Podcasts about Cafe Oto

Con Giorgio Valletta ricordiamo Sergio Ricciardone, fodatore e direttore artistico del c2c e figura centrale del clubbing in Italia, ascoltiamo il servizio di Marcello Lorrai sul legame tra la colonna sonora di "The Brutalist" e il Cafe Oto di Londra, ospitiamo Remo Anzovino per un'intervista sul suo lavoro Atelier e tre brani live

1) Mentre l'Europa si riunisce a Bruxelles per discutere il riarmo, i leader europei terrorizzano le opinioni pubbliche, ma non fanno i conti con la realtà. (Chawki Senouci) 2) 15 milioni di spettatori per il discorso di Macron sulla guerra in Ucraina e la difesa europea, ma i francesi restano inquieti e indecisi. (Francesco Giorgini) 3) Medio Oriente, la sorveglianza israeliana sulla vita dei palestinesi arriva ad un altro livello. L'esercito sta sviluppando un sistema di intelligenza artificiale basato su centinaia di migliaia di conversazioni private. (Meron Rapoport - +972) 4) Stati Uniti, Donald Trump vuole chiudere il ministero dell'istruzione. Già pronto l'ordine esecutivo per smantellarlo. (Roberto Festa) 5) Portogallo, verso elezioni anticipate. Il governo di Luis Montenegro, accusato di conflitto d'interessi, rischia di cadere; a nemmeno un anno dalla sua formazione. (Luca Santoro) 6) Verso l'8 Marzo. La risposta delle femministe spagnole al boom dei podcast bro. (Giulio Maria Piantadosi) 7) World Music. Il free jazz nato al Cafe Oto di Londra arriva agli Oscar con la colonna sonora di The Brutalist. (Marcello Lorrai)

At 34, UK-based artist and composer Daniel Blumberg is the youngest person nominated for this year's Best Score at the Oscars. His work on The Brutalist, nominated for 10 Academy Awards, is a continuation and evolution of Brady Corbet's directorial talent — a longtime friend and collaborator. Daniel talks us through his formative experience at Cafe Oto in London — a hub for eccentric and inventive musical talents, which has also inspired Daniel's own highly reviewed solo albums. Daniel explains why he had to visit Italy himself to calibrate the echoes of a marble quarry, why he and Brady always envisioned the opening as a balance of tension and payoff, and why he left in raw recordings of musical “sketches” on purpose to help convey the endless pursuit of creative perfection the film depicts. Why the rising awards buzz around his unique score makes him nervous, and the unlikely (but true!) admiration for Wallace & Gromit.Interview by Kenny Holmes and Matt Schrader. Recorded at A24 Studios in Los Angeles.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atUse promo code SCORESMART10 for 10% off Synchron Smart Orchestra 2.0, valid until March 17To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Driving in fury, letting the endings be real, slow and lonely. The free improvisation percussionist discusses three important albums.Mark's picks:Don Cherry, Dewey Redman, Charlie Haden, Ed Blackwell – Old And New Dreams (1979)Evan Parker – MonocerosRebecca Saunders – Fury IIAs always, Mark has a bunch of upcoming live dates. These include Evan Parker's 80th birthday residency at Cafe Oto, for which Mark has prepared a four-part percussion group. Mark's website is here.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Curated By: CiTR 101.9FM 24 Hours Of Radio Art Team Featuring: Sonologyst | Nagarekeri | Cadlag | Merzbow ‘Live At London's Cafe OTO'.

The dirt aesthetic, non-relinquishable frequencies, opening up that filter. The London-based sound artist and "mutant dancehall" practitioner discusses three important albums.Aniruddha's picks:Miles Davies – Dark MagusRobert Hood – Minimal NationHallucinator – LandlockedCheck out Dhangsha's music on Bandcamp here. His Hard Return EP "Aberrant" is over here. Dhangsha plays London's Cafe Oto on 24th January, and Electric Spring festival in Huddersfield on 17th February.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

