Podcasts about border community

Back to physical & avsnitt på engelska! Hör från härliga Jasmin ”Jaz” Wimbledon, Head of Physical Distribution på FUGA - del av jätten Downtown Music & våra kontorskollegor! Jaz berättar bland annat om värdet i att nischa sig inom distribution efter att ha varit på bolag som PIAS, Border Community och AWAL samt studerat på BIMM London. Få grymma insikter kring arbetet med produkter som CD och vinyl, som även haft en växande populariteten de senaste åren! Vi går dels igenom hela flödet från beslut och tillverkning till distribution och försäljning, från att först utvärdera lönsamhet till att förstå hur pengar flödar tillbaka till artister, men även utmaningar som att få ut musiken snabbt jämfört med digitalt. Hör dessutom om framgångsrika vinyl-släpp som exempelvis Taylor Swifts populära samlarkollektion, och förväntningar inför 2024? Lyssna nu! Hosted on Acast. See acast.com/privacy for more information.

Back to physical & avsnitt på engelska! Hör från härliga Jasmin ”Jaz” Wimbledon, Head of Physical Distribution på FUGA - del av jätten Downtown Music & våra kontorskollegor! Jaz berättar bland annat om värdet i att nischa sig inom distribution efter att ha varit på bolag som PIAS, Border Community och AWAL samt studerat på BIMM London. Få grymma insikter kring arbetet med produkter som CD och vinyl, som även haft en växande populariteten de senaste åren! Vi går dels igenom hela flödet från beslut och tillverkning till distribution och försäljning, från att först utvärdera lönsamhet till att förstå hur pengar flödar tillbaka till artister, men även utmaningar som att få ut musiken snabbt jämfört med digitalt. Hör dessutom om framgångsrika vinyl-släpp som exempelvis Taylor Swifts populära samlarkollektion, och förväntningar inför 2024? Lyssna nu! Hosted on Acast. See acast.com/privacy for more information.

LNP Deputy Leader and MP for Farrer Sussan Ley speaks to Deb on border community problems in modern Australia.See omnystudio.com/listener for privacy information.

BROWNSVILLE, Texas - Border communities often have the answer to border-specific issues, such as improving truck movements across land ports of entry, and the federal government should listen.This is the view of Pete Sepulveda, executive director of Cameron County Regional Mobility Authority (CCRMA). Sepulveda gave the Rio Grande Guardian International News Service an exclusive interview following his appearance at the recent Better Border for a Better America Conference.Sepulveda spoke at the conference, which was held September 20-21, in El Paso, Texas.“My message (at the conference) was, we are local bridge owners and we have solutions that we feel should be implemented by the federal agencies at our international business, so that we can enhance the mobility of trade and traffic moving through international bridges,” Sepulveda told the Guardian.“I'm not sure if it'll go anywhere, but I think it was a perfect setting for me to put that out there.”Sepulveda said it was good timing for him to deliver his message, because some international bridges along the US-Mexico were temporarily closed last week due to immigration issues. Sepulveda pointed out that a joint working committee has been set up by US and Mexico.  “Going before that committee and presenting our potential solutions and ideas, suggestions on how we can enhance the mobility of of traffic, whether it be commercial vehicles or passenger vehicles; I think we've got tools in our toolbox that should be utilized by federal state agencies, so that we can improve the flow of traffic,” Sepulveda said.“I'm not in any way, form or fashion saying that we should not adhere to any federal or state requirements. I'm just saying, hey, we've got a better way of doing things. At least, at a very minimum, listen to us.”By way of example, Sepulveda referenced the FUEGO tag, CCRMA Fuego Tag.Here is the interview with Sepulveda:To read the new stories and watch the news videos of the Rio Grande Guardian International News Service go to www.riograndeguardian.com.

Episode 073 of my Selekt Blue Podcast.Tracklist:01 Louie Gomez - Who Says I Love You [Bassment Tapes]—> https://www.junodownload.com/products/louie-gomez-without-you/4867494-02/?track_number=202 Nathan Fake - The Sky Was Pink (Holden remix) [Border Community]—> https://www.junodownload.com/products/nathan-fake-the-sky-was-pink/1304730-02/03 Thomas Schumacher - Fangbanger (Victor Ruiz Remix) [Electric Ballroom]—> https://www.beatport.com/track/fangbanger/797493604 I Am Wolter - Bazaar Winds [Stellar Fountain]—> https://www.junodownload.com/products/i-am-wolter-merciful-lord/4323232-02/?track_number=405 Add-us - Give Me A Sign (Original Mix) [Awen Records]—> https://www.junodownload.com/products/add-us-moments/5156572-02/?track_number=206 Stephan Bodzin - River (Echonomist remix) [Herzblut]—> https://www.junodownload.com/products/stephan-bodzin-boavista-remixes/5486516-02/?track_number=1207 Sourires - Low Battery [Internasjonal]—> https://www.beatport.com/track/low-battery/1719024708 Little Boots feat. Kiddy Smile - Lesson (Vandelor Remix)—> https://soundcloud.com/manual-music/free-download-little-boots-feat-kiddy-smile-lesson-vandelor-remix09 Avasono - Brothers [Future Avenue]—> https://www.junodownload.com/products/avasono-brothers/5913393-02/?track_number=110 Franky Carbon-e - Early Reflections [EDM Underground]—> https://www.junodownload.com/products/franky-carbon-e-photosyntesis/5586433-02/?track_number=2

