Podcast appearances and mentions of Wayne Coyne

Keith welcomes Marc Byrd back to the show and we discuss Hammock's new LP "The Second Coming Was a Moonrise", insights behind the creative process for the record, collaborating with Wayne Coyne of The Flaming Lips on "Chemicals Make You Small" and the interesting story behind the title of the record. We also discuss Marc's previous upbringing in a strict fundamentalist Christian household, grappling with his history and developing an individual belief system in modern times, sobriety, the Cure's influence on Hammock, the current studio spaces the band is working out of,  life occurrences Marc and Andrew have survived (including a tornado and flood), how these have influenced Hammock's music and more. Intro - 0:00 - 4:19 Marc Byrd Interview - 4:20 - 1:29:48 Outro - 1:30:02 - 1:36:21

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Volvemos a recordar los Late Night Tales, esas compilaciones que nacieron a principios de siglo y llegaron hasta 2020 Una propuesta que invitaba a artistas a seleccionar y mezclar una recopilación de canciones ideal para la escucha nocturna, de ahí su nombre. Por allí pasaron Groove Armada, Belle & Sebastian, Fatboy Slim, Arctic Monkeys o Air. Hoy en Conexiones MZK te traemos la que conformaron The Flaming Lips un retrato íntimo de una mente musical insaciable. Y es que los de Wayne Coyne consiguen que canciones separadas por décadas y continentes respiren al mismo ritmo, construyendo algo que trasciende la suma de sus partes y que solo podría haber nacido de una mente tan peculiar y desbordante como la suya. Mete en el mismo saco la fragilidad de Björk y el jazz de Miles Davis y únelo al afterpunk de The Chameleons y Love & Rockets, el glam de los primeros Roxy Music o el ambient de Brian Eno y tendrás esta hora y pico tan adictiva. Dirige Manuel Pinazo. Suenan: "Unravel" — Björk "My Ship" — Miles Davis "Speed of Sound" — Chris Bell "It's a Bit of a Pain" — Faust "2HB" — Roxy Music "People" — Alfie "Flim" — Aphex Twin "Galileo" (Edit) — Mice Parade "Up the Down Escalator" — The Chameleons UK "Seven Nation Army" (Harry Potter's and George W. Bush's Severed Head Army Mix) — The Flaming Lips "Playground for a Wedgeless Firm" — The Chemical Brothers "Saudade" — Love & Rockets "Monochrome" — Lush "Sleep Comes Down" — Psychedelic Furs "River Man" — Nick Drake "On Fire" — Sebadoh "Pyramid Song" — Radiohead "I'm Not in Love" — 10cc "Another Green World" — Brian Eno "The Jist" — David ShrigleyEscucha este episodio completo y accede a todo el contenido exclusivo de Conexiones MZK. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/286835

For Flaming Lips frontman Wayne Coyne, who just turned 65 and has those cool Dr. Strange gray spots on his temples! (50 minutes)

For Flaming Lips frontman Wayne Coyne, who just turned 65 and has those cool Dr. Strange gray spots on his temples! (50 minutes)

