Podcast appearances and mentions of Bryan Ferry

Who is Amanda Lear? How old is she? Where was she born? How is this woman even real?? Having a Rolling Stones song written about you is just about as rock-and-roll as it gets. So is being one of Bryan Ferry's parade of model girlfriends, or the “For Your Pleasure” covergirl, or having a joint music and acting career. Amanda Lear had it all, and then some: she was muse to the one and only Salvador Dali until the end of his life. Of course a surrealist herself should have an appropriately surreal life. Enter the wild world of Amanda Lear on the latest episode of the Dolls Podcast, wherever you stream your podcasts

Americana, Roots, Folk, Blues and Country Music. BOB DYLAN COVERS.Episode includes Emma Swift, Martin Simpson, Bryan Ferry, Joan Osborne and Glen Campbell.

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach' which examines his staggering catalogue of avant garde experiment and wonders if there's anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire's Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn't go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn't play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach' which examines his staggering catalogue of avant garde experiment and wonders if there's anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire's Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn't go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn't play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach' which examines his staggering catalogue of avant garde experiment and wonders if there's anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire's Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn't go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn't play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

La mejor música, todas las curiosidades y las últimas noticias te están esperando de mano de Jota Abril, Marta Critikian y Carlos Iribarren.

SUBSCRIBE NOW FOR FULL ACCESS TO ALL EPISODES AND MORE Hosted on Acast. See acast.com/privacy for more information.

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Podcast Jazztime 713 – 24.03.26 Diese Sendung hat Jörg Müller-Jahns zusammengestellt. Das LIVE Anspiel dismal ist: “Just one of those Things“ – 1935 von Cole Porter für das Musical „Jubilee“ komponiert. Folgende Titel sind zu hören : 1. Yeh! yeh! – Jon Hendricks 2:06 2. They didn't believe me – Dinah Washington 2:45 3. In my Dreams – Bill Frisell 5:13 4. I will be right there – Ida Sand 4:28 5. Just one of those Tings – Bryan Ferry 2:46 6. Framework – Hanno Busch 4:43 7. It ain't necessarily so – Aretha Franklin 2:53 8. Traummusik – Ulrich Tukur & Die Rhythmus Boys 4:56 9. Walkin‘ – Quincy Jones 10:30 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

In this super special edition of SHEROES, singer, songwriter, multi-instrumentalist, and bass legend, Gail Ann Dorsey sits down with Carmel Holt for a career-spanning conversation featuring the music that shaped her, and spotlighting some fellow SHEROES of the bass who Gail encountered along the way. For those unfamiliar with Gail Ann Dorsey's resume, not only has she put out albums of her own starting with 1988's The Corporate World, she also became a sought after session player, collaborator, and touring bassist, and became known as one of the world's greatest bass players. Gail has worked with everyone from Tears for Fears, Gang of Four, Bryan Ferry, Gwen Stefani, Indigo Girls, and Lenny Kravitz. And perhaps most notably, she spent over a decade playing bass and singing in David Bowie's touring band, and contributed to several of his studio albums. Currently Gail is readying her first solo work in 21 years, and the follow up to her 2004 album I Used To Be… and prepping for a 2026 solo tour.

Midus, baixista e vocalista dos Roquivários, banda marcante do ‘boom’ do rock português, é esta semana convidada do Posto Emissor. No podcast da BLITZ, a artista falou sobre os tempos do êxito ‘Cristina (Beleza é Fundamental)’, a longa carreira que prossegue, há várias décadas, em Londres – e a levou a tocar, por exemplo, com uma ex-Spice Girl e Bryan Ferry – e o curso de Nutrição que tirou durante a pandemia.See omnystudio.com/listener for privacy information.

