Podcasts about dodge poetry festival

Caridad De La Luz, aka La Bruja, an Emmy-winning poet, activist, actor and executive director of the Nuyorican Poets Cafe, and David D. Rodriguez, NJPAC's EVP and executive producer, talk about the 20th Dodge Poetry Festival underway in downtown Newark and its new mission of sparking social change through poetry.

It is an intimate thing, to watch a lover while they sleep. In Francisco Aragón's translation of Francisco X. Alarcón's homoerotic poem, “Asleep You Become a Continent,” a man views his sleeping lover's body like it's a landscape: legs underneath sheets become mountains and valleys. The waking lover describes this view like an explorer might an unknown country; wondering what he will find.Francisco X. Alarcón was an award-winning Chicano poet and educator. He authored fourteen volumes of poetry, published seven books for children, and taught at the University of California, Davis, where he directed the Spanish for Native Speakers Program.Francisco Aragón is the son of Nicaraguan immigrants. His books include After Rubén (Red Hen Press, 2020), Glow of Our Sweat (Scapegoat Press, 2010), and Puerta de Sol (Bilingual Review Press, 2005).  He's also the editor of The Wind Shifts: New Latino Poetry (University of Arizona Press, 2007). A native of San Francisco, CA, he is on the faculty of the University of Notre Dame's Institute for Latino Studies, where he directs their literary initiative, Letras Latinas. His work has appeared in over twenty anthologies and various literary journals. He has read his work widely, including at universities, bookstores, art galleries, the Dodge Poetry Festival, and the Split This Rock Poetry Festival. He divides his time between South Bend, IN, and Mililani, HI.Find the transcript for this show at onbeing.org.We're pleased to offer Francisco Aragón's translation, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

A central duality appears in the work of Henri Cole: the revelation of emotional truths in concert with a “symphony of language” — often accompanied by arresting similes. We are excited to offer this conversation between Pádraig and Henri, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they discuss the role of animals in Henri's work, the pleasure of aesthetics in poetry, and writing as a form of revenge against forgetting.Henri Cole was born in Fukuoka, Japan and raised in Virginia. He has published many collections of poetry and received numerous awards for his work, including the Jackson Poetry Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, the Ambassador Book Award, the Lenore Marshall Award, and the Medal in Poetry from the American Academy of Arts and Letters. His most recent books are a memoir, Orphic Paris (New York Review Books, 2018), Blizzard (Farrar, Straus and Giroux, 2020), and Gravity and Center: Selected Sonnets, 1994-2022 (Farrar, Straus and Giroux, 2023). From 2010 to 2014, he was poetry editor of The New Republic. He teaches at Claremont McKenna College and lives in Boston.Find the transcript for this show at onbeing.org.

Aimee Nezhukumatathil's poems are filled with butchery and blood as she carves space for desire, motherhood, and an encyclopedic knowledge of plants to coexist in life and on the page. We are excited to offer this conversation between Pádraig and Aimee, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they explore the beauty of solitude, eroticism in poetry, and a letter writing practice for taking inventory of a life.Aimee Nezhukumatathil is the author of a book of nature essays, World of Wonders: In Praise of Fireflies, Whale Sharks, & Other Astonishments (Milkweed Editions, 2020), which was named a finalist for the Kirkus Prize in non-fiction, and four award-winning poetry collections, most recently, Oceanic (Copper Canyon Press, 2018). Awards for her writing include fellowships from the Mississippi Arts Council, Mississippi Institute of Arts and Letters Award for poetry, National Endowment of the Arts, and the Guggenheim Foundation. Her writing has appeared in NYTimes Magazine, ESPN, and Best American Poetry. She is professor of English and creative writing in the University of Mississippi's MFA program.Find the transcript for this show at onbeing.org.