In this episode, Mary Hurrell shares and discusses her eleven-minute piece Avalanche Candy, a sonic choreography which explores the idea of falling. Guided by the vibrational and embodied quality of the work, we discuss audio as a way to communicate emotional and physical knowledge and intelligence. Collaging text, synthesised voice and field recordings, Hurrell explores notions of gravity within a digital realm; the listener is choreographed through a space of organic and artificial sensations, deconstructed movements and digital physicalities, a bubblegum-industrial dance. BioMary Hurrell (b.1982 South Africa) is an artist working across sound production, live performance and sculpture as a form of expanded choreography. She is interested in forms of language and movement in relation to physical and psychological experience. She has exhibited and performed both nationally and internationally, with selected solo performances, projects and exhibitions including: BUOY, Nicoletti Contemporary, London, (2021); Movement Study 6, The Bower, London (2018); 3 (OXIORCAD), Flat Time House, London (2018); 2 (AERIAL), Kunstraum, London (2018); 1 (PITCH), Body Ecologies 1,Centro Botin, Spain (2018); StereoSkin, Herdubreid Biosal, Seydisfjordur, Iceland (2017); EROTIC MECHANICS, Martello Street, London (2016); Call/Coda, Carlos/Ishikawa, London (2012). Selected group performances, exhibitions and festivals include; RADIOPHRENIA, CCA, Glasgow (2022); Cafe OTO, London (2021); Auto-Poem, Nicoletti X London Gallery Weekend, London (2021); UNDEX, Jupiter Rising x Edinburgh Art Festival, Jupiter Artland, Edinburgh (2019); Chou, Yamakiwa Gallery, Japan (2018); Body Echo, Nicoletti Contemporary, Paris (2018); An Evening Of Performances, The Roberts Institute of Art, London (2016); London Open, Whitechapel Gallery, London (2015); My Vocabulary Did This Too Me, South London Gallery (2014)Artist: Mary HurrellHosts: Nina Davies and Niamh SchmidtkeMusic: Joe Moss and John TrevaskisProducer: Flo LinesBroadcast through Radio Thamesmead

Showcasing left-field electronic music.TRACKLIST:00:00 DJ Skymall01:20 Amon Tobin - Lost & Foundhttps://music.amontobin.com/album/isam04:21 Nukua – Ezmdhttp://www.brainstormlab.org/albums/BSL_044/index.html06:53 Othello Aubern - Pace Serpentehttps://threeop.bandcamp.com/album/pace-serpente10:43 Fla.mingo & Sonnig 991 - Bag Of Tin Catshttps://seikomart.bandcamp.com/album/observing-creative-destruction14:32 DJ Skymall16:45 EU - Sh17mhttps://eumusic.bandcamp.com/album/reframing19:35 Onsy - Freq001https://schematicmusiccompany.bandcamp.com/album/freq-25522:47 Christian Löffler  - Eisberg (Hemal)https://christianloffler.bandcamp.com/album/a-forest26:28 Alex Smoke - Love Over Willhttps://alexsmoke.bandcamp.com/album/love-over-will29:25 VNDL - Day Nil (remix)https://abstraktreflections.bandcamp.com/album/day-nil32:58 Datassette - Compound Eyes (Live at Cafe OTO)https://datassette.bandcamp.com/album/zetex-live-at-cafe-oto36:44 DJ Skymall39:13 MNLTH - Quotonhttps://mnlth.bandcamp.com/album/rythimi40:56 Akkord - Smoke Circlehttps://akkord.bandcamp.com/album/akkord44:22 Meam - Water Trackhttps://skam.bleepstores.com/release/73183-meam-meam48:26 Tim Hecker - Amps, Drugs, Harmoniumhttps://timhecker.bandcamp.com/album/virgins-250:54 Lakker - 100 Barhttps://lakker.bandcamp.com/album/poca53:50 Airhead - Chance Cloudshttps://airhead.bandcamp.com/album/and-a-bit-of-hope55:51 DJ Skymall57:00 Kit Clayton - Etymon, No!https://www.discogs.com/release/35129-Various-Staedtizism-3-Instrumentals61:39 End.https://blknoise.bandcamp.comhttps://www.instagram.com/blknoisehttps://twitter.com/blknoisemusichttps://www.instagram.com/ed_skymall

Our latest installment in the 'Delayed with...' series welcomes a founder of popular online music magazine Inverted Audio, Tom Durston, aka Antepop. Antepop played a vinyl-only all-nighter at London's Cafe Oto a few weeks ago, and we are happy to feature the first two hours of that set on our platform. The mix gradually unfolds from ambient, experimental, electronica, and dub to the finest deep house that would set an ideal mood for any given dance floor. With the accent on track selection and setting up the mood, this is a warm-up set done right. Tracks by Huerco S, Traumprinz, Leafar Legov, Rising Sun, and DJ Sprinkles, with some Workshop and Giegling magic, will brighten up your day and prepare you for the weekend ahead. https://soundcloud.com/antepop Antepop on Instagram: https://www.instagram.com/djantepop Antepop on FB: https://www.facebook.com/antepopmusic www.itsdelayed.com www.instagram.com/_itsdelayed_ www.facebook.com/itsdelayed https://t.me/itsdelayed

