Podcast appearances and mentions of sam vimes

Liz and Ben are joined by Pratchett academic and cosplayer Freyja Stokes as they head out to the Discworld countryside for a bit of peace, quiet and definitely no murders, in Terry Pratchett's final City Watch book, 2011's Snuff. Sam Vimes is facing his ultimate ordeal: a holiday. But no sooner has he made a mess of meeting the staff at Crundles, the Ramkin country estate, than he smells something rotten in the Shires. When the local blacksmith offers to meet him at midnight, he and his trusty valet Willikins instead find a puddle of blood and the ire of the local magistrates. A lot more's afoot than a simple murder - and it seems to have something to do with goblins, tobacco, and Fred Colon taking a funny turn... One of the last of the Discworld novels, and the final one starring Sam Vimes and (in their by now customary secondary roles) the Ankh-Morpork City Watch, Snuff also introduces a new species of fantasy creature to the Disc: goblins. Not so much hated as barely considered by other peoples, they eke out a wretched existence in the corners of the world that can hide them, a remnant of the Old Days of Dark Lords and magical war. But for Pratchett, of course, goblins aren't just tiny evil filthy things - and their story is much more about the evils of humans than any other monster. Have you read as far as Snuff, and do you think it feels different to the books that come before it? Were you expecting more of a mix of Pride & Prejudice and Midsomer Murders, and how do you feel about it being more of “howcatchem”? Was it a weird choice to take Vimes so far out of his element in his final book, or does it do us all a favour by showing us what his retirement might possibly look like? What's the weirdest rule in crocket? How great are goblins???* And what's your goblin name? Don't get distracted by the new Clacks tower - join the conversation using the hashtag #Pratchat86. Guest Freyja Stokes (he/she) was one of the first recipients of UniSA's Pratchett Scholarship, and finished her Masters thesis in 2023. It's titled ‘The turtle moves : how Terry Pratchett's Discworld does vernacular theory', and it's available via the UniSA library. Freyja is also a keen cosplayer and crafty person, and you find her and her creations on Facebook and other social media. You can find episode notes and errata on our web site. Next month we take a break from the few remaining Pratchett novels to play a game that we promise is simpler than crocket: Discworld: Ankh-Morpork, the fan favourite of the board games! Get your questions in via email (chat@pratchatpodcast.com), or social media using the hashtag #Pratchat87. * This one is rhetorical. They're really great.

Liz and Ben delve deep into the archives and come back with some highlights from the collected Discworld Diaries from Terry Pratchett and Stephen Briggs' The Ankh-Morpork Archives Volumes I (2019) and II (2020), plus Terry's 2004 collaboration with Bernard Pearson, The Discworld Alamak. Between 1998 and 2003, Discworld fans got an extra little treat: an in-universe diary themed around one of the Guilds or other major institutions of the Disc, full of new Discworld history and gags penned by Pratchett with the assistance of Stephen Briggs, and illustrations by Paul Kidby. In 2004, they got something a little different: a Roundworld version of the Celebrated Discworld Almanak, a publication famed for its wisdom, length and absorbency, co-authored by Pratchett and Bernard Pearson. After a brief break, two more diaries with new gags and Discworld lore appeared in 2007 and 2008, but any subsequent diaries or journals were just compilations of quotes and existing material. Like all diaries, these were smaller print runs and never reprinted, so for most fans these extra tidbits were lost to time. But then, in 2019 and 2020, Stephen Briggs and Paul Kidby brought all that weirdness back in two new books: The Ankh-Morpork Archives Volume I, and Volume II, each collecting the original content from four of those diaries and presenting them in a coffee-table style larger format, with new layout, updated or new art, and all the charm of the originals. Did you ever have one of the diaries? Did you write in it? What do you think of the new presentation of all these gags? Do the more unusual diaries have the same charm, or does it feel a bit like the best themes had already been used? And if you were to see new books based on any of this stuff, what would you want to see? Note your answer in your diary, then send it to us using the hashtag #Pratchat84. You can find episode notes and errata on our web site. Next month we knock off one of our few remaining Discworld novels: Sam Vimes' detective's holiday in the country, Snuff! Get your questions in via email (chat@pratchatpodcast.com), or social media using the hashtag #Pratchat86. (Our numbering got a bit messed up due to the delay of this episode, but trust us: the next one is 86!)

Get the book here: https://amzn.to/4dly5TZ "Night Watch turns out to be an unexpectedly moving novel about sacrifice and responsibility, its final scenes leaving one near tears. . . Terry Pratchett may still be pegged as a comic novelist, but . . . he's a lot more.” — Washington Post Book World Getting knocked back in time thirty years, Sam Vines, Commander of the Ankh-Morpork City Watch experiences a day like no other in which past, present, and future collide with hilarious—and poignant—results in this rollicking Discworld adventure from Terry Pratchett. One moment Commander of the City Watch Sam Vimes is chasing a murderer across the rooftops of Ankh-Morpork. The next, he's lying in the street below, naked—and back in his own tough past thanks to a lightning strike and a group of meddling, time-manipulating monks. It's a dark Discworld that is all too familiar. Worse, the cop-killing psychopath he'd been pursuing has been transported back with him, and it's the eve of a deadly street rebellion that took a few good (and not so good) lives. Vimes is determined to do his duty— track down the murderer and change the outcome of the rebellion. By changing history he might just save some worthwhile necks, and steer a novice watchman straight—an impressionable young copper named Sam Vimes. But if he succeeds, Sam knows it could cost him the future—including the job and the family he loves. The Discworld novels can be read in any order but Night Watch is the sixth book in the City Watch series. The series includes: Guards! Guards! Men at Arms Feet of Clay Jingo The Fifth Elephant Night Watch Thud! Snuff

Kiwi writer and poet Freya Daly Sadgrove joins Liz and Ben from Sydney as we adjust our uniforms and march into the horrible realities of war (class, gender and literal) to discuss Terry Pratchett's thirty-first Discworld novel, 2003's Monstrous Regiment. Polly Perks has cut off her hair, put on some trousers and joined the army under the name of Oliver, all so she can find her strong but gentle-minded brother, Paul. Is soon turns out that her regiment, led by the infamous Sergeant Jackrum who swears to look after “his little lads”, is quite possibly the last one left in all of Borogravia. In her search for Paul, Polly will have to deal with the enemy, the free press, a vampire who might kill for a coffee, Sam Vimes, and The Secret: she might not be the only impostor in the ranks... Coming in between the first two Tiffany Aching novels, Monstrous Regiment - which is also monstrous in size, possibly Pratchett's second longest novel - is the last truly standalone Discworld story. It introduces a wonderful cast of characters who, sadly, we'll never see again. Not only that, but it gives major supporting roles to old favourites Sam Vimes and William de Worde, with a side order of Otto von Chriek! Critics at the time compared it to Evelyn Waugh, Jonathan Swift and All Quiet on the Western Front, and it remains one of Pratchett's most beloved and celebrated novels - both for what it says about war, and about gender. Did you know The Secret before you read Monstrous Regiment? What's it like re-reading it when you do know? How do you feel about the ending(s)? How does Pratchett's handling of gender hold up against our modern understanding? What would you prohibit, in Nugganite fashion? And would you rather have a type of food or clothing named after you? Get on board the conversation for this episode with the hashtag #Pratchat76. Freya Daly Sadgrove (she/her) is a pākehā writer and performance poet from New Zealand, currently living in Sydney. Her first book of poetry, Head Girl, was published in 2020 by Te Herenga Waka University Press, and she is one of the creators of New Zealand live poetry showcase Show Ponies, which presents poets like they're pop stars. Her first full-length live show, 2023's Whole New Woman, blended poetry with live rock music. Freya has a website at freyadalysad.com (though it might not be available at the moment), and you can also find her as @FreyaDalySad on Twitter. As usual you'll find comprehensive notes and errata for this episode on our website, including lots of photos of the components we discuss. Next episode we're discussing two short stories about animals: “Hollywood Chickens” (found in A Blink of the Screen) and “From the Horse's Mouth” (from A Stroke of the Pen). Our guest will be the author of The Animals in That Country, Laura Jean McKay. Get your questions in by mid-April 2024 by replying to us or using the hashtag #Pratchat77 on social media, or email us at chat@pratchatpodcast.com.

Vicky Osterweil (In defense of Looting), Miriam, and Io chose their champions and play a game making the case for the best fictional cop and how guilty we feel as anarchists for loving them. Rust Chole, Sam Vimes and Agent Dale Cooper duke it out for the title of the only good cop! 3 pigss enter! Only one will be spared the wall! Is the noir detective a cop? How does copaganda work? Can a cop and its mortal enemy, rock n roll be allies? Idk bud, but we talk about at length. Apologies for the light cop apologism in this one, it's all fictional. ACAB We also discuss what defines a “cop”, how cops get such a putrid mentality, Airheads, Knives out, Deadwood, Fallout, wife guys, crisis masculinity, the best boot based economic analogies, dwarven trans allegories, rural vs sub/urban cops, Q anon, Odo, true crime podcasts and KoRn for some reason Io can be found on Twitter @Bum_lung or on Instagram @Bum.Lung or you can find their comics, prints and shirts on Etsy at https://www.etsy.com/shop/BumLung Vicky's new book “The Extended Universe” will be out later this year and In defense of Looting can be found for free here https://theanarchistlibrary.org/library/vicky-osterweil-in-defense-of-looting This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Our logo is by Robin Savage. And our theme music is by a lovely mountain goblin.

