Podcasts about sean p

Text Theshortdesk PodcastEp.209!!!!!!2:54- We start off talking about our week and Dwayne going back in time to Mississippi to see his oldest son graduate high school. We also dig into our Fan mail bag!25:03-  The Sean P.Diddy Combs trial has started with some crazy testimony from Cassie and others on the stand this week. We break down everything. 48:51- The Question of the day from Darrell turns into a conversation about food and the wildest thing we have eaten and the similarities and differences in the way we eat in the south and the Caribbean. 1:13:54- We dive into some quick news for the week1:22:26- Dwayne takes us into Sports with the NBA Eastern and Western Conference finals set as we recorded the show. SONG OF THE WEEK:Darrell- Anthony Hamilton- CharleneRonnie Keith- Cassie- Long Way to GoDwayne- Vybz Kartel- Colouring This LifeThe BJ Show Sport Chat (The BJ Show) will cover all AFL games, quiz and more. Subscribe today.Listen on: Apple Podcasts SpotifyEMAIL: Theshortdeskpodcast@gmail.comFB/IG: Theshortdesk PodcastTwitter: TheshortdeskUse my special link https://zen.ai/uQkFLEY_TedWNfNOZoR4bPR4j1xUVxkRPi0SuDovOcA to save 20% off your first month of any Zencastr paid planCreate your podcast today! #madeonzencastr https://zencastr.com/?via=ronald

Outwork Them All: A Gen X Guide to Business and Leadership Success by Sean P Kling Amazon.com Seankling.com From Stuck in a Rut to Unparalleled Success: Unleash the Power of Generation X Wisdom to Succeed Building a business can be filled with uncertainties, things you can't control, and the constant search for growth. Whether you're a small-business owner feeling stuck in a rut or someone just starting out, the right path is rarely obvious and is always full of obstacles. Thankfully, there's a group of people with decades of experience about what works and what doesn't. Extracting that expertise means you don't have to make the same mistakes to enjoy success. Serial entrepreneur and proud Gen Xer, Sean Kling, reveals the untold practices and attitudes that have propelled Generation X to extraordinary success. As younger generations may have overlooked some of these invaluable business secrets, Sean brings them back into the spotlight. He delves into his generation's upbringing, showcasing how these practices are deeply rooted in their experiences, and explains how they can work wonders in helping you achieve your personal and business goals. You'll learn: Untapped networking opportunities hidden beyond the digital world. Five action steps to build a team of like-minded people in order to create a comfortable company culture. The must-have advisors that make up your inner circle, so your personal blind spots never go unnoticed. A 9-step protocol to help you rebound, reinvent, and recoup when your business starts to wear and tear. A no-nonsense guide to forgo costly software and run your business with more efficiency. Embrace the proven wisdom of Generation X and its time-tested strategies. Read and implement Outwork Them All today and embark on a transformative journey that will position your business for unparalleled success.

NOTE: Scarves and Spikes will be exclusively found on its new dedicated feed in a few weeks. Search "Scarves and Spikes" on your favorite podcatcher and subscribe today! (Five Stripe Final will remain on this feed - nothing changes on that end.)NEW SCARVES AND SPIKES MERCH! ⁠⁠⁠https://www.etsy.com/shop/ScarvesAndSpikes⁠⁠⁠ - use code COMMUNITY for $5 off orders of $50 or more! (excluding glassware)Thanks to our partner SweetWater Brewing Company for their support of Scarves and Spikes! Visit ⁠⁠sweetwaterbrew.com⁠-----More Atlanta United coverage: ⁠⁠⁠⁠⁠https://www.scarvesandspikes.com⁠⁠⁠⁠⁠Follow the show on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.x.com/scarvesnspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/scarvesandspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠One 17s Tier: Andrew Clark, AJW, Ben Brodsky, , Austin Delk, Brandon DeSantiago, Carrie Larrison, Daniel Lester, Dave Coustan, Doug, Jason Russell, Jeffrey Goldenstein, Jim, Joe L., John Weaver, Jois, Josh, Josiah Marsh, Kareen Malone, Lindsey Cooke, Mark, Nick Hussey, Paul Cropley, Pete Forsstrom, PJCads, Rob, Robpar, Ryan T. Larsen, Shiv612, Daniel Tapp, Ty Vernon, W. Andrew Gowder Jr., ZachProducers (High Five Tier): Bates M. Nunamaker, Charles Laurens, David O'Banion, Dustin Harper, Ellen, Emilio Corsi, Derrick Gaddis, Grey Gowder, Mike B., Hunter Gwin, Jason Moss, Jason Nix, Jay, Jay Cooper, Joseph Alonso, Justin Rodney Flournoy, Kallebe Gerais, Karen Clement, Kevin Brabant, Kevin S., Matthew Basford, Melinda W., Milan Turner, Neal Golub, Nolan Smith, Ryan G., Renn, Scott McFarland, Sonny, Steve W., Trey, Travis CrewsExec. Producers (Club Level tier): AtlUtd711, Bo McAlister, Bonny Moore, Brian Diefenbach, Brian Walker, Bruno Cubas Garcia, Col. Ernest Rogers, Dallen Hammond, Dilan Manatunga, DMTim, Emad Hasan, Llammaramma, Jason Kay, Josh Lieberman, Matt Babcock, Nyle Farooqui, Patrick Delaney, Robert Kauffman, Sean P., Sonny Hatcher, Wes Lambert

Payne & Pendergast's Sean P.! He Joined THE DRIVE with ALL the 'Stros latest live from West Palm Beach!!

NOTE: Scarves and Spikes will be exclusively found on its new dedicated feed in a few weeks. Search "Scarves and Spikes" on your favorite podcatcher and subscribe today! (Five Stripe Final will remain on this feed - nothing changes on that end.)NEW SCARVES AND SPIKES MERCH! ⁠⁠https://www.etsy.com/shop/ScarvesAndSpikes⁠⁠ - use code COMMUNITY for $5 off orders of $50 or more! (excluding glassware)-----More Atlanta United coverage: ⁠⁠⁠⁠⁠https://www.scarvesandspikes.com⁠⁠⁠⁠⁠Follow the show on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.x.com/scarvesnspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/scarvesandspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠One 17s Tier: Andrew Clark, AJW, Ben Brodsky, , Austin Delk, Brandon DeSantiago, Carrie Larrison, Daniel Lester, Dave Coustan, Doug, Jason Russell, Jeffrey Goldenstein, Jim, Joe L., John Weaver, Jois, Josh, Josh Adams, Josiah Marsh, Kareen Malone, Lindsey Cooke, Mark, Nick Hussey, Paul Cropley, Pete Forsstrom, PJCads, Rob, Robpar, Ryan T. Larsen, Shiv612, Daniel Tapp, Ty Vernon, W. Andrew Gowder Jr., ZachProducers (High Five Tier): Bates M. Nunamaker, Charles Laurens, David O'Banion, Dustin Harper, Ellen, Emilio Corsi, Derrick Gaddis, Grey Gowder, Mike B., Hunter Gwin, Jason Moss, Jason Nix, Jay, Jay Cooper, Joseph Alonso, Justin Rodney Flournoy, Kallebe Gerais, Karen Clement, Kevin Brabant, Kevin S., Matthew Basford, Melinda W., Milan Turner, Neal Golub, Nolan Smith, Ryan G., Renn, Scott McFarland, Sonny, Steve W., Trey, Travis CrewsExec. Producers (Club Level tier): AtlUtd711, Bo McAlister, Bonny Moore, Brian Diefenbach, Brian Walker, Bruno Cubas Garcia, Col. Ernest Rogers, Dallen Hammond, Dilan Manatunga, DMTim, Emad Hasan, Llammaramma, Jason Kay, Josh Lieberman, Matt Babcock, Nyle Farooqui, Patrick Delaney, Robert Kauffman, Sean P., Sonny Hatcher, Wes Lambert

One of Sean "P.Diddy" Comb's top attornery's from his trafficking case has quit. It's not a good look for Diddy at all. The Madhouse recounts the times they've quit and it involes baseball bats and broken glass.