01 - GREEN VELVET_The Stalker (0'00) (Relief / 2014) 02 - APHROHEAD_Tri-Beka (5'10) (Founders Of Filth / 2006) 03 - CHRIS LIEBING & POLLY SCATTERGOOD_Another Day (RADIO SLAVE Rmx) (Mute / 2021) 04 - GENOME_Thirteen (SCAN X Rmx) (14'50) (Difu / 2008) 05 - ELLEN ALLIEN_Stadtkind (19'20) (Bpitch / 2001) 06 - PAUL KALKBRENNER_Forted (23'10) (Bpitch / 2008) 07 - ERLEND OYE_Poor Leno (SILICONE SOUL Rmx) (27'40) (!K7 / 2002) 08 - SCUBA & FELSEN_Speed This MF Up (TRUNCATE Rmx) (32'40) (Hotflush Recordings / 2021) 09 - KMYLE_Routine (37'00) (Voltaire Music / 2022) 10 - NATHAN FAKE_Outhouse (40'20) (Border Community / 2005) 11 - NESS_Superluminal V (46'50) (Planet Rhythm / 2022) 12 - SHLOMO ABER_Tilim At Night (52'10) (Be As One / 2021) 13 - LADY STARLIGHT_Clear 8 (56'30) (Figure / 2020) 14 - CHARLOTTE DE WITTE_Satori (61'10) (KNTXT / 2022) 15 - AXEL KAMAKASIS_Grey Shores (66'10) (Planet Rhythm / 2022) 16 - RED ROOMS_Salo (70'20) (Planet Rhythm / 2022) 17 - NINA KRAVIZ_All His Decisions (75'20) (Trip Recordings / 2022) 18 - DARREN PRICE_Blueprint (80'20) (Novamute / 1996) 19 - LEN FAKI_Blackapella (85'20) (Figure / 2009) 20 - MIKE BANKS_Star Dancer (87'20) (Underground Resistance / 1999)

AUSTIN, Texas - Border community activists testified against Operation Lone Star at a hearing of the Senate Committee on Border Security at the state capitol in Austin.Operation Lone Star is Gov. Greg Abbott's $4 billion border enforcement initiative that targets undocumented migrants for arrest, jail, and deportation. It has been in the national news because Abbott ordered state laws enforcement agencies to bus some of the undocumented immigrants they capture to other states in the nation. OLS has also come under scrutiny for the money it has burned through. Some estimates say the initiative is costing $2.5 million per week, with funding being moved to the operation from other state agencies. Legislators such as state Sen. Juan Hinojosa of McAllen have questioned its sustainability.Among the border and immigrant rights groups to testify at the Senate Committee on Border Security hearing were La Unión Del Pueblo Entero, the Border Network for Human Rights, and Reform Immigration for Texas Alliance. They argue Operation Lone Star is unconstitutional because border security is a responsibility of the federal government. They say the operation has been designed to criminalize and rapidly deport migrants, many of whom are seeking safety in the U.S. In their testimony, the border community activists said OLS promotes racial profiling, fuels the mass incarceration of people of color, and encourages white supremacy rhetoric. They argue the money given to OLS would be better spent on street lights, healthcare, and workforce training.The border advocates called on members of the committee to visit the border and see how colonia residents live in fear. They also want to be invited to speak at future border security and immigration hearings as a recognized panel, just like ranchers and farmers were at a hearing in Eagle Pass. Instead, the advocates had to sign up to testify in the public comment period and were limited to three minutes of oral testimony.Here is some of their testimony.To read the new stories and watch the news videos of the Rio Grande Guardian International News Service go to www.riograndeguardian.com.

AUSTIN, Texas - Border community activists testified against Operation Lone Star at a hearing of the Senate Committee on Border Security at the state capitol in Austin.Operation Lone Star is Gov. Greg Abbott's $4 billion border enforcement initiative that targets undocumented migrants for arrest, jail, and deportation. It has been in the national news because Abbott ordered state laws enforcement agencies to bus the undocumented immigrants they capture to other states in the nation. OLS has also come under scrutiny for the money it has burned through. Some estimates say the initiative is costing $2.5 million per week, with funding being moved to the operation from other state agencies. Legislators such as state Sen. Juan Hinojosa of McAllen have questioned its sustainability.Among the border and immigrant rights groups to testify at the Senate Committee on Border Security hearing were La Unión Del Pueblo Entero, the Border Network for Human Rights, and Reform Immigration for Texas Alliance. They argue Operation Lone Star is unconstitutional because border security is a responsibility of the federal government. They say the operation has been designed to criminalize and rapidly deport migrants, many of whom are seeking safety in the U.S. In their testimony, the border community activists said OLS promotes racial profiling, fuels the mass incarceration of people of color, and encourages white supremacy rhetoric. They argue the money given to OLS would be better spent on street lights, healthcare, and workforce training.The border advocates called on members of the committee to visit the border and see how Colonia residents live in fear. They also want to be invited to speak at future hearings as a recognized panel, just like ranchers and farmers were at a hearing in Eagle Pass. Instead, the advocates had to sign up to testify in the public comment period and were limited to three minutes of oral testimony.Here is some of their testimony.To read the new stories and watch the news videos of the Rio Grande Guardian International News Service go to www.riograndeguardian.com.

01 - SUPERPITCHER_Tell Me About It (0'00) (Kompakt / 2005) 02 - FELIX DA HOUSECAT_Happy Hour (Feat MISS KITTIN) (5'30) (Founders Of Filth / 2017) 03 - BLOT!_A Desire Of Suitors (10'30) (Seven Villas / 2022) 04 - GUI BORATTO_Take My Breath Away (14'40) (Kompakt / 2020) 05 - ATELIER FRANCESCO_All This Is For A Jump (19'20) (Cocoon Recordings / 2016) 06 - MAYA JANE COLES_Colours (26'50) (Dogmatik Records / 2009) 07 - JOCHEN KLING_And Feel (DJ EMERSON Remix) (30'30) (Faces / 2021) 08 - FORT ROMEAU_Sequence In D (36'40) (Cocoon Recordings / 2017) 09 - JAMES HOLDEN_A Break In The Clouds (40'50) (Border Community / 2003) 10 - SANDWELL DISTRICT_Falling The Same Way (47'40) (Sandwell District / 2011) 11 - CHAOTIK RAMSES_Crying 202 (53'20) (F-Comm / 2007) 12 - JON HOPKINS_Singularity (ANNA Remix) (58'30) (Domino / 2018) 13 - CAPRICORN_20 Hz (65'30) (R&S Records / 1997) 14 - GREEN VELVET_Destination Unknown (70'00) (Relief / 1999) 15 - ALEX UNDER_Tormenta De Cerebros (76'30) (Trapez / 2005) 16 - DIJUMA_Carrying The Weight (82'10) (Entourage Concept / 2022) 17 - VIELS_Contra Fidem (86'00) (Edit Select / 2022) 18 - DORIAN GRAY_Arcadia (92'00) (Art21 / 2022) 19 - EMMANUEL TOP_Acid Phase (97'00) (Attack Records / 1994) 20 - JOHANNES HEIL_The World (101'00) (Data / 2004)

South Australia's cross-border community has been “shattered” after a woman tested positive to Covid-19 in Mount Gambier. Cheap loans worth a total of $71.25m have been awarded to private schools by the state government. All suburban shops across South Australia are allowed to open on the Labour Day public holiday today, in a first in the state's history. And Woodville-West Torrens has won consecutive SANFL premierships for the first time, sensationally thrashing warm favourite Glenelg by 67 points in the grand final at Adelaide Oval on Sunday. See omnystudio.com/listener for privacy information.

