Podcast appearances and mentions of Alanis Obomsawin

Pastaruosius penketą metų Kauno senamiestyje iššūkį veja iššūkis. Pandemija, Kauno rotušės rekonstrukcija, Vilniaus gatvės rekonstrukcija, įvažiavimo apmokestinimas ir metų pabaigoje prasidėjusi Rotušės aikštės rekonstrukcija. Kaip tai paveikė kultūros įstaigas?Vilniaus trumpųjų filmų festivalyje pristatoma Kanados Pirmųjų Tautų kūrėjos Alanis Obomsawin retrospektyva ir Kvebeko regiono programa. Kuo išskirtinis šio regiono kinas ir ko galime pasimokyti iš jame vaizduojamų vietinių genčių pasipriešinimo sistemai istorijų?Nors M. K. Čiurlionio miestu laikomi Druskininkai, tačiau jo tikroji gimimo vieta mažai kam žinoma. Kur ji yra ir kaip žadama ją pažymėti?Neskubama iš gaisro niokojamo Los Andželo išgabenti meno kūrinius: neapsimoka?Kodėl Kinija bijo Mikės Pūkuotuko, o Rusija – ne? Tarptautinę Pūkuotuko dieną komentarą parašė filosofas Aldis Gedutis.Jei Jablonskis laikomas bendrinės lietuvių kalbos tėvu, tai Zinkevičius – esminis mūsų kalbos istorikas, akcentuoja profesorius Vytautas Kardelis. Šiemet kalbininkui Zigmui Zinkevičiui – 100.Kitą savaitę kino teatrus pasieks režisieriaus Igno Miškinio filmas „Pietinia kronikas“ pagal to paties pavadinimo Rimanto Kmitos romaną. Pats filmo autorius pripažįsta, kad itin laukia filmo premjeros Šiauliuose. O geriausiu įvertinimu laiko Rimanto Kmitos ir scenarijaus autorės Eglės Vertelytės ištartą frazę, kad filmas grįžo prie knygos.Ved. ir red. Indrė KaminckaitėKauno m. sav. nuotr.

Summary   "You don't name things that eat you." Zombie month ends on a gloriously bloody high note as we discuss Jeff Barnaby's Blood Quantum with film scholar Joseph Clark. Also discussed: dental hygiene, Women Talking, and the films of Alanis Obomsawin.     Show notes:   "Notes from an Apocalypse" (Walrus)   "Decolonizing the zombie apocalypse: An interview with Jeff Barnaby about his new film ‘Blood Quantum'" (Canadian Dimension)   "'I'm indigenizing zombies': behind gory First Nation horror Blood Quantum" (The Guardian)   Incident at Restigouche (NFB/Alanis Obomsawin film)   Joe Clark on Instagram     Recommendations:   Lisa: Mrs. Harris Goes To Paris (film)   Andrea G.:  Adrienne and the Castle (documentary)   Andrea W.:  Hair For Men by Michelle Winters (book) Joe: The Body Remembers When The World Broke Open (CBC Gem/film); Horror in Seconds Film Festival (Dec. 13-14, 2024)    Music credits  "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   "Good Times" by Podington Bear From:  Free Music Archive Licensed under Creative Commons: By Attribution 3.0 License     Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.  

Cette semaine, les lycéens passaient le bac ! Pour l'occasion, on s'intéresse à ce que le cinéma nous montre de l'école. Au programme : Alice critique l'héroïsation des profs dans la fiction (et aussi dans la réalité), Romain démonte les archétypes d'enseignants qu'on retrouve souvent au cinéma, Raph cherche à savoir pourquoi les films veulent toujours envoyer la police sur les élèves, Cédric se demande si l'école peut "changer le game" à partir de la saison 4 de "The Wire", Robin nous fait découvrir "Hi-Ho Mistahey!", un documentaire sur la lutte pour l'éducation des enfants autochtones au Canada.Et aussi : des craies explosives, le "Top Chef de la b*te", des choristes sous amphétamines, un prof qui parle comme Macron…Le film "Hi-Ho Mistahey!" (Alanis Obomsawin, 2013) est disponible gratuitement sur le site de l'ONF : https://www.onf.ca/film/hi-ho_mistahey_fr/--Cette émission vous a plu ? Parlez-en autour de vous !Pour accéder à du contenu additionnel (analyses de films, coups de gueule, conseils…), suivez "Une invention sans avenir" sur Twitter (X), Instagram, Mastodon, BlueSky…--Nos chroniqueurs et chroniqueuses ont du talent ! Allez donc jeter un œil à leurs autres activités :Alice :son compte Twitter : https://twitter.com/philopoulpeCédric :son compte Twitter : https://twitter.com/Cedric_Eyssetteses ressources pour enseigner la philosophie : https://eyssette.github.io/Robin :son compte Twitter : https://twitter.com/videopithequeson émission "C'est un tube" (sur la chanson francophone) : https://cism893.ca/emissions/cest-un-tubeRaphaël :son compte Twitter : https://twitter.com/raphael_jaudonson groupe Goatfather (Stoner/Metal) : https://goatfather.bandcamp.com/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

5:03 : "Dès le commencement, j'ai toujours enregistré beaucoup de voix. L'expérience et le son de la voix, c'est sacré pour moi."15:10 : "L'éducation, c'est là qu'est le pouvoir. Quand j'ai compris comment se perpétuait la persécution, il fallait que les enfants entendent une autre histoire."22:04 : "Je pense toujours au niveau éducationnel. C'est là qu'un enfant va apprendre à haïr ou à aimer. C'est une responsabilité énorme."31:55 : "Tout mérite qu'on en fasse un film. Je voudrais couvrir le monde entier !" Le balado 100% cinéma de la revue de cinéma 24 images

Indigenous filmmaker Alanis Obomsawin has witnessed nearly a century of change. At 91 years old she continues to produce documentaries featuring Indigenous stories and voices. The Abenaki artist delivered the 2023 Beatty Lecture at McGill University.