NOTE: Scarves and Spikes will be exclusively found on its new dedicated feed in a few weeks. Search "Scarves and Spikes" on your favorite podcatcher and subscribe today! (Five Stripe Final will remain on this feed - nothing changes on that end.)NEW SCARVES AND SPIKES MERCH! ⁠⁠https://www.etsy.com/shop/ScarvesAndSpikes⁠⁠ - use code COMMUNITY for $5 off orders of $50 or more! (excluding glassware)-----More Atlanta United coverage: ⁠⁠⁠⁠https://www.scarvesandspikes.com⁠⁠⁠⁠Follow the show on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.x.com/scarvesnspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/scarvesandspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠One 17s Tier: Andrew Clark, AJW, Ben Brodsky, , Austin Delk, Brandon DeSantiago, Carrie Larrison, Daniel Lester, Dave Coustan, Doug, Jason Russell, Jeffrey Goldenstein, Jim, Joe L., John Weaver, Jois, Josh, Josh Adams, Josiah Marsh, Kareen Malone, Lindsey Cooke, Mark, Nick Hussey, Paul Cropley, Pete Forsstrom, PJCads, Rob, Robpar, Ryan T. Larsen, Shiv612, Daniel Tapp, Ty Vernon, ZachProducers (High Five Tier): Bates M. Nunamaker, Charles Laurens, David O'Banion, Dustin Harper, Ellen, Emilio Corsi, Derrick Gaddis, Grey Gowder, Mike B., Hunter Gwin, Jason Moss, Jason Nix, Jay, Jay Cooper, Joseph Alonso, Justin Rodney Flournoy, Kallebe Gerais, Karen Clement, Kevin Brabant, Kevin S., Matthew Basford, Melinda W., Milan Turner, Neal Golub, Nolan Smith, Ryan G., Renn, Scott McFarland, Sonny, Trey, Travis CrewsExec. Producers (Club Level tier): AtlUtd711, Bo McAlister, Bonny Moore, Brian Diefenbach, Brian Walker, Bruno Cubas Garcia, Col. Ernest Rogers, Dilan Manatunga, DMTim, Emad Hasan, Llammaramma, Jason Kay, Josh Lieberman, Matt Babcock, Nyle Farooqui, Patrick Delaney, Robert Kauffman, Sean P., Sonny Hatcher, Wes Lambert

NOTE: Scarves and Spikes will be exclusively found on its new dedicated feed in a few weeks. Search "Scarves and Spikes" on your favorite podcatcher and subscribe today! (Five Stripe Final will remain on this feed - nothing changes on that end.)NEW SCARVES AND SPIKES MERCH!⁠https://www.etsy.com/shop/ScarvesAndSpikes⁠ - use code COMMUNITY for $5 off orders of $50 or more! (excluding glassware)-----More Atlanta United coverage:⁠⁠⁠https://www.scarvesandspikes.com⁠⁠⁠Follow the show on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.x.com/scarvesnspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/scarvesandspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠One 17s Tier: AJW, Ben Brodsky, , Austin Delk, Brandon DeSantiago, Carrie Larrison, Dave Coustan, Doug, Jason Russell, Jeffrey Goldenstein, Jim, Joe L., John Weaver, Jois, Josh, Josh Adams, Josiah Marsh, Kareen Malone, Lindsey Cooke, Mark, Nick Hussey, Paul Cropley, Pete Forsstrom, PJCads, Rob, Robpar, Ryan T. Larsen, Shiv612, Daniel Tapp, ZachProducers (High Five Tier): Bates M. Nunamaker, Charles Laurens, David O'Banion, Dustin Harper, Ellen, Emilio Corsi, Derrick Gaddis, Grey Gowder, Mike B., Hunter Gwin, Jason Moss, Jason Nix, Jay, Jay Cooper, Joseph Alonso, Justin Rodney Flournoy, Kallebe Gerais, Karen Clement, Kevin Brabant, Kevin S., Matthew Basford, Melinda W., Milan Turner, Nolan Smith, Ryan G., Renn, Scott McFarland, Sonny, TreyExec. Producers (Club Level tier): AtlUtd711, Bo McAlister, Bonny Moore, Brian Diefenbach, Brian Walker, Bruno Cubas Garcia, Col. Ernest Rogers, Dilan Manatunga, DMTim, Emad Hasan, Llammaramma, Jason Kay, Josh Lieberman, Matt Babcock, Nyle Farooqui, Patrick Delaney, Robert Kauffman, Sean P., Sonny Hatcher, Wes Lambert

NOTE: Scarves and Spikes will be exclusively found on its new dedicated feed in a few weeks. Search "Scarves and Spikes" on your favorite podcatcher and subscribe today! (Five Stripe Final will remain on this feed - nothing changes on that end.) NEW SCARVES AND SPIKES MERCH! ⁠https://www.etsy.com/shop/ScarvesAndSpikes⁠ - use code COMMUNITY for $5 off orders of $50 or more! (excluding glassware) ----- More Atlanta United coverage: ⁠⁠⁠https://www.scarvesandspikes.com⁠⁠⁠ Follow the show on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.x.com/scarvesnspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support us via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/scarvesandspikes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ One 17s Tier: AJW, Ben Brodsky, , Austin Delk, Brandon DeSantiago, Carrie Larrison, Dave Coustan, Doug, Jason Russell, Jeffrey Goldenstein, Jim, Joe L., John Weaver, Jois, Josh, Josh Adams, Josiah Marsh, Kareen Malone, Lindsey Cooke, Mark, Nick Hussey, Paul Cropley, Pete Forsstrom, PJCads, Rob, Robpar, Ryan T. Larsen, Shiv612, Daniel Tapp, Zach Producers (High Five Tier): Bates M. Nunamaker, Charles Laurens, David O'Banion, Dustin Harper, Ellen, Emilio Corsi, Derrick Gaddis, Grey Gowder, Mike B., Hunter Gwin, Jason Moss, Jason Nix, Jay, Jay Cooper, Joseph Alonso, Justin Rodney Flournoy, Kallebe Gerais, Karen Clement, Kevin Brabant, Kevin S., Matthew Basford, Melinda W., Milan Turner, Nolan Smith, Ryan G., Renn, Scott McFarland, Sonny, Trey Exec. Producers (Club Level tier): AtlUtd711, Bo McAlister, Bonny Moore, Brian Diefenbach, Brian Walker, Bruno Cubas Garcia, Col. Ernest Rogers, Dilan Manatunga, DMTim, Emad Hasan, Llammaramma, Jason Kay, Josh Lieberman, Matt Babcock, Nyle Farooqui, Patrick Delaney, Robert Kauffman, Sean P., Sonny Hatcher, Wes Lambert

This episode is for elevated book lovers. Our returning guest and friend, Sean P, joins us once again to dive deep into the world of book politics and what makes a great speaker. Tune in for a conversation that's like being a fly on the wall during a casual chat between friends—think of it as the kind of candid, unscripted voice note exchange they share privately on social media. As two authors with diverse experiences and a shared respect for the power of words, their discussion (99% freestyle) is as rich in substance as it is lighthearted and fun. If you're a fan of meaningful yet easygoing conversations, this episode is a must-listen. It isn't the usual format for interviews but that is what makes it special! Check out The Sean P Experience episode from 2022: https://spotifycreators-web.app.link/e/ocA34DYJiQb Order Sean's books: https://www.sametreedifferentbranchpublishing.com/shop Follow Sean on IG: @seanathan_the_griot_polidore

Donncha Ó Conchúir, Willie Warren, Micheál Mac Giobúin, Caitlín Ní Shé, Tony Barrett, Sean Pól Ó Cinnéide, Gearóid Ó Brosnacháin, Deborah Uí Dheargáin, Máiréad Mhic Eoin

I don't get the chance to meet people like Franklin Rossman often enough. Someone who had found a big part of his life of sharing his art to improve young people's lives who are too often overlooked by public education. Franklin shares a fascinating story of growing up and the role music played in his life which led him to the role of Regional Director, New York for Guitars Over Guns. Check out Franklin's music HERE @franklinrossman @guitarsoverguns Franklin Rossman Bio: Growing up, Franklin Rossman always knew one thing—he was going to make his mark in Hip-Hop! As a kid, the Brooklyn, New York native soaked up all of the culture and sounds around him. JAY-Z, the Notorious B.I.G. and Nas helped to inspire Franklin's musical tastes and aspirations. With that, Franklin began creating, and his first works were a series of mixtapes under the stage name, The Incomparable Shakespeare. Franklin established himself as a talented lyricist early on with appearances on Sirius XM's Sway In The Morning, Showoff Radio with Statik Selektah, and MTV. He's performed alongside Hip-Hop luminaries including Slick Rick, The Lox, and has collaborated with the likes of Kool G. Rap, Sean P, and others. In addition to music, Franklin is intimately involved in education. He developed and piloted a Hip-Hop ELA curriculum. His work explores literacy through Hip-Hop, bringing a socially and culturally relevant approach to learning across schools and community organizations. For multiple summers, in partnership with Harlem Children's Zone, he helped coordinate literacy-based programming at Columbia University. With over a decade of experience in the classroom and the entertainment industry, Franklin remains committed to youth development. Guitars over Guns Mission Statement: Kids are awesome. They're creative. They're fearless. They're bursting with energy and hungry for knowledge. They know how to make the most of every opportunity. But kids from our most vulnerable communities don't always have the chance to discover just how awesome they can be. These kids are filled with promise. They have big dreams and bold stories to tell. And yet, due to circumstances and systems beyond their control, they don't always know that they have the freedom to choose a path of their own. At Guitars Over Guns, we're changing that through music, because we believe that music, combined with strong, consistent mentorship, can reshape the trajectory of a student's life.

