Podcast appearances and mentions of emile mosseri

Nikhil Koparkar is an award-winning composer and performing artist who creates scores and songs for film, television and gaming. He recently composed the score for Hills of Tanchico, a fan-favorite song featured in The Wheel of Time Season 3.Nikhil is an SCL Award nominee for his work on the psychological horror film Dead Whisper (Vertical Entertainment), which had its limited theatrical and soundtrack release on July 5, 2024, followed by VOD on July 9. For this score, Nikhil also received the SESAC / New Music USA Reel Change Grant in 2023.His recent credits include composing the official theme for League of Legends' Lunar New Year campaign, which is featured in-game and across Riot Games' global content and events. Nikhil has collaborated extensively with Lorne Balfe's 14th Street Music, writing over 250 cues across 11 television series. Notable projects include Amazon's The Wheel of Time Season 2 (where he also served as project lead), Netflix's Life On Our Planet, HBO's His Dark Materials, and Hulu's Victoria's Secret: Angels & Demons.Beyond scoring for film and TV, Nikhil composed the official theme for Peru's CUSCO Futbol Club (2020), recorded across four continents and incorporating traditional Peruvian instruments. In addition to composing, Nikhil contributes to score production for acclaimed projects such as Amazon's Homecoming and the Oscar-nominated score for Minari by Emile Mosseri.

      1 - Sophie Jamieson - I Still Want to Share - Camera 2 - Bia Maria - Qualquer Um Pode Cantar - Lenço de Papel 3 - Anna B Savage - You & i are Earth - Talk to Me 4 - Fionn Regan - … - Two Sides 5 - Joan Shelley - Joan Shelley - Where I'll Find You 6 - The Delines - Mr. Luck & Ms. Doom - Haunting Thoughts 7 - Sophie Jamieson - I Still Want to Share - I Don't Know What to Save 8 - Cassandra Jenkins - My Light, My Destroyer - Delphinium Blue 9 - Sam Amidon - All Is Well - Sugar Baby 10 - Olivia Kaplan, Hand Habits - ... - Birds 11 - The Innocence Mission - Midwinter Swimmers - This Thread Is A Green Street 12 - Inóspita - E Nós, Inóspita? - Só 13 - Aidan Knight - Each Other - Black Dream 14 - David Allred - The Beautiful World - The Beautiful World 15 - Jenny Hval - Blood Bitch - Untamed Region 16 - Jenny Hval - Blood Bitch - Lorna ---- 17 - Ryuichi Sakamoto - Async - Life Life (feat. David Sylvian) 18 - Max Richter - Infra - Infra 1 19 - Penelope Trappes - A Requiem - Red Dove 20 - More Eaze, Claire Rousay - No Floor - Kinda Tropical 21 - Shards - Byrd Song - Facta est Deserta 22 - Arbee - How the End Always Is - Morrow Field Airport 23 - Henriette Sennenvaldt - Something Wonderful - Very Fantastic 24 - Sheherazaad - Qasr - Mashoor 25 - Jonatan Stirner Trio, Arve Henriksen - … - Clouds 26 - Emile Mosseri, Julianna Barwick - Home Alone 27 - Fever Ray - Radical Romantics - Bottom Of The Ocean 28 - Brueder Selke & Midori Hirano - Split Scale - Scale G 29 - Molly Leach - Winter - Dear Sol 30 - Loma - How Will I Live Without a Body? - I Swallowed a Stone 31 - Julee Cruise - Floating into the Night - The Nightingale  

    1 - Laura Palmer (Sheryl Lee) | Donna Hayward (Moira Kelly) - Twin Peaks: Fire Walk With Me - Falling Through Space (Scene) 2 - Angelo Badalamenti - Twin Peaks (OST) - Laura Palmer's Theme 3 - Julee Cruise - Floating into the Night - The World Spins 4 - Angelo Badalamenti - Mulholland Drive(OST)  - Love Theme 5 - Danger Mouse And Sparklehorse - Dark Night of the Soul - Dark Night of the Soul 6 - Chrysta Bell, David Lynch - This Train - Angel Star 7 - Julee Cruise - Floating into the Night - Mysteries of Love 8 - Högni - Dolorem (feat. Iceland Symphony) 9 - Emile Mosseri, Julianna Barwick - Home Alone 10 - Shards - Byrd Song - Facta est Deserta 11 - Emile Mosseri, Julianna Barwick - Snowpool 12 - Damien Jurado - Motorcycle Madness - Passing The Elephants 13 - Tiago Caetano - Eco da Baía - Salvo 14 - Plum - With You​/​Leaving - With You 15 - The Night Sun - Myth ---- 16 - Noah Cyrus, Bill Callahan - Everything is Recorded - Porcupine Tattoo 17 - Willy Vlautin - July 30, 2024, Reading Tour - The Horse  18 - The Delines - The Night Always Comes - Don't Think Less Of Me 19 - Tom Waits - Franks Wild Years - Yesterday Is Here 20 - Adrian Crowley - Measure of a Joy - Tangled 21 - The Weather Station - Humanhood - Fleuve 22 - The Weather Station - Humanhood - Lonely 23 - James Blackshaw - Unraveling In Your Hands - Why Keep Still? 24 - Laura Marling - Patterns In Repeat - Caroline 25 - Loma - How Will I Live Without a Body? - Turnaround 26 - Brigid Mae Power - Songs For You - Rose Marie 27 - Peter Broderick - Mimi - Laser Beam 28 - Sophie Jamieson - I Still Want to Share - Vista 29 - Beatrice Turner - Live Forever 30 - Molly Leach - Winter - From Before 31 - Molly Leach - Winter - Little Bird 32 - Elena Majoni · Nicola Peruch · Alessandro Cortini - Pepe Ritorna 33 - David Bowie - Lost Highway (OST) - I'm Deranged (Reprise)

