Podcasts about Bernhardt

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Bestselling authors William and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Mark Stevens, author of several crime novels, including Trapline. His new novel No Lie Lasts Forever involves a reporter investigating a cold-case serial killer who may have returned.00.00 Opening ThoughtsJesse has returned from Ireland with a new appreciation of books—especially illuminated ones.04:29 News1) MIllion Lives Book Festival Disaster2) Agatha Christie Rises to Teach Again15:31 Craft CornerJon Meyers (Write Better Together) discusses the use of attachment theory when creating characters and character relationships.21:30 Interview with Mark Stevens42:20 Parting WordsLAST CALL for the WriterCon Cruise (May31-July 7). Seven days at sea touring Alaska—with lots of writing instruction when the boat is at sea. Over 20 hours of talks, small-group work, plus private interviews with an onbaord literary agent. Register now!Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.comwww.writercon.com

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Alright folks, we've got something special for today as we dive into the mind of Corey Bernhardt! A true artist who's not afraid to wear his influences on his sleeve. When Corey came by the Inside Fireside Club, he brought decades of artistic evolution that shaped his unique approach to technique - from those early comic book days to his masterful command of tattoo machines.  Corey breaks down his philosophy into what he calls "self-learned technique, learned technique, and working technique," giving us a real peek behind the curtain at how an artist evolves from imitation to innovation. So grab your dip caps and settle in as we explore everything from influences and the powerful impact of deadlines. Check out the info and gallery page on the website for how to connect with Corey: https://firesidetattoo.com/post/influence-in-the-bones-art-on-the-sleeve--corey-bernhardt-technique-talk--ep-298 Are you a beginning tattooer or an apprentice ? Click below https://explore.firesidetattoo.com/tattoo-apprentices-toolkit Are you a seasoned tattoo vet who is stuck in a rut? click below https://explore.firesidetattoo.com/tattooers-toolkit Support us while buying the stuff you need at the links below! Get 10% off the Neuma 4 with code "Fireside" at checkout https://neumatattoo.com Get  10 % off all S8 Tattoo products with promo code "Fireside" https://s8tattoo.com/ Get 10% off your order from Raw Pigments with code "fireside" https://rawpigments.co/ Up your Tattoo Business Management skills with TattooNow Exclusive! Sign up at the link below and get a personalized 1 on 1 business consultation with Gabe Ripley himself. Or Free access to the TattooNOW Business Roundtable if your not ready for a 1 on 1 but want to learn more https://longevity.tattoonow.com/about-tattoonow-business-software?am_id=jakemeeks9626   Links for this episode: Keep up with us at: https://firesidetattoo.com/ https://www.facebook.com/Firesidetattoo/ https://www.instagram.com/firesidetattoo/ Jake's Instagram:  https://www.instagram.com/pluguglyart/

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Famous rivalries are not a new phenomenon. At the end of the 19th century, Eleonora Duse and Sarah Bernhardt graced the world stage, and according to critics, theatrically dueled over it. While similar, their acting styles and their stories differed, though some rumors have dogged both their biographies. Come find out why. Sources (Used/Consulted/Read AlongContinue reading "The Italian Bernhardt – Ep.54"

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

In dieser FEMALE LEADER STORIES Episode ist Julia Bernhardt bei mir zu Gast, Gesundheitsexpertin, Gründerin des Vereins SOLAR PLEXUS und Initiatorin des Health Makers Festivals. Julia hat sich in einem Bereich positioniert, in dem Frauen oft unterrepräsentiert sind – als Meinungsmacherin (oder in ihren Worten "Meinungsöffnerin") im Gesundheitswesen. Doch dieser Weg war nicht immer klar vorgezeichnet.Julia erzählt von ihrem persönlichen Wachstum: Vom introvertierten Teenager, der Smalltalk hasste, bis zur sichtbaren und engagierten Stimme für Innovation im Gesundheitswesen. Ihre Reise zeigt, wie jede Frau ihre eigene Stimme finden und mutig nach außen tragen kann.In dieser Folge erfährst du:Wie du dich traust, deine Meinung öffentlich zu vertreten – auch wenn du dich (noch) nicht bereit fühlst.Warum Unsicherheit dich nicht aufhalten muss – sondern dein größter Wachstumsfaktor sein kann.Warum du nicht perfekt sein musst, um als Expertin sichtbar zu werden.Wie du die Angst vor Kritik überwindest und für deine Themen einstehst.Welche Glaubenssätze dich zurückhalten – und wie du sie überwindest.✨ Lass dich inspirieren & hör rein!Deine Katja#koachkatjaP.S. Du willst so wie Julia deinen eigenen Weg finden, weißt aber nicht, wo du beginnst? Buche hier deinen Wunschtermin und ich nehme mir 25 Minuten Zeit für dich und deine Vision.

