of her tips, and then Oriana to close out this section with some other mistakes. Sacha: The first thing is — even before you start your Kickstarter — the pre-launch followers are critical. A lot of people think, “Well…” I guess there's a lot of loud noise about all these big numbers about how much people can make on Kickstarter, but actually a lot of it is driven by you, the author, pushing your audience to Kickstarter. You need more pre-launch followers than you think you do. Lots of people don't put enough impetus on the marketing beforehand. Almost all of our Kickstarter marketing is beforehand, because we drive so many people to that follow button. The other thing we do is early-bird pricing. We get the majority of our income on a campaign on day one. I think it was something wild, like 80% this time was on day one, so that's really important. Fulfilment takes longer than you think Sacha: The second thing is, it takes so, so very much longer than you think it does to fulfil a campaign, and you must factor in that cost. Because if it's not you fulfilling, you're paying somebody else to fulfil it. And if it is you fulfilling it, you must account for your own time in the pricing of your campaign. The other thing is that the amount of time it takes to fulfil is directly proportionate to the size of the campaign. So you do have to think about that. The other lesson we have learned is that overseas printing will drag your timelines out far longer than you think. So whatever you think it's going to take you to fulfil — add several months more onto that, and put that information in your campaign. Reinvesting profit and exclusive rewards Sacha: The last thing — if you have some profit in the Kickstarter, because not all Kickstarters are actually massively profitable. They either don't account enough for shipping, or they don't account enough in the pricing. Thankfully, ours have been profitable, but we've actually reinvested that profit back into buying more stock and more merchandise, which not everybody would want to do if they don't have a warehouse. However, we do have one. We are stockpiling merchandise and books so that we can do mystery boxes later on down the line. It's probably a year away, but we are buying extra of everything so that we have that in the warehouse. So it depends on what you want to do with your profit. For us, it was all about buying more books, basically. The other thing to think about is: what is it that you're doing that's exclusive to Kickstarter? Because you will get backers on Kickstarter who want that quirky, unique thing that they're not going to be able to get anywhere else. But what about you? You've done more Kickstarters than me — what do you think is the biggest lesson you've learned? Tiers, bundles, and AI for planning rewards Jo: Well, I think all of mine together add up to the one you just did. Although I will comment — you said something like £75 per pre-launch backer. That is obviously dependent on your tiers for the rewards, so most authors won't have that amount. My average order value, which I know is slightly different, but I don't offer things like book boxes as you have — so a lot of it will depend on the tiers. Some people will do a Kickstarter just with an ebook — just with one ebook and maybe a bundle of ebooks — so you're never going to make it up to that kind of value. So this is important too: have a look at what people offer on their different levels of Kickstarter. In fact, here's my AI tip for the day. What you can do — what I did with my Buried and the Drowned campaign recently — is, you know, I'm happy uploading my book. I uploaded it to ChatGPT and said, “Tell me, what are some ideas for the different reward tiers that I can do on Kickstarter?” And it will give you some ideas for what you can do, what kind of bundles you might want to do. So bundling your backlist is another thing you can do — as upsells, or you can just do it like I did for Blood Vintage, where I did a horror bundle of four standalone horror books in one of the upper tiers. Bundling is a good way to do it, and also upselling your backlist is a really good way to up things. And also, if you do it digitally — for ebooks and audiobooks — there's a lot less time in fulfilment. Oriana on the biggest mistakes Jo: What are some of the top mistakes you see that mean the campaign doesn't fund, or there are other issues? Oriana: Totally. I mean, the biggest mistake I think authors make — or any creator — is overestimating their ability to reach their crowd. Making sure that your ambition matches your reach is the number one most important thing to come close to guaranteeing that you will be successful. If you're an emerging writer and you're still building your audience and you don't have that many followers or subscribers out in the world, you should not try to fund a multi-volume leather-bound omnibus. Do a real honest assessment of who's in your crowd, how to find them, what percentage of them are likely to support what you're doing, and then find a project that feels realistic based on those numbers. That's really the biggest thing, conceptually. Building a strong project page Oriana: As far as tips for a project page — again, back campaigns and look at what other people are doing. A project page can be either as simple or as complicated as you want to make it. You definitely want to talk about the book: what is in it, what you're writing. Do a trope card if you want — we're seeing those all over the site. Say what kind of book it is, and the specs: page count, trim size, cover design. Obviously if you're doing a special edition, exactly what sorts of bells and whistles, with a prototype if you can. But you can be really expansive from there. What are your inspirations? Who are your collaborators? What brought you to this work? What are some of the things that make you excited about your writing practice, your timeline, your budget? What made you choose these rewards and how you're going to produce them? All those sorts of things will make backers feel both more trusting that you will do the things you're promising, and just more excited to be part of your journey. Marketing your Kickstarter campaign Let's talk about marketing. First, a snippet