The Music of 1976 This week we set the controls to the heart of 1976 to revisit some of the great music that came out that year! Of course, we cover the biggie, Frampton Comes Alive. We also report on three of the biggest movements of '76 -- Prog, Glam, and Disco. Along the way, we cover important debuts by bands like Tom Petty and the Heartbreakers, Blondie, Bryan Ferry, Jon Anderson, and The Ramones, plus some biggies by Wings, Aerosmith, KISS, Genesis, Queen, and more. If you want to listen to all the music we talk about in this episode, you can hear it all on our Spotify Playlist!  Let us know your favorite band / album / song from 1976! Drop us a line at modernmusicology1@gmail.com or just leave a comment on our socials or whatever podcast platform you're listening to us.  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

Dave Stewart is a true music icon. Born in Sunderland in 1952 his first love affair was with football – dreaming of a career playing for the Black Cats, but a knee injury and his parents' divorce changed his entire outlook. Music filled a hole - despite a music teacher who described his dreams as ‘idiotic' it became his passion, inspired by his Dad's high-tech (for the 70s!) stereo system, a Robert Johnson blues album and some eye-opening teenage experimentation with acid.He signed to Elton John's record label shortly after leaving school and after several false starts he met Annie Lennox in 1976 and formed a band together called The Tourists – a pre-curser to the significantly more successful 80s project The Eurythmics .In the 45 years since then Dave has done it all – as an artist he's a Grammy winner, as a producer he's won multiple Brit Awards, as a song-writer he's won the prestigious Silver Clef award, he's won a Golden Glove for composing a song with Mick Jagger for Alfie and in 2024 he teamed up with Joss Stone to write a musical version of The Time Traveller's Wife. It's hard to put his contribution to music into context because his impact on popular music is so vast.Let me list just SOME of the artists he's produced, written for or recorded with:Paul McCartney, Bono, Aretha Franklin, Alison Moyet, Bryan Ferry, Sinead O'Connor, No Doubt, Jon Bon Jovi, Bob Geldoff, Bryan Ferry, & Stevie Nicks. In fact in 2011 he briefly formed a supergroup comprised of himself, Mick Jagger, Joss Stone, Damian Marley and A.R. Rahman.He's one of the great innovators – in 1998 his album SlyFi became the first album to be released on the internet – it predates Google, and MySpace and Facebook wouldn't be launched for another SEVEN years.Now in his early 70s he continues to inspire – until Covid he owned and ran a creative members club in London, and through his production company Dave Stewart Entertainment he continues to push musical boundaries and work with some of the world's biggest names in music.Enjoy our chat with an icon. Cheers! Hosted on Acast. See acast.com/privacy for more information.

For the Season 11 finale, we present part two of our series on the ‘80s. We continue in the alt-rock/indie/new wave vein from our last episode – where we featured the likes of U2, The Cult, Bryan Ferry, Fine Young Cannibals and more. This week, we continue with: Robert Smith of The Cure in conversation with Christopher. Robert is painfully shy and yet quite revealing and is, in Tom’s words, “downright lovable”. The B-52s, who remember their early days and the struggle to continue after the death of guitarist Ricky Wilson. Dave Gahan and Martin Gore from Depeche Mode in a short chat with Christopher. Peter Garrett and the late Rob Hirst of Midnight Oil talking about being famous in Australia and trying to win over audiences in the Canada and the U.S. Toronto’s Jane Siberry, who was recently inducted into the Canadian Songwriters Hall of Fame, talks about her unique vision for her music – and why she carries around a “very soft bat” to ward off her fans. Christopher’s interview with Annie Lennox of Eurythmics as she talks about fashion and anti fashion. Producers note: The promised interviews with Pet Shop Boys, The Fixx and Thompson Twins will air in Season 12. We promise.

JB has the Furrow Collective, Leverette, some hens teeth, some raggle-taggle gypsies and Bryan Ferry singing a sea shanty!

This week we look at Riots in Iran; War in Ukraine; Chaos in Greenland; Canada, China and Qatar;  The New World Order; Elections in Uganda; Adam Ramsay and Roz Foyer and Progressive Hypocrisy; Did a BBC reporter hiss when Jesus was mentioned?  World facts; Get a Life;  The Crazy Prosecution of Yanis Varoufakis; Darlington Nurse speaks out about trauma caused by Trans nurse;  Drought ended in California; Jordan Peterson on Narcisstic Compassion; Douglas Murray on Corporate Virtue Signalling; Craig Silvey (Honeybee) Charged; Is the Quiet Revival Happening? Death of Paul Helm; and the Final Word - with music from the Cure, Bryan Ferry, Uganda, Bobi Wine, DC3, Don Mclean; Psallos and Judith Babiyre

The last one of 2025, a blend of indie with a taste of disco.José González, Automatic, Bryan Ferry, Neon Indian, Friendly Fires, Desire, Confidence Man, Jessie Ware, Jungle and more.Happy New Year!

