The Kitchen Sisters Present

“From the very beginning the intent was that the American people needed to be able to access the records so that we would be able to hold the government accountable for its actions.” - David FerrieroDuring the first Trump administration, when access to certain websites and information was being threatened, we started our Keepers series about activist archivists, rogue librarians, historians, collectors, curators — protectors of the culture and the free flow of information and ideas. Today our national librarians and archivists are being fired, our museums are being threatened, our journalists are being hampered, and truth and transparency is once again under attack.In 2017, we talked with David Ferriero, the 10th Archivist of the United States, about the the beginnings of the National Archives under Franklin Roosevelt and its purpose. Ferriero tells of early keepers like Stephen Pleasonton, a brave civil servant who saved the Constitution and Declaration of Independence as the British burned Washington during the War of 1812. Stories of a letter from Fidel Castro to President Roosevelt requesting a $10 dollar bill, and a letter from Annie Oakley to William McKinley volunteering to rally 50 women sharp shooters to fight in the Spanish Civil War.Selected as Archivist of the United States in 2010 by President Obama during the time of his Open Government Initiative, Ferriero worked to make the system more transparent and accessible to the public.   With a collection of about 13 billion pieces of paper, 43 million photographs and miles and miles of film and video and about 6 billion electronic records, Ferriero believes “we are responsible for documenting what is going on.” “I think my favorite times are twice a year when we do naturalization ceremonies in the Rotunda and between 50 and 200 new citizens are sworn in in front of the Constitution," he said. "Just to see them experiencing the documents outlining the rights that are now theirs. Those are powerful moments.”

Deep within the National Museum of American History's vaults is a battered Atari case containing what's known as “the worst video game of all time.” The game is E.T. the Extra-Terrestrial, and it was so bad that not even the might of Steven Spielberg could save it. It was so loathsome that all remaining copies were buried deep in the desert. And it was so horrible that it's blamed for the collapse of the American home video game industry in the early 1980s. The story of just what went SO wrong with E.T.Produced by Lizzie Peabody for Sidedoor, a podcast from the Smithsonian with support from PRX.The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Productions is part of Radiotopia from PRX.For more visit kitchensisters.org

The Kitchen Sisters are excited to share the first episode of Radio Pacific, a new monthly show from KALW in San Francisco that takes a deep and creative look at the issues facing California and the rest of our country today. The hour-long, monthly program features journalists, writers, and documentarians who are grappling with life in the country's most populous and diverse state.In this first episode, California legal scholar Kevin R. Johnson puts the first months of Trump's administration in perspective and helps us understand California's unique and disturbing role in the country's immigration history.Then we look into “Rapid Response Hotlines.” These community-run, 24/7 lines keep tabs on ICE activity in their neighborhoods, and dispatch legal assistance to those who need it. To understand how they work, we sit down with filmmaker Paloma Martinez, whose beautiful short documentary “Enforcement Hours” follows the San Francisco Rapid Response Hotline during President Trump's first term. We're joined by Finn Palamaro, a staff member at the non-profit Mission Action and the lead organizer of the hotline today.Special thanks to: KALW - San Francisco Host and Executive Producer: Eli CohenEditor: Ben Trefny.Composer: Kirk PearsonSound Designer: Dogbotic StudiosThe Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Hall. The show is part of PRX's  Radiotopia.

In 1892, Homer Plessy, a mixed race shoemaker in New Orleans, was arrested, convicted and fined $25 for taking a seat in a whites-only train car. This was not a random act. It was a carefully planned move by the Citizen's Committee, an activist group of Free People of Color, to fight a new law being enacted in Louisiana which threatened to re-impose segregation as the reforms made after the Civil War began to dissolve.The Citizen's Committee recruited Homer Plessy, a light skinned black man, to board a train and get arrested in order to push the case to the Supreme Court in hopes of a decision that would uphold equal rights. On May 18, 1896 the Supreme Court ruled on the Plessy v. Ferguson case establishing the "separate but equal" doctrine, upholding the constitutionality of racial segregation. The case sharply divided the nation racially and its defeat “gave teeth” to Jim Crow. The “separate but equal” decision not only applied to public transportation it spread into every aspect of life — schools, public toilets, public eating places. For some 58 years it was not recognized as unconstitutional until the Brown v. Public Education case was decided in 1954.Homer Plessy died in 1925 and his conviction for breaking the law remained on his record. In 2022, 125 years after his arrest, the Louisiana Board of Pardons voted unanimously to recommend that Homer Plessy be pardoned for his crime. The pardon was spearheaded by Keith Plessy, a descendent of Homer Plessy, and Phoebe Ferguson, the great-great granddaughter of John Howard Ferguson, the convicting judge in the case. The two have joined forces digging deep into this complex, little known story – setting the record straight, and working towards truth and reconciliation in the courtrooms, on the streets and in the schools of New Orleans and across the nation.The Plessy and Ferguson Foundation is responsible for erecting plaques throughout New Orleans commemorating African American historic sites and civil rights leaders.  

Pie Down Here — Produced by Signal HillIn the 1980s, when Robin D.G. Kelley was 24 years old, he took a bus trip to the Deep South. He was researching and recording oral histories with farmworkers and Communist Party members who had organized a sharecroppers union in Alabama during the Great Depression.Kelly used those oral histories to write his award winning book, Hammer and Hoe: Alabama Communists during the Great Depression.Recently Kelley listened back to those early recordings with Signal Hill contributor Conor Gillies. He hadn't heard some of the recordings in decades. Memories came flooding back as Kelley reflected on the people, the story and the power of oral history. Robin Davis Gibran Kelley is an American historian and academic, and the Gary B. Nash Professor of American History at UCLA. His books include the prize-winning Thelonious Monk: The Life and Times of an American Original (Free Press, 2009); Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002, new ed. 2022. His essays have appeared in dozens of publications, including The Nation, the New York Times, the New Yorker, New York Review of Books and more.Pie Down Here was produced by Conor Gillies and edited by Liza Yeager and Omar Etman, with help from the Signal Hill team: Jackson Roach, Annie Rosenthal, and Lio Wong. Music by Nathan Bowles. You can listen to the entire first issue of Signal Hill — eight original stories — on their website at signalhill.fm, or wherever you get podcasts. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX, a curated network of independent producers.

In 2004, we opened up a phone line on NPR asking people to tell us about their Hidden Kitchens— secret, underground, below the radar cooking, and how people come together through food. One caller told us about immigrants and homeless people, who didn't have official kitchens, using the George Foreman Grill to make meals and a home. Did George Foreman know about this? We called him up to find out.George Foreman the legendary two-time World Heavy Weight Champion and Olympic gold medalist talked with us about growing up hungry and violent, about his time in the Job Corps, about his career and comeback, about becoming a preacher, and his work with kids. “Feed them,” he says. “Hunger makes you angry.”In honor of George Foreman who left this earth March 21, 2025, The Kitchen Sisters Present an Unexpected Kitchen: The George Foreman Grill and Beyond."No one should be given up on. You never lose your citizenship as a human being just because you've been in trouble." - George ForemanThe Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Thanks to Laura Folger, Kate Volkman and Melissa Robbins for production help on this story. And thanks to our Hidden Kitchens series co-producer, Jay Allison. Special thanks to the National Endowment for the Arts. The Kitchen Sisters Present is part of the Radiotopia network from PRX.    

In 1981 The Kitchen Sisters interviewed Jeanne Wakatsuki Houston for a story about life on the homefront during World War II. Jeanne told stories of her childhood growing up in Manzanar, a hastily built detention camp surrounded by barbed wire and armed guard towers in the midst of the Owens Valley in the Mojave desert, where Japanese Americans were incarcerated for 3 years during World War II. Jeanne was 7 years old when her father, a commercial fisherman, was taken away with no explanation by the FBI and imprisoned in Bismarck, North Dakota. The family had no idea where he had been taken or why.  Jeanne Wakatsuki Houston's book, Farewell to Manzanar, written in collaboration with her husband James D. Houston,  has become  a curriculum staple in classrooms across the nation and is one of the first ways many are introduced to this dark period of American history. In listening to this interview recorded 44 years ago we are struck by how Jeanne's memories of those years — the sense of fear, of families being separated, of innocent people being terrorized, hunted — resonate with what is happening in our country today.  

