POPULARITY
Are your civil liberties at risk under Canada's Bill C-2? Let's look at the controversial legislation that's sparking debate across Canadian politics and the country. While Bill C-2 is designed to tackle cyber crime and national security, critics warn it could open the door to government overreach and unchecked surveillance. This isn't a comprehensive legal breakdown of an ominous omnibus bill—just my perspective on why Canadians should care, stay informed, and speak up. Don't forget to check out some of our Further Reading materials listed below.In Episode 161 of The Bill Kelly Podcast, Bill discusses the controversial Bill C-2, known as the Strong Borders Act, which raises significant concerns regarding civil liberties and privacy. The conversation explores the balance between individual rights and the need for enhanced security measures, particularly in the context of law enforcement's access to personal information. The complexities of the legislation and the implications for Canadian society are examined, emphasizing the need for careful consideration and public engagement.This episode was recorded on: June 15, 2025Become a YouTube channel member or paid Substack subscriber to hear Bill's stories and life lessons from 50+ years as a broadcast journalist in his members-only series, MORAL OF THE STORY: https://www.youtube.com/channel/UCeUbzckOLocFzNeY1D72iCA/joinDon't forget to like, follow and subscribe across our channels! Thank you.Listen to The Bill Kelly Podcast everywhere: https://kite.link/the-bill-kelly-podcastYouTube: https://www.youtube.com/@TheBillKellyPodcast/featuredBlueSky: https://bsky.app/profile/thisisbillkelly.bsky.socialFacebook: https://facebook.com/TheBillKellyPodcastInstagram: https://www.instagram.com/thisisbillkelly/LinkedIn: https://www.linkedin.com/in/thisisbillkelly/TikTok: https://www.tiktok.com/@thebillkellypodcastSubStack: billkelly.substack.com/*Comment ‘likes' on behalf of this channel are an acknowledgment of your comment, not necessarily an endorsement of its contents. Thanks for joining these critical discussions in critical times!CHAPTERS00:00 Introduction to Bill C-2 and Its Controversies02:52 Balancing Civil Liberties and Security06:12 The Role of Law Enforcement and Legal Access09:09 The Need for Comprehensive Legislation12:02 Conclusion and Call to ActionFURTHER READINGFind your Member of Parliament and contact them here: https://www.ourcommons.ca/members/enGovernment of Canada strengthens border securityhttps://www.canada.ca/en/public-safety-canada/news/2025/06/government-of-canada-strengthens-border-security.htmlUnspoken Implications: A Preliminary Analysis of Bill C-2 and Canada's Potential Data-Sharing Obligations Towards the United States and Other Countrieshttps://citizenlab.ca/2025/06/a-preliminary-analysis-of-bill-c-2/Experts warn of Bill C-2 as 'anti-refugee' and 'anti-immigrant' giving Canada 'unchecked powers' like the U.S.https://ici.radio-canada.ca/rci/en/news/2170244/experts-warn-of-bill-c-2-as-anti-refugee-and-anti-immigrant-giving-canada-unchecked-powers-like-the-u-sAre there 'snooping provisions' in Carney's massive border bill?https://www.cbc.ca/news/politics/canada-border-bill-c2-criticism-1.7558557Bill C-2, Canada's new border bill, an attack on the human right to seek asylumhttps://amnesty.ca/human-rights-news/bill-c-2-canada-attack-right-to-seek-asylum/HASHTAGS#News#Politics#BreakingNews#canadanews#canadianpolitics#CanadianNews#PoliticalNews#PoliticalCommentary#NewsUpdates#CurrentAffairs#NewsCommentary#PoliticalCommentary#TodayNews This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit billkelly.substack.com/subscribe
durée : 00:12:09 - Le double assassin de Sare : L'affaire Juan-Gustave Perez - Décembre 1912, Sare. Deux frères agriculteurs, Martin et Benito Marialuz, sont sauvagement assassinés dans leur ferme isolée de Bichiemborda. Le meurtrier, Juan-Gustave Perez, s'enfuit en Espagne avec 700 francs. Justice sera rendue trois ans plus tard.
Tillgänglighet är mer än bara kontraster och skärmläsare – det handlar om att skapa digitala lösningar som fungerar för alla. I det här avsnittet av Avkodat djupdyker vi i ämnet tillgänglighet: varför det är viktigt, hur man gör det rätt – och vad som händer när EU:s tillgänglighetsdirektiv börjar gälla den 28 juni 2025. Vi gästas av Joel Holmberg från Axess Lab, som delar med sig av insikter från sitt arbete med att hjälpa organisationer att bygga inkluderande digitala tjänster. Tillsammans med Johan Nordberg och Elin Fokine från Active Solution pratar vi om vanliga utmaningar, smarta angreppssätt och varför tillgänglighet borde vara en naturlig del av varje projekt – oavsett lagkrav. Mer om EU:s tillgänglighetsdirektiv: Introduktion till tillgänglighetsdirektivet (PTS)
Ik pa laikam izskan ziņas par to, ka zinātnieki tālās visuma dzīlēs atraduši kādu planētu, kura varētu būt mājvieta kādām primitīvām dzīvības formām. Visbiežāk tiek norādīts uz ūdens klātbūtni vai citiem ķīmiskiem un fizikāliem parametriem, kas atbilst mūsu izpratnei par dzīvībai piemērotu vietu. Taču neskatoties uz to, drošticamu pierādījumu pagaidām mums nav. Kāpēc? Ar ko šobrīd rezultējušies mūsu centieni atrast vēl kādu dzīvu organismu ārpus mūsu planētas? Raidījumā Zināmais nezināmajā skaidro IT speciālists, astronomijas entuziasts Raitis Misa un Latvijas Universitātes Eksakto un tehnoloģijas fakultātes Astronomijas institūta pētnieks Ilgonis Vilks. Radioteleskopa izbūvē Čīlē iesaistās arī inženiere Līga Marija Putna no Latvijas Laikā līdz 2029. gadam Čīlē plānots izveidot jaunu teleskopu, un tā tapšanā iesaistījusies arī inženiere Līga Marija Putna no Latvijas. Būdama šobrīd otrpus okeānam, Līga ar prieku ir gatava raidījuma Zināmais nezināmajā klausītājus iepazīstināt ar teleskopa būvniecības mērķi un faktoriem, ar ko jārēķinās, veicot šādu darbu tuksnesī. “Latviete veido īpaši lielā teleskopa digitālo dvīni” - tā pirms dažiem mēnešiem bija lasāms astronomijas jautājumiem veltītā žurnāla “Zvaigžņotā Debess” numurā. Šī latviete ir Līga Marija Putna - inženiere, kura pieteikusies Eiropas Dienvidu observatorijas konkursam un nokļuvusi Čīlē, kur pašlaik top pasaulē lielākais optiskais teleskops. Ar Līgu Mariju mēs tiekamies, izmantojot attālinātās saziņas vietni, un mūs šķir septiņu stundu laika starpība. Eiropas Dienvidu observatorijas galvenais birojs izvietots Vācijā, Garhingā pie Minhenes. Vēl viens birojs, kurā atrodas Līga Marija, ir Čīlē, Santjago Vitakūrā, un tad trešais objekts - arī Čīlē, Atakamas tuksnesī, uz kurieni zinātniece dodas aptuveni vienu reizi mēnesī. Kad pieteikusies darbam, viņa domājusi, ka ģeogrāfiski tas notiks Eiropas Savienībā ar nepieciešamību dažreiz doties uz Čīli. Bijis citādi, un varbūt pat labāk to sākotnēji nenojaust.
Erik Ullsten har en bakgrund som få kan matcha. Som föreläsare, författare och coach har han samlat på sig erfarenheter från såväl politikens korridorer som idrottens omklädningsrum och näringslivets styrelserum. Idag är han en eftertraktad rådgivare till ledare inom politik, idrott och affärsvärlden med en uppenbar förmåga att kombinera skarpa analyser med mänsklig värme. Det här är ett samtal om att leda både sig själv och andra i en komplex värld.Vill du veta mer om Alliator, besök gärna vår hemsida www.alliator.seVill du komma i kontakt med Erik?LinkedinIntervjuare:Samuel Lindén
Hur går man från att aldrig ha stått på scen – till att hålla över 25 föreläsningar för företag, läkare och universitet? I det här klippet berättar Anton Astbäck hur en enkel fråga på LinkedIn förändrade allt. Om att våga säga ja, äga sin osäkerhet och hitta sin egen röst i föreläsningsvärlden.Vi pratar också om:– Modet att kasta sig ut och växa under tryck– Disciplin över ursäkter – Christians föreläsningskoncept– Varför alla inte ska ha fasta priser – och hur du paketerar din kunskap
Aunque le dedicamos unos pocos minutos en uno de nuestros programas especiales de SER Historia Plus, queríamos abordar en profundidad en un cronovisor la figura de Césare Lombroso. Este médico forense italiano del siglo XIX ha pasado a la historia por su sugerente lista de tipologías de asesinos dependiendo de los rasgos físicos del individuo. Un sinsentido que merece la pena estudiar. Luego seguimos con los grimorios medievales, amuletos y libros mágicos. Lo hacemos junto a Pedro Ortega, historiador del arte. Hace unas semanas hablábamos de Guinea Ecuatorial y retomamos el tema gracias al Museo de la Emigración a Guinea Ecuatorial que podemos encontrar en Quintela de Leirado (Orense). Su director, Pablo Pérez, nos hace de guía
“ Porque, se de todo te calares agora, de outra parte se levantará para os judeus socorro e livramento, mas tu e a casa de teu pai perecereis; e quem sabe se para conjuntura como esta é que foste elevada a rainha? (Et 4:14 ARA)A palavra sempre terá o poder de criar, de gerar. Ela cria novas realidades, novos destinos, e quando ela manifesta com o poder de intercessão para denunciar um mover espiritual das trevas, no físico se opera um grande livramento. A denúncia atrai os céus para operar libertação, abertura em cadeias. Foi assim com Ester. Diante do veredito de Hamã, a rainha intercedeu diante do rei pelo povo e denunciou as intenções daquele que tramava matar. A denúncia de Ester expôs o inferno e sua intercessão moveu o cetro de vida que o rei carregava. Você carrega um testemunho e da história das tuas cicatrizes é possível se levantar um grande memorial. É necessário que você denuncie o que o inferno tramou em sua vida e como Cristo te fez vencedor. Quem sabe não foi para isso que o Senhor te exaltou? Para que você testemunhe. Teu silêncio poderá ser a causa da morte de muitos, ou a chave da prisão do outro. Quando você fala, você sara. Eles precisam saber o que Deus fez em você. É certo que o cetro do rei se moverá em seu favor e estações como vida e autoridade serão coberturas sobre tua cabeça. Tuas palavras acessarão o trono e a confirmação do livramento chegará para uma geração que foi sentenciada a morte. Sua história teve um propósito, por isso fale e gere novas realidades. Tua ousadia acionará editos reais e as sentenças de morte poderão ser revogadas por um Rei que te quer bem.
Sabarmati Nadi Me Baste Hein Sare Tirth : Pujya Sant Shri Asharamji Bapu Satsang
Sabarmati Nadi Me Baste Hein Sare Tirth : Pujya Sant Shri Asharamji Bapu Satsang
Sabarmati Nadi Me Baste Hein Sare Tirth : Pujya Sant Shri Asharamji Bapu Satsang
Farmers talking with farmers is key to building soil health, encouraging innovation, and expanding peer-to-peer mentoring. Anthony Beery of Beery Farms and Cumberland Hay and Straw LLC shares his journey of learning, mentoring, and on-farm experimenting with Mary Sketch Bryant and Jeff Ishee. In the previous episode, Anthony talked about how he benefitted from his father's counsel and encouragement. Anthony provides similar mentorship to his children and fellow farmers through the Virginia No-Till Alliance (VANTAGE) and Virginia's Integrated Cropland Agronomy (ICA) program so others can generate new ideas and enjoy success. Like the majority of farmers, Anthony is constantly learning and gleaning new information through his on-farm experiments with no-till farming, multispecies cover cropping, composting, and observing the soil and plant ecosystem. As a self-described general gleaner, Anthony recommends talking with other farmers, attending conferences like the Annual VANTAGE No-Till Conference, and reading books and publications available through USDA's Sustainable Agriculture Research and Education (SARE) and agricultural partners. In Anthony's work with multi-species cover crops, he uses Green Cover Seeds' SmartMix Calculator as one of his reference tools. As always, we encourage you to talk with other farmer mentors and follow the four principles of soil health: 1) Keep the Soil Covered -- Cover crops are our friends; 2) Minimize soil disturbance -- Practice no-till or gentle tillage in your field or garden as much as possible; 3) Maximize living roots year-round -- to improve biodiversity and life in the soil; and 4) Energize with diversity -- through crop rotation and/or livestock integration. Yes, soil health is a great conversation starter since we can all be 4 The Soil! To enjoy the recent 4 The Soil blog posts and We Are 4 the Soil song created by the Flip Charts, please visit https://www.4thesoil.org/blog and https://www.4thesoil.org/#we-are-4-the-soil-video. For questions about soil and water conservation practices and outdoor educational activities for youth, call or visit a USDA Service Center, a Virginia Soil and Water Conservation District office, or your local Virginia Cooperative Extension office.
