Podcasts about tiff lightbox

Our final Diana Wynyard episode has arrived all too soon! We look at her two final key roles, in Alexander Korda's film of Oscar Wilde's An Ideal Husband (1947) and The Feminine Touch (1956), a nurse drama that's better than its silly title. And in Fear and Moviegoing in Toronto, we cover the 2025 Toronto Silent Film Festival, focusing on three films built around miraculous performances, Victor Sjostrom's The Wind (1928), starring Lillian Gish, Victor Fleming's Mantrap (1926), starring Clara Bow, and Josef von Sternberg's The Last Command (1928), starring Emil Jannings (ably supported by Evelyn Brent), before turning our attention to a film that was entirely new to us, the blatantly anti-capitalist The Johnstown Flood (1926), featuring Janet Gaynor in her first major role.  Time Codes: 0h 00m 25s:    AN IDEAL HUSBAND (1947) [dir. Alexander Korda] 0h 23m 27s:    THE FEMININE TOUCH (1956) [dir. Pat Jackson] 0h 41m 54s:    Diana Wynyard – The Summing Up 0h 48m 01s:    FEAR & MOVIEGOING IN TORONTO: Toronto Silent Film Festival 2025 at The Revue Cinema [The Wind, Mantrap, The Last Command, The Johnstown Flood, Leap Year, Assistant Wives] and Easter Parade (1948) at TIFF Lightbox.    +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In our penultimate Diana Wynyard Acteurist Oeuvre-view episode, our acteur supports two of the greats of her age, John Gielgud as Benjamin Disraeli in Thorold Dickinson's The Prime Minister and Michael Redgrave as the titular innocent of Carol Reed's Kipps, based on the novel by H.G. Wells. We discuss 19th century British politics (enfranchisement vs. empire), Wells' hope and despair for humanity, and the qualities that suit Wynyard to play women who are motivated to improve their partners. And in Fear and Moviegoing in Toronto, we wrap up March's TIFF Lightbox retrospectives with a viewing of Binka Zhelyazkova's The Tied-Up Balloon.     Time Codes: 0h 00m 25s:    THE PRIME MINISTER (1941) [dir. Thorold Dickinson] 0h 32m 44s:    KIPPS (1941) [dir. Carol Reed] 0h 48m 27s:    FEAR & MOVIEGOING IN TORONTO: The Tied-Up Balloon (1967) by Binka Zhelyazkova +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In this episode, we chat with Cameron Bailey, CEO of the Toronto International Film Festival. Cameron shapes the vision and strategy of one of Canada's premier cultural brands, responsible for presenting the world's largest public film festival every September. A champion of diverse voices and bold storytelling, he's been the guiding force in transforming TIFF into a global hub known for groundbreaking international premieres to Oscar-bound favourites.With an eye for brilliance and a heart for storytelling, Cameron Bailey talks to us today about the evolution of technology in film, creating magical moments with an audience, and how important it is to remember that the audience…is us.We recorded this episode in Varda at TIFF Lightbox, an inspiring setting to reflect on the past, present, and future of film.

It's our 10th anniversary! And award-winning actor Felix-Antoine Duval – star of Sophie Deraspe's wonderful Shepherds, now playing at the TIFF Lightbox and elsewhere – is here to explore the darkest corners of Pascale Plante's 2023 thriller Red Rooms. Your genial host Norm Wilner is fighting the urge to do the Jeremy Piven thing from Grosse Pointe Blank.

In this empowering episode of the Women in Leadership Talk podcast, host Vicki Bradley sits down with Carolyn Pritchard & Lorie Spence, co-founders of Bridge Medical Communications. Together, they unveil the game-changing ways they're transforming healthcare communications to improve patient care and empower women's health.What You'll Learn:✅ The biggest challenges women face in healthcare & leadership✅ How effective communication can save lives ✅ The power of mentorship and why women must lift each other up✅ The mission behind the Women's Health Summit – and why you need to know about it!If you'd like to join Carolyn and Lorie at the 1st Annual Women's Health Summit on March 1, 2025, at TIFF Lightbox, Toronto, this is your chance! The event will bring together top medical experts to tackle key issues in women's health, from menopause to cardiovascular care. Don't miss it!