from Oriana, and then I'll share specifics around marketing tips — many of which are useful if you're launching in any other way. Kickstarter's algorithm rewards attention Oriana: Being on Kickstarter will help you grow your audience, but it's definitely not everything. You really do need to bring your people first. Our algorithm works on attention, so any project that's getting clicks, getting backings, getting comments — our algorithm says, “Oh, people want to look at this. We will expose it to more and more people.” That means raising it up in search results, slotting it into various of the macros and carousels around the site. Our recommendation engine powers recommended projects on the top of campaigns and at the bottom of emails. We are doing a lot to make sure that projects are being surfaced to folks who want to see them. Talk about the book while you're writing it Jo: Talk and share about the book while you're writing it, even though you might not know what it will turn into. I always share my book research and projects in progress, so this was nothing new. But Pilgrimage was years in the making, so I had years of sharing aspects of it. I've shared pictures from every pilgrimage walk on Instagram at @jfpennauthor and Facebook at J.F. Penn Author, and sometimes Facebook The Creative Penn. I've talked on this podcast about each walk, and I've done solo episodes and blog posts about each on my Books and Travel podcast and blog. I also did a poll and shared my book cover design process, and then I did an article on why I ignored target-reader feedback in the end. All this meant that many in my community — including you listening — became aware of my solo walking and also my ecclesiastical interest, my architecture interest, and you enjoyed my photos along the way if you follow me on social media. So when I announced the launch, it was the culmination of years of build-up. Use the pre-launch page early Jo: Set up the Kickstarter pre-launch page as early as possible, and keep promoting it. You can launch a pre-launch page once Kickstarter has approved your project, and you don't have to have finished everything to make it available — just complete the personal and business setup, and fill in enough detail so they can verify your identity and judge the campaign to be real and within the guidelines, and not a scam or spam campaign. I started to promote my pre-launch page, and by the time we went live, I had people signed up on launch. Those people get an email from Kickstarter. Those people were responsible for my campaign funding within the first few minutes, and then taking it to 5x the target within the first 24 hours. Then I started to email my lists, and all of this type of thing. But it was those pre-launch signups that really kick-started — see what I did there? — the whole thing. The benefit of using Kickstarter for multiple projects is that previous backers are notified of your new project. This compounds the effect over time, and is why those who use Kickstarter successfully do multiple campaigns. Kickstarter SEO and on-platform marketing Jo: Kickstarter has its own ecosystem. There's a discovery algorithm that can help you find projects you might like as a backer, and there are different ways to search, but only certain aspects appear in the search. So your title, subtitle, and your header image need to be optimised so people can find you. Your story sales page needs to be clear, with a compelling pitch. People also have to want your rewards, so marketing has to be baked into the products you're offering and who you're trying to attract. Your video doesn't need to be a professional-level product, but it does need to connect with potential backers, so take the time to make a good one. If you've never made a video before, you will need time to upskill. Kickstarter also has social media. Use #KickstarterReads and tag @KickstarterReads. If your project funds quickly and has a good trajectory, you might get picked for the “Projects We Love” badge, which also gives you better discoverability. I got that pretty fast. You can also tag Kickstarter on social media and inform them of your campaign. Content marketing Jo: Content marketing is offering something useful or interesting or inspiring or funny or entertaining for free, in order to attract your target market so they buy your book. This might be an article or blog post, video, audio, podcast, social media, whatever. For fiction, it's usually a free book or a short story or other free examples of your writing that draw people in. Content marketing is my favourite form of marketing, as it is about attraction, not interruption. It also involves creating something in the world that lasts over time, as opposed to an ephemeral spike ad or a social media post that quickly disappears. Each has its place, of course, and I use them all. This podcast is content marketing, although it now also provides direct revenue in the form of corporate advertising and Patreon support. Thank you, patrons and advertisers — and I consider this to be part of my creative body of work. My Books and Travel podcast is also content marketing. Guest appearances for the launch Jo: For this launch, I did content marketing on my own sites and shows, as well as other people's, which I arranged and recorded in advance. I've also mentioned the campaign in the introduction to every one of these shows leading up to the launch and during the launch. I was on some podcasts: Sacred Steps with Kevin Donahue, Wish I'd Known Then… For Writers with Sara Rosett and Jami Albright, Travel Writing World with Jeremy Bassetti, and Into the Woods with Holly Worton. I also did several of my own. I did one on this feed. I did another on the Books and Travel feed. I also included two chapters from the audiobook on the Books and Travel podcast. All of these took time to prepare and produce, but each is a chance for another person to hear about the book. Plus, they're evergreen, and Pilgrimage is available for everyone to buy now, so I can point people at Pilgrimage on other stores. Use a redirection URL Jo: For all my marketing, I used JFPenn.com/pilgrimage, which I can redirect using the Pretty Links plugin on WordPress and point to wherever I want it to go. Before