Rodrigo AmadoNomeado, pelo sétimo ano consecutivo, pela prestigiada El Intruso International Critics Poll como um dos cinco melhores saxofonistas tenor em actividade, ao lado de Evan Parker, Joe Lovano, Ken Vandermark, Jon Irabagon, Ivo Perelman, James Brandon Lewis, Chris Potter ou Ingrid Laubrock, Rodrigo Amado acaba de editar "Let The Free Be Men" (Trost), o terceiro álbum do quarteto que mantém com três das mais importantes figuras do jazz livre actual - Joe McPhee, Kent Kessler e Chris Corsano. Ainda este ano, editou também “The Field” (No Business), o sétimo álbum do seu celebrado Motion Trio, aqui com a participação do lendário pianista alemão Alexander von Schlippenbach. O ano de 2021 anuncia-se intenso, com a realização prevista de uma extensa tour Europeia dos Humanization Quartet e ainda inúmeros concertos um pouco por toda a Europa. Com o seu quarteto americano, à frente dos Motion Trio, com Miguel Mira e Gabriel Ferrandini, ou integrado nos Humanization Quartet, Amado realizou nos últimos anos inúmeras tournées na Europa e nos Estados Unidos, tendo passado por salas de referência como o Snug Harbor em New Orleans, Hideout em Chicago, The Stone em Nova Iorque, Bimhuis em Amsterdão, DOM em Moscovo, Jazz House em Copenhaga, Cafe Oto em Londres, Pardon To Tu em Varsóvia, De Singer em Antuérpia, Manufaktur em Estugarda ou a State Philharmony Hall em Oradea, vendo o seu trabalho aclamado em publicações internacionais de referência como a revista The Wire, ou os jornais El País e Folha de São Paulo. Com uma série de novas tours previstas para 2021 e 2022, Amado afirma-se, cada vez mais, como um dos mais destacados improvisadores Europeus. Como refere o crítico e escritor norte-americano Stuart Broomer nas liner notes que escreveu para "This Is Our Language", "Amado is an emerging master of a great tradition, more apparent with each new recording or performance." Amado desenvolve ainda intensa actividade como fotógrafo, tendo realizado inúmeras exposições individuais (Maus Hábitos, Porto; Museu da Electricidade, Fundação EDP, Lisboa; Museu da Imagem, Braga; Galeria Módulo, Lisboa; Quase Galeria, Porto; Kameraphoto, Lisboa) e colectivas. Editou em 2012 o livro “Um Certain Malaise” (Documenta), com imagens suas e textos de Gonçalo M Tavares. Links:https://www.rodrigoamado.com/https://rodrigoamado.bandcamp.com/https://www.culturgest.pt/pt/programacao/RodrigoAmado-JoeMcPhee-KentKessler-ChrisCorsano/https://www.publico.pt/2015/09/08/video/rodrigo-amado-joe-mcphee-kent-kessler-e-chris-corsano-20150908-132231https://www.rimasebatidas.pt/rodrigo-amado-toco-um-instrumento-que-tem-o-sopro-da-liberdade/https://www.fundacaoedp.pt/pt/noticias/un-certain-malaisehttps://www.publico.pt/2018/06/15/culturaipsilon/noticia/para-rodrigo-amado-e-tempo-de-ir-mais-fundo-nas-raizes-1834127https://jazz.pt/ponto-escuta/2018/06/08/rodrigo-amado-history-nothing-trost/ https://www.timeout.pt/lisboa/pt/musica/cinco-saxofonistas-de-jazz-portugueses-que-precisa-de-ouvirhttps://www.youtube.com/watch?v=uxCYGdxkamchttps://www.youtube.com/watch?v=3Rwf5qql4Ac Episódio gravado a 29.07.2021 http://www.appleton.ptMecenas Appleton:HCI / Colecção Maria e Armando CabralFinanciamento:República Portuguesa - Cultura / DGArtesApoio:Câmara Municipal de Lisboa

In "Memory Talk", artist-performer Nour Mobarak continues her ongoing exploration of memory, psychic spaces and the spatialization of language. Based largely on field-recordings from Hollywood Boulevard and other places in Los Angeles where she asked strangers to share their earliest memories, her sound textures delve deep into the invisible architecture of both the individual mind and US therapy culture, often capturing moments of trauma, transgression, and intense feelings. As memory is itself fragmentary and shifting over time, her formal investigation aptly makes use of techniques such as microsampling, panning, silence, and pitch-shifting, which create sound textures of a pulsing, disorienting and hallucinatory spatiality. The sound sources all come from specific places—the voices of the interviewed on Hollywood Boulevard, a lengthy conversation with a friend, poems written and read by Mobarak herself, music snippets, and podcast-inspired guitar interludes by Dakota Higgins—which are cut up into micro-samples and projected into a stereo piece moving between right and left channel. The voices here become compositional material whose different intonations and syntax carry as much content as do the accounts themselves. The arrangement of voices of others and her own as well as the more incidental sounds in "Memory Talk" capture the sonic quality of the human voice as it becomes dissociated from the story, and the musical immediacy of it. Meanwhile, as Mobarak keeps asking the people on Hollywood Boulevard – what did it look like? Do you have an image? – visuals are missing and images are instead transported by voice. Recommended to listen with headphones. Postproduction: Juliette Amoroso and Nadel Eins Studio Berlin Nour Mobarak (b. 1985, Cairo, EG) lives and works in Los Angeles. Her works and performances have been presented, amongst others, at Miguel Abreu Gallery, New York (2021, 2019), KIM Contemporary Art Centre, Riga (2021), Hakuna Matata Sculpture Garden, Los Angeles (2020), Museum of Contemporary Art, San Diego (2020), Hammer Museum, Los Angeles (2019), LAXART, Los Angeles (2019), Cubitt Gallery, London (2019), Rodeo Gallery, London (2017), and Stadslimeit, Antwerp (2016). Her music has been released by Recital (Los Angeles), Cafe Oto's TakuRoku (London) and Ultra Eczema (Antwerp), and is included in the Whitney Museum Library's Special Collections. Her poetry and other writing has appeared in Triple Canopy, F.R. David, The Claudius App, and the Salzburg Review, among others.