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed The Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There's a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired.The Tom Luddy Connection: The Man, The Movies, The Rolodex was produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

For almost a dozen years, 34 Black women gathered monthly around a big dining room table in an orange house on Orange Street in Oakland, CA — meeting, cooking, dancing, strategizing — grappling with the issues of eviction, erasure, gentrification, inadequate health care, and the sex trafficking of Black women and girls overwhelming their community.Spearheaded by dancer and choreographer Amara Tabor-Smith and theater director Ellen Sebastian Chang, this House/Full of Black Women — artists, scholars, healers, nurses, midwives, an ice cream maker, a donut maker, an architect, a theater director, a choreographer, sex trafficking abolitionists and survivors — have come together to creatively address and bring their mission and visions to the streets. Over the years they have created performances, rituals, pop-up processions in the storefronts, galleries, warehouses, museums and streets of Oakland.This hour-long special features sound-rich “episodes” of performances and rituals, interviews with sex trafficking abolitionists, personal stories of growing up in the Bay Area, music, Black women dreaming, resisting, insisting.Produced by Ellen Sebastian Change, Sital Muktari and The Kitchen Sisters, narrated by Sital Muktari, mixed by Jim McKee, in collaboration with Nathan Dalton and Brandi Howell and an evolving House/Full of Black Women collective, Funding for this House/Full of Black Women special comes from The Creative Work Fund, The National Endowment for the Arts, The Kaleta Doolin Foundation, The Texas Women's Foundation, Susan Sillins, listener contributions to The Kitchen Sisters Productions, and PRX.Original funding for House/Full of Black Women was provided by Creative Capital, Creative Work Fund, The Kenneth Rainin Foundation, MAP Fund, and the Hewlett 50.House/Full of Black Women is part of The Keepers series produced by The Kitchen Sisters,. Archival sounds, recordings and compositions by Alexa Burrell. Visuals created by photographer Robbie Sweeney and designer Kevin Clarke. Ricardo Iamuuri Robinson created some of the soundscape. For names of all the many House/Full members who have had a hand in this project visit deepwatersdance.com.

Lured in by a blackboard sign on the street in Davia's neighborhood announcing “Spotlight on Black Entrepreneurs,” we enter the creative and growing world of Black-Owned Pet Businesses. Lick You Silly dog treats, Trill Paws enamel ID Tags, The Dog Father of Harlem's Doggie Day Spa, gorgeous rainbow beaded Dog Collars from The Kenya Collection, Sir Dogwood luxurious modern dog-wear.Chaz Olajide of Sir Dogwood wasn't finding communities of pet owners or pet businesses owned by people of color. “I did a deep dive into the statistics —I just wanted to see if maybe I was an outlier, like maybe the reason why I'm not seeing more diversity in these companies is because maybe the demand isn't out there. Actually, you know, that's not really the case.”“The dog training world—it's a white dominated space. It's kind of male dominated, too,” says Taylor Barconey of Smart Bitch Dog Training in New Orleans. “On our profile on Instagram we have Black Lives Matter, it's been there for a year now. Before 2020, we would have not felt comfortable putting that up at risk of losing our business because people would have blacklisted us. But now, we feel like we can finally breathe and be open about things that really matter to us—speaking out against racism and not feeling shy about it.”Brian Taylor, owner of Harlem's Doggy Day Care lost both his uncle and long time mentor to Covid. During the pandemic his business slumped by 80%. So with some help from his pet parents and supporters he decided to hit the road with “The Pup Relief Tour offering grooming services to anyone going through rough times and in need. “All together we had about 63 African American dog groomers that went on tour with us across the country and we groomed over 829 dogs.”Dr. Kwane Stewart, is an African American veterinarian who walks skid row in downtown LA tending the unhoused dogs of unhoused people. He was named CNN's Hero of the Year in 2023.House Dogge in LA — artisanal dog tees, hoodies, toys — is committed to helping unwanted, neglected and abused dogs.This is just the tip of the iceberg when it comes to Black-owned pet business entrepreneurs. There are tons more across America and you can support their businesses and services.  Fresh Paws Grooming in Brooklyn. The animal advocates at Iconic Paws, a customized pet portrait gallery with flare. Pardo Paws in Georgia, an all natural company with a lotion bar in the shape of a dog paw for dogs with dry noses and paws made of cocoa butter, olive oil, coconut oil, beeswax, calendula. Precious Paws Dog Grooming in Bloomfield, New Jersey.Little L's Pet Bakery and Boutique in Brooklyn. Scotch and Tea — stylish and durable dog accessories. Bark and Tumble, a luxury and contemporary brand of hand made dog garments in Britain. Pets in Mind a Holistic Pet Supply Store in Coconut Creek, Florida. Beaux & Paws in Newark, Pet Plate — an online black owned pet food delivery service. Duke the Groomer in Chicago, Ava's Pet Palace started by Ava Dorsey, age 13.Most all of these businesses are giving back in some way to their communities working with at-risk youth, taking them in with mentorships and internships that hopefully lead to jobs, and donating generously to shelters and rescues and neighborhood food banks.Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. This story was produced and originally aired in 2021.

Lady Gaga, Marion Anderson, Beyoncé, Frank Sinatra, Pete Seeger, Maya Angelou — musicians and poets have been powerful headliners at inauguration ceremonies across the years signaling change, new beginnings and reflecting the mood of the country and a new administration.In January 1973, following the Christmas bombing of Vietnam, conductor Leonard Bernstein gathered an impromptu orchestra to perform an "anti-inaugural concert" protesting Richard Nixon's official inaugural concert and his escalation of the war in Vietnam. One of the main performances of the official inaugural was the 1812 Overture with its booming drums replicating the sound of war cannons.In 1973, the United States was reaching the concluding stages of our involvement in Vietnam.  And while the war would soon come to an end, the weeks leading up to the second inauguration of Richard Nixon were met with some of the most intense and deadly bombing campaigns of the war.The anti-war movement was unhinged. They had marched, they protested — to seemingly no avail when it came to changing Nixon's foreign policies. So what to do next...Leonard Bernstein performed an “anti-inaugural concert” — a concert for peace — following his belief that by creating beauty, and by sharing it with as many people as possible, artists have the power to tip the earthly balance in favor of brotherhood and peace.This story was produced by Brandi Howell with special thanks to Michael Chikinda, Alicia Kopfstein, Matt Holsen, and Bernie Swain. 

An introduction to the new podcast, A Breach Repairer's Song, produced by Nice Sound Company, hosted by Yara Allen and Rev. William Barber. A Breach Repairer's Song is an immersive series soundtracking the marriage between music as an art form and music as a tool for activism. Through interview, retrospection, and the dissection of one song per episode, this show explores the deep roots music and the pursuit of justice and equity have in America's history—and how song can move us to action. Series guests include musicians, artists and activists: Joan Baez, Cornell West, and Dr Ibram X. Kendi. In episode one, "The Power of Music in Social Movements," Reverend Barber and Yara Allen discuss how music intertwines with social movements, focusing on the contributions of theomusicology and Repairers of the Breach's journey, alongside the Moral Mondays initiative. Their conversation highlights personal stories, regional influences, and the unifying power of protest music, showcasing music as a profound medium for addressing social injustices and personal struggles. 

Edna Lewis was a legendary American chef, a pioneer of Southern cooking and the author of four books, including The Taste of Country Cooking, her memoir cookbook about growing up in Freetown, Virginia, a small farming community of formerly enslaved people and their descendants established in 1866. Before she began writing books, Edna had been a celebrated chef at Cafe Nicholson in New York City in the 1950s where Eleanor Roosevelt, Paul Robeson, Marlon Brando, Tennessee Williams, Truman Capote and Marlene Dietrich all came for her Southern food and legendary chocolate soufflé.The Taste of Country Cooking chronicled the traditions and recipes of the community where she grew up — a rural settlement that celebrated the events and traditions of daily life across each year with special suppers and ritual meals — Emancipation Day Dinner, Early Spring Dinner after Sheep Shearing, Morning After Hog Butchering Breakfast, Christmas Eve Supper and Christmas Dinner to name but a few of the dishes and stories that fill this book.In 1983 The Kitchen Sisters went to talk to Ms. Lewis about her life and the Christmas traditions in the tight-knit Virginia farming community where she came of age.For Christmas, The Kitchen Sisters Present... Edna Lewis: Christmas in Freetown

On the occasion of her 80th birthday in 2000, The Kitchen Sisters, along with food writer Peggy Knickerbocker, visited the home of Cecilia Chiang, the legendary Chinese-American restaurateur, chef and founder of The Mandarin Restaurant in San Francisco for a bit of an oral history.Cecilia Chiang introduced regional Chinese cooking to America in the 1960s, revolutionizing what most Americans thought Chinese cooking was. Elegant and savvy, her restaurant drew in celebrities and food enthusiasts, including Pavarotti, John Lennon, Jackie Onassis, Mae West, Henry Kissinger, and others. She inspired James Beard, Marion Cunningham, Alice Waters, Julia Child, and generations of chefs and restaurateurs, including her son Philip, founder of P. F. Chang's. Cecilia died in 2020 at the age of 100.