the launch, it went to the pre-launch page; then the campaign itself; and now it goes to the book page. Once I build a special landing page, it will go there. Depending on where you're listening will depend on where it goes, but that's JFPenn.com/pilgrimage. The URL needs to be easy to say out loud for use in podcast interviews and audio-first media. Email your list multiple times Jo: Some things change in book marketing — like the emergence of new platforms like TikTok — but one thing has stayed the same for decades: if you have an email list, you can always sell books. Your email list consists of people who have opted in to hear from you, so you can email them about normal launches as well as your Kickstarter campaign. I have two email lists: one for The Creative Penn around writing, and the other around J.F. Penn for my fiction. I emailed both lists multiple times at different times in the campaign. I use ConvertKit for my email, but there are other options for authors. Use referral links for tracking Jo: Use specific referral links for different aspects of the campaign for tracking returns. Kickstarter allows you to create different tracking links so you can link revenue to specific marketing events. For example, I used one link for my Creative Penn email list, another for my J.F. Penn email list, and yet another for my Facebook advertising. You can also add the Meta pixel and Google Analytics code to the campaign, which can also help with figuring out advertising. And if you don't know what those are, don't worry — you don't have to use them. Book images and social media Jo: I initially mocked up the book using cover images on MockupShots.com, and then resized them in Canva in order to create social media images. I later did a book photo shoot with the hardback in different places to give me more marketing assets to play with — all of which I will use over time as part of ongoing marketing. I prepared and scheduled social media posts to go out every day, and I did that in advance, primarily for Twitter at @thecreativepenn, my Instagram and Facebook at J.F. Penn Author, and also Facebook at The Creative Penn. It was a lot of work, but I really enjoyed it — weirdly — and I need to do more of this for my other books, especially as with Shopify, Facebook, and Instagram link directly into my store, so I can tag books. These days social commerce is a lot smoother through mobile, so someone can see an image on social, click through, and buy immediately. I also did some quotes from the book — so I did pictures, I also did quotes — and I blatantly used our cute British Shorthair cats, Cashew and Ramen, for marketing reasons. I use Buffer to schedule my social media, but there are other tools. I also asked some friends who are travel influencers to share the book, and I sent them the hardback in advance so they could review if they liked. Thanks to Sarah Baxter and Alastair Humphreys for sharing the book, and especially a big thank you to Anna McNuff, who gave birth to twins that week and still managed to share about Pilgrimage. Backer engagement and stretch goals Jo: Let's be clear — it was not natural for me to push a book every day for two weeks. I also felt awkward about engaging with backers multiple times, let alone the wider community who I was sure was sick of my book, but I did it anyway, as it was only a short campaign of two weeks. I sent four updates during the campaign to backers, some of which are visible to the public on my Kickstarter, and then I sent updates afterwards with delivery of the rewards. Although I did resist the stretch goals, as I mentioned earlier, I went with “Notes on Writing a Travel Memoir” and the backer live Q&A. I did scramble to decide on and deliver those, as I really didn't think I would need them — which is crazy. I had such low expectations of what I might achieve. But next time I would definitely plan stretch goals in advance and in more detail. Facebook advertising Jo: I did some Facebook ads for the campaign — although I should call them Meta ads, because they're also on Instagram. I primarily aimed them at my email lists and people who follow my pages, but also some wider reach using lookalike lists and walking interests. I used a tracking link, so I know that the revenue that came in through people backing it more than paid for the ads. So I would do more of this next time. Marketing things I didn't do Jo: I didn't try to get any press or traditional media attention, mainly because I would have had to approach outlets much earlier in the process. I didn't have the hardback finished until a few weeks before the campaign, rather than a few months before, which is when pitching for press is a better idea. I also didn't collaborate with other creators on Kickstarter, even though I knew other authors doing campaigns at the same time. A couple of people asked me about cross-promotion, but their campaigns were not at all related to Pilgrimage. As with all book marketing, there is only a point to cross-promotion if you target the same readers. I had intended to do some Facebook, Instagram, and YouTube Live videos, but I struggle with live videos in general — and especially when I'm tired — so I didn't go ahead with those. I might consider more of those next time. Do a survey for everyone Jo: My tip is — do a survey for everyone. As part of a campaign I previously backed, I noticed that I didn't actually need to do a survey for the digital backers, because they could just get the rewards if I emailed through Kickstarter. And sure enough, you can just email the BookFunnel links, the course discount code, etc., through the campaign. But this was a mistake. I should have done a survey for everyone. If you do a survey, you can get the real email, as some people use a cloaked email. You can also include a checkbox asking people if they want to sign up for your email list. Respecting backer data Jo: So while you do get the email addresses of everyone who backs your campaign in your backer report, you cannot just upload them to your email provider and start emailing them about your other books. Kickstarter's terms of use include the following: When you use Kickstarter, and especially if you create a successful project, you may receive