El amor de Dios nos persigue. Es Su Gracia, la que con Su bendita terquedad no nos da tregua. Tenemos esa confianza por las palabras de Jesús en este sexto capítulo de la Buena Noticia según Juan. El poema "El lebrel o sabueso del Cielo" lo escribió en a finales del siglo XIX, Francis Thompson. Es la historia de cómo un joven abandona su vida acomodada para caer en la adicción en un sórdido Londres, donde encuentra al final a Dios en los brazos de una prostituta, atrapado por una Gracia irresistible. Tras la sintonía de Ruta 66 por la orquesta del trompetista Harry James, escuchamos la actualización del poema de "Hound of Heaven" que hizo uno de los grupos más extraños que salieron de la Revolución por Jesús. Daniel Amos, formado por Terry Scott Taylor en 1974, no encajaba en la edulcorada etiqueta de música de alabanza que había creado la Capilla Calvario, Maranatha. Años después de grabar su "Disco horrendo", logran publicar en 1981 su versión de la historia de Thompson en el Hollywood de los 70 con el sello que hace Larry Norman. Otro músico que no se amolda a la incipiente industria de la "música cristiana contemporánea" fue el tempranamente fallecido Mark Heard, muerto a los 40 años de un ataque al corazón. Tras estudiar periodismo en Georgia, se va a la comunidad suiza de L´Abri con Francis Schaeffer y al volver, publica su primer disco con el sello de Larry Norman, Solid Rock. Su canción "Corazón de corazones" (Heart of Heart)" la popularizó, sin embargo, Sam Phillips en 1983, cuando todavía utilizaba el nombre de Leslie, antes de casarse con T-Bone Burnett. "Como un vendaval con toda su fuerza / fui levantado de nuevo por el Señor", canta Van Morrison en 1979. En su canción "Full Force Gale" vuelve a la experiencia que tuvo cuando iba a la Asamblea de Hermanos que había abajo de su calle en Belfast, confiando de que "encontrará el camino de regreso a casa / siempre volverá al Señor". La película "Minari" (2020) da un cuadro de la fe tan honesto y verosímil, que sólo puede haber sido hecho por un cristiano, como es el joven cineasta coreano-americano Lee Isaac Chung. Premiado con el Oscar a la mejor actriz de reparto, cuenta la llegada de su familia a la América profunda en los años 80. El asombro de la Gracia de esta historia contrasta con la débil fe de sus protagonistas. Escuchamos escenas de la versión doblada con los comentarios de José de Segovia sobre la banda sonora de Emile Mosseri. "Puedes escuchar la llamada de Dios", canta Neil Diamond en la canción que popularizó Elvis Presley a finales de los 60 (And The Grass Won´t Pay No Mind). Su iniciativa da la seguridad a Mike Scott de los Waterboys, por la que puede descansar en sus "Brazos eternos" (Everlasting Arms) en 1996.

Schon seit 5 Uhr morgens gibts am heutigen Dienstag Sommerhits pur auf Radio SRF 3. Da macht natürlich auch euer Musikabend mit... mit dem gewohnten Sounds!-Twist. Zwei Stunden Sommermusik von damals bis heute ohne Moderation, dafür mit ganz viel Vibes. ¡Vamos a la terraza! Playlist: * Lily Allen «LDN» * No Doubt feat. Lady Saw «Underneath it All» * Shuggie Otis «Aht Uh Mi Hed» * Steve Monite «Only You» * Alessi Brothers «Seabird» (Zimmer Edit) * Curtis Harding «Face Your Fear» * HAIM «Summer Girl» * Kings of Convenience «Misread» * Lorde «Solar Power» * Khruangbin «Pon Pón» * Tame Impala «The Less I Know the Better» * Clairo «Sexy to Someone» * Sir Own «Hooked» (Kon's Nite Time Remix) * Foster the People «Pumped Up Kicks» * Saint Motel «Cold Cold Man» * Cayucas «A Summer Thing» * Paul Simon «You Can Call Me Al» * Vampire Weekend «Harmony Hall» * Jessica Pratt «By Hook Or By Crook» * Cassandra Jenkins «Devotion» * Stereo MC's «Connected» * Sly & the Family Stone «Family Affair» * Jungle «Beat 54 (All Good Now)» * Júníus Meyvant «Neon Experience» * Daniel Herskedal, Emile Mosseri und Joe Talbot «San Francisco (Be Sure to Wear Flowers in Your Hair)» * Fatboy Slim «Song for Shelter»

Num episódio cabe tudo: a bênção sempre tão necessária de Joni Mitchell – que acaba de fazer 80 anos e que nunca vai deixar de ser uma luz nas nossas vidas e nas nossas playlists - ; um disco-surpresa que é também um bonito encontro de família; um regresso às raízes e às tradições mais ancestrais do folclore afro-brasileiro; um compositor que tem o dom de musicar filmes belíssimos, mas também de ser a banda-sonora que precisamos, quando precisamos dela. Somos suspeitas, claro, mas achamos que está aqui uma bela coleção de canções para este final de domingo