A pioneer in her field, Catherine Bauer Wurster was advisor to five presidents on urban planning and housing and was one of the primary authors of the Housing Act of 1937. During the 1930s she wrote the influential book Modern Housing and was one of the leaders of the "housers" movement, advocating for affordable housing for low-income families.  Catherine Bauer's life divided into two names and two geographies:  her urban east coast youth, and her later life in the Bay Area. She hobnobbed with the bohemian elite of the interwar years….brilliantly charming  the big architect names of the Weimar Republic, Paris cafe society, and the International Style:  Gropius, Mies, Corbusier, Oud, May, and her lover, Lewis Mumford. Her glamour and charismatic presence endeared her to trade unionists, labor leaders, and politicians—who she tried to turn to her vision of housing as a worthy responsibility of the government—sexier and leftier during the Depression. Her arguments were a harder sell in the red scare fifties and ran into a dreary deadlock in the suburban sixties, as she later wrote from her west coast stronghold at the University of California, Berkeley. In the Bay Area she developed an academic career that also included her husband architect William Wurster, a daughter, and a house on the bay – all surrounded by the nature she quickly grew to love. Her legacy lives on to this day, as even the latest of housing legislation echoes the progressive ideals she was advocating for in her prime.  Produced by Brandi Howell for the New Angle Voice podcast from the Beverly Willis Architecture Foundation. Editorial advising from Alexandra Lange. Thanks to host Cynthia Phifer Kracauer. Special thanks in this episode to Barbara Penner, Gwendolyn Wright, Sadie Super, Matthew Gordon Lasner, Katelin Penner, and Carol Galante.  Archival recordings are from the UC Berkeley Bancroft Library. Funding from the New York State Council on the Arts.The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX.

Pushed to the side and rarely credited for her architectural work at Davis Brody,  Phyllis Birkby became a significant figure in extending the lesbian women's movement to architecture during the 1970s. Her environmental fantasy workshops played a crucial role in galvanizing the community, providing a creative and empowering space within a male-dominated profession. Growing out of other consciousness raising techniques, freed up in her classes, Phyllis released the rigor of her conventional training to get down on the floor,  and lead the group in sketching their fantasies however outlandish on giant rolls of butcher paper.  She encouraged the women to imagine architecture above, below, and beyond the norm. Birkby's work not only contributed to architectural discourse but also fostered a sense of collective identity among lesbian architects, highlighting the intersectionality of gender, sexuality, and professional identity in the field. In her later years, she focused on architecture for people marginalized in other ways – by addiction, by age, and by disability, again imagining spaces of community and support.This episode was produced by Brandi Howell for New Angle Voice, a podcast from Beverly Willis Architecture Foundation. Thanks to host Cynthia Phifer Kracauer.  Thanks also to Alexandra Lange for editorial advising.   Special thanks in this episode to Stephen Vider, MC Overholt, Gabrielle Esperdy, Matthew Wagstaffe, Leslie Kanes Weisman and the Smith College Special Collections.  Funding from the New York State Council on the Arts.  The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. The Kitchen Sisters Present is part of Radiotopia from PRX.kitchen@kitchensisters.org

It is Tuesday, November 5, 2024, the day when millions of Americans go to the polls to vote for who will lead their towns, their states, the nation. Souls to the polls today across the country, and so much hangs in the balance.On this fraught and tender Tuesday, when all our nerves are frayed, we offer a moment of respite and contemplation — an episode of the podcast Constellation Prize from radio producer and filmmaker Bianca Giaever, featuring writer, poet and activist Terry Tempest Williams.Constellation Prize is a podcast from The Believer Magazine. This story is Episode 1 of a 4 part series. You can hear the whole Nightwalking series and more episodes of Constellation Prize wherever you find your podcasts.Our thanks to Bianca, The Believer, and the poet laureate of nightwalking, Terry Tempest Williams, for allowing us to share this story.The music in Nightwalking is by Ishmael Ensemble, John Carroll Kirby and Elori Saxl. Our theme music is "Day of the Dead" by Ted Savarese.We're dropping this podcast on Tuesday, November 5. If you're hearing it today and haven't already voted we hope you're headed to the polls for a little night voting.The Kitchen Sisters Present... is part of Radiotopia from PRX, a network of independent podcasts that widen your world.Thanks for listening.

July 17, 2024, Washington, D.C. Some 200 young people from across the nation aged 14-19 — aspiring poets, storytellers, MC's, activists — are gathered in the nation's capital for the 29th annual Brave New Voices Festival — four non-stop days of slam poetry competition, coaching, workshops, late-night freestyling and in 2024, voting information.In summer, as the election loomed larger and larger we decided to turn our microphone to young people across America to hear their thoughts and feelings about the nation, about voting, about the election. Everyone always says young people are the future. But the truth is they are the present. And it is all on their plate.The Kitchen Sisters and producer Bianca Giaever traveled to the Brave New Voices Festival to take in the poets and their poetry, to listen and take the pulse of the moment. The hope, the scope, the vote. On July 21, the day after the festival ended, President Biden dropped out of the race. Keep that in mind as you listen.  The Hope & The Scope was produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) and Bianca Giaever and mixed by Jim McKee. In collaboration with Nathan Dalton and Brandi Howell.Funding for The Hope & the Scope comes from The Robert Sillins Family Foundation, Susan Sillins & The Buenas Obras Fund.Special thanks to all the poets, the teams, the coaches, to the fabulous Future Corps 2024 and to all the staff, volunteers and radiant community of Brave New Voices. And to all we interviewed at the festival.Very special thanks to Youth Speaks, trailblazers of local and national youth poetry slams, festivals, mentoring, youth education and development — creators of the Brave New Voices Festival. Deep bow to Executive Director Michelle Mush Lee, Communications Director Bijou McDaniel, Stephanie Cajina, Joan Osato, James Kass, to Paige Goedkoop, Jamie DeWolf and Pawn Shop Productions and especially to Bianca Giaever who joined us in Washington, D.C. and came with her mic blazing.The Kitchen Sisters Present... is part of Radiotopia from PRX, a network of independent, thought-provoking, deeply-produced, highly-entertaining podcasts that widen your world.Thanks for listening. Thanks for subscribing.

Today, The Kitchen Sisters Present: “Tupperware” — an homage and a eulogy.It was 1980. Nikki and I had just met. We had just named ourselves The Kitchen Sisters. And we had just bought our first cassette recorder, a Sony TC-D5M. We hadn't even taken it out of the box or been trained on it when we were invited to a Tupperware party our friend Kirsten was hosting. This was 1980 in Santa Cruz, a stronghold of the women's movement. You just didn't get invited to too many Tupperware parties back then.It seemed the perfect moment to break out the Sony and tape the party. The party was such a bonanza of story and plastic we went to another and taped that too. This time the Tupperware lady invited us and our new tape recorder to Tupperware headquarters in Salinas where Tupperware ladies were trained and where sales rallies were held.  We went back to the studio at our local community radio station with a ton of tape and no real idea of what to do with it. These were analog days, days of cassettes and reel-to-reels, of razor blades and splicing tape.The story you're about to hear includes every mistake in the book. We mixed using two reel-to-reel tape recorders, two cassette recorders running through a mixing board we had no real idea how to use, onto a third reel-to-reel. We also had no idea you could splice takes of the mix together, we thought you had to do one complete running mix of the whole thing from start to finish. It probably took us 50 takes to do it. Nikki thinks this is Take 47, when all the levels were up at the same time and the sound started cascading and coming out of every machine at once, all at full volume. But out of that cacophony came our signature sound, a way of telling stories that holds with us to this day.  Tupperware. What began shortly after World War II as a use for the plastic resins invented for the war, was sold like Avon lipstick using direct sales and home parties, gave generations of women a chance to make their own money outside the home and kept our leftovers fresh, filed for Chapter 11 bankruptcy on September 17, 2024.  Mergers and acquisitions, fewer parties and get togethers during covid, changes in the culture of selling, the work opportunities available to women, concerns about the eco-disaster that is plastic — so many factors seem to have been part of this collapse.   Tupperware shuttered its only remaining plant in the United States in South Carolina this year, resulting in 148 layoffs.  The plastic is no longer fantastic. Today on the podcast, the third story The Kitchen Sisters ever produced for NPR, “Tupperware.”

