Podcasts about Omnichord

Not having the security blanket, an incognito experience, and sleeping on pool tables. Will Sprott (Shannon & The Clams, Will Sprott) "In August 2022, Shannon Shaw's world was turned inside out. With mere weeks to go until their wedding, the singer's fiancé, Joe Haener, died in a horrific car accident in front of his family's vegetable farm in Oregon. It was a devastating loss that hit Shannon & The Clams with cataclysmic force. Shaw's bandmates, guitarist Cody Blanchard, keyboard player Will Sprott, and drummer Nate Mahan, had also grown close to Haener, a drummer and fixture of the Bay Area music scene. They canceled shows and rallied around Shaw as fans reached out to show their support. Shaw spent her nights with Blanchard and his family or with the Haeners, finding comfort in community. She adopted a fluffy dog named Spanky-Joe. She moved out of the Portland apartment where she and Haener had been living. She fearlessly chronicled the whole experience online. “Losing Joe made me unafraid of so many things,” Shaw says. “I have a lot less fear. It's given me new perspective. Baring my soul is so much less scary than it would've been before.” Amid this overwhelming sense of grief, melodies and lyrics began to flow out of Shaw. Instagram posts about her relationship with Haener became the building blocks of new compositions. Her Clams bandmates were also reeling and writing their own new songs. From the shock and trauma of that tragedy comes Shannon & The Clams' latest album, The Moon Is In The Wrong Place, a powerful exploration of loss, time, love, and resilience that stands as the beloved garage band's most ambitious, emotionally searing recording to date. In preparing to record, The Clams passed demos back and forth for months and, uncharacteristically for them, jammed on unfinished riffs to see what would happen. “Shannon and I usually write separately, and we usually bring pretty crafted, finished songs,” says Blanchard, who developed tennis elbow after their marathon rehearsal sessions. When Shaw struggled to find the right chords to go with her melodies, she obtained an Omnichord — an electronic instrument with a built-in set of chords and rhythms — and unlocked a new creative palette. In 2023, they returned to Nashville to record with longtime collaborator Dan Auerbach at Easy Eye Sound Studios — who oversaw 2018's Onion and 2021's Year Of The Spider — and captured what they'd been creating. The results show the group ascending to new creative highs, while still weaving in the classic garage-rock and girl-group sounds that have long been a hallmark of their work. This time around, they venture to deeper, farther out musical locations than before and bring a new sophistication and intricacy to their arrangements, plus they get an assist from pro wrestling great Mick Foley on handclaps. Meanwhile, Shaw's powerful voice veers between sweetness and snarl — sometimes within the space of a single lyric." Excerpt from https://www.shannonandtheclams.com/bio Shannon & The Clams: Bandcamp: https://shannonandtheclams.bandcamp.com/music Instagram: @shanandtheclams Website: https://www.shannonandtheclams.com Records: https://easyeyesound.com/collections Merch: https://shannonandtheclams.merchtable.com Will Sprott: Bandcamp: https://willsprott.bandcamp.com Instagram: @willsprott Website: https://willsprott.com Merch: https://willsprott.bandcamp.com/merch Music Videos: https://www.youtube.com/@hairdorecords The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Juneberry RedBull, a very fruitful process, and getting a ride home in a private jet. Shannon Shaw (Shannon & The Clams, Hunx and His Punx) WAX & STRING B/W I'M A FOOL [7"]- https://easyeyesound.com/collections/shannon "In August 2022, Shannon Shaw's world was turned inside out. With mere weeks to go until their wedding, the singer's fiancé, Joe Haener, died in a horrific car accident in front of his family's vegetable farm in Oregon. It was a devastating loss that hit Shannon & The Clams with cataclysmic force. Shaw's bandmates, guitarist Cody Blanchard, keyboard player Will Sprott, and drummer Nate Mahan, had also grown close to Haener, a drummer and fixture of the Bay Area music scene. They canceled shows and rallied around Shaw as fans reached out to show their support. Shaw spent her nights with Blanchard and his family or with the Haeners, finding comfort in community. She adopted a fluffy dog named Spanky-Joe. She moved out of the Portland apartment where she and Haener had been living. She fearlessly chronicled the whole experience online. “Losing Joe made me unafraid of so many things,” Shaw says. “I have a lot less fear. It's given me new perspective. Baring my soul is so much less scary than it would've been before.” Amid this overwhelming sense of grief, melodies and lyrics began to flow out of Shaw. Instagram posts about her relationship with Haener became the building blocks of new compositions. Her Clams bandmates were also reeling and writing their own new songs. From the shock and trauma of that tragedy comes Shannon & The Clams' latest album, The Moon Is In The Wrong Place, a powerful exploration of loss, time, love, and resilience that stands as the beloved garage band's most ambitious, emotionally searing recording to date. In preparing to record, The Clams passed demos back and forth for months and, uncharacteristically for them, jammed on unfinished riffs to see what would happen. “Shannon and I usually write separately, and we usually bring pretty crafted, finished songs,” says Blanchard, who developed tennis elbow after their marathon rehearsal sessions. When Shaw struggled to find the right chords to go with her melodies, she obtained an Omnichord — an electronic instrument with a built-in set of chords and rhythms — and unlocked a new creative palette. In 2023, they returned to Nashville to record with longtime collaborator Dan Auerbach at Easy Eye Sound Studios — who oversaw 2018's Onion and 2021's Year Of The Spider — and captured what they'd been creating. The results show the group ascending to new creative highs, while still weaving in the classic garage-rock and girl-group sounds that have long been a hallmark of their work. This time around, they venture to deeper, farther out musical locations than before and bring a new sophistication and intricacy to their arrangements, plus they get an assist from pro wrestling great Mick Foley on handclaps. Meanwhile, Shaw's powerful voice veers between sweetness and snarl — sometimes within the space of a single lyric." Excerpt from https://www.shannonandtheclams.com/bio Shannon & The Clams: Bandcamp: https://shannonandtheclams.bandcamp.com/music Instagram: @shanandtheclams Website: https://www.shannonandtheclams.com Records: https://easyeyesound.com/collections/shannon-the-clams Merch: https://shannonandtheclams.merchtable.com/ Shannon Shaw: Instagram: @shannonshaw Website: https://www.theshannonshaw.com Records: https://easyeyesound.com/collections/shannon-shaw Merch: https://printanddestroy.net/pages/shannon The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Omnichord milestones seem to come once every couple decades. Just look at the space between Eurythmics’ “Love Is a Stranger”, Gorillaz’ “Clint Eastwood”, and Meshell Ndegeocello’s Grammy-winning The Omnichord Real Book from last year. From those big three alone, we think it’s fair to say this kooky little electronic contraption’s not just a novelty. Instead […] The post Jenny Parrott: “When I’m In Need of a Loving God” appeared first on KUT & KUTX Studios -- Podcasts.