Lucy Kaplansky is a folk music star and singer-songwriter. She's been called “the troubadour laureate of modern city folk”. She's released 9 acclaimed albums. She was part of the folk supergroup “Cry Cry Cry” with Dar Williams and Richard Shindell. She's been featured on NPR's All Things Considered, Weekend Edition, Morning Edition, the BBC and CBS Sunday Morning. She has sung with Suzanne Vega, Bryan Ferry, Nanci Griffith and Shawn Colvin.  Her song “Guilty as Sin” was featured in the NBC television show “Ed,”  and her vocals were featured in the Tom Cruise film “The Firm.”My featured song is “The Captain Of Her Heart” from the album Play by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LUCY:www.lucykaplansky.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this episode, we hear from Charlotte Hatherley who was projected onto the world stage with the band Ash at the age of 18 and toured with them for 8 years. Since then, she's released 4 studio albums as well as numerous collaborations - as well as touring with Bat For Lashes, Bryan Ferry, KT Tunstell, Birdy and more. She was also in the Synth-Pop band NZCA Lines with Michael Lovett (Metronomy) and Sarah Jones (Harry Styles/Hot Chip).  Charlotte has worked on an extensive selection of soundtracks, most notably ‘The Last Man' with Gavin Rothery in which she also starred, along with many other shows and performances. She's shot music videos with Edgar Wright, Gavin Rothery and Joe Cornish - and is currently the Programme Leader at the ICMP, where she teaches the next generation of musicians and performers. https://www.charlottehatherley.com/ Recommended Episode: David Viens of Plogue - midierror meets Series 1 Episode 28   BONUS: Get 15% off ANY device in midierror's Max4Live store using the code MIDIERRORSONICSTATE15 This is series 2, episode 9 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp.  See the full list of episodes at: sonicstate.com/midierrormeets

Eine Woche lang nur Musik aus 1985: Wir haben unser Versprechen gehalten – und schauen zum Abschluss unserer Retro-Woche zurück auf Highlights und Entdeckungen. Plus: ein paar Perlen, die Montag bis Donnerstag noch nicht in unseren Playlisten zu finden waren, liefern wir ebenfalls nach. Alle Sendungen dieser Woche findet ihr in voller Länge in der Linkliste. Und ab nächstem Montag steht bei Sounds! dann wieder die brandneue Musik im Fokus.

In this episode, we speak with Chris Spedding - guitarist to the stars and member of eleven bands, as well as being an established solo artist. Chris has played guitar for a wealth of artists including Roxy Music, Brian Eno, Phil Spector, Elton John, Ginger Baker, Nick Mason, Roger Daultry, Paul McCartney, David Essex, Art Garfunkel, Tom Waits, Joan Armatrading, John Cale, Paulo Nutini, and many more. Much of his work has been as a guitarist, but he also produced the first ever Sex Pistols Demo Tape, garnering huge media attention - as well as being part of bands like Nucleus, The Sharks, Battered Ornaments, Frank Ricotti Quartet, King Mob, Necessaries, Nucleus, Trigger, and more. His latest solo Album, ‘Joyland' features Bryan Ferry and Johnny Marr as guests, amongst others. His career spans many decades, and we can only scratch the surface on his incredible career. http://www.chrisspedding.com/ Recommended Episode: E.M.M.A. - midierror meets Series 1 Episode 37 BONUS: Get 15% off ANY device in midierror's Max4Live store using the code MIDIERRORSONICSTATE15 This is series 2, episode 9 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp. See the full list of episodes at: sonicstate.com/midierrormeets Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch.