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra's eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine's mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This week Ed is joined by TM uber fan and stat guy, Jack Bernhardt! The pair discuss why this series is so iconic and how David's journey on the show is so unique! You can listen to Jack Bernhardt on Taskmaster: The People Podcast You can get all your latest TM news at Taskmaster.tvYou can watch all episodes of Taskmaster (UK AND NZ) at Cahnnel4.com

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra's eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine's mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra's eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine's mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra's eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine's mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra's eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine's mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra's eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine's mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Listen to the full episode here: https://www.patreon.com/c/coldpodWe're back with another solo pod! In this episode we discuss the return of super spreader events, long movies, making elaborate dinners alone, trying to buy vegetables on Dundas, Bernhardt's, Imanishi never changing their menu, waiting for friends to text first, Charlotte Day Wilson at Holt Renfrew, partying in Yorkville, Bay Street Video, dressing down, signature cocktails, everyone at the bar being employed by Drake in some capacity, Nick's days working on the set of Degrassi, the American booze ban, auditioning for commercials, living in an alternate timeline, fear of flying, possums, daylight saving, Toronto's 'Bohemian Grove', Mickey 17, Walton Goggins and more!Josh McIntyreNick Marian----COLD POD

In Episode 490 of District of Conservation, Gabriella welcomes her friend and former Trump 1.0 Interior Department official, Todd Wynn, to the program. He discusses his foray into conservation/energy policy, working under Trump's first administration Interior Secretaries (Zinke, Bernhardt), his thoughts on new Interior Secretary Doug Burgum, leading the charge to legalize atlatl hunting in his adopted state of Arizona, if his daughters will take up hunting, and how to get more adult onset hunters into the sport. Tune in to learn more!SHOW NOTESConnect with Todd WynnAZ Atlatl Association

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Bestselling authors William and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Betsey Kulakowski, the author of the Veritas Codex series books—mostly recently, The King's Ransom (Book 7).Opening ThoughtsAuthors Acting AwfulNews1) TikTok/BookTok Survives to Sell Books Another Day!2) Circana Bookscan 2024 Sales Figures Show ImprovementCraft CornerAmy M Le explains why you need to be a "HUSTLER."Interivew with Betsey Kulakowski, author of The Veritas Codex paranormal thriller series.Parting WordsDon't forget the WriterCon Alaksan Cruise, May 30-June 7 leaving from Seattle. Over 20 hours of writing instruction, large group, small, and individual, while the ship is at sea. Our discounted room rate is only guaranteed through March 2, so make your reservations now! Click for more information. www.writercon.com/cruise/

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Send us a textRising seas. Dredged rivers. Dying forests. In this episode of Shoresides, we investigate one of North Carolina's most subtle yet devastating climate threats: ghost forests. These vast expanses of standing dead trees are creeping inland, driven by rising sea levels and relentless dredging of the Cape Fear River.UNCW scientists Monica Rother and Andrea Hawks join us to explain how their research—combining tree ring data and microscopic marine organisms—paints a stark picture of environmental change. They discuss why ghost forests are spreading, how they disrupt ecosystems, and what it means for communities, flooding, and environmental justice across the region.Rother and Hawks are at the forefront of research on North Carolina's ghost forests, using innovative methods to track the impact of climate change and human activity on coastal ecosystems. Rother, a forest ecologist and tree ring scientist, analyzes tree growth patterns to understand long-term environmental changes, revealing how rising salinity levels stress and ultimately kill freshwater trees. Hawks, a micropaleontologist, studies tiny marine organisms preserved in sediment to reconstruct past sea level changes and pinpoint when saltwater intrusion began affecting these landscapes. Together, their interdisciplinary work provides a clearer picture of how dredging and rising seas accelerate the spread of ghost forests, offering crucial insights into the future of coastal resilience and community health.Learn more...1. Ghost forests are dead tree stands caused by rising salinity. These eerie landscapes form when saltwater intrusion—driven by rising sea levels, coastal erosion, and human activities like dredging—kills freshwater-dependent trees, leaving behind lifeless trunks.2. They are a visible sign of climate change. Ghost forests are one of the most striking indicators of global warming, as they mark areas where land is transitioning from forest to marsh due to sea-level rise and increasing storm surges.3. The Cape Fear River dredging accelerates ghost forest formation. In Wilmington, NC, repeated deepening of the Cape Fear River has allowed tides to push saltwater farther inland, increasing salinity in freshwater wetlands and rapidly killing off bald cypress and other trees.4. They disrupt ecosystems and increase flooding risks. The loss of forested wetlands means less natural flood protection, leading to higher flood risks for nearby communities. 5. Ghost forests are expanding along the East and Gulf Coasts. While they are particularly noticeable in North Carolina, ghost forests are appearing from the Mid-Atlantic to the Gulf Coast.Useful articles...1. Bernhardt, E. (2022, June 29). “Coastal freshwater wetlands squeezed between migrating salt marshes and working lands.” Science Advances, 8(26).2. Carolina Public Press (2022, August 12). “‘Ghost forests' are creeping across NC's coast at an alarming rate. Researchers are trying to stop them.” Accessed October 29, 2024.3. Coastal Review (2022, June 15). “Research network to link enSupport the showwww.shoresides.org