On this week's Talkhouse Podcast we've got an actor-director you'll likely recognize along with the musician-slash-composer who made beautiful sounds for one of his films: Jesse Eisenberg and Emile Mosseri. Eisenberg is best known as an actor; he was nominated for an Academy Award for his portrayal of Mark Zuckerberg in The Social Network, which is just one of his dozens of credits. You've also seen him in Zombieland, The Squid and the Whale, the Now You See Me movies, and lots of indies. He also starred in the TV drama Fleishman is in Trouble last year alongside Claire Danes and Lizzy Caplan. And if that isn't enough, Eisenberg is also a writer, playwright, and director. His feature debut as a director came earlier this year with When You Finish Saving the World, which began life as Audible original—which he also wrote. The movie stars Julianne Moore and Stranger Things' Finn Wolfhard, and it was released by A24, a trademark of quality. And… segue time… music for the film was composed by today's other guest, Emile Mosseri. Now Mosseri spent years in bands, most notably The Dig, but really seems to have found his stride in recent years as a film composer. In 2020 he did the music for both Miranda July's Kajillionaire and for Lee Isaac Chung's Minari, for which Mosseri was Academy-nominated for Best Original Score. He's also worked on Joe Talbot's The Last Black Man in San Francisco and Jonah Hill's Stutz, which you'll hear a little about in this conversation. Earlier this year, Mosseri released his first album of original songs under his own name, which is called Heaven Hunters. It's a really personal, intimate record that sounds best on a pair of quality headphones, as it's sort of cinematic and somehow also small and quiet. Check out one of Eisenberg's favorite songs from Heaven Hunters, this is “My Greedy Heart.” These two get right into a great chat, talking about the various neuroses that fuel their art and stifle their ambition: Mosseri even talks about choosing whether to spend money on his therapist or an awards-season publicist. Eisenberg talks about his experiments using AI on a script—they don't go well—which leads to a discussion about whether AI will impinge on creative jobs like theirs in the future. It's a great, fun chat—enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Jesse Eisenberg and Emile Mosseri for chatting. If you liked what you hear, please follow Talkhouse on your favorite podcasting platform, and check out all the great written pieces at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Academy Award nominee Emile Mosseri stops by the podcast to talk about the challenges that come with writing a solo album when all you've known is collaboration (his time in The Dig) and film & television composing (like his film score for Minari , for which he received a 2021 Academy Award nomination for Best Original Score). We talk about why he likes to write when he's not supposed to be writing, why having a child is often good for his process, and why social media is never good  for it. Mosseri's debut solo album Heaven Hunters is out now on Greedy Heart Records.

MEET OUR MAKER IS NOW ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet Oscar-nominated composer Emile Mosseri. Though best known for his film work, Emile is also a singer-songwriter, and has been for much of his life. He was in a band called The Dig for years prior to his career as a composer, and now he's just put out his debut full-length studio record, Heaven Hunters. Here, Emile and I talk quite a bit about this record - what it means to him, how he got here, and what led him to feeling comfortable and ready to release such bluntly personal songs. We do also touch on his film work, some of his specific scores for films like Kajillionaire and his Academy Award-nominated work on Minari, his love of film music, and more. Thank you for listening and I hope you enjoy.

Composer Emile Mosseri is known for his moving scores for the films The Last Black Man in San Francisco, Kajillionaire, and Minari, for which he earned an Oscar nomination. But before he was a film composer, he was a member of the touring and recording band, The Dig. Now he's released his debut solo album as a performer, titled Heaven Hunters. Mosseri joins us for a Listening Party. 

This is a special episode produced by Talon Stradley of Newton's Dark Room with a short intro by Art Grind producer Tun Myaing and host Marshall Jones. Talon has an amazing podcast titled The Song is Never Done where he explores Walter Martin's album The Bear. This is a collaborative project because we interviewed Walter Martin who's album cover was featured by another past guest of ours - Hollis Heichemer.Following a long career in bands like The Walkmen and Jonathan Fire Eater, musician Walter Martin crafted his 6th studio album, The Bear, warmed by a wood burning stove in a bright red one-room schoolhouse. Tackling themes of family, art, and the changing seasons of life, the album resonated with host Talon Stradley as his own seasons changed.Part memoir, part musical analysis, The Song Is Never Done is a track by track exploration of Walter Martin's album The Bear. To help us along the way is Walter Martin himself as well as his collaborators, peers, and appreciators like Matt Berninger of The National, Eric D. Johnson of Fruit Bats and Bonny Light Horseman, jazz singer-songwriter Kat Edmonson, Oscar-nominated composer Emile Mosseri, many more, and even Walter's mom.So stop in your tracks, take stock in where you're at, and get ready to meet The Bear.There are 4 more episodes left in the season of The Song Is Never Done, released biweekly on Thursday. Go to The Song Is Never Done  podcast for more episodes!Listen to the other Art Grind Podcast interviews mentioned in this episode:Ep: 92 Walter Martin Ep: 45 Hollis HeichemerSupport the show

