Podcast appearances and mentions of douglas mccarthy

Terence Fixmer's music has the remarkable ability to not only set feet in motion on the dance floor but also resonate deeply with the searching soul, all while maintaining a profound musical depth and integrity. With a career spanning over two decades, he has released numerous albums and EPs on some of the most prestigious techno labels. His remixing talents have extended to tracks from industry giants like Depeche Mode, Yann Tiersen, Sven Väth, Dave Clarke, Front 242, Nitzer Ebb, Indochine, and more. Terence Fixmer is renowned for the quality of his live performances, gracing renowned clubs and festivals worldwide. Chapter 1: 1998-2007. In 1998, Terence established his own label, Planete Rouge. From 1999 to 2007, he gained worldwide recognition with the release of his debut album, "Muscle Machine," under DJ Hell's legendary International Deejay Gigolos imprint. In 2002, Fixmer joined forces with Nitzer Ebb's lead singer, Douglas McCarthy, to form Fixmer/McCarthy. Together, they released two full-length albums that pushed the boundaries of Techno EBM to the maximum. The album "Fixmer McCarthy Between the Devil" has earned its place as a revered classic, and the band has become iconic in the Techno EBM scene.Fixmer/McCarthy earned respect in the global scene for their unique way of creating truly pioneering sound fusions by elegantly blending the aggression of Techno Body Music and the sensuality of Electronica. Chapter 2: 2007-2015 Fixmer continued to expand the horizons of modern techno, releasing albums and EPs under his own name as well as various alter egos. His works found homes on highly respected techno labels such as Electric De Luxe, Prologue, Jealous God, CLR (including the "Depth Charged" album in 2014), Aufnahme + Wiedergabe. Chapter 3: 2015-2020 Terence Fixmer continued to evolve his sound in 2015. His EP "Aktion Mekanik," was reissued on Ostgut Ton, marking his entry into the Ostgut Ton family—the flagship label of Berlin's Berghain club. He subsequently released various EPs on Ostgut Ton ( Force EP, Devil May Care EP) and his album "Through the Cortex LP ." in 2017. Chapter 4: 2020- Terence produced music for Thomas Cohen (formerly singer of Scum) with tracks like "Braid" and "Chain of Love" on Mute Records.Additionally, he signed with the legendary label Mute Records, renowned for its roster of innovative and influential artists.  In 2022, he released his first album on Mute Records titled "Shifting Signals" . His music has been used by Fashion brand, such as Prada, Raf Simons, Zegna... Terence Fixmer's unwavering drive to craft experimental, mind-bending, and relentless sounds continues to transcend the boundaries of the musical mainstream, solidifying his place as a visionary within the techno and electronic music landscape. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

2024-04-29 sändningen ny svensk synth från Ulvtharm och Socialstyrelsen. Internationellt från Aeronaut V, Empire State Human, Zwe1händer, Denuit, Houses Of Heaven feat Douglas McCarthy och Minuit Machine.

EP30 DOUGLAS MCCARTHY Douglas es miembro fundador de la banda de electro post punk de vanguardia, NITZER EBB. Formada en 1982 es reconocida como uno de los pocos artistas que vieron el potencial de ritmos contundentes sobre líneas de bajo simples y repetitivas. Nitzer Ebb inicialmente lanzó su propio sello POWER OF VOICE COMMUNICACIONES antes de firmar con MUTE RECORDS y GEFFEN RECORDS en 1986. Llegaron a tener un gran éxito, especialmente en los Estados Unidos, a lo largo de 5 álbumes y giras incesantes, incluido el legendario DEPECHE MODE US 'VIOLATOR TOUR' en el verano de 1990. McCarthy ha colaborado con varios otros artistas, incluidos Recoil, And One y Client, además de tener una asociación de larga data con el productor francés de techno Terence Fixmer como FIXMER/MCCARTHY. En 2013 lanzó su primer álbum en solitario, Kill Your Friends, en colaboración con Cyrusrex. Esto llevó a una nueva asociación musical en forma de DJMREX. Utilizando sistemas modulares analógicos y efectos tanto para música como para voces, planean un cronograma de lanzamiento extendido para 2014 de tres EP y un lanzamiento de remezcla adicional de Ventetian Snares y Richard Devine. Ha realizado giras más recientes con Skinny Puppy en Estados Unidos y Depeche Mode en su gira europea Delta Machine.