LVR Special show: Border Community Border Community is one of the most inspiring labels for any lover of electronic music. The melodies as a registered trademark of this English company.

Episode 031 of my Selekt Blue Podcast.Tracklist:01 - Och - Time Tourism (Marc Romboy's Roland Orchestra) [Systematic Recordings]—-> https://www.junodownload.com/products/och-time-tourism/2957953-02/?track_number=202 - Marc Romboy - Elif (Jimpster remix) [Systematic Recordings]—-> https://www.junodownload.com/products/marc-romboy-elif/1346734-02/?track_number=303 - Simon Berry & Luke Brancaccio - Stripes & Stars (Torsten Fassbender Remix) [Platipus]—-> https://www.junodownload.com/products/luke-brancaccio-simon-berry-stripes-stars/4155773-02/?track_number=204 - Rampa - Necessity [Innervisions]—-> https://www.beatport.com/track/necessity-original-mix/833184605 - Seventh Sea, Shash Chaz - Aphasia (Original_Mix) [Awen]—-> https://www.junodownload.com/products/seventh-sea-shash-chaz-avenoir/4243751-02/?track_number=206 - Quenum - Blue Mountain [Cocoon]—-> https://www.junodownload.com/products/dots-pearls-v/3994861-02/?track_number=307 - Reinier Zonneveld - Things We Might Have Said (feat. Cari Golden) [Stil Vor Talent]—-> https://www.junodownload.com/products/reinier-zonneveld-megacity-servant/3195710-02/?track_number=308 - Nathan Fake - The Sky Was Pink (Holden remix) [Border Community]—-> https://www.junodownload.com/products/nathan-fake-the-sky-was-pink/1304730-02/?track_number=309 - Marc Romboy, Gui Boratto - Eurasia (feat. Luciana Villanova - Gui's version) [Systematic Recordings]—-> https://www.beatport.com/track/eurasia-feat-luciana-villanova-guis-version/424443

Arts education leader Eric Booth spent the last 13 years working with El Sistema-inspired programs that bring music education opportunities to children and youth that also propel community connections. Booth talks about his beginnings as a Broadway actor, moving to Tanzania and Venezuela as a teacher, and working with The NAMM Foundation to grow a new El Sistema program in a Texas/Mexico border community where realities of immigration impact students and their families.

All Over The Shop (Underground Techno vs House, Acid n Dub) EP 04. All Over The Shop. Bouncing between techno, acid house, dub techno, breakbeat and everything in between. Minimal talking, DJ mix focus… Music from Daft Punk, Porter Ricks, Seth Troxler, Fjaak , Skee Mask, Ricardo Villalobos, Nic Fanciulli, Tin Man, Daniel Avery, James Holden, Nina Kraviz, Matt Walsh, Erol Alkan, Evil Nine, Truncate, Octave One, Ground Loop, Jagwar Ma, Jamie xx and Kosi Kos Labels: Soma, Chain Reaction, Tuskegee, Monkeytown, Ilian Tape, Frisbee Tracks, Saved Records, Absurd Recordings, Phantasy Sound, Young Turks, Border Community, Rekids, Clouded Vision Recordings, Phantasy Sound, Marine Parade, Southern Lights, Future Classic, Pampa Records, BPitch Control More info on the songs in this mix in the Underground playlist series Shenanigans and related treats can be found at: Underground Techno on Spotify Diplomatic Enjoy Soundcloud Instagram Facebook Twitter

Hot on the heels of his latest EP on Ninja Tune comes a new podcast from Nathan Fake. An outsider artist since day one, Fake uses cheap and easy-to-acquire technology to make his always idiosyncratic sounds. They have always been leftfield and thoughtful dreamscapes that fuse techno, experimental and ambient together, but have recently tended towards a darker, more intense place. That is played out across the 65 minute selection he has put together for us here. It features unreleased music from Fake and friends, as well as tracks from Karen Gwyer, long time Border Community label mate James Holden, plus Peverelist, Autechre and more. After a synth heavy and beatless start, lo-fi and fuzzy styles of electro, acid and techno all add up to the sort of primal yet intriguing trip you would expect from such a revered underground figure.

11e émission de la 37e session... Cette semaine, départ funky-soul puis électro-jazz et ambient! En musique Leroy Houston sur la compilation Anthology 1972-84  (Acid Jazz, 2017); 30/70 Collective sur l'album Elevate  (Rhythm Section International, 2017); James Holden and the Animal Spirits sur l'album The Animal Spirits  (Border Community, 2017); The Kandinsky Effect sur l'album Pax 6  (Ropeadope, 2017); Girls in Airport sur l'album Live  (Edition, 2017); Denny Zeitlin and George Marsh sur l'album Expedition  (Sunnyside, 2017); TransMemories sur l'album The Sound History of the Earth  (Indépendant, 2017)...

11e émission de la 37e session... Cette semaine, départ funky-soul puis électro-jazz et ambient! En musique Leroy Houston sur la compilation Anthology 1972-84  (Acid Jazz, 2017); 30/70 Collective sur l'album Elevate  (Rhythm Section International, 2017); James Holden and the Animal Spirits sur l'album The Animal Spirits  (Border Community, 2017); The Kandinsky Effect sur l'album Pax 6  (Ropeadope, 2017); Girls in Airport sur l'album Live  (Edition, 2017); Denny Zeitlin and George Marsh sur l'album Expedition  (Sunnyside, 2017); TransMemories sur l'album The Sound History of the Earth  (Indépendant, 2017)...