Baxie speaks with the legendary Chris Spedding! For the last 50 years Chris has been one of the most prolific and respected guitarists in UK history. Chris has not only released 14 solo albums since 1970, he's also played on hundreds and hundreds of sessions for some of music's most important artists. It's a list that includes Paul McCartney, Elton John, Jack Bruce, Brian Eno, Joan Armatrading, Harry Nilsson, The Pretenders, and Bryan Ferry (both with and without Roxy Music)! He's also the guy who produced the very first demos for the Sex Pistols! Just amazing! Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

Long time Dream Chimney contributor, DJ, Producer Dennis Kane is facing eviction and looking for support. https://gofund.me/7db0132b We are hosting the original Disques Town podcast episodes and making them available to stream/download. Please consider donating to help Dennis. At the moment Dennis finds himself in a serious financial jam, and we are raising funds to help he and Roan stay in their home of 31 years. -- Originally Recorded Sep 27, 2013 Corona Queens born, but with a long formative stretch growing up in Nebraska, and from Jamaican roots, (Derrick Harriott is an uncle), Brooklyn's Duane Harriott is as unique and specific as that trajectory indicates. One of our longtime NY peeps, Duane has always taken his own path and carved out a meaningful sensibility away from the various trends that come and go. (bearded hipster take note!) One of the founding residents of NYC's famed APT, Duane has played at pretty much every significant NY spot high and low for the past 15 years. Look for Duane's edit and remix work on the Stilov4music, Lumberjacks in Hell, and Intimate Friends labels amongst others.(Released under the monikers Devin Dare w/ Sean Marquand Bim Marx w/ Jorge West, Desiree West, & 2BAN) Also check out his weekly radio show on WFMU every Wednesday from 12-3pm, it is also archived. The first person we mentioned the "podcast" idea to, we are gassed to finally have him on board. For all things Dr. Duane go to: http://www.wfmu.org/playlists/DH https://soundcloud.com/dj-duane-harriott https://www.facebook.com/duane.harriott?fref=ts One of the leading producers and remixers in contemporary dance music, Cambridge raised Ray Mang, (Raj Gupta) hardly needs an intro. Under the name Ray Mang, (also under Laj, Sir Raymond Mang, Block 16, & Motif) he has written and recorded tracks with people like Jon Lucien, Bim Sherman, Jhelisa, Kier Kerby, Robert Owens and Mozez. He has also remixed tracks for disco heroes like Roxy Music, Banda Black Rio, Terry Callier, Freddie Mercury, Beck, Shirley Bassey, Bryan Ferry and Grace Jones amongst others. You can find his remixes and original material on labels like Bearfunk, DFA, Eskimo, Under the Shade, Noid, and his own Mangled label. Raj is a busy man with tons of stuff coming out, so we are very happy he made time for this great set. At this writing Raj was locked in a house filled with seven year olds and flying spaghetti, we hope he survives! Look for his work, hope to see him DJ in your town, and get your fix of Mang here: https://soundcloud.com/ray-mang http://www.discogs.com/artist/ray+mang

EPISODE 136: Phil Manzanera is one of the UK's best-known musicians and record producers, having shot to prominence in the early ‘70's as the lead guitarist with Roxy Music. He is acknowledged as one of the world's leading guitarists and is in much demand both as a performer and record producer. Now in his fifth decade as a professional musician, in addition to his work with Roxy Music, he has worked with many music luminaries, including Steve Winwood, David Gilmour, John Cale, Godley and Creme, Nico (Velvet Underground) and John Wetton (King Crimson, Asia). He has co-written material with many artists, including Brian Eno, Tim Finn, Robert Wyatt and David Gilmour. Manzanera co-wrote Pink Floyd's single “One Slip,” from their 1988 MOMENTARY LAPSE OF REASON album. Manzanera has also produced seminal albums for Spanish-speaking artists Draco Rosa, Enrique Bunbury, Héoes del Silencio Aterciopelados, Paralamas and Fito Paez.  manzanera.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

It's pretty much a fact that if you appeared on a Steely Dan album, you're a made man. Especially on the big ones like Aja and Gaucho. For acclaimed drummer Rick Marotta that's only one chapter of his long, amazing career. His resume also includes Aretha, Donny Hathaway, John Lennon, Jim Croce, Hall & Oates, the Jacksons, Bryan Ferry, and Paul Simon. We discuss all of these and many more. Rick is one of the best storytellers we've ever featured on the show. You'll love every second of this one!  The Hustle Podcast | creating podcasts | Patreon