After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on Recoil, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.   Songs In This Episode Intro - Stalker 16:19 - Incubus 29:11 - Control Freak 36:14 - Drifting Outro - Missing Piece   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on Recoil, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.   Songs In This Episode Intro - Stalker 16:19 - Incubus 29:11 - Control Freak 36:14 - Drifting Outro - Missing Piece   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

TECH CLUBBERS PODCAST W/ RAFFAELE ATTANASIO "My trajectory, I hope, will always be uphill, in continuous musical evolution... I'm always hungry for new sound experiences, and I'll put all my soul into it." - Raffaele Attanasio Born to a musician father in his home city of Naples, Attanasio was only satiated when listening to virtuoso maestros like Il Guardiano del Faro and Keith Emerson. Developing his prodigious ear, he trained on drums and then piano and his auspicious ability become apparent early. In his late teens, he ventured into DJing and electronic music production and has garnered plaudits from Jeff Mills, Len Faki and Ben Sims; even performing with Mills in a B2B live set and also Octave One. He found a home within the electronic music community, heading his own label Letter From Jerusalem, and releasing on others, such as Third Wave Black and Non Series. His label even released music from Douglas McCarthy of the band Nitzer Ebb. Follow RAFFAELE ATTANASIO here: Facebook: https://www.facebook.com/attanasioraffaele/ Instagram: https://www.instagram.com/raffaele_attanasio_ofc/ Soundcloud: https://soundcloud.com/raffaele_attanasio

On this week's podcast, I'm honored to host Julie and Tim Cahill, the creative team behind Carrotblanca (1995) as well as writers on multiple landmark Looney Tunes projects within the Looniverse! Julie is also the very first female to write on a WB produced project with these characters! Join me as we dive deep into the rabbit hole and travel through their lurid careers; no left turns in Albuquerque here! CARROTBLANCA CONCEPT ART: CARROTBLANCA NEWSPAPER CLIPPING: TWEETY as USMARTE BABY LOONEY TUNES CONCEPT ART! HIT OR MISSUS (Unproduced Looney Tunes Movie) TOM AND JERRY CONCEPT ART FOR THE KARATE GUARD Looney Tunes Projects Discussed: Carrotblanca (1995) Dir. Douglas McCarthy; Written by Tim & Julie Cahill - Parody of Carrotblanca! Tweety's High Flying Adventure (2000) Written by Tim & Julie Cahill and Tom Miinton. TV Shows Discussed: Sylvester and Tweety Mysteries Hysteria Baby Looney Tunes My Gym Partner's a Monkey FOLLOW THE GUESTS: TIM CAHILL - instagram: TIM_CAHILL_TOO JULIE CAHILL - instagram: JMCCAH FOLLOW and SUBSCRIBE TO THE PODCAST: @ThisMeansPod. Rate, Subscribe & Like on iTunes, Spotify and more! Instagram: @THIS MEANS PODCAST  

This episode features Antonia Cummings, a Catholic licensed funeral director, and J. Douglas McCarthy, a partner with the law firm of McCarthy & Akers, who shared on various issues relating to the end of life, funeral services, and estate planning. This podcast was recorded on May 12th, 2022 in the Basilica's Lyceum Auditorium. The afternoon's topic was titled: "Being Prepared and at Peace: A Funeral Services and Estate Planning Program."

Martialisches, bedrohliches Auftreten, monotoner Rhythmus und harte elektronische Sounds. Musikalisch steht Nitzer Ebb in der Tradition der Electric Body Music und der Industrial-Bands. Vom Erscheinungsbild her gehörte die Band zur linken Skinhead-Szene, obwohl sie oft in Armeemänteln und fiktiven Uniformen auftrat. Die 1982 im englischen Chelmsford von Douglas McCarthy, Bon Harris David Gooday gegründete Band fühlte sich politisch der Arbeiterklasse zugehörig und thematisierte auch deren Situation. Etwa im Song „Control I'm here“, eine Singleauskoppelung des Albums „Belief“ aus dem Jahr 1989.