Neil Saavedra and Amy King join Bill for Handel on the News. Ballot drop box fires under investigation in Oregon, Washington. State Farm accused of funneling excess profits to parent. Israel has banned the UN agency for Palestinian refugees. That could be devastating to millions. US warns Iran at UN of ‘severe consequences' in case of new attacks. Jeff Bezos defends Washington Post non-endorsement. US airlines are required to refund you for a canceled flight automatically. Sean ‘P.Diddy' Combs News: Diddy accused of sexually assaulting 10-year-old from Los Angeles in new lawsuit.

Topic: Philadelphia Black Mafia Website: https://seanpatrickgriffin.net/ Book: https://www.amazon.com/Black-Brothers-Inc-Violent-Philadelphias/dp/1903854369 Social Media: https://x.com/spgauthor?lang=en https://www.facebook.com/profile.php?id=100067891727161 Learn more about your ad choices. Visit megaphone.fm/adchoices

Day 3 of the Delphi trial centered around horrific crime scene photos, showing the brutalized and lifeless bodies of Liberty German & Abigail Williams. Another days, another round of accusers against Sean "P.Diddy" Combs, all alleging abuse and/or assault. Investigators in So Cal concerned a serial predator, who drugs and rapes women, killing one - may have more victims out there. And the Menendez brothers are being talked about not for their crimes, but their clothes. Jennifer Gould reports. See omnystudio.com/listener for privacy information.

Mark your calendars, as the sex trafficking trial for Sean "P.Diddy" Combs is set for Spring of 2025!  His lawyers are also arguing to toss out that damning video of him beating up his ex in the hallway of a hotel.   A man busted for robbing dates he met on a dating site. And we know drinking and driving don't mix...especially when a driving lesson involves a child!  Jennifer Gould reports. See omnystudio.com/listener for privacy information.

Topic: the role of the mob in illegal sports getting; The Tim Donaghy NBA scandal Website: https://seanpatrickgriffin.net/ Book: https://www.amazon.com/Gaming-Game-Betting-Scandal-Barricade/dp/1569804753 Social Media: https://x.com/spgauthor?lang=en https://www.facebook.com/profile.php?id=100067891727161 Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean P.Diddy Combs has been indicted on serious charges and THE FEDS seized 1000 bottles of baby oil and lube! Shannon Shay Shay Sharpe goes live. This is Part 1.

Going through the Sean P diddy Combs indictment this guy is really diabolical!!!plus more news