information about other users, including things like their names, email addresses, and postal addresses. This information is provided for the purpose of participating in a Kickstarter project. Don't use it for other purposes and don't abuse it. This is about data protection and privacy laws. Basically, Kickstarter is the platform in this instance, and people have signed up to receive emails from Kickstarter, but not from you. All emails about the campaign go through Kickstarter, and you don't have permission to just upload that list to your own email system and start sending more emails. They have not specifically said they want that, unless they have in a survey with opt-in — which I didn't do. Of course, there are indirect ways to attract people to sign up for your list. My book Pilgrimage includes ways to hear from me further, so some backers will go on and sign up for my free thriller ebook at JFPenn.com/free, or my Author Blueprint at TheCreativePenn.com/blueprint. You can also do updates later, for example when you have a new campaign, and in this way Kickstarter acts as a different ecosystem for email. Should you consider a Kickstarter campaign for your book? Jo: To be honest — only if you consider this to be a career you want to invest in, and a platform you want to do more than one campaign with. If you just have one book or a couple of books, or you're just starting out, or you don't want to do marketing and connect with readers, then definitely don't do a Kickstarter. It is not some magic button that will make you money — like uploading to Amazon is not a magic button that will make you money. It takes time and effort to have a successful campaign. But if you do want to build a long-term author business, then selling direct should have some part to play, and Kickstarter is a great way to make more money per book and connect with readers. It's really only the beginning of the trend of authors selling direct, so don't worry — you can learn how to do this over time. Update for Bones of the Deep, my 7th campaign in April 2026 Jo: It was interesting to revisit my lessons learned and other people's tips, and really, there are only a few things that have changed. I love doing Kickstarter campaigns now Firstly, I absolutely love doing Kickstarter campaigns. I am not nervous at all anymore, and I am just so thrilled to produce gorgeous hardback editions of my books this way. I love delivering beautiful books and new stories or nonfiction to my readers. I love doing the discovery writing webinars and the coaching, and just in general, I appreciate the opportunity to publish this way. I feel like a “real author” — with beautiful hardbacks, doing a signing, getting photos and emails from readers who receive the books. Custom printing keeps expanding In terms of other changes, over the last few years since Pilgrimage, BookVault has expanded their custom printing, so now I have custom endpapers, sprayed edges, different kinds of foil, as well as the silken paper and the ribbon and photos inside. These gorgeous editions are my personal creative reason to keep doing campaigns. I love saying “I made this!” And over time, I would love to get all my backlist into special editions. A repeatable process I'm still doing similar kinds of rewards — the book in all editions — and it's all finished so it's lower stress. Even the audiobook narration is done, so I can fulfil immediately. There's just the live discovery writing webinar to do, and stretch goal Q&A and consulting sessions. I'm also doing bundles, and all my backlist gets bundled in the add-ons, so I have a repeatable process, which makes things easier. Using AI in production I'm using more AI, specifically in the images and video. I love making book images with ChatGPT and Gemini's Nano Banana, and story images with Midjourney, and I use ElevenLabs with my voice clone for audiobooks. I fill in all the details in the AI section of the Kickstarter page, so you can go have a look at that and model it as you like. Spike income, realistic expectations I still like the spike income — but to be clear, my campaigns have varied in terms of financial success, as would be expected given they are all so different. My highest was Writing the Shadow at over £36,000 ($48,000), and my lowest was The Buried and the Drowned, a short story collection, at just under £8,000 ($10,700) — not a surprise at how different they are, given the audiences. Together my campaigns have now made £105,868 (just over $140,000), which I am very happy with. And of course, that's just the beginning, as then I put the books on my stores — JFPennBooks.com and CreativePennBooks.com — and on the usual platforms. A sustainable launch rhythm I still like the project approach — the short-term campaign focus — as I am good at sustaining marketing energy for a short period, and then I can drop off again. As I discussed with Sara Rosett last week as well, it feels sustainable for my career, unlike constant social media or ads. Lower-key marketing this time around I'm putting a lot less energy into marketing in general, relying on pre-launch signups over months of build-up as I talk about my writing process on the podcast, then emailing my lists, announcing it here, and scheduling some social media. It's pretty low-key these days, and that is a happy thing. However, for this campaign, I am planning to run some Meta ads direct to the campaign page, since I have Claude Code/Cowork to help me set them up and run them and crunch the data — and that takes the strain off considerably. More campaigns to come I will definitely be doing more Kickstarter campaigns, most likely a nonfiction one next. I am so glad I was able to get over my fears and do that first one, and I hope that encourages you to consider what might be possible for you and your book. So, if you'd like to check out my campaign for Bones of the Deep — even if you don't want the book, you can always model the sales page, or check out the book trailer — it's at JFPenn.com/bones. That link will go to the Kickstarter campaign from 20 April until early May 2026, and will then redirect. The post Kickstarter Tips for Authors: Rewards, Shipping, Marketing, and Lessons Learned first appeared on The Creative Penn.