Season 4 comes to a close with a big bunch of heavy junk. Marceline and the Ice King play the Omnichord. Erik cries. Alexx doesn't cry because apparently he's got no heart. The Lich returns and a beloved hero's death is revealed. Erik and Alexx eat chocolate and marzipan. S4E25 - I Remember You S4E26 - The Lich This episode wraps up our own season four, so we will see you after a short break for Wiz Biz season five! Thank you so much for listening!!

Blond in Car aka Robin Schorr is known as the "Groovy Aunt of Dreampop." She's gone viral several times for her omnichord covers of songs such as the "Island Song," from adventure time, the "Sticking out your gyatt," meme, here own song "High Gummygirl," and her iconic musical rendition of Campbell Hunt Puckett's iconic fit check video featuring the line ,"Pookie's looking absolutely fire tonight."Listen now and hear Blond in Car's unique perspective on being an indie musician, breaking into the music world, and finding the courage to create while trying new things. We absolutely loved this conversation and we know you will too. Listen now!!Blond in Car's new single is OUT NOW featuring the artist Ella Vos. Find it on all plartforms 4/19/24. 

Elektro-Legende Robyn benutzt in ihrem Hit „Konichiwa Bitches“ das Omnichord. Eines von vielen ungewöhnlichen Instrumenten, die Mine diese Woche im Popfilter vorstellt. Allerdings spielt Robyn das Omnichord anders als vorgesehen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-robyn-konichiwa-bitches

Elektro-Legende Robyn benutzt in ihrem Hit „Konichiwa Bitches“ das Omnichord. Eines von vielen ungewöhnlichen Instrumenten, die Mine diese Woche im Popfilter vorstellt. Allerdings spielt Robyn das Omnichord anders als vorgesehen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-robyn-konichiwa-bitches

Elektro-Legende Robyn benutzt in ihrem Hit „Konichiwa Bitches“ das Omnichord. Eines von vielen ungewöhnlichen Instrumenten, die Mine diese Woche im Popfilter vorstellt. Allerdings spielt Robyn das Omnichord anders als vorgesehen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-robyn-konichiwa-bitches

Elektro-Legende Robyn benutzt in ihrem Hit „Konichiwa Bitches“ das Omnichord. Eines von vielen ungewöhnlichen Instrumenten, die Mine diese Woche im Popfilter vorstellt. Allerdings spielt Robyn das Omnichord anders als vorgesehen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-robyn-konichiwa-bitches

Elektro-Legende Robyn benutzt in ihrem Hit „Konichiwa Bitches“ das Omnichord. Eines von vielen ungewöhnlichen Instrumenten, die Mine diese Woche im Popfilter vorstellt. Allerdings spielt Robyn das Omnichord anders als vorgesehen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-takeover-mine-robyn-konichiwa-bitches

Episode 113 More Electronic Music for Astral Tripping Playlist Earthstar, “Part 1, Sirens” from French Skyline (1979 Sky records). Recorded at Klaus Schulze Studio, Hambühren, W. Germany in 1978 and 1979. Bass, Electronics, Norm Peach; Choir, Craig Wuest, Joan N., Marla T., Phil N.; Electric Guitar, Treated Guitar, Electronics (Tonewall), Dennis Rea; Flute, Woodwind, Tim Finnegan; French Horn, Flute, Marla Thomson; Producers, Craig Wuest, Klaus Schulze; Moog Modular System Programming, Technical Advice, Klaus Schulze; Sitar, Dirk Schmalenbach, Synthesizer, Sequencer, Mellotron, Biotron, Piano, Sitar, Harp, Effects, Voice, Vocoder, Bells , Percussion, Tape loops, Electronic Treatments, Craig Wuest; Violin, Phil Novak; Violin, Viola, Electronics, Louis Deponté; Violin, Electronics, Daryl Trivieri. (06:18) Edgar Froese, “PA 701” from Macula Transfer (1976 Brain). The material was composed during different flights during '75 and '76 while on tour with Tangerine Dream. Instruments, Composed By, Produced by, Edgar Froese. I'm not certain, but all of the tracks are named after airline flight numbers. I think this one was on Pan American. Recorded in June 1976 at Amber Studio, Berlin. (07:33) Beaver and Krause, “Gandharva” and “By Your Grace,” from Gandharva (1971 Warner Brothers). The Moog Modular is played by Bernie Krause, the pipe organ by Paul Beaver. Baritone Saxophone, Gerry Mulligan. Recorded at Grace Cathedral, San Francisco, February 10-11, 1971. This recording came at the height of the Moog craze (for which Beaver and Krause were largely responsible) and this music took a decidedly thoughtful turn with its jazz guests and spacious live sound recorded in a church. Having the Moog Modular in a live performance was a challenge and its presence is only apparent in the opening and several moments on this side of the album. But the organ and baritone saxophone alone provide a beautiful sonic experience. (06:29) イノヤマランド = Inoyama Land, “Mizue” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track was made by Inoue which he described as him “playing with repetitive octave, machine-like signal sounds.” (02:31) Arp, “Nzuku” from Ensemble—Live! (2019 Mexican Summer). Arp is Alexis Georgopoulos, an American electronic musician, composer, and music producer based in New York. Includes music from his LP, Zebra, as well as four original tracks. Zebra saw the diverse, New York-based artist exploring Fourth World, Japanese avant-garde, minimalism, kosmische, dub, cosmic jazz and more. This album was recorded live in the studio. Limited edition of 500 copies. (06:36) Ariel Kalma, “Reternelle” from Ariel Kalma (1975 Astral Muse). A spacey work for dual saxophones and tape echo, played by Kalma. (12:08) Masuko Shinji, “Woven Music for Silver Ocean” from Woven Music (2011 Jagjaguwar). Japanese singer and guitarist. Some soothing guitar electronics bordering on noise. Let your thoughts wander. (13:50) イノヤマランド = Inoyama Land, “Apple Star” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track by Inoue came about by his “synchronizing the Jupiter 8 auto arpeggio with the System100M analogue sequencer with the sequencer VC (voltage control), which generates a curious phrase automatically.” (05:57) White Gourd, “La Lune” from Hermit / La Lune (2013 Psychic Sounds). “White Gourd is the solo work of Suzanne Stone. In addition to being a visual artist, herbalist, teacher, master gardener, and beekeeper, she is well known for involvement as vocalist & saxophonist in the experimental ensemble Million Brazilians.” This recording illustrates the dreamy nature of Stone's sound material used in her live performances; found objects, gongs, 78 player, piano and audio cassette loops. (18:10) Somei Satoh, “Echoes” from Emerald Tablet / Echoes (2020 WRWTFWW). Echoes taken from Somei Satoh's Echoes, Edition Omega Point (2003). It was composed for the "Mist, Sound, and Light Festival", held on May 20-19, 1981 at Kawaji, Tochigi Prefecture, Japan. Composed and performed by Somei Satoh. For this event, Satoh composed music for the 10-day event organized by the hot spring tourist association of Kawaji. The work was played at the Kawaji hot spring's Ojika river valley using 8 gigantic loudspeakers set-up on hills surrounding the stream, with music played through an 8-channel-tape system. The echoes created by the work were accentuated as they reverberated through the outdoor location. (30:27) Less Bells, “Bird in Hand” and “Forest Ghosts” from Solifuge (2018 Kranky). Less Bells is Julie Carpenter. All Songs by, Violin, Cello, Synthesizers, Fender Rhodes Electric Piano, Omnichord, Julie Carpenter; Optigan Electric Organ, Buchla Music Box, Moog Modular Synthesizer, Dain Luscombe; Synthesizer, mixed by, Kenneth James Gibson; Vocals, Leah Harmon. Violinist/composer Julie Carpenter “. . . weaves orchestral and electronic textures to inhabit that boundary between storm and sun.” Can you say happy astral tripping? (08:39)   Opening background music: Ariel Kalma and Richard Tinti, “Forest Ballad” from Osmose(1978 SFP). Organ, Flute, Ariel Kalma; sound effects, Richard Tinti.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