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

EVERYONE IS A SALESMAN—In 1995, New York magazine declared Martha Stewart the “Definitive American Woman of Our Time.” And, as the saying goes (sort of), behind every Definitive American Woman of Our Time is another Definitive American Woman of Our Time. And that's today's guest, designer Gael Towey.But let's back up. It's 1982, and Martha Stewart, then known as the “domestic goddess”—or some other dismissive moniker—published her first book, Entertaining. It was a blockbuster success that was soon followed by a torrent of food, decorating, and lifestyle bestsellers.In 1990, after a few years making books with the likes of Jackie Onassis, Irving Penn, Arthur Miller, and, yes, Martha Stewart, Towey and her Clarkson Potter colleague, Isolde Motley, were lured away by Stewart, who had struck a deal with Time Inc. to conceive and launch a new magazine.Towey's modest assignment? Define and create the Martha Stewart brand. Put a face to the name. From scratch. And then, distill it across a rapidly-expanding media and retail empire.In the process, Stewart, Motley, and Towey redefined everything about not only women's magazines, but the media industry itself—and spawned imitators from Oprah, Rachael, and even Rosie.By the turn of the millennium, Martha Stewart Living Omnimedia, as it was rebranded in 1997, included seven magazines, multiple TV projects, a paint collection with Sherwin-Williams, a mail-order catalog, Martha by Mail, massive deals with retailers Kmart, Home Depot, and Macy's, a line of crafts for Michael's, a custom furniture brand with Bernhardt, and even more bestselling books. And the responsibility for the visual identity of all of it fell to Towey and her incredibly talented team. It was a massive job.We talk to Towey about her early years in New Jersey, about being torn between two men (“Pierre” and Stephen), eating frog legs with Condé Nast's notorious editorial director, Alexander Liberman, and, about how, when all is said and done, life is about making beautiful things with extraordinary people.—This episode is made possible by our friends at Mountain Gazette, Commercial Type, and Freeport Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

durée : 00:06:52 - "Sarah Bernhardt, la divine" de Guillaume Nicloux

durée : 00:49:48 - Le Masque et la Plume - par : Rebecca Manzoni - Des pieds-nicklés au pays du comté, un film de Paul Schrader avec Richard Gere, le duo reformé d'"American gigolo", un biopic avec Sandrine Kiberlain sur une grande actrice française, un autre sur Saint-Exupéry, une histoire de femmes... - réalisé par : Guillaume Girault

Tom Bernhardt Linton Area Farmer

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro comentaron libros y series.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro comentaron libros y series.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

durée : 00:08:44 - L'invité de 7h50 - par : Sonia Devillers - "Cette femme est méconnue des gens et il était temps de mettre à l'honneur pour sa liberté à tous les niveaux", affirme Sandrine Kiberlain, à propos de son rôle dans "Sarah Bernhardt, La Divine" de Guillaume Nicloux dans lequel elle incarne la célèbre comédienne.

durée : 00:08:44 - L'invité de 7h50 - par : Sonia Devillers - "Cette femme est méconnue des gens et il était temps de mettre à l'honneur pour sa liberté à tous les niveaux", affirme Sandrine Kiberlain, à propos de son rôle dans "Sarah Bernhardt, La Divine" de Guillaume Nicloux dans lequel elle incarne la célèbre comédienne.