Acclaimed Abenaki filmmaker Alanis Obomsawin has dedicated her life to telling the stories of Indigenous peoples. She's made more than 50 films with the National Film Board of Canada, including the landmark documentaries Christmas at Moose Factory, Incident at Restigouche and Kanehsatake: 270 Years of Resistance, and has been called "the most important filmmaker in the history of Canada." In 2008, Eleanor Wachtel spoke to Obomsawin at her home in Montreal.

She's revolutionized cinema and inspired the next generation of Indigenous filmmakers. At ninety-one, she Isn't ready to put down her camera.

We are very happy to be belatedly celebrating National Indigenous History Month by watching two films from incredible Indigenous women in Canada! Liam selected the maddening documentary Kanehsatake: 270 Years of Resistance, directed by Alanis Obomsawin, while Ben selected the debut feature film from Nyla Innuksuk, Slash/Back. Tune in to celebrate and lose your minds with us, as we do in the heat. Watch Kanehsatake: 270 Years of Resistance for free on NFB: https://www.nfb.ca/film/kanehsatake_270_years_of_resistance/ Follow us on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠⁠Spotify ⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠Apple Podcasts ⁠⁠⁠⁠⁠ Follow us on Letterboxd: ⁠⁠⁠⁠⁠Ben⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Liam

Jack White (The White Stripes, The Raconteurs) on the vinyl revolution, founding Third Man Records, and why his biggest hit was never meant to become one of the most ubiquitous songs in the world. Plus, visionary filmmaker Alanis Obomsawin (44:45) on the painful moment in her childhood that inspired her to become a storyteller.

For decades, Indigenous people have often been the subject of documentaries — but haven't had much say in how they are represented in those films. Abenaki documentary filmmaker Alanis Obomsawin, who is based in Quebec, has spent her life's work changing that. Recently, she was recognized for her work with the Edward MacDowell Medal.

For the first time, the New Hampshire-based MacDowell program is honoring an artist from the Wabanaki lands where the residency takes place.

I've had this relentless curiosity driving me towards unconventional living experiments, and I've had a concern for 'The Predicament'.And I've been stuck regarding both of those things for a long time.I'm not stuck anymore.The convergence of those two interests and becoming unstuck is what I want to talk about.>"Only when the last fish is caught..." https://en.wikiquote.org/wiki/Alanis_Obomsawin>"If you want to go far, go with friends." https://andrewwhitby.com/2020/12/25/if-you-want-to-go-fast/

Last week, ThousandSuns Cinema, an online screening initiative by the Media City Film Festival, launched a unique virtual series devoted to Indigenous cinema. Co-presented with the artist-run collective COUSIN, the program brings together a vibrant selection of short and feature-length works by Indigenous filmmakers—all of which are free to stream online until January 30. The series features landmark films by established directors like Alanis Obomsawin, as well as more recent, dynamic work from emerging artists like Fox Maxy. Though the films are eclectic, with a variety of forms and themes on display, they're united by one principle: they center Indigenous audiences and decenter the white gaze. On today's episode, Film Comment editors Devika Girish and Clinton Krute interview two members of COUSIN Collective, filmmakers Adam Piron and Sky Hopinka, about the series, the origins of their collective, and the community of artists that they've cultivated.

This is one of the first shows I call the "Just Because" shows featuring songs that have moved me, enlightened me and even changed me. I did jump into the way-back machine for some of these....Willie P Bennet; David Wiffen; Alanis Obomsawin; Willie Dunn; Larry Jensen; Mary Gautier; AnnMarie Rowland; Kate Wolf; Emily Scott Robinson; and Joan MacIsaac.

Today on NOW with Dave Brown, Mike Omelus from APTN drops by the studio to discuss their commemorative gathering for National Day of Truth and Reconciliation.Dawn Dickinson previews Voices of The Walrus with an article by Justin Ling about why some Canadians are languishing behind bars for crimes they did not commit. Michael McNeely highlights filmmaker Alanis Obomsawin and her documentaries about education rights for Indigenous children. Steven Scott from Double Tap shares a recap of this week's Amazon hardware event. And, in her Central regional report, Karen Magee shares an update on how it went for Ontario MPPs who went on a “social assistance diet” for two weeks. This is the September 29, 2022 episode.

Michael McNeely highlights filmmaker Alanis Obomsawin and her documentaries about education rights for Indigenous children. From the September 29, 2022 episode.

In dieser Ausgabe von "Die Profis" geht es um Strom und Gas und das Merit-Order-Prinzip. Sie erfahren etwas über das gescheiterte Hochseeabkommen. Wir sprechen über Tierwohl im Zusammenhang mit Tiervideos in sozialen Medien. Der Benecke hat sich den Blob genauer angeschaut. Und zum 90. Geburtstag von Alanis Obomsawin haben wir mit der Amerikanistin Dr. Kerstin Knopf gesprochen.

Acclaimed Abenaki filmmaker Alanis Obomsawin discusses her decades-long career in filmmaking, storytelling and activism. Film curator Meenakshi Shedde talks about building a retrospective of director Satyajit Ray's work for the Toronto International Film Festival. Country music icon Shania Twain reflects on her breakthrough album The Woman in Me.

So many people encounter injustice and accept it as the way things are. Others refuse to accept the status quo and will not rest until those injustices are done away with. Cindy Blackstock is one of the latter. This is the story of how her work resulted in the largest financial compensation settlement the Canadian government has ever made because of the systemic neglect of First Nations' children in the child welfare system over the course of decades. A report from Danielle Paradis. Featured in this episode: Cindy Blackstock, executive director of the First Nations Child and Family Caring Society of Canada; Alanis Obomsawin, documentarian. Further reading: Canada signs $20B compensation agreement on First Nations child welfare, Canadian Press Alanis Obomsawin documents Cindy Blackstock's fight for equality for Aboriginal children, CBC Radio Support Canadaland at canadaland.com/join Sponsors: Douglas, CFUV, Freshbooks, Hover Additional Music is by Audio NetworkSupport CANADALAND: https://canadaland.com/joinSee omnystudio.com/listener for privacy information.