There's nothing like the feeling of an unexpected snow day! And for singer/songwriter Meaghan Smith, it was the inspiration for her song It Snowed. That will be one of the festive tunes you'll hear as part of The Holiday Show over three days at The Stage at St. Andrew's (6036 Coburg Road) in Halifax starting December 1st. Smith has written over 100 songs that have been used for film and television (those include: Jimmy Fallon, American Idol, So You Think You Can Dance, 60 Minutes, The Friends Reunion and more. This upcoming event is a festive fundraiser for Feed NS. This is a conversation about her unique approach to her craft and the career she's built for herself in a rather unconventional way. And if you've never heard of an omnichord, you're not the only one.

The Grammy-winning vocalist, bass player and composer Meshell Ndegeocello will perform at the Palladium in central Indiana on November 18. Meshell is known for her eclectic and expansive sonic palette. She's collaborated with artists ranging from Madonna to the Rolling Stones - and her music incorporates elements of hip-hop, jazz, rock, soul, afrobeat, and more. Meshell's latest album ”The Omnichord Real Book” reflects these diverse influences and brings together a remarkable set of guest collaborators - including the Indianapolis composer and vocalist Hanna Benn.   

Label: Blue Note Records 2023

So viele Kommentare. So viele Umfrage-Ergebnisse! Wir haben uns endlich mal die Zeit genommen, um all euer Feedback durchzugehen und einfach mal die Stimme an euch zurück zu geben. Auch hier gilt das gleiche wie bei anderen Bonusepisoden: "Unfassbar anstrengendes Gelaber. Nach 8 Minuten kaum Substanz, nichts als heiße Luft und bescheuertes Fragespiel ohne einen Hauch Intelligenz oder Wissen. Habe mehr erwartet". Viel Spaß und guten Hunger! Eine Videoversion dieser Episode kann auf Spotify oder auch auf YouTube gesehen werden! Gefällt euch was wir machen? Wir würden uns über finanzielle Unterstützung bei Steady freuen. So hilft ihr uns, unsere Kosten für den Podcast zu decken. Ihr könnt uns aber auch mit Feedback auf iTunes, Twitter, Facebook, Instagram oder hier in den Kommentaren helfen. Heldendumm ist ein Teil vom #Historytelling-Netzwerk. Mehr zu dem Thema findet ihr auf geschichtspodcasts.de! Mehr zur dieser Episode: "Build Atlantropa" bei Max Headroom incident With Subtitiles (YouTube) // Wir stellen übrigens 1,25% aller Kommentare hier

Polartropica joins The Steebee Weebee Show for the 1st time!!! We talk about: The Omnichord: an electric musical instrument introduced in 1984 by the Suzuki Musical Instrument Corporation, her musical influences being movie soundtracks, the struggles of "starving" college student, her 3 part music video inspired by the movie: GREASE, her being in different bands & eventually performing at festivals, Polar's experience attending The University Of San Diego, different "outlets" for releasing music, the "platform": BANDCAMP-providing more personalized support for independent artists, Tristan's-"Back In The Garage" live music sessions , and much more !!!!Go to: https://www.youtube.com/steebeeweebee to watch. More: Polar https://www.instagram.com/polartropica Scissor Bros YouTube channel: https://www.youtube.com/scissorbros ** Now on iTunes:  https://goo.gl/CdSwyV ** Subscribe: https://goo.gl/d239PO Little Ray promises a Karma Boost if you join our Patreon: https://goo.gl/aiOi7J Or, click here for a one time Karma Boost. https://www.paypal.me/steebeeweebeeshow/2 More Steven: Instagram: https://www.instagram.com/quangou Bandcamp: https://steebeeweebee.bandcamp.com/ Itunes: https://goo.gl/PSooa0 Send stuff to: 1425 N. Cherokee Ave P.O. Box 1391 Los Angeles, CA 90093

Today's pick may be a little outside the usual zone Foxy Digitalis is associated with, but “The Omnichord Real Book” is an instant classic. Absolutely essential listening, and I hope anyone who follows FD checks it out. Plus, the schedule the next two weeks is a bit wonky, so more on that at the top of the show. Wednesday episodes are exclusively on Patreon. Album of the Day: Meshell Ndegeocello “The Omnichord Real Book” https://store.bluenote.com/products/meshell-ndegeocello-the-omnichord-real-book Additional links for the day: https://thejewelgarden.bandcamp.com/subscribe Brad Rose is the the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine and has run various DIY record labels for the last 30 years. Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis Mastodon: foxydigitalis@mastodonmusic.social

Special Guest (and incredible musician) Steve Brickman joins the pod to discuss playing different instruments, expanding musical horizons, hitting the road with Clairo, and the magic of the OMNICHORD. Check out Steve's work at https://stevebrickman.com Check out mine at https://scoobertdoobert.pizza Podcast Produced by Beformer --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoobertdoobert/message

Plus Intellijel Flurry and amps

Hugo Ferreira, musico-dependente que fundou a Omnichord, criou o projeto “A Música Dá Trabalho”, visitas a escolas para dar a conhecer aos mais novos 22 profissões associadas ao universo da músicaSee omnystudio.com/listener for privacy information.