This is Draw The Line Radio Show with Jacki-e, presenting the best music from female producers and DJs. Helping me Draw the Line with her guest mix in the second hour it's DJ Flesh_Bot who's from Chicago. In her mixes she channels the sound of dystopian landscapes and fierce machines. She's a resident for both Nexus 6 in Chicago and Interference Radio on Twitch. She does a livestream every Friday at 3pm UK (9pm CDT) on Twitch, and she also does a monthly techno show on Mixcloud featuring brand new techno tunes. Links for DJ Flesh_Bot:- Mixcloud:- https://www.mixcloud.com/flesh_bot/ Twitch:- https://www.twitch.tv/anarchotech Facebook:- https://www.facebook.com/DJ.Flesh.Bot/ In my mix in the first hour I'm playing tracks by BEC, Donna Maya, Mha Iri, Lisa May, We Turn To Red and lots more. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Track list 1st hour mixed by Jacki-E 1. Caro C – We Are Magnificent (Donna Maya remix) Bandcamp release. https://carosnatch.bandcamp.com/album/dreamers-for-elisa 2. VooCha – Interambiente (Otis Dance mix) UniCAT gUG. 3. We Turn To Red – Bounce ‘n Swirl (original mix) PITS. 4. We Turn to Red – Make me Weak (original mix) PITS> 5. Beth Lydi, Daniel Jaeger – Psychonautics (original mix) Snoe. 6. Zvrra – Array of Light (original mix) Bandcamp release on 13th August 2021 https://zvrra.bandcamp.com/album/array-of-light 7. Donna Maya – Care! (original mix) Bandcamp release https://kopfueber.bandcamp.com/album/kopf-ber-solisampler-f-r-sea-watch 8. Mila Chiral – Attracted by the Ghosts (original mix) Bandcamp release https://milachiral.bandcamp.com/album/naftfteot-nightmares-fairy-tales-for-the-end-of-times 9. Jesika Jane, NEM3SI$ – Existence (original mix) Set About. 10. Ann Clue – Darkest Moments (original mix) Fckng Serious. 11. Lisa May – Push (original mix) Mavic Music. 12. Mha Iri – Fearful or Fearless (original mix) 1605. 13. Nusha – Equality (T78 remix) Autektone Records. 14. Drumcomplex – Atomic (Lilly Palmer remix) Off Recordings. 15. Vanessa Sukowski – Lucanus Cervus (Abyssvm remix) Insectum Records. 16. Lisa May – Ultimate Sound (original mix) Free Download https://soundcloud.com/lisamaymusic/ultimate-sound 17. BEC – Pleasure Seeker (original mix) Second State. 18. Onyvaa – The Way It Is (original mix) KNTXT. DJ Flesh_Bot – An exclusive guest mix for Draw The Line Radio Show. 1. The Hacker - Waves of Darkness (original mix) Rave or Die. 2. Djedjotronic - Take Me Down ft. Douglas McCarthy (original mix) Boysnoize Records. 3. Rendered - Rshift (original mix) Aufnahme + Wiedergabe 4. Ancient Methods - Cradle the True Side of Reality (original mix) Khidi. 5. Znzl - Grounded (original mix) Bandcamp release https://znzl.bandcamp.com/track/grounded 6. ABSL - Death By Water (original mix) Green Fetish Records. 7. Acid Vatican - King Hell (original mix) Aufnahme + Wiedergabe. 8. The Soft Moon - It Kills (Rendered remix) Sacred Bones. 9. Exilles - Forma (original mix) Sestra Records. 10. Brecc - Quarantine (original mix) NineTimesNine, 11. Mickey Nox - You Mean Nothing (Piledrive mix) Green Fetish Records. 12. NN - Resistance (original mix) Demian Records. 13. Gijensu - Red Tooth District (original mix) Ismus. 14. Ossian - Vessel of Violence (original mix) South London Analogue Material. 15. DAHRYL - Nightmare (RVDE remix) The Meaning Of Rave. 16. Trudge - Bird Ghost (original mix) Lobster Theremin. 17. Voisi, Hadone - On The Edge Of Adhesion (original mix) Voltage. Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production.