Tonight Ed is joined once again by fellow Taskmaster expert, Jack Bernhardt!Ed and Jack discuss the final heat of Junior Taskmaster, including which contestant from tonight's episode Ed identified with most, whether or not Jack has started hot housing his children for Junior Taskmaster, and why Ed felt personally trolled in this episode.Don't forget you can order the Taskmaster book, An Absolute Casserole - co-written by Jack and Alex Horne.Get your tickets for the extended run of Taskmaster: The Live Experience Catch Jack every week on Taskmaster: The People's Podcast, alongside Jenny Eclair.Watch all of UK and NZ TM @ channel4.comFor all of your Taskmaster news visit taskmaster.tv

In this episode, George Bernhardt and Scott Oeth discuss how storytelling and incorporating their own personal “why” into various interactions can support deeper client relationships and drive growth in their advisory firms. Bernhardt, a wealth manager and principal with Modera Wealth Management, and Oeth, a wealth manager and principal for Cahill Financial Advisors, dive into the connection between personal passion and professional success—hear how Bernhardt's Camino de Santiago journey plays a role in client conversations and the ways that Oeth's wilderness survival skills shape his approach to wealth management and leadership.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

In this enchanting episode of the MyDVCPoints podcast, we are invited into the magical world of Disney through the eyes of Melissa, a devoted member of the Disney Vacation Club (DVC). Her story is a testament to Disney's transformative power, turning a simple honeymoon dream into a lifelong adventure filled with cherished memories and strategic insights.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - L'émission "Prestige du théâtre" proposait, en 1953, une série d'émissions sur la grande comédienne Sarah Bernhardt intitulée "Sarah Bernhardt, la fille de Minos et de Pasiphaé", (1ère diffusion : 09/06/1953 Chaîne Nationale). - réalisation : Virginie Mourthé

This episode features senior member of the Little Giants Swimming and Diving team Connor Craig '25 and Head Coach Will Bernhardt, discussing what they like to see on the pool deck during a meet, the status of the team this season, and their unlikely meeting sixteen years prior (Episode 369).

This week Ed is joined by host of The People's Pod and the man who helped write the actual book on Taskmaster, it's Jack Bernhardt! Ed and Jack compare notes on series 18 so far and give an in-depth analysis of episode 6; including easter eggs for the eagle-eyed, the logistics of mic'ing up fart machines, and the rarely discussed dangers of big-upping yourself all day everyday. Check out Taskmaster: The People's Podcast with Jack and Jenny EclairPreorder the Taskmaster book, An Absolute CasseroleWatch all of UK and NZ TM @ channel4.comFor all of your Taskmaster news visit taskmaster.tv Taskmaster: The Live Experience - Will you be crowned a Taskmaster champion? (taskmasterliveexperience.com)

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Get ready to learn the mindset, strategies, and steps every young player and parent needs to navigate the competitive world of baseball. In this episode, I sit down with Steve Bernhardt, Vice President of Baseball Operations at Baseball Factory, to dive into the realities of player development, recruiting, and how to overcome adversity in baseball. He shares advice for players and parents on how to navigate the challenges of pursuing a baseball career, including strategies to stand out when you're not the top recruit and faced with rejection. We also discuss the role of parents, how to build a development plan to stay on track, and tips to balance baseball with life off the field.  HIGHLIGHTS 00:00 Meet the Chief Baseball Officer of Baseball Factory, Steve Bernhardt. 04:45 Advice for players on taking initiative. 09:00 How to frame setbacks as “rocket fuel” to propel a player's future success. 10:00 How did you become a professional baseball player? 12:45 Baseball Factory's approach to developing players. 18:30 What parents and players need to know about college opportunities. 21:00 How COVID-19 and the transfer portal have made the recruiting process even more competitive. 23:45 Why parents and players should focus on development first vs exposure. 27:00 What quality practice looks like. 29:45 What are you looking for when making your initial evaluation of a player? 33:00 The approach for making players better athletes and people. 36:00 How to set long-term goals with your athlete. 42:45 What is Baseball Factory's game plan? 49:45 How intentional practice helps players execute in game situations. 54:00 Steve's top advice to differentiate yourself as a player. RESOURCES + LINKS Get Expert Baseball Training HERE For direct inquiries, you can reach out to Bernhardt at bernhardt@baseballfactory.com Learn more at aligndsports.com Book a 1:1 Consultation HERE FOLLOW Matt Hannaford: @mfhannaford

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.

Jon Bernhardt's show on WMBR, 88.1 FM. A brain-melting exploration of crumbled pop and grated rock, amping up every Friday morning from 8-10am in full artistic flavor.