Declamation day, moving a week after graduating college, and Conveying feelings without words. Lael Neale "It is the simple thing that is so hard to do. This is the paradox that musician Lael Neale has lived within throughout her development as an artist. It is the reason she became enthralled with poetry. Poems are a distillation. Lael says, “this challenge to winnow away what is unessential is the most maddening and, ultimately, rewarding part of writing a song.” Lael's new album Acquainted with Night is a testament to this poetic devotion. Stripped of any extraneous word or sound, the songs are lit by Lael's crystalline voice which lays on a lush bed of Omnichord. The collection touches on themes that have been thread into her work for years: isolation, mortality, yearning, and reaching ever toward the transcendent experience." Excerpt from https://www.subpop.com/artists/lael_neale Lael Neale: Bandcamp: https://laelneale.bandcamp.com Instagram: @laelneale Website: https://laelneale.com Merch: https://laelneale.bigcartel.com Records: https://megamart.subpop.com/collections/lael-neale The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Primeiro single dos SFISTIKATED, novo projeto da editora Omnichord; os Dagina tocam no Novo Ático no próximo domingo; enormes filas no deserto para sair do festival Burning Man.

For today's episode, Izzy is joined by singer-songwriter and virtuoso omnichord player Lael Neale to talk about her outstanding 2021 album 'Acquainted with Night,' the intricate process of stripping away extraneous parts of a song to showcase vulnerability and simplicity, being tuned in with nature, her upcoming residence at Zebulon, and more! ✨ MORE ABOUT LAEL NEALE ✨Lael Neale is a singer-songwriter based in Virginia and LA whose uniquely haunting vocals and altruistic poetry have captivated the ears of thousands across the globe. Her latest album on Sub Pop, 'Acquainted with Night,' is a shimmering masterpiece recorded with lo-fi acoustics and composed on the inimitable omnichord.  ✨ KEEP UP TO DATE WITH LAEL NEALE ✨Web: https://laelneale.comInstagram: https://www.instagram.com/laelneale/Twitter: https://twitter.com/laelnealemusic?lang=enSpotify: https://open.spotify.com/artist/7mi56yFiPlaLW2PtsZnoWF?si=gu1oN2igS-KG7ambWgR5rw✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://izzyshutup.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/missannthropei ✨ ABORTION RESOURCES ✨Where to get Plan C pills online: https://www.plancpills.org/find-pillsFind a brick and mortar clinic:https://www.ineedana.comhttps://www.abortionfinder.orghttps://prochoice.orgCyber security info: https://digitaldefensefund.orgMedical questions during at home miscarriage/abortion: https://www.mahotline.orgLegal questions: https://www.reprolegalhelpline.orgFind an abortion doula: https://www.wearedopo.comJudgement-free all options counseling: https://www.all-options.orgEmotional support during medication abortion: https://reprocare.comEmotional support after your abortion check: https://exhaleprovoice.orghttps://www.connectandbreathe.orgHelp with practical support (transportation, childcare, etc.): https://apiaryps.org/pso-listFunding for your abortion: https://abortionfunds.org

Cartaz dos espectáculos em Agosto no Theatro Circo; concerto de The Avalanches no Hard Club, no Porto; começa hoje festival em Leiria, organizado pela Omnichord.

A new track by DJ Habett from the album "No computers in creation" (2022-03-23). Tags: Ambient, Midnight, Moods, Horizontal, Geometry, Glide, Omnichord, Peace, Doom, Cold, Winter CC(by)

Happy Friday! Austin based, singer/songwriter, Jenny Parrott is my guest for episode 1110! Her second album, the dreamy, The Fire I Saw is available TODAY wherever you stream or download your jams and she is celebrating tonight, Friday, 11/12 with a release show at The Hole in the Wall in Austin at from 6-8 pm. Go to jennyparrott.com for show dates, music and more. We have a great conversation about growing up in New Haven, discovering her inner songwriter, making The Fire I Saw on her own, Juno keyboards, the magic of the Omnichord, dealing with mental health issues and much more. I had a great time getting to know Jenny. I'm sure you will too. Let's get down! Get set up or repair on your guitars with J. Scott Lutherie! Rehearse loudly AND safely at Space Rehearsal And Recording spaceatx.com

Happy Friday! Austin based, singer/songwriter, Jenny Parrott is my guest for episode 1110! Her second album, the dreamy, The Fire I Saw is available TODAY wherever you stream or download your jams and she is celebrating tonight, Friday, 11/12 with a release show at The Hole in the Wall in Austin at from 6-8 pm. Go to jennyparrott.com for show dates, music and more. We have a great conversation about growing up in New Haven, discovering her inner songwriter, making The Fire I Saw on her own, Juno keyboards, the magic of the Omnichord, dealing with mental health issues and much more. I had a great time getting to know Jenny. I'm sure you will too. Let's get down! Get set up or repair on your guitars with J. Scott Lutherie! Rehearse loudly AND safely at Space Rehearsal And Recording spaceatx.com

Dream come true! What is more fun than sitting down with one of your favorite musicians and talking about mid-century modern design & architecture? We spoke about Jake's personal connection to Herman Miller, learned about hi-fi audio equipment, reviewed influences & style in his music, and discussed architecture across Europe and the Northwest US. Go listen to “Absinthe Party At The Fly Honey Warehouse”, sit down in your favorite chair, and come join our tour & conversation with Jake Snider.Episode Artwork Photo by Ryan Muir

O que é a Omnichord Records? É a editora que vai espalhar a música pela capital este fim-de-semana. Vamos conhecer o cartaz com Hugo Ferreira See omnystudio.com/listener for privacy information.