Probst, Carstenwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

We love talking about Canadian films so much we teamed up with Thom Ernst to create a podcast where we invite Canadian filmmakers to talk about their artistic influences past and present.  Our second season begins with one of the most acclaimed Indigenous directors in the world, Alanis Obomsawin. Her incredible body of work includes 50 films (and counting) including landmark documentaries like Incident and Restigouche (1984) and Kanehsatake: 270 Years of Resistance (1993). The Abenaki director has received numerous international honours and her work was showcased in a 2008 retrospective at New York's Museum of Modern Art. For more information on Alanis Obomsawin's filmography, visit: https://www.nfb.ca/directors/alanis-obomsawin/ For more information on KCFF, please check us out at kingcanfilmfest.com or @kingcanfilmfest Hosted by Thom Ernst Produced by Moira Demorest Support for this podcast comes from the Kingston Canadian Film Festival which is situated on the traditional homeland of the Anishinaabe, Haudenosaunee and Huron-Wendat. This podcast is generously funded by the Canada Council for the Arts.  Thanks for listening! 

Our first guest of 2022 is singer, songwriter, artist, director, producer, one of Canada's most distinguished filmmakers and member of the Abenaki Nation ALANIS OBOMSAWIN! Her 53rd film in her 54 year career is HONOUR TO SENATOR MURRAY SINCLAIR ! It made its world premiere at the Toronto International Film Festival and shares the powerful speech Senator Sinclair gave when he accepted the WFM Canada World Peace Award and interspersed with the heartbreaking testimonies from former students imprisoned at residential schools. Alanis's other films include: JORDAN RIVER ANDERSON, THE MESSENGER (2019) is a 7-film cycle devoted to the rights of Indigenous children and Peoples, which began in 2011 when she conducted her first interviews for THE PEOPLE OF THE KATTAWAPISKAK, KANEHSATAKE: TWO HUNDRED SEVENTY YEARS OF RESISTANCE that documents the 1990 Mohawk uprising in Kanehsatake and Oka, as well as her groundbreaking INCIDENT AT RESTIGOUCHE, a behind-the-scenes look at Québec police raids on a Mi'kmaq reserve. Alanis awards include: TIFF's 2021 Jeff Skoll Award in Impact Media, DOC institute Honour's 2020 Rogers-DOC Luminary Award at the DOC Institute Honours, Glenn Gould Prize, and she was honoured at The Gala Québec Cinéma with the IRIS HOMAGE 2020. Twitter: @thenfb Instagram: @onf_nfb https://www.facebook.com/nfb.ca https://www.nfb.ca/directors/alanis-obomsawin/ The Children Have to Hear Another Story – Alanis Obomsawin Haus der Kulturen der Welt in Berlin January 23 to April 18, 2022 https://www.hkw.de/en/programm/projekte/2022/alanis_obomsawin/start.php Let's Heal This Shit - @letshealthisshit Lunar New Year Celebration: Astro Map of 2022 - February 1, 2022 $10 discount code for Firecrackers: Fireup https://www.eventbrite.com/e/lunar-new-year-celebration-astro-map-of-2022-tickets-229009803487 Let's Heal This Shit's website: https://www.letshealthisshit.com/ Virtual Red Carpet Team: Producer/Host - Naomi Snieckus @snieckus Head Producer/Director - Winnie Wong @wonder_wong Technical Producer - Anna Gustafson @goosegustafson Co-Producer - Juli Strader @rawsugarpr Podcast Team Head Producer and Editor: Winnie Wong @wonder_wong Editor: Shayne Stolz @shaynestolz Graphic: Vicki Brier @brier2019 To listen to the podcast: https://linktr.ee/firecrackerdept Subscribe to our newsletter at https://www.firecrackerdepartment.com and follow us @firecrackerdept!

Acclaimed Abenaki filmmaker Alanis Obomsawin reflects on her decades-long career in filmmaking, storytelling and activism. Musician, composer and activist Jon Batiste discusses his powerful new album, We Are.

For 78 days in 1990, a group of Mohawk protestors withstood a siege from the Canadian armed forces. The root of the conflict? A town in Quebec sought to take over their land to expand a golf course. The Oka Crisis is the subject of Alanis Obomsawin's acclaimed documentary KANEHSATAKE: 270 YEARS OF RESISTANCE (1993), which offers us an opportunity to consider how Canada treats its First Nations. Watch the film: https://www.youtube.com/watch?v=7yP3srFvhKsMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. To hear weekly bonus episodes, subscribe to the Patreon: https://www.patreon.com/michaelandus/ See acast.com/privacy for privacy and opt-out information.

For 78 days in 1990, a group of Mohawk protestors withstood a siege from the Canadian armed forces. The root of the conflict? A town in Quebec sought to take over their land to expand a golf course. The Oka Crisis is the subject of Alanis Obomsawin's acclaimed documentary KANEHSATAKE: 270 YEARS OF RESISTANCE (1993), which offers us an opportunity to consider how Canada treats its First Nations. Watch the film: https://www.youtube.com/watch?v=7yP3srFvhKs

Alanis Obomsawin joins On Docs to discuss "Honour to Senator Murray Sinclair," which explores the importance of talking about residential schools. There is a national, 24-hour, Indian Residential School Crisis Line to provide support to former students and others affected. Their phone number is 1-866-925-4419. See omnystudio.com/listener for privacy information.

Thursday, Oct. 14: Admiral Art McDonald says he should be reinstated as commander of the Canadian Armed Forces in an exclusive broadcast interview; violence erupts in Lebanon over an investigation into last year's port explosion; and, paying tribute to Alanis Obomsawin, an Indigenous artist who has advocated for social justice over her decades-long career.

Art of Alanis Obomsawin animated by Metis film maker Terril Calder for sound and light show on facade of Royal Ontario Museum; Raptors' season opener; introducing 'Sort Of'.

Welcome back to On Docs, TVO's podcast about the stories documentaries tell. Join Colin Ellis and Nam Kiwanuka as they explore fascinating films with the creators who bring them to life. New episodes start October 8th. Can't get enough of documentaries and the diverse stories they tell? Make a donation today at www.tvo.org/supportpods to support TVO's On Docs podcast. See omnystudio.com/listener for privacy information.