El mundo es tan complejo y tan difícil que, a veces, nos vemos obligados a apoyarnos en recursos de ficción o de fantasía para entenderlo. Y pocos lugares mejores para comprender una realidad compleja que Mundodisco, ese planeta inventado por Terry Pratchett en la saga de mismo nombre, que viaja en equilibrio sobre el lomo de cuatro elefantes, que a su vez se encuentran sobre el lomo de una tortuga estelar.Un escenario de auténtica fantasía, que dio pie a una saga que solo en España vendió más de un millón de libros. Destacaba además la creación de Pratchett por su capacidad para establecer paralelismos satíricos sobre cuestiones culturales, políticas, económicas y científicas.De hecho, los libros del genial autor entre su fino humor británico también recogen brillantes reflexiones sobre la sociedad actual, tan similar en algunos aspectos a la de hace 40 años, cuando Pratchett empezó a escribir las novelas de la saga.Este entorno es el que recoge la 'teoría de las botas de Vimes', o sencillamente 'teoría de las botas', que trata de explicar el problema de la desigualdad y la injusticia socioeconómica. Aparecida por primera vez en 1993, en la novela 'Hombres de Armas', señala que las personas que viven en la pobreza tienden a comprar productos baratos y de menor calidad, que deben reemplazarse repetidamente, y lo que a largo plazo resulta ser más caro que haber comprado un producto de mayor calidad.Recibe este nombre, precisamente, porque es Sam Vimes, capitán de la Guardia de la ciudad de Ankh-Morpork, el que ilustra el concepto, poniendo como ejemplo unas botas, con una reflexión sobre lo caro que es ser pobre."La razón porque los ricos eran ricos, razonaba Vimes, era que se las arreglaban para gastar menos dinero. Tomemos el caso de las botas, por ejemplo. Él ganaba treinta y ocho dólares al mes más complementos. Un par de botas de cuero, realmente buenas, costaba cincuenta dólares. Pero un par de botas, las que aguantaban más o menos bien durante una o dos estaciones y luego empezaban a llenarse de agua en cuanto cedía el cartón, costaban alrededor de diez dólares". "Aquella era la clase de botas que Vimes compraba siempre, y las llevaba hasta que las suelas se quedaban tan delgadas que le era posible saber en qué lugar de Ankh-Morpork se encontraba durante una noche de niebla, solo por el tacto de los adoquines. Pero el asunto era que las botas realmente buenas duraban años y años. Un hombre que podía permitirse gastar cincuenta dólares disponía de un par de botas que seguirían manteniéndole los pies secos dentro de diez años, mientras que un pobre solo podía permitirse comprar botas baratas se habría gastado cien dólares en botas durante el mismo tiempo y seguiría teniendo los pies mojados."

Your hosts journey farther into the center of the Discworld with “The Fifth Elephant” by Terry Pratchett. Elephants feature very little in this conversation, and indeed, this book. But they DO talk about poor husbanding played for laughs, the true introduction of the Igor family, and Uberwald from the Witches' vs Sam Vimes's perspectives. This episode also features a Words are Cool.Find us on discord: https://discord.gg/dpNHTWVu6b or support us on Patreon: https://www.patreon.com/fictionfanspodThanks to the following musicians for the use of their songs:- Amarià for the use of “Sérénade à Notre Dame de Paris”- Josh Woodward for the use of “Electric Sunrise”Licensed under Creative Commons: By Attribution 4.0 License

Do you like your hilarious medieval satire mixed with some biting social commentary? Want to know what this Discworld thing everyone keeps talking about it is? Want to know the Boots Theory of Economics from Sam Vimes? Rob McKenzie joins me to talk about Discworld, focusing on The Watch series of books.Patrons get access to bonus content with every episode! To show your support for this podcast, and all things Ethical Panda, please join us at - https://www.patreon.com/theethicalpandaWe love feedback! To ask questions or let us know what you think, contact us atEmail: Matthew@TheEthicalPanda.comTwitter:@EthicalPanda77Facebook: https://www.facebook.com/TheEthicalPandaOr go to our website www.theethicalpanda.com for more information, contact info and to find all of our podcasts!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4259141/advertisement

In this very special episode, Liz and Ben are joined by fellow Discworld podcasters Joanna Hagan and Francine Carrel on an existential journey deep into our very souls! Yes, it's part three of our Thud!-related trilogy, in which we discuss Where's My Cow? Every night at six o'clock, Sam Vimes, Commander of the City Watch, reads the picture book Where's My Cow? to his one-year-old son, Young Sam. But tonight, in between doing the barnyard noises, Vimes starts to question whether this is really the right story for a child of Ankh-Morpork. Released at the same time as Thud!, Where's My Cow? is a picture book based on a novel inspired by a board game. Lavishly illustrated by newcomer to the Discworld Melvyn Grant, it takes the couple of pages explaining the book - and the "Vimes street version" - and brings them vividly to life, along with wonderful new visions of some of our favourite Discworld characters. But is Young Sam cute, or in the uncanny valley? What's the deal with that flying book? What do you think the Discworld's answer to duct tape would be? Are are you, in some way, looking for your cow? Join the conversation using the hashtag #Pratchat62. Guests Joanna Hagan (chef, poet, playwright, author) and Francine Carrel (writer, editor) are the hosts of the Discworld podcast The Truth Shall Make Ye Fret, which is about to reach its 100th episode! Their format splits each novel up into three weekly episodes per month, and they're going through the Discworld books in mostly publication order, with side trips to Pratchett's non-Discworld work along the way. Find them wherever good podcasts are available, but also at their website, thetruthshallmakeyefret.com, and on Twitter, Facebook, Tumblr, Reddit, TikTok and probably something else by the time you read this. If you like what they do, please consider supporting them on Patreon. You'll find notes and errata for this episode on our web site. As mentioned above and at the end of the episode, we've decided to cut ourselves some slack in the new year by extending the "Thud! trilogy" to four parts. In January we'll be welcoming back Matt Roden to discuss the Discworld short story "A Collegiate Casting-Out of Devilish Devices", featuring A. E. Pessimal and available in A Blink of the Screen. We'll also tackle some more of your brilliant Thud! questions! If you have questions about the short story, send them via social media with the hashtag #Pratchat63 or via email to chat@pratchatpodcast.com. Finally, if you want to catch The Amazing Maurice before the rest of the Australia, and you're in Adelaide, the Australian Discworld Convention's fundraiser screening is on Saturday, the 10th of December, at 3 PM at the Palace Nova Prospect. Get details and book your tickets here! (We won't be there, but do tell us if you go!)

The Trousers of Time end up in a knot as writer Nadia Bailey rejoins Liz and Ben and we go back to the Glorious Past in the twenty-ninth Discworld novel, 2002's Night Watch. While pursuing dangerous killer Carcer across the rooftop of Unseen University, a magical bolt of lightning (or something) sends Sir Samuel Vimes, Commander of the City Watch and Duke of Ankh, thirty years into the past - along with his quarry. Carcer kills Vimes' old mentor, Sergeant John Keel, and Vimes steps into Keel's thinly-soled shoes; he'll have to show himself the ropes to keep history intact. But he's not just reliving any old past: it's almost the Glorious 25th of May. The day the people deposed the paranoid Patrician Lord Winder; the day hundreds were killed in violent clashes across the city; and the day John Keel died... Night Watch is beloved by Discworld fans, no least because it gives a double dose of everyone's favourite "honest copper", Sam Vimes. But he leaves Sybil in labour as he's thrust back intp the best and worst days of his early career, forced to grapple with the darkness in his and others' souls with only the technobabble of a few time boffin monks for guidance. It's possibly Pratchett's darkest book, and certainly takes us into one of the darkest corners of the Discworld: Ankh-Morpork before the rise of Vetinari and the Guilds. Does Vimes knows where to draw the line in this book? Is Carcer an intriguing villain, or a cookie cutter evil psychopath? Could you teach your younger self everything you needed to know to become you? And is this book in your top five, or do you fail to see what all the fuss is about? Join the conversation using the hashtag #Pratchat54 on social media. Guest Nadia Bailey is a writer, editor and critic. She's published a number of pop-culture related books about such diverse subjects as Stranger Things, Frida Kahlo and Ruth Bader Ginsburg. Her latest publication is The Deck of Crystals, a deck of cards which looks into the history, superstition and lore of gemstones. Nadia has just begun a PhD researching (among other things) the lives of queer women during World War I. You can find Nadia on Twitter as @animalorchestra, or visit her website at nadiabailey.com. As usual, you can find notes and errata for this episode on our website. Next month we're joining a ragtag crew of misfits on a desperate mission to save the Disc in the second big illustrated Discworld adventure, The Last Hero! And to help us navigate Paul Kidby's astonishing illustrations, we're welcoming back illustrator and comic book creator Georgina Chadderton. Send us your questions via the hashtag #Pratchat55, or via email to chat@pratchatpodcast.com.

This month, we've put down the books and picked up the remote control! Guests Patrick Lenton and Fury join us to discuss a show "based on characters created by Sir Terry Pratchett": 2021's The Watch. Sam Vimes was a street kid in Ankh-Morpork who joined the Watch to kill its Captain and free the imprisoned members of his gang. But he had a change of heart. Twenty years later, he's still there - a washed-up drunk of a Captain, whose force of misfits have almost nothing to police since the criminal Guilds were all legalised. But during his latest assignment - to find a missing library book - he sees someone who died twenty years ago. Soon the Watch is up to their necks in dragons, ancient artefacts and magical experiments gone wrong, and it'll take all their cunning and heart to get to the bottom of it...plus a little help from noblewoman-turned-vigilante, Lady Sybil Ramkin. After a long road through development hell, initially with Pratchett himself at the helm, The Watch eventually emerged as a surprisingly "punk rock police procedural"; a brightly-coloured Dungeon-punk explosion which wears its queerness on its sleeve. The Watch remixes characters and concepts from the books into something so different that fans and friends of Pratchett quickly disowned it. The critical reaction was middling at best, and it took six months for it to be released on Pratchett's home soil. But is it any good? Could you divorce yourself from the source material? If so, does The Watch work on its own terms? Is it funny? Is it comprehensible? Is watching it a good time? Which bits got up your nose, and which did you love? Who was your favourite character, and why was it Cheery? And given we barely scratched the surface of talking about it this episode - should we do a bonus mini-series, discussing it episode by episode? Let us know by joining the conversation, using the hashtag #Pratchat52. Guest Patrick Lenton is currently Deputy Editor: Arts + Culture for The Conversation, and previously part of the editorial staff at Junkee. He is also a freelance writer whose work has spanned journalism, theatre, fiction and comedy. As well as at Junkee and various independent work has appeared in The Guardian, His most recent short story collection is Sexy Tales of Palaeontology from Subbed In, and he writes the newsletter All the Hetereosexual Nonsense I Was Forced To Endure with Rebecca Shaw. You can find Patrick on Twitter as @PatrickLenton, and his handy LinkTree will help you find his other stuff. Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in #Pratchat19 (Soul Music) and #Pratchat29 (The Last Continent) - our last in-person episode, recorded in the before times! Their live multi-disciplinary show Gender Euphoria toured Australia in 2019 and 2020, and their book I Don't Understand How Emotions Work is (probably) still available. You can find out more about them at furywrites.com, or follow them on Twitter as @fury_writes. Their first TV show, Crazy Fun Park, is currently in production and scheduled to premiere on ABC ME and ABC iview in late 2022. As usual, you can find notes and errata for this episode on our website. Next month we're heading to one of the books that (sort of) provided a big chunk of inspiration for The Watch, and a fan favourite, frequently topping rankings of the Discworld series: Night Watch! Meet the original Carcer Dun, Jocasta Wiggs, young Sam Vimes, and - eventually - Young Sam Vimes... Send us your questions via the hashtag #Pratchat52, or via email to chat@pratchatpodcast.com.