Frank Morano discusses some of the hottest topics and gives his opinion. Frank talks about the arrest of Sean "P.Diddy" Combs and then Frank talks about banning cell phones in schools. Frank talks about the shooting in a Subway station in Brooklyn and then Frank talks about the criticism of 2 former fired FDNY Chiefs. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, my guest is Sean P. Smith, an Assistant Professor in the Department of Culture Studies at Tilburg University in the Netherlands. Much of his research has focused on the relationship between social media and tourism, and how colonial histories shape today's ideologies and visual cultures of travel. The inequalities that result from many forms of tourism development, he argues, are intimately linked with how tourists create content for Instagram, TikTok, and YouTube, and the ways tourists frame themselves in landscapes and alongside local residents often replay colonial hierarchies.Show Notes: Why Study Instagram?The Pre-tour Narrative (Edward Bruner, Raul Salazar)The Habitus of Tourism (or How We Got Here)The Promontory Witness (or that photo)The Logic of InfluenceEmptying the Landscape (John Urry)The Techno-Generational DivideMedia EcologyOther Horizons in OmanHomework:Sean P. Smith - Tilburg UniversitySean P. Smith: Twitter / X | Instagram | Google Scholar (Articles)Transcript:Chris: [00:00:00] Welcome, Sean, to the pod. Thank you so much for being willing to join us to speak about your work. Sean: Thanks very much for having me. Chris: My pleasure. I'm curious, Sean where you're speaking from today and, and how the world is, how the world might be housing you there. Sean: Well, it's very rainy and dark. I'm in the Southern Netherlands, an area called North Brebant, where I just moved less than a month ago.So, in many places of moving around, if so, getting used to this one. Chris: Sean, I found out about your work from one of the pod's listeners who sent in a link to one of your academic articles entitled, Instagram Abroad, Performance, Consumption, and Colonial Narrative in Tourism. Now, I've been ruminating on the effect that social media has on tourism, spectacle, surveillance, and cultures of disposability for a long time now.So I'm really excited to speak with you today. And [00:01:00] likewise parts of the podcast are shared via Facebook, Instagram, Twitter, so there's always this sense of kind of feeding the machine. unaware and perhaps more aware each time. And so first then, I'm curious why focus on Instagram in the context of critical tourism studies? What makes it different from say Facebook or Twitter?Sean: Yeah, that's a really good question Chris. I think with Instagram, in many contexts around the world, certainly not universally, but it's the social media platform that is most readily identified with not just tourism, but the way that people represent themselves engaging in tourism. It's very image driven.Of course, people do write captions, they do engage in other forms of storytelling, but nowadays it's mostly pictures and especially reels, arguably in the last few years. And for a long time, this [00:02:00] has been could almost say the dream work of tourism going back 200, maybe longer years. So even though today, I think you can find forms of tourism well represented TikTok to varying degrees on Facebook.Instagram, at least in many of the places where I've conducted research, is the place that one goes to both learn about places to travel and also to show how oneself travels.Chris: And I'm kind of imagining that we're more or less in the same age range, but I'm curious if on your travels, you mentioned just briefly that you had also spent time backpacking as a younger person and I'm curious if Instagram existed at the time and also if this dream work was evident to you in your travels.Sean: It was. I think I was relatively young when I got my first [00:03:00] smartphone, but certainly not as young as people nowadays. I must have been maybe 22 or 23. So I did have some years of traveling before I think Instagram really reshaped the way that tourism is done, not just for people that actually use this app, but regardless of whether or not anyone's ever downloaded it on their phone, I think Instagram has had a significant impact on the way that tourism is done. So when I first got a smartphone, I was in a period of my life where I was able to travel quite frequently and that was something that I was really pursuing at the time. And Instagram was a way that I was able to engage in a long running interest in photography, but also kind of a diary of where I had been, but certainly one that was legible and sort of visible to other people.And it was through that, you could say "performance" of travel that began to think a bit more critically about this app and other social media [00:04:00] platforms as well. And the way that it was reshaping tourism destinations. Chris: Mm. Mm. Yeah, you mention in your work this notion of the pre tour narrative.And I'm wondering if we could unpack that a little bit for our listeners and what part Instagram plays in this pre tour narrative. Sean: Yeah, I'm very happy to point that out, because I think this is, this is an important way to think about tourism, and that particular phrase I'm drawing on the work of Edward Bruner, who was an American anthropologist.And that's also been picked up in other realms to be identified as what other people have called tourism imaginaries, such as in the work of Raúl Salazar. So what this concept of the pre-tour narrative describes is that before people travel to a particular destination, they are exposed to [00:05:00] various forms of representation.And oftentimes this is very image based or narrative based. So we would see this maybe thinking back in the era before social media, images encountered in magazines and films, perhaps novels, other forms of storytelling, such as just talking with people who have been to places that one wants to travel.However, in social media, as it's become more integral to the way that people conduct their everyday lives, let alone traveling. It's become the dominant engine for the way that the pre tour narrative is formed. Many people who use Instagram as a space to learn about places to travel, they will encounter images of these of these places on this app or and not just sort of the way that it's portrayed, but what people do in these spaces, the people that live [00:06:00] in the places they're going to visit. So, this process of the formation of a pre tour narrative has really always been a part of tourism. But I think it perhaps it's if not accelerated, then certainly taken a bit of a different form with the advent of social media.Chris: So on some level, it's not just the question of what you're going to go see, but also how you're going to see it, how you're going to stand in front of that tower or restaurant and see, experience, what's there. Sean: Yeah, that's a really good way to put it. Chris: And I know it's a little early in the interview, but I'd like to jump into the heart of the matter and your critiques, if we can. You know, you wrote this incredible article Landscapes for Likes, capitalizing on travel with Instagram. And, in that article, you wrote that, deep breath, "Instagram's networked architecture and affordances produce three [00:07:00] outcomes that circulate and magnify utterances about travel to a degree impossible in pre-networked media.One, a mediated travel habitus hegemonically informs prevailing aesthetic norms. Two, the scalability of embodied performances entrench the motif's narrative underpinnings. And three, the monetizable market of Instagram encourages neoliberal notions of the branded self." Now that's a beautiful mouthful. And so I'm wondering, if you might be willing and able to flesh out these three outcomes for our listeners. Sean: No, that's brilliant. And it's nice to talk about these things, perhaps when they're written that can be quite a bit denser.So maybe we can start with the first idea, this mediated travel habitus. And with the word habitus, I'm trying on the work of [00:08:00] the French sociologist Pierre Bourdieu, who theorizes he's talking about class and culture and ways that people display their belonging within a particular class.And the reason that I'm looking to Bordeaux here is tourism and travel, really, it's important to look at this as a practice that has been connected to what Bordeaux might call the pursuit of distinction, to the search for an acquisition of cultural goods. You know, we might think of cultural goods as being a painting or a taste and a particular kind of music, clothes, certain way of speaking even. And when one amasses certain, certain cultural goods, and they're recognized as being part of the upper classes, being marks of somebody who is [00:09:00] sophisticated, somebody who is typically from a fairly privileged financial background, these cultural goods are desirable.So, this background I think is important because tourism from its modern beginnings in the 18th century has been obtaining these experiences and often physical artifacts that can be a way of claiming a certain social status. So, maybe you've discussed this in other podcasts already, but, when the Grand Tour began in the 1600s, but really took off in the 1700s there was this process in which the aristocratic men, young men, were sent on a tour around Europe, and they would go to capitals like Paris, later Vienna, and then especially places like Rome, and, where they could encounter the remnants of the Roman Empire and classical learning. [00:10:00] And this was meant to do a few things in the first sense. It was meant to introduce them other parts of the world, to certain historical understandings. They could refine their Latin. They could get better at French and then they could go home and be recognized as a sophisticated member of the aristocracy. And this practice really became quite popular up until about the turn of the 19th century, when it stopped briefly because of wars on the European continent, and then after the Napoleonic Wars ended, it basically exploded. So when we think about over tourism now in 2023, this was, you know, 1815, 1820s, and this was a period where all of a sudden there were more tourists than ever before.And what that meant is this practice, which had only been done [00:11:00] by the wealthiest classes, was now something that the middle classes could engage in and that produced a kind of anxiety, where how was one able to become a distinguished or sophisticated traveller. How was one able to obtain the cultural goods provided by travel if everyone was doing it?So, the habitus of tourism, the kind of implicitly learned practices and sensibilities that developed during the Grand Tour experienced this period of challenge where people had to look for a way to find distinction by other means. And I think this beginning led to this friction where now you see people who are trying to go places that no other tourists go, trying to take pictures that no other tourists have taken, trying to be the only person in a picture of a [00:12:00] famous place. So this way of understanding how to be a tourist has become enshrined in the kinds of images that we see in a space like, like Instagram to the extent where I think these images are circulating the ideologies of tourism. The scalability refers to, in social media studies, the way in which a single image can achieve a degree of circulation that is not really possible in pre-networked media. So, by networked media, we can think of platforms like Instagram. We can think of Twitter, anything where the possibility of likes and retweets or reposts achieves a degree of visibility what we might call going viral.So what I was writing about in that article was this particular composition called the "promontory witness" where you have typically one [00:13:00] person who's standing on a promontory or we can say the edge of a cliff the top of a building, in front of a waterfall and they're looking really, really small as compared to the vast scale of nature.And people see these images and they understand through the mediation, the widespread circulation of these images, that this means something important about travel. This is what I mean by the mediated habitus of travel, that taking an image like this and being a person in a promontory witness image has a particular value. It is a way of claiming distinction, again, in Rodrigo's terms. And by taking a promontory witness image, one is able to circulate that image on Instagram in a very different way than before the social media platform existed. So, you know, we think about images circulated in tourism before Instagram.It would either be, say, in a family photo album. That people used to have projectors. [00:14:00] People used to maybe send holiday pictures to family and friends, basically whoever they could, you know, show it to, but this is a really, really small circulation, unless somebody was able to get an image in a magazine or some sort of formal publication. But what really shifts with scalable social media is that somebody can take an image and there really is the potential to go viral.I think in Instagram, the potential to have an image seen by a really significant number of people is less than on a platform like Tik Tok. But there remains the possibility if I post a promontory witness image and I put a geo tag in a place that is particularly trendy at this, at this moment and I put the right hashtags that thousands of people can witness this image and because of that possibility, I think there's a degree of enlistment, a degree of interest in [00:15:00] participating in this trend because taking a promontory witness picture is going to have much more possibility of going viral of leveraging these architectures, these scalable architectures.Much more so than if it just take, if I take another image that isn't so popular on a platform like Instagram. Chris: Thank you. Thank you, Sean. Yeah. So there's, there's a lot in there I'm going to come back to in just a little bit. But I wanted to just finish off this one last part because you kind of, you know, mentioned it a little bit.The monetizable market of Instagram that encourages neoliberal notions of the brand itself. And, you know, I pulled this, this other sentence from one of your articles where you write that "as a banal mediator of travel and tourism, Instagram can encourage tourists to imagine themselves as a capital generating brand." Sean: It's really a comment on the attention economy structure of social media platforms, [00:16:00] where I want people to see my pictures and I want to get likes.And I say that very much as being somebody who continues to study social media and tourism from a critical angle. When I post something I'm always aware of how it's going to be received. Some part of me, even when I'm very aware of the issues with thinking this way potentially is I always want it to gain more visibility.If I post something and it has less likes than something I posted previously, this will likely incur some degree of thinking, what did I do wrong? What could I have done differently? You know, maybe I'm just produced such interesting content. And what I think is really taking place there is that we're constantly thinking about ways to achieve visibility in a way that is not dissimilar to the kind of negotiation that celebrities and [00:17:00] other public figures have to go through when managing their, what we might in today's terms, call their brand, where because there is always this metric of how popular one is or how visible one is in the form of likes or in the form of reposts or retweets or what have you it's means that we develop a way of always orienting towards this possible public. We're always thinking about the people that are going to see whatever kind of thing we say online, and we, I think much of the time, are hoping that it's going to be received.If not, you know, people are going to like it, if it is going to maybe change the way that people think about something, if it's going to influence them in some way. And Instagram, of course, is like other social media platforms, is monetizable in the sense that when one gets a lot of followers, you know, if I continually create fantastic travel content and I get tens of thousands or more followers, then [00:18:00] that means that I am able to start making money from it. I'm going to be paid by different companies to come and stay at a resort or go on some sort of guided tour and take an image or make a reel of this experience and post it on Instagram, talk about how great it was, and then tag the company.And that's a way of them bringing in business. This is how advertising works. So, people become advertisers. But even before that influencer level, I think those of us who are not influencers, and I am certainly not, there's a degree to which we are participating in this logic because even if we don't have any designs of becoming influencers, we still want our posts to be liked and this ultimately influences not just posts we make, but the kind of traveling we do and the kind of relationship we have with the places to which we travel.Hmm. Chris: Well [00:19:00] contentious at the very least. But thank you for that, Sean, for being able to flesh that out for us. And I'd like to return back to this notion of the promontory witness, and you know, because even before Instagram I remember seeing in my backpacking years, these same photos, right?The photo of the person, of their back to the camera facing the open horizon, you know, whether it be a cliff face or a desert or whatever it is, and spreading their hands or arms and, just this kind of emanating freedom, I guess.But you also mentioned that this kind of perspective, if you want to call it that, manufactures emptiness because there's nobody else in the photo, and this is so much a part of the kind of sometimes they're Instagram reels, or sometimes they're photos of people, what it looks like when people are at tourist destinations, actually taking the [00:20:00] photo in front of the Eiffel Tower, or the Great Wall, or the Leaning Tower of Pisa, or whatever, and there's actually hundreds.And thousands of people taking the same photo or trying to, and everyone wants to have that photo without anyone else in it. And so, just a little preamble to the question again, in Landscapes for Likes, you write that "this manufacturing of emptiness privileges tourists as the sole consumers of a landscape, and with its residents hidden from view, a landscape is voided of its human and temporal context. Thus abstracted, place is relevant as little but a visual commodity." And then just another quote that I think brings a little something else to the picture is that "the promontory witness motif scrubs the landscape of the tourist destination of any sign of human habitation, but that of the tourist, singularly pictured in a position of mastery that confers [00:21:00] possession over the destination." And so there seems to be a kind of shared understanding in critical tourism studies that modern and especially social media based travel photography emphasizes empty spaces, of course, minus the Instagram user, the person photographing question. And so I'm curious, why is identifying the emptying of the landscape so important for our understanding?What does it do to us as photo viewers? Sean: Yeah, that's an excellent question and I think I'm very, I'm very interested in this composition, which the lone tourist and the landscape, which, mean, other people before me have pointed to, and at least John Urry.And I think there are two things happening here. For one, it's the kind of picture that's due to the mediation of what we can think of as a travel habitus, due to the way that [00:22:00] people have learned about how to do tourism and to represent themselves doing tourism and the most sophisticated way or in the way that is the most likely to gain them social distinction. They take these images because they've seen these images before and they're attractive images as well. Maybe they're attractive because we have, through seeing so many pictures like them, we've been taught or sort of subconsciously imbibed the aesthetics as being something that we value and are attracted to.One degree of what's of what's taking place. And to another extent, when it comes to this notion of possessing something of being the only person that that goes there, this kind of image of the tourist being the only person in a landscape or in front of some sort of cultural monument is , a way of [00:23:00] claiming a symbolic status, which links back to this ideology of getting off the beaten track. So, I imagine if you're experience backpacking and my own there's a real interest in getting off the beaten path, of going to places that aren't touristy, of being a traveler and not a tourist. And part of the way that the success in getting off the beaten track is signified is being the only person in a photograph.You know, we as backpackers or tourists don't want to be associated with other tourists. And there's very little better way to represent not being another tourist than being the only person in a particular image.Chris: Yeah, it [00:24:00] makes you wonder. And putting together the research for this episode, I came to this, this kind of possibility, question, consternation, And it arose in this way. And so the, the next question, which kind of relates to the last one is, do you think there might be, or is a connection here between the emptying of the photo of humans or locals and the emptying of places of humans and locals, and that is in the context of the gentrification of local people and culture in tourist destinations. Sean: Yeah, yeah, absolutely. It's a very good point. I think especially because gentrification is aesthetically produced through a kind of emptiness or a kind of minimalism. And this gentrified neighborhood is not something that is crowded. It is not some place that there are a lot of wayward signs, [00:25:00] wayward, quote unquote.It is a space which is typically designed according to what might be understood as a globalized regime of clean lines and interesting fonts and a lot of white space. So thinking about the way that that works and everything from upmarket coffee shops to designing neighborhoods that are meant to attract capital on upper middle class consumers and residents.I think that does link quite persuasively with this desire to be the only person within this landscape. I mean, what ultimately is taking place in both processes is that, no matter where somebody is going and taking a promontory witness picture, there are people who live there. There's people who've always lived there and been a part, in many ways, of the land that is being made into a landscape.And by not including [00:26:00] them, within these pictures or in processes of gentrification, actually through state-sanctioned programs or other forms of state-sanctioned investment, local residents are being pushed out to make way for different people, the tourist in this case. There is a process of erasure and, and often what can be conceived as really a very colonial process of taking over, taking over a space and privileging the owners of capital, who in this case, typically are tourists.And of course, it's a little bit different when you're taking a picture versus when you're taking a picture in a place that is not considered part of the Global North. But tourists typically have a lot more privilege and financial resources than local residents.And when they're not in these images, but the places in which they are are included, then at least when we're seeing pictures of it, how [00:27:00] do we imagine who, who controls the space? How do we imagine who has a right to this space? It would be the person in the photograph, the tourist, rather than the people who actually live, work, and, and shape these landscapes.Okay. Chris: Since Instagram tends to be the go to medium for these images and for images in general, as far as social media is concerned, do you think that Instagram then is a tool and driver of gentrification? Could we say that with a sense of coherence? Sean: I think it's as much a tool as, as many other tools and it is very easily leveraged to that end by actors who are seeking to mobilize processes of gentrification. And then I think this is pretty well documented for instance, in Yoo Jung oh's article Instagaze, Aesthetic Representation and Contested Transformation of Woljeong, South Korea.Well, she was [00:28:00] writing about Jeju Island in South Korea, and how once tourists started to take particular forms of images often of being one person in a beach, then different interests were able to move in and realize the value of this image and find ways to capitalize on all of the tourists that wanted to come and take that same image. So what that led to was the beach front where, this is largely a fishing community and other sort of small scale, more artisanal economies, was remade into cafes and restaurants and guest houses in a process that.I think it can be widely recognized in tourism development around the world. But what the author, Yu Jung Oh, is saying, is showing there, is that this was largely motivated by the ability to take this image, that [00:29:00] a tourist could go and purchase a coffee or something, and they would be able to take that image for their Instagram. So there's a really clear linkage there and I think that linkage can be made in many other places as well. But I think in that sense, Instagram and social media is, is can be leveraged for gentrification as, as many other tools can be and are being.Chris: Thank you, Sean. And so, know, for the rest of our time together, I'd like to kind of lean on you a little bit for your personal opinion. I know that sometimes working in and living in academic worlds that's kind of something to be left the doorstep before you walk in. But you know, you mentioned this notion of networked media and pre networked media and kind of social media falling into this wider term of networked media and since these mediums have only come to exist, in terms of Facebook, Instagram, Twitter, [00:30:00] we're talking 15 years at the most, and then the extension or prototypes of those existing in the previous 10. So about 25 years, maybe. And I'm curious in this regard you know, I imagine that you're about my age, maybe a little bit younger so I'm curious if you have a lived memory of how things were before social media and perhaps even before the internet, what do you think we might be losing by virtue of not being able to remember the world without social media Sean: yeah, great question. Definitely. Yeah. Yeah, very good question. Very, of course, fraught. So I guess for context, I was born in 1988. And. So I, got a cell phone at 16, and again, I got a smartphone and Instagram and WhatsApp. So I'm really in two minds about this. And in the first sense, I think it's important to be aware of [00:31:00] how with any new technology there's a great deal of anxiety and resistance and what might be called panic. And this isn't just social media or it's not just television, but we can go all the way back to radio, to novels.People were worried about that, to the written word back in the ancient Greek era. People were concerned that when we start writing things down, this is going to make it very difficult to remember things, and we're going to be less successful orators and our reasoning will be diluted because we start writing things down.So there's always this kind of fear of new technology, and part of me wants to recognize that this is just another one of those periods in which some sort of transformative technology comes along and many of [00:32:00] the generation who can remember what it was like beforehand is going to feel varying degrees of nostalgia for that period.That said, it's also difficult to not, at the same time, say that something really significant has, has, has happened, to not feel, I mean, honestly, I do certainly feel nostalgia for periods before social media. Some of the things which I think have been changed is the interest in finding ways to represent oneself, traveling. And this isn't to say that whenever one goes somewhere, one is always sort of seeing it as if from the viewfinder or, well, it wouldn't really be a viewfinder of a camera so much as, you know, one's phone screen.But that leads to. In being very interested in taking images that would be successful within the attention economies of a platform like Instagram, it can be difficult to [00:33:00] not see the world as if from the perspective of what would make a good picture for Instagram. There's a lot of different people who've come up with critiques of this process.I mean, if you think about it in terms of spectacle, you know, like Guy DuBord's idea that we're no longer, and he was writing in the 60s, you know, that we are seeing relationships, not between people, but between people and images. And so some sort of fundamental human connection is being lost because all we're doing is just relating to images and using images to relate to other people.I'm not so sure about universalizing that idea, but the ubiquity of social media and the Challenges to not somehow be on one of these platforms, in some even practical way does mean, I think, that there are significant influences in tourism as much as anything. Chris: Yeah, my my phone died the other day, abruptly. [00:34:00] And you know, I still have this computer that thankfully allows me to have this interview with you. And I can still access Facebook and Twitter, but for whatever reason, I can't access Instagram. And you know, it's been a few days and I'm really loving it.And then this morning I realized that I had planned to upload a post for the podcast. And then I was just like, okay, well, my best recourse of action is to just stay calm and wait, right? Yeah, and it's a big question, and I think it's something that, I wonder if young people, say people born, you know, 2000 or after would be able to answer with, with any, without having lived in a time without social media, for example. And so this kind of like brings us a little bit towards the towards theme of media ecology, which, you know, we talked about just very briefly before we started our interview here and I had taken Andrew McLuhan's Understanding Media [00:35:00] Intensive last year.He was also on the pod in the, in season three and just generally speaking for our listeners media ecology, within media ecology, the focus is on the medium and not just the message. It's a way of taking to task the context of our technology and not just the content.And so this manufacturing of emptiness of people and places as brands and I'm curious, isn't this to a large extent, also contingent on our tools, on the limits and architecture of the camera, for example? You know, do we stop with Instagram or do we look at all social media and later all tools? Because these media exist within each other, right?Instagram is a medium within the internet, I suppose, and then the internet is a medium within the phone. Maybe you could make that argument. It's not to say, if we didn't have these things, if we didn't have Instagram, if we didn't have [00:36:00] social media, would the promontory witness just disappear? I don't think it's as easy as that. But Would it be as intensely magnified in our time? Sean: So yes, I think the question of magnification is really what sits at the heart of social media because if we're looking at the medium of Instagram, then we have to think about photography and which was invented in the 1840s.And then if we think about photography, we have to think about painting the way that landscape has been represented in many different cultures, both in painting in the Western, Chinese and many other traditions, but then also in poetry and literature. So with all of these things, there's a precedent.And I think if you look at something like the Promontory Witness, this composition and this the visual formation of having one person immersed within a landscape or standing at some edge of a cliff, that's been around for [00:37:00] 200 years at least. You can see some in the later 1700s that look like this, but then the desire to be the only person in a particular place to have gotten off of the beaten track and be the distinguished traveler, that's also been around for, for a very long time. So that's why I think I'm hesitant to sort of pin the blame on Instagram.And I think my thinking around this has taken a bit of it, not exactly a turn, but it's changed a bit. So I think there's a real tendency to look at platforms like Instagram as only being spaces in which processes of gentrification can gain momentum, or only be spaces where one is almost disciplined into being a neoliberal subject who, is working sort of subconsciously thinking about how to brand oneself all the time, specifically in places of tourism, you know, that it's a way that people [00:38:00] only think about the pictures. They only want to go take a picture in these places. They don't actually want to have any experiences in this place or relationships with the people there. And I think that really exists. That is absolutely one dimension of what takes place with social media platforms. But as many people I've spoken to say, social media is a double edged sword. And where that's really been driven home to me has been where I've been conducting research for the past almost two years now. Sometimes they're in person, other times digitally, in Oman, a country in the Arabian peninsula where I was interested initially because it was becoming more popular as an international tourism destination. So, I went there after the pandemic expecting to meet all these people who were experiencing the problematics of international tourism as we know well, I think from your podcast among other, among other spaces.And there's some of that, absolutely. But what I also found was that, in the past few [00:39:00] years, people who are living in Oman, and this is both Omanis, people who have citizenship and then also residents, so there's about 40 percent of the country is made up of people who don't have citizenship in Oman, like many other Gulf countries.And in the past few years, I mean, we're talking five years, maximum ten years, there's been this surge of interest in nature, or we can say is the non human or even the more than human environment and what's can be understood as domestic nature tourism, I think, like many places around the world, domestic nature tourism in Oman became was very popularized during the pandemic when people could not travel abroad. But what this meant is that people saw these images on Instagram and Instagram is really most popular app in Oman, next to WhatsApp, and that introduced them to parts of the country that they'd never [00:40:00] interacted with before.And Oman is this incredibly various and fascinating environment where there's mountains that are, you know, over 3, 000 meters higher, what is that 10, 000 feet you know, all of this coastline and with coral reefs and these waddies or slot canyons. And people began to engage with the environments in a very different way to go on hiking trips, to go on canyoning trips and social media was this massive part of that. You know, this is where people learned about this possibility, this is where people met people to introduce them, to take them safely into these spaces. They'd never been on a hike before. You know, Instagram is where they're going to meet somebody to go out into nature with.And it's not to say that this doesn't have problems associated with it, and everything I suppose related with tourism does, but I think it also represents a case where Instagram, in this sense, was a way that people are actively connecting to nature, and in a place [00:41:00] where, you know, Instagram existed and was widely used before nature tourism was a thing.And I think this kind of flips the narrative a bit where in Western Europe, where I'm sitting right now, for instance, there's been this long time practice of nature tourism, you know, going back to, again, the 1900s. You know, people started climbing Alps in the 1850s and so forth. And then Instagram comes along and everybody's saying, oh, people just want to climb the mountain to take a picture. you know, they don't actually care about nature. Well, in Oman, people weren't really, not that many people were climbing mountains, before the ability to take a picture existed. So, there's a bit of a different trajectory in which people began to relate to a particular space and to the kinds of experiences that one can have engaging in nature tourism.So in that sense to go back to your to your question about what do we essentially do with this platform? [00:42:00] And how do we address the problematics? I don't think that I mean, I think that Instagram will not be the most popular platform forever, certainly, but social media, or this kind of connected media, barring some kind of unforeseen complication. I mean, looking at you, AI. But this sort of communication is here to stay probably. So, can we find ways in which this space is can be generative of community could be generative of care and ethical forms of travel? What might that look like? And what kind of imagery might be associated with it?Chris: I'm curious in that regard, Oman to me is someone who's never been and probably, you know extremely ignorant to any of the nation's culture or history. I imagine modernity to be something of a recent arrival in that place, relatively speaking, correct me if I'm wrong, of course. And I guess what I'm curious about in the context of your research and most [00:43:00] recent research is if you've seen the conflicts that might arise in terms of traditional hospitality? What it means to be in a place, as opposed to a landscape, what it means to be a host, as opposed to, I guess a landlord, in the Airbnb sense of the word and perhaps also what it means to be a traveler as opposed to a tourist within the context of these new economic dynamics in Oman and if Instagram has anything to do with that? Sean: No, that's, that's a wonderful question. It's one I really appreciate as I continue to work there and spend time with people who've been incredibly generous showing me around and introducing me to what their life is like as people who participate in tourism. I mean, the first thing I would say is the Oman, the Arabian peninsula and really Arabic speaking cultures generally is hospitality is one of the most fundamentally [00:44:00] important things in social relationships. In what it means to be a part of this culture, one is hospitable to guests, to friends, to family members. It's almost difficult to understate how integral this is. I mean, it is, in many cultures, hospitality is big, but it's very big in this space.And so I think it's a particularly well suited question to, you know, how is tourism and how is social media impacting this code of conduct and, you know this really wonderful practice that I think, you know, the rest of the world can stand to learn a lot from.So, to your question about sort of where my mind sits in this span of development. Oil was discovered in the 1960s and kind of transformative effect as it has everywhere. And in this time, there was a great degree of urbanization. People could get services rather than relying on culture, trading, which comes from a pre oil economy.[00:45:00] Now, you see, I think, a couple things. For one thing, cultures of hospitality, I think, were already being disturbed by the way that neoliberal capitalism tends to work, not just in Oman, but anywhere around the world. It encourages people to find ways to profit themselves and to think as individual agents rather than as being part of a community, having responsibilities to the humans, but also nonhumans to the land as well as to one's family.So that process is already in it's already taking place before tourism began to take root. And I think there are some spaces in which tourism is developing in such a way that it's very profit oriented. And where people are incentivized to privilege [00:46:00] their own gains over those of others.However, there are other ways I think in which people who, say we're living in the city, are meeting people who live in fairly remote areas, under the auspices of tourism. Because they're engaging in tourism, they're meeting people who are living in these spaces and often chatting with them or sharing a meal or sharing coffee or something like this.Sometimes these people who are living in places that are becoming tourism destinations are part of the industry and sometimes people are not, but as it stands now, it seems as very much a preservation of hospitality within this, this particular context. As with anything, I think the question of tourism is to what extent this will become commodified or not, like how do we make money off of this culture of hospitality?How do we turn it into a tourist product? You know, we can sell Oman as being it's hospitable, come meet the locals. But in the way that people continue [00:47:00] to practice it, both people who are living in Oman and being domestic tourists and also people who are seeing tourists come to where they live in ways that they haven't before. To me, it still seems like it's very robustly in place.Chris: Good to hear. And I very much look forward to the publication of your research. Hopefully it'll see the light of day soon, perhaps. Sean: I hope so. Yeah. Things are in process for sure. Chris: Okay. Well, I'd like to thank you, Sean, on behalf of our listeners for joining us today. And you know, this leads me of course, to the question of how might they be able to get in touch with you or follow your work. And if that includes an Instagram handle. Sean: Yeah, that's, that's fine. So I I recently started another Instagram account. I had my own account and stopped posting about 2019.And then I got interested in it again. I opened a new account, which is sort of more research facing. So yeah, if people wanna check that [00:48:00] out, it's @SPSMITHS, so S-P-S-M-I-T-H-S or email spSmith@tilburguniversity.edu. So always pleased to hear ideas and of course things that I've missed because of course I have so much to learn in this space.So I would really look forward to feedback and ideas. Hmm. Chris: Well, I'll make sure all of that's on the End of Tourism website and the podcast page when the interview launches and as well as the other authors, researchers and works that you mentioned earlier on. So once again, it's been amazing, Sean, thank you so much for being able to really flesh these complex ideas out for us and we'll see what happens, right?Sean: Absolutely. Thanks very much for the invitation. And as always, I'll look forward to continue listening. This is such an excellent project. Chris: Thank you, Sean.This episode and others like it are created and made possible by the generosity of Substack subcribers like yourself. Similarly, I have subsidized the work of the pod with my own time and money. This is a labour of love and lineage that requires the support of others. Please consider offering a gift in return, whether that include upgrading to paid subscription, making a one-time donation, sharing the podcast among your people or being willing to reach out and assist in production (as others have). Thank you. Bless. Peace. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