Today is my 36th birthday, already 20 years behind the decks. So here's my present to all of you: inside my mind. Free download a 2h mix with some great progressive house classics from around 2004 - 2005. Released on leading labels like Bedrock, Deep, Baroque, Vapour, Little Mountain, Border Community & Electronic Elements. 17 tracks when 128 BPM was a religion, Renaissance Records was the guideline and Hernan Cattaneo was already a God. Old school progressive, more than a decade ago: Fred Nova in the mix with tunes and remixes of Dousk, Michael Burns, Chris Micali, Ozgur Can, Derek Howell, Flash Brothers, Nathan Fake, Perry O'Neil, Guy Gerber, Max Graham, Santiago Nino and many more... Enjoy!

The Border Community artist turns in a stunning session.

The Border Community boss seals his return.

Radio Show «Digital Emotions ».Download and view the playlists of esters or subscribe to the podcast:fonarev.promodj.ru/podcast.xmlwww.fonarev.comwww.fonarev.promodj.ruwww.digitalemotions.ruwww.facebook.com/FonarevVladim…twitter.com/FonarevVladimir Fonarev presents its formal application for the iPhone and mobile phones on the basis of Android.itunes.apple.com/ru/app/fonare...https://play.google.com/store/… Fonarev - Digital Emotions # 237. Кладовые танцпола. 001. Vangelis - Blade Runner Blues [1982] EastWest 
002. Klaus Schulze - Frank Herbert [1978] Brain
 003. Robert Miles - Children (Dream Version) [1996] Deconstruction 
004. Chicane - Saltwater (Mothership Mix) [1999] Xtravaganza
 005. Future Sound Of London - Papua New Guinea [1990] Jumpin' & Pumpin'
 006. Rex Mundi - Sunrise In Ibiza [2007] Coldharbour Recordings (Armada) 
007. Praise - Only You [1991] Epic
 008. Orkidea - Unity [1999] Steel Blue Fish 
009. Dance 2 Trance - We Came In Peace ('91 Mix) [1991] Logic Records 
010. Holden & Thompson - Nothing (93 Returning Mix) [2003] Loaded Records 
011. Smith & Pledger pres. Aspekt - Hijack [2006] Anjunabeats
 012. Perry O'Neil - Wave Force [2004] Electronic Elements (Armada) 
013. Der Dritte Raum - Hale Bopp [1998] Additive
 014. David West feat. Andreas Hermansson - Larry Mountains 54 [2005] Anjunadeep 
015. Deepsky feat. Jes - Talk Like A Stranger [2004] Yo! 
016. Probspot - Foreplay [2004] Lost Language 
017. Andain - Summer Calling [2002] Black Hole
 018. Tilt - Twelve (Dousk Remix) [2005] Lost Language 
019. Jaïa - Hypnostatique [2001] Flying Rhino Records 
020. Leama - Melodica (Northface Mix) [2002] Platipus
 021. Marco Polo - A Prayer To The Music (John Digweed's Northern Exposure mix) [1994] Hi Life Recordings 
022. Peter Lazonby - Sacred Cycles [1994] Hooj Choons
 023. Eye Wall - Bad Deal (Remy & Roland Klinkenberg Remix) [2005] Electronic Elements (Armada) 
024. Three Drives - Greece [2000] (Miro Vocal Version) [1998] Hooj Choons 
025. Jam & Spoon - Stella [1993] R & S Records UK 
026. James Holden - Horizons (Way Out West Remix) [1999] INCredible 
027. Armin vs Airwave - Slipstream [2003] Armind (Armada) 
028. Mekka - Diamondback [2000] Perfecto 
029. Super8 & P.O.S. Pres. Aalto - 5 [2007] Anjunabeats 
030. Dave Gahan - Dirty Sticky Floor (Junkie XL Remix) [2003] Mute 
031. Fu Man Choo - Outlaw (Praha Mix) [2001] Good:as 
032. Albert Vorne - Formentera What (Gareth Emery Remix) [2008] Club Elite
 033. Main Element feat. Kyla - Take Me Down (Lemon 8 Remix) [2001] Silver Planet 
034. James Holden - Solstice [2002] Silver Planet
 035. PQM - You Are Sleeping [2003] Yoshitoshi
 036. Head Honcho - Walls Of Jericho [2002] Vandit
 037. Nathan Fake - Outhouse [2004] Border Community
 038. Killahurtz -West On 27th (A Tribe Called Killahurtz Remix) [2002] Hooj Choons
 039. Sander Kleinenberg - My Lexicon [2000] Essential Recordings 
040. Filterheadz - Yimanya [2004] Additive
 041. Opus III - Fine Day [1991] PWL International
 042. Orbital - Halcyon + On + On (Original / Live) [1992] FFRR 
043. God Within - Raincry (Submerged) [1993] Hardkiss 
044. Peter Gun - Pressure Point [2004] Millennium Records
 045. Peter Martin pres. Anthanasia - Pefect Wave [2004] Electronic Elements (Armada) 
046. Lyric feat. Natali - Over Emotion [2002] Lost Language
 047. Jon O'Bir - Effectual [2005] Conspiracy Recordings
 048. Ava Mea - In The End [2005] Electronic Elements (Armada) 
049. Midtone - Pearl [2002] Duty Free 
050. Luzon - The Baguio Track (Bedrock Mix) [1999] Renaissance
 051. Starecase - Vapour Trails [2006] Hope Recordings
 052. Jaytech - Pepe's Garden [2007] Anjunadeep 
053. Matthew Dekay - Timeless (Digifrutella Dub) [2007] Electronic Elements (Armada 
054. Moshic - Soul's Plug [2011] Contrast Records 
055. Nugen - Darksides (Thomas Penton Mix) [2003] Release Records 
056. John B feat. Libby Picken - Electrofreek! (John B Trance Mix) [2003] Perfecto 
057. Relaunch - The Blue Room [2011] Mistique Music Radio Show «Digital Emotions ». Download and view the playlists of esters or subscribe to the podcast: http://fonarev.promodj.ru/podcast.xml www.fonarev.com www.fonarev.promodj.ru/ www.digitalemotions.ru http://www.facebook.com/FonarevVladimir http://twitter.com/Fonarev Vladimir Fonarev pre

