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[EP394 | S02] [Infographie 3D] [Mindset]L'arrivée de l'intelligence artificielle dans le monde de la visualisation architecturale a provoqué une onde de choc ; certains l'adoptent avec passion, alors que d'autres la rejettent avec mépris. Derrière les débats et la nostalgie des outils traditionnels, une évidence se dessine : le train a démarré et certains restent sur le quai... - Pourquoi des moteurs de rendu avancés comme V-Ray ou Corona (que j'adore), sont-ils devenus un fardeau à mes yeux? - Pourquoi l'IA est-elle majoritairement perçue comme une menace plutôt qu'un atout en visualisation architecturale ? - Comment expliquer la réticence des infographistes 3D expérimentés et anciens face à ces nouvelles technologies ? - Dans un contexte professionnel, quel workflow est idéal pour maximiser la qualité des rendus, tout en réduisant les coûts ? - En visualisation architecturale, le combo D5 Render + IA/Photoshop est-il le meilleur moyen de vivre de sa passion ? Ce sont 5 des questions que j'aborde cette semaine et pour lesquelles j'ai à cœur de te donner un avis tranché...
In this episode, Allan McKay sits down with Andy Boyd, a seasoned VFX Supervisor, and co-owner of Jamm VFX. Andy shares his extensive journey in the visual effects industry, from his early days breaking into major studios like Framestore and Method Studios to founding his own successful VFX company. The conversation delves into the challenges and triumphs of managing a VFX team, navigating cultural differences between the UK and US VFX industries, and overcoming technical hurdles in high-profile projects like "Brothers" and "Werewolf by Night." Andy also discusses the future of VFX, including the impact of AI and remote work, and offers invaluable insights for aspiring VFX artists and entrepreneurs looking to make their mark in the industry. Topics Covered Andy Boyd's early career in South Africa and transition into VFX Working at Framestore and Method Studios Founding Jamm Visual Effects and managing a boutique studio Behind the scenes of Werewolf by Night and creating Man-Thing Crafting photoreal creatures, including Samuel the orangutan in Brothers Transitioning to tools like V-Ray for superior fur rendering The evolving role of AI in VFX and storytelling Striking a balance between creative freedom and technical challenges Key Quotes "VFX is the perfect blend of creativity and problem-solving—each challenge pushes you to innovate in unexpected ways." The most exciting projects are the ones where you begin with no clear solution—those moments ignite innovation." You can feel the energy of a passionate team in the final product—great work reflects great collaboration." Resources Jamm Visual Effects Website Werewolf by Night on Disney+ 5 Key Takeaways 1. Evolving Through Challenges Andy's career exemplifies the importance of adapting to new roles and technologies, whether transitioning from retouching to 3D or embracing V-Ray to achieve lifelike fur. 2. The Power of Boutique Studios Jamm thrives on the advantages of a smaller team, delivering high-quality work with a collaborative and personalized approach that stands out in a crowded industry. 3. Crafting Creatures with Heart From Werewolf by Night to Brothers, Andy highlights the joy and challenge of bringing creatures to life, focusing on subtlety and realism to tell compelling stories. 4. The Importance of Studio Culture Jamm's success stems from its commitment to people-first management, ensuring employees are supported and projects are properly resourced. 5. AI and the Future of VFX Andy reflects on how AI tools are opening new creative possibilities, streamlining workflows while keeping artistry at the forefront.
Andy Boyd, co-founder of Jam, shares insights into his studio's journey over the past decade and their ability to adapt to changing industry dynamics. Andy reflects on his studio's blend of commercial and long-form projects, including Brothers, a feature film featuring a photoreal CG orangutan, now available on Amazon Prime. He discusses the challenges of creating realistic fur and how transitioning to V-Ray as a rendering solution revolutionized their approach to creature work. Andy also explores how smaller VFX studios like Jam have carved out niches by focusing on high-quality work for projects with limited but impactful shot counts. The conversation covers the evolution of the VFX industry, the influence of AI as a tool, and the importance of diversifying offerings in a competitive landscape. Andy highlights the growing opportunities for smaller studios to excel in both commercials and specialized film work, sharing how Jam's ability to collaborate and adapt has allowed them to thrive. From comedic PSA campaigns to innovative miniature-based projects like Stanley Spillzilla, Andy's stories showcase the creativity and resourcefulness of a studio determined to push boundaries while staying true to its roots.
In this episode, Allan McKay sits down with Faruk Heplevent, founder and CEO of Scope Studio, to delve into the intricate world of automotive visual effects and the evolution of CG in the automotive industry. They explore Faruk's journey from his early days as a car photographer in Hamburg to transitioning into computer graphics, ultimately leading to the creation of Scope Studio. The discussion covers the challenges and triumphs of building a specialized studio in a field dominated by established CGI companies, the development of Scope City—a procedural photorealistic city environment—and the strategic decisions behind choosing rendering technologies like V-Ray and Arnold. Faruk shares his insights on maintaining photorealism in car CG, the importance of client collaboration and feedback, and the delicate balance between creative vision and technical execution. The conversation also touches on the impact of emerging technologies such as NVIDIA's denoising tools, Chaos's Vantage Arena, and the potential integration with platforms like Omniverse. Additionally, Faruk discusses the future of virtual production stages and the sustainable practices Scope Studio is adopting in their rendering processes. This episode is a must-listen for anyone interested in automotive photography, CG artistry, real-time rendering technologies, and the entrepreneurial spirit behind building a niche visual effects studio. Topics Covered: Faruk Heplevent's background and the founding of Scope Studio Transitioning from car photography to computer graphics The development and features of Scope City, a procedural photorealistic city Choosing and evolving rendering technologies: Maxwell, V-Ray, Arnold Maintaining photorealism in automotive CG and handling client feedback The impact of emerging technologies: NVIDIA Denoiser, Chaos Vantage Arena, Omniverse Challenges and strategies in building a specialized VFX studio The future of virtual production stages and sustainable rendering practices Balancing creative vision with technical execution in CG projects Quotes: “If we can get it in camera, it's always a better picture. What you see is what you get.” “Scope City is essentially a giant procedural photoreal city that we've built for every situation.” “Creativity leads technology. We start with creative ideas and then figure out the technology to bring them to life.” Resources: Scope Studio Website Scope Studio on LinkedIn Chaos Vantage Arena NVIDIA Denoiser Omniverse
Erick Giesler has seen the filmmaking industry change right from the very start. As a child, he acted in TV shows, but found that he was more fascinated with what was happening behind the camera. He learned how to create VFX, beginning on SGIs, then moving to software such as Electric Image, 3ds Max, and V-Ray, and helping to create VFX for movies including Independence Day, Titanic, and The Day After Tomorrow, and picking up two Emmy awards. Today, Erick is leveraging his experience behind the scenes with Global Objects, a company set up to create astonishingly accurate digital twins of real-world things for use in everything from real-time to machine learning. Erick discusses his career and how the VFX industry is still facing familiar challenges, and he gives his thoughts on promising new technology in VFX, including USD, MaterialX, NeRFs, Gaussian Splats, real-time rendering, and artificial intelligence.