"White lesbian films set in the past" is a budding subgenre in the last few years, stretching from The Favourite to Portrait of a Lady on Fire to last year's Ammonite (which we've covered on this very same show). But there's something intriguing about the latest entry in this rapidly-expanding field, Mona Fastvold's The World to Come, a 19th-century queer drama set on a quiet homestead in the rural areas of upstate New York. Abigail (Katherine Waterston), a pensive woman in a frigid marriage with her overworked farmer husband (Casey Affleck), finds an enticing escape from the doldrums and rhythms of farm life in the flirtations of Tallie (Vanessa Kirby), who herself needs a respite from her abusive husband played by Christopher Abbott. The World to Come styles itself as a tome of poetic yearning, from its muted, distanced presentation to the lyrical voiceover of Waterston reciting her florid journals she writes to pass the days and chronicle her feelings. Together, the two find freedom and joy, however, fleeting, amongst the grief and isolation of their circumstances, and the results are as gorgeous as they are tragic. Befitting the moodiness of the presentation is a similarly idiosyncratic score courtesy of musician and visual artist Daniel Blumberg, who makes his feature-film composing debut. An alumnus of London's free-jazz and experimental venue Cafe Oto, Blumberg leverages his love for improvisation and atmosphere into a fragile soundtrack that's foreboding and romantic in equal measure. Clarinets and strings fill the foggy New York air and the loaded silences between Abigail and Tallie, aided capably by fellow musicians like saxophonist Peter Brötzmann and vocalist Josephine Foster. We sat down with Blumberg to talk about how he came to score The World to Come, working with many of his experimental contemporaries, and the extent to which his work as a visual artist overlaps with his composing work.

Shenece Oretha takes an experimental approach to the podcast format for Somerset House Studios’ Hyper Functional, Ultra Healthy series.   The multidisciplinary artist choreographs a DJ lecture mix that explores the theme of the body, using sonic forms that range from instruments and speech, to musicians, conductors, and listeners.  Oretha journeys through improvisational musical practices, audience culture, Black literature and emotional responses, layering music, speech and sound.  Listen as Oretha composes this sonic terrain, and bear witness to sound’s ability to move us emotionally, physically and socially, connecting us even when we are apart.   ABOUT THE ARTIST Shenece Oretha is a London based artist who interrogates the emotional, physical and relational sonic material of Blackness. In sharp contrast to the stark technological hardware often present in her installations, her work builds on the mobilising effects of Black oral traditions, celebrating the exchange and participation of intimate action, testimonials and emotional responses to generate expressions of collective imagination.   She has exhibited and performed her work both nationally and internationally. Recently her work ‘ Called to Respond’ was shown at Cell project space in 2020. Her first solo exhibition, TESTING GROUNDS, curated by Taylor Le Melle, was presented with Not/Nowhere at Cafe Oto, London (2019). Group exhibitions include 'Cinders, Sinuous and Supple', curated by Deborah Joyce Holman, Lausanne Les Urbaines, Switzerland (2019); 'PRAISE N PAY IT/ PULL UP, COME INTO THE RISE', South London Gallery, London; and 'BBZBLKBK: Alternative Grad Show', Copeland (both 2018). Presentations of performance work include 'Towards a black testimony', Stroom Den Haag curated by Languid Hands (2019); Wysing Polyphonic Festival, Wysing Art Centre, Cambridge (2018);'Congregation', ICA, London, (2017). 

5e émission de la 49e session... Cette semaine, postbop, freebop et free-jazz! En musique: George Coleman sur l'album The George Coleman Quintet in Baltimore  (Reel to Real, 2020, enr. 1971); Ken McIntyre sur l'album Hindsight  (SteepleChase, 1974); Group Sounds Four & Five sur l'album Black & White Raga  (Jazz in Britain, 2020, enr. 1965-66); Elton Dean sur l'album Just Us  (Cuneiform, 1998, enr. 1972); Francisco Mela sur l'album MPT Trio Volume 1  (577, 2021); Peter Urpeth Quartet sur l'album Live at Cafe Oto  (Indépendant, 2021)...