Welcome back to the 218th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 218th episode we have a new artist interview. This particular conversation was hosted by our Co-Artistic Producer Ryan Borochovitz and features Program Officer of visual and performing arts for The Japan Foundation, Toronto, Toshi Aoyagi. Join these two as they discuss Cinema Kabuki, an annual event in which filmed versions of kabuki plays are presented for Torontonian audiences as well as traditional Japanese artforms, complicated gender dynamics, and bridging cultural divides. Cinema Kabuki will be screened in three instalments at the TIFF Lightbox (350 King St W, Toronto, ON), on February 23rd, 2025. Tickets to the screenings can be purchased from the following link: https://tr.jpf.go.jp/cinema-kabuki-2025-toronto/ Register for the Kabuki Talk Series: https://tr.jpf.go.jp/kabuki-talk-series-2025/ CONTENT WARNING: This interview contains brief allusions to suicide and sexual violence against women, contained entirely within a segment discussing the kabuki play Princess Sakurahime (approximately from 50:40 to 55:30). Viewer discretion is advised. Follow The Japan Foundation – Instagram: @jftoronto // Website: https://tr.jpf.go.jp/ Check out the Yōkai Netsuke Exhibition (extended into March by popular demand) – https://tr.jpf.go.jp/event/yokai-netsuke-exhibition/2024-10-17/ Check out Toshi's recent interview with A View from the Box (which we referenced in this interview) – https://aviewfromthebox.net/2025/02/01/stage-door-dialogues-toshi-aoyagi-of-cinema-kabuki-at-the-japan-foundation/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.comCHAPTERS: 0:00 – Intro: 3-for-1 Interview Questions3:40 – Toshi's Story 9:49 – How Does “Cinema Kabuki” Work?25:12 – Capturing Theatricality on Film 31:05 – Kabuki for Canadians 38:56 – Onnagata: A Fireball of Gender Issues 1:03:38 – Curation 1:11:03 – Talk Series 1:13:34 – What's Next?

Even in the face of the horrors of war, art and beauty must prevail...On this very special episode, we're diving into a look at some very people who are sticking to their principles of creating beauty while defending their country from invasion.  It's time for 'Porcelain War'Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it's easy to make people afraid, it's hard to destroy their passion for living.This film is undeniable testament to the human spirit and the importance of art in the face of human tragedies like the war in Ukraine.  We had the unique pleasure of sitting down with co-director Brendan Bellomo and producer Paula DuPre Pesman about how 'Porcelain War' came to be.Porcleain War hits the TIFF Lightbox this Friday.

Writer, director and actor Ben Petrie, whose first feature The Heirloom has its Toronto premiere at the TIFF Lightbox this Thursday, November 28th, before moving to the Carlton and the Revue on Friday the 29th, is here to celebrate City Lights, Charlie Chaplin's masterful blend of comedy and heart. Your genial host Norm Wilner is amazed this is the first time someone's brought a Chaplin film to the podcast.

This Warner Bros. 1947 Studios Year by Year episode features two gems that put their own particular slant on noir's familiar theme of murderous conflict between women and men: Curtis Bernhardt's Possessed, starring a more-than-usually deranged Joan Crawford, with Van Heflin as the rakish object of her obsession, and Delmer Daves' Dark Passage, starring an unusually passive Humphrey Bogart as a man convicted of killing his wife, with Lauren Bacall as an eccentric socialite who decides to help him. And in our Fear and Moviegoing segment, a real clash of moods: Ridley Scott's terrifying sci-fi/horror classic Alien and Wong Kar-wai's whimsical romantic comedy (of a sort) Chungking Express. Though admittedly it also has its terrifying aspects. (If only Van Heflin had been charmed by Crawford's fixation, how differently it could have gone!)  Time Codes: 0h 00m 35s:      POSSESSED [dir. Curtis Bernhardt] 0h 41m 53s:      DARK PASSAGE [dir. Delmer Daves] 1h 11m 24s:      Fear and Moviegoing in Toronto – Alien (1979) by Ridley Scott at the TIFF Lightbox and Chungking Express (1994) by Wong Kar-wai at the Revue Cinema  Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

For this MGM 1947 Studios Year by Year episode, we discuss Cynthia, a gentle family melodrama starring a luminous 15-year-old Elizabeth Taylor as an over-protected teenager, and High Wall, a psychiatric film noir with great roles for Robert Taylor and Herbert Marshall as sweaty noir protagonists at cross purposes. Our Fear and Moviegoing in Toronto segment, meanwhile, features discussion of two radically different films: James Cameron's Terminator 2 and a 4K restoration of Vittorio de Sica's influential early neorealist drama Shoeshine. Realist horrors or horror fantasy, take your pick! Time Codes: 0h 00m 30s:      CYNTHIA [dir. Robert Z. Leonard] 0h 38m 15s:      HIGH WALL [dir. Curtis Bernhardt] 1h 01m 44s:      Fear and Moviegoing in Toronto – Terminator 2: Judgment Day (1991) by James Cameron at TIFF Lightbox and Shoeshine (1946) by Vittorio De Sica at The Revue Cinema Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