We had the pleasure of interviewing Matt Vinson of CAAMP and The Wonderfool over Zoom video! The Wonderfool—the recording project of singer-songwriter, multi-instrumentalist, and producer Matt Vinson—has announced his fourth full-length studio album, Shiner, will be released Wednesday, August 11 via Gjenny Records.   Notably one-third of the chart-topping folk group CAAMP, Vinson was stuck indoors by the pandemic after the band had to cancel their touring plans. Vinson found himself with ample time on his hands and turned that isolation into an opportunity to create something new: a combination of modern folk melodies, forward-thinking production, and lyrics about fighting off one's inner demons.  The nine-track Shiner is a soundtrack for early mornings and late nights mixing the organic with the synthesized, the intimate with the collaborative, and folky with the pop-inspired. "The album has a blend of happy, poppy songs that are filled with themes of personal betterment," Vinson explains, "and moody songs with a sonic space that lets the emotion of the song ring true. It's something you can listen to in the morning, before you go to bed, or while sitting in a hammock. It's reflective music. With Shiner, I finally encapsulated that feeling." A 1980s Omnichord adds vintage, sun-baked shimmer to "Cool Shade." A MicroKORG arpeggiator weaves its way in and out of the album's kickoff track, "Much Better." Banjo, baritone guitar, saxophone, and keyboards fill the remaining tracks, lacing Vinson's writing with a mix of atmosphere and ambiance. Shiner Track Listing:“Much Better”“Time (Done Being Late)”“Shake the Dust”“Cool Shade”“Counterweight”“The Man You Knew”“Truth of the Matter”“Young & Able”“The Day Before Your Last” Vinson encapsulated The Wonderfool in 2015 while studying at Ohio University. From there he solely worked alone recording, producing, and writing. However, as Shiner took shape, the record proved to be something quite different, full of guest appearances from fellow road warriors (including CAAMP frontman Taylor Meier) and fueled by Vinson's sharpest songwriting to date. We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #CAAMP #TheWonderfool #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

the account of the girl who did the cover original https://soundcloud.com/marsbarrss290602/drift-away-omnichord-cover https://podcasts.apple.com/hn/podcast/demos/id1532491300 https://www.deezer.com/show/2171542

Lael Neale joins us from her Virginia farm to discuss how the vintage Omnichord and 4-track cassette home recording shaped her new album "Acquainted with Night." Lael also performs the songs 'Every Star Shivers in the Dark' and 'How far is it to the Grave.' The new album is out now via Sub Pop Records. https://laelneale.com/ WYCE is an independent, commercial-free, community radio station serving the communities of Grand Rapids and West Michigan. Broadcasting on-air programming at 88.1fm, and reaching out to the world through online streaming. Dedicated to providing an eclectic blend of under-represented music. Listener-sponsored, volunteer-powered. http://www.wyce.org WYCE is a proud service of the Grand Rapids Community Media Center. http://www.grcmc.org

Amsterdam-based Altin Gün plays songs rooted in traditional Turkish folk tunes and Anatolian rock that have fallen down the rabbit hole of psychedelic funk, combining baglama/saz riffs, vocal melodies, fuzzy bass, wah-wah guitars and analogue organs. On their latest, Yol (Road), the band (whose name means “golden day”, sort of like a rent party involving gold pieces) has expanded its retro sound world to include dreamy 80’s synth-pop instruments like Omnichord, and vintage drum machines that ought to be wearing sequins. Altin Gün plays a set for us with their full sound and light set up. - Caryn Havlik Set list: "Ordunun Dereleri", "Yüce Dağ Başında", "Kolbastı", "Sevda Olmasaydı" "Ordunun Dereleri": "Yüce Dağ Başında": "Kolbastı": "Sevda Olmasaydı":

Hey Dude, my old friend Nicky reminded me that she shares a birthday with Elvis and David Bowie, so I recall my abstract connections to all three rockers. CHARACTERS: Zane Grey, Orson Welles, Jeff Slate, Frank Sinatra, Bob Dylan, Iggy Pop, Paul McCartney, Paul Simon, Debbie Harry, Alex Trebek, The Gluey BrothersLOCATIONS: New York City, Burbank, Notre Dame High School, Corvallis High School, Laurel CanyonMUSIC: Rock 'n' Roll, Rockabilly, "Tomorrow Is a Long Time", omnichord , "America", "Heroes", "The Hash House Line"TV/MOVIES: The Ed Sullivan Show, Saturday Night Live, Concert for New York City, Jeopardy!STUFF: January 8, jumpsuit, record player, mime, 1977, "going postal", 9/11, lotus position, OP shirt, corduroy, feathered hairSOUNDS: garbage truck, windGENRE: storytelling, personal narrative, personal journalPHOTO: "Nicky's Birthday Boys" shot on my "new" iPhone6 RECORDED: January 8, 2020 on the observation deck at the Zane Grey Estate in Altadena, California GEAR: Marantz Solid State Recorder PMD670, Sennheiser MD 46 microphoneDISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.HYPE/SWIPE: "Don't call me dude." - John Lurie

Ross Collier is an Omnichordist as well as an Omnichord aficionado, collector, and reseller. He has been a friend of mine for a while since he came over to buy a banjo off of my old roommate 2 years ago. We immediately resonated and I ended up giving him a synthesizer to go home with as well. Since then he has been an endless beacon of creativity and positivity and I have always been delighted by our run-ins