8 maj: En dag att minnas – en historisk och djupt betydelsefull dag. Lyssna till ett starkt och känsloladdat samtal med Ingrid Ohlsson, erfaren konferencier och föreläsare. De senaste tio åren har Ingrid ägnat sitt liv åt att föra vidare Emmerich Roths gripande berättelse. Emmerich överlevde fem koncentrationsläger och vigde sitt liv åt att sprida kunskap om förintelsen. Ingrid har både föreläst tillsammans med honom och producerat två dokumentärfilmer om hans liv. Följ med och låt dig beröras av detta viktiga samtal om mod, historia och att aldrig glömma. Under inspelningen tittade vi ut över Raoul Wallenbergs minnesplats vid Ångfärjeparken.
"Redz, kā tas liktenis spēlējas! Veselu ziemu gāju sagatavošanas kursos, lai varētu vieglāk nokārtot eksāmenus Politehniskajā institūtā, kur bija atvērta nodaļa "Automātika un elektronika". Domāju – grūtības man tas nesagādās: vidusskolu beidzot, matemātikā, fizikā un ķīmijā bija piecinieki. Bet viens no eksāmeniem bija arī latviešu literatūrā. Kad sagatavošanas kurss tuvojas beigām, pasniedzēja izsniedz sacerējumus, ko esam uzrakstījuši, un viņa saka man tā: "Kalniņ, pagaidiet! Vai jūs esat kārtīgi izlēmis, kur jūs stāsieties?" Atbildu – jā! Un viņa saka: "Es jūsu vietā tomēr pārdomātu. Lasot jūsu sacerējumus, man liekas, ka jums jāiet studēt citur!" Tā, atminoties senu gadu notikumus, smej rakstnieks, dzejnieks un tulkotājs Viks jeb Viktors Kalniņš, kurš par sevišķiem nopelniem Latvijas valsts labā šogad iecelts Triju Zvaigžņu ordeņa virsnieka godā. Valsts augstākos apbalvojumus mūsu Valsts prezidents Edgars Rinkēvičs Rīgas pilī pasniegs Latvijas Republikas Neatkarības atjaunošanas dienā – 4. maijā. Pirms pāris dienām ceļu uz Dikļiem pie Vika, kurš 2. aprīlī nosvinējis 86. dzimšanas dienu, mēroja Dāvis Eņģelis, dziļo, jaudīgo, vērtīgo un arī asprātīgo sarunu nu piedāvājot Latvijas Radio 3 "Klasika" klausītājiem. "Kad ideja iekož galvā..." Dāvis Eņģelis: Kādas ir jūsu attiecības ar balvām un apbalvojumiem? Kāda ir to loma jūsu dzīvē? Viks: Nekāda. Ja runa ir par manu profesiju, nerakstu tāpēc, lai kaut ko saņemtu – orientējoties uz kaut kādu [apbalvojuma] rezultātu. Tas mani galīgi [neinteresē]. Ja es tā darītu, tas man traucētu. Man vienkārši ir cita vērtību sistēma. Man svarīgi darīt to, kas man sagādā prieku. Kas man ir svarīgi. Kas man ir jāpaveic. Izejot no tā. Vai vide arī maina to, kā sajūtat tekstu? Ir nozīme, vai dzīvojat laukos vai pilsētā? Zinu skaidri: dzīvojot laukos jau trīsdesmit piekto gadu, jūtos te garīgi brīvāks. Un tas palīdz arī profesijā. Vai tekstu rakstīšana jums ir daļa no ikdienas arī šeit, Dikļos? Ja tas ir mans darbs, ko es protu vislabāk, tad bez šaubām, jā. Pārsvarā tie ir dzejoļi, kurus rakstāt? Žanri ir dažādi. Kad ideja iekož galvā, viņa arī tūlīt pasaka priekšā, kādā žanrā būs jāraksta. Man tā ir. Es speciāli nepiedomāju pie tā. Ideja pati pasaka priekšā formu. Viena no svarīgākajām lietām jūsu tekstos ir valodas spēle, vārdu spēle. Rakstnieks Svens Kuzmins arī saka, ka Vikam kaut kā noslēpumaini, ar kaut kādu valodas alķīmiju ļoti pārliecinoši izdodas spēlēties ar vārdiem, pat izejot ārpus literatūras robežām. Un vēl Svens saka, ka tā vārdu spēle var būt arī tīrā amzierēšanās, tīri joka pēc. Kāds ir tas vārdu spēles process no jūsu skatpunkta? Tad jādomā drusku tālāk atpakaļ manā ģenētikā. Manai mammītei bija mīlestība uz valodu, iedzimta valodas izjūta. Viņa mīlēja darināt vārdus, modificēt vārdus. Es domāju, ka tas ir iedzimtības faktors. Tas nav speciāli. Un šis pats faktors, ģenētiskā pārmantojamība, noteikti spēlējusi savu lomu pie tā, ka Latvijas Universitātē studēju filoloģiju studēju. Tā gan bija anglosakšu filoloģija. Bet tā sfēra, tā stihija – tur jutos kā savās mājās. Tas nebija speciāli, noteikti nē. Tā ir ģenētika no maniem priekšgājējiem – tā ir to noteikusi. Tad varbūt tāpēc arī ir tā sajūta, ka tas ir tik dabiski – ka tas vienkārši piedien jūsu tekstiem, dzejai. Tā to varētu skaidrot, jā. Vienu epizodi varu minēt, kas vēl vairāk pārliecināja mani, ka tas ir mans stils. Biju aizmirsis savus pirmos dzejoļus parādīt Imantam Ziedonim, kurš tajā laikā strādāja par literāro konsultantu. Viņš kaut kur bija dabūjis amerikāņu dzejnieka Kamingsa darbus, tos nokopējis un iedeva man vienu eksemplāru. Un lasot Kamingsu, sapratu, ka mums ir dvēseles radniecība. Tas vēl vairāk pavēra vaļā manu ģenētisko mantojumu – ja sāk zinātniski pētīt. Pēc kādas saiešanas tajā pašā Jauno literātu studijā, kad bija noslēdzies pirmais gads, bija tāda pasēdēšana, kad paši studisti cits citu vērtēja un sprieda, kā turpmāk attīstīties. Un tad man Uldis Bērziņš teica: "Nāc pie mums! " Es tā kā nesapratu, ko tas nozīmē. Kas tie "mēs" viņa izpratnē ir. Es arī nepajautāju, jo skaidri apzinājos savu individuālo dabu. Man nevelk uz to. Citi atzinušies, ka viņiem vieglāk rakstīt burzmā, kaut kur kafejnīcā, bohēmas atmosfērā. Nē, nē, nē, tas nav man! Man tas ir nopietns amats – rakstīšana! Atceros, Jauno literātu studijai dzejoļus vajadzēja iesniegt mašīnrakstā – rokraksts nederēja. Taču rakstāmmašīnas man nebija. Māris Čaklais ieteica sarunāt ar sekretāri Rakstnieku savienībā – aiznesu rokrakstā, sarunājām, kad būs gatavs, aizbraucu pakaļ, samaksāju, cik vajadzēja, un, dodot atpakaļ manus tekstus un arī rakstāmmašīnā nodrukātos, viņa teica: "Jums, atšķirībā no daudziem jaunajiem, ir, ko teikt! " Man tas nozīmēja tik daudz... Jo izrādās, ka šī kundze savā laikā bija pārrakstījusi Erika Ādamsona un Čaka dzejoļus… Visu jau nosaka saturs un iekšējā, individuālā dzejas valoda, kura katram ir citādāka. Kādreiz bija avīze "Literatūra un Māksla", un ļoti interesanta bija tās pēdējā lappuse. Tur dažkārt bija tādi nestandarta materiāli, un vienreiz tika publicēts kaut kāds tulkots materiāls par daiļradi – kādiem daiļrades apstākļiem dažādu laikmetu rakstnieki un dzejnieki devuši priekšroku. Tur bija vesela virkne. Vienam patīk rakstīt, braucot un ceļojot – viņam mainās impulsi. Cits mīl kaut kur apsēsties tā, ka var redzēt pūli. Un bija arī tādi, kas pilnīgi izolējās. Savā cellē iekšā, pat nekādu saules gaismu viņiem nevajag. Tā kā tas ir ļoti īpatnēji; tas iet cauri gadsimtiem, dažādiem laikmetiem. Tāda ir cilvēka daba. Saruna teksta formātā pilnā apjomā lasāma portālā lsm.lv. Īsi par Viku Viks (īstajā vārdā Viktors Kalniņš, 1939) – rakstnieks, dzejnieks un tulkotājs. Vika dzejai raksturīga rotaļīga attieksme pret valodu, dažādu leksikas slāņu kombinēšana un savdabīga pasaules izjūta. Rakstībā apvieno anglosakšu modernās dzejas un latviešu folkloras estētikas tradīcijas. Stāstu, noveļu, pasaku un dokumentālās prozas autors. Rakstījis scenārijus un libretus, kā arī tulkojis prozu un dzeju no angļu valodas. Īpaši aktīvi Viks darbojas bērnu literatūrā, kur par nozīmīgiem darbiem uzskatāmas Vika grāmatas "Sarežģītais zvirbulēns" (1982), "Klaids pasaku zemē" (1983), "Dinīts nāk!" (1990) un "Zemūdens Bara lielā diena" (1985), pēc kuras motīviem 1991. gadā tapusi pirmā latviešu pilnmetrāžas animācijas filma "Ness un Nesija". Popularitāti guvušas arī dziesmas ar Vika vārdiem, ko dzejnieks nereti rakstījis sadarbībā ar brāli, komponistu Imantu Kalniņu. (literatura.lv)
Cilvēks un nauda ir vienas no sarežģītākajām attiecībām. Vienam nauda ir mērķis, citam - līdzeklis mērķa sasniegšanai, taču pilnīgi visiem attiecības ar naudu veidojušās no bērnības pieredzes, laikmeta, kurā dzīvojam, un izpratnes par to, kurš kontrolē kuru - nauda tevi vai tu naudu. Šoreiz lielajā sarunā skaidrosim, kā mūsdienu latvieša attiecības ar naudu, parādu, trūkumu un bagātību ietekmējusi padomju pieredze un 20. gadsimta banku krīzes. Kāpēc viduslaikos būt nabagam nebija netikums, bet mūsdienās skrējiens pēc naudas "iedzen kapā"? Palūkosimies uz cilvēka attiecībām ar naudu caur vēstures, psiholoģijas un sociālantropoloģijas acīm. Par naudu un tās nozīmi sarunājas vēsturnieks, Vidzemes Augstskolas padomes loceklis un vadošais pētnieks Gatis Krūmiņš, sociālantropologs, Latvijas Universitātes Filozofijas un socioloģijas institūta vadošais pētnieks Andris Saulītis un vēsturnieks, Latvijas Universitātes Humanitāro zinātņu fakultātes profesors Andris Levāns.
Välkommen till detta avsnitt där vi får höra från Helen Rigamonti, författare, föreläsare och expert på kundupplevelse och kundservice. Helen har nyligen vunnit priset för Årets Marknadsföringsbok 2024 med sin bok Customer Experience Management på svenska och hennes senaste bok Kundservice för hållbara kundrelationer, med AI och CX i verktygslådan ger oss en djup inblick i hur AI och kundupplevelse kan bli kraftfulla verktyg för företag.I detta avsnitt pratar vi bland annat om:
«La tercera fuga». Idea original de Victoria Szpunberg. Col·laboració en l'escriptura del text: Albert Pijuan. Intèrprets: Sasha Agranov, Emma Arquillué, Anna Castells, Marc Joy, Olga Onrubia, Carles Pedragosa, Carles Roig, Biel Rossell Pelfort, Fede Salgado, Magalí Sare. Clara Segura Crespo, Sergi Torrecilla i Ton Vieira. Escenografia: Max Glaenzel Sílvia Delagneau. Vestuari: Sílvia Delagneau. Il·luminació: Pedro Yagüe. Coreografia i assessorament en el moviment escènic: María Cabeza de Vaca. Composició i direcció musical: Dani Espasa. Espai sonor i composició de la cançó «Rina»: Lucas Ariel Vallejos. So: Iker Rañé. Caracterització: Àngels Salinas. Assessora d’accent argentí: Romina Cocca. Traducció i assessora de l’ídix: Golda van der Meer. Ajudanta d’escenografia: Paula González Infante. Ajudant de vestuari: Marc Udina Duran. Alumnes en pràctiques de l’Institut del Teatre de la Diputació de Barcelona: Andrea Castells Fernández (direcció- ESAD), Karen Carreño (dramatúrgia-MUET), Clea Granados (escenografia). Construcció d’escenografia: Carles Piera, Showtex. Confecció de vestuari: Goretti Puente. Confecció del cavall i dels esquelets: Laura Garcia Martos. Construcció de les màscares: Eudald Ferré Serra. Producció: Teatre Nacional de Catalunya. Agraïments: Família Szpunberg Witt, Jorge Spunberg, Miquel Cabal Guarro, Arnau Pons, Juan Villareal, Leo Hipaucha Serenelli, Giacomo Passalacqua, Martina Vilarasau, Josefina Torino, Leila Amorós, Manel Fortià. Equips tècnics i de gestió del TNC. Ajudant de direcció: Iban Beltran. Direcció: Victoria Szpunberg. Sala Gran, Teatre Nacional de Catalunya, Barcelona, 29 abril 2025. Veu: Andreu Sotorra. Música: Un vals a París. Interpretació: Ariel Hernandez, Dermor Dunne, Iona Petcu-Colan, Lucas Gonzalez. Malachy Robinson. Composició: Lunfardia Dublin. Àlbum: Acollarados, 2010.