Mon invitée sait exactement comment fonctionnent les médias, donc préparez vous à prendre des notes, parce qu'aujourd'hui on rentre dans le dur : Quand faut-il communiquer auprès de la presse, avec quels outils, comment identifier les bons journalistes, et comment les démarcher, quelles sont les règles de communication, comment se préparer à une interview, et comment s'assurer qu'on a dit tout ce qu'il fallait dire. Bref, on vous détaille toute la stratégie de relation presse, je vous propose d'accueillir tout de suite Clara Armand Delille.Autres épisodes qui pourraient vous plaire :Comment construire une stratégie RP avec Delphine MargotComment construire un communiqué de presse---------------Pour travailler avec moi vous pouvez :> Choisir une formationStratégie Persona : Comprenez vos clientsStratégie Emailing : Faites décoller votre base emailsStratégie Indépendante : Communiquez en ligne (liste d'attente)Stratégie Advocacy : Donnez les clés de LinkedIn à vos employés (à venir)> Réserver une heure de conseils personnalisés> Devenir partenaire du Podcast du Marketing---------------

This week we look into the White Sanitarium in Wichita Falls, Texas! It's been a creepy place for years! But it currently is a private residence so please don't go there trying to ghost hunt!  SponsorMaster Class – MasterClass.com/graveyard Cowboy Revolution Apparel https://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://austinghosts.com/white-sanitarium/https://www.tripadvisor.com/ShowUserReviews-g56891-d8567463-r333045328-Dr_White_s_Sanitorium_Old_Insane_Asylum-Wichita_Falls_Texas.htmlhttps://www.wichitafallstx.gov/DocumentCenter/View/19742/Wichita-Falls-Time-Line-1872-1993?bidId=https://www.texashauntedhouses.com/real-haunt/dr-whites-sanitorium.htmlhttps://www.onlyinyourstate.com/experiences/texas/haunted-asylum-txhttps://austinghosttours.com/white-sanitarium-wichita-falls/http://www.tripp-online.com/sanitarium.htmlhttps://www.tshaonline.org/handbook/entries/wichita-falls-state-hospitalhttps://www.texasmonthly.com/being-texan/patient-observation/https://wildstorm.wordpress.com/2015/10/15/dr-whites-sanitorium-wichita-falls-tx/https://texashillcountry.com/old-asylum-most-haunted-north-texas/https://www.hauntedrooms.com/texas/haunted-placeshttp://www.texasescapes.com/MikeCoxTexasTales/Haunted-Asylum-of-Wichita-Falls.htmhttps://www.onlyinyourstate.com/texas/haunted-asylum-tx/http://legendtripping.com/white-sanitarium-better-known-as-old-insane-asylum-texas/https://medium.com/@maryannpoll/haunted-destinations-white-sanitarium-wichita-falls-tx-5dece908068chttps://austinghosts.com/white-sanitarium/https://austinghosttours.com/white-sanitarium-wichita-falls/https://www.tripp-online.com/sanitarium.htmlhttps://texashillcountry.com/texas-solving-1897-airship-mystery/

>> Téléchargez gratuitement la checklist complète pour être cité par ChatGPT et les LLM

Le persona est souvent vu comme du blabla marketing. Dans cet épisode, je tord le cou à cette idée une bonne fois pour toute en vous proposant 9 situations où comprendre votre persona est crucial.Autres épisodes qui pourraient vous plaire :Le ciblage psychologiqueComment créer un persona ?Peut-on avoir plusieurs persona ?---------------Pensez à vous abonner au Podcast du MarketingÀ rejoindre ma  newsletterEt à me laisser un  avis 5 étoiles sur iTunes ou Spotify---------------Vous pouvez aussiVous rendre visible en sponsorisant le Podcast du Marketing ou sa newsletterGagner en clarté avec mes accompagnements marketingMe faire intervenir sur une conférenceMe suivre sur Linkedin--------------CMO, webinaire, base email, cas concrets, stratégie ia, openai et gpt, contenu long, chatgpt et ia, omnicanalité, algo linkedin, positionnement, valeur client, marketing digital, actualité seo, geo, lancement offre, parcours client, directeur marketing, directrice marketing, interview de cmo, relation presse, relations presse, inbound marketing, créer du contenu, conseils d'experts, stratégie client,Digital, email marketing, formation marketing, influence digitale, landing page, lead magnet, mailing list, management, marketeux, marketing digital, stratégie marketing, stratégie de marque, branding, stratégie de communication, emails automatisés, erreurs marketing, stratégie d'acquisition, digital, stratégie marketing, mailing list, formation marketing, accompagnement marketing, sprint marketing, advocacy marketing, conseil marketing.