This episode of Long Night with Vish Khanna was recorded before a live studio audience at Workman Arts in Toronto, Ontario during Long Winter on Friday March 29, 2019. Our guests were Vintage Tech Hunters co-host Shaun Hatton and Baroness Von Sketch Show's Aurora Browne and Jennifer Whalen. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Con motivo del lanzamiento (doble) que realiza la banda BIRKINS de 'You are not alone' repasamos la historia y gestación de 'The Rise and Fall of Ziggy Stardust and the Spiders from Mars' de 1972. Birkins recrea el disco con un montón de músicos nacionales e internacionales que os detallamos abajo. Por favor, visita birkins.bandcamp.com y hazte con tu copia de 'You are not alone' . 01- Five Years (con Álvaro Suite) Álvaro Suite, voz y coros Alby Ramírez, guitarra barítono, Farfisa, Polysix, Omnichord, trompas, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en El Nido del Cuervo, Sevilla, por Álvaro Suite. 02- Soul Love (con Pablo Errea) Pablo Errea, voz y coros Alby Ramírez, guitarras acústicas y eléctricas Rafa Daza, bajo Sergio Miró, batería Elio Moreno, saxo tenor Grabaciones adicionales en el Puerto de Santa María, Cádiz, por Pablo Errea. 03- Moonage Daydream (con Julián Maeso) Julián Maeso, voz, Hammond b3, Moog, clavinet y calabaza africana Carolina García, coros Rami Jaffee, piano, Mellotron Alby Ramírez, guitarras eléctricas, guitarra barítono Rafa Daza, bajo Sergio Miró, batería Totó Noriega, congas, pandereta, shaker Grabaciones adicionales en el Hospital Psiquiátrico por Julián Maeso. Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, y en East West Studio, Studio 1 lounge, Hollywood, California por Rami Jaffee Grabaciones adicionales en Las Palmas de Gran Canaria, por Totó Noriega. 04- Starman (con Ran Pink) Ran Pink, voz Tal Pink, coros Joaquín Pascual, piano, sinte Chris Carmichael, cuerdas Alby Ramírez, guitarras acústicas y eléctricas, piano “gimmick”, sinte “gimmick” Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Ran Pink. Grabaciones adicionales en Albacete, por Joaquín Pascual Grabaciones adicionales en Stonehurst, Bowling Green, Kentucky, por Chris Carmichael. 05- It Ain't Easy (con Mikel Erentxun) Mikel Erentxun, voz Cristina Santana, coros Rami Jaffee, Mellotron Alby Ramírez, guitarras acústicas y eléctricas, coros Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Rami Jaffee. Grabaciones adicionales en Moon River Studio, Santander, por Fernando Macaya 06- Lady Stardust (con Muni Camón) Muni Camón, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Mellotron y vibráfono Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco 07- Star (con Ken Stringfellow) Ken Stringfellow, voz Sari Montelongo, coros Alby Ramírez, guitarras eléctricas, guitarra de 12 cuerdas, Vox Continental Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Le Son du Blé, Tours, Francia, por Ken Stringfellow 08- Hang On To Yourself (con Paco Loco) Paco Loco, voz Cristina Santana, voz Justin Adams, solo de guitarra final Alby Ramírez, guitarras acústicas y eléctricas, lap steel Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco Grabaciones adicionales en Black Earth, Bath, Inglaterra, por Justin Adams 09- Ziggy Stardust (con Javier de Torres) Javier de Torres, voz y coros Sergio Casquero, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Vox Continental, cuerdas Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Audiomatic, Madrid, por Manuel Pájaro 10- Suffragette City (con Luis Prado) Luis Prado, voz y coros, piano Alby Ramírez, guitarras eléctricas Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en RPM Estudios, La Cañada (Paterna), Valencia, por Roger García 11- Rock 'n' Roll Suicide (con Jonathan Donahue y Lyla Foy) Jonathan Donahue, voz Lyla Foy, voz ‘wonderful’ Alby Ramírez, guitarras eléctricas, guitarra barítono, piano, Oberheim, Polysix, Mellotron, Omnichord, trompas, arpegiadores, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Woodstock, Nueva York, por Jonathan Donahue Grabaciones adicionales en Londres, Inglaterra, por Lyla Foy

Con motivo del lanzamiento (doble) que realiza la banda BIRKINS de 'You are not alone' repasamos la historia y gestación de 'The Rise and Fall of Ziggy Stardust and the Spiders from Mars' de 1972. Birkins recrea el disco con un montón de músicos nacionales e internacionales que os detallamos abajo. Por favor, visita birkins.bandcamp.com y hazte con tu copia de 'You are not alone' . 01- Five Years (con Álvaro Suite) Álvaro Suite, voz y coros Alby Ramírez, guitarra barítono, Farfisa, Polysix, Omnichord, trompas, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en El Nido del Cuervo, Sevilla, por Álvaro Suite. 02- Soul Love (con Pablo Errea) Pablo Errea, voz y coros Alby Ramírez, guitarras acústicas y eléctricas Rafa Daza, bajo Sergio Miró, batería Elio Moreno, saxo tenor Grabaciones adicionales en el Puerto de Santa María, Cádiz, por Pablo Errea. 03- Moonage Daydream (con Julián Maeso) Julián Maeso, voz, Hammond b3, Moog, clavinet y calabaza africana Carolina García, coros Rami Jaffee, piano, Mellotron Alby Ramírez, guitarras eléctricas, guitarra barítono Rafa Daza, bajo Sergio Miró, batería Totó Noriega, congas, pandereta, shaker Grabaciones adicionales en el Hospital Psiquiátrico por Julián Maeso. Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, y en East West Studio, Studio 1 lounge, Hollywood, California por Rami Jaffee Grabaciones adicionales en Las Palmas de Gran Canaria, por Totó Noriega. 04- Starman (con Ran Pink) Ran Pink, voz Tal Pink, coros Joaquín Pascual, piano, sinte Chris Carmichael, cuerdas Alby Ramírez, guitarras acústicas y eléctricas, piano “gimmick”, sinte “gimmick” Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Ran Pink. Grabaciones adicionales en Albacete, por Joaquín Pascual Grabaciones adicionales en Stonehurst, Bowling Green, Kentucky, por Chris Carmichael. 05- It Ain't Easy (con Mikel Erentxun) Mikel Erentxun, voz Cristina Santana, coros Rami Jaffee, Mellotron Alby Ramírez, guitarras acústicas y eléctricas, coros Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Fonogenic Studios, Van Nuys, California, por Rami Jaffee. Grabaciones adicionales en Moon River Studio, Santander, por Fernando Macaya 06- Lady Stardust (con Muni Camón) Muni Camón, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Mellotron y vibráfono Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco 07- Star (con Ken Stringfellow) Ken Stringfellow, voz Sari Montelongo, coros Alby Ramírez, guitarras eléctricas, guitarra de 12 cuerdas, Vox Continental Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Le Son du Blé, Tours, Francia, por Ken Stringfellow 08- Hang On To Yourself (con Paco Loco) Paco Loco, voz Cristina Santana, voz Justin Adams, solo de guitarra final Alby Ramírez, guitarras acústicas y eléctricas, lap steel Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en Paco Loco Studio, Puerto de Santa María, Cádiz, por Paco Loco Grabaciones adicionales en Black Earth, Bath, Inglaterra, por Justin Adams 09- Ziggy Stardust (con Javier de Torres) Javier de Torres, voz y coros Sergio Casquero, voz y coros Alby Ramírez, guitarras acústicas y eléctricas, Vox Continental, cuerdas Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Audiomatic, Madrid, por Manuel Pájaro 10- Suffragette City (con Luis Prado) Luis Prado, voz y coros, piano Alby Ramírez, guitarras eléctricas Rafa Daza, bajo Sergio Miró, batería César Martel, trompeta Elio Moreno, saxo tenor Grabaciones adicionales en RPM Estudios, La Cañada (Paterna), Valencia, por Roger García 11- Rock 'n' Roll Suicide (con Jonathan Donahue y Lyla Foy) Jonathan Donahue, voz Lyla Foy, voz ‘wonderful’ Alby Ramírez, guitarras eléctricas, guitarra barítono, piano, Oberheim, Polysix, Mellotron, Omnichord, trompas, arpegiadores, Theremin Rafa Daza, bajo Sergio Miró, batería Grabaciones adicionales en Woodstock, Nueva York, por Jonathan Donahue Grabaciones adicionales en Londres, Inglaterra, por Lyla Foy