Šo grāmatu viņš veltīja savai sievai Marijai, kas ir vijolniece. Pastaigājoties un sarunājoties, somu komponists un mūzikas žurnālists Osmo Tapio Reihele radīja grāmatu, ko varētu ielikt "populāri populāro" grāmatu plauktiņā, ja vien teksts kaut kur ap vidu nekļūtu sarežģītāks, kā atzīst pats autors. Un tātad – grāmatas nosaukums ir "Kāpēc laikmetīgā mūzika ir tik sarežģīta". Osmo Tapio Reihele lieto terminu "laikmetīgā mākslas mūzika" un pierāda, ka jūs noteikti esat dzirdējuši šo mūziku, jo jūs taču skatāties filmas un seriālus, kur dramatiskos spriedzes brīžos tiek izmantota laikmetīgā mūzika. Viņš pats bija pārsteigts, ka par šo grāmatu, kad tā iznāca Somijā, bija tik liela interese, galu galā – viņš 30 gadus bija pats rakstījis mūziku, bet pastiprināta interese par viņu radās tikai pēc grāmatas "Kāpēc laikmetīgā mūzika ir tik sarežģīta". Grāmata arī 2021. gadā ieguva Somijas vissvarīgāko literāro balvu "Finlandia'" populārzinātniskās literatūras kategorijā. Osmo Tapio Reiheles grāmatu "Kāpēc laikmetīgā mūzika ir tik sarežģīta" no somu valodas tulkojusi Maima Grīnberga, izdevis Jāņa Rozes apgāds. Tā kā autors viesojās Rīgā Grāmatu svētkos, mums ir iespēja dzirdēt arī fragmentus no viņa sarunas ar "'Klasikas" kolēģi Orestu Silabriedi. Raidījumu atbalsta:
Auf dem Zwischenstopp im Aiwaz System stösst die ältere Schwester von Anuket auf Befehl des Vorsitz der Kalten Flamme zur Gruppe dazu.
Planned obsolescence and perceived obsolescence have us in a disposable consumption cycle. But it hasn't always been this way. When and why did we stop thinking things were worth fixing?In this episode, we get a history lesson in planned obsolescence, visit Adrienne Ferre, who is helping run a Makers Hub in LA, complete with a tool library and repair cafes. And we catch up on Right to Repair legislation with Commons' founder and CEO Sanchali Seth Pal.
Last week, the Conservation Technology Information Center announced the findings of its eighth national cover crop survey.
In this episode, Nicky Schauder of Permaculture Gardens continues the conversation about permaculture and the ins and outs of compost tea with Mary Sketch Bryant, Marian Dalke, and Jeff Ishee. Nicky received two USDA-Sustainable Agriculture Research and Education (SARE) Producer Grants to specifically research the benefits of compost tea and its effects on plant growth, yield, soil biology diversity, and the stability of soil health. Nicky's research question was does compost tea make certain leafy vegetables grow bigger or not?To read the Permaculture Gardens blog and other resources about soil regeneration, compost tea, permaculture, and growing food yourself, please visit https://www.permaculturegardens.org/Bill Mollison's books Introduction to Permaculture and Permaculture: A Designer's Manual are available online or through your local independent bookstore. Information about USDA-Southern Sustainable Agriculture Research and Education's (SARE) grant programs and their free publications are accessible at https://southern.sare.org/To learn about the Virginia Soil Health Coalition and join the Coalition's quarterly meetings, please visit https://www.virginiasoilhealth.org/. For questions about soil and water conservation practices and outdoor educational activities for youth, call or visit a USDA Service Center, a Virginia Soil and Water Conservation District office, or your local Virginia Cooperative Extension office. As always, we encourage you to join the 4 The Soil movement at https://www.4thesoil.org/ and follow the four principles of soil health: 1) Keep the Soil Covered -- Cover crops are our friends; 2) Minimize soil disturbance -- Practice no-till or gentle tillage in your field or garden as much as possible; 3) Maximize living roots year-round -- to improve biodiversity and life in the soil; and 4) Energize with diversity -- through crop rotation and/or livestock integration. And please share your stories of how you are regenerating soil on your farm, in your garden, or backyard. Yes, we can all cheer "for" soil and be 4 The Soil!
ES digitālā identitāte, jeb digitālais maks no 2026.gada būs pieejama Eiropas Savienības pilsoņiem, iedzīvotājiem un uzņēmumiem, kas vēlas identificēties vai apstiprināt kādu personisku informāciju. To varēs izmantot kā tiešsaistes, tā bezsaistes publiskiem un privātiem pakalpojumiem visā Eiropas Savienībā. Cik tālu esam ar tā ieviešanu, interesējamies raidījumā Kā labāk dzīvot. Skaidro VARAM Digitālās politikas attīstības nodaļas projektu vadītāja Elizabete Marija Režā, Latvijas Valsts Radio un televīzijas centra komerscdepartamenta direktors Kārlis Siliņš, kiberdrošības eksperts, uzņēmuma "Possible Security" vadītājs Kirils Solovjovs. "Sarežģīti sakot, tas būs mobilais elektroniskais identifikācijas līdzeklis, vienkāršiem vārdiem sakot, tā būs aplikācija mūsu viedierīcēs," skaidro Elizabete Marija Režā. "Ar kuras palīdzību mēs varēsim sevi identificēt digitālā vidē. Tas nozīmē, ka varēs vairs makā nelikt daudzās kartes un dokumentus, kas mums ir šobrīd." Vai vairs nevajadzēs ID karti un pasi? Teorētiski ar digitālās identitātes maku varēs apliecināt savu identitāti arī bez eID kartes ikvienā Eiropas Savienības valstī. Ceļošanai gan dokuments būs vajadzīgs parastā formātā. ID karte vai pase būs vajadzīga. 2024. gada maijā ir apstiprināta Eiropas digitālās imunitātes regula, kas nosaka ietvaru, kā šim makam būs jāizskatās. Šobrīd norisinās pilotprojekts un notiek testi. Kārlis Siliņš skaidro, ka no izveidotā digitālās identitātes maka katrā konkrētā vietā un situācijā varēs izvēlēties, kādus datus nodot. Šobrīd eID kartē ir norādīts vārds un uzvārds, personas kods, bet ne papildu elementi, kas varētu būt nepieciešami kādam pakalpojumu sniedzējam. "Piemēram, nomājot mašīnu, iznomāšanas uzņēmumam ir nepieciešams zināt, vai man attiecīgās kategorijas apliecība. Tad es varu padot gan savu vārdu, uzvārdu, gan to apliecinājumu, ka man ir šādas kategorijas autovadītāja apliecība un es varu vadīt šo automašīnu," skaidro Kārlis Siliņš. Kirils Solovjovs tomēr aicina domāt par drošību. "Kopumā par telefonu drošību tas, protams, liks padomāt. Es ticu, ka valsts, varbūt arī privātais sektors nāks kopā, un tai brīdī vai pirms šis tiks ieviests lietošanā būs kaut kādas informatīvas akcijas, lai cilvēki mācētu savu telefonu uzfrišināt, atjaunināt. Pirms kaut ko vēl kritiskāku likt iekšā, tomēr parūpēties, ka tur viss ir kārtībā. Tajā pašā laikā viņš atzīst, ka ir priecīgs par iespēju daļēji nodot identitāti. "Piemēram, tev ir jāapliecina, ka tu esi virs 18 [gadiem] un neko citu nevajag zināt, vai tas ir internetā, vai tas ir klātienē uz vietas kaut kur, superīgi, ja tas strādās," atzīst Kirils Solovjovs. Lieta, par kuru Kirils Solovjovs ir skeptisks šī brīža ģeopolitikās nestabilitātes situācijā, ir jautājums, kur matemātiski glabājas drošības atslēgas. "Ja viņas glabājas vienmēr pie manis, manā ID kartē, manā telefonā, vai tomēr ir kopija kādam citam uzticamam, vai nu LVRTC tipiski tas ir, vai arī kaut kādā konfigurācijā, ja izmaina plānus, tas varētu būt VARAM vai kāda VARAM aģentūra. Vai atslēga ir tikai man, vai tā vēl kādam stāv tur aiz 10 papildus atslēgām, tomēr teorētiski kāds var aiziet, paņemt un kaut ko viņu izdarīt. Tas man kā cilvēkam, kas pēta drošības jautājumus, ir tāds kritisks aspekts. Es ļoti gribētu, ka eksistē mehānisms Latvijas maciņam, kur atslēgas visas paliek pie cilvēka un nav kopijas valstij, un valsts nevar pēkšņi parakstīt kaut ko cilvēku vietā." Kirils Solovjovs atzīst, ka ir tehnoloģiski konservatīvs cilvēks un turpinās darboties ar ID karti, telefonā droši vien eksperimentēs, bet sākumā jutīsies drošāk ar ID karti. "Nezinu, kā klausītāji, dodoties ceļojumā, cik reizes pārbauda, vai ID karte ir līdzi un vai tā tiešām ir ID karte? Es pārbaudu, kravājot somu, izejot no mājas, tad es pārbaudu ceļā uz lidostu un tad ārzemēs atpakaļceļā līdzīgi. Ja man izlādējas telefons vai kaut kas ar viņu notiek, nozog - tas ir viens, viņš var saplīst. Par spīti visam, kas varbūt izklausās kā skepticisms no manas puses, man nav nekādu šaubu, ka tā ir nākotne. Šis digitālais maciņš ir nākotne, un viennozīmīgi agri vai vēlu to lietos 50%, 60%, 90% Eiropas Savienības iedzīvotāju," atzīst Kirils Solovjovs.
durée : 00:39:13 - Le rugby amateur en fête : les Finales de Terroir et le tournoi solidaire d'Ustaritz au programme - Les Finales de Terroir se dérouleront ce week-end dans le Béarn, avec plusieurs clubs basques en compétition. Béatrice Pagnoux, du Comité Départemental rugby 64, nous éclaire sur ce grand rendez-vous du rugby amateur. Sans oublier le Tournoi Peio eta Alex à Ustaritz, un rendez-vous solidaire.
Sare is joined by our next guest host, reality TV star Jake Ellis! From The Bachelor to Bachelor in Paradise, Jake spills on his time in the reality TV world, how he earned the nickname "Jake the Snake," and what life is really like behind the cameras.Then, we take a hard left into dairy drama.