As elections loom, we need to get involved, step up to the civic plate, take part in discourse. And that's what Manny Yekutiel has been driven to do since 2018. He's created a community-focused meeting place in San Francisco — a gathering space for people to watch presidential debates, meet people working on the front lines of social change, and discuss issues with policy makers in person. From community forums debating the new trash can designs in San Francisco, to town hall meetings with political candidates for the Senate and the Presidency, Manny's is a place to commune, listen, and be heard.They've got a restaurant — Farming Hope, a non-profit that hires formerly homeless and formerly incarcerated individuals and trains them in the food skills needed to work in the restaurant industry. They've got a bookstore specializing in local history and politics — with no pressure to buy books.As church basements and social clubs fade as places where young people feel comfortable gathering, Manny has created a place — not home, not work — but a "third place" where people can come together to meet and engage with civic leaders, elected officials, artists, and activists.Thanks to Precious Green and to the staff of Farming Hope. Thanks also to Valerie Velardi who led us to Manny's, and to Manny Yekutiel for the time and the vision.The Kitchen Sisters Present is part of the Radiotopia from PRX, a network of hand-crafted, independent, vibrant podcasts that widen your world.

There was a moment at the 2024 Democratic National Convention when Oprah took the stage — and the crowd went wild. She spoke boldly about Kamala Harris and her place in a long line of strong Black women who have paved the way. At one point she veered into the story of Tessie Prevost Williams, who recently passed away,  and the New Orleans Four.November 14, 1960 — Four six-year-old girls— Leona Tate, Gail Etienne, Tessie Prevost and Ruby Bridges—flanked by Federal Marshals, walked through screaming crowds and policemen on horseback as they approached their new schools for the first time. Leona Tate thought it must be Mardi Gras. Gail thought they were going to kill her. Tessie Prevost's mother was scared to death handing over her daughter to a Federal Marshal for protection from the mob.Four years after the Supreme Court ruled to desegregate schools in Brown v. Board of Education, schools in the South were dragging their feet. Finally, in 1960, the NAACP and a daring judge selected two schools in New Orleans to push forward with integration — McDonogh No.19 Elementary and William Frantz.An application was put in the paper. From 135 families, four girls were selected. They were given psychological tests. Their families were prepared. Members of the Louisiana Legislature took out paid advertisements in the local paper encouraging parents to boycott the schools. There were threats of violence.When the girls going to McDonogh No.19 arrived in their classroom, the white children began to disappear. One by one their parents took them out of school. For a year and a half the girls were the only children in the school. Guarded night and day, they were not allowed to play outdoors. The windows were covered with brown paper.Since this story first aired in 2017, The Leona Tate Foundation for Social Change has created the TEP Interpretive Center (Tate, Etienne and Prevost Center) in the former McDonogh No. 19 school where the three girls broke the color barrier in 1960. Its mission is to engage visitors in the history of civil rights in New Orleans. Find out more at tepcenter.orgSpecial thanks to: The New Orleans Four: Leona Tate, Gail Etienne, Tessie Prevost Williams and Ruby Bridges. Retired Deputy US Marshalls Charlie Burke, Herschel Garner, and Al Butler. Tulane University. Louisiana Endowment for the Humanities, Louisiana Center for Civil Rights and Social Justice, The US Marshals Museum.We are especially grateful to Keith Plessy and Phoebe Fergusson for introducing us to this story, and to Brenda Square and Amistad Research Center History Department.   The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We're part of the Radiotopia Network from PRX.

On the night of Summer Solstice 1986, Larry Harvey and Jerry James built and burned an eight-foot wooden figure on San Francisco's Baker Beach surrounded by a handful of friends. Burning Man was born.This summer, the 39th annual Burning Man gathering begins to assemble on a vast dry lake bed in Nevada's Black Rock Desert, the nomadic ritual's home since 1990. An estimated 80,000 people will come.During production of our Keepers series, chronicling activist archivists, rogue librarians and keepers of the culture and free flow of information, we received this message on the Keepers Hotline:"Hello Kitchen Sisters, I am a rogue archivist, the archivist for Burning Man. Come to Burning Man headquarters and I'll show you the collection. Cheers.” —LadyBee, Archivist & Art Collection Manager, Burning ManHow do you archive an event when one of it's driving principles is "leave no trace," where The Burning Man is in fact burned? What is being kept and who is keeping it? We journey into the archives of this legendary gathering to find out.Produced by The Kitchen Sisters with Nathan Dalton and Brandi Howell, mixed by Jim McKee.

In honor of the Paris Olympics and the astounding contribution of the French to culture and art of the world, The Kitchen Sisters Present, Archive Fever: Henri Langlois and the history of the Cinémathèque Française, featuring Francis Ford Coppola, Wim Wenders, Tom Luddy, Lotte Eisner, Simone Signoret, Agnes Varda, Costa-Gavras, Barbet Schroeder.Henri Langlois never made a single film — but he's considered one of the most important figures in the history of filmmaking. Possessed by what French philosopher Jacques Derrida called "archive fever," Langlois began obsessively collecting films in the 1930s and by the outset of World War II, he had one of the largest film collections in the world. The archive's impact on the history of French cinema is legendary, as is the legacy of its controversial keeper.Langlois fell in love with film in his teens, just as silent films were being replaced by talkies. "In the early 30s they were destroying every silent movie," says film director Costa-Gavras, now president of Langlois' Cinémathèque Française. "He started collecting all those movies, not just to save them for the future, but to show them.""Langlois educated a whole generation of film archivists and filmmakers," says filmmaker Wim Wenders. "He spread the idea of saving the memory of mankind that is in the history of cinema."This story is part of The Keepers series — Activist archivists, rogue librarians, historians, collectors, curators — keepers of the culture and the free flow of information. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.

San Francisco officially declared July 15th Linda Ronstadt Day.  In her honor, The Kitchen Sisters Present this story about her book "Linda Ronstadt: Feels Like Home, about her family, and the food, culture and music of the borderland of Arizona and Mexico where she is rooted.  Feels Like Home: A Song for the Sonoran Borderlands  is an historical, musical, edible memoir that spans the story of five generations of Linda's Mexican American German family, from the Sonoran desert in Mexico to the Ronstadt family hardware store in Tucson to the road that led Linda to LA and musical stardom. Intimate and epic, "this is little Linda, Mexican Linda, cowgirl Linda, desert Linda."The book, written in collaboration with New York Times writer Lawrence Downes, is a road trip through the Sonoran Borderlands, from Tucson to Banámichi, Mexico — the path Linda's immigrant grandfather took at a time when the border was not a place of peril but of possibility.We went to see Linda at home to ask her about the journey.This story was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKeeThanks to Lawrence Downes, John Boylan, Bill Steen, Janet Stark and The PRX Podcast Garage. And to the team at Heyday Books: Steve Wasserman, Kalie Caetano & Megan Beatie and to Putamayo Music who just released Feels Like Home: Songs From The Sonoran Borderlands, Linda Ronstadt's Musical Odyssey.Special thanks to Linda Ronstadt for opening her home and her vault to this story. 

Route 66—The Main Street of America— the first continuously paved highway linking east and west was the most traveled and well known road in the US for almost fifty years. From Chicago, through the Ozarks, across Oklahoma, the Texas Panhandle, up the mesas of New Mexico and Arizona, and down into California to the Pacific Ocean. The first road of its kind, it came to represent America's mobility and freedom—inspiring countless stories, songs, and even a TV show.Songwriter Bobby Troup tells the story of his 1946 hit “Get Your Kicks on Route 66.” Mickey Mantle says, “If it hadn't been for US 66 I wouldn't have been a Yankee.” Stirling Silliphant, creator of the TV series “Route 66” talks about the program and its place in American folklore of the 60s.Studs Terkel reads from The Grapes of Wrath about the "Mother Road," and the great 1930s migration along Highway 66. We hear from musicians who recall what life on the road during the 1930s was like for them, including Clarence Love, Woody Guthrie, and Eldin Shamblin, who played guitar for Bob Wills and his Texas Playboys.We travel the history of the road from its beginnings through caverns and roadside attractions, into tourist traps and bunko joints, through the hard times of the Dust Bowl, Depression and the “Road of Flight,” and into the “Ghost Road” of the 1980s, as the interstates bypass the businesses and roadside attractions of another era.Produced by The Kitchen Sisters and narrated by actor David Selby. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of podcasts created by independent producers.