New Green is a song about the complicated but loving relationships we have with our families. We'll dive into those relationships, how they change, and what it means when time turns our life into memories. This episode features guests Judy Martin, Emile Mosseri, Matt Berninger, and Kat Edmonson. Listen to The Song Is Never Done Official Playlist on Spotify. You can purchase The Bear at waltermartinmusic.com. Find more of my podcasts at newtonsdarkroom.com

Following a long career in bands like The Walkmen and Jonathan Fire*Eater, musician Walter Martin crafted his 6th studio album, The Bear, warmed by a wood burning stove in a bright red one-room schoolhouse_._ Tackling themes of family, art, and the changing seasons of life, the album resonated with host Talon Stradley as his own seasons changed. The Song Is Never Done is a track by track exploration of Walter Martin's album The Bear. To help us along the way is Walter Martin himself as well as his collaborators, peers, and appreciators like Matt Berninger of The National, Eric D. Johnson of Fruit Bats and Bonny Light Horseman, jazz singer-songwriter Kat Edmonson, oscar-nominated composer Emile Mosseri, many more, and even Walter's mom. So stop in your tracks, take stock in where you're at, and get ready to meet The Bear. For more, visit Newtonsdarkroom.com

Happy new year! This is our first show of 2023 and the 52nd episode of AIR, an interview podcast series with a different theme each episode. This month I'm joined by American composer, producer, and vocalist @kaitlynaureliasmith. Kaitlyn has put out countless well-loved albums which feature her explorations in synthesis and voice, including the famed 2017 record The Kid, 2020's atmospheric Mosaic of Transformation, and her most recent album, Let's Turn It Into Sound. Throughout her sonic journey, listening, both with her ears and with her body, has been at the heart of what she does as a musician; hoping that by listening in different and more intentional ways, she can more deeply connect with sound. In this conversation, we delve into Kaitlyn's love of deep listening and somatic hearing, and how these rituals help to enlighten her artistry, her creativity and her performances. Kaitlyn's EU/UK tour is starting in April 2023, check out her website for more details: https://kaitlynaureliasmith.com/events/ ++ Music: "Give It To The Water" - Kaitlyn Aurelia Smith (2022) "An Intention" - Kaitlyn Aurelia Smith (2017) "Carrying Gravity" - Kaitlyn Aurelia Smith (2020) "Moon In Your Eye" - Kaitlyn Aurelia Smith and Emile Mosseri(2021) "Check Your Translation" - Kaitlyn Aurelia Smith (2022)

    1.ª parte:   1 - Kathryn Joseph - For You Who Are The Wronged - What is Keeping You Alive Makes Me Want To Kill Them For 2 - Romance - Once Upon a Time - I've Been Blown By The Wind 3 - Ian William Craig - Music For Magnesium_173 - Sentimental Drift 4 - Jenny Hval - Buffy - Buffy 5 - Rosa Anschütz - Goldener Strom - Sold Out 6 - Ryuichi Sakamoto - A Tribute to Ryuichi Sakamoto - To the Moon and Back - Grains (Sweet Paulownia Wood) - David Sylvian Remodel 7 - Leya - Eyeline - Glass Jaw (Feat. Julie Byrne) 8 - Mami Sakurai & Midori Hirano - Myth - Myth 9 - Hildur Guðnadóttir - Women Talking Soundtrack - Not All Men 10 - Keeley Forsyth - Limbs - Bring Me Water 11 - Liela Moss - Internal Working Model - Ache In The Middle (Feat. Jehnny Beth) 12 - Trentemøller - Memoria - Linger 13 - SRSQ - Ever Crashing - Abyss   2.ª parte:   14 - Emile Mosseri, Angel Olsen - Kajillionaire (Original Motion Picture Soundtrack) - Mr. Lonely 15 - Emile Mosseri - Kajillionaire (Original Motion Picture Soundtrack) - Infinite Love 16 - The Smile - A Light for Attracting Attention - Open The Floodgates 17 - Rosie Alena - Pixelated Images - Adore Me 18 - Lambchop - The Bible - Daisy 19 - Nick Cave & Warren Ellis - Blonde (Soundtrack From The Netflix Film) - Bright Horses (Instrumental) 20 - Michael Price - The Hope of Better Weather - In Spite of the Weather (Bill Ryder-Jones Re-Imagining) 21 - Greg Dulli, Mark Lanegan - Girl from the North Country - Girl from the North Country 22 - Mark Lanegan - Gargoyle - Goodbye to Beauty 23 - Delaney Bailey - (I Would Have Followed You) - J's Lullaby (Darlin' I'd Wait For You) 25 - Tiny Vipers - American Prayer - Tormentor 26 - Laura Veirs - Found Light - My Lantern 27 - Helena Deland - Swimmer - Swimmer 28 - Nina Nastasia - Riderless Horse - Ask Me   * imagem de (image by) Sergio Larrain

Come one come all, it's time to discuss our tender feelings. That's right, for their #9 film of 2020 the boys are discussing Miranda July's Kajillionaire. Join them as they delve into Evan Rachel Wood's spellbinding lead performance, Emile Mosseri's masterful score, and the ever-reigning legend that is Richard Jenkins. Also they discuss their favorite U2 songs (unrelated to the film Kajillionaire).