Through her poetry, Patricia Smith generously, skillfully puts language around what can be seen both in the present and deliberately looking back at oneself. We are excited to offer this conversation between Pádraig and Patricia, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they explore how memory, persona, and a practice of curiosity inform Patricia's work, and the ways writing a poem is like writing a piece of music.Patricia Smith is the author of nine books of poetry, including Unshuttered (Triquarterly Books, 2023); Incendiary Art (Triquarterly Books, 2017), winner of the 2018 Kingsley Tufts Poetry Award, the 2017 Los Angeles Times Book Prize, and the 2018 NAACP Image Award, and finalist for the 2018 Pulitzer Prize; Shoulda Been Jimi Savannah (Coffee House Press, 2012), winner of the Lenore Marshall Prize from the Academy of American Poets; and Blood Dazzler (Coffee House Press, 2008), a National Book Award finalist. Her work has appeared in Poetry, The Paris Review, The Baffler, The Washington Post, The New York Times, Tin House, and in Best American Poetry, Best American Essays, and Best American Mystery Stories. Smith is a Distinguished Professor for the City University of New York, a visiting professor in creative writing at Princeton University, and a faculty member in the Vermont College of Fine Arts postgraduate residency program.Find the transcript for this show at onbeing.org.

Poetry, promiscuity, philosophy: maybe you should ask your next question!Thom Gunn was born on August 29, 1929 and died on April 25, 2004. He was born in Gravesend, England to parents who were both journalists. Jorie Graham (born May 9, 1950—Taurus) won the Pulitzer Prize for Poetry in 1996 for The Dream of the Unified Field: Selected Poems 1974-1994. Since 1999, she has been Boylston Professor of Oratory and Rhetoric at Harvard—and she is the first woman to hold the Boylston professorship. She has received many honors and awards for her work. Her newest book is Runaway (Ecco/HarperCollins, 2020). Watch Graham read "Studies in Secrecy" at the 2006 Dodge Poetry Festival here (under 5 min). Jesus was born….just kidding!We mention Jorie Graham's poem "Praying  (Attempt of 6 June '03)" – the one in which the speaker adopts a cat with feline HIV. It was first published in the London Review of Books in January, 2005, and later included in her book Overlord. You can read that poem here. Graham's poem "Evolution" first appeared in The New York Times Magazine and can be read here.  The cathedral mentioned in Jorie Graham's poem is St Patrick's Cathedral Armagh in Ireland.Watch Thom Gunn reading at the Berkeley Art Center here (~25 min)The article Aaron references regarding Thom Gunn (aka "promiscuous poet") can be read here. The How to Be Amazing podcast interview with Tim Gunn can be found here. Watch Thom Gunn reading at the Berkeley Art Center here (~25 min)You can read "A Feather for Voltaire" from Hybrids of Plantas and of Ghosts here. You can hear Allen Ginsberg read "Please Master" here (~5 min)

The queens revisit Lucille Clifton's poem "won't you celebrate with me." Then the queens are NOT. HAVING. IT. with misogyny in an Anthony Hecht poem. Consider supporting and shopping at Loyalty Bookstores, a black-owned DC-area independent bookstore. You can listen to Lucille Clifton read "won't you celebrate with me" here (the text of the poem is available with the audio; ~1 min). Read more here about The Clifton House. Writers and artists interested in participating and developing Clifton House programs may contact Sidney Clifton at cliftonhousebaltimore@gmail.com Watch Lucille Clifton read "Sorrows" and "What Haunts Him" at the 2008 Dodge Poetry Festival (~2.5 min)The title of the new selected poems is How to Carry Water, Selected Poems of Lucille Clifton (American Poets Continuum Series, 180). Starshine and Clay is Kamilah Aisha Moon's 2nd book from 4Way, published in 2017. Tracy K. Smith has a great essay on Clifton that appeared in The Paris Review and you can read that here. Smith's edition/selection of a Clifton-centered tarot deck is available here.The beginning of Elizabeth Bishop's "The Fish" is "I caught a tremendous fish," not "terrible fish," as James says. You can hear Bishop read that famous and much-anthologized poem here.  There are absolutely scholars who defend the Hecht poem as lampooning Matthew Arnold's / Victorian notions of gender and romance, but these queens remain unconvinced.