On September 30, Canada marks the first National Day for Truth and Reconciliation. As we reflect on the painful history and ongoing impacts of the residential school system, we are grateful to present Part 2 of our conversation with Glenn Gould Prize Laureate Alanis Obomsawin — visionary Abenaki artist and one of Turtle Island's most passionate advocates for Indigenous Peoples. In Part 1 we spoke with Alanis about her early life and formative experiences. In Part 2, Alanis and host Brian Levine talk in depth about her films, including "Trick or Treaty”, "When All The Leave Are Gone” and the heartwarming “Christmas at Moose Factory.” Through a lens of immense empathy and understanding, Alanis' 53 films document the pain and outrage caused by colonialism and intergenerational trauma, as well as the unparalleled love, resilience and dreams of a people on the road to justice. At 89 years old, Alanis currently has 8 more films in production. This episode also features a special guest conversation with Glenn Gould Protégé Prize Winner Victoria Anderson-Gardner, a young Ojibwe filmmaker chosen by Alanis to receive the award. Alanis Obomsawin's films are available for free through the National Film Board of Canada. We encourage you to watch, listen and reflect. Thank you, Alanis.

On September 30, Canada marks the first National Day for Truth and Reconciliation. As we reflect on the painful history and ongoing impacts of the residential school system, we are grateful to present Part 2 of our conversation with Glenn Gould Prize Laureate Alanis Obomsawin — visionary Abenaki artist and one of Turtle Island's most passionate advocates for Indigenous Peoples. In Part 1 we spoke with Alanis about her early life and formative experiences. In Part 2, Alanis and host Brian Levine talk in depth about her films, including "Trick or Treaty”, "When All The Leave Are Gone” and the heartwarming “Christmas at Moose Factory.” Through a lens of immense empathy and understanding, Alanis' 53 films document the pain and outrage caused by colonialism and intergenerational trauma, as well as the unparalleled love, resilience and dreams of a people on the road to justice. At 89 years old, Alanis currently has 8 more films in production. This episode also features a special guest conversation with Glenn Gould Protégé Prize Winner Victoria Anderson-Gardner, a young Ojibwe filmmaker chosen by Alanis to receive the award. Alanis Obomsawin's films are available for free through the National Film Board of Canada. We encourage you to watch, listen and reflect. Thank you, Alanis.

Acclaimed Abenaki filmmaker Alanis Obomsawin reflects on her decades-long career in filmmaking, storytelling and activism. Cayuga and Mohawk group The Halluci Nation (formerly known as A Tribe Called Red) discuss their new album, One More Saturday Night.

Alanis Obomsawin is the laureate of the 13th Glenn Gould Prize. She is also a transformative artist, often hailed as the “grandmother of Indigenous cinema.” Her 53 documentary films chronicle a vast range of Indigenous experience — incendiary outrage at generations of colonial injustice, the path toward reconciliation, and joyous celebrations of love and solidarity. Alanis is also an inspired visual artist, a teacher, storyteller and musician, whose singing illuminated the folk movement of the ‘60s and '70s. Above all, she is a noble spirit whose life and work have pointed the way towards pride, healing and justice, a calling she has embraced throughout her 89 years with compassion and grace. In Part I of this two-part conversation, Alanis recounts the formative experiences that shaped her, and gave her the courage and determination to pursue her calling as one of the great truth-tellers of our time.

Alanis Obomsawin is the laureate of the 13th Glenn Gould Prize. She is also a transformative artist, often hailed as the “grandmother of Indigenous cinema.” Her 53 documentary films chronicle a vast range of Indigenous experience — incendiary outrage at generations of colonial injustice, the path toward reconciliation, and joyous celebrations of love and solidarity. Alanis is also an inspired visual artist, a teacher, storyteller and musician, whose singing illuminated the folk movement of the ‘60s and '70s. Above all, she is a noble spirit whose life and work have pointed the way towards pride, healing and justice, a calling she has embraced throughout her 89 years with compassion and grace. In Part I of this two-part conversation, Alanis recounts the formative experiences that shaped her, and gave her the courage and determination to pursue her calling as one of the great truth-tellers of our time.

This episode is also available as a blog post: http://quiteaquote.in/2021/08/31/alanis-obomsawin-you-cant-eat-money/ --- Send in a voice message: https://anchor.fm/quiteaquote/message

He was a celebrated singer-songwriter, activist, award-winning documentarian, and a true trailblazer. As a musician, Willie Dunn was compared to Bob Dylan, Leonard Cohen, and Pete Seeger. He’s credited for creating Canada’s first music video. Yet, too few Canadians are familiar with his work. On this episode, we celebrate the release of  Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology with guests Lawrence Dunn, Kevin Howes, Bob Robb, Alanis Obomsawin, and Leanne Betasamosake Simpson.

The Abenaki artist, activist and documentary filmmaker was awarded the 2020 Glenn Gould Prize for her lifetime contribution to the arts. She spoke with Eleanor Wachtel at her home in Montreal in 2008.