Variety reporter and Austin native Selome Hailu joins hosts Gemma and Slim to discuss why her Letterboxd profile is only for people who support Holes being her number one movie, and to celebrate the finer points of her other favorite films: The Last Black Man in San Francisco, The Young Girls of Rochefort and Saint Frances. Plus: the perfect rating, the need for a five-star-plus-“unlike” emoji on Letterboxd, Emile Mosseri's transcendent soundtracks, Gemma's defense of Geminis, Slim's religious experience with Last Black Man's skateboarding scenes, the urgent conversation around incarceration that Holes brings up, the costuming power of the pleat, building community, choosing joy, spending time with those you love, the weird dualities of life, breaking the cinephile bubble, meeting Magic Johnson, and a little chat about Selome's rating for Babe: Pig in the City. Links: The list of movies mentioned in this episode Reviews of Holes by Aydan Nolan, Grace b-p, Nicole and Roman Reviews of The Last Black Man in San Francisco by Lily and Karen Han Reviews of The Young Girls of Rochefort by Chris and Truman Selome's Babe: Pig in the City review Jack's Journal interview with Joe Talbot Selome's Mark Brown Variety interview Selome's Magic Johnson Variety interview Demi's Four Faves episode Lists: I'm Just a Kid and Life is a Nightmare, Movies that destroyed me…; Iguana appearances; DVD menus burned into your brain…; films that remind you you're alive; film scores that bury themselves into your skin; lighthearted movies with black characters…; can I get a uhhhh hot old man Credits: Recorded in Philadelphia, Los Angeles and Raumati Beach. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Facts by Jack. Booker: Linda Moulton. Transcripts by Sophie Shin. The Letterboxd Show and Weekend Watchlist are TAPEDECK productions.

In this conversation, Walter Martin of The Walkmen discusses the recording of The Bear, working with oscar-nominated Minari composer Emile Mosseri, the likelihood of a Walkmen reunion down the line, our shared love of Randy Newman and Jonathan Richman, and so much more.

"Key Change" 与网络电台 百会 baihui.live 的月度联动，为您呈现一小时的冷门流行音乐：Sigrid, Phoebe Bridgers, The xx 和 Joni Mitchell 和青叶市子等流行艺人的歌曲，穿插在一系列氛围、古典和新古典作品之中，希望能与你分享这份宁静与平和。本期节目首发于2022年1月4日，原链接在这里。 In the first monthly broadcast of 2022 on Baihui, KEY CHANGE brings you an hour-long collection consists of 50% melancholic pop tunes, and the other 50% from ambient and classical repertoire. 曲目单： (00:32) Sigrid - Strangers (Acoustic) (03:48) Max Richter - In The Garden (08:41) Harold Budd - The Belles Of Saint Andrew (12:16) Phoebe Bridgers - Moon Song (16:47) Hannah Peel - Horizon (21:25) Katrina Krimsky, Trevor Watts - Stella Malu (25:19) Gia Margaret - no sleep no dream (26:40) Tapp - Fly My Way (28:18) 马友友, Kathryn Stott - The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) (31:03) Paolo Nutini - Autumn (33:43) Emile Mosseri, 韩艺璃 - Rain Song (35:46) 理塘丁真 - 阳光下的白塔公园 (36:55) The xx - Angels (39:42) 青葉市子 - 霧鳴島 (41:03) Joni Mitchell - Hejira (47:31) Nils Frahm - Ambre (51:12) 孟雀 - 窗边 (54:48) Coby Sey - Kiss From a Rose → 选曲/配音/制作/包装：方舟 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

Sylvan Esso's Amelia Meath and Nick Sanborn, Alexis Taylor of Hot Chip, Kaitlyn Aurelia Smith and Overmono's Ed Russell discuss how they make their music. Amelia Meath and Nick Sanborn are the electro-pop duo Sylvan Esso. They've been nominated for a Grammy, played some of the world's biggest festivals, and worked with the likes of TuneYards, Flock of Dimes, and Robert Glasper – all of whom have been on previous episode of Music Life. Alexis Taylor is the lead singer, keyboard player and guitarist in synthpop band Hot Chip. He's also a solo artist in his own right, having released his latest record Silence earlier in the year. Ed Russell is one half of the most talked about electronic duos this year, Overmono. His love of electronic music came from eavesdropping on his older brother, who was mixing in his bedroom next door, and listening to his records that he'd “pinched”. Kaitlyn Aurelia Smith is an ambient composer, performer, producer and sonic explorer. Last year, she released the LPThe Mosaic of Transformation, an “expression of love and appreciation for electricity”, and followed it with this year's I Could Be Your Dog (Prequel), a collaborative project with LA composer Emile Mosseri.

Fernando Augusto Pacheco hosts a selection of highlights from the past seven days on Monocle 24. This week: London's mayor, Sadiq Khan, reveals plans to improve safety in the city; musicians Emile Mosseri and Kaitlyn Aurelia Smith discuss their new collaborative album; and one of the UK's best-known food writers, Claudia Roden, shares a favourite recipe.

Fernando Augusto Pacheco hosts a selection of highlights from the past seven days on Monocle 24. This week: London's mayor, Sadiq Khan, reveals plans to improve safety in the city; musicians Emile Mosseri and Kaitlyn Aurelia Smith discuss their new collaborative album; and one of the UK's best-known food writers, Claudia Roden, shares a favourite recipe.See omnystudio.com/listener for privacy information.