Managing pests like powdery mildew, downy mildew, botrytis, and sour rot can be a complex challenge. Andy Fles, Vineyard Manager at Shady Lane Cellars in Michigan, shares insights from his USDA Sustainable Ag Research Education producer grant project. The project compares two pest management approaches: a ‘soft' pesticide program and a conventional one. Andy conducted the experiment using his on farm sprayer, providing real-world results. Despite climate variability and fluctuating pest pressures, the soft pesticide program proved effective. The project underscores the potential of using softer chemistries to manage disease while maintaining fruit quality. Resources: REGISTER: April 25, 2025 | Fungicide Spraying: Evolving Strategies & Grower Insights 80: (Rebroadcast) The Goldilocks Principle & Powdery Mildew Management 117: Grapevine Mildew Control with UV Light 197: Managing the Sour Rot Disease Complex in Grapes 219: Intelligent Sprayers to Improve Fungicide Applications and Save Money 235: Battling Fungicide Resistance with Glove Sampling Rufus Issacson, Michigan State University Shady Lane Cellars Secures $11K National Farming Grant Timothy Miles, Michigan State University Vineyard Team Programs: Juan Nevarez Memorial Scholarship - Donate SIP Certified – Show your care for the people and planet Sustainable Ag Expo – The premiere winegrowing event of the year Vineyard Team – Become a Member Get More Subscribe wherever you listen so you never miss an episode on the latest science and research with the Sustainable Winegrowing Podcast. Since 1994, Vineyard Team has been your resource for workshops and field demonstrations, research, and events dedicated to the stewardship of our natural resources. Learn more at www.vineyardteam.org. Transcript [00:00:00] Beth Vukmanic: Managing pests like powdery mildew, downy mildew, botrytis and sour rot can be a complex challenge. [00:00:10] Welcome to sustainable Wine Growing with Vineyard Team, where we bring you the latest in science and research for the wine industry. I'm Beth Vukmanic executive director. [00:00:21] In today's podcast, Craig McMillan, critical resource Manager at Niner Wine Estates. With Longtime SIP Certified Vineyard and the first ever SIP certified winery speaks with Andy Fles, vineyard Manager at Shady Lane Cellars in Michigan. Andy shares insights from his USDA Sstainable Ag Research Education Producer grant project. The project compares to pest management approaches, a soft pesticide program and a conventional one. [00:00:50] Andy conducted the experiment using his on farms sprayer, providing real world results. Despite climate variability and fluctuating pest pressures, the soft pesticide program proved effective. The project underscores the potential of using softer chemistries to manage disease while maintaining fruit quality. [00:01:10] If you'd like to learn more about this topic, then we hope you can join us on April 25th, 2025 for the fungicide spraying evolving strategies in Grower Insights tailgate taking place in San Luis Obispo, California. Dr. Shunping Ding of Cal Poly will share updated results from a study on the efficacy of different fungicide programs containing bio fungicides. [00:01:34] Then we will head out into the vineyard to learn about new technologies for integrated pest management and talk with farmers from different growing regions about their program. Now let's listen in. [00:01:49] Craig Macmillan: Our guest today is Andy Fles. He is the vineyard manager at Shady Lane Cellars in Michigan. And today we're going to talk about a pretty cool little project. He's got going looking into two different pesticide programs. Thanks for being on the podcast, Andy. [00:02:03] Andrew Fles: Yeah, my pleasure, Craig. [00:02:05] Craig Macmillan: So you have a grant from the USDA sustainable agriculture research and education program. To look at what you call a soft pesticide program for your vineyard in Michigan and comparing it to what we would call a sustainable or sustainable conventional program. What do you define as a soft pesticide program? [00:02:25] Andrew Fles: Well, that's kinda just a, a term that we applied to identify it. I didn't want to use organic because I thought that there would be a good chance we would utilize things that are considered by the industry to be very soft in terms of you know, they're not a harsh chemical or a carcinogenic, a known carcinogenic compound. [00:02:49] But something, for example, like. Like horticultural grade peroxide, which goes by several different trade names. So that's just, it's hydrogen peroxide and it is a disinfectant that turns into water and oxygen. So it's pretty Soft in terms of what it does to beneficials and, and plants and, and such. [00:03:11] We utilize some of those products already in our spray program. But combined also with, we're probably 50 percent organic in terms of what we spray out. for fungicides, pesticides, insecticides. And so we're still altering in some synthetic compounds. [00:03:28] And we wanted to compare that, what we currently do, to something that was much softer, like only soft compounds. Something that could be considered a OMRI certified organic program, or, or almost, right? Like maybe there's just one or two things that are very soft, but not technically OMRI certified. [00:03:49] Craig Macmillan: Right, and I do want to , get into the weeds on that a little bit later. Cause it's a, it's an interesting, Set a program that you've got going and I have lots of questions about them. What inspired this project? [00:04:01] Andrew Fles: I think just that continued movement towards investigating what works here in the east. You know, we, of course, get more wetting events and, and wetting periods that cause more fungal issues here compared to the west coast. And so we really, you know, we have to have an eye on sustainability. Certainly at Shady Lane, we really push for that. [00:04:25] But we also need to make sure that we have a marketable crop. We need to make sure the wine quality is, is high and acceptable for our standards. And so you know, if we're talking about, you know, every year is quite different here. We can get a, like, for example, in 2024, very wet in the first half of the year, very, very dry in the second half. [00:04:51] And, and then, which was quite different from 23 and quite different from 22 and so on and so forth. so, so some years we need to kind of step in and use a synthetic product here at this key time or, you know we need to protect our, our, our wine grape quality. [00:05:07] Craig Macmillan: What are the primary pests and diseases in your area? [00:05:11] Andrew Fles: So we have issues with the usual suspects that powdery mildew, of course. That's, that's fairly, I think if you're on top of your game, that's, it's pretty controllable. Even with soft products here it's just a spray frequency and coverage issue. [00:05:27] Downy mildew is something that can be quite challenging in certain years. [00:05:31] And there's, and there's less tools in the toolbox to use for that as well. And so you gotta, you gotta be on top of that with scouting preventative, like canopy, you know, canopy management practices that deter too dense of a canopy or, or clusters that are. hidden behind several layers of leaf. [00:05:53] Those are going to cause problems for you no matter what you're spraying, synthetic or organic, right? So, so we try and utilize all those things and and then we, we can also have issues in some years with botrytis and even sour rot and tight clustered varieties. So, so we were looking at sour rot and botrytis in the, in the cluster analysis of this portion of the , project. [00:06:18] Yeah, we have some locations can struggle with grape erinium mite. That's becoming more and more prevalent here. Wasn't an issue four years ago. Not, not really up in, up in northern Michigan anyway. So that's becoming more and more of an issue. And then we always struggle with rose chafers. It's a, it's a grub that, you know, comes out for six weeks and really terrorizes the vines. [00:06:49] And for that, for that pest, we really walk the line of the economic damage threshold, right? So, so a little, you know, we're going to see rose chafers every year. Some years are better than others. And what is our acceptable damage, you know? And so, once we see the rose chafers really getting dense in number, and also, you know, munching on a few leaves is one thing, munching on the clusters and the shoot tips is another thing. [00:07:21] Craig Macmillan: That's what I was going to ask. Yeah, I'm unfamiliar with this this pest. It, skeletonizes leaves, but it also will attack flower clusters and, and grape clusters in the early stages of development. Is that right? [00:07:34] Andrew Fles: Pretty much all green tissue. Yeah, a bunch of shoot, shoot tips leaves are probably, you know, their preferred source, I think, but anything tender. And so if, if the timing is just right where the, the inflorescences are, are you know, just coming out when the, when the beetles hatch, then they can really go for those cluster tips and, and shoot tips. [00:07:59] While we're scouting for this pest, we not only do the, you know, the density numbers and annotate that, but we look at, you know, how many are actually eating leaves versus shoot tips and clusters. [00:08:13] Craig Macmillan: Interesting, interesting. What is the design of your project and what varieties are we talking about? And what kind of variables are you measuring and how are you measuring them? [00:08:25] Andrew Fles: this is a farmer grant as opposed to a research grant. , it's tailored to folks that want to do on, on farm trials. And we want to do. Something in a significant enough volume, you know, that, that some that it would apply, it would be more applicable in the real world. [00:08:45] So for example you know, at a university they might do this randomized plots, you know, and they're using a backpack sprayer because they're, they're applying you know, three vines here, three vines there, scattered all throughout the block. And we wanted to use the sprayer that we actually use. [00:09:04] Um, and we wanted to do a bigger sections. And so what we did was we broke it up into two acre sections and we did two acres of both the traditional, the conventional program that we normally would do here and the soft treatment. So we did two acres of each in pinot noir, two acres of each in a, in a French American hybrid called ol, and then two acres of Riesling. [00:09:33] And we wanted to look at powdery, downy, botrytis, and sour rot. [00:09:38] In certain years, we can have quite a lot of botrytis and sour rot pressure in those three varieties. Because Pinot Noir of course is tight clustered. Vignole is even tighter clustered despite having that French American disease resistance package. It, it doesn't possess that for Botrytis or Sour Rot. [00:09:58] and then of course Riesling is a, is a very, it's probably the number one variety in Michigan. And as we all know, it's susceptible to Botrytis. [00:10:08] Craig Macmillan: Yeah. Big time. [00:10:10] Nice design. Great varieties to choose. I think that was really, really smart. How are you going to quantify these different variables? How are you going to measure the damage? [00:10:18] Andrew Fles: So for Powdery and Downey we just kind of did a scouting assessment. You know, how, prevalent is the infection based on how many leaves per, per per scouting event? I think off the top of my head, it was like 25 leaves. Per block that's more, I guess, anecdotal which we, and we did see that in the Pinot Noir, it was pretty clear cut that we struggled to control Downy in the soft treatment more so than in the conventional treatment. [00:10:50] It was, it was pretty clear there. And then as far as the Botrytis and Sour Rot, so that's really where the MSU team came in with the, the Rufus Isaacs lab and Dr. Rufus Isaacs and his master's PhD candidate. They did a lot of work there and, and then also the Tim Miles lab , so basically what they did is they took 25 clusters of each treatment and they did an assessment , for of course, how many berries were infected by, by botrytis and sour rot. [00:11:25] And then they also took those clusters and they hatched them out to see how many Drosophila species were there. [00:11:33] Craig Macmillan: Oh, okay. Yeah, good. That's interesting. [00:11:36] Andrew Fles: Wing drosophila here in Michigan and so really it was just the two species of traditional vinegar fly, drosophila, and then spotted wing. They did, you know, the, the statistics on that. [00:11:50] Craig Macmillan: interesting. And this is, this is a multi year project, right? [00:11:54] Andrew Fles: This was just one year. [00:11:56] Craig Macmillan: Just one year, okay. [00:11:58] And when will you have final results? [00:12:01] Andrew Fles: I have some of those already. We're going to do like a more formal presentation at a spring meeting here, a grower meeting, that's kind of co sponsored between MSU Extension and a local non profit that promotes grape and wine production in the area. So yeah, we're going to make a presentation in April on on the results and, and kind of, we're just continuing to, coalesce and, you know, tie my spray program with wedding events and then the results that they got as well. [00:12:37] Craig Macmillan: What other kinds of outreach are you doing? You're doing the meeting and you're doing other things? [00:12:41] Andrew Fles: I haven't discussed this with with Rika Bhandari as the PhD student. I suspect that she would use this in some of her publishing, you know, whether it gets published, I don't know, it's part of her Her main focus is sour rot, so this will be included in some of her presentations. [00:13:03] But I don't know that for a fact. [00:13:06] Craig Macmillan: That's exciting to get some information that's local. It's locally based and get it out to the local community as well as the broader community. I think that's really important if you don't mind I would like to get into some of the nuts and bolts of these two programs because I found that to be very interesting And then as we go talk about How that panned out for the different pests and diseases that you saw in these trials Let's talk about the soft program first You've got a dormant oil app in May and I assume you mean that there would be like JMS stylet oil or something like that [00:13:41] Andrew Fles: I think it was called bio cover. [00:13:43] Craig Macmillan: Bio cover and that's a pretty standard practice in your area I would guess [00:13:48] Andrew Fles: It is, yeah. [00:13:49] Craig Macmillan: and then the following month in June You, uh, have copper in the mix. In both the traditional and in the soft chemistry. I'm guessing that's also a common practice in your area. Probably for downy and for powdery. [00:14:06] Andrew Fles: Yeah, the copper is is something that we've been leaning towards and getting away from some of the synthetics. Which stick better to plant surfaces, we've been migrating that way anyway, these last numerous years now and so, yeah, , there are some similarities between the two programs at times it's really those key times of pre bloom and post bloom and variation that that we've traditionally. [00:14:34] Really locked in on some of the synthetic chemistries here [00:14:37] Craig Macmillan: And then also in June you have a Serenade Opti, which would be a Subtilis based material. And I believe that's also in your conventional in July. That's pretty standard practice, and that's an OMRI certified product, I believe. [00:14:52] Andrew Fles: Yes, yeah. [00:14:53] Craig Macmillan: There's some overlap there. It looks like the Rose Chaffer comes out around this time. [00:14:59] Andrew Fles: Yeah, probably it's not in front of me, but probably mid june [00:15:04] Craig Macmillan: Yeah, that's what you have here. In the traditional you've got a, a neonic, a sale. And then in the program, there's kind of a question mark here. What did you end up using in the, in the soft program for a roast chaffer? [00:15:19] Andrew Fles: Let me find it here [00:15:21] So we used neemix 4. 