Recently Nitzer Ebb toured the U.S. as a two-piece with Bon Harris and Douglas McCarthy. Normally, the band tours as a four-piece unit but because of their inability to obtain visas, this tour was with the two core members. I caught their show in Tampa Florida and it was an electrifying set. I spoke with Bon Harris right before the show and he was happy to fill me in on the possibility of new Nitzer Ebb material, their tour and much, much more.

Frankly my Dear Folks, I do give a damn.This week we are exploring the history of celebrity culture through the Looney Tunes and spotlighting the short Hollywood Steps Out (1941) and Carrotblanca (1995).I am joined by the man who created our fantastic logo for the podcast, Matt Jacobs and while he lacks a social media presents, he is very fluent and present when it comes to classic Hollywood culture.Looney Tunes Shorts Discussed: - Hollywood Steps Out (1941) A tour of Ciro's Nightclub packed with caricatures of many top stars of the early 40's. Directed by Tex Avery.- Carrotblanca (1995) A spoof of the classic film Casablanca (1942), starring Warner Bros.' Looney Tunes characters. Directed by Douglas McCarthy.Looney Tunes in the World: - H&M has a new line of clothing for women featuring the cherished characters, Tweety, Bugs, Daffy and Taz: https://www2.hm.com/en_us/productpage.0828467001.html- Art installation at Avenue Des Arts in Downtown Los Angeles by Matt Gondek. Now until Jan. 11th, 2020.https://www.instagram.com/gondekdraws/http://avenuedesarts.org/art/mattgondekLooney Tunes: The World of Mayhem Characters Discussed: Mr. Bugs, Kitty Ketty and Sylvester Slazlo!ACME Sponsored Re-Quipper!Support us at https://www.patreon.com/thismeanspodcastThe Criterion Streaming Service - https://www.criterionchannel.com/Follow and Share This Means Podcast!Patreon - https://www.patreon.com/thismeanspodcastTwitter - https://twitter.com/ThismeansPodFacebook - https://www.facebook.com/ThisMeansPodcastInstagram - https://www.instagram.com/ThismeanspodcastDon't forget to Like, Share, and Subscribe!That's NOT All Folks!

Chris and Jane talk to Andrea Wallace and Douglas McCarthy about their work on creating an open GLAM database, tracking which cultural institutions are providing digitised collection items on an openly licensed basis. They also talk about the Creative Commons Summit, Portuguese custard tarts and face swapping.

MARK VAN HOEN, PAOLO SPACCAMONTI / JOCHEN ARBEIT, THE STAR PILLOW, DJEDJOTRONIC, STRAFE FÜR REBELLION, JOHN M BENNETT, MEUKO! MEUKO!, TUNNELS OF AH, SONOLOGYST, ADONAI ATROPHIA, XERXES THE DARK, OZMOTIC, v/a IN TENEBRIS SCRIPTUS - A DARK AURAL TRIBUTE TO HP LOVECRAFT, GERONIMO INUTIQ, DON MANDARIN, DOUGLAS McCARTHY.

Våren 1987 blev det brittiska electronic body music-bandet Nitzer Ebb erbjudna att vara förband till David Bowie. De tackade nej eftersom det var sellout. Samma höst blev de erbjudna att vara förband till Depeche Mode. De tackade nej eftersom det var sellout. Då sa deras skivbolagschef att de fick skärpa sig och Nitzer Ebb åkte ut på en turné som gav dem hundratusentals fans, däribland Fredrik Strage som inspirerades till att skaffa en ny frisyr, starta ett band, börja skriva i ett fanzine och köpa sina första Dr Martens. 30 år senare hälsar Nitzer Ebbs sångare Douglas McCarthy (som Bono en gång liknade vid Jerry Lee Lewis) på hemma hos Strage. DAF, Siouxsie and the Banshees och Rolling Stones är några av banden som spelas på Sonos-anläggningen. See acast.com/privacy for privacy and opt-out information.