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Let's look at the legend of the Burrunjor! Is it real? Is it a relic of an older animal? Or is it an offshoot of a current animal that we just haven't seen yet?SponsorMe Undies – MeUndies.com/graveyard (Code: graveyard)Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYTCheck out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.netOur ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.historicmysteries.com/myths-legends/burrunjor/29658/https://genesispark.com/exhibits/cryptozoological-evidence/the-theropod-enclosure/the-burrunjor-of-the-australian-outback/https://cryptidz.fandom.com/wiki/Burrunjorhttps://dinofroz.fandom.com/wiki/Megalaniahttps://www.reddit.com/r/Paleontology/comments/z2y35j/did_megalania_interact_with_humans_in_australia/https://austhrutime.com/megafauna_dreamtime.htmhttps://australian.museum/learn/australia-over-time/extinct-animals/megalania-prisca/https://www.firstlighttravel.com.au/australian-travel-blog/aboriginal-mythology-some-truths-revealedhttps://monsterloretour.podbean.com/e/35-megalania-are-giant-lizards-living-large/https://obscurban-legend.fandom.com/wiki/Burrunjor?utm_source=chatgpt.comhttp://www.genesispark.com/…/th…/the-burrunjor-of-australia/http://www.unexplained-mysteries.com/forum/index.php…http://cryptozoo-oscity.blogspot.com/…/burrunjor-living-din…https://en.wikipedia.org/wiki/Tyrannosaurushttps://www.reddit.com/r/Cryptozoology/comments/1m3nb8m/the_true_history_of_the_burrunjor_hoax_part_two/

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TV Royalty Scarlett Moffatt joins Grace this week, she's also back on our screens for I'm A Celebrity All Stars and we catch up on all the chaos of the season! We also take it back as Scarlett gives us a behind the scenes look at Goggle Box and meeting her finance. The pair also chat about their dreams of having gay children, wedding planning and conspiracy theories!

Let's talk about Mackinac Island! The island itself has a fascinating history and, because it was an old burial ground, it's super haunted!SponsorsMe Undies- MeUndies.com/graveyard (Code: graveyard)Go check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.theinnatstonecliffe.com/blog/the-full-history-of-mackinac-island-indigenous-roots-colonial-power-and-timeless-legacyhttps://www.thepernateam.com/blog/the-complete-history-of-mackinac-island-from-sacred-ground-to-americas-car-free-time-capsule/https://restless-viking.com/2021/01/28/mackinac-island-history/https://www.mackinacisland.org/blog/post/a-look-at-mackinac-island-history-through-the-centuries/https://www.mackinacparks.com/explore/history/fort-mackinac-history/https://www.mackinacisland.org/do/history/https://sites.middlebury.edu/borderrites/native-mackinac/https://www.mackinacisland.org/blog/post/the-fascinating-past-of-mackinac-islands-skull-cave/https://www.uptravel.com/things-to-do/arts-history-and-culture/native-american-culture-history/https://www.interlochenpublicradio.org/northern-michigan/2011-11-08/historic-burial-site-found-during-hotel-excavationhttps://www.nps.gov/articles/burial-practices.htmhttps://www.michiganhauntedhouses.com/real-haunt/grand-hotel.htmlhttps://moonmausoleum.com/the-luxurious-haunting-at-the-grand-hotel-at-mackinac-island/https://hauntedus.com/michigan/mission-point-resort/#:~:text=Perhaps%20the%20most%20well%2Dknown,life%20on%20a%20nearby%20cliffside.https://innonmackinac.com/5-local-legends-from-mackinac-island-youve-never-heard/https://moonmausoleum.com/skull-cave-on-mackinac-island-and-the-spirits-haunting-it/https://www.theinnatstonecliffe.com/blog/devils-kitchen-mackinac-island

A listener asks how to negotiate scholarships, especially when schools claim they don't negotiate. Ben and Nathan advise always asking for more and using competing offers as leverage.  But, they stress the importance of being ready to walk away from an offer that doesn't meet your needs.Also in this episode- Handling burnout from LSAT studying - A logical reasoning question about a mushroom allergy- Whether job prestige helps in law school admissionsStudy with our Free Plan⁠⁠Download our iOS app⁠Watch Episode 552 on YouTubeCheck out all of our “What's the Deal With” segmentsGet caught up with our ⁠Word of the Week⁠⁠ library0:00 Burn Out. Need Advice.17:43 How to Negotiate50:45 Test D Question –- Mushroom Allergy1:00:36 Studying Abroad1:15:28 Pearls v. Turds1:21:28 Job Prestige1:26:43 Losing Study Progress1:36:38 Word of the week – gravamen