Pride Toronto organizers say the hike is due to security and insurance costs that are jeopardizing programmed events and booked artists;  A man was investigated as being part of a massive gambling ring affiliated with Hells Angels after police found $270K under his bed; Gas prices are set to rise again this week after Thursday's overnight climb of five cents, making it the highest price since November 2022; and The third largest film festival in Canada, which presents a program of LGBTQ+-related films, begins this week at TIFF Lightbox.

Joining me for 150th episode of the show is Chandler Levack, the director of I Like Movies. This is a film I saw at the Edmonton International Film Festival a few months back and has stuck with me ever since. In the film, high schooler/cinephile Lawrence Kweller (Isaiah Lehtinen) begins working at Sequels Video while his personal relationships and dream of going to the Tisch School for the Arts fall in deeper jeopardy. Watch Chandler's 2017 short We Forgot to Break Up on Vimeo.  I Like Movies starts playing this Friday at the TIFF Lightbox, CPX International Village (Vancouver,) Silvercity Burlington, Playhouse (Hamilton,) Cinematheque on March 11th (Winnipeg) and starting March 17th at Metro Cinema in Edmonton. ReComradations:New York Ninja (2021) dir. John Liu / Kurtis M. SpielerRate + review the show on the podcatcher of your choice!Join the Kino Lefter DiscordJoin the Kino Lefter Facebook group "Kino Lefter VIP Cinema Experience"Get access to Primo Lefter, our weekly bonus show on our Patreon for just $3 per month. 

In this week's Dorothy McGuire Acteurist Oeuvre-view, two very different roles for our subject: in Elia Kazan's first film, A Tree Grows in Brooklyn (1945), an imperfect mother in a difficult relationship with her protagonist-daughter; and in Robert Siodmak's Gothic noir, The Spiral Staircase, (1946) a mute girl targeted by a eugenicist killer. We discuss the unique qualities McGuire brings to what could be an unsympathetic role in A Tree Grows in Brooklyn, and the intricacies of that movie's family relationships. And in Fear and Moviegoing in Toronto, we look at Set It Off, F. Gary Gray's 1996 heist movie about four women who start robbing banks together, starring Jada Pinkett and Queen Latifah.  Time Codes: 0h 0m 45s:        A TREE GROWS IN BROOKLYN (1945) [dir. Elia Kazan] 0h 46m 31s:      THE SPIRAL STAIRCASE (1946) [dir. Robert Siodmak] 1h 07m 36s:      FEAR & MOVIEGOING IN TORONTO – Perpetratin' Realism series at TIFF Lightbox – SET IT OFF (1996) directed by F. Gary Gray   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Our Valentine's Day 2023 episode is all about loves from the past who have inconveniently returned. In My Favorite Wife (1940), Irene Dunne is newly remarried Cary Grant's presumed dead wife, while in Kiss Me Goodbye (1982), James Caan is Sally Field's actually dead, or undead, husband, interfering with her engagement to the (ostensibly) less charismatic Jeff Bridges. We apply Stanley Cavell's concept of the "comedy of remarriage" to these movies and conclude that the comedy of My Favorite Wife really has nothing to do with its premise, whereas Kiss Me Goodbye does perform some interesting twists on comedy of remarriage tropes. In Fear and Moviegoing in Toronto, two more movies about love pick up these themes: Stanley Kwan's Rouge (1987) and Dorothy Arzner's Merrily We Go to Hell (1932). Happy Haunted Valentine's Day! Time Codes: 0h 0m 45s:        MY FAVORITE WIFE (1940) [dir. Garson Kanin] 0h 29m 59s:      KISS ME GOODBYE (1982) [dir. Robert Mulligan] 0h 49m 58s:      FEAR & MOVIEGOING IN TORONTO – ROUGE (1987) by Stanley Kwan & MERRILY WE GO TO HELL (1932) by Dorothy Arzner   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