September 7th, 1988, marked the culmination of 11 years of toil and sweat, when a true “band of brothers” from down under became the biggest musical act on the planet by scooping the pool at the 1988 MTV Music Awards. Nominated for nine awards, INXS walked away with the top five major honors, edging out longtime rivals U2, along with music legends like George Harrison, Bruce Springsteen, and XTC, with their iconic Need You Tonight/Mediate song and groundbreaking video. By this time, the MTV Awards had already surpassed the Grammys as the preeminent music event, and INXS rightfully stood as the darlings of the international music industry. Having spent the previous decade tirelessly touring the globe and steadily building momentum, they reached a crescendo that placed them at the very center of the late-'80s musical zeitgeist. With fellow icons including Rod Stewart, Aerosmith, Depeche Mode, Guns N' Roses, Elton John, Cher, Bryan Ferry, Peter Gabriel, Cyndi Lauper, and The Bangles appearing or presenting, the night became both a peer-to-peer celebration and global recognition of INXS' remarkable achievements. Much of this impact was amplified through the vision of legendary TV producer Dick Clark, who ensured the event was broadcast around the world. So it's with great pleasure that Bee and I unpack this unforgettable night, explore the rise and history of the MTV Awards, and reflect on the lasting impact this achievement continues to hold within the INXS legacy. Love and peace ✌️ https://www.inxsaccessallareas.com/  

Die Themen: Die Morgenroutine von Familie Ferchichi; Zum 80. Geburtstag von Bryan Ferry; Elton John schenkt Lola Young sein Haus; Die Serie „Call My Agent Berlin“; Frauen in der Filmbranche; Alyssa Milano lässt Brustimplantate entfernen als Statement gegen sexualisierte Schönheitsideale; Yasmine M'Barek über Empathie und das Genie des Dummseins Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Biesinger, Gabi www.deutschlandfunkkultur.de, Studio 9

A birthday salute to Bryan Ferry, who’s turning 80 this week, and the band he fronted, Roxy Music! (65 minutes)

A birthday salute to Bryan Ferry, who’s turning 80 this week, and the band he fronted, Roxy Music! (65 minutes)

Kalk und Welk solidarisieren sich mit dem geschassten US-Late Night-Host Jimmy Kimmel und kündigen ihr Disney+-Abo - also wenn Welke seine Serie zu Ende geguckt hat. Wie versprochen haben die Ollis sich die neue "Stefan Raab Show" angesehen und damit mehr körperliche Schmerzen erlitten als der in der Sendung anwesende Penis-Künstler. Wirklich berührend und voller Bewunderung würdigen sie aber den verstorbenen Robert Redford. Geburtstagsgrüße gehen noch raus an Bill Murray, Bryan Ferry, Atze Schröder und Ralph Siegel. Podcast-Tipp: Die neue Staffel Kunstverbrechen https://www.ardaudiothek.de/sendung/kunstverbrechen-true-crime-meets-kultur/urn:ard:show:78b44da017c70e17/

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your weekly time warp back to the 1980s with: Bryan Ferry, Echo & The Bunnymen, Morrissey, Joy Division, Sheena Easton, Pet Shop Boys, INXS, A Flock Of Seagulls, Animotion, Big Country, Belinda Carlisle, George Michael, Magazine, Re-Flex, and finishing off with the Red Hot Chili Peppers.