Proxcast 01: SwitchSt(d)ance - Warm up for Nathan Fake - 31/05/12 Marco Antão, ou SwitchSt(d)ance, é um daqueles artistas que vagueiam pelos estranhos territórios do neo-trance e do techno melódico, com claras influencias do IDM, dos 80’s e do gótico. É residente do Lux Frágil, já tocou ao lado de artistas como James Holden, Actress ou Nosaj Thing, e Sexta dia 1 de Março vai acompanhar o Ricardo Tobar na primeira festa da Proxid. Razões mais do que suficientes para o entrevistar-mos e saber o que se passa na sua mente. Entrevista a SwitchSt(d)ance - Conta-nos como é um dia normal do Switch? Depende se consigo arranjar trabalho na minha área ou não. Normalmente é durante a Primavera e o Verão que surgem mais oportunidades na área da produção de eventos; durante o Inverno geralmente há menos trabalho então dedico-me a tempo inteiro à musica, tanto a ouvir o que sai de novo como a produzir musica no estúdio. - Como foi o teu passado musical? Tiveste uma banda ou algo do género ou era só skate? Nunca tive nenhuma banda, mas quando tinha 7 anos tive aulas de piano e mais tarde com 11 andei numa escola a aprender a tocar baixo. Foi aos 12 anos que comecei a andar de skate, e depois passado talvez uns 13 anos é que voltei à musica, desta vez como Dj e mais tarde a produzir música. - E de onde veio esse gosto pela musica mais hipnótica, pela brain music? É uma boa pergunta, nem eu sei bem responder, mas acho piada ao facto de uma mesma música conseguir criar diferentes emoções e estados de espírito quando a oiço. Não gosto de música só para distrair ou preencher o silêncio, prefiro música com mais conteúdo e até inesperada, sabes? Ir a pé de phones pela rua e às tantas nem saber bem para onde estou a ir, porque a música é de tal modo envolvente que sem reparar já estou vaguear tanto física como mentalmente. É engraçado quando estou com amigos numa sala de estar ou algo parecido e pedem-me para por uma musica de fundo, tudo aqui que escolho independentemente do estilo de música acaba por despertar a atenção e concentração das pessoas. - Já fazem quase 3 anos que és residente do Lux. Qual o balanço que fazes da experiência? Como comparas tocar um all night set vs um warm-up? E discoteca vs bar? É uma grande experiência. Uma casa com excelentes condições em todos os aspectos, onde já tive oportunidade de tocar a minha música para um bom público e também conhecer grandes artistas. Os all night sets no Lux não são fáceis, costumo começar à meia noite e termino entre as 6h e as 7h. Por isso mesmo, divido o meu set em várias fases: ao início começo com música calma e longa, porque por vezes demora 1hora até aparecer a primeira pessoa na pista. Quando surgem as primeiras pessoas, algumas vão logo embora porque não se sentem à vontade de serem as únicas na pista. Continuo com música para o início da noite e a tentar perceber o que é que cativa o público a manter-se na pista. A partir das 3h é quando a casa começa a ficar mais composta e talvez por volta das 4h, quando sinto que contagiei o público, é quando faço o "switch" e começo a introdução para um verdadeiro set meu até ao fim da noite. No warm up faço outro tipo de sets, normalmente tenho as costas protegidas pelo artista internacional que vai tocar e sei que vou ter um público que vai estar na pista principalmente para o ouvir. Então sinto-me um pouco mais à vontade para fazer um set que faça sentido, sem ter muito que me preocupar se vou agradar o público ou não. Ou seja, toco o que gosto e o que quero dar a conhecer às pessoas sem qualquer tipo de preconceito e preocupações. Agora entre o Bar e a Discoteca, no bar é muito mais fácil que na discoteca, pelo menos é um ambiente muito mais descontraído e não há tanta pressão. Tocar na discoteca exige muito mais de mim física e psicologicamente, fico sempre muito tenso e concentrado no meu trabalho, por vezes até me esqueço de beber o copo que pedi à 1h hora atrás. A pressão é muito maior, ao mínimo erro que possa acontecer com a música sei que vou ter centenas de pessoas a olharem ou a assobiarem. Felizmente até à data, ainda não me aconteceu nada do género. - Qual a festa onde mais gostaste de tocar? Festas onde se faz silencio na pista para ouvir e dançar a música. Gosto sempre quando sei que tenho os meus amigos todos reunidos na pista de dança. Mas aquela de que tenho a memória mais fresca, foi no mês passado com James Holden e Ivan Smagghe, porque são dois grandes mestres da música e duas grandes influencias do meu trabalho. - O que te passa pela cabeça enquanto tocas? Vontade de largar a cabine e ir para o meio da pista do Lux ouvir e ouvir as minhas músicas naquele sistema de som incrível com todas as pessoas a dançar. - Os teus sets revelam um linha musical bastante variada, mas sempre coerente; como os preparas? Obrigado! Aborrece-me quando oiço sets que parece que não evoluem ou que soa à mesma música durante 2h. Quando faço um set, gosto de tentar contar uma história. Ou seja, é como ler um livro cada musica pode ser uma página ou um capitulo, gosto de ir a diferentes sítios, gosto de fazer quebras no meio do set para deixar as pessoas respirarem e prepararem-se para a próxima viagem/capitulo. Normalmente faço uma playlist alargada com tudo o que possa fazer sentido nessa noite, depois dentro dessa playlist faço outras playlists. Umas com musicas que não posso de maneira alguma esquecer-me de tocar, outra com musica mais forte, com musica mais calma, com musica para fazer pontes, como musica para inicio, fim, etc. Depois quando começo a tocar tento arranjar um percurso para ligar as musicas todas das diferentes playlists. - Imagino que de vez em quando tenhas alguém a pedir-te para tocares Swedish House Máfia ou algo do género, de que forma lidas com esses requests? Confesso que não conhecia a música de Swedish House Máfia! Fui agora ao youtube para tentar perceber a tua pergunta. Quando fazem esse tipo de pedidos, ou até quando me pedem para tocar mais groove ou house reajo de várias formas, depende do dia, ora ignoro e concentro-me no que estou a fazer, finjo que não oiço ou não compreendo, digo nunca ouvi falar ou digo que é a próxima que vai tocar - depende mesmo do meu estado de espírito. - No verão passado encerraste o Alchemy Circle do Boom, como foi a experiência de tocar ao final da tarde, ao lado de uma lagoa, em oposição a uma discoteca escura às 3 da manhã? Onde te sentes mais confortável? Sinto-me mais confortável numa discoteca porque é onde tenho mais experiência, se bem que penso que a minha música pode fazer muito sentido ao ar livre e durante o dia. Tocar no encerramento do Boom foi um grande desafio. Inicialmente