William and Chris try not to think about the global pandemic by watching a zombie pandemic movie. They explore the roots of their feelings about Blood Quantum, a new movie by Mi'kmaq filmmaker Jeff Barnaby. The talk covers Canada's 1982 Constitution Act, Predator, Dawn of the Dead and District 9.Download this episode here. (40 MB) More information about Blood Quantum on IMDb. Detailed show notes after the break.00:01 A slowly reopening podcast 01:50 VIFF online03:45 Totally Under Control, a documentary by Alex Gibney05:20 Totally Under Control, It's about greed and not compassion06:00 Totally Under Control, History written in the moment06:55 Totally Under Control, 72 million voted for Donald Trump07:35 Totally Under Control, Princess cruise ship08:15 Blood Quantum, a film by Jeff Barnaby09:30 Blood Quantum, It's set in Red Crow, Quebec10:00 the cast of Blood Quantum14:30 the plot of Blood Quantum16:00 Blood Quantum, White people can be infected17:55 Blood Quantum, Quoting an ancient settler proverb18:45 Blood Quantum, Measuring Indigenous ancestry20:30 Blood Quantum theory undercooked in the narrative21:45 Blood Quantum, Why is it set in 1981? Chris doesn't know23:30 Blood Quantum, compared to 28 Days Later24:45 Blood Quantum, That scene is gruesome25:20 Blood Quantum and the Canada Constitution Act, 198227:15 Blood Quantum, Barnaby asked his cast to watch Alanis Obomsawin's film29:00 Blood Quantum, Zombie salmon and zombie dog30:00 Blood Quantum story synopsis on Wikipedia is wrong31:10 Blood Quantum has some thrills and real jeopardy32:30 Blood Quantum and Predator, I ain't got time to bleed34:20 Blood Quantum and that scene from Aliens35:35 Blood Quantum, I appreciate something that I haven't seen before36:20 Blood Quantum displays a lot of value for its $4.5 million37:20 Blood Quantum and Exotica were big budget Canadian films37:45 Blood Quantum, I've had it with white people38:05 Blood Quantum, I like it as much as I like other zombie movies39:15 a superficial way to remember Blood Quantum39:50 Blood Quantum versus the zombie films of George Romero41:20 Blood Quantum, Listuguj and Indigenous activism43:40 Blood Quantum compared to District 944:45 the fantasy of racism and Black Like Vic45:25 our rating of Blood QuantumThank you for listening.

Discussion croisée entre Alanis Obomsawin et Serge Bouchard; revue des tendances; entrevue avec Raôul Duguay et Yves Langlois à propos du film Raôul Duguay : par-delà La bittt à Tibi; chronique « À boire » spéciale cocktails d'Halloween d'Étienne Bay; chronique « À manger » d'Ann-Rika Martin, de l'O'Ravito Café-Relais, à Saint-Romuald; et conversation en famille avec Simon et Philippe Brault.

An election supervisor in Florida prepares for voting day, what quirky election merchandise reveals about campaigns, Google faces a historic antitrust lawsuit, Canadian actor Dan Chameroy's campy one-man soap opera Leer Estates, filmmaker Alanis Obomsawin looks back on four decades of documenting Mi'kmaq fishing rights, digging into the world of Hollywood collectibles in the podcast The Stuff Dreams Are Made Of and more.

Au début des années 1960, Alanis Obomsawin a amorcé une carrière de chanteuse qui l'a amenée à interpréter des chansons traditionnelles sur scène dans des écoles, des réserves, des festivals de musique et à la télévision. Elle est arrivée au cinéma en 1967 à titre de consultante à l'Office national du film (ONF), où elle a, depuis, réalisé plus de 50 documentaires. Aux côtés de Francis Reddy, Alanis Obomsawin revient sur sa riche carrière, ses multiples personnalités artistiques et ses nombreux combats pour les causes autochtones.

Today, David talks to Alanis Obomsawin, an award-winning Abenaki documentarian with the National Film Board of Canada, about her new film on Indigenous children's inequality, “Jordan River Anderson, The Messenger” and her message for DTES Indigenous women.

Along with the latest news, today, David talks to Alanis Obomsawin, an award-winning Abenaki documentarian with the National Film Board of Canada, about her new film on Indigenous children's inequality, “Jordan River Anderson, The Messenger” and her message for DTES Indigenous women.

"Never ask someone to go somewhere that you're not willing to go with them." Lydia Toorenburgh is a Cree-Metis Masters student in Anthropology at the University of Victoria, with a focus on Indigenous Audiovisual Research Methods. Tom and Jeremiah called her up to learn about her studies, the aesthetic and ethical significance of this type of storytelling, and vulnerability it brings out at every step. Then, we answer a question from one of our Patreon supporters, and go deep into why we think it's important to take time every episode for a land/territory acknowledgement, the reasoning behind the specific language around that, and the heavy history and reality at the root of it all. Here are a few film recommendations from Lydia! Kanehsatake: 270 Years of Resistance by Alanis Obomsawin: https://www.nfb.ca/film/kanehsatake_270_years_of_resistance/ Incident at Restigouche by Alanis Obomsawin: https://www.nfb.ca/film/incident_at_restigouche/ Is the Crown at war with us?by Alanis Obomsawin: https://www.nfb.ca/film/is_the_crown_at_war_with_us/ Richard Cardinal: Cry from a Diary of a Métis Child by Alanis Obomsawin:https://www.nfb.ca/film/richard_cardinal/ Women in Shadows by Christine Welsh: https://www.nfb.ca/film/finding_dawn/ Deep Inside Clint Starr by Clint Alberta: https://www.nfb.ca/film/deep_inside_clint_star/ Tell us your favorite UFD memories and we might share them to celebrate our 5th anniversary next week! You can send them in as a recorded voice message or as an email at upfordpodcast@gmail.com, or tweet at us @downwithtalking on Twitter! Learn about Raven Trust's #SolidarityFromHome: www.raventrust.com/solidarityfromhome Learn about The Depot NDG: https://depotmtl.org Check out Khaos at www.createkhaos.com or on Instagram @createkhaos and head to www.khaoslabs.com to check out the trailer for American Dreamers! SUPPORT THE SHOW! patreon.com/upfordiscussion MERCH! https://www.teepublic.com/stores/up-for-discusssion?ref_id=2539 BUY CRACK APART! https://thehoneythorns.bandcamp.com/track/crack-apart You can contact us by email at upfordpodcast@gmail.com or on social media @DownWithTalking www.upfordnetwork.com Want to send us fan mail? Upford Network ℅ Tom Zalatnai PO Box 22585 Monkland PO Montreal, Quebec H4A 3T4 Canada Music: http://www.bensound.com/royalty-free-music

Patti Doyle Bedwell is a Lawyer, writer, and the first Mi’Kmaq woman to earn tenure at Dalhousie University, as well as being Dalhousie Law School’s first teacher of Mi’kmaq ancestry. She is past director of the Schulich School of Law’s Indigenous Black and Mi’kmaq Initiative, and is now a faculty member in the College of Continuing Education. She served as the Chair of the Nova Scotia Advisory Council on the Status of Women for ten years. She has worked closely with Mi’kmaq communities, the Native Women’s Association of Canada, Women and the Law, and with the United Nations on Women and Aboriginal rights. Patti has taught Indigenous People and International Human rights, Indigenous Peoples and Natural Resources, Constitutional Law, Public Law, and Aboriginal Peoples and the Law. Students prepared for this interview by reading “Gendered Racial Violence and Spatialized Justice: The Murder of Pamela George,” by Sherene Razack and by watching the film Kanehsatake: 270 years of Resistance, directed by Alanis Obomsawin. Students in this class typically create our interview guides based on their readings, but the timeslot when they would normally have done so for this interview overlapped with the National Student Walkout for Wet’suwet’ten. Consequently, we cancelled class, and I was left to my own device.