Send us a message, so we know what you're thinking!A special episode today to look at the huge amount of people who've recently died.  Obviously, Ozzy Osbourne is the most well-known, but there's gonna be a queue a mile long at the Pearly Gates as they try to process everyone!  Let's look at some highlights, such as Brian Wilson, Sly Stone, Aussie Col Joye, Hulk Hogan, David Johansen and Golden Earring's George Kooymans. We're also going to look at some of the 304 covers of Dylan's song, “Knockin' on Heaven's Door” - some great, some not so much! Our Album You Must Hear Before You Die is, inevitably, the self-titled debut, “Black Sabbath”. We'll look at the impact of this album which, although not the band's best, is credited with launching Heavy Metal itself! Stephen Colbert recently became our favourite US night-time TV host when he had Weird Al Yankovic as a guest to celebrate the “Kiss-Cam” scandal. Weird Al said “We're gonna do some Coldplay.”  When Colbert asked if he had a funny parody, Al said, “No.  I can't think of anything funnier than Coldplay.”    References: Colbert, Weird Al Yankovic, Coldplay, “Kiss Cam”, Trump, Michael Flatley, Lord of the Dance, Black Sabbath, Tony Iommi, Deep Purple, Led Zeppelin, “Master of the Macabre”, Mario Bava, Warren Zevon, Ladysmith Black Mambazo, Guns'n'Roses, Eric Clapton, Roger McGuinn, Television, Sisters of Mercy, Jerry Garcia, Bryan Ferry, Dave Stewart, Cold Chisel, Siouxsie & The Banshees, Ozzy Osbourne, Brian Wilson , Sly Stone, Sly and the Family Stone, Col Joye, Hulk Hogan, David Lynn Thomas, James Baker, Paul Buckler, Paul Weller, The Jam, Rick Derringer, Edgar and Johnny Winter, Arthur Stern, "Cry Me a River", George Kooymans, Golden Earring, Chuck Mangione, Alf Clausen, The Simpsons, Tom Lehrer, David Johansen, New York Dolls, Bobby Sherman  Links PlaylistMichael Flatley Ozzy - Reality TV icon. Ozzy & the coke raid I am Frying Pan by Mac Sabbath Brian Wilson interviewThe Simpsons intro Tom Lehrer  

Long time Dream Chimney contributor, DJ, Producer Dennis Kane is facing eviction and looking for support. https://gofund.me/7db0132b We are hosting the original Disques Town podcast episodes and making them available to stream/download. Please consider donating to help Dennis. At the moment Dennis finds himself in a serious financial jam, and we are raising funds to help he and Roan stay in their home of 31 years. -- Originally Recorded Dec 2011 Party people we bring 2011 to a close with 2 great sets from our guests Max and Richard! Tokyo resident and Jansen Jarden honcho Max Essa has been making music since the early 90's, he has produced tracks and remixes for labels like Paper, D-Vision, Bear funk, Nang and Tirk... His own solo work, Midnight Garden and Continental Drift feature not only his production work but his elegant guitar playing. (as does his remix of Apollo Heights!) Back to the Beach released from Continental Drift was a huge record and is emblematic of Max's cosmic and crisp production style. In addition to his playing and producing Max is also a serious DJ as his guest set here shows. For more on Max peep: http://soundcloud.com/max-essa and https://www.instagram.com/maxessa UK underground legend Richard Sen's career spans over 20 years of DJ & production work. One of the first wave of serious UK train graf writers, Richard gained notoriety with his musical projects Padded Cell and Bronx Dogs. He has also done production and remix work for LCD Soundsystem, Bryan Ferry, Saint Etienne and The Jungle Brothers amongst others. Richard is an amazing DJ who's style has a dark soulful and psychedelic edge that comes through in the broad range of music he plays. (I had him play my birthday party, he's friggin awesome!) Richard also has a great edit series (w Cazbee), Mixed Blood Cuts. For all things Richard go to: http://soundcloud.com/senrichard and https://www.instagram.com/richard_sen_coma Thanks for all the support this year, we are excited at DSGT, and we will have more great music and podcasts in 2012. Some heavy hitters coming up! Last but not least my thanks to Max Essa and Richard Sen for the friendship and great music.