5e émission de la 49e session... Cette semaine, postbop, freebop et free-jazz! En musique: George Coleman sur l'album The George Coleman Quintet in Baltimore  (Reel to Real, 2020, enr. 1971); Ken McIntyre sur l'album Hindsight  (SteepleChase, 1974); Group Sounds Four & Five sur l'album Black & White Raga  (Jazz in Britain, 2020, enr. 1965-66); Elton Dean sur l'album Just Us  (Cuneiform, 1998, enr. 1972); Francisco Mela sur l'album MPT Trio Volume 1  (577, 2021); Peter Urpeth Quartet sur l'album Live at Cafe Oto  (Indépendant, 2021)...

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-162-cafe-oto-feature/

查看节目原文：https://music.163.com/m/program?id=2063857347

1ère émission de la 42e session... Cette semaine pour débuter la session, trois albums seulement! Freebop et un long morceau free jazz au menu... En musique: Angelika Niescier sur l'album New York Trio  (Intakt, 2019); Atomic sur l'album Pet Variations  (ODIN, 2018); Irreversible Entanglements sur l'album 5.4.18  (Cafe OTO, 2019)...

1ère émission de la 42e session... Cette semaine pour débuter la session, trois albums seulement! Freebop et un long morceau free jazz au menu... En musique: Angelika Niescier sur l'album New York Trio  (Intakt, 2019); Atomic sur l'album Pet Variations  (ODIN, 2018); Irreversible Entanglements sur l'album 5.4.18  (Cafe OTO, 2019)...

Ahead of Lankum's headline show at Live at St Luke's in Cork, supported by Jimmy Crowley, on St Patrick's Day, Daragh Lynch joined the podcast to discuss their journey to date, from touring the world with his brother Ian in their late teens and early twenties to finding Cormac Mac Diarmada and Radie Peat and getting a slot on Later With Jools Holland. They're released two albums in the past few years, Cold Old Fire and Between The Earth and Sky. We talked two days before they were heading back into the studio so listen closely for some recording secrets. Live at St Luke's St Patrick's Weekend: March 15: Interference and Elaine Malone March 16: Scullion and Anna Mieke March 17: Lankum and Jimmy Crowley Lankum live dates: March 17: Live at St Luke's, Cork April 26: The Queen's Hall, Edinburgh May 19: Komedia, Bath Festival May 26: USOPOP Festival, Sare, Labourd, Basque May 28, 29: Cafe Oto, London

Nikolas Kasinos is a multidisciplinary artist, born in Cyprus in 1988, currently based in Berlin. Having as a core performance and video art, his artistic practice involves the exploration of identity, gender, transformation and mutation through the observation of human behaviour, media, popular culture within socio-political structures. Using his body as a subject - Nikolas explores the collective representation of ‘the self’ within these contexts. Works includes live and video performances, audio-visual installations, sound design, dance and photography.   He received his degree in Film & Video from University of The Arts, London, where he was based for 7 years. Within that period he experimented with video art while venturing into performance and developed work which is on-going until now. Through the years he collaborated with many artists such as Ron Athey, Chadd Curry, Ernesto Tomassini, Hector De Gregorio, Anton Mirto, Lina Lapelyte, in multimedia performance based projects. In 2014 he co-founded Ouroboros with visual artist Jeremy Carne focusing on creative and commercial video works until present. In 2016 he initiated RELAPSE collective with artists Vasiliki Antonopoulou and Dimitrios Michailidis aiming to give artists from different disciplines and geographic locations, the opportunity to come together and create a space for discourse.   He has exhibited and performed at several venues internationally, including his solo exhibition at EA Gallery at the University of Colorado, at Weld and Museum of Modern Art in Stockholm, Galeria Zé dos Bois in Lisbon, The Performance Shop in Limassol, Flux Factory in New York; Chelsea Theatre, Peltz Gallery, Royal College of Art, David Roberts Art Foundation, Cafe OTO in London. Residencies include The Yard in Cyprus, ImPulsTanz in Vienna, Dance4 in Nottingham, Skogen in Gothenburg. The book mentioned in the interview is The Agony of Eros by Byung-Chul Han.   @nikolaskasinos // nikolaskasinos.com Courage in the Face of Reality, 2016, Three Channel Video Installation 20:20 minutes Sometimes I’m ARrt, 2010–Present, Performance & Multimedia

Previews the imminent Broken20 at Cafe OTO, presenting three live recordings from label heads Rose & Sandy, Datasette, and your host, Spatial. Visit Broken20.com for more information. https://www.resonancefm.com/programmes/5b9f974f50000b3170000004 Shouts to ResonanceFM!