This podcast episode features Vlado Koylazov, co-founder of Chaos and inventor of the widely-used V-Ray rendering software. Koylazov shares his journey in computer graphics, from his early fascination with the field to the development of V-Ray and the latest innovations at Chaos.Koylazov recounts the early days of V-Ray development, highlighting key features that set it apart, such as being a pure ray tracer with physical lights and materials. He emphasizes the importance of user-focused design, which led to the inclusion of features like the Sun and Sky system and light portals, making V-Ray particularly successful in architectural visualization.The conversation delves into the development of Chaos Vantage, a real-time ray tracing tool. Koylazov explains the challenges they faced in achieving real-time performance, including the need for advanced denoising techniques and careful feature selection. He highlights the significance of NVIDIA's DLSS technology in enabling upscaling, denoising, and anti-aliasing for improved performance.Koylazov discusses Project Arena, Chaos's solution for virtual production on LED stages. He explains how this project leverages Vantage's capabilities to provide a streamlined workflow for users transitioning from traditional 3D content creation to virtual production environments.The impact of AI on the industry is a significant topic of discussion. Koylazov shares insights on how AI is being used for image enhancement, scene generation, and material creation. He emphasizes the ongoing importance of 3D content for flexibility and directability, areas where current AI solutions may fall short.The adoption of open standards like USD (Universal Scene Description) and MaterialX is addressed, with Koylazov explaining Chaos's involvement in these initiatives and their potential impact on workflow interoperability. He discusses the possibility of USD eventually replacing Chaos's proprietary VRScene format for internal communication between products.Koylazov provides his perspective on the future of rendering technology, noting that while major breakthroughs may be less frequent, continuous refinements and workflow improvements remain crucial. He discusses the balance between different rendering solutions within Chaos, explaining why a single, all-encompassing renderer may not be practical given the diverse needs of different use cases.Reflecting on his career, Koylazov highlights the implementation of the light cache in V-Ray as a significant achievement, which greatly enhanced its capabilities for architectural visualization. He also expresses pride in the enduring architecture of V-Ray, which has allowed for continuous development and collaboration over two decades.The episode concludes with Koylazov acknowledging the collective effort behind Chaos's success, emphasizing the importance of teamwork in building successful products. He expresses gratitude for the contributions of his colleagues across various departments, from development to sales and marketing.Throughout the conversation, Koylazov's passion for innovation and commitment to solving user challenges shines through, providing with valuable insights into the evolution of rendering technology and the future of computer graphics. Have any comments or questions? Email the show Feedback@Buildingtheopenmetaverse.org Want more information? Visit our website www.buildingtheopenmetaverse.org And make sure you follow us on Linkedin for all of our show updates https://www.linkedin.com/company/buildingtheopenmetaverse Building the Open Metaverse is a podcast hosted by Patrick Cozzi (Cesium) and Marc Petit that invites a broad range of technical experts to share their insights on how the community is building the metaverse together. #BuildingTheOpenMetaversePodcast #MetaversePodcast #Metaverse
[Épisode 333] [Infographie 3D] Il arrive qu'on s'entête à utiliser un workflow dépassé, par crainte de quitter une routine confortable... - Ton interview gratuite : https://calendly.com/photorealisme-3d/interview - Mon site: https://www.photorealisme-3d.fr - Groupe fb: https://www.facebook.com/groups/491838749209075/ - Page fb: https://www.facebook.com/photorealisme3d - Contact : kevin@photorealisme-3d.fr
Ian Failes chats to Chris Nichols, director of special projects at the Chaos Innovation Lab, about Chaos' Project Arena. This is an upcoming toolset that lets artists move V-Ray assets and animations to LED walls.
With V-Ray 6 for Maya and Houdini, update 2, Chaos adds an important feature to its powerful renderer: MaterialX support. With this addition, artists and studios can seamlessly use materials across different DCCs and get identical results, removing many of the pain points of increasingly complicated modern 3D pipelines. In this podcast, V-Ray for Maya Product Manager Alex Yolov and V-Ray for Houdini Product Manager Gosho Genchev reveal how they've worked with studios to implement MaterialX in the latest software updates. They also tackle some frequently asked questions about MaterialX, such as how it works and whether it can be used with existing projects, and they reveal some of the additional features that have recently been added to V-Ray.
Archviz artists love Chaos Corona. This renderer has become a go-to for visualizing everything from compact kitchens to sky-scraping towers, giving users stunning results straight out of the box. But what's on the horizon for this popular renderer? In this podcast, Product Manager Tom Grimes discusses what makes Chaos Corona a popular choice for the architecture industry and how its philosophy differs from other renderers such as V-Ray. He also talks about the software's future and plans to make it an integral part of the Chaos ecosphere, as well as how it's getting real-time functionality via Chaos Vantage.
[Épisode 251] [Infographie 3D] Cet épisode s'adresse aux utilisateurs/rices de VRAY qui débutent, en particulier sur Sketchup... - Ton interview gratuite : https://calendly.com/photorealisme-3d/interview - Mon site: https://www.photorealisme-3d.fr - Groupe fb: https://www.facebook.com/groups/491838749209075/ - Page fb: https://www.facebook.com/photorealisme3d - Contact : kevin@photorealisme-3d.fr