No, it's not the new version of Stomp, it's the next Discworld novel! Join Manning and Liz as they follow Sam Vimes on a journey of entrenched cultural animosity and complex strategy games in Thud! Also, because Manning forgot to mention it in the show, thanks to Willow Carter for our theme music. Discord - https://discord.gg/ZtA7xUe Twitter - https://twitter.com/WyrdSistersPod Facebook - https://www.facebook.com/wyrdsisterspod/ Tumblr - https://wyrdsisterspodcast.tumblr.com/tagged/episode Patreon - https://www.patreon.com/wyrdsisterspodcast

Young William de Worde finds himself producing a paper of news after getting hit in the forehead by a piece of lead type that flies off a runaway cart, owned by the dwarfs, and including a printing press. William finds his hands more than full, with Vetinari having words with him, Sam Vimes wanting to throw him in jail, a pair of psychotic killers after his blood, and… oh yes, a man who grows “humorous vegetables” and would like pictures of them published in the Ankh-Morpork Times—all of this happening while he is trying to get the truth of an apparent plot to depose the Patrician. Thanks for popping in for some Pratchips! We love all you guys. We love anyone who derives pleasure, enjoyment, or solace from anything we do. And we know you love your Pratchett! Facebook page: Tales from the DrumWebsite: https://www.podpage.com/Tales-From-the-Drum/YouTube channel: Tales from the Drum email: medievalgnome@gmail.Discord server: Friends of Medieval Gnome Productions Patreon page: Medieval Gnome Productions Medieval Gnome Productions is-- CEF: Holly Goze; Engineer: Ivy “Munchkin” McDoodles; host: The Medieval Gnome; and, our new media consultant Artimas the Chill.The Turtle Moves

One of those Leonard of Quirm designs that never should've seen the light of day. Or at least should have been destroyed immediately thereafter. But it wasn't, it has occult vibes, and it kills people. It almost takes over Sam Vimes before Carrot destroys it. Narrow escape all ‘round.Our Podpage webpage is down for maintenance this week. We will have a new Facebook page by this Friday.The previous week's Pratchips, and last week's regular episode, are available on our YouTube channel at https://www.youtube.com/channel/UCh2HGerNeQ9kkv3WvZnyzVQAvec videos of our hard-working staff. The video for Soul Music is up, at https://www.youtube.com/watch?v=Lm4KXmhhMeQ, and it includes footage of Ivy pretending she's a…. tank driver???All Pratchips episodes for the coming week are now available to all Patreon supporters (at whatever level) on our Patreon page, and to all members of our Discord community, Friends of Medieval Gnome Productions in the Pratchips channel.Our Patreon page may be found at https://www.patreon.com/user?u=21210045&fan_landing=trueYou can join our Discord community by searching for it on the Discord home page, or by clicking here: https://discord.gg/kdr5SWnUPPEmail us at www.medievalgnome@gmail.com. You never know what might happen!!Thanks for listening! 

Evan Saft, noted Golem enthusiast, rejoins us (with more than a moment's notice this time) to discuss one of the most loved Guards novels, Feet of Clay. Our guest, Evan Saft, can be found at @namesequipped or at their podcast Roll Out! ft. the Young VanguardCheck us out on twitter at @atuin_podHelp us keep the lights on via our Patreon!Follow individual hosts at @urizenxvii, @The_Miannai, and @JustenwritesWe can also be found at www.compleatdiscography.pageOur art is by the indomitable Jess who can be found at @angryartist113Music is by Incompetech and used under a Creative Commons 4.0 Attribution license.Take a Chance by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4457-take-a-chanceFuzzball Parade by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5044-fuzzball-paradeLicense: http://creativecommons.org/licenses/by/4.0/

While Jingo is broadly classified as a Guards book, it really is the beginning of a series of Sam Vimes books with the Watch in orbit around him. There's also a LOT of our favorite carnivorous flamingo, The Patrician himself.  There's submarine action, a plot head-fake that would be at home in film noir or Tom Clancy, and lots and lots of politics.It also marks an inflection point in Discworld novels, at least to those of us very familiar with them. Sam very much finds who he will be in the back half of the Discworld library in this book, and much of the commentary that happens around the plot is clearly Sir Terry rethinking some of his earlier easy stereotypes.Our guest Scott Paladin can be found on twitter @scottpaladin and online at scottpaladin.com, as cohost on the Monster Mechanics Podcast @monstermpod and monsterpod.org, and as writer/director/editor on the Breathing Space, Fading Frontier audio drama @BreathingXSpace breathingspace.lawofnames.com.Check us out on twitter at @atuin_podHelp us keep the lights on via our Patreon!Follow individual hosts at @urizenxvii, @The_Miannai, and @JustenwritesWe can also be found at www.compleatdiscography.pageOur art is by the indomitable Jess who can be found at @angryartist113Music is by Incompetech and used under a Creative Commons 4.0 Attribution license.Take a Chance by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4457-take-a-chanceFuzzball Parade by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5044-fuzzball-paradeLicense: http://creativecommons.org/licenses/by/4.0/

Stinky is the goblin who cries out to Sam Vimes, “just-ice, Mr pol-ice-man!” He is a remarkable individual, and his talents are crucial to the pursuit of that “just-ice” on behalf of his fellow goblins.Check out our new webpage at www.podpage.com/witches-and-wizards-portal.The previous week's Pratchips, and last week's regular episode, are available on our YouTube channel at https://www.youtube.com/channel/UCh2HGerNeQ9kkv3WvZnyzVQAvec videos of our hard-working staff.All Pratchips episodes for the coming week are now available to all Patreon supporters (at whatever level) on our Patreon page, and to all members of our Discord community, Friends of Medieval Gnome Productions in the Pratchips channel.Our Patreon page may be found at https://www.patreon.com/user?u=21210045&fan_landing=trueYou can join our Discord community by searching for it on the Discord home page, or by clicking here: https://discord.gg/kdr5SWnUPPEmail us at www.medievalgnome@gmail.com. You never know what might happen!!  Thanks for listening. 

Sam Vimes didn't like the idea, because he doesn't like non-humans. He doesn't like humans either, though, so that's ok.            If you have thoughts about Pratchips, please shoot me an email at randy@mindkindle.net. I'd love to hear from you; I will answer you; and if you are a first-time emailer I'll include a recording of the Clacks episode with my reply. That's the only way you can get a copy of the Clacks episode, short of using a second email addy and a fake name! You are also cordially invited to come join our Discord com         munity, Friends of Medieval Gnome Productions! Just go to the main Discord page and search “Friends of Medieval Gnome Productions.” Alternatively, you can use this link: https://discord.gg/45JxBKUYuA. Btw, it costs nothing to join the server, and there's a lot of exclusive content on there, plus the opportunity to interact with other Pratchett fans, and participate in our Discord person, place or thing challenge. Sort of like 20 questions, and lots of fun.You can also pop onto our Patreon page if you're in the mood to underwrite the efforts of Medieval Gnome Productions (or just want to see some more exclusive content). There's also patron-only content there. Here's the URL. https://www.patreon.com/user?u=21210045&fan_landing=trueI also ask that you consider sending a one-time PayPal payment to randy@mindkindle.net. Our listenership, alas, is shrinking, as are our Patreon supporters. If you don't want to commit to a monthly subscription, please think seriously about a one-time PayPal donation. Even the price of a latte will help with our expenses.  The Turtle MovesMind How You GoGNU Terry Pratchett 