5 [00:15:26] Craig Macmillan: Nemix. I'm not familiar with that. Is that a Nemo based product? [00:15:28] Andrew Fles: Yeah, it's a neem oil [00:15:30] Craig Macmillan: And then in the traditional you have a neonic, a sail. Did you see a difference in Rose Chapter damage between the two? Because this is a pretty big difference here. [00:15:39] Andrew Fles: a pretty big difference in terms of [00:15:42] Craig Macmillan: Well, the modes of action obviously are very different. [00:15:45] Andrew Fles: Oh, sure, sure. Yeah, we had a little higher a little higher prevalence of rose chafers in mostly in the Pinot Noir treatments. Not so much in the Riesling, and I think that's largely because of black location. Traditionally the Pinot Noir block is our worst, one of our worst blocks in terms of rose chaffer rose chaffers are these beetles. [00:16:09] Of course, they're very similar to Japanese beetles for those listeners that, that may know that, but they really thrive in sandy soil, which is what we specialize here in northern Michigan, sandy based soil, right? [00:16:22] , and especially in un mowed fields. Right? We've really been trying to manage , our headland spaces like a prairie even more so upon joining SIP and, and learning more about making a comprehensive farm plan of, Of all of the land, right? And so we've really managed our, headlands and open fields like prairies which means minimal mowing, [00:16:47] like once a year is what we, we just mow to keep the autumn olive out. And and so we're trying to promote, you know, bird life and, and. All forms of life in these fields, which includes and sometimes an increase in rose chafers. [00:17:03] However, this 2024 was, was a. Fairly low pressure year. [00:17:09] And so I was very comfortable with, with sticking with this the soft insecticide. And we didn't feel like, you know, even though we saw this, this increase in pressure in the soft treatment, it wasn't surpassing the economic damage threshold that we are really keen. [00:17:27] And right. IPM [00:17:29] Craig Macmillan: So, true IPM. [00:17:31] Andrew Fles: IPM is very important, here, you know, where we have all these insects and it rains a lot and, you know, you got to really. Be ready to to, to scout and then react. [00:17:41] Craig Macmillan: Exactly. Yeah. And knowing what your economic injury limit is, I think it's huge. And your action threshold based on that. Tell me a little bit about the Spinosad based products. You have a couple in the soft that I assume are meant to be insecticides. [00:17:55] Andrew Fles: Yeah. The delegate. Yup. [00:17:56] Craig Macmillan: Yeah, Delegator and Trust. [00:17:59] Andrew Fles: I'll talk a little bit about intrepid as well. That's probably a foreign thing for any, any West coast listener, but that's intrepid is a it's a molting regulator and it's essentially for, in this case, for grapes, it's for grape berry moth. And this is an insect that is very difficult to do IPM on because there's a, there's kind of a morph that lives in northern Michigan that doesn't Go for the traps and so you can put traps out and it you just have no idea what's going on Because they just don't really care for the pheromones so they're really almost impossible to trap and I've talked numerous time with dr Rufus Isaacs about this and how do we you know get a handle on populations and you know They just can't get their traps to work up here. [00:18:50] We target with the intrepid, it's a, again, it's a molting regulator, so it just prevents them from developing, and it's very specific it's not a broad spectrum, so that goes on as a preventative where we have blocks near the woods, [00:19:05] because we see great berry moth coming in from wild, wild vines [00:19:10] that may or may not be in the woods, but we Where we see larva hatching is, is just kind of a perimeter. [00:19:16] So what we'll actually do is a perimeter spray. We don't even spray the whole block. We'll spray the outside row or two or three of each end. And then we just kind of blast it in. Along the, the other, you know, along the posts, the end posts. And that seems to work fairly well. [00:19:34] Craig Macmillan: Huh. [00:19:35] Andrew Fles: And then, as far as Delegate goes and Entrust those are Spinoza based products like you mentioned. [00:19:42] Those are primarily, you'll see that we put them on, well, I don't know if you can see timing, but we put them on. in September. Yeah, at the end of the season. September. [00:19:53] Yeah. Yeah. So, so those go on right around or right before even version and that is for drosophila [00:20:01] I think there's been some research recently from Cornell and then also Brock University in Canada. And I know also that Tim and Rufus have been doing trials here in Michigan as well. between the three of us out here in the, in the Northeast we're very focused on sour rot. [00:20:19] And so Michigan State along with these other folks have done these trials where they found that including an insecticide at veraison or, and then also at about 15 bricks significantly reduces sour rot infections. And that's because you're going after one of the vectors. [00:20:39] Craig Macmillan: Interesting. There's another material that I wasn't familiar with. I did a little bit of research on it. That's a product called Jet Ag, which is a hydrogen peroxide, a peracetic acid material. You have that in both the soft chemistry and your quote unquote conventional section. Is that a material you've used for a long time? [00:20:57] Andrew Fles: Yeah, we, I forget when exactly it started coming around I think probably 2015, 16 is when it was maybe released or made its way to northern Michigan and kind of coincided with with some sour rot. Issues that we have had off and on over the years with Pinot Noir or Vignole. And it's a, you know, it's a strong hydrogen peroxide. [00:21:23] It's a heavy oxidizer. It goes in and it, it, it cleans everything up. You know, it disinfects. And there's, there's some thinking as well that it, it'll kill the yeast. And some of those yeasts, the aroma is very attractive to spotted wing drosophila and regular drosophila. And so if you're, if you're kind of this is probably something that, that people, you know, that rely on native ferments might not want to hear, but you know, it really, it really disinfects the fruit which, which is key for You know, controlling sour rot. [00:21:59] And so we've used that over the years as both a preventative and a curative treatment. [00:22:05] Craig Macmillan: Right. [00:22:06] Andrew Fles: I didn't actually end up using it this year because It essentially stopped raining it was almost west coast ian here in the fall. It stopped raining in August and it didn't rain again. [00:22:19] You know, I mean, aside from like just a, you know, very, very light mist that wouldn't even penetrate the soil deeper than a centimeter. You know, so we didn't get any appreciable rain. From, I think it was maybe August 5 or 10, all the way till November 31st, or sorry, October 31st. [00:22:39] Craig Macmillan: Actually, that raises a good question. So, what is the summer precipitation like, quote unquote, in a normal year or an average year? [00:22:48] Andrew Fles: Yeah, we've been having, [00:22:49] Craig Macmillan: is it? [00:22:52] Andrew Fles: it's so variable is the, you know, we keep coming back to that. Every season is different here and it's so true even in Northern Michigan we have seen climate change affecting our summer rainfalls. So, whereas, you know, traditionally, and I say traditionally as maybe like the 80s and 90s maybe even early 2000s, you would expect to see, you know, a good four to eight inches a month. [00:23:20] you know, less, less so in, you know, in July and August is walking that more like four inch. Four inches of precipitation and you can get that sometimes in two different days [00:23:33] Craig Macmillan: Wow. [00:23:34] Andrew Fles: And that could be all or it could be spread out, you know over over several 4, 5, 6, 7, 8 different events. we had a dry June a couple years ago, I think we, I think it rained two days and amount to much. [00:23:50] And 2023, all of May we had, it rained one day. It was very dry. And so it's really been a roller coaster here in terms of what to expect as far as precipitation comes, I mean during the growing season anyway. [00:24:08] Craig Macmillan: Mm hmm. [00:24:09] Andrew Fles: It's been a challenge to know, you kind of have to have all these tools ready, right? [00:24:13] You have to have your jet ag ready. [00:24:15] If you get a bunch of infections going you got to have some of these other products ready and just , be ready for anything essentially. [00:24:24] Craig Macmillan: That, I'm just kind of reeling, I'm from California, and so like four to eight inches of rain during the growing season, it sounds like a fungal disease disaster to me. I'm impressed that you can get a crop, a vinifera crop to, to harvest with those kind of conditions. [00:24:39] Let's talk about the sustainable conventional program a little bit. Again copper appears early which would make sense. Then the insecticide portion would be a sale. It's a neonicotinoid, and then you've got a couple of fungicides in here. [00:24:55] You've got sulfur, and you've got a boscalid. Then in July again you've got a subtilis, that's serenadopty, and the, the intrepid, the IGR. August, you've got another neonic rally, and then you've got a product called ranman, or ranman. Which is a Sazofenamide, again, traditional fungicide. And then Inspire Supert, verasion, very common. And then you've got the the JetAg and Delegate, which is an antispinosid based product. When I look at this, I see a lot of very safe, very smart, very rotated fungicide chemistries here. Was this the kind of program you were using previously? [00:25:34] Andrew Fles: Yeah. And you know, it always can change a little bit. Sometimes you can't get a certain product or you can't get it in time. [00:25:42] Uh, whereas, you know, you, you're planning to use X product for your, for your kind of like You know, your, your pea sized berry spray, let's say but you, all of a sudden you have a bunch of rainfall, you know, and, and so if I was planning to use Quintech, which only covers powdery all of a sudden I have this big wedding event that was just perfect for growing downy mildew I I might switch from Quintech to and vice versa, you know, if we're, if we're into some weather, that's really favorable, it's time to push more of those serenades and you know, we've used some of the other biologicals over the years as well and, and just trying, trying to go that way as much as possible, but, you know, sometimes the weather forces your hand, like, like it did this year, you'll see in my, In my program we went into some Randman and some [00:26:35] Zampro, and those are those are very specific to to downy mildew. [00:26:41] You know, but we're still, with those products, you know, they're more expensive than something like Kaptan, you know. We Can't spray that with sip and we didn't spray it before because we don't want it on our fingers [00:26:56] The vineyard you and I don't want it in our lives So so we're always trying to go the ran man route, even though it's a little pricier, but it's very Target specific for Downey and so, you know with all the rains that we had in June and July and early July we felt like the smart play and we did start seeing some downy mildew cropping up much earlier than normal. [00:27:21] If, if we see it at all, that is. in that, at that point you want to make the call, you know, Hey, I want to get out in front of this thing. I don't want downy on my fruit. You know, if you start seeing it on growing tips, I think it was the 4th of July or the 2nd of July or something we were scouting and we were getting a lot of rain at that point and it was very humid and it was just like rain every other day for about a week there and it's like you gotta pivot and, and make the move to something that's really going to provide. control there. [00:27:52] For the soft program at that point, we were trying to use, I believe we use serenade, you know, which is more broad spectrum as far as biologicals go. We knew we wanted to keep it going after the, , the Downey with the soft chemistry. And that's why we got into the orange oil as well. [00:28:10] Craig Macmillan: Oh, interesting. [00:28:11] Andrew Fles: to, Yeah, that's, that wasn't in the proposal that I sent you, but we did pivot. I couldn't get. The cinerate it was, I was told it was on the West coast, growers were hoarding it and none of it, none of it made it over this way. I was really hoping to get my hands on some of it. [00:28:28] I've already pre ordered my 2025 cinerate. [00:28:32] Craig Macmillan: And Cinerate is a cinnamon oil based product, right? [00:28:36] Andrew Fles: Correct. Yeah. Cinnamon oil. oil. Yeah, it's another oil. [00:28:39] Yeah. Yeah. It's another one of those kind of antimicrobial oils, if you will. Um, So we pivoted to, to orange oil and thyme oil. TimeGuard has been, is a product that's been out for a number of years now. We've used it before, , we haven't really relied on it as much in the past. As, as we did with this soft treatment. [00:28:59] Craig Macmillan: Tell me a little bit more about what the outcomes have been at this point. We talked about the the pinot noir a little bit. We talked about the Rose Shafter showing up there a little bit more. At, at the end of the day, the end of the season. How did you feel about it? How did you feel about comparing the two [00:29:15] Andrew Fles: you know, it felt, it felt really good. It seemed like the soft program kept pace with the conventional for the most part. In the Pinot Noir, we had we had some more rose chaffer damage, of course, but without doing a, a full on research trial, it's hard to say that it was the treatment alone because of, as I mentioned, the location was a big factor. [00:29:38] With the downy mildew, it seemed to be a little more prevalent, certainly in the Pinot Noir on the, on the soft program that is but it never got to the point and I was, I was always ready to go in with whatever I needed to, because we don't want to have a defoliation and not being able to ripen fruit, you know, the fruit and, and especially in such a great growing year. [00:30:01] we never really resorted to. You know, breaking the glass and, and grabbing the ax and running out there and like, and it was emergency, you know, we never, we never had to do that. There was a moment there in July where, you know, where would the downy pressure we thought maybe. [00:30:19] Maybe we would have to abandon it, but then things dried up and we kept after things with with some of these, these things like thyme oil and orange oil. Getting good coverage with them is so important. But getting those on at the right time really seemed to provide enough control. [00:30:37] Craig Macmillan: Actually that's a, that's an excellent point. Let's talk about the phenology a little bit. How, for the varieties that you're growing, how big are these canopies getting? What's the spacing that they're planted on? How many gallons per acre are you using in your spray applications to get good coverage? [00:30:54] Andrew Fles: Yeah, so for the purpose of the project I stuck with 50 gallons an acre throughout the season. Which even, even for the conventional portion, traditionally I'll, I'll start with 30 gallons an acre aside from the dormant spray, of course, but like, you know, early season sprays until the canopy becomes a little denser, , I'll be at 30 gallons an acre and then probably mid July post bloom, right around bloom, perhaps , we'll ramp up the conventional to 50 gallons as well. [00:31:26] For the purposes of this, we just did 50 gallons across the board, both treatments. a lot of the canopy is well, it's really all VSP except for the vignole. Vignole is high wire cordone. And then we're talking nine by five spacing. The vinifera as well, which is pretty common around here. Double geo some spur pruning. We've really developed a kind of a hybrid system where we do a little bit of, we kind of mix cane and spur , , and alternate those in, in some of our venefera programs. [00:31:57] Craig Macmillan: And in, on the same plant? [00:31:59] Andrew Fles: Yeah. Sometimes. [00:32:01] Yeah. [00:32:01] Craig Macmillan: one side, gator the other. [00:32:03] Andrew Fles: What that does for us you know, where we get. Or we can at least, you know, and we can, sometimes we can lose a