Risorse Gratuite: CORSO GRATIS REVIT- BIM: https: //bit.ly/34OJRVS CORSO GRATIS AUTOCAD: https://bit.ly/3fNrgjk CORSO GRATIS RENDERING: https: //bit.ly/3uOt4Nd ACCATASTA QUIZ - SCOPRI CHE ACCATASTATORE SEI: https://bit.ly/3IxzOHb BIM QUIZ - SCOPRI CHE BIM SEI: https://bit.ly/3q12O3E PILLOLE DI CANTIERE: https://bit.ly/3vQc4da PILLOLE DI COMPUTO METRICO: https://bit.ly/3srh7ja PILLOLE DI DOCFA: https://bit.ly/3KzfpCc PILLOLE DI PRATICHE EDILIZIE: http://bit.ly/3zdcQSt Le 8 REGOLE D'ORO PER FARE UN BUON RENDER: https://bit.ly/3zUgrnk PRENOTA UNA CONSULENZA TELEFONICA GRATUITA: https://bit.ly/3vQuEQ4 ========================================================== Per seguire ADARA Architettura: YOUTUBE: Iscriviti e attiva la campanella https://bit.ly/36AMlav WEBSITE: https://bit.ly/2X4BbrG BLOG: https://bit.ly/36w3GS1 PAGINA FB: https://bit.ly/2ywKQ0q GRUPPO SEGRETO FB "Progettazione Competitiva": https://bit.ly/2X6rn0h ========================================================== Podcast: SPOTIFY: https://spoti.fi/2LYKdzM OVERCAST: https://bit.ly/3d6FFU1 APPLE PODCAST: https://apple.co/3d365pG GOOGLE PODCAST: https://bit.ly/2LWqBwq ANCHOR: https://bit.ly/2Adi7OB ========================================================== #AdaraArchitetturaCentroAutodesk #Università
[Épisode 187] [Infographie 3D] Twinmotion, Enscape, Lumion, Vray, Corona... Aucun de ces très bons logiciels n'est aussi rentable et productif que D5 Render. Je t'explique pourquoi... - Mon site: https://www.photorealisme-3d.fr - Groupe fb: https://www.facebook.com/groups/491838749209075/ - Page fb: https://www.facebook.com/photorealisme3d - Contact : kevin@photorealisme-3d.fr
[Épisode 177] [Infographie 3D] Est-ce que VRAY 6.2 pour Sketchup est un outil que j'utilise et te commande en 2024? Voici mon point de vue... - Info coaching : https://www.photorealisme-3d.fr - Groupe privé : https://www.facebook.com/groups/491838749209075/ - Page FB : https://www.facebook.com/photorealisme3d - Contact : kevin@photorealisme-3d.fr
[Épisode 159] [Infographie 3D] Parlons de ce moteur de rendu 3D prometteur, mais pas encore populaire dans le milieu de l'ArchViz... - Info coaching : https://www.photorealisme-3d.fr/coaching - Groupe privé : https://www.facebook.com/groups/491838749209075/ - Page FB : https://www.facebook.com/photorealisme3d - Contact : kevin@photorealisme-3d.fr
Sachez que quand vous serez vieux ou si vous avez un accident votre argent ne vous appartiendra plus. Dans cet épisode, je discute avec Sébastien VRAY, le fondateur d'EZIO : la fintech du médico-social. Notre sujet est comment permettre aux résidents des établissements médico-sociaux d'accéder à leur argent pour acheter librement ce qui leur fait plaisir. Comme d'habitude, le dilemme est l'équilibre entre liberté et sécurité. Donne-t-on l'accès aux résidents à leur argent ou sécurise-t-on leurs ressources ? Sont-ils capables de gérer leur argent, ne vont-ils pas dépenser n'importe comment ? Sébastien a créé une plateforme permettant de mettre à disposition des équipes des cartes professionnelles. L'objectif : ne pas manipuler d'argent liquide ou de chèque et avoir une traçabilité des dépenses réalisées par les équipes pour les résidents. Cela fonctionne très bien pour la réalisation des courses par les auxiliaires de vie des services à domicile. Traçabilité, accès personnel, et toujours de l'argent à disposition pour que ce ne soit pas l'auxiliaire qui doive avancer l'argent. Il paraît que ça existe ! En tout cas, transporter une carte bancaire est moins stressant que l'argent des résidents. Mais dans les établissements : EHPAD, MAS, FAM, ... La caisse est toujours gérée à l'ancienne : une boîte et un carnet pour noter les entrées et sortie d'argent. Qui est prêt à se passer de sa carte bancaire ? Pourquoi les établissements sont-ils toujours les derniers à bénéficier des outils du quotidien. Imaginer le gain de temps si le soignant utilise sa carte plutôt que de devoir demander des espèces. Surtout le week-end ! Si la technologie peut rendre des services, cela ne répond pas à plusieurs questions éthiques que nous évoquons dans ce podcast : Les dépenses des résidents doivent-elles être obligatoirement tracées et remontées à leurs familles ? Jusqu'où laisse-t-on l'accès aux ressources aux personnes ayant des troubles cognitifs ? Est-ce que les EHPAD doivent gérer l'argent des résidents ? Est-ce le rôle des soignants, des animatrices, du directeur ? Qu'en pensez-vous ? Vous trouverez toutes les informations sur la solution EZIO sur le site internet : https://ezio.app/ Bonne écoute.
Muito bem pessoas e pessôos! Estamos de volta com mais um episódio do Podcast Mais Limpinho da Internet®! E neste episódio de número 63, a gente falou com a CEO e co-fundadora da Elephant Skin, empresa global de arch viz, Giovana Driessen direto de Chicago. Em mais uma conversa muito bacana, a Giovana contou sobre sua carreira nos EUA, como foi a criação da Elephant Skin em 2018 (que hoje já conta com mais de 130 profissionais em mais de 30 cidades espalhadas pelo mundo), os desafios do trabalho remoto, a inciativa SHE'S para inspirar e empoderar mulheres no mercado e muito mais! Como sempre, não esqueça de dar aquela moral pra gente dando seu like e assinando o canal e ligando o sininho pra não perder nenhum vídeo do V-Ray Masters (afinal, a gente nunca sabe quando o próximo vai sair, né?).
Bentornati su Snap!Gli Snapper hanno il cuore grande, come dimostrano Alex e Michele con le loro donazioni e Daniele e Diego con il loro consigli di lettura.Dopo aver saggiato con mano le capacità della batteria del MBA 13" M2, si torna sul tema caldo del ruolo degli architetti con l'intelligenza artificiale, il BIM 2.0 ed i software di rendering in real-time.Buon ascolto!—>
[Épisode 3] [Infographie 3D] Mon amour envers V-Ray pour Sketchup s'éteint progressivement au fil du temps et je t'explique les raisons dans cet épisode... Coaching : www.photorealisme-3d.fr/coaching Groupe privé : www.facebook.com/groups/491838749209075/ Page FB : www.facebook.com/photorealisme3d Contact : kevin@photorealisme-3d.fr