This week we look into Glamis Castle! There is a long history at Glamis Castle! And as we know places with this much history usually have some really cool hauntings! SponsorMaster Class: MasterClass.com/graveyard Check outCowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYTCheck out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.netOur ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.glamis-castle.co.uk/castle-gardens/about-glamis-castle/timeline/https://www.undiscoveredscotland.co.uk/glamis/glamiscastle/index.htmlhttps://www.glamis-castle.co.uk/castle-gardens/about-glamis-castle/https://www.historichouses.org/house/glamis-castle/history/https://www.discoverbritain.com/heritage/castles/glamis-castle-angus/https://great-castles.com/glamisghost.htmlhttps://www.historic-uk.com/HistoryMagazine/DestinationsUK/The-Battle-of-Sheriffmuir/https://www.nationalarchives.gov.uk/education/resources/jacobite-1715/account-sheriffmuir/https://aspectsofhistory.substack.com/p/the-jacobite-uprising-and-the-battlehttps://adventuresinhistoryland.com/2016/02/01/sheriffmuir-1715/https://great-castles.com/glamisghost.htmlhttps://www.glamis-castle.co.uk/event/ghosts-at-glamis/https://www.scottish-paranormal.co.uk/post/i-investigated-glamis-castle-a-paranormal-dream-fulfilledhttps://www.reddit.com/r/UnresolvedMysteries/comments/7uczs2/who_or_what_is_the_monster_of_glamis_castle/https://thelittlehouseofhorrors.com/glamis-castle/https://www.hauntedrooms.co.uk/glamis-castle-angus-scotlandhttps://www.reddit.com/r/Ghosts/comments/1f9sskc/first_time_seeing_ghosts_of_glamis_castle/?utm_source=chatgpt.comhttps://ghostwatch.com/paranormal-report/residual-hauntings/scotland/glamis-castle/?utm_source=chatgpt.comhttps://steemit.com/travel/@saraalafi/the-tongueless-woman-of-glamis-castlehttps://great-castles.com/glamisghost.htmlhttps://www.glamis-castle.co.uk/event/ghosts-at-glamis/https://www.scottish-paranormal.co.uk/post/i-investigated-glamis-castle-a-paranormal-dream-fulfilledhttps://www.reddit.com/r/UnresolvedMysteries/comments/7uczs2/who_or_what_is_the_monster_of_glamis_castle/https://thelittlehouseofhorrors.com/glamis-castle/https://www.hauntedrooms.co.uk/glamis-castle-angus-scotlandhttps://www.reddit.com/r/Ghosts/comments/1f9sskc/first_time_seeing_ghosts_of_glamis_castle/?utm_source=chatgpt.comhttps://ghostwatch.com/paranormal-report/residual-hauntings/scotland/glamis-castle/?utm_source=chatgpt.comhttps://steemit.com/travel/@saraalafi/the-tongueless-woman-of-glamis-castle

Let's look at Bonnie & Clyde! First, we'll look into a brief history of their life and crimes and then get into the reality of their deaths. Hollywood has romanticized their lives and deaths to make it more cinematic than it was. Then we cover where their ghosts are claimed to be seen.SponsorMe Undies- MeUndies.com/graveyard (Code: graveyard)Go Check OutCowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://blogs.loc.gov/headlinesandheroes/2022/01/famous-couples-bonnie-and-clyde/https://www.britannica.com/biography/Bonnie-and-Clyde-American-criminalshttps://texashighways.com/culture/history/what-do-we-really-know-about-bonnie-and-clyde-and-their-legacy-in-dallas/https://www.ebsco.com/research-starters/history/bonnie-parkerhttps://www.tshaonline.org/handbook/entries/parker-bonniehttps://www.biography.com/crime/bonnie-parkerhttps://www.tshaonline.org/handbook/entries/barrow-clyde-chesnuthttps://www.biography.com/crime/clyde-barrowhttps://www.ebsco.com/research-starters/history/clyde-barrowhttps://www.notesoniowa.com/post/bonnie-clyde-rob-stuart-iowa-time-machine-april-16-1934https://64parishes.org/entry/capture-of-bonnie-and-clydehttps://pelicanstateofmind.com/louisiana-love/history-of-bonnie-and-clyde-gas-station-in-gibsland-louisiana/https://www.paraboxmonthly.com/2025/bonnie-and-clyde?srsltid=AfmBOoryzLvqpp_OtGXnDQhT_43n17BY4iKYFC1RvlB4aOgkHycGaJyQhttps://dallasterrors.com/the-infamous-outlaws-bonnie-clyde/https://www.stronghold-nation.com/history/myth/the-ghosts-of-bonnie-clydehttps://www.reddit.com/r/Ghosts/comments/ahk38s/bonnie_and_clyde_field_trip/https://mykisscountry937.com/louisiana-bonnie-clyde-ghosts/https://pelicanstateofmind.com/louisiana-love/19-real-haunted-places-louisiana/https://texashideout.tripod.com/spirits.html