In 1977, a cavernous, rarely used sculpture gallery in the Brooklyn Museum was filled with drafting tables, their tops tilted to display collages of the work and under-told stories of women working in architecture in the United States.We revisit this first significant effort to publicly tell the little known stories of American women in architecture: “Women in American Architecture: A Historic and Contemporary Perspective.” On view at the Brooklyn Museum from February-April of 1977, the groundbreaking exhibition and simultaneous book, curated and edited by Susana Torre, clearly defined the state of play for women in the architecture profession. Alienated by the profound hostility expressed by the AIA, women architects came together and found an accepting cohort at the Architectural League of New York. They organized. They canvassed. They raised their consciousnesses. The project team identified subjects so previously obscured as to be unknown, and then with the energy and drive of a furious mob, they broke through and laid the groundwork for scholarship, social change, and recognition of women architects for the next fifty years.  Produced by Brandi Howell, for the Beverly Willis Architecture Foundation's podcast New Angle Voice.Special thanks to Susana Torre, Andrea Merrett, Suzanne Stephens, Cynthia Rock, Deborah Nevins, and Robert AM Stern. Editorial advising from Alexandra Lange and production assistance from Virginia Eskridge and Aislinn McNamara. Funding from the National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation.The Kitchen Sisters Present, part of PRX's Radiotopia network, is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. For more stories and information visit kitchensisters.org. 

As this year's hurricane season ramps up, we go to New Orleans for a kind of biblical reckoning. A story of science and prayer, with a cast of improbable partners—environmental architects and nuns—coming together to create a vision for living with water in New Orleans. Mirabeau Water Garden, one of the largest urban wetlands in the country designed to educate, inspire and to save its neighborhood from flooding.New Orleans. Surrounded by The Mississippi River and Lake Pontchartrain, besieged by hurricanes and tropical storms, permeated with man made canals, levees, pumping stations …. Water is a deep and controversial issue in New Orleans. What to do with it? Where to put it? How to get rid of it? How to live with it?David Waggonner, of Waggonner & Ball architecture and environment firm has been thinking and dreaming about these questions for years. One of the primary architects behind the Greater New Orleans Urban Water Plan, David envisions floating streets, pervious pavement, planting bioswales—“living with water” rather than pushing it down and pumping it out.In the aftermath of Hurricane Katrina the Sisters of Saint Joseph convent in New Orleans was under eight feet of water. A year later, on a clear blue day, the building was struck by lightning. The Sisters prayed for a sign. And in walked David Waggonner with a vision.The Mirabeau Water Garden will become one of the largest urban wetlands in the country and a campus for water research and environmental education, demonstrating best practices for construction and urban water management in the city's lowest-lying and most vulnerable neighborhoods.The 25-acre parcel was donated to the City of New Orleans by the Sisters of Saint Joseph on condition that it be used to enhance and protect the neighborhood to “evoke a huge systemic shift in the way humans relate with water and land.”Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton & Brandi Howell. For more stories and information visit kitchensisters.org

On February 16, 2024 Russian dissident Alexei Navalny died under unexplained circumstances in a penal colony in the Russian Arctic just weeks before the election that enthroned Vladimir Putin for another six years of near-absolute power. Within days of Navalny's death his wife Yulia Navalnaya rose up, spoke out and vowed to continue her husband's struggle. A decade ago The Kitchen Sisters were in Moscow reporting for our NPR series Hidden Kitchens: War and Peace and Food. We were at lunch with writer, television journalist and government critic, Victor Erofeyev and asked what his hidden kitchen was. “Dissident Kitchens,” he said. “The Soviet Union fell apart because of the kitchen.” We started digging. After the Russian Revolution of 1917, millions of people poured into Moscow from the countryside, many living crammed together in the appropriated grand apartments of the wealthy — a single, communal kitchen shared by the ten or so families squeezed together under one roof. Spaces were crowded, food scarce, privacy nonexistent. After Stalin's death in 1953, Nikita Khrushchev came to power. His new Soviet government built hundreds of huge standardized apartment buildings with single family units, each with their own kitchen. These new, private kitchens became hotbeds of politics, forbidden music, literature – "dissident kitchens" where the seeds of ending the Soviet Union were sewn. Just as Victor Erofeyev told us over lunch. Today, in honor of Alexei Navalny and in honor of Victor Erofeyev, who fled Russia with his family after the invasion of Ukraine, The Kitchen Sisters Present: Dissident Kitchens.

On April 12, 2024, Eleanor Coppola, artist, filmmaker, mother and wife of director Francis Ford Coppola, died at her home in the Napa Valley surrounded by family. She was 87 years old and had lived a most remarkable life.Shortly before her death, Eleanor had completed her third memoir. In it she wrote:“I appreciate how my unexpected life has stretched and pulled me in so many extraordinary ways and taken me in a multitude of directions beyond my wildest imaginings.”On May 6, 2008, on the occasion of the release of her second memoir, Notes on a Life, Eleanor and Davia sat down together at The Commonwealth Club of California and had this conversation before a live audience.Our thanks to The Commonwealth Club of California for sharing this 2008 recording. This conversation was part of their Good Lit Series, underwritten by the Bernard Osher Foundation.The Kitchen Sisters' San Francisco studio is located in Francis and Eleanor's Zoetrope building in North Beach. Ellie has been a part of our lives since the day we came here some three decades ago. Our love goes to the many generations of the Coppola family.

Over the years, The Kitchen Sisters have zeroed in on Memphis, Tennessee in a big way. The inspiration for that and the inspiration for some of our favorite stories is Knox Phillips. Davia met Knox in 1997 in Memphis when she was doing casting for Francis Ford Coppola's film The Rainmaker. She was on the set standing next to a guy. Cool hair, great smile. During the long set up between takes they started talking. About Memphis, about music, about radio. She told him about a new series we were starting to produce for NPR — Lost & Found Sound. Stories about sonic pioneers and people possessed by sound. The guy with the cool hair listens. “Girl, I think you better come over to the house and meet my parents. My dad, Sam, started the Memphis Recording Service and Sun Records. He recorded Elvis Presley, Johnny Cash, Jerry Lee Lewis, Roy Orbison, Howlin' Wolf.... When he sold Elvis' contract he and my mother, Becky, used the money to start the first all-girl radio station in the nation, WHER: 1000 Beautiful Watts.”Nikki was on a plane to Memphis the next day and we drove to the Phillips family house that night. Knox, Sam, Becky and Sam's girlfriend Sally were all there and the stories started pouring out. We walked in at 7:00 and left after midnight, recording the whole time. Those interviews became the basis of some of the most groundbreaking Kitchen Sisters pieces. Knox Phillips — producer, promoter of Memphis music, Keeper of his family's legacy, died in April 2020, right at the beginning of the pandemic, and never really got his due. His massive spirit, love and music live on.

In 1898, the United States Department of Agriculture created a special department of men, called “Agriculture Explorers,” to travel the globe searching for new food crops to bring back for farmers to grow in the U.S. These men introduced exotic specimens like the mango, the avocado, and the date. In 1900, the USDA sent plant explorer, Walter Swingle, to Algeria to study the date. As Swingle took temperature readings and soil temperature, he realized that the conditions were very much like those in California's hot, arid Coachella Valley, sometimes referred to as the American Sahara. In order to market this new fruit and promote the region, date growers in the Coachella Valley began capitalizing on the exotic imagery and fantasy many Americans associated with the Middle East. In the 1950s date shops dotted the highway, attracting tourists. There was Pyramid Date shop where you could purchase your dates in a pyramid. Sniff's Exotic Date Garden set up a tent like those used by nomadic tribes of the Sahara. One of the most well-known date shops, which still exists today, is Shields Date Garden, established in 1924. Floyd Shields lured in customers with his lecture and slide show titled, “The Romance and Sex Life of the Date.” This story was produced in collaboration with Lisa Morehouse.