Risorse Gratuite: CORSO GRATIS REVIT- BIM: https: //bit.ly/34OJRVS CORSO GRATIS AUTOCAD: https://bit.ly/3fNrgjk CORSO GRATIS RENDERING: https: //bit.ly/3uOt4Nd ACCATASTA QUIZ - SCOPRI CHE ACCATASTATORE SEI: https://bit.ly/3IxzOHb BIM QUIZ - SCOPRI CHE BIM SEI: https://bit.ly/3q12O3E PILLOLE DI CANTIERE: https://bit.ly/3vQc4da PILLOLE DI COMPUTO METRICO: https://bit.ly/3srh7ja PILLOLE DI DOCFA: https://bit.ly/3KzfpCc PILLOLE DI PRATICHE EDILIZIE: http://bit.ly/3zdcQSt Le 8 REGOLE D'ORO PER FARE UN BUON RENDER: https://bit.ly/3zUgrnk PRENOTA UNA CONSULENZA TELEFONICA GRATUITA: https://bit.ly/3vQuEQ4 ========================================================== Per seguire ADARA Architettura: YOUTUBE: Iscriviti e attiva la campanella https://bit.ly/36AMlav WEBSITE: https://bit.ly/2X4BbrG BLOG: https://bit.ly/36w3GS1 PAGINA FB: https://bit.ly/2ywKQ0q GRUPPO SEGRETO FB "Progettazione Competitiva": https://bit.ly/2X6rn0h ========================================================== Podcast: SPOTIFY: https://spoti.fi/2LYKdzM OVERCAST: https://bit.ly/3d6FFU1 APPLE PODCAST: https://apple.co/3d365pG GOOGLE PODCAST: https://bit.ly/2LWqBwq ANCHOR: https://bit.ly/2Adi7OB ========================================================== #AdaraArchitetturaCentroAutodesk #Università
Bentornati su Snap!Per la rubrica Render Imperfetti Mariano ha dato il meglio di sè: una bellissima e completa panoramica dei motori di rendering utilizzabili su Apple Silicon, con confronti diretti con le CPU Intel ed AMD.Concludono questa puntata gli ottimi consigli dispensati da Mariano che orienteranno molti nella scelta.E le GPU? Quelle le tratteremo in una prossima puntata di Snap - Render Imperfetti!Buon ascolto!—>
Réecoutez Maxximum Dj's de Novaj invite Vray du jeudi 8 juin 2023
Risorse Gratuite: CORSO GRATIS REVIT- BIM: https: //bit.ly/34OJRVS CORSO GRATIS AUTOCAD: https://bit.ly/3fNrgjk CORSO GRATIS RENDERING: https: //bit.ly/3uOt4Nd ACCATASTA QUIZ - SCOPRI CHE ACCATASTATORE SEI: https://bit.ly/3IxzOHb BIM QUIZ - SCOPRI CHE BIM SEI: https://bit.ly/3q12O3E PILLOLE DI CANTIERE: https://bit.ly/3vQc4da PILLOLE DI COMPUTO METRICO: https://bit.ly/3srh7ja PILLOLE DI DOCFA: https://bit.ly/3KzfpCc PILLOLE DI PRATICHE EDILIZIE: http://bit.ly/3zdcQSt Le 8 REGOLE D'ORO PER FARE UN BUON RENDER: https://bit.ly/3zUgrnk PRENOTA UNA CONSULENZA TELEFONICA GRATUITA: https://bit.ly/3vQuEQ4 ========================================================== Per seguire ADARA Architettura: YOUTUBE: Iscriviti e attiva la campanella https://bit.ly/36AMlav WEBSITE: https://bit.ly/2X4BbrG BLOG: https://bit.ly/36w3GS1 PAGINA FB: https://bit.ly/2ywKQ0q GRUPPO SEGRETO FB "Progettazione Competitiva": https://bit.ly/2X6rn0h ========================================================== Podcast: SPOTIFY: https://spoti.fi/2LYKdzM OVERCAST: https://bit.ly/3d6FFU1 APPLE PODCAST: https://apple.co/3d365pG GOOGLE PODCAST: https://bit.ly/2LWqBwq ANCHOR: https://bit.ly/2Adi7OB ========================================================== #AdaraArchitetturaCentroAutodesk #Università
Dennis mit nn und Tom Albrecht sind da und erklären uns Cinema 4D, Blender, 3DSMax, VRay und warum der Kreis kein Kreis mehr ist, wenn du zoomst. FUCK - es ist unglaublich kompliziert. Unser Atem wird zu WD-40 und unser State ist der Mittelfinger. Wir beleuchten global den miesen M1, wünschen uns nVidia im MacPro und sind auch ansonsten sehr unzufrieden.
Réecoutez le Panoramaxx de Novaj invite Vray du jeudi 11 mai 2023
Naquela frequência que você já conhece, estamos de volta com mais um episódio do Podcast Mais Limpinho da Internet, o V-Ray Master Talk! Neste episódio 62 a gente falou com a Pamella Pesareli, direto de Barcelona! A Pamella começou na área como artista generalista 3D, quando criou seu projeto pessoal de animação Ovelina, e com o passar dos anos mudou para Gerente de Produção e Projetos de VFX e animação. Hoje ela mora e trabalha em Barcelona na ReDefine/Dneg como VFX Production Coordinator, em transição para VFX Production Manager (oficialmente em breve!). Ela também passou pela Tribbo Post e pela ScanlineVFX, onde trabalhou em grandes projetos como Star Wars Andor, uma série da Disney +, e o filme Meg 2: The Trench, que será lançado ainda esse ano. Como sempre, não esqueça de dar aquela moral pra gente dando seu like e assinando o canal pra não perder nenhum vídeo do V-Ray Masters (afinal, a gente nunca sabe quando o próximo vai sair, né?).
Belvárosi Betyárok A Belvárosi Betyárok zenekar egy interaktív gyermek-családi műsorral utazó csapat. A kétszeresen Fonogram-díjra jelölt zenekar országszerte a legnagyobb hazai kulturális-, zenei-, művészeti fesztiválokon lép fel, emellett visszatérő fellépők 12 ország magyar közösségében Szlovákiától Észak-Amerikáig. Dalaik tudatosan kétirányúak, egyszerre szólnak a gyerekeknek és üzennek a felnőtteknek is. Évszakokhoz, ünnepekhez igazodó műsorukban (Tavaszváró-, Nyári-, Őszi-, Farsangi-, Télapó- és Adventi műsorok) a közönség végig szereplőként vesz részt, dalszövegeik tanító, okos humorral íródtak. A műsor része megzenésített mondókák, népdalok, rávezető játékok, hangszerbemutató és közös dalírás is. Koncert referenciák: KAPOLCS - MŰVÉSZETEK VÖLGYE, KALÁKA FESZTIVÁL, GYŐRKŐC FESZTIVÁL, VIDOR FESZTIVÁL, GYEREK SZIGET FESZTIVÁL, ORSZÁGOS TÁNCFESZTIVÁL, FATEMPLOM FESZTIVÁL BÉCS, BOSTON, BRÜSSZEL, CHICAGO, KARLSRUHE, SZATMÁRNÉMETI, LOS ANGELES, MÜNCHEN, NEW YORK, PÁRIZS, PHOENIX, POZSONY, SEPSISZENTGYÖRGY, SZÉKELYUDVARHELY AKUSZTIK STAND UP Az Akusztik Stand Up egy izgalmas funky, jazz, blues könnyűzenei produkció. Ebben nem csak a zene különleges ötvözet, a való életből merített és sokszor társadalomkritikus dalszövegek összekötik az irodalmat a zenével, csípős humorral fűszerezve. Az előadás fesztiválszínpadokon és intimebb hangulatú klubokban is nagyon jól működik, amerikai fesztiváloktól Székelyudvarhelyen át az A38 Hajóig szerepel sikerrel. Koncert referenciák: SZIGET FESZTIVÁL, MR2 AKUSZTIK, KAPOLCS - MŰVÉSZETEK VÖLGYE, FISHING ON ORFŰ, VIDOR FESZTIVÁL, A38 HAJÓ, BUDAPEST, SZEGED, SZENTENDRE, GYŐR, DEBRECEN, SOFIA - SINGER SONGWRITER FESTIVAL, PHOENIX, NEW YORK, CHICAGO, KÉZDIVÁSÁRHELY, STRASBOURG, SZÉKELYUDVARHELY, ZÜRICH, BOSTON, WASHINGTONI NAGYKÖVETSÉG www.facebook.com/belvarosibetyarok www.youtube.com/belvarosibetyarok www.facebook.com/varaylaszlohivatalosoldal www.youtube.com/varaylaszlo Váray László Zenész, dalszerző +36302625788 www.varay.hu www.betyarok.hu Belvárosi #Betyárok #Váray
Réecoutez le Panoramaxx de Novaj invite Vray du jeudi 13 avril 2023