whole cane , or a lot of buds. I don't want to get too in the weeds on, on what that system is, but, but it's really developed around being able to quickly replace and adapt to cold damage. [00:32:24] And so if we need to go in and cut a trunk out, we've already got a cane growing from down low, if that makes any sense. [00:32:31] Craig Macmillan: No, that does make sense. And it's a practice that I'm familiar with from other areas in the Midwest, the North, the Northeast. Very, very smart. But that's a very different canopy architecture than you might find someplace that's all VSP. Or, you know, a double canopy situation maybe like in New York. [00:32:48] How comfortable are you now? After going through this, it sounds like you liked the softer program, you feel you got good control on most things. But if I'm understanding you correctly, you're not afraid to keep some other, other tools in the toolbox, basically. [00:33:05] Andrew Fles: Right. Yeah. And I think a big purpose of this program was to investigate some of these products. I want to highlight Problad Verde as well. [00:33:14] That's. Another one that's been out there and we've used it before as well. You know, I did a trial with Tim Miles's lab on and Rufus doing a sour rot trial in Pinot Noir in the past with pro, and it was just kind of a end of the season application of Problad with I believe we use delegate or in trust. [00:33:34] I can't remember. One of them and, this project, the SARE project was really looking at problad as being more of the backbone , of it. And, and so we ended up using that for the soft treatment pre bloom, post bloom. And then again, at version, because it has similar to jet egg, it's kind of a disinfectant, right? [00:33:57] It's this lupine seed extract that, that is a. That is a disinfectant and so it's going to go in, but because it, it's advertised anyway as having some systemic activity, [00:34:09] Craig Macmillan: Mm [00:34:10] Andrew Fles: systemic properties, that's, that's key for us in the east here. Because, hey, if we get a half inch of rain, well, it's still kind of in the leaf or it's still in some of that green flower tissue. [00:34:24] Before it opens up and blooms and so, really working problad in as instead of a kind of just end of the season toy it's really became, became the backbone of the tritus control for us in this, in this trial. And then again, looking at some of these oils, I think there's a lot of promise for. the orange oil in particular, I've, I've been seeing more and more research coming out about how you know, it does work on Downy and we did see that you know, even though we had an increase in Downy infection man, it could have been a lot worse. It was still at an acceptable level. [00:35:02] And so I think, I think I'm going to feel more and more comfortable using those products. [00:35:07] Craig Macmillan: You've demonstrated to yourself. And that's what the, that's how it works, and that's what everybody needs, to have some confidence. Which I think is really great, I was very impressed by the idea of trying things that maybe are not widely used, were not widely tested outside of maybe the West Coast, and to be able to show efficacy on your property, I think is really important. [00:35:27] I think it's one thing many of us have learned about softer materials. They may or may not work depending on what your pressure is. And that can vary region to region, but it can also vary within a region. It definitely can vary year to year, so having that flexibility that you've built into this program is very admirable. What would you say are the big picture benefits of the soft pesticide program at this point? [00:35:48] Andrew Fles: Hopefully just to increase awareness of, of how they can be effective for folks here in Michigan or, or similar climates, New York and Canada, I should say I don't think , this SARE project alone is, is going to be any sort of groundbreaking news, but I think it's just another verification and if we start to have more and more of them people will believe more and more in these products because it's just, it's at that point, it's word of mouth, right? [00:36:21] It's more and more growers are starting to back it. And, or experiment with it at least and, and see results, I think a lot of growers are very word of mouth oriented anyway. [00:36:34] So, uh, so it's very important, like, Oh, Hey, what did you try last year? And I think there's plenty of that going on in our area. [00:36:42] A bunch of us anyway, we seem to network pretty well and, and trust each other. , Oh, I use this at this key time and it really proved effective. So I think just bringing more and more awareness to these soft programs or these soft products, I should say. , and I can't really speak to the sustainability of. Farming lupin seed for for a fungicide product, you know, I can't, speak to that, but I want to believe that it's, it's a more sustainable product than, you know something that was made in a factory and, and might have petrochemicals in it. [00:37:19] Craig Macmillan: Well, it might have resistance issues as well, I think is one of the key things. And by the way, both programs I thought were very intelligent. I think like in terms of the frack rotations in the sustainable one, I thought that was really well done. Is, is there one thing that you would tell growers? [00:37:35] What's the one takeaway you would tell people from this project? You just kind of touched on one, but is there a message here for people? [00:37:43] Andrew Fles: I think the message is, you know, that we have to be really careful in crafting our. Spray program to the season that we have. If we were getting A lot more rain in September than what we ended up having I mean, we were, we were in pretty severe drought here. I think the soft program could still work. [00:38:03] But you have to choose the product and probably apply it much more frequently. You know, you have to go in and respond to those rains. , or even maybe perhaps be ready to pivot to something that is synthetic and systemic and curative. You know, maybe you have to go in with a hammer, but that doesn't mean that, you know, the majority of this growing season can't be done in a very soft way. [00:38:30] And so we're really just responding to that weather. But I think if this is our focus , to use these softer chemistries on things that we're going to drink or eat, even if it's vegetables, I think that these products are becoming better and better and there's becoming more and more of them, which is really encouraging to see you know, 10 years ago, maybe we had serenade and And you know, a couple of other products, but now, now there's, they're really becoming prevalent. [00:38:58] And so I think the take home is, is crafting that spray program with these new found tools that we have. Problads, , your crop, , your what, what should I call them? Like your aromatic oils, lack of better term, like orange oil, thyme oil, cinnamon oil. You know, I think these things do have a place. [00:39:17] Craig Macmillan: Where can people find out more about you? [00:39:19] Andrew Fles: Well, they can visit ShadyLaneCellers. com and there's stuff in there about our farm and in what we do and where we are, who we are a little bit. And then also there will be, and I could get you this information if you're interested, so this spring meeting where we're going to present the results of this believe we'll have a Zoom link option. [00:39:43] Craig Macmillan: As a reference date, this is being recorded in February of 2025. And so spring meeting will be coming up in a few months from here. I'm not sure when this will air, but even anything is fantastic. So I really want to thank you for being on the episode. Our guest today was Andy Fless, he's Vineyard Manager at Shadyland Cellars and you've been a great guest. Hey, thanks for being on the podcast. [00:40:03] Andrew Fles: My pleasure, Craig. Thanks a lot for having me. [00:40:08] Beth Vukmanic: Thank you for listening. Today's podcast was brought to you by Martinez Orchards. Martinez Orchards is one of the most trusted and respected names in the nursery business. They have earned that reputation through years of hard work, honesty, integrity, and a commitment to their customers. They provide support with their knowledgeable salespeople and highly experienced production team. They know successful plantings allow them to fulfill their promises, and they strive to build lasting relationships with their customers based on a foundation of mutual steadfast trust. [00:40:40] Make sure you check out the show notes for links to Andy at Shady Lane Plus. Sustainable wine Growing podcast episodes 117. Grapevine Mildew Control with UV Light 219 Intelligent sprayers to improve fungicide applications and save money. And 235, battling fungicide resistance with glove sampling. [00:41:03] If you liked this show, do us a big favor by sharing it with a friend, subscribing and leaving us a review. You can find all of the podcasts@vineyardteam.org slash podcast and you can reach us at podcast@vineyardteam.org. [00:41:16] Until next time, this is Sustainable Wine Growing with the Vineyard team. Nearly perfect transcription by Descript
Brett McCallum is back as a guest host, and he's on a mission—to live to 100. The only problem? He's never even heard of Blue Zones, the magical places where people regularly hit triple digits without turning into cranky old hermits.In this episode of The Bare Facts, Sare breaks down the secrets of these longevity hotspots—Okinawa, Sardinia, Nicoya, Ikaria, and Loma Linda—where people somehow live longer without fad diets, gym memberships, or stress-induced meltdowns. From Ikigai (aka having a reason to wake up in the morning) to drinking just enough red wine to stay alive but not regret your life choices, we explore what actually keeps these people thriving.Can Brett ditch the carnivore diet and start ageing backwards? Or will he realise that living to 100 means 40 more years of emails? Tune in to find out!
This week, Sare's boss Brett McCallum has decided he's not just running the company—he's auditioning for the role of Dumb AF cohost. And what better way to kick things off than with a Dumb As Fact inspired by his own book: Are Kids Born Assholes, or Are They Taught to Be Assholes?We tackle one of life's biggest debates: Is nature or nurture more important? But in true Dumb AF fashion, things quickly spiral into absolute chaos.From parenting philosophies to the profound role of condiments in life (seriously, we all have our favourites), we somehow find our way back to the science of what really shapes us—our DNA, our upbringing, or just a deep love for mayonnaise? We break it down with 3 case studies:
Hay que decir de antemano, como para curarse en salud, que no están todas las que son, pero sí son todas la que están. Todas las canciones que suenan hoy en La Tarataña están interpretadas por mujeres aparecidas en el mundo de folk en los últimos años, a excepción de Vanesa Muela, con la que iniciamos el programa, y de Teresa Martínez, con la que lo cerramos. En un día como hoy, 8 de marzo, el protagonismo íntegro se lo damos a las artistas que han inyectado nueva energía a la escena folkie española. Con propuestas que van desde los ecos sefardís de Clara Campos, a las sonoridades mesetarias de Tría y Carola Ortiz, a las atlánticas de L-R, Catuxa Salom, Carmela o Fillas de Cassandra, y mediterráneas de Miriam Farré, Lía Sampai, Magalí Sare o Coloma Bertrán. Ritmos eternos de jotas, muiñeiras o ajechaos que suenan distintos con esas voces femeninas y esos arreglos que van de lo más tradicional a la folktrónica. Hoy La Tarataña se siente más mujer que nunca con este repertorio:1.- Vanesa Muela, “El que baile bolero” 3:062.- Miriam Farré, “La dama d’Aragó” 4:053.- Magalí Sare & Manel Fortiá, “Senhora do Almortâo” 4:314.- Coloma Bertrán, “Jota de veremar del regne animal” 2:495.- Tría, “De Miraflores a Canencia” 3:326.- Catuxa Salom, “Amores rusos” 2:317.- L-R, “Mintira” 3:178.- Lía Sampai, “Memoria” 3:309.- Clara Campos, “Para que quero” 4:5210.- Carola Ortiz, “Ajechao de las malas lenguas” 2:3411.- Fillas de Cassandra, “Tataravoa” 3:0312.- Carmela, “O ramo” (con Pandereteras de Toutón) 3:1313.- Teresa Martínez, “Adios Comillas” 1:40Aparte de todo, el programa propone a todas las buenas gentes que lo siguen que busquen y graben entre sus familiares y allegados posibles informantes para crear un gran banco de canciones perdidas. Algo que podríamos llamar “La voz de nuestras abuelas”, aunque todavía no hemos puesto un nombre definitivo. Escuchar audio
Kā nonākt līdz finansiālai brīvībai, pat ja šķiet, ka nav īsti ar ko sākt? Šajā epizodē personīgo finanšu mentore un podkāsta "Naudas lietas" vadītāja Alina Zela dalījās ar savu ceļu no lielām naudas grūtībām uz panākumiem finanšu pasaulē.Viņa pastāstīja, kā visa ģimene spēja ne tikai izdzīvot ar 60% ienākumu kritumu un pārtikas budžetu 200 eiro mēnesī četriem cilvēkiem, bet vēl pārvērta šo problēmu par tramplīnu, lai ne tikai pilnībā mainītu savas attiecības ar naudu, bet vēl pati un vīrs izveidotu katrs savu karjeru, par ko deg acis.Piesaki savu uzņēmumu BEZMAKSAS grāmatvedības ekspertīzei 400 EUR vērtībā, ko uzņēmumiem piedāvā Cilvēkjaudas atbalstītājs - grāmatvedības aģentūra Kamelota ar vairāk nekā 20 gadu pieredzi. Ar bezmaksas ekspertīzi iegūsi: nodokļu risku drošu analīzi, praktiskus ieteikumus izmaksu samazināšanai un uz datiem balstītu redzējumu biznesa finanšu attīstībai. Ekspertīze ir pilnībā konfidenciāla un dos pārliecību par uzņēmuma finanšu nākotni, lai vari gulēt mierīgi. Piesakies: kamelota.lv/jaudaPar šīs epizodes atbalstu paldies podmedia.lv, kas ir profesionāla režisoru un žurnālistu komanda, kuri tev palīdzēs izveidot savu podkāstu, kas atšķirs tevi no pārējiem nozares spēlētājiem un piesaistīs daudz jaunu klientu tavam biznesam. Piesakies podmedia.lv uz īsu sarunu ar viņiem un pavisam drīz tev būs savs podkāsts, kas palīdzēs sasniegt tavus biznesa mērķus.Intervijā pieminētās informācijas saites atradīsi sarunas lapā.SARUNAS PIETURPUNKTI:0:00 Ievads2:38 Kāda informācija un padomi atrodami podkāstā “Naudas lietas”6:04 Sarežģītie apstākļi, kuros Alinas ģimene nolēma pilnībā mainīt savu finansiālo dzīvi 13:08 Kādas neērtības ir spējīgs paciest cilvēks, ja viņam ir skaidrs mērķis un ticība18:43 Pagrieziena punkts, kad nācās ļoti pārvērtēt attiecības ar naudu un tās tērēšanas paradumus20:38 “Mēs zaudējām 60% no ienākumiem”25:33 Māksla iztikt ar 200 eiro pārtikas naudu mēnesī 4 cilvēku ģimenei30:38 Kāda ir minimālā summa, ar kuru var sākt ieguldīt33:15 GRĀMATVEDĪBAS EKSPERTĪZE - "Kamelota" bezmaksas piedāvājums uzņēmumiem34:15 Kad pēc bērna kopšanas atvaļinājuma vairs “siltajā” vietā atgriezties nav vēlēšanās38:45 “Cilvēki! Jums ir nauda un ar to ir jārīkojas!” Kā sākās Alinas kā personīgo finanšu mentora ceļš42:32 ‘Lai ilgtermiņā gūtu finansiālo labklājību, ir jāizmanto finanšu tirgus” – kā pašmācības ceļā iegūt zināšanas finanšu un investīciju džungļos49:24 Kā iemācīties pārvaldīt riskus54:40 “Ideālo finanšu pārvaldīšanas cilvēku nav”59:38 PODMEDIA.LV īpašais piedāvājums Tava podkāsta izveidošanai1:00:34 Kad viss galīgi neiet kā plānots, vienmēr ir risinājumi1:09:48 Kas var notikt, kad divi jaudīgi partneri strauji attīstās katrs savā virzienā1:14:27 Vērtīgākais, kas iegūts pāru terapijā1:21:24 “Jebko, ko tu dari, laiks paies” – kā izvēlēties, ko tieši darīt1:26:57 Tie paši principi kā finansēs, tā svara nomešanā1:33:30 Ceļavārdi cilvēkam, kuram ir sarežģīta finanšu situācija un nolaidušās rokas1:36:19 Alinas Zelas topošā grāmata par to, ka mums visiem ir nauda1:39:04 Vai ir tāds vecuma posms, kad investēt ir par vēlu
Quicksilver by Callie Hart was the quiet BookTok hit of 2024. Initially released by the author via independent publisher, it was won, in a 10-way bid by Hodder & Stoughton for their Fantasy imprint, Hodderscape, and was released on the 3rd December 2024. As with all fantasy novels, there are as many detractors as there are those praising it. So what did I think of this latest addition to the romantasy and fantasy world? Did it light my mental fire, or did it extinguish as quickly as a match on a windy day? The story of Kingfisher and Saeris (pronounced Sare-iss) is a bit of a mixed bag, but at over 600 pages, it was a journey to get from the beginning to the end.