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, MD of Rubber Cheese.Download our free ebook The Ultimate Guide to Doubling Your Visitor NumbersIf you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcastIf you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this episode.Competition ends August  27th 2021. The winner will be contacted via Twitter. Show references:www.thenma.org.ukwww.twitter.com/mj_elliswww.linkedin.com/in/markjellishttps://thenma.org.uk/about-us/news/arboretum-app-launchhttps://thenma.org.uk/visit-us/what's-here/the-memorials/memorial-woodland  Mark Ellis is the Head of Visitor Experience at the National Memorial Arboretum, in Staffordshire, the UK's year-round centre of remembrance. He is responsible for the overall visitor experience, including commercial operations and overseeing the 150-acre site's diverse events programme; frequently over 250 Remembrance Events each year. In the five years since he joined the Arboretum team, he has helped deliver a wide range of new events, activities and commercial opportunities including an immersive World War 1 Trench installation, Summer Proms, an Illuminated Arboretum light trail, and a range of activities to help visitors learn more about the stories behind the memorials.In 2018, the Arboretum opened Aspects, a state-of-the-art events and conference facility. Mark was the client lead from initial concept through to completion and was proud to be part of the team that delivered the project on time and to budget. Aspects complements the award-winning Remembrance Centre at the entrance to the site and has provided a fitting venue for high-profile remembrance events as well as creating a new income stream through corporate hire.Mark has operated across the charity, public and private sectors in several senior roles, consistently demonstrating his ability to deliver great visitor experiences and commercial success in a way that supports the core objectives of an organisation.Outside of work Mark is an experienced Scout leader and enjoys the opportunities that this provides to take part in a range of outdoor activities and adventures. He has worked on international scout camps in the UK and overseas and believes that no food is finer than that cooked on a stick over the embers of a real fire. Transcription:Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. Each episode, I speak with industry experts from the attractions world. These chats are fun, informative, and, hopefully, always interesting.In todays episode I speak with Mark Ellis, Head of Visitor Experience at The National Memorial Arboretum.We discuss their brand new augmented reality experience, tips for other attractions thinking about investing in new technology, and the Memorial Woodland being created in partnership with The National Forest to commemorate all the lives lost during the pandemic.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels, by searching Skip the Queue. Kelly Molson: Good morning, Mark. It is absolutely lovely to speak to you for the first time today. I feel like we've chatted a lot on Twitter, but this is our first...Mark Ellis: I know, Kelly, it feels like your voice is very familiar, and likewise feels like we've chatted a lot. It's a delight to be here, thanks for asking.Kelly Molson: You are very welcome. Before we start, I would like to say a very public thank you to you, Mark, because I think that you are one of our most engaged listeners, and that really means a lot to us. I think every episode that we've put out you always go to a lot of effort to tweet about it and say what you liked about it. And, you tag people in on our Twitter account who you think that might be really interested in listening to it, and I'm really, really grateful to that. So, thank you.Mark Ellis: Thanks, Kelly. Maybe I'm just a frustrated marketeer at heart. Kelly Molson: Maybe. But, I'm going to take it that you're a Skip the Queue podcast supporter.Mark Ellis: I am. It's a fabulous podcast. It's helped and inspired us a lot because it's over the last 12 months. I only retweet and tag because it's so brilliant, so thank you.Kelly Molson: That is lovely to hear, thank you. But, that doesn't mean that you don't get away with answering some of my...Mark Ellis: [crosstalk 00:01:53].Kelly Molson: ... quite mean icebreaker questions, unfortunately. Let's go in. When you hit the dance floor, what is your signature move?Mark Ellis: I'm the worlds best dad dancer. I move my hips left and right, left foot forward, right foot forward, a bit of funny stuff going on with your arms. And then, if you get some electro-funk going on, the arms are pumping up in the air as well. Kelly Molson: Electro-funk, I'm going to remember that.Mark Ellis: Yeah, late night at a festival in a field with a few pints of cider, no one dances better.Kelly Molson: I feel like we're going to need a demo of this when we're all allowed to meet properly in real life. We need to see this, Mark. Mark Ellis: We'll do it. Kelly Molson: Okay, if you were in a zombie apocalypse, which...Kelly Molson:... Considering what's been thrown at us the last year and a half, that could happen, who would you want on your team?Mark Ellis: I'd have The Doctor. Obviously. No problem too bad, no villain he can't defeat with a bit of wit, and panache, and charm. He, or her, whichever incarnation of The Doctor it happens to be. I started with Tom Baker, love David Tennant, love Matt Smith, Jodie Whittaker's taken it to new and brilliant places. So, I'd have The Doctor, every time.Kelly Molson: It's a really good choice. Good. What is the strangest gift that you have ever received?Mark Ellis: Bootlaces. Kelly Molson: Someone bought you bootlaces?Mark Ellis: Yeah.Kelly Molson: Was that a birthday present?Mark Ellis: That was a Christmas present. That was the year when I bought my lovely, fantastic, gorgeous wife some diamond earrings, and she bought me some bootlaces. Kelly Molson: Wow.Mark Ellis: This was probably 15 or 20 years ago. She did tell me that she was busy making me something, I have no idea what, and I'm still waiting. So, the bootlaces are a classic.Kelly Molson: Okay. So, she bought you something to unwrap with the premise that there was something else coming.Mark Ellis: To be very fair, just before Christmas I broke a pair of bootlaces and my boots were held on with a knotted bit of string. So, it was practical and thoughtful, and considerate, and practical so it was a very good gift.Kelly Molson: This is what us women do, always thinking ahead, we knew that was going to happen. Mark, what is your unpopular opinion?Mark Ellis: Before that, Kelly, I've got an icebreaker for you, because I like to turn the tables. Your podcast is brilliant, and you have that uncanny knack of making it feel like it's just a chat between you, your guest, and a listener, and that pulls everybody in. So, if you could have coffee and a chat with one broadcaster, dead or alive, who would it be?Kelly Molson: Oh my gosh, I was not expecting to be tested this morning. Nobody's done this to me yet. Mark Ellis: I'm so sorry.Kelly Molson: Who would be the broadcaster I would sit down and speak to? There's quite a few that I can think of, but I'm going to go current, because I really love this person. I'm going to say Greg James, from the BBC Breakfast show. I know that I have stolen his unpopular opinion segment, which hopefully he won't find out about at any point. Or, maybe he will and he'll appreciate that I'm inspired by him. I just think he's great. I just think he's really fun. What he's done with that Breakfast show, he's completely transformed it. He's also a local lad. He's from Bishop's Stortford originally. I'm from Waltham Abbey, which is not too far, but we live in Saffron Walden now, and the office is in Sawbridgeworth. I feel like we would be friends because we're from the same kind of area, do you know what I mean?Mark Ellis: Excellent.Kelly Molson: We could sit down, have a pint, we should definitely be buddies, Greg, if you're listening.Mark Ellis: Brilliant, great choice. Well done, and sorry about that. I'll behave myself as a guest now.Kelly Molson: Too right as well, Mark. So you should. Mark Ellis: So, unpopular opinion. I thought long and hard about this, and didn't know whether to go with the incredibly trite, or something a bit more meaningful. And actually, somebody said something to me over the weekend that just sparked me going with this one. Which is, when people go with the customer service advice of, "Treat other people like you like to be treated yourself." Which, really winds me up. Because, do you know what? Why don't we treat other people like they want to be treated? So, if I treat everybody like I treat myself, then I'm going to disappoint an awful lot of people. My case in point would be, if I was running a restaurant, which I do as part of my job, I don't eat fish, I don't like fish, I've never liked fish. So, if I treat everyone like I want to treat myself, there'd be no fish on the menu, our incredibly popular Fish Friday would be a bit of a disappointment. So, don't treat people like you want to be treated yourself. Find out how they want to be treated and go with that.Kelly Molson: I love that. I've actually never thought of it that way, but you're absolutely right. Let's see what our listeners think. If you don't think that's an unpopular opinion, Tweet us.Mark Ellis: We'll have a Tweet war about it.Kelly Molson: Yeah, let's have a Tweet war about it. Thank you for sharing those, Mark, that's great.Mark Ellis: No problem. Kelly Molson: I'm going to ask a little bit about your background because it's quite interesting. You've been at Twycross Zoo, and English Heritage, and now you're at the National Memorial Arboretum. Can you tell us how you got to there, how you ended up there?Mark Ellis: There are two versions of this story. One, it was a bunch of random factors that ended up with where I am. Or, I can post-justify and describe a thought out plan all the way through. The truth is, when I was a little boy I wanted to drive one of those cranes with a ball and chain on that demolishes buildings. Never got that chance. So, ended up on a retail career path in high street retail, which was great. Worked for a company called Rohan for many years doing travel and outdoor clothing, absolutely loved it, really high service standards, really quality product, that was great, and really learnt some great customer service skills on that journey. Mark Ellis: Moved on from that. Tales of redundancy and all the rest of it that many people's careers involve. And, ended up moving to Twycross Zoo, as you say. Initially as Head of Retail, taking those [inaudible 00:08:07] high street retail experiences into the visitor attraction area. Twycross Zoo's not far from where I grew up, I've known it for many, many years. It's a place that's special in my heart. So, really, really enjoyed joining the team there. And, pretty quickly, realized that maybe the Guest Services Team could do with the benefit of some additional thinking. So, ended up running the Visitor Service department as well. That's really where I made the hop over from pure retail into visitor attractions. Had a great time there. Zoos are just fantastic places to work. You've got thousands of animals doing the hard job of keeping visitors happy, you're just making sure there's a great experience wrapped around that. Mark Ellis: Ended up moving on from there. Again, the financial crash of 2008, and restructuring, and all the rest of it. So, a bit of a hard hit on that one. And then, worked for PDSA, the pet vet charity, for a while. Which, really enabled me to put completer-finisher on my CV. Which, had been possibly missing up to that point. I'm sure some of my colleagues will smile at the thought that I needed to prove I was a completer-finisher, as I do tend to get slightly distracted by new and shiny things. Kelly Molson: Were you an ideas person?Mark Ellis: Yeah, very much so. A broad overview is the way I like to think of it. Managed a couple of projects for PDSA, and EPOS roll-outs, and reporting things. So, it's really detailed and good work with some brilliant people there.Mark Ellis: Then, got the chance... English Heritage had been through a period of not recruiting, they'd restructured what they were doing. And, I was in the first tranche of people they went out and recruited a new group in. Some really brilliant people at English Heritage, made some lifelong friends while I was working there. Met some of your previous guests, Paul Griffiths, for instance. We shared about three months together at English Heritage. I started just as he was going. And, really did enjoy that. Looked after an area from Peveril Castle, Castleton up in the Peak District, all the way across Norfolk, Suffolk, the East Midlands. So, a huge area, with everything from 5000-year-old flint mines, Grime's Graves in Thetford Forest, through to late-19th century windmills. So, really was the full breadth of English history. Thoroughly enjoyed that, and was settled to keep developing career there.Mark Ellis: And then, the opportunity at National Memorial Arboretum came up, they were looking for a Head of Commercial Operations at the time. I have to say, it took me about half a second to decide whether it was a jump I wanted to make. Again, Arboretum, 20 years anniversary this year of our official opening, so a relatively young site. And so, going from needle flint mines to an arboretum that's only 20 years old was quite a change. But, joined the team here, and working with, again, brilliant people, hopefully making a real impact on the way people remember and enjoy outdoor spaces, and think about the past.Kelly Molson: Great journey. I love that. I find it quite fascinating, listening to how people get to where they are, because it's always kind of a bit squiggly, and I quite like that. There's always a little bit of a twist and turn, it's never a straight line. Mark Ellis: I'm always slightly jealous, the people that say they thought about what they wanted to do when they were at school and they followed a progression and done it, in some ways, I think, "Well done you." But, I still don't know what I want to do when I grow up, other than drive that crane with a ball and chain on it. We'll see what the future brings.Kelly Molson: I wanted to be a dancer. Mark Ellis: Well, there you go.Kelly Molson: I wanted to be a dancer on the West End stage. When I was younger I was really into tap dancing, and modern, and acrobatics and stuff like that. And, I thought, "That's what I'll do. I'll be on the West End stage and I'll be a tap dancer." But then, you start to get a bit older and you're like, "I'm a bit of an average tap dancer, and I'm 5'2, it's probably never going to happen." Mark Ellis: When we get together to do this big group dance, you're really going to show me up with my dad dancing, aren't you?Kelly Molson: Oh gosh. Do you know what? The last time I put on a pair of tap shoes I was about 21. I decided to go back and do it as a fitness thing and it was really fun. I could make a lot of noise with the Blakey's on the bottoms of my shoes right now, but I don't know if I could pull off any tap moves. Let's see when it happens. Kelly Molson: If our listeners have never been to the NMA, tell us a little bit about what it is and what we can expect to find there?Mark Ellis: Yeah, absolutely. It's something that never comes over that well in the telling. It's a site that people have to come and really experience to appreciate. So, that's a very open invitation to all your listeners from around the globe to head over to Staffordshire and come and find us. Entry is free, so we're here ready to welcome you. What you'd find is 150 acres of relatively young woodland. 