Louis Vray, 17 ans, membre du mouvement des scouts d'Europe et chef de la patrouille du Castor à Paris
„Szokatlan imidzset adott a Belvárosi Betyároknak, hogy nem magától értetődő témákhoz is nyúltunk.” – Váray László https://www.betyarok.hu https://www.youtube.com/@Belvarosi_Betyarok A felvételben elhangzó dalok: Kicsi meg a nagy – Belvárosi Betyárok, Gryllus Kiadó, Autitkok – Belvárosi Betyárok, Gryllus Kiadó, Tölts Újra Ember! – Váray László, Gryllus Kiadó, Boskola dal – Belvárosi Betyárok, Gryllus Kiadó Bár engedéllyel használjuk a bevágott dalrészleteket, a közösségi oldalak szerzőjogi irányelvei szerint elképzelhető, hogy le lesznek némítva. Ezért érdemes a podcast honlapján meghallgatni az epizódot. http://abaratsagosszekotaszoosszehoz.libsyn.com/ aszoosszehoz@gmail.com https://drive.google.com/open?id=16jIMy0_BKoYrarbtYELctwHfMv_iE66-&usp=sharing https://www.facebook.com/groups/383671148748549/ https://www.buymeacoffee.com/aszoosszehoz
Audio of Dunn v. Ray (2019) Dissenting; Dunn v. Smith (2021) Concurring (Applications to Vacate Stay/Injunction; Inmate Execution; Religious Freedom) Tip: Dunn v. Smith (2021) begins around minute 10:06, after the reading of Dunn v. Ray (2019) In 2019, Alabama had a policy holding that only their approved Christian chaplain was permitted to enter the execution chamber during execution - regardless of the inmate's religious beliefs. When Dominique Ray, a Muslim man, requested that his imam be present instead, Alabama refused - eventually changing their policy to exclude all clergy in the execution chamber. When the Supreme Court was asked to intervene, the application for stay was denied, with only the Court's four liberal justices voting for Ray. About a month later, a Buddhist inmate asked the Court to intervene in Texas when they wouldn't allow his spiritual advisor into the execution chamber and the Court intervened to allow it - with Justices Kavanaugh and Robert's added vote. Somehow, these two conservative justices had a change of heart in this case. But, when a third almost-identical case from Alabama appeared before the Court in 2021, Kavanaugh and Roberts once again had another change of heart, only back in the opposite direction, dissenting. In that case, when Willie Smith, a Christian man, asked the Court to intervene after Alabama denied his request for a Christian pastor to enter the execution chamber with him, the Court intervened to allow it. Again, two conservatives voted with the liberal justices; but, this time, they were the newly-seated Justice Barrett and one "mystery" Justice that could have only been Justice Alito or Justice Gorsuch since Kavanaugh, Roberts, and Thomas dissented. These three cases had nearly identical circumstances. What would have made Kavanaugh and Roberts vote so differently for the Buddhist man, Patrick Murphy? After all, Kavanaugh and Roberts are both Christians who have been accused in the past of being unjustly preferential to the freedom of Christian's first amendment rights over other religions. But, Smith, the third prisoner was the only Christian out of the three. Other than the prisoner's religion and the states they were from, the facts of the three cases were nearly identical save for one other major factor: Patrick Murphy, the Buddhist inmate, was white. Because the Court did not issue an opinion in Patrick Murphy's case, the only two opinions I can read for you today are those of the two black inmates whom Justices Kavanaugh, Roberts, Thomas, and one other conservative justice voted against both times: Dunn v. Ray (2019) and Dunn v. Smith (2021). These two opinions are very brief, so I will be reading them both this episode. Music by Epidemic Sound
Em mais este limpíssimo episódio, Ricardo Eloy recebe os monstros André Holzmeister (Rise NY & Partners) e Lucas Kazakevicius (ILM) para bater um papo e tentar descobrir se a Inteligência Artificial veio para ajudar os artistas ou pra acabar com tudo de vez!
Muito bem, pessoas e pessôos! Chegamos ao último episódio da nossa quadrilogia mostrando tudo o que rolou no 24 Hours of Chaos 2022, o evento online mundial e ao vivo da Chaos que rolou dia 8 de setembro último. Nesta quarta parte, a gente fecha com uma chave mais que de ouro, trazendo o monstro por trás da Zombie Studio, Paulo Garcia! A gente fala do que rolou na pandemia, como o trabalho da Zombie mudou nesse tempo e, claro, sobre como a Zombie se tornou um dos estúdios mais aclamados e premiados do mundo, com uma lista impressionante que deixaria qualquer um orgulhoso! Como sempre, não se esqueça que nosso limpíssimo podcast está disponível no nosso site, nas plataformas de streaming (Spotify, iHeart Radio, Apple Podcasts e muitas outras), e também no nosso canal no YouTube, onde você encontra os episódios deste asseado podcast e muito mais conteúdo do V-Ray. Assine nosso canal pra não perder nenhum lançamento e bora pra mais um episódio!
É isso aí, pessoas e pessôos! Chegamos ao terceiro episódio semanal do nosso especial sobre o 24 Hours of Chaos 2022. Esta semana, trazemos o papo com o cara que inaugurou o Podcast Mais Limpinho da Internet, o senhor Victor Erthal, da Neoscape! Se você é do ramo do archviz ou simplesmente curte maquete eletrônica, é um papo imperdível! Como sempre, não esqueça de curtir nosso vídeo e assinar nosso canal no YouTube (https://www.youtube.com/vraymasters). Seu like e subscribe é muito importante pra gente conseguir alcançar o maior número de pessoas com nosso podcast, espalhando essas histórias incríveis e fazendo nosso mercado e profissão melhores pra todos!
Could Muse's “You Make Me Feel Like It's Halloween” become the soundtrack for the spooky season? The legendary rock band's song is packed with references to classic horror tales, and the music video brings the lyrics to life (or should that be death?) with a spooktacular trip into a deeply haunted house. In this podcast the video's director, Tom Teller discusses the creative process behind the promo, from collaborating with the band and coming up with ideas, to its final execution with V-Ray rendering. Tom also talks about founding his company, Frame 48, finding clients, AI and art, and his exciting upcoming projects with the Monterey Bay Aquarium Research Institute.