Let's look at the Devil's Tower. There are many legends about the Devil's Tower and lately there have been a lot of theories put out on the internet about it… but what is the truth? Check out Cowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.reddit.com/r/geography/comments/1atleqn/devils_tower_wyoming_a_large_butte_it_reaches/https://www.mentalfloss.com/article/504106/7-majestic-facts-about-devils-towerhttps://www.nps.gov/deto/planyourvisit/basicinfo.htmhttps://travelwyoming.com/listing/devils-tower-national-monument/2466/https://www.geowyo.com/devils-tower--black-hills.htmlhttps://iugs-geoheritage.org/geoheritage_sites/devils-tower-mateo-tepe/https://pubs.usgs.gov/bul/1021i/report.pdfhttps://www.nps.gov/deto/learn/nature/tower-formation.htmhttps://www.visitrapidcity.com/blog/post/the-story-of-devils-tower-national-monument/https://www.yellowstonepark.com/road-trips/road-trip-stops/visit-wyoming/devils-tower-wyoming/https://www.wyohistory.org/encyclopedia/protecting-public-land-frank-mondell-theodore-roosevelt-and-devils-tower-nationalhttps://visitgillettewright.com/devils-tower-story/https://sacredland.org/devils-tower-united-states/https://indianlaw.org/projects/past_projects/cheyenne_riverhttps://www.nps.gov/deto/learn/historyculture/reverence.htmhttps://www.yellowstonepark.com/road-trips/road-trip-stops/visit-wyoming/devils-tower-wyoming/https://www.visitrapidcity.com/blog/post/the-story-of-devils-tower-national-monument/?utm_source=chatgpt.comhttps://www.facebook.com/photo.php?fbid=522150500744736&set=a.103457282614062&id=100088493708890https://www.snopes.com/fact-check/last-giant-silicon-tree-1899/https://en.wikipedia.org/wiki/List_of_tallest_treeshttps://www.reuters.com/article/world/fact-checkdevils-tower-is-not-a-tree-idUSKBN25H2EH/https://www.snopes.com/fact-check/roots-devils-tower/https://www.facebook.com/reel/1220429726578916

This week we discuss the Superstition Mountains and the Lost Dutchman's Mine. The history of the mountains is vast but we'll get in some important parts. And the legends of the mountains are even more interesting! SponsorMaster Class – MasterClass.com/graveyard Check outCowboy Revolution Apparelhttps://cowboyrevolution.com/?ref=adamgytcode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net Our ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://www.visitphoenix.com/sonoran-desert/parks/superstition-mountains/https://www.ajpl.org/superstition-mountain/https://www.superstitionmountain.com/history-of-the-superstition-mountains-13c809.htmlhttps://azstateparks.com/lost-dutchman/explore/sciencehttps://www.visitmesa.com/things-to-do/outdoor-activities/superstition-mountains/https://www.tripadvisor.com/Attraction_Review-g28924-d219471-Reviews-Superstition_Mountains-Arizona.htmlhttps://dustandtribe.com/2021/01/04/a-very-short-history-of-the-superstition-wlderness/https://www.wonderfulmuseums.com/museum/superstition-mountain-museum/https://group6apachejunction.wordpress.com/hohokam-culture/https://theazjones.com/ancient-salado-cave-dwellings-in-the-superstition-wilderness/https://www.wonderfulmuseums.com/museum/besh-ba-gowah-archaeological-park-and-museum-globe-az/https://oan.srpmic-nsn.gov/traditional-form-of-oodham-calendar-explored/https://www.potawatomi.org/blog/2018/04/05/district-5-gene-lambert-april-2018/https://azstateparks.com/lost-dutchman/explore/the-dutchmanhttps://winehikingsociety.com/the-superstition-mountains-legends-gold-and-ghostly-mysteries/#:~:text=Many%20hikers%20and%20campers%20have,your%20next%20ghost%2Dhunting%20destination.https://joslynchase.com/the-enduring-legend-of-the-lost-dutchman/https://maxwelljourneys.medium.com/the-mysterious-and-haunted-superstition-mountains-a-journey-through-time-and-legends-6d04bafd6af3https://www.searchscottsdale.com/blog/the-spooky-secrets-of-the-superstition-mountains.htmlhttps://www.facebook.com/groups/americansouthwest/posts/1377838889512248/https://seeworldnotseaworld.blog/2021/09/12/the-superstitions-the-most-haunted-mountain-range-in-america/