Newark Symphony Hall remains one of the most iconic performance venues in Newark, as well as in New Jersey. Constructed in 1925 at a cost of $2M, the space has been the home of the New Jersey Symphony Orchestra, the New Jersey State Opera, McDonald’s Gospelfest, the New Jersey Ballet, the Geraldine R. Dodge Poetry Festival, and the Newark Boys Choir School. Performers over the years have included Judy Garland, Bob Dylan, Patti Labelle, Richard Pryor, Amalia Rodrigues, Gladys Knight, the Rolling Stones, Parliament Funkadelic, Tony Bennet, and Eric Clapton. It has even been used for state funerals of prominent Newarkers (including Amiri Baraka and Jerry Gant) and weddings that have been featured in the New York Times. However, Symphony Hall is also a reflection of the city itself. The space hit a sustained period of disinvestment and funding shortages over the last few decades (the space was definitely not neglected). Though the space is in dire need of renovation and capital investment, it is still an active performance and community space.Taneshia Nash Laird, CEO and President of the venue since 2018, has undertaken an ambitious campaign to bring renewed attention to Symphony Hall and to restore and update the building. She is unique, as she is the only Black woman leading a performing arts center in the state. She is a self-professed entrepreneur, social change agent, and community developer, with a background in economic development and the arts, having led the Arts Council of Princeton and served as a director of economic development in Trenton. She is also an adjunct professor at Drexel University (in their entertainment and arts management program).Guest:Taneshia Nash Laird—Taneshia Nash Laird is a social change agent and community developer who centers cultural equity in her work. She is the President and CEO of Newark Symphony Hall, a historic performing arts center located within the Lincoln Park neighborhood of Newark, NJ. Since her appointment in November 2018, she has expanded programming to respond to community needs and announced plans to restore the 1925 vintage concert hall in a $40 million renovation and leverage it for neighborhood revitalization in a process she calls Symphony Works.Background & Articles: Newark Symphony Hall’s Official Page: hereNonprofit Finance Fund Interview with Taneshia: hereCBS Piece on NSH: here“The Soul of Newark Symphony Hall”: hereNew York Times Profile of Wedding Held in NSH: hereAmalia Rodrigues’ Performance at Symphony Hall [believed]: here Quote: “Science, knowledge, logic and brilliance might be useful tools but they didn’t build highways or civil service systems. Power built highways and civil service systems. Power was what dreams needed, not power in the hand of the dreamer himself necessarily but power put behind the dreamer’s dream by the man who it to put there, power that he termed “executive support”.”—Robert Caro, The Power Broker

The poet Jericho Brown reminds us to bear witness to the complexity of the human experience, to interrogate the proximity of violence to love, and to look and listen closer so that we might uncover the small truths and surprises in life. His presence is irreverent and magnetic, as the high school students who joined us for this conversation experienced firsthand at the 2018 Geraldine R. Dodge Poetry Festival. And now he’s won the 2020 Pulitzer Prize for Poetry.Editor’s note: This interview discusses sexual violence and rape.Jericho Brown is Winship Distinguished Research Professor in Creative Writing at Emory University, where he also directs the university’s creative writing program. His books of poetry are The New Testament, Please, and The Tradition, for which he won the 2020 Pulitzer Prize.This interview is edited and produced with music and other features in the On Being episode "Jericho Brown — Small Truths and Other Surprises." Find the transcript for that show at onbeing.org. 

The poet Jericho Brown reminds us to bear witness to the complexity of the human experience, to interrogate the proximity of violence to love, and to look and listen closer so that we might uncover the small truths and surprises in life. His presence is irreverent and magnetic, as the high school students who joined us for this conversation experienced firsthand at the 2018 Geraldine R. Dodge Poetry Festival. And now he’s won the 2020 Pulitzer Prize for Poetry.Editor’s note: This interview discusses sexual violence and rape.Jericho Brown is Winship Distinguished Research Professor in Creative Writing at Emory University, where he also directs the university’s creative writing program. His books of poetry are The New Testament, Please, and The Tradition, for which he won the 2020 Pulitzer Prize.Find the transcript for this show at onbeing.org.This show originally aired in June 2019.

FINAL EPISODE for this Series We are at the end of our Season II series and we wanted to end this on a high NOTE! We have created an anthology of conversations surrounding "INSPIRATION" that is meant to inspire each and everyone of us! 14 Episodes filled with the same theme and the same message! Check us out! For our Spoken Word FANS, you don't want to miss EPISODE 14! We were blessed to have the living legend himself, Mr. Taalam Acey, stop by the Bar Talks Podcast Studio and chat with us! Spoken word artist Taalam Acey is the author of at least 7 books and 16 albums. He is associated with two Sundance Awards, and has been featured on BET, TV One, The Documentary Channel, The Dodge Poetry Festival and the Essence Music Festival. Mr. Acey is such a deep brotha with so much knowledge and wisdom falling from his lips every time he speaks! This interview is meant to inspire you, motive you and raise your vibration, while listening to a poetic chat between Queenie and Taalam Acey! Set your notifications so that you don't miss it when it drops. If you haven't already, be sure to subscribe to our Podcast (link in bio) and our new YouTube channel as well. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/therelationshipzone/support