Musicians Emile Mosseri and Kaitlyn Aurelia Smith tell us about their new collaborative album; we chat to Canadian artist Kapwani Kiwanga about her archival work at Art Basel; and we meet the British stunt driver Jessica Hawkins, who landed her first on-screen job on the new James Bond movie.

[REBROADCAST FROM April 23, 2021] Composer Emile Mosseri, known previously for his work on “The Last Black Man in San Francisco” and “Kajillionaire,” was nominated for an Oscar this year for Best Original Score for his work on “Minari.” He joins us to discuss his work on the film.   This segment was picked by our Producer Simon Close.

Oscar-nominated composer Emile Mosseri speaks about the devastating beauty of Minari, his journey to becoming a composer, and the tension of working toward someone else's creative vision versus his own. See omnystudio.com/listener for privacy information.

Muziek van Emile Mosseri bij de film Minari, een filmdrama van Lee Isaac Chung, gemaakt in de Verenigde Staten in 2020. De film kreeg Oscarnominaties onder andere voor Beste Film en voor de beste soundtrack; een Oscar werd gewonnen door Youn Yuh-jung voor beste bijrol. Minari vertelt het verhaal van een Koreaans-Amerikaanse familie die verhuist naar het landelijke Arkansas. De vader heeft een typische 'American Dream' en droomt ervan om een boerderij te openen waar hij Koreaanse groente kan telen. Minari is de Koreaanse naam voor een typisch Oost-Aziatisch torkruid dat makkelijk te cultiveren is in de nabijheid van water. In de film leert de jonge David het kruid kennen via zijn Koreaanse grootmoeder. De plant kan beschouwd worden als een metafoor voor migratie en de spreekwoordelijke wortels waarmee migranten zich in een nieuw land vestigen. De film werd geschreven en geregisseerd door Lee Isaac Chung en bevat autobiografische elementen. Zo groeide Chung net als het personage David op in een Koreaanse migrantenfamilie die in het landelijke Arkansas een boerderij bezat. Het gezin in de film is grotendeels gebaseerd op zijn eigen familie. De muziek van Emile Mosseri is melodieus en meestal tamelijk ingetogen, en heeft niet de af en toe heftige emotionaliteit van zijn score voor The Last Black Man in San Francisco, maar heeft wel een duidelijke verwantschap met zijn muziek voor Kajillionaire. Interessant is dat Mosseri de muziek schreef met niet meer dan het script - zodat sommige edits van het beeldmateriaal konden worden aangepast aan de muziek in plaats van andersom. Big Country is de titel van een van de instrumentale stukken uit de soundtrack, en daarvan maakte Mosseri bovendien een slaapliedje, dat ook daadwerkelijk gezongen wordt door de actrice die in de film de rol van Monica speelt: Han Yeri. Monica zingt het slaapliedje, dat in het Engels vertaald ‘Rain Song' heet, voor haar zoontje David. Het is een liedje over de winter die voorbijgaat en de lente die nieuw leven brengt, en dat sluit mooi aan bij de plant Minari, en bij het onderliggende thema van de film. Een mooie soundtrack voor een filmcomponist wiens derde film dit pas is! Minari Original Motion Picture Soundtrack (Sony) - Intro 1'38” - Grandma picked a good spot 3'30” - Halmeoni 1'23” - Oklahoma City 1'08” - Big Country 2'16” - Rain Song 2'12” - Minari Suite 3'48” - Find it every time 2'03”

Composer Emile Mosseri, known previously for his work on “The Last Black Man in San Francisco” and “Kajillionaire,” is nominated for an Oscar for Best Original Score for his work on “Minari.” He joins us ahead of the awards show to discuss his work on the film.

主播打分： 荡科长:7分 “奥斯卡十年”等19期嘉宾 这是韩国片还是美国片？我觉得都不像，它更像日本家庭片——以一种平淡的口吻讲了一些家长里短。遗憾的是，这片似乎缺少了一种“移民史”的叙述野心。 思源:7.5分 旅美VR工作者，节目剪辑 除了用几个韩国演员，这片子和韩国一点关系都没有，它的主角是韩裔美国人，但韩裔美国人也是美国人。更何况它所叙述的是个“过去时”的故事。其中那位出彩的“韩国姥姥”所带出的也是韩国前几代人的生活方式，与当代韩国也没有关系。 波米:6.5分 《遗传厄运》韩国版。男主角实际上是一个异教徒，一家人在他带领之下做出了一系列“对主不敬”的举动：奚落虔诚信徒、拿回给教会的捐款、不信任驱魔仪式。最后糟了报应：姥姥被邪魔上身，然后她用一把火烧掉了应许之地所有的果实，只剩下外来物种“水芹菜”野蛮生长。 节目流程 节目总时长：00:45:47； 音频涉及如下话题（含剧透）： 1）它与韩国电影有无关联？ 2）它涉及了韩美哪些共同历史？ 3）它与《喜福会》等片有何不同？ 4）影片的宗教符号表意是？ 5）“姥姥”的人设有哪些亮点？ 6）影片还是偏向于男性视角？ 7）男主角英语太好反而是缺点？ 8）尹汝贞拿奖毫无悬念？ 9）它在北美讨论度高于《无依之地》？ 最后，主播为影片打分并阐述理由； 外延：其它韩裔美籍影人； 开场曲：(韩艺璃&Emile Mosseri)； 结束曲：(Emile Mosseri)； 影片《米纳里》重要信息 本片北美分级：PG-13级； 本片原名为：Minari 本期片目： 《喜福会》（1993） 《刮痧》（2001） 《老爷车》（2008） 《韩国佬》（2017） 《月光男孩》（2016） 《燃烧》（2018） 《寄生虫》（2019） 《别告诉她》（2019） 《无依之地》（2020） 《乡下人的悲歌》（2020） 《蓝调天后》（2020） 《前程似锦的女孩》（2020） 《犹大与黑弥赛亚》（2021）