150 acres, to put it into context, if you're doing your Couch to 5K, then the 5K is about around the perimeter of the site. So, it's a nice, large site. Young Arboretum, an arboretum being a scientific collection of trees. So, we've got around 25,000 trees on-site, every indigenous species in the UK is here. And, we've got examples of trees from around the world as well.Mark Ellis: Dotted throughout the trees you'll find, it's now around 400 memorials to people that have served, and sacrificed, and have been lost on behalf of those of us that are still here. About 75% of the memorials are Armed Forces related, and around 25% are civilian organisations, that includes police, fire, ambulance. We've got things like the WI, Salvation Army, Scouting. So, we cover a very broad spectrum. The military ones cover specific campaigns, cover specific regiments and associations. And, we're also very proud to be the home of the Armed Forces Memorial, which is the national memorial to all of our Armed Forces who have served and sacrificed. And, that has carved onto the walls the names of the 16,000 members of Armed Forces that have lost their lives in active service or through acts of terrorism since the end of the Second World War. So, a very, very special place, and very poignant.Mark Ellis: It's easy for that to sound like it's a slightly sombre place, and certainly, it is a place where people do come and reflect and remember because the final part of remembrance is generally happy memories. We think about those that we've lost, and always brings a smile to the face to remember the good times. And, that's very much what the arboretum is. It's a living memorial. It's a growing memorial. It's ever-developing. It's ever-changing. And, when people leave the site, they often use words like uplifting, and life-affirming, and joyous. Mark Ellis: We have around 250 volunteers, and they really do bring the arboretum to life, all about storytelling. Without the stories, it's just memorials in woodland, and it's the stories behind those memorials that really do tug at the heart, and make people smile, and make people laugh, and make people cry, and other things that are so important. Our volunteers do a great job of telling those stories, and it's always done with a smile and a twinkle in the eye, and remembering some great times in amongst some amazing stories of heroism, and service, and sacrifice. Mark Ellis: So, it's a very special place. We try to operate in the best possible way. We've got a couple of award-winning buildings on-site, our Remembrance Center, our Visitor Center with a large restaurant, a shop, our dedicated classrooms is very special. We've got our Chapel of Peace and Reconciliation, which was the first building on-site where we're the only place in the country that holds the Act of Remembrance on a daily basis. The building I'm talking to you from at the moment is our Events and Conference building, which opened in Autumn 2018. Which, is a state of the art, bespoke conference and events facility as well. Where we can host events for those that are carrying out remembrance activities, but also opens up corporate hire activities, and those important come streams as well.Kelly Molson: I have to say, if we do a live Skip the Queue conference, that is where it will be held, Mark, isn't it? We've already had that mini discussion.Mark Ellis: Brilliant, absolutely, the offer's there. And, the coffee's great.Kelly Molson: I have to say, it comes across what you were talking about in terms of it being a place of remembrance, but also a place of celebration, that comes across really well on your website. I haven't actually had the opportunity to visit the centre yet. It is something that we've had this conversation about, about doing a little bit of a group visit, haven't we? With some of the other Skip the Queue podcast guests, which I'm sure we'll arrange for later on in the year. But, it really does come across. It's a beautiful, beautiful venue. And, it does come across as somewhere really, really special. And, I think that that's important to get that message across, that it is very much about remembrance, but also very much about celebration as well. For me, it doesn't have a sombre feel to it, the way that you present it and the way that you talk about it. And, I think that helps to draw more people to come to it, right?Mark Ellis: Yeah. I think you're absolutely right, Kelly, and thanks for the feedback from an expert on the website. In the words of our Founder, back in the mid-90s, we were always designed to be a place that commemorates lives lost and celebrates lives lived. It's getting that balance right. And, of course, a lot of that is very personal and depends on each individual on where they are in their particular journey. The feedback we get suggests that we generally get that balance pretty much right, and we're really pleased to be able to provide that for people.Kelly Molson: Let's go back to what you were talking about, about stories, because I think that ties in really well with something that I'd like to talk to you about today. You've recently launched a brand new app experience, and I love the name of this, very clever. It's called The ARboretum. Hello? Good use of pun there. It's an augmented reality experience, and it takes families on a journey to learn about everyday heroes. This sounds fabulous. Going back to our first season of the podcast, we had Alex Book on, from Arcade, who is an augmented reality, virtual reality specialist organisation. And, they talked a lot about how your guests... No, you don't call them guests, call them players, because you're getting them to interact with the building and the environment that they come to. It's such an interesting concept. I just love what you've done with this because it is a really fun interactive way of sharing those stories about the heroes that are part of that place that you're at. How did this come about? Where did the idea for this start?Mark Ellis: "Need is the mother of invention", is the phrase I'm just trying to get my head around. We've always done Easter activities on-site, put some budget aside and do something to attract people in. Those are often built around a trail. A lot of our memorials have animals on them, so we'll do an opportunity for children to go around, find the animals, put together an anagram, and come back and grab their little chocolate treat from the welcome desk, always very popular. What works really well with that, is getting families to interact with the memorials as part of the activity. And, that's very much what drives a lot of what we do, is trying to make sure there's authenticity in there, and it gives people an opportunity to learn more about the site.Mark Ellis: So, at the start of this year, of course, in January we'd just gone into that extra lockdown, and it was a pretty bleak time, wasn't it?Kelly Molson: Mm-hmm (affirmative).Mark Ellis: And, we were talking about what we were going to do at Easter, when we had no idea what sort of numbers we'd be able to attract on-site. But, we still wanted something that would enable people to engage. And, our Head of Participation and Learning, a chap called Chris Ansell, who is a genius, came up with a brilliant idea of actually taking that budget, and instead of spending it on a physical manifestation on-site, which perhaps we wouldn't be able to get people on-site to involve, said, "Let's go digital." And, went away and came up with the idea of augmented reality. I can't remember who first came up with the ARboretum idea.Kelly Molson: Very clever.Mark Ellis: As you say, it was an inspired piece of naming. And, it does very much the same thing. There are three characters in the app, Blu, Kit, and Sam. They are 13 to 15 probably, so they're pitched for slightly younger kids. It's that aspirational age of the 9, 10, 11-year-olds really want to be the 13, 14, 15-year-olds. We've given them a little bit of a backstory. So, Blu is probably connected to somebody that served in the Armed Forces, doesn't necessarily articulate that, but she's really interested in memorialization and the site from that aspect. We've got Kit, they are a very eco-centred person, they like to be out in the woods. They're probably more interested in the bugs, and the birds, and all the rest of it. And, you have to work quite hard to get their loyalty and their friendship. But, once you've got that they're going to be incredibly loyal and friendly towards you. And then, we've got Sam, and he's the get in there and do it, action-first, think later. He happens to have a prosthetic leg, but that doesn't stop him getting stuck in and doing things. Probably, if there's something going a bit wrong and a bit right, it's probably Sam that's in the middle of that.Mark Ellis: So, we created these characters. And then, we've created eight locations around the site where there's a visual thing that you scan with your phone. And, one, or two, or three of the characters pop up and they get you to do an activity. Some of those are centred around the woodland. There's one where there's wellbeing, it encourages you to do some forest bathing and listening to the sounds around you. There's some that's very much based on reflections at memorials. So, in our poppy glade, you're read out a poem about loss and memorialisation. And, you think about and talk to the rest of your group about what that means to you. And then, some are very physical. On The Beat, which is an area dedicated to the police. You do a beep test, so you do shuttle runs, you've got a minute, in times, and you can see how many shuttles runs you can do. There's hide and seek, there's some puzzle solving. So, there's a real mixture, something for everybody. And, of course, something that ties into the things that each of the three characters likes. You can take photos through the app, and then tag those and upload them onto social media as well. So, it really is a good way of getting people to move around the site, take them to some areas where perhaps people don't normally find things and interact. You can come back and do them again.Mark Ellis: And, the really good thing is, we launched this at Easter, so normally that budget that we spend on Easter Activities... We'll do peak activity of the Easter Weekend, and then a little bit more of the two weeks in school holidays. And, we have the added complication, we're right on the border of four counties here, and they all have different school holidays. So, the Easter holiday actually spans three weeks of time. I'm sure we're not the only people with that complication. With this, we took that money and we've run the app from Easter, and we'll finish it at the end of June, just after Armed Forces Day, which is a big weekend for us. So, it's covered a three month period. And, it's in the bag, we can always bring it back out and run it again in the future. And also, we have the three characters who, you never know, might feature in activities and on-site interpretation in the future. My aspiration is we'll have models of them that appear in the shop at some time.Kelly Molson: I love that. I love that there's that longevity to this thing that you've created. I had no idea about how difficult that would be to plan your activities around all those different Easter holidays as well. But also, it feels like it's something that could just run, and run, and run. You've put a window on it that it's going to end in... Did you say June it's going to come to an end?Mark Ellis: Yeah, end of June. Kelly Molson: But, that's something that, potentially, people would engage with all year round, depending on when they come to the site. It's lovely that you've been able to invest so well in something that you can bring back, and you can bring back year on year and maybe tweak and stuff.Mark Ellis: Yeah, absolutely. One of the really nice things as well, I think the characters are very authentic. As I said, they've all got that backstory, they've got very different personalities, I think they're all relatable in different ways. And, we actually got a young person to design them. We wrote a design brief, and a young person got hold of that and she produced some characters which we had a look at, and thought, "Do you know what? She's pretty much nailed that." So then, worked with the app developer and designers, and they came back to her on several occasions and used her designs going forward. That's a bit of a Skip the Queue exclusive.Kelly Molson: Ooh.Mark Ellis: I'm really proud because I know that young person particularly well. It was my daughter that actually did those initial designs. It's really great. And, something that really excites me, is each of the characters has some form of a particular characteristic within their story. And, it's such a non-issue for... My daughter's 13, 14 next week, and it's such a non-issue. You want people of a different ethnic background, or you want somebody that's got a disability, or you want someone that's non-binary, "Yeah, fine, this is what they're going to look like." And, that's the real hope for the future, isn't it? It is that, hopefully, as we pass onto future generations... And, part of what we do here is passing on the baton of remembrance to future generations, so we're very engaged with working with young people. Is hopefully, that acceptance of things that older generations have had to work hard to understand.Kelly Molson: Yeah, absolutely. I think what's really interesting is that you've actually engaged with someone of that age to say, "What would you want to see? How would you want these characters to be?" Because that's something that I think potentially a lot of organisations don't necessarily do. We're all guilty of it. We design a website and we're testing it, but we're not potentially the user who should be testing it. So, you need to think broadly about who your audience is and how you engage with them from the start of a project like this.Mark Ellis: Yeah, absolutely. I'm a proud dad, and it was purely chance. Working at home, I just said to her, "Look at this brief, what do you think?" But, it was the next stages that really were the eyeopener for me. When the initial designs came back we showed them to her, and it was just the little things. Particularly it was Blu, the girl character that was designed first, and Harriet, my daughter, was, "The eyes are just a little bit too big, and the lips are just a bit too full." And effectively, it wasn't childlike enough. It was a slightly more Disneyfied aspirational image that perhaps isn't healthiest for us to be pursuing. It was subtle. It was a great design, we just signed it off and it would have been fine. But, getting a younger person just to shape that final design, I think really has given it that added layer of authenticity, and we're very proud of what we've ended up with.Kelly Molson: You should be. I think it's fantastic. Mark Ellis: But, the real see was Chris' idea to come up with it in the first place, and to make the app work so well, and tie it into the authenticity of the memorial. That's what makes it a really special thing. Kelly Molson: Completely. I've got a list of questions here that I wanted to ask you, why an app? Why augmented reality? But, you've answered them so perfectly, in the sense that you had these challenges, and actually, this digital application that you've developed solved those challenges. It solved the issue of the various different Easter holidays that you've got. You've now got something that's got longevity to it. You've got something that people are really engaging with. Kelly Molson: To ask you about what the objectives were to start with, my assumption is that it was about engaging people with the different aspects of what the arboretum means to people, those stories behind it. And, like you say, getting them to explore areas that they might not necessarily always go to. If they're coming back time after time they might have their favourite places. What do you think that the impact or the results of that have been so far? Is it a bit too early to tell? Or can you see?Mark Ellis: We've had some really positive feedback. We've had some really good download numbers, so it's reached a large number of people. Not enough, because like everybody else, we've not got enough people on our sites at the moment, with static constraints in place. And it's strange, is judging things not necessarily on the straight metrics that you use in the old world, of actually, "What does good look like now?" We've had some really good feedback. We've seen people looking at some memorials in a bit more detail. We've had people. Dwell time is up on-site. People just saying, "It's been great, the kids have loved it. It's given us something to do." We don't charge for it, it's a free app and a free to enter the site. It's got that educational twist to it as well as being fun. I think it's ticked a lot of boxes. But, actually just seeing kids run up and down seeing how many shuttles runs they can do in a minute is great to see.Kelly Molson: I'm definitely going to test that out when I come. Because it might be a little bit later on in the year, can we just reactivate it for that day when we come because I want to do the shuttle runs?Mark Ellis: Yeah, of course, we can, for you, Kelly, absolutely. There is a rather sad picture kicking around somewhere that Chris took of me doing the shuttle runs in the rain when we were testing it. Dedication to the cause.Kelly Molson: I think we need to see that on Twitter. We need to see that on Twitter, Mark. Mark Ellis: I'll see if I can drag it out.Kelly Molson: If there's no photos then it didn't happen.Mark Ellis: Fair point. Kelly Molson: What tips could you offer, if there is any organisations that are thinking about investing in this technology, for whatever challenges they have that they want to overcome? What would be a few tips that you could give them about how you would approach that process?Mark Ellis: I think it's knowing what you want to get out of it first. We started with an idea that we could do, augmented reality, but then the next thing was sitting down and saying, "Who's it for? What are the characters? What are the backstories? What's authenticity? Which memorials?" So actually, we knew what we wanted to do with it before we went and engaged with something to deliver it. And, that meant that it was a very specific project scope when we went out to tender with it, we knew exactly what we wanted to get out of it. Which, probably stopped mission creep