tinha em mente fazer um set calmo e lento, por volta de 116 BPM's - tinha imaginado o pôr de sol, a lagoa, e muita viagem. Mas quando comecei a montar o meu material, apercebi-me que música do Dj anterior era muito rápida, muito física, estática, quase a arranhar no new rave/maximal, tive logo que alterar aquilo que tinha pensado. Tocar a 116 BPM's seria um autêntico chill out ou downtempo depois deste Dj que estava em palco. No momento arranjei outra estratégia e comecei o meu set, ao inicio foi uma sensação estranha, acho que estava a tocar música com informação a mais, houve pessoas que se assustaram; mas por outro lado sabia que a minha música fazia todo o sentido num festival como o Boom e capaz de transmitir emoções nas pessoas. Continuei com a minha linha musical e fui percebendo que estava a renovar a pista com outro público, Quando cheguei a meio do set já estava mais à vontade e tudo indica que correu bem, lembro-me que quando terminei veio muita gente falar comigo e dar-me os parabéns, dizer que nunca tinham ouvido nada parecido e a perguntar-me que estilo de música era este. Um rapaz disse-me que chorou de alegria numa certa música! Já passaram 7 meses e ainda continuo a receber emails de pessoas de países que nunca ouvi falar, como por exemplo da Nova Caledônia! O Boom foi uma experiência muito gratificante e que gostava de repeti-la. - As tuas produções também são bastante interessantes, quase uma extensão dos teus sets. O que procuras quando fazes musica? Como aprendeste a produzir? Procuro satisfazer as minhas vontades momentâneas. Há quem faça música a pensar nas vendas, nas editoras, etc. Um dia acordo e apetece-me fazer um beat e tento, no outro dia apetece-me fazer algo mais kraut faço, no outro dia talvez algo mais cosmic, no outro dia drone ou só frequências estranhas, e no outro quem sabe um mix de todas as minhas influências - vai um bocado conforme a minha disposição do próprio dia. No início aprendi bastante só de observar o meu amigo Pedro Martins a trabalhar em estúdio. Mas ainda tenho muito para aprender e ultimamente procuro ir contra as regras básicas da música clássica, criando as minhas próprias escalas atonais. Recentemente comecei a usar compassos de música diferentes, em vez do vulgar 4/4 ando a explorar compassos 5/4 ou 7/8. - Achei interessante na festa do blog Breathing Beats teres tocado um set mais virado para o hip-hop e 2-step, um pouco diferente do que normalmente te ouvimos a tocar. Foi uma excepção à regra ou de vez em quando ainda fazes sets desses? Não diria Hip Hop nem 2step, mas sim wonky ou raw beats e não é excepção à regra. No bar do Lux costumo tocar um pouco deste tipo de música, e já houve outros grandes eventos onde pude mostrar esta faceta, como na noite em que a Punch magazine convidou Nosaj Thing no Musicbox ou ainda no evento da Dc Shoes no Faktory Club. - Nos últimos meses deu-se um enorme aumento da oferta de musica de dança underground em Lisboa, com artistas internacionais a passarem por cá praticamente todos os fins de semana. Como vês a “cena” lisboeta? Lisboa está completamente parada no tempo, basta olhar para os cartazes de eventos e festivais do resto da Europa e ficar a sonhar quando é que vão haver eventos semelhantes por cá. É incrível como é que uma capital europeia como Lisboa não tem um único festival dedicado à musica electrónica, existem festivais com palcos ou tendas electrónicas, mas de electrónica só tem mesmo o nome. Quando vou por exemplo ao Sonar em Barcelona ou outros eventos em outros países volto para Portugal de barriga cheia, suficiente para nos alimentar durante 3 anos de música em Portugal. Lembro-me há 2 anos de ter ido a Fabric para ouvir Daedelus, Dimlite, Flying Lotus, J Rocc, Kode 9, Martyn, Nosaj Thing, Gaslamp Killer, Tokimonsta, Dorian Concept, tudo na mesma sala, uns a seguir aos outros e só paguei um valor equivalente a 15€. Não acredito que cá consiga haver algo parecido. Volta e meia existe alguém a investir em musica nova, que é o caso da Proxid e da Joana Almeida (Give Music a Chance) que convidou Lanny May em Outubro. Correu bem mas ainda são eventos muito casuais. 1 ou 2 por ano não chega. Eu próprio já me estou a organizar em função de começar a organizar os meus próprios eventos com musica e artistas que fazem falta neste cidade. Sempre que saio à noite, vêm pessoas falar comigo e tenho me apercebido de que felizmente o público português também se está a aperceber desta situação e já está um pouco saturado da fraca oferta que existe em Lisboa. Gostava que os promotores e programadores se apercebessem desta situação e acompanhassem a evolução da música e apostassem nas novas tendências. - Que artistas nacionais te chamam mais à atenção? Twofold, D-Man, Zacarocha, Pedro Martins, 18thdivision, IVVO, Ramboiage, Ludovic, Chainless, Thomm, Papercutz, Manycure, Photonz. - Vais tocar no primeiro Boiler Room português, qual a tua expectativa? Em poucas palavras: curioso, nervoso, contente, ansioso e cheio de pica. - E que esperas da festa da Proxid? Ansioso por tocar com o Ricardo Tobar? Acho que vai ser um sucesso. O Lux já teve o Ricardo como convidado, mas foi há 4 anos atrás, nessa altura ainda era completamente desconhecido do público português, e era o novo artista da Border Community, hoje em dia já é muito mais popular e conheço muita gente que está cheia de vontade em ouvi-lo de novo. Tocar com o Ricardo também vai ser bom de certeza, estou curioso por o conhecer pessoalmente. - Quais os teus planos para o futuro? Espero este ano lançar música em algumas das minhas editoras favoritas. E o resto é surpresa... - Obrigado pela entrevista, gostavas de acrescentar alguma coisa? Obrigado eu por esta entrevista e pelo convite para tocar no teu primeiro evento. Queria também agradecer a todos aqueles que me ajudam e apoiam; Lux e todo o seu staff, Inês Meira, Twofold, Hong Kong Triad, David Tutti dos Reis, Madame, Mariola Kuskowska, Faktory Club, Europa, Brownie, Boom Festival, aos meus patrocinadores Native Instruments, Dc Shoes, vinho Social, a todos os meu amigos, conhecidos e desconhecidos que frequentam e apoiam as minhas noites. Obrigado! Photo by Elisabeth Pallentin More Switchst(d)ance: http://www.switchstdance.com https://www.facebook.com/switchstance http://soundcloud.com/switchst-d-ance http://vimeo.com/switchstdance http://www.youtube.com/switchstdance More Proxid: http://www.proxid.pt/ https://www.facebook.com/Proxid.Lisboa https://soundcloud.com/proxid-1 https://vimeo.com/proxidlisboa http://www.youtube.com/ProxidLisboa subscrever via itunes: https://itunes.apple.com/pt/podcast/proxids-proxcast/id68709­0647