Alanis Obomsawin and Face2Face host David Peck talk about reconciliation, leaving a legacy, Jordan’s Principles, passion, commitment, advocacy, fighting back and why every child matters.TrailerMore Info HereSynopsis:It took one little boy, Jordan River Anderson, to ensure that thousands of First Nations and Inuit children can today receive the same standard of social, health and education services as the rest of the Canadian population. In Jordan River Anderson, The Messenger, Alanis Obomsawin’s latest film (her 52nd), the renowned documentary filmmaker chronicles the long legal fight against a health care system that operated on two disconnected levels, causing injustices and suffering—a situation that has since been significantly improved. The Abenaki filmmaker traces the parallels between the lives of two First Nations children, Jordan River Anderson and Noah Buffalo-Jackson.A member of the Norway House Cree Nation of Manitoba, Jordan River Anderson had very serious health problems, for which he was being treated at a Winnipeg hospital. He could have ended his life in adapted housing close to his family, but because of his Indian status a dispute arose between the governments of Canada and Manitoba over who should pay the costs of his relocation to home-based care. Jordan died in hospital in 2005. Jordan’s Principle, which states that the first government agency to be contacted is the one responsible for this phase of a child’s care, was unanimously adopted by the House of Commons in 2007, and a ruling by the Canadian Human Rights Tribunal resolved the issue of jurisdiction.Many people and organizations worked hard for this outcome, but despite the judgment and the funding that was allocated for Jordan’s Principle, many First Nations and Inuit parents are still faced with a refusal of social, health and educational services. For example, when Carolyn Buffalo and Richard Jackson needed specialized transportation for their teenage son, Noah Buffalo-Jackson, who suffers from cerebral palsy, they had to pay for it themselves. Similarly, the First Nation of Wapakeka in Ontario appealed for assistance in combating a wave of suicides in their community, but received no help. “We hear a lot about universal health care in Canada,” says Aimée Craft, a law professor at the University of Ottawa who is interviewed in the film, “but why is it universal for everyone except First Nations children?”Numerous binding government orders and the goodwill of several Canadian government officials, both Indigenous and non-Indigenous, were required before First Nations and Inuit parents and children were finally able to enjoy appropriate support. “The law is a shield that protects this generation of children,” observes Cindy Blackstock, director general of the First Nations Child and Family Caring Society, and one of the protagonists of the documentary. “It restores their dignity, and allows them to grow up within their own families. Justice is possible.”Filmed in centres of political power, in First Nations communities, and at public demonstrations, Jordan River Anderson, The Messenger provides a forum in which the voices of parents, caregivers, and their legal representatives can all be heard. Alanis Obomsawin’s latest documentary completes, on a note of optimism, the cycle of films devoted to the rights of children and Indigenous peoples that she began with The People of the Kattawapiskak River.About the Director:Alanis Obomsawin, a member of the Abenaki Nation, is one of Canada’s most distinguished documentary filmmakers. As a prolific director with the National Film Board, she has created an extensive body or work focusing on the lives and concerns of Canada’s First Nations.She began her professional career in 1960 as a singer in New York City. In 1967, producers Joe Koenig and Bob Verrall invited her to join the NFB as an adviser on a film about Indigenous peoples. She has not put down her camera since.An activist as well as a filmmaker, Obomsawin is driven to provide a forum for the country’s First Peoples. Her entire filmography is a testament to that desire. Her documentaries have always sought to show the importance of roots and strong intergenerational bonds for the preservation of Indigenous cultures—from Christmas at Moose Factory (1971), in which she used children’s drawings to tell the story of a Cree village on the shore of James Bay, Ontario, to Jordan River Anderson, The Messenger (2019), her most recent film (her 52nd), which documents the long struggle to establish the right of Indigenous children to receive, in their own communities, the same high standard of health care as the rest of the Canadian population.Obomsawin is a director who knows how to film conflict, as demonstrated by her four films about the Oka Crisis of 1990: Kanehsatake: 270 Years of Resistance (1993), winner of 18 international awards; My Name Is Kahentiiosta (1995); Spudwrench: Kahnawake Man (1997); and Rocks at Whiskey Trench (2000).Alanis Obomsawin has received numerous awards and honours throughout her career. She was inducted into the Canadian Film and Television Hall of Fame in 2010, and in 2014 she received the Academy of Canadian Cinema and Television Humanitarian Award, an honour given in recognition of exceptional contributions to the community and the public sector. In 2015, the Valdivia International Film Festival (Chile) recognized her body of work with its Lifetime Achievement Award, and she received an Honorary Life Member Award from the Directors’ Guild of Canada in 2018.Obomsawin has received honorary doctorates from many universities, including Dalhousie University in 2016 and McGill University in 2017. In 2016, she also received two of the highest civilian honours conferred by the Province of Quebec when she was named a Grand Officer of the National Order of Quebec and awarded the Prix Albert-Tessier. In 2019, she became a Companion of the Order of Canada.Image Copyright: Alanis Obomsawin and NFB. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Summary:    "I only see myself." Film programmer, writer and musician Selina Crammond joins us to talk about French New Wave visionary Agnes Varda and her brilliant film Cléo from 5 to 7. Also discussed: Cindy Sherman, Alanis Obomsawin and Jagged Little Pill on Broadway.     Show notes:   Viva Varda! The Films of Agnès Varda at the Cinemathque in Vancouver starting Dec. 12   Selina Crammond on Twitter   Cléo from 5 to 7 / Cléo de 5 à 7 trailer   How Cleo from 5 to 7 portrays a city under the female gaze (Little White Lies)   Where to begin with Agnès Varda (BFI)     Love Actually x Pop This! Podcast live at the Rio! Come see us do a live taping where we debate whether Love Actually is the best or worst Christmas movie of all time with special guests Alicia Tobin and Rachel Fox! Sunday, December 15 Doors 6:00 pm Pop This! Live Podcast Taping 6:30 pm Love Actually 7:45 pm BUY TICKETS HERE Recommendations: Andrea W.: Jagged Little Pill on Broadway Lisa:  Cindy Sherman at the Vancouver Art Gallery Selina: Bush Lady by Alanis Obomsawin (music) Music credits: "Deviate" by Podington Bear "Ghost" by Podington Bear From Free Music Archive CC BY 3.0   Theme song "Pyro Flow" by Kevin Macleod From Incompetch CC BY 3.0 Intro bed:"OLPC" by Marco Raaphorst Courtesy of Free Music Archive CC BY-SA 3.0 NL Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Pop This! is two women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Press play and come hang out with your two new best friends. Pop This! podcast is produced by Andrea Gin and recorded at the Vancouver Public Library's wonderful Inspiration Lab.  