On our recent trip to England, we found a cozy hallway in the back of London's Cafe Oto to sit down with living legends Charles Bullen & Charles Hayward of This Heat. Over the course of the conversation, LITA's Matt Sullivan talks with C & C about their music, legacy, the formation of This Is Not This Heat, as well as what's currently on their turntables. For folks in the USA, a miracle will soon be hitting our shores – C & C will be performing This Is Not This Heat. These shows will mark the first ever US performances for both C & C in any incarnation. Hallelujah! Tour dates below. Formed in Brixton, a multicultural, and – at the time – down-at-heel part of south London, This Heat were born into a music scene in rapid flux, first thanks to the punk explosion and then via new wave and its myriad offshoots into pop, rock and art-rock. But while many sought to apply punk attitude to chart-friendly sounds, This Heat were concocting some of the most experimental ideas ever committed to tape, taking influence from musique concrète, krautrock, the burgeoning industrial scene and even the dub reggae blasting out in their home borough. Photo by Luis Carvajal. July 19 - Underground Arts (Philadelphia) July 21 - Pitchfork Festival (Chicago) July 23 - Pioneer Works (Brooklyn) Produced by Matt Sullivan and Patrick McCarthy Recorded by Matt Sullivan Edited and Mixed by Patrick McCarthy Thanks to Charles Bullen, Luis Carvajal, Charles Hayward, and everyone at Cafe Oto. Learn more about our This Heat reissues below. This Heat This Heat This Heat Deceit This Heat Health and Efficiency This Heat Made Available This Heat Repeat / Metal This Heat Live 80-81

Cafe Oto co-founder Hamish Dunbar guides us through some of his favourite recordings from the renowned east London experimental music venue

Celebrating the 10th anniversary of the world-renowned experimental music venue, musicians, staff and volunteers tell the story of how an abandoned Dalston paint factory was transformed into a vibrant international hub of creativity. Featuring Thurston Moore, David Toop, and more

Celebrating the 10th anniversary of the world-renowned experimental music venue, musicians, staff and volunteers tell the story of how an abandoned Dalston paint factory was transformed into a vibrant international hub of creativity. Featuring Thurston Moore, David Toop, and more

Cafe Oto co-founder Hamish Dunbar guides us through some of his favourite recordings from the renowned east London experimental music venue

11e émission de la 38e session... Cette semaine, de nouveaux visages en jazz moderne, freebop et une finale en avant music ! En musique: Andrew Dixon sur l'album East Oakland Run Down  (Epistemology, 2018); Kevin Sun sur l'album Trio  (Endectomorph, 2018); Dan Phillips Trio sur l'album Divergent Flow  (Lizard Breath, 2018); Colin Hinton sur l'album Glassbath  (Indépendant, 2018); John Wall, John Edwards and Mark Sanders sur l'album Live at Cafe Oto 24-11-17  (OTORoku, 2017); Ensemble ILÉA sur l'album Multi.Cosmes  (Mikroclimat, 2018)...

11e émission de la 38e session... Cette semaine, de nouveaux visages en jazz moderne, freebop et une finale en avant music ! En musique: Andrew Dixon sur l'album East Oakland Run Down  (Epistemology, 2018); Kevin Sun sur l'album Trio  (Endectomorph, 2018); Dan Phillips Trio sur l'album Divergent Flow  (Lizard Breath, 2018); Colin Hinton sur l'album Glassbath  (Indépendant, 2018); John Wall, John Edwards and Mark Sanders sur l'album Live at Cafe Oto 24-11-17  (OTORoku, 2017); Ensemble ILÉA sur l'album Multi.Cosmes  (Mikroclimat, 2018)...

Radioolio is one of many musical aliases of Graeme Ross, a visual artist, DJ and musician based in London. A one-time regular at Cafe OTO and on Hoxton.fm, his latest project, SOUNDTRAITS, combines visual and sonic media, using the sounds made during the production of a pen and ink portrait to trigger responsive radio signals. We knew that asking Graeme for a guest mix would deliver a good result. Enjoy! https://soundtraits.co.uk/ https://www.mixcloud.com/radioolio/ http://www.grohs.co.uk/