Emile Mosseri wrote the moving soundtrack to the family drama film Minari, (about a Korean-American family struggling to achieve the American dream in the 1980’s) and has been nominated for an Academy Award for it. (It's also up for best director, Lee Isaac Chung, and best film.) The pianist and songwriter also wrote the scores to The Last Black Man in San Francisco and Kajillionaire. He plays some of his Oscar-nominated music for Minari for us at the piano and drops a hint about his forthcoming collaboration with electronic musician Kaitlyn Aurelia Smith as well.  Set List: "Minari Suite," "Garden of Eden," "Grandma Picked a Good Spot" "Minari Suite": "Garden of Eden": "Grandma Picked a Good Spot":

Neste episódio, dois filmes do último Oscar que não podiam ser mais diferentes. Um é sobre sul-coreanos nos EUA, e o outro é sobre ingleses na Irlanda; um é um longa dramático e o outro é uma fantasia de animação. E mesmo com propostas diferentes de trilha, eles têm uma coisa em comum: música fina, de Emile Mosseri (Minari) e Bruno Coulais (Wolfwalkers, 00:43:30). Confira.

Emile Mosseri joins the Four Quadrant Podcast to discuss his Oscar-nominated score for Minari and the last-minute story behind the two songs he composed for the film. For the latest entertainment news and the best reviews visit www.ThePlaylist.net. Follow the Four Quadrant Podcast on Instagram at www.instagram.com/fourquadrantpodcast Follow Gregory Ellwood on Twitter at www.twitter.com/thegregorye and on Instagram www.instagram.com/gregoryellwood

En este episodio Rana Fonk les habla de la bellísima banda sonora de Minari, la cual está nominada este año 2021 al Oscar por mejor banda sonora. Su compositor es Emile Mosseri, quien compuso las bandas sonoras de The Last Black Man in San Francisco (2019), Kajillionaire (2020), y también la música de las series  Random Acts of Flyness de HBO y la temporada 2 de Homecoming de Amazon Prime Video.

Aram and Kelly (and Seungwoo) talk about MINARI (2020) and give their earnest first reacts. Follow the link here for an extended shownote and episode transcript: http://bit.ly/s2e2-shownotes This episode uses the following multimedia samples and sources: “Say Good night”, Joakim Karud "Morpho Diana", Rachel Collier "Rain Song", Emile Mosseri, Han Ye-ri --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstory-podcast/message

"Minari" has recently been nominated for 10 Critics Choice Awards and 3 Screen Actors Guild Awards. It's been one of the most beloved films of the year ever since its premiere at last year's Sundance Film Festival. One of the key ingredients in what makes the movie work so well is the beautiful score by Emile Mosseri ("The Last Black Man In San Francisco"). Emile's work has been nominated by the Critics Choice Association and has also been shortlisted by the Academy for Best Original Score and Best Original Song for the 93rd Academy Awards. Emile was kind enough to talk to us about his work on the film a few months ago and we are now releasing that interview so you can download the score, listen for yourself and discover why it is one of the best films scores of 2020. Take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Muziek van Emile Mosseri voor het sprankelende drama The Last Black Man in San Francisco (Verenigde Staten 2019) van Joe Talbot. Debuterend regisseur Joe Talbot baseerde dit fraaie indiedrama op ervaringen van zijn beste vriend Jimmie Fails, die zelf – ook debuterend – de hoofdrol speelt. Het filmpersonage heet eveneens Jimmie Fails en is een Afro-Amerikaanse twintiger die geobsedeerd is door een Victoriaanse villa in de binnenstad van San Francisco. Als het huis onverwacht leeg komt te staan, besluit Jimmie het met zijn excentrieke vriend Montgomery te gaan kraken. Veel meer heeft de plot niet om het lijf, maar dat stoort niet, want deze weemoedige liefdesbrief aan San Francisco bruist van de originele ideeën en het cinematografische talent. De muziek die Emile Mosseri voor de film maakte is al net zo ideeënrijk en afwisselend als de film, en een echt feestje voor het oor. Componist, pianist en zanger Emile Mosseri, wonend in Los Angeles, schrijft nog niet zo heel lang muziek voor film. Zijn eerste productie was in 2018: Random Acts of Flyness (voor het tv-kanaal HBO) en daarna componeerde hij deze score voor The Last Black Man In San Francisco, een jaar later gevolgd door de muziek voor Kajillionaire. Mosserie is ook lid van de indie-rockband The Dig. Verrassend in deze score is het optreden van de beroemde tuba-virtuoos Daniel Herskedal! 0. San Francisco (met Daniel Herskedal) 1'55” 1. King Jimmie 1'09” 2. The Last Black man in San Francisco 2'51” 3. Bombin California St. 1'33” 4. A House, haunted 1'01” 5. I Got A Plan 0'50” 6. Ricky, Get The Truck 1'07” 7. Driving Home With Stolen Treasures 2'32” 8. The Last Black Man in San Francisco (Prelude) 0'56” 9. The Last Black Man in San Francisco (Wounded Warrior) 1'31” 10. A House, Haunted (Suite) 0'53” 11. Whatever Gets You Through the Night 1'40” 12. San Francisco (met Daniel Herskedal) 1'56” 13. San Francisco (Be Sure to Wear Flowers in Your Hair) (met Daniel Herskedal, Joe Talbot, Michael Marshall 2'53”

Emile Mosseri is my first guest! I talk shop with the bright new star of film composition about his process and exquisite new score for Miranda July's Kajillionaire.