Blake Sutherland is proud to welcome to the show one of the scene's most forward thinking and original producers. For over 10 years, Fairmont has been on the cutting edge of music that transcends techno, electronica, indie dance, and progressive house. His work has appeared on Traum, Border Community, Microcastle, and most recently, his 3rd studio album, Automoton, was released on My Favorite Robot Records. Fairmont has taken time out of his busy tour schedule to put together this exlusive DJ mix for Cityscape Sessions. Enjoy!

INTERVIEW + TRACKLIST > www.inverted-audio.com/wesley-matsell Having released two records over the past four years, Wesley Matsell isn't exactly in a rush to satisfy our musical appetites. After a tip off from Nathan Fake back in our interview in February, who praised Wesley's productions, we started to take note of the Welshman's output. Early 2012 saw the release of Wesley's highly acclaimed ‘Zones Within Zones‘ EP on Axel Boman and Petter Nordkvist's Studio Barnhus label, a combination of jacking house grooves and heavily swung synth arpeggios. Wesley also released an excellent remix of Taragama Pyjarama's ‘Balibat‘ and a cosmic remix of Phil Kieron's ‘Le Carrousel‘. From what we've been told Wesley has big things lined up for 2013, including a potential release of a new record on Border Community. For those of us who are based in London, The Hydra have invited Border Community to see us off into the New Year and Wesley Matsell will play alongside James Holden, Nathan Fake (live), Luke Abbott (live) and special guest Ivan Smagghe. Tickets are almost gone, so you better be quick.

Kai-zen Podcast - Regular top guest DJ's playing Deep House, Tech House & Techno. Andy James Tracklist: 001 # PVT – Light Up Bright Fires (Nathan Fake ambient mix) [Unreleased] 002 # FourTet – Moma [Works In Progress] 003 # PVT – Light Up Bright Fires (Nathan Fake remix) [Warp] 004 # Luke Abbott – Honeycomb [Amazing Sounds] 005 # Axel Helios – Sleeping On An Igloo (Avus’ Acid remix) [Shabu] 006 # Phillipe Cam – UNICEF Christmas Card [Traum] 007 # Dominik Eulberg – Die 3 Millionen Musketiere (Gabriel Ananda remix) [Traum] 008 # Justin Maxwell & John Tejada – Domerocker (Roland M Dill remix) [Trapez] 009 # FortDax – Fortune Telling Fish, Curled To Suggest ‘Home’ [Unreleased] 010 # N’To – Stupid (Worakls remix) [InLab] 011 # Allez-Allez – Six Down Seven Across [RVNG] 012 # Carl Lekebusch & Joseph Capriati – Napoli 4am [Drumcode] 013 # Psycatron – Memories Of The Moment [Bedrock] 014 # Luke Abbott – Brazil (slow version) [Border Community] 015 # Blue Daisy & Anneka – Raindrops (John Talabot's Cosmic Rework) [Black Acre] Ever since breaking out of the bedroom in 2007, Andy has been spending every waking minute cementing his reputation as a man to be trusted when it comes to working a dancefloor. He’s been completely immersed in Dance culture for well over a decade now, a fact reflected by his ability to craft the kind of imaginative mixes only heard from the most dedicated record spinners. It’s this asset, combined with his notorious enthusiasm behind the decks that paved the way for his amalgamation into the team at Slide, one of Oxford & London’s foremost authorities on hosting House & Techno events. Throughout his involvement with the brand, he has been fortunate enough to play to sizeable crowds on a monthly basis at Oxford’s O2 Academy, and has warmed up for the likes of Nic Fanciulli, Adam Freeland, Krafty Kuts, Stanton Warriors, and Style Of Eye amongst many others. He’s also had the privilege of being chosen to warm up for Erol Alkan with Simple (Oxford’s flagship Dance promotion), invited for several guest spots on Oxford FM, and repeatedly booked for boat parties and the burgeoning Out To Graze Festival for 3 consecutive years alongside fellow turntable maestro Dave Johnys. It’s safe to say he’s been a busy lad, but he hasn’t limited himself to local events. Spreading his wings and delving into the turbulent London scene has thrown up some of the most memorable experiences, such as a particular booking at SeOne (during a Tidy vs. NuReligion hard-house event). Having the courage to stick to the music he believed in led to his set (B2B with good friend Chris Page) packing out an empty dancefloor, despite playing intelligent techno to a room full of day-glow ravers who had never heard anything like it. It’s gigs like this that have sparked his enthusiasm for DJing in London, and subsequently joining the team at Kai-Zen has provided Andy with a much larger podium to shout from. Despite 2011 being a quiet year with regards to club appearances, Andy has used the time to start getting to grips with music production, and the intricacies of Ableton Live 8. He’s the first to admit that he should have made a start on this a long time ago, but as is so often the case, life’s distractions have kept his attentions elsewhere. Regardless, 2011 was a significant year whereby his move into the complex world of music creation meant that he also took some time to consider the music he was supporting. Whilst Andy is always extremely vocal in his adoration of Chicago-House, Deep-House, and Progressive (or anything with a decent groove for that matter), he found that his tastes had slowly adapted to favour the more leftfield abstract Techno of such artists as Luke Abbott, Nathan Fake, Dominik Eulberg, and Caribou. With that in mind, he has made the conscious decision to start openly embracing this style of music (regardless of whether it leads to an incline or decrease in bookings), and base his sets on Techno for those with a more open mind to Dance music. With regards to influences, Andy would never profess to have a page-long list, but one DJ/Producer that does spring to mind again and again is James Holden. As his friends will testify, Andy’s love for all things Holden is boundless, mainly due to the forward-thinking nature of the music released on his Border Community imprint and the unparalleled approach Holden has to music. Following closely behind would have to be Nick Warren. His reason for influence stems from his respect for a man who still has an unmatched passion for pushing new and interesting music, despite being in the industry since year dot. As a proud member of the Electronica scene, Andy would hope that this ethos of never compromising music quality will serve him well as a DJ guideline, and that through this he’ll never be regarded as ‘just another DJ’.