and somebody saying, "You could do this that and the other." And, it meant that when it came back the quality of the digital experience is really, really good, but we weren't chasing Pixar quality output from it. We knew it was delivering what we wanted. Mark Ellis: Probably not as expensive as perhaps people think. So, with that tight scope, it didn't cost much more than we'd normally spend on our Easter activities, with that added benefit of a bit of longevity in there. So yes, it does cost money, but it certainly wasn't a bank breaker. And, having a limited budget, when you go out to tender, gives people the opportunity to scope what they're going to give you against that. Mark Ellis: So, I think authentic, know what you want, and explore the financial possibilities. It might be more within reach than perhaps people think it is.Kelly Molson: That's really interesting. Mark Ellis: All this technology is becoming more accessible all the time, isn't it? So, there are opportunities out there. Kelly Molson: Yeah, it absolutely is. I think you're right, it's about scoping what you want and giving people the opportunity to say, "We can do this much of it for that budget", or, "We can do this much for that budget." It's kind of like a starting point, isn't it?Mark Ellis: Yeah.Kelly Molson: It's good that you said about don't be scared by new technology, because I think that there is still an element of overwhelm about. People don't understand how much digital costs, and there's still a lot of education that we could do around that, definitely from a web perspective. AR isn't anything that we do ourselves, but I think that it sounds quite frightening, doesn't it? It sounds like it's going to be a very big, expensive project. Where actually, what you've just described, seems quite manageable. Mark Ellis: This is where I shamelessly introduce other products into the conversation. It supports what we move onto, which we've just launched this week which will now run to the Autumn, which is our escape challenge. And again, this is Chris' idea, he really is a genius. Kelly Molson: You want to hold onto this Chris, he sounds great.Mark Ellis: Absolutely. He should come on and be a guest for you some time, Kelly. He's much better than me. But, Escape challenge. And again, this was necessity being the mother of invention, I said it right that time. Last year we wanted something to bring people onto site, experiences, escape rooms, massive growth. So, actually taking the escape room concept and delivering it as an outdoor environment. So again, a series of memorials that you walk around with your puzzle book, there are clues at memorials, there are clues in your puzzle book. This is a paid-for one, so we charge people to do this. Two levels, one pretty tricky, but a family will probably work their way through it. The other one, pretty challenging. It's probably people that enjoy the odd cryptic crossword clue and those types of things. Takes two to three hours, eight clues. This year's based around everyday heroes and people that have worked in the emergency service, so it's based around the work the police do. We're dedicating the new UK Police Memorial on-site this year, which is a spectacular memorial worth coming to see. So, it's based around that. There's a gang planning a bank heist, and you're going to try and head them off at the pass, and solve the clues, and solve the crime. Mark Ellis: So, again, a real opportunity to learn more about memorials. You're looking for some really fine details of the memorials there, and some of the symbolism, and some of the stories. Perhaps, again, you've walked past it a dozen times and never noticed that, so it just gets people to look. And, that covers the RNLI, the Police, Fire Service, the Ambulance Service. So, a lot of the civilian organisations come through on this year's escape challenge. Kelly Molson: I love that.Mark Ellis: Available live now. It will be here when you come up, Kelly. Kelly Molson: Oh good. I'll do the easy one, obviously. I won't be doing that difficult one. Mark Ellis: We put a package together for corporate groups that want to come and do team building events here. There's a corporate package built around that escape challenge as well, which is a great way to get execs to come and scratch their heads as well.Kelly Molson: That's a really lovely idea as well actually, because you've mentioned quite a few times that the arboretum is free to visit, and actually a lot of these things that you're offering, they're free to do as well. So, the challenge for you is you need to drive revenue. You can't be based solely on donations. Charitable donations, difficult at the best of times to get from people. So, I think it's lovely that you're now starting to look at this, what you can offer people, and bringing different groups of people in to build that revenue base. It's really great.Mark Ellis: Yeah. generally works very well. Summer Proms is a good one as well in August. Tickets go on sale this week, so look out for that.Kelly Molson: He's getting all the plugs in. There's something else that I want to talk to you about as well. Thank you for sharing all of that.Mark Ellis: You're welcome.Kelly Molson: I think that will be really useful for any organisation that is thinking about going through that process. Kelly Molson: You've just announced something which I think is super, super wonderful, and I'd love to hear a bit more about it. It's just been announced that in partnership with The National Forest, you're going to be creating a memorial woodland. Which, is a new woodland to commemorate all of the lives that have been lost during the pandemic. How amazing. Mark Ellis: It's a privilege to be involved in a project like this. The last 12 months or so, of course, have been tough on absolutely everybody, and it's a tragedy that's still unfolding. It is difficult. And, there is a time when people want to come together and remember and reflect. The memorial woodland is very much designed for everyone that's lost their lives as a result of COVID. That includes the people that have missed diagnosis, haven't had treatment, have had their mental health irreparably damaged by it. So, it's not just the people that tragically lost their lives because of Coronavirus. The number of civilians that lost their lives through Coronavirus is now twice the number of civilians that lost their lives in the UK in World War 2. It's massive.Mark Ellis: We're very fortunate. We're in The National Forest, which is across this part of the midlands, a project that's been running for 30 or so years to reforest this area. In this area, we had a lot of clay pits, mining, those kinds of things. They're all being turned into country parks now. It's a lovely part of the midlands. We've got a long-lasting relationship with The National Forest Company. They'd been asked about what they might want to do for memorialisation. And, right back at the very start of Coronavirus, people were contacting us and saying, "What can you do? What will you do? What can be done?" Mark Ellis: Fortunately, at around the time, Tarmac, who are our neighbours, they're quarrying the land around us. And, the land we're on used to be their quarry and we had it off them in the mid-1990s on a 999-year lease on a peppercorn rent. There are 25 acres that sit right next to our site that they finished working with, it's been inert for a decade or so, it's scrubland, and silk washing lakes. So, they've now very kindly gifted that over to us as well, likewise, on a 980-year lease on a peppercorn rent, which has been fabulous of them. So, that's given us 25 acres where we can create the memorial woodland. And, our aspiration is very much to make it a living memorial, something that becomes very special. Mark Ellis: There will be memorial woodlands all over the country, and absolutely there should be. And, what we want to do is to create something here that is memorable, is special, is living, is developing. There are so many stories that have come out of the last 12 months, the experience of all the key workers, the experience of the NHS people, the experience of those in care homes, the experience of children who've missed going round to friend's houses and play and have missed the rites of passage of end of year school plays. So, so many different stories, and try and bring those together in a living memorial. Somewhere too, I've said it before, I'll say it again, commemorate lives lost and celebrate lives lived. And, create something that really works in a very special way. Mark Ellis: We want it to include reflection areas, multi-faith or people of no faith can come and reflect as well. And actually, Westminster Abbey are supporting us as well. We will be holding service there in the Autumn to dedicate trees that represent all the different faiths from around the commonwealth. So, there will be a service there that will dedicate those, and those will be some of the very first trees that will be planted in the new woodland. So, it's a wonderful opportunity. We're working very hard to make sure that it's suitable and fitting for everybody.Kelly Molson: I think that you could not have picked a more perfect location for it as well. It's really interesting, the things that we've talked about today sum up exactly what the arboretum stands for. We've talked about these really fun engaging ways to look at the stories that you have there and celebrate the land and the people. And then, we have this wonderful memorial wood that's going to be developed to really commemorate everything that's happened in the past 15, 16 months. It's fabulous.Mark Ellis: Yeah, absolutely. That woodland will be very poignant and very special, but we also want it to be a place of joy and hope as well. And, hope, and looking forward, and rebirth, and regrowth. President Biden said in his inaugural speech about healing and remembrance going together, and that's what we want to do. I'm very hopeful that in the future will be a woodland where, as well as the opportunity to reflect and remember, there'll be the opportunity to enjoy and have fun, and play, and celebrate as well.Kelly Molson: Sounds perfect. When does the work start? What're the timeframes?Mark Ellis: The work started a wee while ago. Kelly Molson: It's in progress already, great.Mark Ellis: Absolutely. We signed the lease on the land within the last couple of weeks, so we're surveying the land at the moment, and seeing what's there and what we need to do. We're hoping to, with The National Forest Company, start a public engagement piece this Autumn to really get to understand what people want from it and what people's hopes and aspirations would be for space. And then, probably start the work at the backend of 2022, with a view to having visitor's feet on the ground sometime in 2023. So, in arboreal terms, quite a short timescale. Hopefully from this Autumn, we'll be able to talk about people. And, there is an area on our website dedicated to it, so if people want to know more or want the opportunity to get involved, pop to the National Memorial Arboretum website. There's a Contact Us form, specifically for the memorial woodland on there as well. We'll be absolutely delighted to have conversations with people. And, even just going out and public talking about it, that's already opened up some really great conversations with lots of different groups that perhaps we normally wouldn't get a chance to speak to. So, it's already beginning to develop its own opportunities and create interesting conversations for us.Kelly Molson: I love that. Mark, you've done my work for me, because what I was going to say is what we do is put all of the links to all of these things that we've talked about today into the show notes. So, we'll have links to that specific page where you can get involved and find out a little bit more about what's happening there.Mark Ellis: Fabulous. Kelly Molson: And, we'll put links to Mark himself, so you can find him on Twitter, and you find him on LinkedIn. And, everything, again, that we've talked about today, you'll be able to find in the show notes.Kelly Molson: Mark, we always end the podcast by asking our guest to share a book. It can be a book that's helped shape your career in some way, or a book that you just love. So, what have you got for us today?Mark Ellis: I know, Kelly, it upsets you when people go with more than one book, doesn't it? Because, it breaks your marketing budget. So, I've got 43 recommendations for you. The first 41 of which, are books that I love, it's the Terry Pratchett Discworld series. Kelly Molson: Okay, that's fine.Mark Ellis: Don't put those on your list, that really would break the bank. But, I love the Discworld books. I love the slanted way he looks at the world. There are not many management meetings where I probably don't quote Granny Weatherwax, or Sam Vimes, or somebody at some point, so love those. The other 42 and 43, one is Tom Peters, The Brand You 50, which is a small book that Tom Peters has done. It's been out for quite a while now, might have been the late 90s. But effectively, it's saying think about yourself as a brand. It's got 50 tips in there for how you build your own personal brand. And, I found that very useful, having switched jobs a few times, of actually saying, "These are my core values. This is what I hold dear to me. That's what you get from Mark Ellis." It helps when you're looking at new opportunities of saying, "Is the cultural fit going to be right? I know what I want out of a role." And, making sure the interview is a two-way process, and it's going to tick the boxes for me. So, that's one.Mark Ellis: The other one, which perhaps will be the one that you might want to put on your, "I want Mark's book". It's a book called Why We Buy, by Paco Underhill. Paco Underhill is an American. He's done a whole bunch of research on customer's behaviour, particularly in retail. I first came across this book in my retail years, but it absolutely carries through into visitor attractions. He talks an awful lot about signage placement and product placement. And, if a gondola in a shop is just six inches too far out, then when you bend over to pick things off the bottom people are going to brush past your backside as you're shopping. So, actually observing that and moving it six inches might increase sales of that gondola massively. He talks about signage and being shown a sign for an airport somewhere in a boardroom and saying, "That's no good", and taking it out and standing in the middle of busy concourse, and leaning it up against a wall and saying, "Now can we see if that sign works?" So, it's a great book for that. Mark Ellis: I have to say, the prose style irritates me greatly. So, Paco, if you're listening, sorry about that. It's done in a very narrative way, and it's probably slightly condescending in places, and it's a really quick read. I first read it probably 25 years ago, and I refer back to it on a pretty regular basis, in terms of those core messages. So, Why We Buy, by Paco Underhill would be my recommendation.Kelly Molson: Let's give that one away then, Mark, because that sounds really relevant. So, as ever, if you head over to our Twitter account and you retweet this episode announcement with the words, "I want Mark's book", then you'll be in with a chance of winning it. Good choice with the Discworld as well, I have to say, good choice. My great-auntie Doris, who my extremely naughty Dachshund is named after, she was a huge Terry Pratchett fan. I grew up with those books and reading them with her, and they bring back some really lovely, lovely memories when you talk about them. So, thank you for putting that in my head today. Mark Ellis: No worries.Kelly Molson: Also weirdly, my dad got... I don't know why I'm sharing this with you today, but my dad was mistaken for Terry Pratchett one night. We took him and my mum out for drinks, and the barmaid came over and said, "You're him, aren't you? You're Terry Pratchett." And, dad was like, "I think he's dead." Mark Ellis: That's awesomely cool though. Kelly Molson: "It's not me." He does look a little bit like him, I have to say. Mark Ellis: You see, that could be a plot from one of the stories, couldn't it?Kelly Molson: Could be, yeah. My dad reincarnated as Terry Pratchett, that's quite odd. It's because he's a hat wearer and he's got a beard. Mark Ellis: There you go, that's all it takes.Kelly Molson: Anyway, don't know why that came out, but thank you for putting that in my head as well. Mark, it's been so lovely to chat with you today, I've really enjoyed it. I think there are some wonderful things that are happening at your attraction, and I cannot wait to come and see it and meet you in real life. Mark Ellis: Thanks for having me, Kelly. As I've said before, you're welcome up here any time at all, look forward to seeing you.Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five-star review, it really helps others find us. And, remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions, that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode, and more, over on our website, rubbercheese.com/podcast.