Ida Linde och Daniel Sjölin har läst och samtalar om den amerikanska författaren och ikonen Vivian Gornicks senaste bok på svenska, Aldrig färdig. Lyssna på alla avsnitt i Sveriges Radio Play. I Aldrig färdig skriver Vivian Gornick fängslande om omläsningens kraft och möjligheter. Vad händer när man läser om en bok man sedan tidigare älskar? Aldrig Färdig handlar om de favoritböcker Gornick läst om, romaner som DH Lawrences Söner och älskande, Colette och Elizabeth Bowen, samt Marguerite Duras Älskaren.Vivian Gornick är en amerikansk författare och skribent, född 1935. Hon har gjort sig känd som feminist och fick sitt internationella genombrott i 85-årsåldern. Det finns två böcker på svenska av henne tidigare, Starka band och Den udda kvinnan och staden.Aldrig färdig är hennes tredje bok på svenska och är översatt av Maria Lundgren.I programmet hör vi Vivian Gornick själv från sin lägenhet på Manhattan där hon bott i 40 år. Författaren och översättaren Ida Linde och författaren och kritikern Daniel Sjölin samtalar med Marie Lundström i studion.Skriv till oss! bokradio@sverigesradio.seProgramledare: Marie LundströmProducent: Andreas MagnellLjuddesign: Märta Myrstener
Hanif pratar om varför kritiken mot en utredare med ful frisyr är missriktad medan Per pratar om varför en föreläsare med ful frisyr förtjänar skarp kritik.
Krustpunktā uzmanības centrā šodien valoda. Latviešu valoda kā viena mūsu lielākajām vērtībām, kas ir kopjama un sargājama, vienlaikus, būtiski, lai visi arī spētu šajā valodā saprasties. Valsts iestāžu saziņa ar sabiedrību nereti notiek tik grūti uztveramā valodā, ka daudziem nolaižas rokas, mēģinot saprast, ko ierēdnis īsti ir mēģinājis pateikt. Par valodu – vienkāršo un sarežģīto, kopjamo un aizsargājamo, saruna ar valodnieci Aigu Veckalni.
Afropop, zouk et yole traditionnel de Guinée et écriture automatique. (Rediffusion) Notre 1er invité est Olivier Conan pour son nouveau projet Combo Daguerre.Basé à New York, Combo Daguerre est le nouveau projet d'Olivier Conan qui, après avoir passé plus d'une décennie immergé dans le monde de la cumbia psychédélique avec son groupe Chicha Libre, a maintenant mis au point un répertoire original de thèmes francophones joué en mode psychédélique. Le groupe est composé de musiciens latins établis à Brooklyn, et les influences multiples comprennent le boléro, la cumbia, le rock 60's ainsi que d'évidentes influences gainsbouriennes et surréalistes. Chicha Libre est devenu un groupe culte en Amérique du Sud et au Mexique et Combo Daguerre est un peu l'héritier francophone d'un projet qui n'aurait pu naître qu'à New York où les frontières culturelles et linguistiques sont fluides et les influences pan-latines débordent sur tous les mondes musicaux : du rock, au hip-hop - et maintenant la chanson. Les thèmes à la fois joyeux et sérieux sont ceux de l'exil, de la nostalgie déplacée et d'une langue frelatée par la distance. Le dessin qui illustre la pochette tire son inspiration des têtes de cheval des boucheries chevalines parisiennes. Un symbole bicéphale qui représenterait un empire disparu ?Après 30 ans passés à Brooklyn, terre peu sainte où le français n'existe que dans des formes créolisées, mon français boite des deux jambes. Ma nostalgie se nourrit d'une langue et de souvenirs tous les deux reconstitués. Je ne contrôle ni la grammaire, ni le lexique, ni même la chronologie. Les images de mon enfance parisienne sont maculées, mâtinées d'images de mes aïeux, de photos de classe et de cartes postales d'une autre époque. Mes souvenirs pourraient être ceux d'un autre. Je, bien sûr, pourrait être un autre. Le Paris où je crois avoir grandi est peut-être bien celui de Rivette et de Truffaut. En tout cas, je crois le reconnaitre dans le Daguerréotypes de Varda (parce que j'ai été un enfant du 14ème), voire dans Les Maléfices de Jacques Yonnet ou Les Nuits de Paris de Restif de la Bretonne. Les paroles de Combo Daguerre sont placées sous le signe de Fracassines - une chanson écrite Dieu sait quand et Dieu sait comment, et qui est apparue - comme une vierge chrétienne - sans prévenir. Génération spontanée, écriture automatique. Le reste de l'album est parsemé de bribes inconsciemment glanées au hit-parade de la poésie française parce qu'après trente ans d'absence, tout ce qui demeure de cette culture enfouie, c'est une eau polluée dans laquelle flottent les scories d'une culture française élémentaire. Fracassines est un travail automatique avec peu d'interventions conscientes. Olivier Conan.Titres jouésFracassinesParoles trouvées sur mon écran d'ordinateur sans souvenir de les avoir écrites. Qu'elles ne signifient pas grand-chose est presque rassurant.88 rue Daguerre Cumbia Instrumentale du guitariste péruvien Felipe Wurst. 88 rue Daguerre est l'adresse d'Agnès Varda.Daguerre ParisLe Petit BossuChanson du XVIème siècle. La version qu'Yvonne George chantait dans les années 20 était en fait une icône de l'élite littéraire de l'époque. Amie de Cocteau (qui ne l'était pas ?) et de sa coterie. Desnos tombe amoureux d'elle et lui dédie son A la Mysterieuse (j'ai tant rêvé de toi..) et en fait l'héroïne de son roman «Le vin est tiré». Yvonne George n'est pas convaincue. Elle préfère les femmes, et l'opium. Elle meurt à 33 ans, comme une rock star. ► Album Fracassines (Barbès Rd 2024).Site Combo Daguerre - facebook - Barbès Records bandcamp.Puis nous recevons Abdoulaye Kouyaté dans la #SessionLive pour la sortie de l'album Fefanyi – Le Bienfaiteur.Après des années passées à sublimer les musiques des artistes qu'il accompagne par son jeu de guitare et la douceur de sa Kora (Ba Cissoko, Mariama, Jain et Gabi Hartmann entre autres), Abdoulaye Kouyaté met son énergie créatrice dans un projet personnel qui rassemble ses compositions originales. En plus du guitariste virtuose, on découvre qu'Abdoulaye Kouyaté est un orfèvre de mélodies et un chanteur au timbre feutré. Tantôt profonde et touchante, tantôt rythmée et dansante, sa musique métissée oscille entre ballades, instrumentaux à la kora et des morceaux aux sonorités afropop empruntant leur rythmique au coupé décalé, au zouk ou au yolé traditionnel de Guinée. Abdoulaye confie la réalisation de l'album à Patrick Ruffino et s'accompagne de Yannick Vela à la basse et Nicolas Grupp à la batterie. L'album est enrichi par les précieuses contributions du joueur de flûte peule Dramane Dembele, de la chanteuse Gabi Hartmann, du bassiste Guy Nsangué, du saxophoniste Robbie Marshall, du violoncelliste Guillaume Latil, du djembefola Dartagnan Camara et des choeurs de la chanteuse Djene Kouyaté.Ce premier disque affiche une diversité étonnante. Chantés en Soussou (la langue de la capitale guinéenne, Conakry) et en français, plusieurs titres s'inspirent de la jeunesse romanesque d'Abdoulaye dans le Conakry des années 1990-2000. Une époque où il se perfectionnait à la guitare en suivant à la trace les musiciens de son quartier, animait avec son groupe de folles soirées expatriés au Grand Hôtel Camayenne, et tombait amoureux pour la première fois (Inondi, Doumedira, On fait quoi ? et Nitanama notamment). À l'insouciance guinéenne, succède la jungle de l'Europe, la vie d'adulte, les responsabilités, le froid, et les apprentissages difficiles. Ces leçons de vie inspirent notamment les morceaux Douniéma (le rancunier), Saré (tout à un prix) ou Inamakana (si tu ne peux pas aider ton prochain, ne l'enfonce pas). Le morceau Fefanyi (le bienfaiteur) qui donne le titre de l'album reprend la tradition des griots, dont les Kouyaté sont issus, de « chanter les louanges » des grands Hommes, des généreux bienfaiteurs. Suivant le chemin ouvert par son père Sekou Kouyaté, griot moderne, guitariste respecté et chef d'orchestre de Miriam Makeba durant ses années d'exil en Guinée, Abdoulaye Kouyaté façonne son jeu de guitare à l'écoute du jazz, du funk, du reggae, le Son Cubano ou de la Biguine antillaise tout en lui donnant des sonorités mandingues. Il cite Paul Simon et Georges Benson en inspiration. En Guinée, on l'affuble du surnom «jazzman» en raison de son style qui s'écarte du mandingue traditionnel. Lorsque son père tombe malade, Abdoulaye le remplace en tant que joueur de kora dans Circus Baobab. Avec ce premier cirque d'Afrique de l'Ouest, il sillonnera le monde pendant une décennie, avant de s'établir à Marseille puis à Paris. Titres interprétés au grand studio- Inondi Live RFI - Toi Tu Penses nous on bouge, extrait de l'album- Inamakana Live RFILine Up : Abdoulaye Kouyaté - voix, guitare - Thierry Fournel - guitare - Yannick Vela - basse - Nicolas Grupp – batterieSon : Benoît Letirant, Mathias Taylor► Album Fefanyi – Le Bienfaiteur (Reva prod – Rock'n hall 2024)Site - YouTube - Facebook
Afropop, zouk et yole traditionnel de Guinée et écriture automatique. (Rediffusion) Notre 1er invité est Olivier Conan pour son nouveau projet Combo Daguerre.Basé à New York, Combo Daguerre est le nouveau projet d'Olivier Conan qui, après avoir passé plus d'une décennie immergé dans le monde de la cumbia psychédélique avec son groupe Chicha Libre, a maintenant mis au point un répertoire original de thèmes francophones joué en mode psychédélique. Le groupe est composé de musiciens latins établis à Brooklyn, et les influences multiples comprennent le boléro, la cumbia, le rock 60's ainsi que d'évidentes influences gainsbouriennes et surréalistes. Chicha Libre est devenu un groupe culte en Amérique du Sud et au Mexique et Combo Daguerre est un peu l'héritier francophone d'un projet qui n'aurait pu naître qu'à New York où les frontières culturelles et linguistiques sont fluides et les influences pan-latines débordent sur tous les mondes musicaux : du rock, au hip-hop - et maintenant la chanson. Les thèmes à la fois joyeux et sérieux sont ceux de l'exil, de la nostalgie déplacée et d'une langue frelatée par la distance. Le dessin qui illustre la pochette tire son inspiration des têtes de cheval des boucheries chevalines parisiennes. Un symbole bicéphale qui représenterait un empire disparu ?Après 30 ans passés à Brooklyn, terre peu sainte où le français n'existe que dans des formes créolisées, mon français boite des deux jambes. Ma nostalgie se nourrit d'une langue et de souvenirs tous les deux reconstitués. Je ne contrôle ni la grammaire, ni le lexique, ni même la chronologie. Les images de mon enfance parisienne sont maculées, mâtinées d'images de mes aïeux, de photos de classe et de cartes postales d'une autre époque. Mes souvenirs pourraient être ceux d'un autre. Je, bien sûr, pourrait être un autre. Le Paris où je crois avoir grandi est peut-être bien celui de Rivette et de Truffaut. En tout cas, je crois le reconnaitre dans le Daguerréotypes de Varda (parce que j'ai été un enfant du 14ème), voire dans Les Maléfices de Jacques Yonnet ou Les Nuits de Paris de Restif de la Bretonne. Les paroles de Combo Daguerre sont placées sous le signe de Fracassines - une chanson écrite Dieu sait quand et Dieu sait comment, et qui est apparue - comme une vierge chrétienne - sans prévenir. Génération spontanée, écriture automatique. Le reste de l'album est parsemé de bribes inconsciemment glanées au hit-parade de la poésie française parce qu'après trente ans d'absence, tout ce qui demeure de cette culture enfouie, c'est une eau polluée dans laquelle flottent les scories d'une culture française élémentaire. Fracassines est un travail automatique avec peu d'interventions conscientes. Olivier Conan.Titres jouésFracassinesParoles trouvées sur mon écran d'ordinateur sans souvenir de les avoir écrites. Qu'elles ne signifient pas grand-chose est presque rassurant.88 rue Daguerre Cumbia Instrumentale du guitariste péruvien Felipe Wurst. 