In de maand augustus in Vrije Geluiden speciale aandacht voor de cellosuites van Johann Sebastian Bach. Gespeeld op cello, maar ook op bijvoorbeeld viool, op altviool, of op saxofoon! Maar ook volkomen andere toffe muziek, van nieuwe uitgaven op cd of digitaal, uit fraaie archiefvondsten en nog-lang-niet-sleetse grammofoonplaten. Met muziek van Emile Mosseri, Johann Sebastian Bach, Roger Waters, Arthur Frackenpohl, Ellen Taaffe Zwilich, en Tim Brady.

In de maand augustus in Vrije Geluiden speciale aandacht voor de cellosuites van Johann Sebastian Bach. Gespeeld op cello, op viool, op altviool, of op saxofoon! Maar ook volkomen andere toffe muziek, van nieuwe uitgaven op cd of digitaal, uit fraaie archiefvondsten en nog-lang-niet-sleetse grammofoonplaten. Muziek van Bach, Granados, fiddlespeler Patsy Reid, Emile Mosseri, en Robin Schlochtermeier.

Keev recaps last night's Patreon episode and discusses the new NFL head coaches. Alex ranks the best Wild Card and Divisional Round weekends of the last 30 years. Then it's time to recap what we saw last week and preview this weekend's games. This episode's outro is Emile Mosseri's version of “San Francisco” from The Last […] Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Lakeshore Records Podcast host Tony Giles is in conversation with composer Emile Mosseri, the man behind the outstanding score for The Last Black Man In San Francisco.

Today The Menace's Attic/Just Another Menace Sunday 11am-1pm EST 8am-10am PDT Followed by New Menace's Attic Show 1pm-2pm EST 10am-11am PDT bombshellradio.com Bombshell Radio Hour 1: A Conversation from the very much still available band VHS Collection and their Musical Sandwich! Hour 2: New Melodic Rock and Roll from: The Clientele (!!!), Ariel Pink, Grouplove, Emily Haines & The Soft Skeleton, Shout Out Louds, Neon Trees, Broncho, Joywave, Alice Merton, Pom Poms, Trailer Trash Tracys, El Te Eleven feat. Emile Mosseri and The Cribs! Repeats Friday 3pm-5pm EST 12am-2am PDT

Today we are talking to Emile Mosseri of the band The Dig. Emile is also featured on El Ten Eleven's new EP Unusable Love! The Dig is an American Rock band based in New York City, consisting of Emile Mosseri (bass/vocals), David Baldwin (guitar/vocals), Erick Eiser (keyboards/guitar), and Mark Demiglio (drums). The band released its debut album Electric Toys in 2010, followed by Midnight Flowers in 2012, and two EPs, Tired Hearts and You & I in 2013. Recently Emile Mosseri collaborated with El Ten Eleven on their new EP, Unusable Love. They have toured or performed with such bands as The Lumineers, The Antlers,The Walkmen, Portugal. The Man, and Editors. www.thedigmusic.com Check out their new Album - Bloodshot Tokyo & be sure to check out El Ten Eleven's Unusable Love featuring Emile Mossari

Today we are talking to Emile Mosseri of the band The Dig. Emile is also featured on El Ten Eleven's new EP, Unusable Love! The Dig is an American Rock band based in New York City, consisting of Emile Mosseri (bass/vocals), David Baldwin (guitar/vocals), Erick Eiser (keyboards/guitar), and Mark Demiglio (drums). The band released its debut album Electric Toys in 2010, followed by Midnight Flowers in 2012, and two EPs, Tired Hearts and You & I in 2013. Recently Emile Mosseri collaborated with El Ten Eleven on their new EP, Unusable Love. They have toured or performed with such bands as The Lumineers, The Antlers,The Walkmen, Portugal. The Man, and Editors. www.thedigmusic.com Check out their new Album - Bloodshot Tokyo & be sure to check out El Ten Eleven's Unusable Love featuring Emile Mossari

Today we are talking to Kristian Dunn of El Ten Eleven! And we have an exclusive JUST for our listeners - - - We are debuting their NEW EP, Unusable Love here on The Jeremiah Show! Unusable Love will be available on August 18, but you can go to elteneleven.com to download the title track! Interview Magazine says: “Los Angeles-based musicians Kristian Dunn and Tim Fogarty create hypnotic instrumental music since they formed El Ten Eleven in 2002.” “While the duo's soundscapes have developed certain signatures over the course of their albums (e.g. the use of a double-neck bass), the addition of a vocalist is an entirely unexpected turn.” Today we premiere El Ten Eleven's first-ever effort with a singer: "Unusable Love" featuring Emile Mosseri. - Photo Credit: "Oscar Moreno”