In our first ever English episode, we have a living legend in our studio: Douglas McCarthy, legendary vocalist in Nitzer Ebb, Fixmer/McCarthy and most recently Black Line. We discuss his influences, what he was up to during Nitzer Ebb’s hiatus, and how skateboarding was behind the formation of the band. We also met up with Vile Electrodes after their gig in Stockholm and heard about their plans.

In our first ever English episode, we have a living legend in our studio: Douglas McCarthy, legendary vocalist in Nitzer Ebb, Fixmer/McCarthy and most recently Black Line. We discuss his influences, what he was up to during Nitzer Ebb’s hiatus, and how skateboarding was behind the formation of the band. We also met up with Vile Electrodes after their gig in Stockholm and heard about their plans.

The Nitzer Ebb and Fixmer/McCarthy vocalist goes in-depth about the ups and downs of being in the music industry for over 30 years.

The Nitzer Ebb and Fixmer/McCarthy vocalist goes in-depth about the ups and downs of being in the music industry for over 30 years.

Black Asteroid discusses his unique outlook on techno, his taste in fashion, what motivates him in the studio, and of course, the sunglasses.

Black Asteroid discusses his unique outlook on techno, his taste in fashion, what motivates him in the studio, and of course, the sunglasses.

Fixmer goes in-depth on his industrial roots, his diverse discography, and working with Douglas McCarthy in a post-Nitzer Ebb world.

Fixmer goes in-depth on his industrial roots, his diverse discography, and working with Douglas McCarthy in a post-Nitzer Ebb world.

CONTAINER PODCAST [26] TERENCE FIXMER *Podcast from CLR Terence Fixmer is one of France’s most treasured protagonists. Respected by his peers and adored by his fans, he is equally at ease in both club and festival settings, capable of traversing the gamut of electronic genres from electro, industrial and EBM to techno in its purest form. Since debuting on DJ Hell’s now seminal International Deejay Gigolo Records back in 1998, Fixmer has consistently explored and redefined the boundaries of modern techno, developing a distinct and fiercely original style along the way. His first album for Gigolo, ‘Muscle Machine’ (1999), lit the way for a new take on more dancefloor-focused EBM music, coined “techno body music”, which he would continue to explore on follow-up records for Gigolo as well as Novamute, Datapunk, Music Man and Dave Clarke’s label White Noise. In 2003 he teamed up with Nitzer Ebb vocalist, Douglas McCarthy, to form Fixmer / McCarthy. A partnership that has resulted in two full-length albums, ‘Between The Devil’ (2004) and ‘Into The Night’ (2008) on Synthetic Symphony, and a series of EPs for his own Planete Rouge Records. The duo have performed their energetic live sets at renowned clubs and festivals all across the globe, simultaneously mining the brutality of techno body music and the sensuality of pop to create truly pioneering sound fusions. Whilst Planete Rouge functioned primarily as an outlet for Fixmer / McCarthy works, in 2011 Fixmer reactivated the label with a string of EPs from Emmanuel Top. Newcomers Alexey Volkov and Hubot have since graced the label, with further releases pegged from Emmanuel Top and Fixmer himself to come. But it is with Speedy J’s Electric Deluxe stable that Fixmer has lately been reinventing himself once again. Landing on the label early on with ‘Machine’ at that start of 2009, he has since put out a series of diverse EPs, moving away from his EMB heritage to explore deep and dubbier climes. In 2010 he released his fourth LP, ‘Comedy of Menace’, a true techno album composed from dark atmospheres and hypnotic energy, received to critical acclaim. Releases on Prologue, Turbo, and CLR have since followed, proving Fixmer’s continued relevance and restless aversion to a singular sound. Meanwhile his records have featured on many notable mixes, including Agoria’s Fabric 57 CD and Ben Klock’s latest compilation for the London institution, as well as podcast from luminaries like Juan Atkins, Laurent Garnier and Jon Hopkins. With a fifth full length in the pipeline, Fixmer is showing no signs of slowing down. He is a true innovator who shall remain at the forefront, and a firm favourite of producers, DJs and music lovers from all generations. Fixmer web site http://www.terencefixmer.com/ Container Project FB: http://goo.gl/b9BvTo