Jack Ridl was walking with his 7-year-old daughter when she said "with" was the most important word because people always have to be with something, someone, or themselves. When she added that it meant everyone has to makes sure they have a good "with," Jack's perception of the world changed. We talk about how a simple and profound concept has since shaped his life, health, and poetry.  Additional Resources  Jack Ridl ridl.wordpress.com on Facebook  Saint Peter and the Goldfinch by Jack Ridl (Wayne State University Press)   My Brother—A Star My mother was pregnant through the first nine games of the season. We were 7- 2. I waited for a brother. My father kept to the hard schedule. Waking the morning of the tenth game, I thought of skipping school and shooting hoops. My cornflakes were ready, soggy. There was a note: "The baby may come today. Get your haircut." We were into January, and the long December snow had turned to slush. The wind was mean. My father was gone. I looked in on my mother still asleep and hoped she'd be OK. I watched her, dreamed her dream: John at forward, me at guard. He'd learn fast. At noon, my father picked me up at the playground. My team was ahead by six. We drove toward the gym. "Mom's OK," he said and tapped his fist against my leg. The Plymouth ship that rode the hood pulled us down the street. "The baby died," he said. I felt my feet press hard against the floorboard. I put my elbow on the door handle, my head on my hand, and watched the town: Kenner's Five and Ten, Walker's Hardware, Jarret's Bakery, Shaffer's Barber Shop, the bank. Dick Green and Carl Stacey waved. "It was a boy." We drove back to school. "You gonna coach tonight?" "Yes." "Mom's OK?" "Yes. She's fine. Sad. But fine. She said for you to grab a sandwich after school. I'll see you at the game. Don't forget about your hair." I got out, walked in late to class. "We're doing geography," Mrs. Wilson said. "Page ninety-seven. The prairie." That night in bed I watched this kid firing in jump shots from everywhere on the court. He'd cut left, I'd feed him a fine pass, he'd hit. I'd dribble down the side, spot him in the corner, thread the ball through a crowd to his soft hands, and he'd loft a star up into the lights where it would pause then gently drop, fall through the cheers and through the net. The game never ended. I fell into sleep. My hair was short. We were 8 and 2.         for my mother and my father Jack Ridl First published in The Journal/Ohio State University Subsequently published in Saint Peter and the Goldfinch (Wayne State University Press)   Jack Ridl, Poet Laureate of Douglas, Michigan (Population 1100), in April 2019 released Saint Peter and the Goldfinch (Wayne State University Press, 2019).  Jack’s Practicing to Walk Like a Heron (WSUPress, 2013) was awarded the National Gold Medal for poetry by ForeWord Review./Indie Pub. His collection Broken Symmetry (WSUPress) was co-recipient of The Society of Midland Authors best book of poetry award for 2006. His Losing Season (CavanKerry Press) was named the best sports book of the year for 2009 by The Institute for International Sport, and The Boston Globe named it one of the five best books about sports. In 2017 it was developed into a Readers Theater work. Winner of The Gary Gildner Prize for Poetry, Jack has been featured on public radio (“It’s Only a Game with Bill Littlefield,” “The Story with Dick Gordon,” and Garrison Keillor’s “The Writer’s Almanac.”) Then Poet Laureate Billy Collins selected his Against Elegies for The Center for Book Arts Chapbook Award. He read in NYCity with Billy Collins and Sharon Dolin at Christmas after 9/11. He and Peter Schakel are co-authors of Approaching Poetry and Approaching Literature, and editors of 250 Poems, all from Bedford/St. Martin’s Press. With William Olsen he edited Poetry in Michigan in Poetry (New Issues Press). He has done readings in many venues including being invited to read at the international Geraldine R. Dodge Poetry Festival, and was one of twelve people in the arts from around the U.S. invited to the Fetzer Institute for their first conference on compassion and forgiveness. In 2014, Jack received the “Talent Award” from the Literacy Society of West Michigan for his “lifetime of work for poetry literacy,” and The Poetry Society of Michigan named him “Honorary Chancellor,” only the second poet so honored. His poem “Remembering the Night I Dreamed Paul Klee Married the Sky” was selected by Naomi Shihab Nye and featured in The New York Times Sunday Magazine for November 3, 2019. Following the presidential election in 2016 he started the “In Time Project,” each Thursday sending out a commentary and poem. Christian Zaschke, the NYC based U.S. correspondent for the leading German Newspaper Sueddeutsche  Zeitung, wrote a feature about his work. Jack and his wife Julie founded the visiting writers series at Hope College where he taught for 37 years. The students named him both their Outstanding Professor and Favorite Professor, and in 1996 The Carnegie (CASE) Foundation named him Michigan Professor of the Year. Nine of his students are included in the anthology Time You Let Me In: 25 Poets Under 25 edited by Naomi Shihab Nye. More than 90 of Jack’s students have earned an MFA degree and more than 90 are published authors, several of whom have received First Book Awards, national honors. In retirement Jack conducts a variety of writing workshops, welcomes readings, holds one on one sessions, etc. For further information about Jack and these activities, check out his website at www.ridl.com.