From multiple subscriptions to multiple books – Sean P. Holman, writer, editor, businessman, dad. Follow his journey through the media. Be sure to listen on your favorite podcast app.5:06 – growing up, you could get yourself in as much trouble as you wanted to 8:57 – what can I get away with before my mom would get mad at me for spending money on something I probably didn't need?             15:38 – offroading was like freedom, you were away from the road, no street signs or anyone telling you what to do31:28 – At the end of my career, I had been there for 20 years, and I was overseeing all the truck and off-road magazines when they decided to dissolve that part of the business 40:32 – The romanticism of off-roading started for me in the magazine; the problem is we used to be influencers before there were influencers53:35 – My favorite is the Raptor story, it goes back to 2007, starting with “how did you know?”Special thanks to 4low Magazine and Maxxis Tires for support and sponsorship of this podcast.Support the Show.

P.League+總決賽打成1比1平手，第一場由國王在王董包票加持下贏得比賽，第二場則是領航猿逆勢反彈，把國王給血洗。究竟風向在誰那邊? 今天我們請來踩上大巨蛋和總決賽地板的男人，台北台新戰神助理教練，現在專職吃瓜的小人物Sean來分享一下P.League+總決賽的看法，戰術分析滿滿的一集不要錯過！   除了冠軍賽之外，另一個最大的消息莫過於台灣球員的旅日潮，最近人稱 「台灣黑豹 」的阿巴西宣布加盟日本B1球隊秋田北部幸福，成為台灣第一位進軍B1的好手，據聞後續還有不少台灣球員也將加入B1的行列。祝福他們旅外之路一切順遂！   更多來自吃瓜群眾的危險發言和專業戰術討論盡在小人物上籃，請各位到各大Podcast平台收聽！  