It's a New Year and time to move forward Last episode of What's The Matter With Me? Episode 27 wasn't very focused and I could have explained myself and foregrounded what is going on with my Multiple Sclerosis disability more effectively.  The title of this podcast is What's The Matter With Me? after all. I resolve to run things a little more by-the-book this year.  For this episode, at least. Cafe Oto Crowd outside Cafe Oto in Dalston, East London Last episode,  I reviewed Marshall Allen's Volcano Quartet CD Volcano Swing, a live performance at the BBC in London, where he was in town for three nights at Cafe Oto.  Listener Chris lives there and wrote in to let me know about the location, in Dalston, East London, and some live shows he had seen there.  It sounds groovy and I hope to check it out myself someday. Never give up I can have a bad episode.  A terrible episode.  Ghastly.  But I won't give up or cede an inch in any direction. I discussed in Episode 25 as well as Episode 4 that I won't give up.  The pressure to give in and let go of the rope and drown in my disability is extreme.  Multiple sclerosis is suffocating and pervasive.  I have been dumped and it felt very bad -- I bet that anybody having a hard time with something feels the same. Tapering Medication I called my neurologist to request help with tapering down Gabapentin, they said I'd get a call-back in 24-48 hours, but they called me back in about an hour.  I was concerned because I had adjusting my own dosage without any guidance, which is bad practice.  The nurse told me that my dosages had been fine, and outlined the boundaries for my pain meds.  My dosage is back to normal, and I am not in pain. No-tie Shoelaces and shoelace replacements I've bit the bullet and decided to get rid of my laced shoes.  I've got some no-tie shoelaces which turn my shoe into slip-ons.  They're working OK but my shoe feels like it might fall off.  I'm glad to be done with shoelaces because they came untied and I wouldn't retie them.  I've got some shoelace replacements in the mail.  I'll go over them in an upcoming episode. Disability Visibility Project Disabilty Visibility Project Alice Wong icon Disability Visibility Project is a platform for creating, sharing, and amplifying disabled voices created by disabled activist Alice Wong.  I said in Episode 25 that in 2018 I would bring new voices to the podcast and the Disability Visibility Project is part of that effort. Interrupting the Uninterruptible I hosted the Blues Collective with Jack Tar from 10am to 2pm on KFJC yesterday,.  For the first hour, Jack plays the music and runs the mixing board while I sit below in the interview area.  At 11, we switch places, and I run the board and he is below on the mic.  We do it again at noon and at one. While it was my time to run the board, I played the same song twice.  I put my foot on the wrong place and unplugged whata the engineer told me was the "Uninterruptible Power Supply" -- it turned off the CD players, the lights -- pretty much the entire station!  I ferlt like I lacked focus or was fatigued, and I messed up the show. Everybody feels that way sometimes.  "Uninterruptible"?  All I had to do was unplug it. New Year's Resolution Talk less, act more.  This podcast is a bit of both.  Don't think too hard about it.

Episode 27 "New Blog / Throwback Episode 4: Help" As my limitations from multiple sclerosis increase, I've had to get comfortable asking for assistance.  Asking for and accepting help is one of the secrets of effective people. Or so I'm told. Winter rolls on. I continue to produce content and work on the site daily.  Being with family and experiencing multiple sclerosis or disability can be difficult to manage, and pressure only increases during the holiday. Papa's Got A Brand New Blog I've added a blog to the site, and I discuss my first post, about a disabled woman's social isolation.  Episode 4, "Help" from the pre-history, chronicles never giving up, in an echo of Episode 25. I never stop reviewing records I am reviewing Marshall Allen Volcano Quartet's CD Volcano Swing. Marshall Allen was part of the Sun Ra Arkestra and this band is a continuation of that.  They were in London in 2011 when a volcano exploded in Iceland, grounding all flights. The band took a three-day residency at Cafe Oto in North London. They stopped by the BBC Radio to promote the gig and recorded this CD. At the end of the CD there is a live interview and Marshall Allen reveals that he was a member of the Sun Ra Arkestra trapped in Seattle when Mount Saint Helens exploded in 1984.  Pretty awesome, it makes it clear that a musicians life is always about getting that next gig in line. Episode Synopsis It is cold in the garden and there was light frosting a couple of times this week I've got a new blog People in wheelchairs are judged and face cruel realities Marshall Allen Volcano Quartet "Volcano Swing" CD review Throwback Episode 4 "Help" The holidays are almost over -- just New Year's. Hopefully I'll hike somewhere good.

他是一位晦涩的诗人、是倔强的木偶师，是反叛的天才萨克斯演奏家、也是极端的“表演上瘾者”。Ted Milton带着这四个标签和他的乐队Blurt在时间的长河里疯狂的横冲直撞。岁月的打磨并没有使他们的创造力黯淡丝毫，反而使“毒性”浓缩、沉淀。本期节目就跟大家聊聊Blurt乐队和Ted Milton的故事。本期主打歌单：1.Blurt - Down in the Argentine2.Blurt - Get3.Blurt - Puppeteers of the World Unite! (Live)4.Blurt - The Fish Needs A Bike5.Blurt - The Ruminant Plinth6.Blurt - They'll Be Here Soon (Live)7.Blurt - Trees8.Kharms Way - Live at the iLLUSEUM9.The Odes - Skies Are BruisedBGM:1.Blurt - Congregate2.Blurt - Domain of Dreams3.Blurt - Empty Vessels4.Blurt - Live at Cafe OTO 2017

Nick Luscombe speaks to legendary Japanese composer and percussionist Midori Takada ahead of her recent live performance at Cafe Oto. Recorded 11th April 2017

Following a break last week for our event at Cafe Oto, the podcast returns with another trip through our Sound Map of Kyushu https://www.japansoundportrait.com/sound-map in anticipation of returning there next month. Featuring an array of field recordings from the shooting of KanZeOn http://www.kanzeonthemovie.com/ and an unreleased track by TA2MI... https://ta2mi.bandcamp.com/  