Brendan Constantine is a nationally recognized poet based in Los Angeles. His work has appeared in many of the nation’s poetry standards, including Best American Poetry, Prairie Schooner, Tin House, Ploughshares, Virginia Quarterly, and Poem-a-Day. His first book, ‘Letters to Guns’ (2009 Red Hen Press) received wide acclaim and is now taught in schools across the country. His most recent collections are ‘Dementia, My Darling’ (2016) from Red Hen Press, and a chapbook ‘Bouncy Bounce’ (2018) from Blue Horse Press. Mr. Constantine has received support and commissions from the Getty Museum, James Irvine Foundation, and the National Endowment for the Arts. A popular performer, Brendan has presented his work to audiences throughout the U.S. and Europe, also appearing on TED ED, NPR's All Things Considered, KPFK's Poet’s Café, numerous podcasts, and YouTube. He holds an MFA in poetry from Vermont College of Fine Arts and currently teaches at the Windward School. “The Opposites Game” - https://www.youtube.com/watch?v=KO6527S5JOU Brendan Constantine reads at the 2014 Dodge Poetry Festival - https://www.youtube.com/watch?v=mplyVOXWwfM "The Translation" by Brendan Constantine - https://www.youtube.com/watch?v=_RZ0-I9hG9c

The poet Jericho Brown reminds us to bear witness to the complexity of the human experience, to interrogate the proximity of violence to love, and to look and listen closer so that we might uncover the small truths and surprises in life. His presence is irreverent and magnetic, as the high school students who joined us for this conversation experienced firsthand at the Geraldine R. Dodge Poetry Festival. Editor’s note: This interview discusses sexual violence and rape. Jericho Brown is Winship Research Professor in Creative Writing at Emory University and the director of Emory’s creative writing program. He has received fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts. His first book, “Please,” won the American Book Award, and his second book, “The New Testament,” won the Anisfield-Wolf Book Award. His new collection of poetry is “The Tradition.” Find the transcript for this show at onbeing.org.

The poet Jericho Brown reminds us to bear witness to the complexity of the human experience, to interrogate the proximity of violence to love, and to look and listen closer so that we might uncover the small truths and surprises in life. His presence is irreverent and magnetic, as the high school students who joined us for this conversation experienced firsthand at the Geraldine R. Dodge Poetry Festival. Editor’s note: This interview discusses sexual violence and rape. Jericho Brown is Winship Research Professor in Creative Writing at Emory University and the director of Emory’s creative writing program. He has received fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts. His first book, “Please,” won the American Book Award, and his second book, “The New Testament,” won the Anisfield-Wolf Book Award. His new collection of poetry is “The Tradition.” This interview is edited and produced with music and other features in the On Being episode “Jericho Brown — Small Truths and Other Surprises.” Find more at onbeing.org.