The Ventures [00:35] a side: "Hawaii Five-O" b side: "Soul Breeze" Liberty Records 56068 1968 Their rendition made it all the way up to #4 on the Billboard Hot 100 in 1968. Dean & Britta with Sonic Boom [04:52] a side: "He's Coming Home" b side: "Old Toy Trains" Chimney Rocks! Records PAD-002 2007 Britta with a fine variation on The Wailers' "She's Coming Home". Not those Wailers, the Seattle garage rock Wailers. Dean with a fine cover of a Roger Miller seasonal tune, with Omnichord! Speaking of which, yes that Sonic Boom (Spacemen 3). Vanity 6 [12:31] a side: "He's So Dull (stereo)" b side: "He's So Dull (mono)" Warner Bros. Records 7-29955 1982 Ugh... so dull. But so nice, I had to play it twice! And evidently can be briefly heard in "National Lampoon's Vacation". Who knew? Boston Spaceships [17:33] a side: "Headache Revolutions" b side: "Dementia Is Rising/Take That Off (and Put This On)/7 is the Hot Noose" Happy Jack Records HHRR21 2008 Yes indeed: Robert Pollard and Chris Slusarenko of GBV plus John Moen of The Decemberists and The Jicks and other Northwest bands. Psychedelic Furs [26:38] a side: "Heartbreak Beat" b side: "New Dream" Columbia Records 38-06420 1986 Feels like 1986. Climbed up to #26 on the Billboard Hot 100, evidently the only time they cracked the Top 40 in the US. Ray Price [35:40] a side: "Heartaches by the Number" b side: "Release Me" Columbia Records 4-33044 The first version recorded of this Harlan Howard classic. The original b-side was "The Same Old Me", but this is a "collectable" reissue so whaddya gonna do. The DeFranco Family [42:17] a side: "Heartbeat, It's a Lovebeat" b side: "Sweet, Sweet Loretta" 20th Century Records TC-2030 1973 Don't bore us, get to the chorus. Reached #3 on the Hot 100. Don Felder [47:56] a side: "Heavy Metal (Takin' a Ride) (stereo)" b side: "Heavy Metal (Takin' a Ride) (mono)" Asylum Records E-47175 1981 You say this guy used to play with the Eagles? I'll be damned... Music behind the DJ: "Trade Winds" by Billy Vaughn and his Orchestra.

This bi-monthly LIVE radio show on Radio Free Brooklyn hosted by NYC's Killy "Mock$tar" Dwyer is a tasty treat for your ear holes. Mock-U-Mental is served up with a healthy dose of live jams and interviews, topped with listener questions, comments, requests and prank calls, paired with a feel good, mock bottom drinking game. Come play along with Killy, her enigmatic husband Craig Schober, her dog Monkey, and featuring Lucky Witch & Righteous Ghost Listen to the LIVE show every other Friday on http://radiofreebrooklyn.com/show/moc... AND CALL IN AT 718-928-9RFB (9732) any time during the show to ask a question or make a comment! About our featured guests: LW & RG are a concentrated ball of pure awesome. Spooky, catchy, different, dark and weird. Female and male vocals taking turns accompanied by Omnichord’s celestial twinkles over a foundation of the intricate rhythms of guitar, grounded by the electric buzz of bass and the low heartbeat of drums. We are the ghost you glimpse out of the corner of your eye when you’re casting spells in the middle of the night.

In this episode, Phil digs deep to cover the tough issues you want to hear about. Also, Phil and Janelle talk about MoviePass, Logan Lucky, The Good Place, Speechless, barfing, Comic Con Palm Springs, Long Beach Comic Con, a rental fight, a retraction, expensive popcorn, the Omnichord, The Bachelor, and more.

Weil seine Kindheit eher unkonventionell verläuft, findet C. Heiland recht bald den Zugang zur Psychologie. Er studiert 26 Semester und schließt das Studium nicht ab. Die Tür schon. Er arbeitet 10 Jahre erfolgreich als Psychiater, bis herauskommt, dass er die meisten Pillen, die er verschreibt, selber nimmt. Nach einigen Zwischenstationen als Imker, Ladendetektiv und Baumarkt-Maskottchen muss er irgendwann feststellen, dass das Leben am leichtesten mit Humor zu ertragen ist. Deshalb bleibt letztlich nur eins: der Beruf des Comedian. Wie es genau dazu kam, erzählt C. Heiland in seinem Abendprogramm „Der Mann mit dem Schatten“. Zwischendrin singt der Heiland Lieder, die von Herzschmerz bis zum Ballermann reichen. Das „Omnichord“, ein seltenes japanisches Instrument aus den 80er Jahren, harmoniert dabei kongenial mit seiner Stimme. Er ist wahrscheinlich sogar der einzige überhaupt, der sich damit an die Öffentlichkeit traut. Wäre er nicht Psychiater gewesen, hätte er dieses Instrument wohl niemals kennengelernt … Die Suche nach der Wahrheit mündet in der Erkenntnis, dass jede Suche im Leben bei einem Selbst endet. Dort, wo sie auch begonnen hat. C. Heiland ist seit 2003 Berliner, war aber ehemals ein später Silvesterkracher in Castrop-Rauxel und wurde ebenda am 1. Januar 1977 geboren. Die Hebammen staunten nicht schlecht, denn C. Heiland sah bei seiner Geburt bereits aus, als sei er 10 Jahre alt. Da er in jener beschaulichen Ruhrgebietsstadt das erste Baby des neuen Jahres war, fing es also schon früh an mit den Superlativen. Etwas später war er dann der schlechteste Glockenspiel-Spieler der musikalischen Früherziehung, bevor er dann wiederum einige Jahre später der erste war, der aus dem Akkordeon-Orchester Lünen-Süd freiwillig rausgeworfen wurde. C. Heiland verzichtete von jeher auf Gesangsunterricht, weil er eines Tages merkte, dass er bereits singen kann, und erlernte im Jahre 2010 in nur zwei Wochen das faszinierendste Instrument aller Zeiten: das Omnichord, ein japanisches Elektro-Instrument von 1981. Er scheint weit und breit der einzige Künstler zu sein, der sich damit an die Öffentlichkeit traut! Was ein Grund dafür sein mag, dass er der Tätigkeit des Musik-Comedian mittlerweile hauptberuflich nachgeht, und dass, obwohl er von Haus aus eigentlich Psychiater ist… Zu diesem Thema – wie man vom Psychiater allem Anschein nach nur Comedian werden kann – hat C. Heiland ein fulminantes Abendprogramm geschaffen: „Der Mann mit dem Schatten“. Damit ist er Stammgast auf allen namhaften deutschsprachigen Bühnen und betätigt sich nebenher zusätzlich als Bandleader und Autor. C. Heiland wurde 2013 mit dem Jurypreis der Tuttlinger Krähe und 2017 mit der Kreuzberger Rampensau ausgezeichnet. TV- Auftritte hatte C.Heiland u.a. in den folgenden Sendungen: Nuhr im Ersten (ARD), Mitternachtsspitzen (WDR), Pufpaffs Happy Hour (3sat), NightWash (Einsfestival), Comedy mit Karsten (MDR), Alfons & Gäste (SR/SWR), late night (ZDFneo)