Indigenization Across the Nation is produced by Grace Heavy Runner with Hannah Many Guns and Spencer Burgess. Original theme music by Terrill Tail Feathers. This episode featured an interview with Ian Hanington of the David Suzuki Foundation and music from Alanis Obomsawin and Curt Young.

Jordan River Anderson was five when he died. The boy from Norway House Cree Nation was born with a condition that left him unable to talk, walk, or breathe on his own. And because the provincial and federal government couldn't agree on who should pay for his home care, he spent his whole short life in a hospital. Host Colin Ellis speaks to filmmaker Alanis Obomsawin about her documentary about Jordan's legacy.

This episode presents an in-depth conversation with acclaimed documentary filmmaker Alanis Obomsawin, one of the world’s most notable Indigenous filmmakers. She has made over fifty films over the span of her fifty-year career. Her documentary on the 1990 Oka Crisis is among her most widely known works. Now in her late eighties, Alanis has not slowed down. Her 53rd film, Jordan River Anderson, The Messenger, premiered at the 2019 Toronto International Film Festival. It also won the ‘Best Canadian Documentary’ award at the 2019 Vancouver International Film Festival.So, what does the iconic documentarian make of all the changes afoot in the doc world but of media and technology in general? Find out in this episode of Now & Next as we focus the spotlight on Alanis Obomsawin.To download a transcript of this episode, to consult the show’s credits and to dive deeper into the topic at hand, visit trends.cmf-fmc.ca.

1ière heure : La frustration des Albertains - Reportage de Marie-France Abastado ; Un pêcheur de homards à contre-courant - Reportage de Janic Tremblay ; Le poids déclinant des ressources naturelles dans l’économie canadienne - Entrevue de Michel Désautels avec Jean-Thomas Bernard, professeur invité au Département de science économique de l’Université d’Ottawa ; Haïti secouée par les émeutes - Entrevue de Michel Désautels avec Marie-Thérèse Desinor, citoyenne canadienne d’origine haïtienne. 2ième heure : Le Canada d’aujourd’hui - Entrevue de Michel Désautels avec la documentariste, chanteuse et conteuse Alanis Obomsawin ; Saint-Léonard-Saint-Michel, une lutte inattendue à l’issue incertaine - Reportage de Akli Aït Abdallah ; Le théâtre documentaire, un théâtre engagé - Entrevue de Michel Désautels avec la dramaturge Annabel Soutar.

Indigenization Across the Nation is produced by Grace Heavy Runner with Hannah Many Guns and Spencer Burgess. Original theme music by Terrill Tail Feathers. This episode featured an interview with NFB filmmaker Alex Lazarowich and music from Alanis Obomsawin’s 2018 album Bush Lady.

MOT - Alanis Obomsawin & Christopher Auchter (September 9th, 2019) by ELMNT FM

Entretien avec la cinéaste Alanis Obomsawin (ONF) à propos de l’importance du son dans ses films documentaires.Émission enregistrée dans le cadre du Festival Résonance 2018, le premier festival québécois célébrant création radio et organisé par Magnéto.Participez à la prochaine édition du Festival Résonance, les 6-7-8 septembre au Centre Phi !Programmation complète : www.festivalresonance.comBilletterie : http://bit.ly/billetterie-Centre-PhiLe Festival Résonance est co-présenté par Magnéto et Centre Phi.Radio-Canada, Grand Partenaire de l'évènement

Welcome to Antipod: A Radical Geography Podcast and Sound Collective! This is Episode 0... In our initial episode, the six members of the Antipod Sound Collective introduce themselves, describe their research, discuss the origins of the podcast and the collective, and share our intentions for Season 1 of the podcast. The Antipod Sound Collective was conceived at Antipode’s sixth Institute for the Geographies of Justice (IGJ), which was held in Montréal/Tiohtiá:ke on unceded Kanien’kehá:ka land. As we discuss in this episode, our time together at IGJ included a visit to Kanehsatà:ke. You can learn more about the history of Kanehsatà:ke by watching Alanis Obomsawin's landmark 1993 film, "Kanehsatà:ke: 270 Years of Resistance," available for free on YouTube courtesy of the National Film Board of Canada. https://www.youtube.com/watch?v=7yP3srFvhKs You can learn more about the IGJ and the Antipode Foundation at the Antipode Foundation's website. https://antipodefoundation.org/ https://antipodefoundation.org/institute-for-the-geographies-of-justice/ Our theme music is "It’s Not Jazz," by Tronx. Additional music on this episode is from Frenic. Music from both artists is available on archive.org's amazing Netlabels collection and is licensed under the Creative Commons 3.0. https://archive.org/details/netlabels https://archive.org/details/dystopiaq029/103TronxItsNotJazz.mp3 https://archive.org/details/DWK082/Frenic_-_03_-_Everything_Electric.mp3 https://creativecommons.org/licenses/by-nc-nd/3.0/ The vocal sample in Frenic's "Everything Electric" is Jimi Hendrix in conversation with Dick Cavett in 1969. https://youtu.be/da-969idG7Y The vocal sample in Tronx's "It's Not Jazz" is Lester Bowie of the Art Ensemble of Chicago. https://www.youtube.com/watch?v=FKAi-7MpT8g Make sure to follow us on Twitter! @ThisIsAntipod Want to find out more about Antipod: A Radical Geography Podcast and Sound Collective? Visit our website at: https://thisisantipod.org Many thanks to The Antipode Foundation for their generous support. Episode 0 is hosted by KT Bender, Akira Drake Rodriguez, Allison Guess, Alex Moulton, Darren Patrick a.k.a. “dp” and Brian Williams. The episode was mixed and edited by dp and Brian.