In today’s episode, I’m sitting down with one of my best friends to talk about one of our favorite shows: Gilmore Girls. Melissa and I talk about Season 1 of a show that so many millennial women grew up watching, and we ask questions like: Is Lorelai’s fierce independence really such a great thing? What does it mean to be “perfect” like Rory? How do the media and narratives that we consume shape our expectations for ourselves? And are Max and Dean really all that dreamy? Melissa is a great friend, a veritable Gilmore expert, and she’s also an Adjunct Instructor at Montclair State University and Rutgers University-Newark, where she primarily teaches composition courses. She has also taught creative writing and poetry courses at Ramapo College of New Jersey, taught pop culture at Fairleigh Dickinson University, and worked for the Dodge Poetry Festival as the College Liaison. Listeners can connect with her on Twitter @mel_adamo You can find more information about topics covered and references made in this episode by visiting the Shownotes page.

The Dodge Poetry Festival is the largest poetry event in North America. Paterson-based poet Maria Mazziotti Gillan will be reading on Thursday and Friday of the four-day festival taking place October 18-21 in Newark. Maria is the force behind the Poetry Center at Passaic County Community College, and the author of more than 20 books of and about poetry. Her poems are about her life, including her strong memories of childhood in Paterson's Italian immigrant community. She likes to talk about the “cave,” that place of memories and feelings inside us all that the best poetry takes us back to. Producer Susan Wallner spoke to Maria Mazziotti Gillan at her home in Hawthorne, a suburb of Paterson

Gary J. Whitehead reads his poem "Grey Water" as well as one of his favorites from William Blake called " The Tyger" Gary J. Whitehead’s poems recently appear or are forthcoming in The New Yorker, Ploughshares, Epoch, andThe Massachusetts Review. His third book of poetry, A Glossary of Chickens, was chosen by Paul Muldoon for the Princeton Series of Contemporary Poets and published in 2013 by Princeton University Press. His work has been featured on Garrison Keillor’s NPR program The Writer’s Almanac and on Poetry Daily, Verse Daily, and The Guardian’s Poem of the Week. Whitehead has been the recipient of the Anne Halley Poetry Prize (The Massachusetts Review), a New York Foundation for the Arts Fellowship in Poetry, and the Princeton University Distinguished Secondary School Teaching Award. A featured poet at the Geraldine R. Dodge Poetry Festival and the Princeton Poetry Festival, he teaches English at Tenafly High School in New Jersey and lives in the Hudson valley of New York. http://www.garyjwhitehead.com/

Toni is an international champion of hip-hop culture, known for the irresistible, contagious energy of her performances and for her alluring female presence. An award-winning artist, her steadfast work and commitment to hip-hop led the U.S. Department of State to select her to work as the first ever hip-hop artist to work as an American Cultural Specialist. She has already served in Senegal, Ghana, Botswana, and Swaziland where her residencies include performance, workshops, and lectures on hip hop music and culture. She recently toured Southeast Asia with Jazz at Lincoln Center’s Musical Ambassador program and has shared the stage with the likes of Erykah Badu, Mos Def, The Roots, Wu Tang Clan, GURU, Bahamadia, Boot Camp Clic, Me’Shell NdegeoCello, Sarah McLachlan, Sheryl Crow, Jill Sobule and even Rickie Lee Jones. Her first book, Inner-Course was released in 2003 (Villard/Random House). Toni has performed in Eve Ensler’s V-Day Festival, the DODGE Poetry Festival, in Spain at the Barcelona World Social Forum, featured in the CUTTING EDGE Festival in Darmstadt, Germany, featured at SENERAP International Hip Hop Festival in Dakar and toured South Africa as a headliner on the URBAN VOICES Festival alongside the legendary Linton Kwesi Johnson. Toni has collaborated with a host of highly esteemed musicians including Craig Harris, James “Blood” Ulmer, Vernon Reid, Jay Rodriguez and master kora players Papa Susso and Yacouba. She continues to work with artists from around the world. She has been listed in ESSENCE Magazine’s listing of “30 Women to Watch,” featured in SAVOY Magazine, Newsweek Japan, The Washington Post, and in The New York Times. NHK-Global Japan Television produced a full-length documentary on her work with hip-hop airing it to 11 million viewers on national TV in Japan. She and her work have been highlighted on BET, as well as on FOX News and VH1, featured in UPSCALE, and VIBE.