KEVIN HEGGE is here! Join Damian as he sits down with his friend & the director of the incredible new documentary TRAMPS! to talk about: art, punk, style & growing up in Toronto. From the real history of New Romanticism, to the ups & downs of filming your heroes, to an evolved understanding of the Sex Pistols' cultural influence: this is not to be missed! Also, don't miss the Inside Out's Centrepiece Gala screening of TRAMPS! on May 31! In-person at the Tiff Lightbox in Toronto or on-line! More info HERE!!! Also, grab a shirt for the podcast at Turnedoutapunk.com Also Touched On: "K2" Growing in NoFX country, Ontario An evolving understanding of the Sex Pistols A greater understanding of British Punk The first Pet Shop Boys Meeting Bruce La Bruce  Getting to work a Rotate This Fashion vs. Style Never document your heroes!!! AND SO MUCH MORE!!!!!

Becky, Alicia and special guest Lacey Novinka zoom in on two groundbreaking, women-directed films from 1973: Lina Wertmüller's Love & Anarchy, and Stephanie Rothman's Group Marriage. Lacey Novinka is a programming coordinator at Hollywood Suite and a recent graduate of Centennial College's Broadcasting program. She is incredibly passionate about film, and credits a screening of Luis Buñuel's Viridiana (programmed by Guillermo Del Toro at TIFF Lightbox) as igniting in her the wonder of cinema, and a lifelong obsession. See acast.com/privacy for privacy and opt-out information.

Welcome to the first installment of Fear & Moviegoing in Toronto! This time out, it’s part one of our mammoth conversation covering Marlene Dietrich and Josef von Sternberg’s inspired 1930s collaborations. We saw the films as part of The TIFF Lightbox’s recently concluded retrospective, Insolent Enigma/Arrogant Auteur.  Join us as we feel our way toward a critical counternarrative to the anemic analyses which have plagued the skin-deep celebration of this cinematic septet for too long. (Much of our discussion takes place in dialogue with Andrew Sarris’ 1960s monograph The Films of Josef von Sternberg.)     Time Codes: 0h 1m 00s:       Preamble 0h 22m 27s:     The Blue Angel 0h 46m 00s:     Morocco 1h 15m 43s:     Dishonored 1h 48m 30s:     Shanghai Express 2h 11m 23s:    Listener Mail with Todd Murry +++ *Read Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

We follow up on the Saturn V and pronouncing Roman Numerals. Why 'ji32k7au4a83' Is a Remarkably Common Password. Surprises in the TIOBE Index 2019. We chat about Apple's "It's Show Time" announcement. Is is Apple working on smart glasses? US Sales Tax Changes for software companies. Apple buys AI company, Laserlike. Picks: Safely supporting new versions of Swift, Senator Hawling vs Google Free Services. Apple UK's Why iPhone. Aftershow: Boeing 737 Max 8 _and _MCAS, Captain Marvel? and college admissions.

For this episode, Kat picked Akira Kurosawa's Throne of Blood which was a first time watch for both of us. Did it live up to its reputation? The Criterion Blu Ray sure did not hurt its cause? We also chat about The Hunt For the Wilderpeople and Scott's trip to the TIFF Lightbox to see John Carpenter's The Thing on the big screen.   marriedwithclickers@gmail.com

ArMAYgeddon continues this week with a discussion about 1979's Meteor starring Sean Connery and Nathalie Wood. It was a box office bomb and is a notorious stinker. Did we find some redeeming qualities in it? Tune in to find out. We also chat about a trip to the TIFF Lightbox to see a 70mm print of 2001: A Space Odyssey. marriedwithclickers@gmail.com

How the angels sing to Stanley in heaven (27m54s) : Recorded at the TIFF Lightbox on November 10 2014 at the Kubrick Retrospective. Equipment used: Zoom H2 and Roland – CS-10EM – Binaural Microphones/Earphones

Events in Egypt have us taking shelter in the Gaming Hut to suggest approaches to uprisings and revolutions in roleplaying narrative. Then Robin beckons you to the Cinema Hut for a quick intro to Chinese film, as seen through three rarities recently screened at the TIFF Lightbox: the suppressed censorship satire Unfinished Comedy, showbiz melodrama […]

Mike and Rosie discuss Mike's wedding, Rinse's comment and the TIFF Lightbox.

It’s our Halloween episode. We reveal how many calories you can burn watching classic horror moves, tell you if that new James Bond exhibit at the TIFF Lightbox is worth going to, share some shivers about Hurricane Sandy, and explore Kris’ favourite animatronics company for the haunt industry, ScareFactory. This is the audio edition of […]