Niloufer Ichaporia King lives in a house with three kitchens. She prowls through six farmer's markets a week in search of unusual greens, roots, seeds, and traditional food plants from every immigrant culture. She is an anthropologist, a kitchen botanist, a one-of-a-kind cook, a Parsi from Bombay living in San Francisco, and the author of My Bombay Kitchen: Traditional and Modern Parsi Home Cooking. Niloufer is known for her ritual celebrations of Navroz, Parsi New Year, on the first day of Spring, when she creates an elaborate ceremonial meal based on the auspicious foods and traditions of her vanishing culture. The Parsi culture is some 3,000 years old and goes back from India to Persia. It's estimated that there are now under 100,000 Parsis in the world. Also featured in this Hidden Kitchens story are author Bharati Mukherjee, sharing her memories of the forbidden Bengali kitchen of her girlhood, with its four cooks and intricate rules of food preparation. And Harvard Professor Homi Bhabha, born in Mumbai to a Parsi family, who talks about auspicious lentils and the birth of his son. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We are part of Radiotopia from PRX, a curated network created specifically for independent podcasts—some of the best stories out there. Special thanks to the National Endowment for the Arts, the National Endowment for the Humanities, and contributors to the non profit Kitchen Sisters Productions .

Little known stories of pioneering architects — Julia Morgan, the first accredited female architect in California, who designed Hearst Castle and was nearly written out of the history books. Natalie de Blois, who helped imagine the first glass skyscrapers on Park Avenue by day and raised four children by night. Amaza Lee Meredith, a Black queer modernist architect from the 1930s South who helped establish Sag Harbor as a haven for Black intellectuals, artists and beachcombers. A new special from The Kitchen Sisters, the Beverly Willis Architecture Foundation and PRX, hosted by Academy Award-winning actress Frances McDormand. Story production by Brandi Howell for the Beverly Willis Architecture Foundation's podcast, New Angle: Voice, in association with The Kitchen Sisters (Davia Nelson & Nikki Silva), mixed by Jim McKee.

A look at the President's kitchen and some of the first cooks to feed the Founding Fathers—Hercules and James Hemings—the enslaved chefs of George Washington and Thomas Jefferson. Hercules, described as a “dandy,” had eight assistants—stewards, butlers, undercooks, waiters. He cooked in a huge fireplace—hearth cooking. He walked through the streets of Philadelphia in a velvet waistcoat, with a gold-handled cane. When Washington was getting ready to leave Philadelphia to return to Mt. Vernon, Hercules escaped. Washington sent out search parties and offered rewards. Hercules was never found. In 1784, Thomas Jefferson was appointed minister to France. He took with him his body servant, 19-year-old James Hemings (the brother of Sally Hemings), to master the French style of cooking. Hemings apprenticed with well-known French caterers and pastry chefs and assumed the role of chef de cuisine in Jefferson's kitchen on the Champs-Elysees, earning $48 a year. In 1793, Hemings petitioned Jefferson for his freedom. Jefferson consented upon one condition—he must train someone to take his place. After teaching his brother, Peter Hemings, the cooking techniques he had learned in France and at home, James Hemings became a free man. These stories begin a long connection of presidents and their African American cooks, including the story of Zephyr Wright, President Lyndon Johnson's cook who worked for the family for 27 years. Johnson spoke to Zephyr Wright about the Civil Rights Movement and the March on Washington. She attended the signing of the Civil Rights Act of 1964 and Johnson gave her a pen he used to sign the document. Featuring interviews with: Jessica Harris, Culinary Historian and author of The Welcome Table: African American Heritage Cooking; Historian Willliam Seale, author of The President's House; Chef Joe Randall, founder of African American Chef's Hall of Fame; William Woys Weaver, food historian and author; Sharron Conrad, African American food historian. Special thanks to the Lyndon Baines Johnson Library and Museum and Michael L. Gillette for use of Zephyr Wright's oral history. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of podcasts created and owned by independent producers.

Jelly Roll Morton talks of being a “Spy Boy” in the Mardi Gras Indian parades of his youth. Bo Dollis, of the Wild Magnolias, tells of sewing his suit of feathers and beads all night long. Tootie Montana masks for the first time as Mardi Gras starts up again after World War II. Big Queen Ausettua makes connections between the black Mardi Gras Indian traditions of New Orleans and Africa. Sister Alison McCrary, a Catholic nun and social justice attorney, tells of Big Chief Tootie Montana's death at the podium in city council chambers defending the rights of the Mardi Gras Indians to parade without harassment. A collection of stories and interviews in honor of the Mardi Gras Indian tradition in New Orleans. With special thanks and a shout out to all of the “Keepers” who have documented, preserved and shared these stories, including the Folklife Center Collection at the Library of Congress, Nick Spitzer and American Routes, filmmaker Lisa Katzman, and WWOZ in New Orleans. The Kitchen Sisters Present is part of PRX's Radiotopia network and is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson), with Nathan Dalton and Brandi Howell.

Sarah “Sally” Pillsbury and Jean B. Fletcher were both architects who married architects. The two women and their husbands were founding members of The Architects Collaborative (TAC), a visionary, idealistic architecture firm founded just after WWII. The two women, who had 13 children between them, lived with their families and several other founding partners in Six Moon Hill, a residential community in Lexington, Massachusetts, designed by the group. TAC was a world class firm of eight architects, including famed architect Walter Gropius, working collectively as a team, stressing anonymity of design. The group won design awards and competitions, and was hired by the National Institute of Architects to design their new headquarters.They also designed the Harvard Graduate Center, many civic and educational buildings, and the University of Baghdad. Soon after the founding of the firm in 1947, Sarah and Jean wrote an article for House & Garden titled “Architecture, Family Style” which – as their biographer Michael Kubo writes – constituted something of a manifesto for the changing needs of the postwar housewife. Produced by Brandi Howell for Beverly Willis Architecture Foundation's podcast New Angle: Voice with host Cynthia Krakauer. Editorial advising from Alexandra Lange.  Production assistants Virginia Eskridge and Aislinn McNamara. Special thanks to Sara Harkness and Joseph Fletcher, Michael Kubo and Amanda Kolson Hurley.  Current Six Moon Hill residents Linda Pagani and Barbara Katzenberg kindly opened their homes and shared their stories.  Long time TAC  partners Perry Neubauer and Gail Flynn were generous with their time as were Andrea Leers and Jane Weinzapfel.  The archival oral history of Sally Harkness comes from her interview with Wendy Cox. Funding for New Angle: Voice comes from National Endowment for the Humanities, the National Endowment for the Arts, and the Graham Foundation. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Supported by the National Endowment for the Arts and contributors to the non profit Kitchen Sisters Productions. The Kitchen Sisters Present is part of Radiotopia from PRX, a curated network of podcasts created by independent producers.

For five years Davia's father, Lenny Nelson, asked her to go to Rattlesden, England, to visit the Air Force base where he was stationed during WWII and to find an old photograph hanging in the town pub honoring his 8th Air Force squadron. It was still there, over 50 years later, he told her. Finally, one fine Sunday, Davia headed out in search of the pub and a piece of her father's past—the piece he was proudest of. Lenny died on Christmas Eve 2015. In his honor, we share the journey with you. Samuel Shelton Robinson helped produce this story with The Kitchen Sisters. He's from London. It seemed only right.

Deep in the hidden archives of Harvard's Houghton Library are the butter stained recipes of Emily Dickinson. Who knew? Emily Dickinson was better known by most as a baker than a poet in her lifetime. In this story a beautiful line up of “Keepers”— dedicated archivists, librarians, historians, poets and more—lead us through the complex labyrinth of Emily Dickinson's hidden kitchen. Black cake, gingerbread, slant rhyme, secret loves, family scandals, poems composed on the back of a coconut cake recipe —we journey into the world of poet Emily Dickinson. Filled with mystery, intrigue and readings by Patti Smith, Thornton Wilder, Jean Harris and an array of passionate poets and experts.