01 - SAMUEL L SESSION_Hype-Nosis (0'00) (Push Communications / 2011) 02 - ADAM BEYER & ALAN FITZPATRICK_Human Reason (3'10) (Drumcode / 2011) 03 - JESPER DAHLBACK_Violent Backclash (8'40) (Drumcode / 2011) 04 - DA FRESH_Exalt (12'40) (Tiger Records / 2011) 05 - SAWF_Unrhythm (MARCEL FENGLER Rmx) (18'00) (Perc Trax / 2011) 06 - FAIRMONT_Vanguard (23'20) (Border Community / 2011) 07 - JOEL MULL_Harmonic String (STEVE RACHMAD Rmx) (28'20) (Cocoon Rec / 2011) 08 - ANDREAS HENNEBERG_Glash (34'30) (Ideal Audio / 2011) 09 - MARCO BAILEY & TOM HADES_I Want Your Sex (41'40) (TASTER PETER Rmx) (Hell Yeah / 2011) 10 - CARI LEKEBUSCH_Third Eye Vision (47'00) (Mote Revolver / 2011) 11 - SPEKTRE_Together (52'00) (1605 / 2011)

The second installment of our weekly podcasts featuring interviews, mixes and musings... Sam Willis and Steve Nolan host the first of the Allez-Allez monthly shows on Bleep and take you through their selection on electronic, guitar, and disco cuts. Joining them is Border Community's Luke Abbott who talks synths, Brian Eno, Krautrock, his influences and his recording processes.

1 - DFRNT_Wake up (0'00) (On the Edge / 2009) 2 - DEPECHE MODE_Fragile tension (STEPHAN BODZIN Remix) (5'50) (Mute / 2010) 3 - MISSTRESS BARBARA_Jamais moi sans toi (13'50) (Border Community / 2007) 4 - FAIRMONT_Inside (20'20) (Traum Schalplatten / 2002) 5 - ELECTRIC RESCUE_Super system (24'10) (Skyrtpom Records / 2009) 6 - THE MELODY MAKER & MARGOT_Torch (EXTRAWELT Remix) (30'50) (Great Stuff Rec / 2008) 7 - LUTZENKIRCHEN_On the shore (37'00) (Flash / 2008) 8 - MARGOT_Autumno feat Pepe & Giagarobo (42'30) (Craft Music / 2006) 9 - RICARDO TOBAR_Mi pieza esta llema de cosas (MAX COOPER Remix) (48'30) (Traum / 2010) 10 - MARKUS LANGE_Perihelion (JULIAN JEWEL Remix) (54'40) (Craft Music / 2008)

Our first podcast! Laid down live with trademark shoddy mixing. 20 minutes of Fidgeting Disco-Tech. Ali Love - K-Hole (Mustapha 3000 Remix) - (James's Intro Edit). (I Love Records) The Gossip - Standing In The Way Of Control (Headman Dub). (Back Yard) Riton Vs. Heidi - Vejer (Jesse Rose Dub) (Get Physical) Kreeps - All I Wanna Do Is Break Some Hearts (Boys Noize Remix 1). (Output.) Claude VonStroke - Seven Deadly Strokes. (Neuton) Spencer Parker - Beautiful Noise. (Rekids) Riley Reinhold & Steve Barnes - Odyssey. (My Best Friend) Nathan Fake - The Sky Was Pink (Holden Remix). (Border Community)

  Rare Frequency Podcast 16: Prickled Ice, Torn Asunder (opening loop from Raymond Scott, “Wheels That Go” Manhattan Research Inc. (Basta) 2CD) 1 Mika Vainio, "Hampaat III" Revitty (Wavetrap) CD 2007 2 Pixel, "Sinus" Set Your Center Between Your Parts In Order To (Raster Noton) CDr 2006 3 Holden, "Lump" The Idiots Are Winning (Border Community) CD 2006 4 Jazzkammer & Sir Duperman, "Spor Uten Navn 3" Duperkammer (Smalltown Supersound) CD 2003 5 Seht & Stelzer, "Untitled 3" Exactly What You Lost (Intransitive) CD 2007 6 Lithops, "Blasmusik" Queries (Sonig) CD 2006 7 György Kurtág, "Hommage á Ferenc Berenyi 70 (Kelemen Mikes says: )" Játékok (BMC) CD 2006