In this podcast Jennifer Williams speaks to Jamaican-born, American-based poet Shara McCallum about her new Robert Burns poetry project which brought her to Scotland for a research visit; the lyric self; female and minority voices in poetry and much more. With thanks to James Iremonger for the music in this podcast. https://jamesiremonger.wordpress.com/tabla/ SHARA MCCALLUM http://www.poetryfoundation.org/poems-and-poets/poets/detail/shara-mccallum Originally from Jamaica, Shara McCallum is the author of five books of poetry: Madwoman (forthcoming fall 2016, Alice James Books, US; spring 2017, Peepal Tree Press, UK); The Face of Water: New and Selected Poems (Peepal Tree Press, UK, 2011); This Strange Land (Alice James Books, US, 2011), a finalist for the OCM Bocas Prize for Caribbean Literature; Song of Thieves (University of Pittsburgh Press, US, 2003); and The Water Between Us (University of Pittsburgh Press, US, 1999), winner of the Agnes Lynch Starrett Prize for Poetry. Recognition for her work includes a Witter Bynner Fellowship from the Library of Congress, a National Endowment for the Arts Poetry Fellowship, a Walter E. Dakin Fellowship from the Sewanee Writers’ Conference, a Tennessee Arts Commission Individual Artist Grant, a Cave Canem Fellowship, inclusion in the Best American Poetry series, and a poetry prize from the Academy of American Poets. Her poems have appeared in literary journals, magazines, and anthologies in the US, the Caribbean, Latin America, the UK and other parts of Europe, and Israel; have been reprinted in over thirty textbooks and anthologies of American, African American, Caribbean, and world literatures; and have been translated into Spanish, French, Italian, and Romanian. McCallum is also an essayist and publishes reviews and essays regularly in print and online at such sites as the Poetry Society of America. She has delivered readings throughout the US and internationally, including at the Library of Congress, Folger Shakespeare Library, Geraldine R. Dodge Poetry Festival, Miami Book Fair International, Calabash Festival (Jamaica), Bocas Lit Fest (Trinidad), StAnza (Scotland), Poesia en el Laurel (Spain), Incoci di Civilta (Italy), and at numerous colleges and universities. Since 2003, McCallum has served as Director of the Stadler Center for Poetry at Bucknell University, where she is a Professor in the Creative Writing Program. She has been a faculty member in the University of Memphis MFA program, Drew University Low-Residency MFA Program, Stonecoast Low-Residency MFA program, and at the University of West Indies in Barbados.

Toni is an international champion of hip-hop culture, known for the irresistible, contagious energy of her performances and for her alluring female presence. An award-winning artist, her steadfast work and commitment to hip-hop led the U.S. Department of State to select her to work as the first ever hip-hop artist to work as an American Cultural Specialist. She has already served in Senegal, Ghana, Botswana, and Swaziland where her residencies include performance, workshops, and lectures on hip hop music and culture. She recently toured Southeast Asia with Jazz at Lincoln Center’s Musical Ambassador program and has shared the stage with the likes of Erykah Badu, Mos Def, The Roots, Wu Tang Clan, GURU, Bahamadia, Boot Camp Clic, Me’Shell NdegeoCello, Sarah McLachlan, Sheryl Crow, Jill Sobule and even Rickie Lee Jones. Her first book, Inner-Course was released in 2003 (Villard/Random House). Toni has performed in Eve Ensler’s V-Day Festival, the DODGE Poetry Festival, in Spain at the Barcelona World Social Forum, featured in the CUTTING EDGE Festival in Darmstadt, Germany, featured at SENERAP International Hip Hop Festival in Dakar and toured South Africa as a headliner on the URBAN VOICES Festival alongside the legendary Linton Kwesi Johnson. Toni has collaborated with a host of highly esteemed musicians including Craig Harris, James “Blood” Ulmer, Vernon Reid, Jay Rodriguez and master kora players Papa Susso and Yacouba. She continues to work with artists from around the world. She has been listed in ESSENCE Magazine’s listing of “30 Women to Watch,” featured in SAVOY Magazine, Newsweek Japan, The Washington Post, and in The New York Times. NHK-Global Japan Television produced a full-length documentary on her work with hip-hop airing it to 11 million viewers on national TV in Japan. She and her work have been highlighted on BET, as well as on FOX News and VH1, featured in UPSCALE, and VIBE.

Bill Moyers revisits the Dodge Poetry Festival.

Bill Moyers celebrates poetry at the Geraldine R. Dodge Poetry Festival, which included renowned poets Coleman Barks, W.S. Merwin, Stanley Kunitz, Kurtis Lamkin, among many others.