Muito bem, pessoas e pessôos! Estamos de volta com mais um episódio do podcast mais limpinho da internet, o V-Ray Mastertalk! E, como você já sabe, esta é a parte 2 de 4 do nosso especial mostrando tudo o que rolou no show brasileiro do 24 Hours of Chaos, o evento online da Chaos que traz os maiores monstros da CG do mundo todo e que rolou em setembro de 2022. Nesta segunda parte, a gente conversa com o André Holzmeister, nosso velho conhecido e um dos maiores profissionais de CG do mundo, fundador da Rise NY & Partners e criador dos ArtMonkees, a famosa coleção de NFTs. Na semana que vem, a gente traz o Victor Erthal, da Neoscape, pra falar sobre o trabalho dele e do mercado mundial de archviz. Como sempre, fique ligado no canal para não perder os próximos dois episódios do nosso especial. E, se você curtiu esse format mais curtinho e semanal, fala pra gente nos comentários. ;-)
Muito bem, pessoas e pessôos! Depois de um longo hiato estamos de volta com mais um episódio do podcast mais limpinho da internet, o V-Ray Mastertalk! E, como você pode ver pelo título do episódio, esta é a parte 1 de 4 do nosso especial mostrando tudo o que rolou no show brasileiro do 24 Hours of Chaos, o evento online da Chaos que traz os maiores monstros da CG do mundo todo e que rolou em setembro de 2022. Nesta primeira parte, a gente conversa com o Rodrigo Sotero, que mostra seu incrível trabalho em propaganda e nos mais recentes videoclipes de artistas como Pedro Sampaio, Luísa Sonza e vários outros. Na semana que vem, a gente traz o nosso velho amigo André Holzmeister para uma aula sobre NFTs, então fique ligado no canal porque os vídeos serão semanais até totalizarmos as 4 partes. E, se você curtiu esse format mais curtinho e semanal, fala pra gente nos comentários. ;-)
Happy Independence Day! After a much-needed vacation, Donte and the TMC crew are back and in rare form! In classic infotainment fashion Donte, KT, and Nassor covers everything from the catastrophe of the recent Verzuz battle, Sha'Carri Richardson's fall from grace, R Kelly's 30year sentence, Roe v Wade being overturned, and more! We've been gone for a minute, now we're back again, so strap in and lets get active!!!Support this podcast at — https://redcircle.com/talkmycredo/exclusive-content
Justin Horstmann is a Denver-based graphic designer who focuses on blending the worlds of architecture, 3D modeling & illustration. With a background in architectural design & rendering, Justin works as the senior graphic designer at SketchUp. In his spare time, he leverages SketchUp, V-Ray & the Adobe Suite to create texture-heavy abstract artwork under the moniker Kidfue. https://www.instagram.com/kidfue/ --- Support this podcast: https://podcasters.spotify.com/pod/show/xrmotinon/support
Ray Tracing is overhyped. At least this is what most visual effects artists thought when it took an ungodly amount of hours to render a single frame, including Chris. Years ago, rendering architecture felt endless. Today, technology has caught up. Where ray tracing on any rig used to be requirement heavy, now clean rendering is possible on a laptop. Chris has worked on massive films like After Tomorrow, I.Robot and Stealth, a film which presented an incredible amount of challenges in architecture rendering. He's been involved in the visual effects industry for so long that he was one of the first to demo the ground-breaking car simulator that they eventually used on the visual masterpiece, Tron. Did we mention that he's been around for a while? Chris probably bought the first license of VRay tracing software EVER. Chris was one of the first ever to bring ray tracing into visual production. You could consider Chris Nichols a pioneer; a trailblazer even! He is the director of Chaos Labs, a group of like-minded creative individuals that are pushing the boundaries of the computer graphics industry to the next level. This is the episode where he talks about his knowledge and experience in the industry, along with the latest tools and technologies such as Houdini and the potential of VRay tracing as the visual rendering technology of the future. If you're curious about what lies ahead for the visual effects industry, this is an amazing episode you need to watch. Highlights of the Episode: 00:00 Introduction 00:33 Introduction of guest 01:43 Journey into visual effects 06:33 Ray Tracing 12:18 Career Advice 16:26 Working for different companies 22:20 Chaos Group Labs 23:24 Passion Project 32:58 Tracing process 36:59 How far has technology has come 41:03 USD and omniverse 50:00 Transitioning into software technologies 51:10 Potential of Blender 53:38 Trend of generalist 55:20 Houdini 59:54 Houdini General Edition or UAE plugin 1:03:49 Traditional animators 1:04:57 Outro Quotes: “What real time means to me is the experience of it and not necessarily just the rendering part of things” - Chris Nichols Connecting with the Guest: LinkedIn: https://www.linkedin.com/in/christophernichols1/ Website: https://www.chaos.com/cg-labsTwitter: https://twitter.com/redeyetales Connecting with CG Pro: Facebook: https://www.facebook.com/groups/becomecgpro Instagram: https://www.instagram.com/becomecgpro/ Website: https://www.becomecgpro.com/ Twitter: https://twitter.com/becomecgpro
Em mais um limpíssimo episódio do V-Ray Mastertalk, nosso host Ricardo Eloy recebe o supervisor generalista da ILM, Délcio Gomes, para falar sobre os impactos do trabalho remoto (o famigerado "home office") na vida dos artistas 3D. Funciona? Não funciona? Vamos voltar para o escritório ou continuar pra sempre em casa? Essas e outras perguntas a gente responde em um papo super legal que está disponível no YouTube (www.youtube.com/VRayMasters) e também em todas as plataformas de podcasts como Spotify, Deezer, iHeart Radio, Apple e muito mais. Como sempre, não esqueça de compartilhar com seus amigos e dar aquela força pro Podcast Mais Limpinho da Internet dando seu like, assinando nosso canal e, claro, ativando as notificações pra não perder nenhum episódio!
IIVI, MKSI, and VRAY are some of Chris Retzler's stock picks. He and Sean O'Hara discuss the outlook for small cap stocks, highlighting the Russell 2000 Index (RUT). They also talk about Pacer Small Cap ETF Top Holdings which include MATX, PDCE, BCC, ABG, and OI. Tune in to find out more.