This episode is based on a two part series the the episode being called “Comes out in the Light” airs the following week featuring our other favorite co host franchise and we continue to touch on the serious downfall of hip hop mogul Sean “P.Diddy” Combs and his many escapades throughout the years and were it finally seems the chickens come to roast as he suffers tremendous losses do to his despicable behavior as well as the continuous saga taken place in hip hop between Drake And Kendrick Lamar just a look on our prospectives and challenging the narrative of who's really a better Mc between the two we're back with a blast check it and don't forget to subscribe

Footage Surfaces of Bad Boy executive Sean "P-diddy" Combs ASSAULTING HIS THEN GIRLFRIEND Cassie Ventura in a Los Angeles hotel its turning the online community upside downand a series of "RECENT" diss records targeting Philadelphia rapper Meek Mill flood the internet causing hip-hop blogs to choose sides. My new album is out go download it NOW!!

What do Jeff Bezos, Sean ‘P.Diddy' Combs, and Anne Frank have in common? They were all educated in the Montessori system. The Montessori approach to children has been time-tested to be incredibly effective. Want to learn more about how to bring a taste of Montessori into your home? You'll learn how with today's podcast guest, Jeanne-Marie Paynel, of Voila Montessori. ABOUT HUNTER CLARKE-FIELDS: Hunter Clarke-Fields is the host Mindful Parenting Podcast (Top 0.5% podcast ), global speaker, number 1 bestselling author of “Raising Good Humans” and “Raising Good Humans Every Day,” Mindfulness Meditation teacher and creator of the Mindful Parenting Course and Teacher Training. Find more podcasts, Hunter's books, blog posts, free resources, and more at MindfulMamaMentor.com. Discover your Unique-To-You Podcast Playlist at mindfulmamamentor.com/quiz/ We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: /mindfulmamamentor.com/mindful-mama-podcast-sponsors/ Learn more about your ad choices. Visit megaphone.fm/adchoices

ITL Hour 4: Around The NFL, Travis Kelce having money issues because of Taylor Swift? Slowik brother getting some love, and Warren Moon shots at the Texans. Slime Off featuring Warren Moon, Boomer, The Chronicle, and Sean P feeding rat poison. Texans Schedule Release is near, Astros looking ahead to the Mariners. 

ITL Hour 1: Astros win last night taking two of three against the Guardians and the NFL Schedule release is near. The Texans get a harsh grade from their draft but is it fair? Nick Caserio has become a very loved figure, but is it rat poison? ITL Hour 2: Land Lock Presents… The Top 10 Grudge Matches of 2024. Internet Going Nutz, P&P gets love on National TV, Pat Bev not so much. Do the Astros have a pulse? Is JJ Watt returning to the Texans? ITL Hour 3: Can Nick Caserio handle all the love he's getting? Astros showing a pulse, and possible season openers for the Texans. ITL Lunch-Time Confessions, Morey a con artist? JJ Watt return? And no Shark Tank for Landry. 2024 Grudge Matches for the Texans, Landry goes through the list. ITL Hour 4: Around The NFL, Travis Kelce having money issues because of Taylor Swift? Slowik brother getting some love, and Warren Moon shots at the Texans. Slime Off featuring Warren Moon, Boomer, The Chronicle, and Sean P feeding rat poison. Texans Schedule Release is near, Astros looking ahead to the Mariners.

ITL Hour 1: ITL on Nick Caserio process from then until now with the WR position and Lopez goes over the top. Three weeks until the NFL Draft, what is Nick Caserio cooking? The pulse of the NFL world reaction to the Diggs trade. ITL Hour 2: Brandon Scott joins the show and gives us his reasons why he's so excited for the Diggs trade and what the Texans plans are for the draft. Do the Texans have their number 1 WR and does it matter? Is it still a honeymoon phase with Joe Espada? The Hits are lit. ITL Hour 3: Did the Bills hire BOB as their GM? ITL Lunch-Time Confessions, Lopez is disappointed in Landry & Figgy. ITL gives Sean P a hard time? ITL Hour 4: Around The NFL, Hardo or God no, and more. Internet Going Nutz, Stephen A Smith mocks the Cowboys. The national POV of the Diggs to Houston trade.

ITL Hour 3: Did the Bills hire BOB as their GM? ITL Lunch-Time Confessions, Lopez is disappointed in Landry & Figgy. ITL gives Sean P a hard time?

On episode 172 of The Undiluted Podcast, JP, Mike, and AJ discuss their thoughts on the recent extremely controversial allegations against hip-hop legend billionaire Sean P.Diddy Combs, plus much more!

Another visit with the Wizard of Northwest Wine, Sean P. Sullivan! The latest news from the world of Northwest wine plus an update on Sean's website northwestwinereport.com as a subscription-based news outlet. Why is more and more journalism switching to indepedant platforms? Also, baseball season! Oh, and a couple of delicious wines are tasted...it's a good chat!Support the Podcast Financially (many thanks!)See pictures on Mike's Instagram! Send an email to say "hello"!Wines discussed this episode:2022 Pepper Bridge Sauvignon Blanc, Walla Walla Valley2007 Domaine Saint-Damien "Vieilles Vignes" Gigondas Support the showIMPORTANT!! Please "follow" or "subscribe" to the podcast, so you don't miss an episode. If you listen on Apple Podcasts take a moment to rate (5 stars please!) and write a review. They tell me it helps A LOT!