Send me a text and please visit www.livefrommydrumroom.com Part 2 of Live AID 40th Anniversary with special guests! The live show was over two hours long with endless stories and behind the scenes insights into Live AID, so I'm presenting it in two parts. Be sure to check out Part 1! https://youtu.be/3GAqMqu88wo *Some video footage/music had to be removed due to Copyright Claims, but the entire show and all the music is in the audio podcast on all platforms, including the bonus track: Tom Petty & The Heartbreakers' "Refugee" which wasn't played during the live broadcast.  A big thanks to my friends and drummers who were there that day on July 13, 1985 in London and Philadelphia and came on my show to share their stories! Stan Lynch (Tom Petty & The Heartbreakers), Mickey Curry (Hall & Oates/Mick Jagger & Tina Turner),  Steve White (Style Council), Graham Lear (Santana), Jeff Simon (George Thorogood), Dave Uosikkinen (The Hooters), Andy Newmark (Bryan Ferry), Tris Imboden (Kenny Loggins) and Michael Shrieve! So come along for the ride for Part 2 of Live Aid 40th Anniversary! Thanks for watching and listening and please subscribe! Stan Lynch: https://www.thespeakerwars.comMichael Shrieve: http://www.michaelshrieve.comThe Stick People: https://www.youtube.com/@UCSPZaEqaDNoYikCMIIQ_zug Steve White: https://www.whiteydrums.comTris Imboden: https://www.facebook.com/trisimbodenpage Dave Uosikkinen: https://songsinthepocket.orgGraham Lear: https://www.grahamlear.com/ Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Send me a text and please visit www.livefrommydrumroom.com Part 1 of Live AID 40th Anniversary with special guests! The live show was over 2 hours long with endless stories and behind the scenes insights into Live AID, so I'm presenting it in two parts. A big thanks to my friends and drummers who were there that day on July 13, 1985 in London and Philadelphia and came on my show to share their stories! Stan Lynch (Tom Petty & The Heartbreakers), Mickey Curry (Hall & Oates/Mick Jagger & Tina Turner),  Steve White (Style Council), Graham Lear (Santana), Jeff Simon (George Thorogood), Dave Uosikkinen (The Hooters), Andy Newmark (Bryan Ferry), Tris Imboden (Kenny Loggins) and Michael Shrieve! So come along for the ride for Part 1 of Live Aid 40th Anniversary. Thanks for watching and listening and please subscribe! Also available all podcast platforms! Visit https://livefrommydrumroom.com for more info!  Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

In the Age of AI-American Idol -Spotify-TikTok and all things music, we decided to check in on that happenings in the music industry and what we should do with our turntable and vinyl collection  - so we dialed up Grammy Award winning A&R and Talent Management exec @Tom Sarig, who shares his views and also updates us on his exciting new business >  https://www.antifragilemusic.com/Tom Sarig is the President of AntiFragile Music, a curator label and distributor for select, culturally distinguished independent music artists. With over two decades of experience in the music business, Tom has nurtured and helped several acclaimed artists achieve breakthrough success and sell millions of records, either as their manager or in a label/A&R capacity, and in genres ranging from electronic to rock, pop to hip hop.Tom is also the founder of Esther Creative Group, a talent management and entertainment consulting firm that has managed the careers of icons such as Lou Reed, Bryan Ferry, Violent Femmes, CAKE, and Bebel Gilberto. Tom has produced feature films, served as a Grammy-winning senior A&R executive at major labels working closely with artists including Erykah Badu, The Roots, Nine Inch Nails, and Blink-182; and founded SarigSongs, a music publishing company. Tom's mission is to champion and evangelize for great cultural brands, and to collaborate and empower independent music artists in today's music landscape.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by Andrew Stuttaford. Andrew needs little introduction as the editor of NR's Capital Matters. Find him online right here at National Review or at @AStuttaford on Twitter/X.Andrew's Music Pick: Brian EnoHere he comes, the boy who tried to vanish to the future or the past. Yes, it's time for Political Beats to celebrate one of the most influential musicians in the history of modern recorded sound -- a man who, ironically enough, is at pains to characterize himself as a non-musician. Children of the Eighties and Nineties may primarily understand Brian Eno as the producer who took U2 to megastardom, but his work as a producer is properly only a footnote to his work as a songwriter and (most importantly of all) a conceptualist. Eno first achieved fame with Roxy Music as their "noise man," providing outrageous sounds alongside "treatments" -- electronic reprocessing -- of the rest of the group's instruments. But Roxy Music was ultimately pianist/vocalist Bryan Ferry's baby, and so Eno soon struck out on his own, for a solo career that would bring him into collaboration with some of the best and most innovative musicians of the Seventies as he put out a sequence of four "lyrical" albums which bent the definition of "popular music" well past its breaking point and into the avant-garde. At the same time, Eno was creating an entirely new genre of recorded sound: so-called "ambient" music, written and recorded in such a way as to (per his maxim) "reward your attention without demanding it."This, of course, is only the tip of the iceberg in a career that also includes brilliant songwriting collaborations with Robert Fripp, David Bowie, and Talking Heads among others. All of this and much more are discussed on a episode Political Beats has been waiting to do for eight years: Brian Eno played an enormous role in inventing the sonic world we still live in, and also made some of the most unexpectedly profound and beautiful music while doing so. We are lucky to be joined by NR's own Andrew Stuttaford for this episode, who lends particular credibility to the discussion as a fan from all the way back in 1972, during the Roxy years. Enjoy stepping into another (green) world.