It's like The DaVinci Code. But with Sam Vimes. And good.

We return to the rank (no file, yet) of the elite guardians of the evening, the City Watch (night). Per Vetinari's orders, they are taking on additional recruits to diversify the face of the modern watch, including a troll (Detritus, previously appearing in Moving Pictures), a dwarf (Cuddy), and a w... (Angua--if you know, you know).  In a meditation on firearms, the role and purpose of police in a modern society, and what it really means to be a man (or w...) of the city, Terry takes us over towers and under sewers in a fast paced chase for the truth.  And truth can be hard to come by in Ankh-Morpork when there are so many easy lies instead.Our guest, Sharang Biswas, can be found at @SharangBiswas or at his web site.Check us out on twitter at @atuin_podFollow individual hosts at @urizenxvii, @The_Miannai, and @JustenwritesWe can also be found at www.compleatdiscography.pageOur art is by the indomitable Jess who can be found at @angryartist113Music is by Incompetech and used under a Creative Commons 4.0 Attribution license.Take a Chance by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4457-take-a-chanceFuzzball Parade by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5044-fuzzball-paradeLicense: http://creativecommons.org/licenses/by/4.0/

Comedian Richard McKenzie returns to get a bit gothic as he, Liz and Ben head to Überwald to discuss The Fifth Elephant in the room...by which we mean the twenty-fourth Discworld novel, published in 1999. As Ankh-Morpork and its neighbours embrace modern semaphore technology, trouble is brewing among the dwarfs. A new Low King is soon to be crowned in Überwald - and not everyone is happy with the choice. The Patrician selects just the right "diplomat" for the job: the Duke of Ankh, Sir Samuel Vimes. He reluctantly agrees to face vampires, werewolves, Igors and dwarf politics in a place where his Watch badge holds no sway. He's not going alone - though Sergeant Detritus (a troll) and Corporal Cheery Littlebottom (the first openly female dwarf) are not likely to be popular with the traditional dwarfs of Überwald. Luckily he also has diplomatic attaché Inigo Skimmer, and his strongest ally: his wife, the Lady Sybil Ramkin... After exploring one vampire family from Überwald in Carpe Jugulum, Pratchett takes Sam Vimes out of his comfort zone and into the lands of the fabled fifth elephant, while making far fewer references to the Luc Besson film than you'd expect. With Carrot and Angua off on a B-plot, and Colon, Nobby and the rest of the Watch left behind in the C-plot, it's also a chance for background characters Detritus, Cheery and Lady Sybil to shine. The novel also expands on the culture of vampires, werewolves, Igors and especially dwarfs, building the foundations for many future novels. It's a great read for a Discworld fan - but would The Fifth Elephant make a confusing introduction to the series? Was this Sybil's finest hour, or were you left wanting more of her? Does a beloved character do a murder? If so, is it okay? And did Carrot really need to be there, or was he just a Gaspode enabling device? Tell us by using the hashtag #Pratchat40 on social media to join the conversation! Returning guest Richard McKenzie is hopefully back to hosting trivia twice a week, on Thursdays and Sundays, at the Cornish Arms on Sydney Road in Brunswick, Melbourne. He and Ben devised the Dungeons & Dragons themed impro comedy show Dungeon Crawl, which now usually appears at Melbourne games expo PAX Aus. He also appears in the lineup of ensemble comedy shows The Anarchist Guild Social Committee and Secondhand Cinema Club. A a quick reminder that you can order Collisions, the short story anthology from Liminal Magazine, from your local bookshop! It includes Liz's story "The Voyeur" and fifteen others. The link also has some online sources if you need 'em. Next time we're reading something very different: Pratchett's standalone, non-Discworld young adult novel from 2008, Nation! We'll be joined by educator Charlotte Pezaro. Send us your questions using the hashtag #Pratchat41, or get them in via email: chat@pratchatpodcast.com You'll find the full notes and errata for this episode on our web site.

RICHARD DORMER Stars as Sam Vimes, Captain of The Watch new series on BBC Network- THE WATCH, also was in Game Of Thrones.

Arguably the most famous of the Discworld plot threads, the Guards novels start with this story. Destiny, Dragons, Politics, Gender Roles and Subversions Thereof, and at least a few of Sam's ruminations on inequality and power. If Death is Sir Terry's authorial self-insert, Sam Vimes is Sir Terry's moral self-insert. If you love noir, urban fantasy, high fantasy, cults, or surprisingly relevant political satire, you will find something to like in this book. Just don't ask for your figgin to be toasted.Check us out on twitter at @atuin_podFollow individual hosts at @urizenxvii, @The_Miannai, @mynaminnarr, and @JustenHunterWe can also be found at www.compleatdiscography.pageOur art is by the indomitable Jess who can be found at @angryartist113Music is by Incompetech and used under a Creative Commons 4.0 Attribution license.