The last preview podcast for our event at Cafe Oto next week https://www.cafeoto.co.uk/events/japan-sound-portrait/ featuring an interview with abirdwhale / Masato Kakinoki, a London-based Japanese musician, audiovisual artist, film music composer, PhD in Music candidate at Canterbury Christ Church University. His work varies from singer-songwriter style to audiovisual digital performance art, where he explores the fragile balance among experimental, visceral, emotion, chaos, noise, order and tradition. Performing his own digital music pieces, he has sought for another approach which is neither traditional DJ performance nor the reproduction with a live band. With his audiovisual performance, he experiments with certain factors which tend to be lessened in digital music performance, such as physical presence and fluidity. http://abirdwhale.com/  

Music from all of the artists appearing at our forthcoming Cafe Oto event: https://www.cafeoto.co.uk/events/japan-sound-portrait/ Makoto Nomura - Fukuoka 5 Makoto Nomura and Kumiko Yabu - Welcome to Tsui Village Midori Komachi - Toshio Hosokawa's 'Spell for Solo Violin' abirdwhale - Singals Verity Lane - As The Surface Of The Ocean Gently Breaks nemui pj (kidkanevil & noah) - pumpkin (kidkanevil will be performing a DJ set of Japanese beats between 4-7pm in the Cafe Oto Studio ahead of the evening's event, alongside Virtual Reality Soundscapes by Amoeba_VR.)

An interview with Makoto Nomura, who will be performing live at our forthcoming event at Cafe Oto. https://www.cafeoto.co.uk/events/japan-sound-portrait/ --- Makoto Nomura is a Kyoto based composer/improviser. He mainly plays the piano, melodica, rooftiles and gamelan. His composition includes Japanese traditional instruments, Javanese gamelan, western orchestra, rock band, children’s toy, body percussions, daily found objects, environmental sounds, and whatever. He has collaborated not only with professional musicians but also children, amateurs, animals, dancers, visual artists, counselor, etc. His work has been performed in more than 20 countries. He is currently the director of community programme of Japan Century Symphony Orchestra. http://www.makotonomura.net

The Japan Sound Portrait podcast returns with a trip through our newly released Kyushu Sound Map, available here on our new website: https://www.japansoundportrait.com/sound-map We will be back next week featuring an interview with Makoto Nomura, who will be playing at our forthcoming live event at Cafe Oto on March 16th https://www.cafeoto.co.uk/events/japan-sound-portrait/ Check out these previous podcasts featuring other artists who will be taking part in the event: Midori Komachi http://japansoundportrait.libsyn.com/podcast/japan-sound-portrait-5 and Verity Lane http://japansoundportrait.libsyn.com/podcast/japan-sound-portrait-10 who's piece 'As the Surface of the Ocean Gently Breaks' appears briefly at the start of this podcast.

Ep 39 Malisa Humphrey & Diana-Sofia Estrada: The People On this episode our guests are Malisa Humphrey & Diana-Sofia Estrada. Malisa Humphrey is an artist who lives and works in Los Angeles and Diana-Sofia Estrada is also an artist who lives and works in Los Angeles who is also an avid cyclist and animal lover. This episode in our Notes from The People we're featuring a contribution from long time friend of the show Andrew Choate, an audio collage titled "Dope As Self Control" compiled from sounds he recorded on a recent trip to New Zealand. To close out the show, we have music by Peter Brotzman brought to us by Los Angeles' own Andrew Choate / The Unwrinkled Ear. He has produced a concert on May 16th, 2016, which is coming up if you're listening to this near the original air date, that will be at the Echoplex featuring legendary German saxophonist Peter Brotzmann. Brotzmann is bringing a band to Los Angeles for the first time since the 1970s, and that band is none other than the stellar London rhythm section of Steve Noble on drums, John Edwards on doublebass and, Chicago's finest, Jason Adasiewicz on vibraphone. We'll hear an excerpt from their album "Mental Shake", recorded at a recent live date at Cafe Oto in London.

Japanese sound artist Rie Nakajima works with very small sounding objects in a sculptural way. Together with Keiko Yamamoto, founder of the famous venue Cafe OTO, she has formed the duo O YAMA O. The two talk about where their art comes from and give a performance in the studio.

This week Nia meets the curator of a new sculpture walk to be launched this summer through East London and through the Lea valley. We revisit an interview we had with the music program director at Café Oto and we hear food photographer Steve Ryan's Bootstrap Story. Pear Wise brings musical gems from King Dude, Dan Haywood, Caetano Veloso, Younghusband, Fatima Al Quandri and My Panda Shall Fly.

Here’s an excellent mix from Inch-time, who’s appearing live at Cafe Oto, Dalston, London on Tuesday 28th June 2011. Also featured on the bill are Rocketnumbernine and Circle Traps. Critics are already loving Inch-time’s sound… “Perfectly poised, sparkling and seductive electronica that’s as subtle and beautiful as it is impossible to resist.” DJ “Mixing the sharp gleam of [...]