Moe célèbre avec nous la marche annuelle pour les femmes autochtones célébrée le 14 février. Un bouquet de voix avec entre autres Buffy Sainte-Marie, Elisapie et Alanis Obomsawin.

Trente ans après son enregistrement, l'unique album de la documentariste Alanis Obomsawin a été réédité par la maison de disque Constellation Records. Moe Clark nous le présente.

Esteemed documentary filmmaker and indigenous musician Alanis Obomsawin discusses the reissue of her 1988 album, Bush Lady, which is out now on Constellation Records, her work with the NFB, and more! Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

À Winnipeg, les jurés ont reconnu Raymond Cormier non coupable du meurtre au second degré de Tina Fontaine. Les témoignages se sont poursuivis à la commission Viens, de passage à Montréal. Alanis Obomsawin donne une classe de maître dans le cadre des Rendez-vous Québec Cinéma (RVQC). Également au menu : identité autochtone et musique crie.

Award winning filmmaker Alanis Obomsawin joins host Dennis Ward on this episode of InFocus to speak at depth of her beginnings, her career and why she isn’t stopping anytime soon.

Alanis Obomsawin is an Abenaki filmmaker who's been challenging Canada's image of itself for the last 50 years. And she got funding from the National Film Board to do it.  For more information, visit: canadalandshow.com/imp     See omnystudio.com/listener for privacy information.

Alanis Obamsawin and Face2Face host David Peck talk about her new film Our People Will Be Healed, the Sundance ceremony, remnants of colonialism, indigenous peoples, the power of story and why hope isn’t a big enough word. Biography Alanis Obomsawin was born in New Hampshire and raised in Quebec. A singer, songwriter, printmaker, and engraver, she has also written and directed many documentary features, including Kanehsatake: 270 Years of Resistance, Rocks at Whiskey Trench, Is the Crown at War with Us?, Hi-Ho Mistahey!, Trick or Treaty?, and We Can't Make the Same Mistake Twice.  Our People Will Be Healed is her latest film. Synopsis “Norway House Cree Nation sits more than 450 km north of Winnipeg. One of Manitoba's largest First Nations communities, it is also among the most innovative on Turtle Island. With a focus on self-determination and sustainability, Norway House is home to a remarkable education centre and a range of community-managed industries. But the legacy of colonial policies, the trauma of residential schools, and the pain of murdered and missing women and girls remain deeply felt. In her latest documentary, Our People Will Be Healed, Alanis Obomsawin invites her audience into Norway House to meet its people and to glimpse what action-driven decolonization actually looks like. Obomsawin's cinema is one of voice. Her camera leans into its subjects as if listening intently, and while her trademark narration provides context, she insists that the voices largely belong to the community. Using personal interviews and gorgeous landscape photography, Obomsawin captures this rich, vibrant place in all its complexity and beauty. For nearly five decades, Obomsawin has been giving voice to the Indigenous peoples of Turtle Island and reflecting back to Canadians portions of their nation's ongoing history that they have forgotten, ignored, or silenced. But as much as Obomsawin is a chronicler of the past and present, she also provides a beacon for the future. Successful stories of Indigenous self-determination have never been more important, as examples for First Nations, Metis, and Inuit communities, and for the broader culture as well. Norway House offers one potential pathway forward, a model of Indigenous sovereignty alongside Canada.” With thanks to Jesse Wente Trailer ---------- For more information about David Peck's podcasting, writing and public speaking please visit his site here or check out the site of his podcast on film, social change and much more. With thanks to producer Josh Snethlage and Mixed Media Sound. Image Copyright: National Film Board of Canada. Used with permission.     See acast.com/privacy for privacy and opt-out information.

Interviews with flim makers Alanis Obomsawin and Charles Officer, theatre director William B Davis, playwright Scott Button and actor Patrick Dodd.

William and Alexander return from summer vacation to talk about Kanehsatake: 270 Years of Resistance. Alanis Obomsawin's documentary captures the Oka Crisis of 1990 from behind the barricades. Also, Alexander's short on Kamloops and brief summer movies commentary. Download this episode here. (50 MB) Alanis Obomsawin's films are available for viewing on the NFB website. Find out more about the movie on IMDb: Kanehsatake.

Hear from one of our country’s most inspiring artists, who is still making documentaries about her Indigenous community at age 84 At age 84, Alanis Obomsawin is still crafting incisive documentaries about the Indigenous crisis in Canada with over 40 projects to her name in collaboration with the National Film Board. At the heart of her work is the act of listening to other people tell their stories as a way of survival. Her latest work, titled Our People Will Be Healed, is a portrait of the community in one of Manitoba’s largest First Nations populations and will premiere at TIFF ’17. The following audio is a conversation conducted by TIFF Digital Producer Malcolm Gilderdale when Obomsawin’s heartbreaking film We Can’t Make the Same Mistake Twice played the Festival last year. Hear the filmmaker detail how she first became drawn to telling the stories of her people, why she’s always fought for education, and how being an artist means believing in your own self-worth. You can attend a free screening of her breakthrough 1993 documentary Kanehsatake: 270 Years of Resistance this Sunday, August 27 at TIFF Bell Lightbox, as part of Canada On Screen. Want to hear more inspiring conversations with your favourite filmmakers? Subscribe to TIFF UN/CUT over at iTunes, and please rate and review us!

Alanis Obomsawin tells Carmel Kilkenny about her experiences during the Oka Crisis of 1990