Lou Reed, musician, rock icon, poet, leader of the legendary Velvet Underground, was obsessed with tai chi — the practice, the community, the health and spiritual benefits. Lou had been writing a book about this ancient martial art that was unfinished when he died in 2013. Lou's wife, the artist and musician Laurie Anderson, looked at Lou's unfinished work and decided the book needed to be completed, that there was something important to be shared in Lou's long, life-altering journey with tai chi. She turned to three of Lou's friends to help her with the project. By the time the book, The Art of the Straight Line: My Tai Chi by Lou Reed, hit the stands in the spring of 2023, they had spoken with nearly 100 people and created a riveting portrait of Lou's spiritual, medical and musical life, beckoning readers to enter the world of tai chi. The Kitchen Sisters read the book and we kept thinking, these conversations must have been taped. We asked Laurie if there were recordings. There were. Dozens and dozens of them from rock stars, to tai chi masters, to doctors, to family…. We listened to the raw interviews, this remarkable trove of sound and story, and created a podcast that goes deep inside the making of this book. Voices heard in the story include Laurie Anderson, Iggy Pop, Julian Schnabel, Hal Willner, Anohni, Master Ren and many more, plus archival recordings of Lou Reed. The Kitchen Sisters Present: Lou Reed's Tai Chi. “Well, everybody does something, some people race cars, others collect stamps. I find tai chi to be philosophically, aesthetically, physically and spiritually fascinating.” — Lou Reed

Late autumn is Kimjang season in the Republic of Korea when families and communities come together to make and share large quantities of kimchi to ensure that every household has enough to sustain it through the long, harsh winter. This story is part of series Hidden Kitchens: Kimchi Diplomacy — War & Peace and Food “Kimchi is everywhere in Korea. It's like air,” says Hyunjoo Albrecht, a San Francisco-based chef who grew up near the DMZ border between South and North Korea. 1.5 million tons of kimchi are eaten each year in Korea and there are hundreds of different varieties. South Korea is one of the nations most involved in branding itself through its food, using food as a part of its “soft power.” It's called “gastrodiplomacy” — the use of food as a diplomatic tool to help resolve conflicts and foster connections between nations. “The government gave financial support to some of the Korean restaurants in US,” says Hyunjoo. “They want more people outside Korea to eat more Korean food.” Si-Hyeon Ryu is a chef and writer from South Korea who, with support from the government, has traveled in The Kimchi Bus to more than 34 countries cooking traditional Korean food and spreading his love of kimchi. “People on the street, they know just about North and South Korea,” he says, "but not much about Korean cuisine. “If I explain about kimchi they will understand about Korea.” Astronaut Soyeon Yi, Korea's first astronaut, describes the Korean government's efforts to invent kimchi for space travel — not an easy task. Soyeon Yi prepared a special Korean meal for her Russian comrades in space. “Having kimchi in space, you are far from your home planet,” she says. “When you eat your own traditional food it makes you feel emotionally supported. I can feel my home.”

Anna Wagner Keichline (1889–1943) was the first registered woman architect in Pennsylvania and was among the first registered women architects in the United States. During her long career, she designed dozens of commercial and residential buildings, as well as numerous industrial products. She was awarded seven patents for her innovative residential and building designs, including one for The Building Block (1927), popularly known as the K-brick, which was a forerunner of today's concrete block. Not every architect has the opportunity to build skyscrapers. In Bellefonte, Anna used her talents to improve the lives of her neighbors, by designing their houses and gathering places. She adopted a gently accommodating architectural style in the shadow of high Victorian lacery, and designed sturdy churches, theaters, homes, schools, and recreation facilities in her hometown that still stand well and firmly in their context. Produced by Brandi Howell for New Angle Voice podcast of the Beverly Willis Architecture Foundation. Host, Cynthia Kracauer. Editorial advising from Alexandra Lange. Thanks to production assistant Virginia Eskridge and special thanks to Nancy Perkins, Sarah Lichtman, and Jennifer Kaufmann-Buhler. Funding for this podcast comes from the National Endowment for the Humanities, the National Endowment for the Arts, the Graham Foundation. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. From PRX's Radiotopia network.

In this episode, we borrow a cup of sound from the podcast, What You're Eating, a production of FoodPrint.org, hosted by Jerusha Klemperer. In the episode, “Coffee: From Seed to Cup,” Jerusha interviewed coffee entrepreneur Bartholomew Jones, who co-founded CxffeeBlack, a "multimedia coffee educational company," with his wife Renata Henderson in Memphis, Tennessee in 2018. Bartholomew is an educator, an MC, a “coffee nerd,” and an amazing storyteller. Today, The Kitchen Sisters Present… Make Coffee Black Again, a co-production with What You're Eating. You can hear the entire episode, “Coffee: From Seed to Cup” at foodprint.org/what-youre-eating or by searching for What You're Eating on your podcast app of choice. The Kitchen Sisters Present is produced by The Kitchen Sisters, Nikki Silva and Davia Nelson, with Brandi Howell and Nathan Dalton. We're part of Radiotopia from PRX, a curated network of some of the best podcasts out there. Thanks for listening.

Since the start of the pandemic, more than 90 colleges have merged or closed permanently. One of these schools, Lincoln College, closed its doors with only about one month's notice in May of 2022 — after 157 years. Due to the pandemic and a ransomware attack, administrators say the school was unable to retain, recruit, or fundraise. Since then, students have been left scrambling and many have dropped out. Alan Jinich and Max Strickberger, recent graduates of the University of Pennsylvania and producers of the Generation Pandemic Project about the impact of Covid on young people around the country, set out to follow this story last year. Lincoln College was a small private college in central Illinois — the only school named after Abraham Lincoln in his lifetime. But instead of attracting local students, the school drew many from three hours north: Chicago's south and west sides. More than 40% were first generation college students and, even though the town is 95% white, the university was a Predominantly Black Institution. Students, alumni, and faculty described the community as deeply closeknit and, for many, a “second chance.” For some, it was also a refuge from gun violence. After the sudden closure announcement, dozens of students confronted President David Gerlach expressing grief, frustration, and concern over what might happen to those who didn't have a safe home to return to. It was the start of a fundraising predicament that drove a wedge between students' grassroots efforts and administrators. How much money is enough to stay open? What's at stake for Lincoln's brittle economy? We follow voices from across the community — professors, administrators, locals, students dispersed across the Midwest, and a member of Lincoln's last graduating class. More than a year after closing, many continue to reel. The campus is still up for sale, but a new vision for Lincoln may soon be on the horizon. Produced by Alan Jinich and Max Strickberger with soundtracks by Reed Rosenbluth and support from the Sachs Program for Arts Innovation. A special thank you to Pati and Danny Jinich for their endless support (and SUV), Deborah and Adam Strickberger for their lifelong role modeling, and for all those who helped along the way: Ron Keller, Tim Rivera, Ms. Linda, Aundrae Williams, Jaylah Bolden, Spencer Davis, David Gerlach, Scott Raper, Seth Goodman, Aaron Butler, David Upchurch, Julia Figueroa, Klaudia Blaszcyk, Dougie Barron, and the Rose family. Thanks also to Nikki Silva and The Kitchen Sisters (and The Kitchen Sisters thank these young producers!) You can follow more of Alan and Max's work at www.generationpandemicproject.com or on instagram @generationpandemic_ The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We're part of Radiotopia from PRX, a curated network of some of the best podcasts out there. Visit kitchensisters.org for more stories and info about upcoming events — like our annual Bowling with Grace Party and fundraiser at Mission Bowling Club, San Francisco, October 28, 2023, with celebrity guest bowlers Boz Scaggs, Alice Waters, Samin Nostrat, Roman Mars, Roman Coppola, Wendy MacNaughton, Song Exploder's Hrishikesh Hirway, KQED's Alexis Madrigal, Ear Hustle's Nigel Poor & Earlonne Woods, Rebecca Solnit… and so many more.

Filmmaker Wim Wenders premiered two new films at Cannes this year — Anselm, a 3-D, cutting edge documentary about the contemporary German painter and sculptor Anselm Kiefer, and Perfect Days, a quiet, meditative film about a toilet cleaner in Kyoto who who drives from job to job, listening to music on cassettes — Patti Smith, the Kinks, Lou Reed… Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. In honor of Wim and his extraordinary work, this story, from our Keepers series chronicles the filmmaker's life and inspirations. In our interview with Wim he told us about the impact Henri Langlois and the Cinémathèque Française had on his own filmmaking, about Lotte Eisner, Werner Herzog, and much more. Produced by Vika Aronson and The Kitchen Sisters. Mixed by Jim McKee. Special thanks to Tom Luddy, Robb Moss, Homi Bhabha, Haden Guest, Sophia Hoffinger, Brandi Howell and Nathan Dalton. And most of all, to Wim Wenders who has inspired us across the years.

When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans's elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes. Produced by Sidedoor: A Podcast from the Smithsonian. Special thanks to producer Lizzie Peabody and the Smithsonian for sharing this story with The Kitchen Sisters Present. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We are part of Radiotopia from PRX, a curated network of podcasts created by independent producers—some of the best storytelling out there.