Joining me for this episode via online chat is the lovely speculative fiction author Samantha Marshall! Samantha has written three books across two series, Aislinn's Shadow and Tobias' Spark in The Kin Chronicles and Sorcery and Stardust is the first in The Weaver's War series. If you love action packed, shape-shifting, strong characters in an Australian (and space in The Weaver's War) setting then do yourself a favour and check out Samantha's books! Samantha chatted with me about writing believable characters, our mutual love of hard SF and also chose two of her favourite books to pair with delicious elixirs! The pairings: Shield of Winter by Nalini Singh (#13 in the Psy-Changeling series) Vasic is an assassin and a soldier. His soul is drenched in blood, his conscience heavy with the weight of all he's done, he exists in the shadows, far from the hope his people can almost touch—if only they do not first drown in the murderous insanity of a lethal contagion. To stop the wave of death, Vasic must complete the simplest and most difficult mission of his life. Having rebuilt her life after medical “treatment” that violated her mind and sought to stifle her abilities, Ivy should have run from the black-clad Vasic. But Ivy Jane has never done what she should. Now, she'll fight for her people, and for Vasic who stands as her living shield, yet believes he is beyond redemption. But as the world turns to screaming crimson, even Ivy's fierce will may not be enough to save Vasic from the cold darkness… Samantha says this is a meaty plot, layered, with a lovely romantic storyline, a good comfort read which would go well with a hot chocolate with a dash of caramel syrup and a chocolate mud cake as it is warm and snuggly. The Fifth Elephant by Terry Pratchett (Discworld #24) They say that diplomacy is a gentle art. That its finest practitioners are subtle, sophisticated individuals for whom nuance and subtext are meat and drink. And that mastering it is a lifetime's work. But you do need a certain inclination in that direction. It's not something you can just pick up on the job. Sam Vimes is a man on the run. Yesterday he was a Duke, a Chief of Police and the Ambassador to the mysterious, fat-rich county of Uberwald. Now he has nothing but his native wit and the gloomy trousers of Uncle Vanya (don't ask). It's snowing. It's freezing. And if he can't make it through the forest to civilisation there's going to be a terrible war. But there are monsters on his trail. They're bright. They're fast. They're werewolves - and they're catching up. Samantha would pair this fun, dry, layered and salty read with a sweet moscato and antipasto platter to cut through the bitey-ness!

Welcome to Jon's author diary for the week ending February 9, 2020. I write this in a lot of pain because on Thursday I went to hospital and had my shoulder scanned and pumped full of steroids. It’s as if someone has come down on it with a brick. I have a heat pack and some ibuprofen gel, so hopefully it should settle down over the next few days and I can start work on the physio exercises.   Temperance is out! Temperance, episode 14 of The Ravenglass Chronicles has just gone live and I’ve already started work on book 15, The Devil. Click HERE to order your copy. I’m really enjoying using the tarot cards as inspiration with this series—it's given me some great story ideas that I never would have considered on my own. I was revisiting the tower card to start brainstorming ideas for book 16, and it couldn’t be more perfect. I’m over 70 percent through the story and each card brings new excitement, energy, and surprises. I just need to work out what I should do after The Ravenglass Chronicles is complete…assassin series, anyone?   Twitter update I finished reading the book Digital Minimalism by Cal Newport. It gave me a lot to think about in terms of my relationship with social media. I decided I was long overdue to close my Twitter account. I started using Twitter in 2009, so it's something I've used for over a decade. It was a great platform when I worked as a reporter, but for the last couple of years it’s become a toxic cesspool of tribalism, anger, and people looking to ruin the lives of others to score political points. I don’t need that crap in my life. I had to weigh up what I was actually getting from the platform and realised I was only staying on Twitter because I occasionally get messages from readers. I figured that if readers want to get in touch, they would find a way. Closing it feels like a small weight has been lifted.   Groundhog Day Last weekend, I appeared on the latest episode of the Now You’ve Seen It podcast to talk about Groundhog Day, the Bill Murray movie from the 90s. I’d never seen it before and I thoroughly enjoyed the film. The podcast was a lot of fun to record and many laughs were had by all. You can find Now You’ve Seen It wherever you get your podcasts.   The Good Place I watched the finale of The Good Place this week. If you’ve not seen it, it’s a Netflix comedy series set in the afterlife. It’s produced by the same people who did things like Brooklyn Nine-Nine and Parks and Recreation. The writing is tremendous and manages to create the perfect balance between comedy and an exploration of what it means to be a good person. The final episode fully encapsulated that, and I’d be a liar if I said it didn’t bring a tear to my eye. I can't remember the last time I watched a show with such a perfect ending (maybe Breaking Bad did). I think back to shows I loved like Battlestar Galactica and Lost, which didn’t have satisfying finales, and am thankful the writers of The Good Place delivered an amazing finale. And Janet might be one of my favourite characters in anything…except Sam Vimes.

Oh yes he did. If you've read Jingo you'll get the title reference; if not, just consider it a mangling of Caesar's words. This week we take on a topic requested by a listener-- that being the relationship between Sam Vimes and Havelock Vetinari. This relationship is a complicated one, and a single show isn't really enough to do justice to it, but it is a start. Part II will come along one of these days; either at the end of this season, or next week (bumping the wizards back to episodes 6-10) or even as a bonus episode, if there is enough interest. If you'd like to hear the rest as a bonus episode (before Friday October 18th) just send me an email at randy@mindkindle.net. If I get enough response, I'll do it.That email's also where you can send your answer to this week's lottery question, which is "what was the first Discworld novel you read?' And you can go to https://www.patreon.com/user?u=21210045 to see the cool stuff you can get there. 

It's all about character this week, as I introduce four of the most memorable characters in the Discworld. Three of them, Mustrum Ridcully, the Bursar, and the Librarian are on the faculty of Unseen University in Ankh-Morpork, and the fourth is Sam Vimes, member of the city watch and probably the most richly-developed of all Terry Pratchett's characters.  You also get to hear a bit about Holly and Ivy, as well as how the name of the show and the on-air name of its host came to be. 

It’s time for the Dragon Babies Election Day special featuring a discussion of racial prejudice and police biases in fantasy literature. Terry Pratchett and Thud! provide plenty of parallels to discuss between Sam Vimes’ approach to troll and dwarf tensions in the city of Ankh-Morpork and human rights violations and inequities in our own society. Listeners can also enjoy an argument about math, discussion of bacon as a lone food source, and a background on Madeleine’s love of vampires.This episode is a listener request - thanks, Julian!If you’re a Terry Pratchett fan, check out our other Discworld episodes:Episode 8 - MortEpisode 13 - The Wee Free MenMUSIC - Pippin the Hunchback and Thatched Villagers by Kevin MacLeod (incompetech.com) - Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

In this, the next episode after our seventh one, writer, performer and librarian Aimee Nichols talks with us about the ninth-but-one Discworld novel: Guards! Guards! Published in 1989, it kicks off the longest-running and arguably most popular Discworld sequence: the adventures of the Ankh-Morpork City Watch. The Night Watch has seen better days: the Thieves' Guild has made them all but obsolete, and with the recent death of Herbert Gaskin, their company has dwindled to just three: career Sergeant Fred Colon, former street urchin Corporal Nobbs, and perpetually drunk Captain Samuel Vimes. They're shaken up by new recruit Carrot - a human raised (as far as possible) by dwarfs - who not only volunteered to join, but actually tries to uphold the law. But they'll need all the help they can get as a secret cabal of resentful men are manipulated by a charismatic leader for an incredible purpose: to bring a dragon to Ankh-Morpork... Vimes, Colon, Nobby and Carrot all make their debuts here, as do Lady Sybil Ramkin (in her biggest role), Cut-Me-Own-Throat Dibbler, Detritus the troll and the concept of L-Space, and both the Librarian and the Patrician feature prominently. It's also the first Discworld novel set entirely in Ankh-Morpork, though after appearances in all of the previous novels it already feels like home. Even nearly 30 years later, Guards! Guards! feels incredibly relevant and funny, but it's also weird to go back to Sam Vimes' beginning when he still has so much evolution and redemption ahead of him. (If you'd like to head straight to the next book, just go back in time to episode one of Pratchat when we read Men at Arms with Cal Wilson.) We'd love to hear what you thought of Guards! Guards! - use the hashtag #Pratchat7A on social media to join the conversation! (If you use the...er...other number we'll probably find you too.) It's time to step out of the Discworld again when we return from L-Space next month, when author Amie Kaufman will join us to talk about the first book of the Nomes: Truckers. As usual, if you want us to answer your questions on the podcast, get them in as soon as you can! Ask them via social media using the hashtag #Pratchat9. Show Notes and Errata: You can follow Aimee (and by proxy, her dog Winston) on Twitter at @wordsandsequins, or check our her web site at aimee-nichols.com. You can read Aimee's wonderful piece about the passing of Sir Terry on Medium. Get Smart was a sitcom created by Mel Brooks in 1965, starring Don Adams as Maxwell Smart, Agent 86 for the spy organisation CONTROL which worked to thwart various ridiculous villains, especially members of rival agency KAOS. Despite being highly trained in espionage and combat, Max frequently exasperated his professional and romantic partner Agent 99 (Barbara Feldon) and their boss the Chief of CONTROL (Edward Platt). One of the classic sitcoms of the '60s, it contributed many famous catchphrases to popular culture in its original run of five seasons. It's since been repeated many times, and spawned two film sequels, a short-lived revival/sequel series, and a surprisingly good film remake in 2008 starring Steve Carell and Anne Hathaway. Monty Python’s Argument Clinic sketch is...well, if you haven’t seen it, you should just watch it. “Incels” are so-called “involuntary celibates”, an online community of men who believe they have been unfairly denied sex by women. Jia Tolentino’s piece “The Rage of the Incels” for The New Yorker is a good introduction, but go gently - it’s unpleasant territory. "Thatcherism" is descriptive of the politics of the Conservative party of the United Kingdom, particularly under party leader and Prime Minister Margaret Thatcher, from 1975 to 1990. They were a marked change from the period of the "post-War consensus", in which the two major parties broadly agreed on things like state regulation and ownership of industries. Thatcher changed all that; she and her allies believed in much more economic...

Hello! A picture-book has text, and a textbook has pictures...  I think there is both a fat chance AND a slim chance that the person who is in charge of naming things is at all logical.   In this Book Bwednesday I discuss: Night Watch by Terry Pratchett, and Wolves of the Calla: Book Five of the Dark Tower Series by Stephen King.