Noah, D., and Genevieve are back and joined by owner of Upside Records and Worcester DIY sensation Marc Vrey! Marc gives us a history of western Massachusetts's underground punk, black metal, and noise, Gen crashes a jazz school party, D. uncovers a Viceland conspiracy, and Noah embarrasses himself by rapping and dancing dressed as a pumpkin man! Don't let metal-archives.com deadname you!upsiderecords.netInsta: @putridit.yTwitter: @atlasobscenePlaylist:Matmos - No Concept Jan Terri - Ave MariaJan Terri - Losing YouBusted Lip - CrawlSmash Mouth - All Star (Audio to MIDI Audio Illusion)Earl Sweatshirt - The Mint (Instrumental)violetasprinkathryn - Lil v Freestyle rap genre - 43Valentina Goncharova - Zen GardenGenophobic Perversion - Toxic Shock SyndromeHarvest Manipulation - CancerHarvest Manipulation - WitherMellow Vocals - FixateMellow Vocals - ABSOLUTION (feat. Mikkel Scott Sørensen, Ollie Morgan & Mictain)Aphasia - AtresiaDajjal - Voidous EclipseHalf Mast - When The Levity BreaksHalf Mast - Grave In The SandBeneath Purgatory - Void of HopelessnessElectric Skeleton Records - Free Jazz MasterclassNecralant - Cursed VisionsMictain - Mgr'luhLil Candy Paint - 22 ft. Bhad Bhabie (BUT ONLY THE BHAD BABIE VERSE CUS THATS THE ONLY GOOD PART)Banjo Kazooie OST - Clanker's CavernNirvana The Band The Show - Update Day (Using Mii Shop Channel OST)Doseone - Zoomed Out (Sludge Life OST)Kneebody - SpectraYanka Dyagileva - My Sorrow Is LuminousThe People's Court ThemeFearing - Picture PerfectChained To The Bottom Of The Ocean - With Every Wrist OutstretchedThey Eat Their Own God - occlude//swallow//conflagarantOstraca - Waiting for the CrashBuena Vista Social Club - Veinte AnosNaomi Sharon - Daughter of the SunGabor Szabo - Galatea's GuitarJohn Coltrane - AishaArmand Hammer - Falling Out the SkyWestside Gunn - Free KutterNaomi Elizabeth - Im The Fat Kid For Your Ice CreamNaomi Elizabeth - Warren Buffetts True Feelings About YouNaomi Elizabeth - God Sent Me Here To Rock YouFatboi Sharif & Roper Williams - SmithsonianDrake Elliott & ??? - (Unreleased)
The markets in a “pause that refreshes” and diversification is the new normal, says Nancy Prial, CFA, Co-CEO, and Senior Portfolio Manager at Essex Investment Management. She discusses why the markets may be due for a correction. She also states that the first half of the year is starting strong which is driven by earnings growth. She then talks about her health care stock picks Veracyte (VCYT), Castle Biosciences (CSTL), ViewRay, Inc. (VRAY), Cosmo Pharmaceuticals (CSMO), and Meritor (MTOR). Tune in to find out more.
This is our first Trivia episode! We'll be holding more of these in the future for any contestants that would like to join. Go to https://forms.gle/x6dvMaBMtv6Wi1Cq9 to apply.
Gustavo Perezlindo: Hola Ivan, Ante todo muchas gracias por el trabajo de divulgación que estas llevando adelante , es realmente muy valioso para mi crecimiento profesional. Vivo en Argentina y trabajo en una empresa internacional dedicada a proyectos de estudios de grabación, teatros y centros de espectáculos.Te hago dos consultas:La primera es que herramientas para el cálculo / simulación estructural, acústica y de iluminación respectivamente, puedes sugerir que tengan la mejor integración con Revit. En el ámbito de lo estructural entiendo que Robot es el que mejor compatibilidad tendría con Revit, ¿qué piensas? Respecto a las simulaciones acústicas, hoy utilizamos CATT-Acoustic , ¿conoces alguna otra herramienta que disponga de una mejor compatibilidad con Revit? Para la iluminación evaluamos los niveles con Vray en 3d max , que te permite ver los valores fotométricos directamente en las superficies. También Enscape tiene una modalidad de escala de colores según la iluminancia, pero sólo lo usamos de referencia ya que no te muestra los valores , sólo la escala. ¿Conoces alguna herramienta mejor para el cálculo lumínico?Mi segunda consulta tiene que ver con los servicios de "BIM outsourcing" , ¿piensas que es un servicio potable que un estudio de media escala pueda ofrecer? ¿o está más enfocado al perfil de gran empresa?Bueno, espero no haberme excedido con las preguntas. Desde ya muchísimas gracias por tu atención. Un abrazo!, como decimos aquí. Respuesta Cálculo/simulación Estructuras:Robot pero también CSI SAP200, ETABS y SAFE tienen un plugin para Revit que da integración bidireccional usando los formatos nativos de ambos softwares.https://www.csiespana.com/estat/27/compatibilidad-bimPasando por IFC, CYPE también ha creado plugins que permiten integración bidereccional.http://www.cype.es/Acústica:Es un campo con pocas opciones. Una es Comsol, dicen que cara.https://www.comsol.com/livelink-for-revitIntegración con Revit vía pluginhttps://www.comsol.com/acoustics-moduleDe nuevo, usando IFC, CYPE tiene varias soluciones específicas para sonido, y con la misma integración.https://www.store.cype.com/soluciones-completas/756-solucion-mep-acustico.htmlhttps://www.store.cype.com/instalaciones/192-estudio-acustico-proteccion-frente-al-ruido-cte-db-hr.htmlIluminación:Revit incorpora herramientas básicas de análisis de iluminación, lo único que hay que instalarlas aparte:https://help.autodesk.com/view/RVT/2022/ESP/?guid=GUID-A1FD7410-32F3-4FC2-8B78-4A843A3B4E52El referente es DIALUX, no tiene integración directa con Revit pero hay plugins de terceros que lo hacen:https://apps.autodesk.com/RVT/en/Detail/Index?id=2462987896351079778&appLang=en&os=Win64https://www.magicad.com/en/feature/dialux-import-export-tool/Hay un plugin que hace análisis sin salir de Revit: ElumToolshttps://lightinganalysts.com/software-products/elumtools/overview/CYPE (vía IFC): https://www.store.cype.com/instalaciones/455-cypelux-gratuito.htmlhttps://www.store.cype.com/instalaciones/562-cypelux-en.htmlhttps://www.store.cype.com/instalaciones/564-cypelux-leed.htmlDominar el IFC siempre te da más opciones. BIM outsourcing Partimos de la base de que "BIM outsourcing" (o subcontratación BIM) es básicamente modelar proyectos ya hechos en CAD.En simultáneo, o una vez terminado.075 Preguntas XVIISino estarian subcontratando la redacción del proyecto como tal, y un requisito es que fuera en BIM.Hay otros servicios que podrían encajar con "subcontratación BIM":Escaneado y modeladoCreación de familiasOficina BIM082 BIM en la promotoraFormación, soporte... ya más que subcontratación, es contratación a secas.No es cuestión de tamaño de tu empresa sino de eficiencia modelando:Cuando haces un proyecto, cobrás por el diseño, el cumplimiento de normativa, los cálculos...Las horas que inviertes en generar los entregables van incluidas en lo anterior.Si eres "lento" modelando, los costes se camuflan/compensan con todo lo demás.Cuando haces modelado desde CAD, básicamente estás cobrando hora de delineante.Tienes que cobrar menos porque estás dando menos valor que por un proyecto completo.Al haber menos valor, se suele competir por precio.El más barato se lleva el trabajo.Todo el margen está en cómo de rápido puedes modelar (con calidad) respecto a tu competencia.Si tienes un estudio de arquitectura con 5 empleados, pero te entran pocos proyectos, puede ofrecer servicios de modelado para al menos cubrir gastos y diversificar, pero teniendo presente que:Es un servicio de margen más ajustado y donde tienes que ser muy bueno/rápido para tener beneficio, y que no sea lo comido por lo servido.Es mal negocio tener empleados ocupados en modelado cuando son capaces de generar más rendimiento haciendo proyectos.A nivel de marketing tienes que tener cuidado, porque si potencias demasiado el tema "BIM outsourcing" pueden dejar de verte como una empresa que hace buena arquitectura, y ser simplemente "los del BIM". Patrocinador: 360 admin Tools Y antes de la siguiente pregunta, ¡El patrocinador! 