We delve into the story of the founding of the Hiphop Archive and Research Institute at Harvard by Dr. Marcyliena Morgan, Professor of African and African American Studies and Professor Henry Louis Gates to “facilitate and encourage the pursuit of knowledge, art, culture, scholarship and responsible leadership through Hiphop.” You'll hear from Professor Morgan, Professor Gates, Nas, Nas Fellow Patrick Douthit aka 9th Wonder, The Hiphop Fellows working at the Archive, an array of Harvard archivists, and students studying at the Archive as well as the records, music and voices being preserved there. And we take a look at the Cornell University Hip Hop Collection, founded in 2007, through a sampling of stories from Assistant Curator Jeff Ortiz, Johan Kugelberg author of “Born in the Bronx,” and hip hop pioneers Grandmaster Caz, Pebblee Poo, Roxanne Shante and more. This episode is part of The Kitchen Sisters' series THE KEEPERS—stories of activist archivists, rogue librarians, curators, collectors and historians—keepers of the culture and the cultures and collections they keep.

It was top secret. But everyone in Santa Fe knew there was something going on up on the hill in the remote, desert mountains of Los Alamos in 1943. J. Robert Oppenheimer and dozens of the top scientists and thinkers in the world were sequestered away up there - fenced in, with military guard towers all around. But there was one little sanctuary down along the river where they could escape and find solace, nature, normalcy —Edith Warner's Tea House. Edith Warner's small, rustic home and her legendary flourless chocolate cake brought solace to members of the Manhattan Project as they secretly worked to build the atomic bomb - reshaping the future of modern warfare. When they weren't at the lab, there was a good chance that Robert Oppenheimer and his colleagues were at Edith's tea room, savoring the fresh vegetables she grew in her garden and the chance to disconnect from the unimaginable weight of their task. Through Edith's eyes and the civilian bystanders who witnessed this extraordinary effort we see these souls in their last mundane moments before man and god bled together forever. Produced by Brandi Howell, Mary Franklin Harvin, and Zoe Kurland Special thanks to Jon Else, Meridel Rubenstein, Patty Templeton, Nick Lewis, Steven Horak from the Los Alamos National Lab, to Sharon Snyder and the staff of the Los Alamos Historical Society,  Ellen Bradbury Reed, and Paul Rainbird. The Kitchen Sisters Present, part of PRX's Radiotopia, is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton.

In 1980, The Kitchen Sisters interviewed filmmaker Jon Else about his Academy Award nominated documentary, The Day After Trinity, a deeply moving film about J. Robert Oppenheimer and the dramatic story of the creation of the atomic bomb. The film, now showing on the Criterion channel, traces Oppenheimer's evolution from the architect of the bomb to an outspoken opponent of nuclear proliferation. The documentary features honest and insightful Interviews with Robert's brother Frank Oppenheimer, several scientists who worked in secret in the isolated high mountains of New Mexico building the bomb, and farmers and ranchers who were displaced by the military and the 6,000 people who descended on the region during the 1940s. Today, the horrifying threat of the escalation of atomic weapons continues. Recently Belarusian President Lukashenko offered nuclear weapons to any country willing to side with Russia in its war against Ukraine. And interest in the history of the bomb and how we got to this place is on the rise. This summer Christopher Nolan's new biopic about Robert Oppenheimer is hitting IMAX theaters around the country and the Criterion channel is featuring The Day after Trinity. Today, from the Archives, The Kitchen Sisters Present one of our first interviews—a conversation with filmmaker John Else about the making of his extraordinary documentary, The Day After Trinity: J. Robert Oppenheimer and the Atomic Bomb.

Behind the scenes at the International Congress of Youth Voices when 131 youth activists,13 to 26 years old, from 37 countries — students, writers, poets, marchers, community leaders all gathered together in San Juan, Puerto Rico in 2019, to share and amplify their ideas and energy — to brainstorm possibilities for how to achieve a better world. The International Congress of Youth Voices, founded by author Dave Eggers (co-founder of 826 National) and nonprofit leader Amanda Uhle, gathers the world's most inspiring teen writers and activists. They come from all over the world, including Iraq, Syria, Afghanistan, the United States, Colombia, Guatemala, Cuba, Australia, Denmark, Nepal, Russia, England, Thailand, South Africa, Ireland, Canada, Uganda, Pakistan, Burundi, France, India, and Puerto Rico. Student delegates are chosen based on their commitment to leadership and social justice and their passion and eloquence as writers. The event is designed to provide a path to leadership for all delegates and represents a continuum from students who have exhibited potential in local writing and tutoring programs to writers and activists who have already made notable achievements at a very young age. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell, Rachel Templeton & Teddy Alexander. Mixed by Jim McKee. Story Intern: Jonathan Hsieh. Special thanks to Dave Eggers & Amanda Uhle and to all the delegates from around the country and around the world who came to Puerto Rico and shared their stories with us. The Kitchen Sisters Present is part of the Radiotopia podcast network from PRX. Funding for work of The Kitchen Sisters comes from The National Endowment for the Humanities, The National Endowment for the Arts, The Robert Sillins Family Foundation, The TRA Fund supporting our Intern Program, and Listener Contributions to The Kitchen Sisters Productions.

Born in 1895 in Lynchburg, VA, Amaza Lee Meredith was an African American architect, artist and educator who taught at Virginia State College where she founded the art department. Despite the fact she was never a registered architect, she was one of the few Black architects practicing at the time, and one of the country's very few Black women architects. In 1939, Amaza designed Azurest South, a tidy white International Style house on the edge of the Virginia State University Campus, where she and her life-long partner Edna Meade Colson lived. Both women maintained significant teaching positions at the University, living openly queer lives. In 1947 Amaza and her sister Maude began developing Azura North, a 120 lot subdivision and vacation destination for middle class African Americans in Sag Harbor, New York, near the summer haunts of Melville, Steinbeck, Betty Friedan, Spaulding Gray. During the 1950s & 60s the community grew as a Black vacation spot attracting celebrities like Lena Horne and Harry Belafonte. Together, the homes and communities that Amaza Lee Meredith helped establish provided a sense of joy, pleasure, and a safe haven for members of the Black community, at a time when this wasn't always possible. This episode explores the intersections of sexuality, modernity, art, architecture, and the faith community that nurtured this pair of lovers.  Amaza and Edna found their home in each other and shared it openly with their church, their colleagues and their students. Special thanks to host Cynthia Kracauer, writers Jacqueline Taylor and Jessica Lynne, and to Brooke Williams who graciously provided Sag Harbor resident insights, as did advocates and preservationists Georgette Grier-Key, Michael Butler, and Renee Simons.  And to Reverend Grady Powell and Reverend Dr.  George WC Lyons from Gillfield Baptist Church in Petersburg, Virginia. Franklin Johnson-Norwood is the Director of Alumni Relations at Virginia State University, and our excellent tour guide for Azurest South, and to Christina Morris of the National Trust for Historic Preservation. This episode was produced by Brandi Howell for the podcast New Angle Voice, a presentation of the Beverly Willis Architecture Foundation. Editorial advising from Alexandra Lange and assistance from Virginia Eskridge. Funding provided by the National Endowment for the Humanities, the National Endowment for the Arts and the Graham Foundation. Take a look at the illustrated Amaza Lee Meredith profile on the Pioneering Women of Architecture website. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Funding for these programs comes from The National Endowment for the Arts, the Kaleta Doolin Foundation, and contributors to the non profit Kitchen Sisters Productions. The Kitchen Sisters Present is part of the Radiotopia Network from PRX.

In 1983 Prince hired LA sound technician Susan Rogers, one of the few women in the industry, to move to Minneapolis and help upgrade his home recording studio as he began work on the album and the movie Purple Rain. Susan, a trained technician with no sound engineering experience became the engineer of Purple Rain, Parade, Sign o' the Times, and all that Prince recorded for the next four years. For those four years, and almost every year after, Prince recorded at least a song a day and they worked together for 24 hours, 36 hours, 96 hours at a stretch, layering and perfecting his music and his hot funky sound. In celebration of Prince's birthday The Kitchen Sisters reprise “Prince & The Technician.” An award winning professor of cognitive neuroscience and a legendary record producer, Susan Rogers has recently written a book, “This is What It Sounds Like," one of Behavioral Scientist's Notable Books of 2022. It's a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Part of Radiotopia from PRX, a curated network of independent producers — some of the best podcasts out there. Find out more at kitchensisters.org.