 Weil seine Kindheit eher unkonventionell verläuft, findet C. Heiland recht bald den Zugang zur Psychologie. Er studiert 26 Semester und schließt das Studium nicht ab. Die Tür schon. Er arbeitet 10 Jahre erfolgreich als Psychiater, bis herauskommt, dass er die meisten Pillen, die er verschreibt, selber nimmt. Nach einigen Zwischenstationen als Imker, Ladendetektiv und Baumarkt-Maskottchen muss er irgendwann feststellen, dass das Leben am leichtesten mit Humor zu ertragen ist. Deshalb bleibt letztlich nur eins: der Beruf des Comedian. Wie es genau dazu kam, erzählt C. Heiland in seinem Abendprogramm „Der Mann mit dem Schatten“. Zwischendrin singt der Heiland Lieder, die von Herzschmerz bis zum Ballermann reichen. Das „Omnichord“, ein seltenes japanisches Instrument aus den 80er Jahren, harmoniert dabei kongenial mit seiner Stimme. Er ist wahrscheinlich sogar der einzige überhaupt, der sich damit an die Öffentlichkeit traut. Wäre er nicht Psychiater gewesen, hätte er dieses Instrument wohl niemals kennengelernt … Die Suche nach der Wahrheit mündet in der Erkenntnis, dass jede Suche im Leben bei einem Selbst endet. Dort, wo sie auch begonnen hat. C. Heiland ist seit 2003 Berliner, war aber ehemals ein später Silvesterkracher in Castrop-Rauxel und wurde ebenda am 1. Januar 1977 geboren. Die Hebammen staunten nicht schlecht, denn C. Heiland sah bei seiner Geburt bereits aus, als sei er 10 Jahre alt. Da er in jener beschaulichen Ruhrgebietsstadt das erste Baby des neuen Jahres war, fing es also schon früh an mit den Superlativen. Etwas später war er dann der schlechteste Glockenspiel-Spieler der musikalischen Früherziehung, bevor er dann wiederum einige Jahre später der erste war, der aus dem Akkordeon-Orchester Lünen-Süd freiwillig rausgeworfen wurde. C. Heiland verzichtete von jeher auf Gesangsunterricht, weil er eines Tages merkte, dass er bereits singen kann, und erlernte im Jahre 2010 in nur zwei Wochen das faszinierendste Instrument aller Zeiten: das Omnichord, ein japanisches Elektro-Instrument von 1981. Er scheint weit und breit der einzige Künstler zu sein, der sich damit an die Öffentlichkeit traut! Was ein Grund dafür sein mag, dass er der Tätigkeit des Musik-Comedian mittlerweile hauptberuflich nachgeht, und dass, obwohl er von Haus aus eigentlich Psychiater ist… Zu diesem Thema – wie man vom Psychiater allem Anschein nach nur Comedian werden kann – hat C. Heiland ein fulminantes Abendprogramm geschaffen: „Der Mann mit dem Schatten“. Damit ist er Stammgast auf allen namhaften deutschsprachigen Bühnen und betätigt sich nebenher zusätzlich als Bandleader und Autor. C. Heiland wurde 2013 mit dem Jurypreis der Tuttlinger Krähe und 2017 mit der Kreuzberger Rampensau ausgezeichnet. TV- Auftritte hatte C.Heiland u.a. in den folgenden Sendungen: Nuhr im Ersten (ARD), Mitternachtsspitzen (WDR), Pufpaffs Happy Hour (3sat), NightWash (Einsfestival), Comedy mit Karsten (MDR), Alfons & Gäste (SR/SWR), late night (ZDFneo)

A gripping discussion with Guelph's creative genius, Jenny Omnichord! We talk about her one-of-a-kind bus project, how she came up in the indie music scene in Guelph and much more. Thanksgiving!

Nudie Suits, Allie & Ruby, are interviewed by Mars Jptr about their history in music, including going to school to study classical concert music, playing on the latest Future Islands record, singing in a church choir, and their take on Baltimore as a city & creative scene. They also bless us with an impromptu Omnichord and CasioTone improvisation jam. Their debut tape "Summer Fun" is out now on Ehse Records. http://ehserecords.bandcamp.com

Sassy sprite Christian Owens, singer/guitarist of the awesome all-girl band Bad Girlfriend comes on down to share an EPIC tale of the "local benefit show for a dog gone horribly wrong."  It's all the minutiae you love and loathe about playing local shows on the Lower East Side and then some, including talk of working for Cyndi Lauper, LL Cool J, and the birth of the Omnichord.  There's a pound of mirth on this week's WORST GIG EVER!

Addi Twigg and friend/comic Eric Donaldson discuss why the hell there is a podcast in the first place, give unsolicited advice to people who do stupid things on the internet, and set idiotic idioms to music. Visit www.additwigg.com for more.

Jenny Omnichord replayed on IndieFeed Indie Pop

As this is episode 101, we indulge our grumpier sides and talk about things that really annoy us in the studio world, but not before we marvel at Matt Mahaffey's amazing rendition of classic AC/DC track Back in Black on drums and Omnichord, then we discuss the recently delayed release of the Linn Drum II and the availability of Dave Smiths new Mopho desktop synthesizer. Then we discover who are panel would like to meet or work with alive or dead - which was one of the topics we didn't get around to last week (no surprise!).

As this is episode 101, we indulge our grumpier sides and talk about things that really annoy us in the studio world, but not before we marvel at Matt Mahaffey's amazing rendition of classic AC/DC track Back in Black on drums and Omnichord, then we discuss the recently delayed release of the Linn Drum II and the availability of Dave Smiths new Mopho desktop synthesizer. Then we discover who are panel would like to meet or work with alive or dead - which was one of the topics we didn't get around to last week (no surprise!).

 Jenny Omnichord on IndieFeed Indie Pop