360 Admin Tools. Ya saben, el conjunto de herramientas imprescindibles para administradores de CDEs con BIM360. La semana pasada te contaba cómo lo usaba yo para conectar mi BIM360 con SharePoint, pero también podemos crear sincronizaciones de archivos y carpetas entre BIM360 y OneDrive, Dropbox, Amazon S3 y Google Drive. Y otra herramienta que uso casi a diario, es la de asignación masiva de usuarios. Si administras un BIM360, sabes lo tedioso que es agregar a 10, 20, 30 usuarios a un proyecto que acabas de crear o agregar a un empleado nuevo todos los proyectos de la compañía. Con la asignación masiva puedes seleccionar todos los usuarios que quieras de golpe, elegir si quieres agregarlos con permisos de administrador, en incluso puedes elegir que se agreguen a varios proyectos a la vez, siempre configurando también empresa y rol predefinidos. Todo esto es gratis y sin registro si lo usas con un proyecto y el soporte para configurarlo. Que necesitas más: 99€/mes para hasta 10 proyectos, y 299€/mes para proyectos ilimitados. Entra en https://360admintools.com/ y empieza a usarlo o solicita una demo. Yo sólo con esto de los usuarios ahorro literalmente horas cada mes. Ángel Pérez: Pregunta en audio sobre nubes de revisión en Revit:Como generar revisiones.Flujo de trabajo emisión - revisión - verificación de lo revisado.Tablas de revisión, revisiones por plano, por proyecto...¿Tiene potencial esta herramienta? Respuesta Tenemos que diferenciar entre nubes de revisión y revisiones: Nubes de revisión (o la tarea de revisar) Las nubes de revisión están en la pestaña Anotar y su función es "dibujar nubes" para indicar fallos detectados en los planos.Es una herramienta para ser usada por la persona que revisa.Muchas veces la persona que revisa no sabe Revit.La herramienta sólo sirve para vistas 2D.Durante mucho tiempo se usó Autodesk Design Review para poder hacer esas revisiones sin tener ni saber Revit.Exportabas los planos a .DWFAbrias el DWF con Design Review y dibujabas tus nubes con comentarios.En la pestaña Insertar de Revit, usabas la herramienta Marcas de revisión DWF para importar las nubes y los comentarios, que aparecían como referencias externas en los planos.Es un procedimiento muy válido, con software gratuito y que sigue funcionando a día de hoy.https://www.autodesk.com/products/design-review/downloadPero hoy en día hay muchas herramientas mucho más potentes para la tarea de "revisar".Con clientes no profesionales puedes compartir vistas en un visor online, directamente desde Revit:https://viewer.autodesk.com/Hasta Revit 2020, tienes que ir a la web y subir el archivo completo.Las vistas disponibles en el visor son las que eliges en Revit en la Pestaña Colaborar > Configuración de publicación.Desde Revit 2021.1 puedes enviar vistas concretas directamente desde Revit con la herramienta Vistas Compartidas.El cliente puede ver planos, vistas 3D, tomar medidas, consultar propiedades, hacer secciones en 3D.Si quiere dibujar nubes y hacer comentarios debe registrarse.Con clientes profesionales o compañeros que revisan tu trabajo se tiende más al concepto de incidencia, que una simple nube.Hay hasta un estándar abierto para ello: el BIM Collaboration Format (BCF).Tienes BIMCollabSolibriBIM360Navisworks... Revisiones (control documental de versiones de planos) Después de una revisión, viene la corrección o modificación, y por lo tanto una nueva versión de los entregables afectados.La herramienta Revisiones de Revit es ideal si queremos llevar un control de versiones y cambios directamente en la carátula del plano.Hoy en días, las plataformas en la nubes y CDEs tienen herramientas de control y comparación de versiones que están dejando en desuso que todo eso se ponga en la carátula.El flujo de trabajo es sencillo:Después de haber hecho cierto número de cambios y correcciones. en la pestaña Vista > Revisiones. creas una nueva revisión.Básicamente número y descripción.Puedes personalizar el número como quieras. Incluso en Revit 2022 han ampliado esta configuración.Cómo personalizarlo para cumplir con el anexo británico de la ISO19650:https://infinitebim.com/creating-iso-19650-compliant-revision-sequences-in-revit-2022/El hacer numeración por plano o por proyecto depende de cómo son las entregas:Todos los planos cada vez.Sólo los planos afectados cada vez.En cada plano afectado, eliges en las propiedades la versión que corresponda.Puedes hacer que se muestre en la carátula un parámetro con la versión actual.Puedes insertar una tabla (tabla en la familia, no en el proyecto), para que se vean todas las versiones por las que ha pasado. En resumen Las nubes de revisión están obsoletas en comparación con las herramientas que aprovechan la nube.Las revisiones tienen sentido si no usamos ningún software de gestión documental, o tenemos alguna norma interna o externa de calidad, que nos obligue a explicitar el tema versionado en el propio plano. ¿Quieres que responda a tus preguntas en el podcast? Envíamelas en la sección de contactar. ¿Quieres escuchar otro episodio? Los tienes todos en la sección de Podcast de esta web. AVISO: Este post es sólo un apoyo al audio del podcast. Leerlo de forma independiente podría llevar a conclusiones incompletas o incluso opuestas a las que se quieren transmitir.
Laptop or PC? What specs? How much RAM? What CPU? What GPU? What storage device? How can I choose the best? Which one do I buy? There are so many variations of computers that architecture students can choose from. It can be quite overwhelming.In today's episode of the Successful Architecture Student's Podcast, I explain whether you should buy a PC or Laptop for architecture school and which one is the best. I also explain how you can decide what hardware you need, and the difference your RAM, CPU Processor, GPU Processor and Storage Devices have on the work you do.Prefer listening/reading? Check out the show notes:https://successfularchistudent.com/16▼GET THE FREE ARCHI STUDENT SUCCESS CHECKLIST▼→ https://successfularchistudent.com/ ←Get my new ebook! “How to Ace Any Project in Architecture School” https://successfularchistudent.com/how-to-ace-any-project/When buying a laptop or PC computer, I say there are 4 general rules of thumb.1)You need at least 16GB of RAM (computer memory). RAM is what is used when working on photoshop, rendering programs such as 3DS Max, VRAY and Lumion. If you have less than 16GB of memory, your computer will struggle with these programs.2)You should have at least an i7 processor/CPU. This is what limits how fast you can render 3D models.3)You should have a 1TB SSD (minimum) for your main storage device. Alternatively, you can use a smaller sized SSD and use a Hard Drive to store your files. This is a cheaper option.4)Your Graphics Card, or GPU, determines how quickly and error-free you can view your 3D models in the workspace. A better GPU will allow you to work more efficiently when modelling and creating things in post-render programs such as photoshop.Before making any purchases, I suggest you benchmark the RAM, CPU, SSD OR GPU that you want to buy. This will give you an indication of its ability compared to other hardware out there. You can use sites such as Passmark for this. Just google “CPU benchmark” for example.
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