Hosted by Fast Lane Jane Thurmond and Design Muse Theresa Contreras Fellow podcaster, off-roader, and automotive journalist Sean P. Holman shares his stories from decades in off-road media, from magazines including Four Wheeler, Truck Trend, Truckin', to starting the Truck Show Podcast and OVR Magazine. Follow Sean @seanpholman, OVR @ovrmag, and the Truck Show Podcast @truckshowpodcast. Produced by Auto Revolution Auto Revolution produces automotive TV Shows, Podcasts, Promotional Videos, and more. Watch at www.autorevolution.tv and follow @autorevolution Recorded at Autotopia LA The premier automobile storage & concierge facility in Los Angeles. Collector car storage. Vintage car storage. Luxury car storage. Exotic car storage. Visit Autotopia LA at www.autotopiala.com Baja Forged Timeless design. Race inspired. BAJA proven! We love looking good driving on and off road.  Baja Forged offers products to be capable when we need them. So we built Baja Forged. Visit Baja Forged at www.bajaforged.com ENVZN For more information on the 2018 GMC Denali Duramax truck Giveaway, visit www.envznsupplyco.com

Hosted by Fast Lane Jane Thurmond and Design Muse Theresa Contreras Fellow podcaster, off-roader, and automotive journalist Sean P. Holman shares his stories from decades in off-road media, from magazines including Four Wheeler, Truck Trend, Truckin', to starting the Truck Show Podcast and OVR Magazine. Follow Sean @seanpholman, OVR @ovrmag, and the Truck Show Podcast @truckshowpodcast. https://youtu.be/M62J6EAhMl4 Produced by Auto Revolution Auto Revolution produces automotive TV Shows, Podcasts, Promotional Videos, and more. Watch at www.autorevolution.tv and follow @autorevolution Recorded at Autotopia LA The premier automobile storage & concierge facility in Los Angeles. Collector car storage. Vintage car storage. Luxury car storage. Exotic car storage. Visit Autotopia LA at www.autotopiala.com Baja Forged Timeless design. Race inspired. BAJA proven! We love looking good driving on and off road.  Baja Forged offers products to be capable when we need them. So we built Baja Forged. Visit Baja Forged at www.bajaforged.com ENVZN For more information on the 2018 GMC Denali Duramax truck Giveaway, visit www.envznsupplyco.com

Rob and Danny try to explain and track down the infamous Sean Combs amidst his sex trafficking allegations --- Support this podcast: https://podcasters.spotify.com/pod/show/rob-west8/support

HOUR 1 - Seth and Shaun Bijani (in for Sean P) discuss basketball crashing back into our lives with the Rockets looking to sneak into the playoffs with their 10th straight win, dive into if Cal McNair being the official owner of the Texans changes anything we can perceive as fans, and go through the day's Headlines.

Is our protagonist actually the bad guy?

Sean P's topic gets meat left on bone, ITL feasts.

ITL Hour 3: The Caserio mystery and why past means nothing. LunchTime Confessions on a HumpDay. Sean P's topic gets meat left on bone, ITL feasts.

ITL Hour 1: The four intense stories of the offseason with lots going on around the studio. Hit the Quon and Mike Evan Role Play. Baseball Spo on Stros, heavy Breg and more.  ITL Hour 2: The insight we needed about CJ and Amber. A local star's team gets cryptically called out and it irks Lopez. Is Insta season still a thing and is Tuck on the way out? ITL Hour 3: The Caserio mystery and why past means nothing. LunchTime Confessions on a HumpDay. Sean P's topic gets meat left on bone, ITL feasts. ITL Hour 4: Around The NFL and the frenemy of CJ Stroud gets called out. The Internet Goes NUTZ with wild stuff and revisionist history. Hitting the Quon.

There is no other sport that has evolved over the last 30 years the way that MMA has.In my personal opinion, the biggest evolutions have come in the last 5-10 of those years. It's an incredible rarity to have the opportunity to chat with someone who is still active, winning, and fighting like he's never missed a step after 20 years of time in the sport.Sean "P-Town" Wilson is that person. Based out of Omaha, NE Sean has fought for many promotions- including BKFC, and will be back in the octagon this Friday at Dynasty Combat Sports "New Years Knockouts" in Omaha, NE.

In this week's episode Openers, we are talking about everything from "Sean “P.Diddy” Combs empire crumbling" to "Bromance". If you want us to give you some advice e-mail us: openrelationshippodcast@gmail.com Host: Rodney, Solomon, Shazam, & Marco DePrence What our Openers can expect from us: OPEN: A to Z as it pertains to the LGBTQ community and beyond, ultimately creating a safe space for conversation, impact, healing, and learning. Our Segments: The Opening, In Da Streetz, Situationship with Shazam, Menge A Trios, Left on Read, & Close Out Join this channel to get access to perks: https://www.youtube.com/channel/UCpaklo2ft-q2lLDyyIHnFKg/join Patreon: https://patreon.com/openrelationshippodcast?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link For Sponsorship: openrelationshippodcast@gmail.com For Interviews/Guests: openrelationshippodcast@gmail.com Advice: openrelationshippodcast@gmail.com Apple TV Subscribe Link: https://apple.co/3Np6VjX Apple Music Subscribe Link: https://apple.co/3Ps7Frn Signup for your newsletter: https://us1.list-manage.com/survey?u=06fbaa82133f8c308e7bc85fe&id=993aa00e9a&attribution=false Donate to the podcast: https://www.paypal.com/donate/?hosted_button_id=PHJ8ECDXWD4EA Follow Us! @openrelationshippodcast @iamrodneywash @marcodeprence @_kidnplay @solomonestretch #pdiddy #openrelationship #oralsex

In this week's episode Openers, we are talking about everything from "Sean “P.Diddy” Combs" to "When I Grew Up". If you want us to give you some advice e-mail us: openrelationshippodcast@gmail.com Host: Rodney, Solomon, Shazam, & Marco DePrence What our Openers can expect from us: OPEN: A to Z as it pertains to the LGBTQ community and beyond, ultimately creating a safe space for conversation, impact, healing, and learning. Our Segments: The Opening, In Da Streetz, Situationship with Shazam, Menge A Trios, Left on Read, & Close Out Join this channel to get access to perks: https://www.youtube.com/channel/UCpaklo2ft-q2lLDyyIHnFKg/join Patreon: https://patreon.com/openrelationshippodcast?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link For Sponsorship: openrelationshippodcast@gmail.com For Interviews/Guests: openrelationshippodcast@gmail.com Advice: openrelationshippodcast@gmail.com Apple TV Subscribe Link: https://apple.co/3Np6VjX Apple Music Subscribe Link: https://apple.co/3Ps7Frn Signup for your newsletter: https://us1.list-manage.com/survey?u=06fbaa82133f8c308e7bc85fe&id=993aa00e9a&attribution=false Donate to the podcast: https://www.paypal.com/donate/?hosted_button_id=PHJ8ECDXWD4EA Follow Us! @openrelationshippodcast @iamrodneywash @marcodeprence @_kidnplay @solomonestretch #Pdiddy #openrelationship #gaypodcast

In this episode, we are joined by the one and only Sean P! We talk about how he discovered his love of reading through the Navy, finding the positive in everything you read, coping with grief, and the golden age of Hip-Hop. Seanathan is a multi-talented autodidact who you'll love getting to know as much as we did! Welcome to the Sean P. Experience X Real Ballers Read... --- Support this podcast: https://podcasters.spotify.com/pod/show/realballersread/support

ITL Hour 2: Is Nick Caserio a good general manager, ITL discusses and high Sean comes through. Landry Locker lists the weirdest thing about every 2023 Texans opponent. The HITS are LIT and the Astros appear to be in a one-on-one fight.

Sean P is questioning his fanhood is something happens while Landry loves the possibility of Kyrie here.

Sean Patrick O'Brien tragically passed away in 2023. He was a multiple time guest on the show, supporter of the show, referee, singer, friend, father, son, and overall incredible human being. June 1, 2023 being his birthday, I had to do an episode in his honor. RIP Sean P, we miss and love you bro! 

Acura re-introduced the Integra and its high-performance version, the Type-S. On paper, which one seems like a better buy, as compared to the Civic Type R? The debates include Sean P. in MS, who needs a fun car that's good at commuting. Also, Andrew F. in LA loves eccentric and uncommon cars, but has already had old ones – so what's next? Social media questions ask what the guys think about the build quality of modern vehicles, what cars made a big splash at their introduction but are now forgotten, and why can't EVs be programmmed to deliver power like some of the great combustion engines? Please rate + review us on iTunes, and subscribe to our two YouTube channels. Write us with your Car Debates, Car Conclusions, and Topic Tuesdays at everydaydrivertv@gmail.com or everydaydriver.com. Don't forget to share the podcast with your car enthusiast friends!

For episode 27, we sit down with Sean Bohen,  CEO of Olema Oncology. Stay tuned to learn what the future of personalized cancer treatment holds, and learn how Olema is helping to address the disparity in available care for women. First In Human is a biotech-focused podcast that interviews industry leaders and investors to learn about their journey to in-human clinical trials. Presented by Vial, a tech-enabled CRO, hosted by Simon Burns, CEO & Co-Founder & guest host Co-Founder, Andrew Brackin. Episodes launch weekly on Tuesdays. To view the full transcript of this episode, click here.Interested in being featured as a guest on First In Human? Please reach out to catie@vial.com.