88 rue Daguerre est l'adresse d'Agnès Varda.Daguerre ParisLe Petit BossuChanson du XVIème siècle. La version qu'Yvonne George chantait dans les années 20 était en fait une icône de l'élite littéraire de l'époque. Amie de Cocteau (qui ne l'était pas ?) et de sa coterie. Desnos tombe amoureux d'elle et lui dédie son A la Mysterieuse (j'ai tant rêvé de toi..) et en fait l'héroïne de son roman «Le vin est tiré». Yvonne George n'est pas convaincue. Elle préfère les femmes, et l'opium. Elle meurt à 33 ans, comme une rock star. ► Album Fracassines (Barbès Rd 2024).Site Combo Daguerre - facebook - Barbès Records bandcamp.Puis nous recevons Abdoulaye Kouyaté dans la #SessionLive pour la sortie de l'album Fefanyi – Le Bienfaiteur.Après des années passées à sublimer les musiques des artistes qu'il accompagne par son jeu de guitare et la douceur de sa Kora (Ba Cissoko, Mariama, Jain et Gabi Hartmann entre autres), Abdoulaye Kouyaté met son énergie créatrice dans un projet personnel qui rassemble ses compositions originales. En plus du guitariste virtuose, on découvre qu'Abdoulaye Kouyaté est un orfèvre de mélodies et un chanteur au timbre feutré. Tantôt profonde et touchante, tantôt rythmée et dansante, sa musique métissée oscille entre ballades, instrumentaux à la kora et des morceaux aux sonorités afropop empruntant leur rythmique au coupé décalé, au zouk ou au yolé traditionnel de Guinée. Abdoulaye confie la réalisation de l'album à Patrick Ruffino et s'accompagne de Yannick Vela à la basse et Nicolas Grupp à la batterie. L'album est enrichi par les précieuses contributions du joueur de flûte peule Dramane Dembele, de la chanteuse Gabi Hartmann, du bassiste Guy Nsangué, du saxophoniste Robbie Marshall, du violoncelliste Guillaume Latil, du djembefola Dartagnan Camara et des choeurs de la chanteuse Djene Kouyaté.Ce premier disque affiche une diversité étonnante. Chantés en Soussou (la langue de la capitale guinéenne, Conakry) et en français, plusieurs titres s'inspirent de la jeunesse romanesque d'Abdoulaye dans le Conakry des années 1990-2000. Une époque où il se perfectionnait à la guitare en suivant à la trace les musiciens de son quartier, animait avec son groupe de folles soirées expatriés au Grand Hôtel Camayenne, et tombait amoureux pour la première fois (Inondi, Doumedira, On fait quoi ? et Nitanama notamment). À l'insouciance guinéenne, succède la jungle de l'Europe, la vie d'adulte, les responsabilités, le froid, et les apprentissages difficiles. Ces leçons de vie inspirent notamment les morceaux Douniéma (le rancunier), Saré (tout à un prix) ou Inamakana (si tu ne peux pas aider ton prochain, ne l'enfonce pas). Le morceau Fefanyi (le bienfaiteur) qui donne le titre de l'album reprend la tradition des griots, dont les Kouyaté sont issus, de « chanter les louanges » des grands Hommes, des généreux bienfaiteurs. Suivant le chemin ouvert par son père Sekou Kouyaté, griot moderne, guitariste respecté et chef d'orchestre de Miriam Makeba durant ses années d'exil en Guinée, Abdoulaye Kouyaté façonne son jeu de guitare à l'écoute du jazz, du funk, du reggae, le Son Cubano ou de la Biguine antillaise tout en lui donnant des sonorités mandingues. Il cite Paul Simon et Georges Benson en inspiration. En Guinée, on l'affuble du surnom «jazzman» en raison de son style qui s'écarte du mandingue traditionnel. Lorsque son père tombe malade, Abdoulaye le remplace en tant que joueur de kora dans Circus Baobab. Avec ce premier cirque d'Afrique de l'Ouest, il sillonnera le monde pendant une décennie, avant de s'établir à Marseille puis à Paris. Titres interprétés au grand studio- Inondi Live RFI - Toi Tu Penses nous on bouge, extrait de l'album- Inamakana Live RFILine Up : Abdoulaye Kouyaté - voix, guitare - Thierry Fournel - guitare - Yannick Vela - basse - Nicolas Grupp – batterieSon : Benoît Letirant, Mathias Taylor► Album Fefanyi – Le Bienfaiteur (Reva prod – Rock'n hall 2024)Site - YouTube - Facebook
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Diane Sare, independent candidate for U.S. Senate in New York Topic(s): the war in Ukraine; her candidacy, fair ballot access Website: www.sareforsenate.com Social Media: https://twitter.com/DianeSare?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor https://www.facebook.com/Sare4Senate/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textWhat is it like to be a true ally for trans men of color? That is what this episode of Dem Bois Podcast is all about. Today I interview another board member, Beauty Wright, spiritual coach and chaplain, and we discuss her journey to leadership and her role on the board. Beauty emphasizes the importance of empathy and compassion, sharing her personal experiences and the impact of her support on her family and community. She also highlights the significance of authenticity and unconditional love in allyship, and advocating for visibility and representation of marginalized groups.We talk:Why it's important for Beauty to show up for trans men of color - 4:22Her duties as a board member - 8:38What lead her to this moment - 11:22Beauty's last words of love - 15:57Click here for transcription!Read more about Beauty in her bio below:I am a motivated Black woman, who is the CEO/Founder of Loving Your Crown LLC, and an Interfaith Chaplain at a local hospital. This has guided me with a life purpose of building up all persons by supporting them as they learn to love and embrace their crown which is inclusive to members of the POC Trans in my community. My educational background includes; AA in Sociology to understand the demographics in which I can better assess all persons who have been marginalized by their demographic locations. BA and MA in Communication Studies to be able to articulate in a relatable manner with everyone I come into contact with As I believe in meeting people where they are and not where you expect them to be. MDiv (Masters in Divinity) as spirituality is at the core of all things we encounter throughout life. “I am a board member of Dem Bois Inc., because I support its mission and important presence for trans men of color. I am a firm believer in everyone living their life in an authentic way, so they can love their crown genuinely on the outside, ensuring it aligns with the crown in their heart - reminding them they are loved, heard and visible. Being a board member of Dem Bois organization gives me the outlet to do this meaningful work.”beauty@dembois.orgWould you like to make a difference in the lives of trans men of color? Are you or someone you know interested in serving on a non-profit board?We are looking for one individual who is committed to supporting trans men of color.Dem Bois seeks a trans leader of color, or other queer folks of color, along with allies who understand the importance of accessing medical transition-related care, and other trans related issues to join our Board.We are looking for someone who would like to become our Vice-Chair to work alongside the other dynamic leaders of the board to help support the mission and vision of the organization.What does board membership mean? What does a Vice-Chair of a non-profit board actually do? Are you interested in being a part of Dem Bois board, but would like to learn more before applying? Schedule a 15-minute meeting to learn more about board service. Learn how you can use your skills and talents to sAre you enjoying the Dem Bois Podcast? Donate today to help support the cost of production and the honorarium we pay our guests for their time. All donations are tax-deductible. Click here! Donate to support our 2023 Gender Affirming Surgery Grant Fund here!
OEGENTLIGHETER rapporteras från allt fler myndigheter – samtidigt som visselblåsarna själva ofta straffas. Vilken typ av oegentligheter pågår egentligen inom svenska myndigheter? Hur reagerar tjänstemän och medier när sanningen väl avslöjas? Och vad händer med ett samhälle som skyddar myndighetsaktivister men som bestraffar sanningssägare? Dessa frågor tar jag upp i veckans video om “VISSELBLÅSARE”.
In the second half of the first hour of "Connections with Evan Dawson" on Oct. 16, 2024, we talk with Diane Sare, candidate for U.S. Senate, about her priorities, if elected.
Please stop, I'm melting. PLAYLIST: 1:03 - GaMetal - Panic Puppet Act 1 (Sonic 3D Blast [GEN] :: YouTube) 9:31 - RoBKTA, Tiggs - Can You Feel the Sunshine? (Sonic R [SAT] :: Firaga Records) 13:15 - Audio Sprite - Azure Lake 2P (Sonic the Hedgehog 3 [GEN] :: Bandcamp) 15:46 - IsabelleChiming - Aqua Lake Act 1 [YM2612+SN876489] (Sonic the Hedgehog 2 [SMS/GG] :: Bandcamp) 19:05 - Jemma Heigis, Dj Cutman - Chemical Plant Funk! (Sonic the Hedgehog 2 [GEN] :: GameChops) 27:57 - Zaid Tabani, David Stewart Jr., Ray Casarez - Beast Of The Valley [Intro To "Guilty Gear Strive"] (Original work :: YouTube Music) 31:03 - FalKKonE, Rena - Coral Crown (Hades II [PC/NSW] :: YouTube Music) 35:11 - Sean Schafianski, Ferdk - Momentary Life (Guilty Gear X [ARC] :: Bandcamp) 37:48 - Husky by the Geek - Meridian Dance (Secret of Mana [SNES] :: YouTube) 45:32 - Sare, LadyIgiko - It's Going Down Now (Persona 3 Reload [PC/PS5/XBS] :: Firaga Records) 48:37 - Duzzled, Sare - Death by Glamour (UNDERTALE [PC] :: Firaga Records) 51:35 - The Icarus Kid - Bombing Mission (Final Fantasy VII [PS1] :: GameChops) 54:43 - Vector U, Ro Panuganti - New Bark Town (Pokémon Gold & Silver [GBC] :: GameGrooves) 1:02:23 - ImRuscelOfficial, Nico Mendoza, Dewey Newt, SableProvidence, giocko, luminousmusic, Steven Higbee, Khrys Williams, Ica Tongco, Howard Dietz - Graceful Dexterity (Genshin Impact [PC/MOBILE] :: YouTube) 1:06:24 - TeraCMusic, ChequerChequer - Suteki Da Ne (Final Fantasy X [PS2] :: YouTube) 1:11:55 - VGR - Koopa's Road (Super Mario 64 [N64] :: YouTube Music) 1:14:59 - Mykah - Sans (UNDERTALE [PC] :: YouTube Music) FEATURED ALBUM: Teenage Mutant Ninja Turtles: Shredder's Revenge - Radical Remixes :: YouTube Music 1:22:41 - Sean Bialo - Big Apple, 3 PM 1:24:50 - Anamanaguchi - Panic in the Sky! 1:26:56 - Jake Kaufman - It Won't Fly! 1:28:47 - Button Masher - Rumble in the Zoo 1:33:32 - Dj Cutman, Helynt, Coffee Date - Deku Palace (Legend of Zelda: Majora's Mask [N64] :: GameChops) 1:36:02 - Snore Lax - Diddy Kong Racing Lofi (Diddy Kong Racing [N64] :: GameChops) 1:37:57 - Hotline Sehwani, 88Bit - Main Title (Paper Mario [N64] :: Curaga Records) 1:40:00 - nokbient - Crossing Those Hills (Final Fantasy IX [PS1] :: Curaga Records) 1:46:30 - Super Guitar Bros - Kass' Theme (Legend of Zelda: Breath of the Wild [NSW] :: YouTube) 1:47:47 - Moisés Nieto - Welcome Horizons (Animal Crossing: New Horizons [NSW] :: YouTube Music) 1:50:02 - Nico Mendoza, Madalyn Music - Korok Forest (The Legend of Zelda: Breath of the Wild [NSW] :: YouTube Music) 1:52:39 - KayThePianist - Ocean Shrine (Final Fantasy [NES] :: YouTube Music) 1:55:00 - The Limit Breakers - La Danse Macabre (Shovel Knight [MULTI] :: YouTube) 2:06:32 - Shea's Violin - Smiles and Tears (Earthbound [SNES] :: Pixel Mixers) Little V. - Running in the 90's [Metal Version] (Max Coveri cover :: YouTube)
There are a lot of factors that go into the decision to have kids. Creeping up on that list is climate change. In the first episode of season 2, we're diving into this tough topic with the help of community stories, data, and professional research from Dr. Jade Sasser. On this episode, you'll hear: How the climate crisis has impacted our community's choice to have (or not have) kids. How population growth affects the climate crisis. The emissions of babies.How to talk to your family about how the climate crisis is affecting your decision. Dr. Jade Sasser's research perspective on how people have answered the kid question over time. The overpopulation debunked.Resources to navigate the decision to have kids in a climate crisis.
In this episode, we revisit with Charles Lafferty to discuss the one year mark (halfway point) of his SARE grant. Charles shares the successes and challenges of the first year with pigs in the woods. You can find out more about his efforts at: skylinepastures.com Check out his Youtube channel at: https://www.youtube.com/@skylinepastures8445 Come join us at the homesteading-ish conference this September 13th and 14th in Charleston WV. https://homesteading-ish.com/ Also, join us for discussion of all things pastured pig on our new facebook group, The Pastured Pig. https://www.facebook.com/groups/thepasturedpig Please consider supporting us on Patreon: https://www.patreon.com/thepasturedpig If you would like to know more about us here at Red Tool House Farm or would like to suggest topics for future episodes, visit us at: https://thepasturedpig.com/podcast/
Welcome to your Daily Detroit for Friday, August 9, 2024. Hosts Jer and Devon dive into a rich discussion, starting with Devon's recent trip to Providence, Rhode Island. Devon shares how he enjoyed the charm of this New England city, from its historical architecture to its seafood delights, and reflect on how it compares to Detroit's vibrant scene. Devon shares his admiration for Providence's old-world charm, but notes the city's lack of pedestrian-friendly infrastructure and its surprisingly abandoned tallest building. Back in Detroit, Jer had a birthday visit to the rooftop bar Kamper's at the Book Tower, highlighting the luxurious vibe. They discuss the challenges of navigating popular spots like Kamper's and offer tips for a smoother experience. The conversation takes a turn as Devon addresses recent listener feedback, defending his stance on Detroit's potential Olympic bid and the proposed I-75 cap project. Labeled "Devon Downer" as of late, he explains the importance of balancing optimism with realism, especially given Detroit's complex development landscape. And in local news, the city of Detroit is set to launch the Connect AV shuttle service, an autonomous vehicle pilot program. The service will operate on an eleven-mile loop through key areas like Corktown and the East Jefferson riverfront. While Devon expresses cautious optimism, both hosts discuss the potential impact of AV technology on Detroit's transit future. Sare your thoughts with us at dailydetroit@gmail.com. Follow us on Apple Podcasts, Spotify, or your podcast player of choice.