In this episode, we're joined by Christian Dryden of the New York-based band, The Ritualists.Emerging from the underground glam scene in NYC's East Village, The Ritualists have become a key player in the Lower East Side music scene, a community that deeply influenced Dryden's musical vision. Immersed in a world that draws inspiration from icons like The Velvet Underground and New York Dolls, as well as British glam rock, Dryden's sound blends these influences with his own contemporary twist. Reflecting on his musical journey, Dryden shares, "Being inspired by larger-than-life figures like David Bowie, Simon Le Bon, Bryan Ferry, and Marc Bolan was both a gift and a challenge. While it was transformative to imagine these legends as musical soulmates, it also brought a sense of loneliness, as I felt like I was the only one with that vision... until I discovered the venues and clubs of the Lower East Side."MusicThe Ritualists "Wake Up"Additional MusicThe Charms "So PrettyThe Dogmatics "I Love Rock N Roll"Produced and Hosted by Steev Riccardo

Bryan Ferry discusses his latest album, Loose Talk and reflects on his long career in music. Disney's new live action version of Snow White has just opened and has attracted criticism from those who felt it departed too far from the original film. Film critics Larushka Ivan Zadeh and Al Horner explore why Disney's reinterpretation of its own canon has become so controversial. The Windham Campbell Prize gives away over a million pounds, shared between eight writers across fiction, nonfiction, poetry, and drama. Previous British winners have included the poet Zaffar Kunial. Samira is joined by two of this year's winners, playwright, Matilda Ibini and poet, Anthony V Capildeo, to discuss the impact of the prize. Disney's Snow White and the Seven Dwarves changed cinema forever when the world's first animated film hit screens in 1937. Now the House of Mouse has just released a big budget live action remake of the beloved original that is arriving under a cloud of controversy. Larushka Iven-Zadeh, the Times films critic, and Al Horner, a Telegraph writer and host of the Script Apart podcast, joins to discuss.Presenter: Samira Ahmed Producer: Ruth Watts

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast we welcome Nik Kershaw to the show. Nik chats to Guy Pratt and Gary Kemp about his early influences growing up in Ipswich, his meteoric rise in the 80s, his incredible barnet, playing Live Aid, and his continued delight to be touring with his own shows and the much-loved 80s revival festivals.Find out more about Nik and his upcoming music and live dates here: https://www.nikkershaw.net/Instagram @rockonteurs @nikkershawofficial @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes, including the Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

It's a big one this week on Rockonteurs, we are delighted to welcome Bryan Ferry to the podcast.Join Gary Kemp and Guy Pratt as they meet up with Bryan at his studio in London to discuss his new album ‘Loose Talk' with Amelia Barratt which is coming out on March 28th. We also take a deep dive into his early musical influences such as seeing Bill Haley, meeting the other members of Roxy Music, and how art and cinema have shaped all of his creative output that continues to this day with this special new record. This is a special one! Thanks to Bryan for inviting us over. Pre-order the record or find out more at: https://store.bryanferry.com/Instagram @rockonteurs @bryanferry_roxymusic @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

Whether you know it or not, you've been listening to Fonzi Thornton for almost 50 years. As teenagers he and Luther Vandross formed a lifelong friendship and devoting their lives to music pays off for both - Luther becomes a giant among giants and Fonzi becomes one of the most sought after backup singers ever. Starting in Listen My Brother with Luther and friends Carlos Alomar and Robin Clark turns into a stint singing with Chic and then a lifelong partnership with Roxy Music and Bryan Ferry. Along the way there's been Bowie, Aretha, Scritti Politti, Candi Staton and tons more. Don't forget to watch him in the excellent new documentary Luther: Never Too Much that will be premiering on CNN on New Year's Day. Enjoy!  www.luther.film www.patreon.com/c/thehustlepod