Ce 13 janvier, Marjorie Hache traverse les décennies et les styles dans RTL2 Pop-Rock Station. The Beatles ouvrent la soirée, avant une sélection mêlant Pulp, The Doors, Blondie ou Queens Of The Stone Age. L'actualité n'est pas oubliée avec Geese, et leur titre "Cobra", tandis qu'un clin d'œil anniversaire est adressé à Wayne Coyne des Flaming Lips avec "Do You Realize?". L'émission met ensuite en lumière l'album de la semaine, "Secret Love" de Dry Cleaning. Le groupe londonien confirme son évolution avec "Let Me Grow and You'll See the Fruit", morceau introspectif porté par le spoken word de Florence Shaw. La programmation enchaîne avec Perfume Genius, The Runaways et Rise Of The Northstar, avant la reprise du soir, "No Diggity" de Blackstreet, revisitée en version pop par Chet Faker. La seconde partie de RTL2 Pop-Rock Station se fait plus apaisée, avec Queens Of The Stone Age, Air, Tom Petty ou The Cure. La recommandation de Francis Zégut est signée Fast Money Music. La nouveauté Fresh Fresh Fresh du jour met en avant The Twilight Sad avec "Designed The Loose", avant une fin d'émission marquée par Flavien Berger et un détour par Therapy?. The Beatles - Here Comes The Sun Geese - Cobra The Flaming Lips - Do You Realize?? Pulp - Disco 2000 Blondie - Denis Audioslave - Be Yourself Aerosmith - Love In An Elevator Dry Cleaning - Let Me Grow And You'll See The Fruit The Doors - Alabama Song (Whisky Bar) Perfume Genius - On The Floor The Runaways - Cherry Bomb Rise Of The Northstar - Neo Paris Chet Faker - No Diggity Queens Of The Stone Age - Make It Wit Chu Air - Sexy Boy Fast Money Music - Lover Boy America - Ventura Highway Tom Petty - Learning To Fly Foo Fighters - Asking For A Friend Van Halen - Ain't Talkin 'Bout Love Starcrawler - Road Kill The Twilight Sad - Designed To Lose The Cure - Just Like Heaven Flavien Berger - La Fête Noire Therapy? - Nowhere Bruise Control - Gone To Ground Julie Driscoll - Season Of The Witch Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Producer, sound designer and composer Jonathan Snipes joins William Stokes to explore his work with experimental hip-hop group Clipping, sharing an inside look at their unique production process, before showcasing five modules in an exclusive live performance.Chapters00:00 - Introduction01:12 - Combining Hip Hop And Experimental Sounds12:45 - Unconventional Sounds And Beats 16:52 - Annea Lockwood Piano Burning20:59 - 5U Modular Selection24:31 - Module 1: Q106 Oscillator29:43 - Module 2: Modcan Digital Delay38:51 - Module 3: Modcan Frequency Shifter 39b43:04 - Module 4: Modcan Quad Envelope 60b47:41 - Module 5: Tellun TLN-156 Neural Agoniser52:04 - Live Performance#Q106Oscillator #ModcanDigitalDelay #ModcanFrequencyShifter #ModcanQuadEnvelope #TellunTLN-156Jonathan Snipes BiogJonathan Snipes is a producer, composer and sound designer based in Los Angeles, where he teaches sound design in the theatre and film departments at UCLA. As well as his work for film, television and theatre, he is known as a member of the experimental group clipping., along with fellow producer William Hutson and rapper Daveed Diggs. Having recently released their sixth studio album Dead Channel Sky on iconic label Sub Pop Records, clipping. are an outfit in the vanguard of hip-hop, sound design, beat making and strident experimentalism.https://www.jonat8han.com/https://www.instagram.com/jonat8han/William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

MUSICThose Radiohead flyers found in London and Copenhagen, Denmark weren't a hoax -- the band has just announced a European tour.Drummer Phillip Selway wrote about any chances of North American dates, Selway wrote, "For now, it will just be these ones but who knows where this will all lead."Radiohead's last show was August 1st, 2018 in Philadelphia. Since then all five members have done various side projects, solo albums and even books. Farm Aid, which is set for September 20th at Huntington Bank Stadium in Minneapolis, will be shown on CNN at 6pm. That part of the show will feature sets from Willie Nelson and Family, Neil Young and the Chrome Hearts, John Mellencamp, Dave Matthews and Tim Reynolds and Margo Price. The entire concert will also stream at Farmaid.org starting at 12:30 p.m. ET that day. Nirvana fans are not happy that Seattle's Museum of Pop Culture is closing its 14-year-old exhibit dedicated to the city's hometown band. https://loudwire.com/seattle-museum-closing-nirvana-exhibit/ My Chemical Romance is on tour, and fans have noticed possible clues on stage about when new music will be coming. A time clock on stage the band uses to clock into their shift as a fictional band called The Black Parade reads 12:12. https://loudwire.com/new-my-chemical-romance-music-theory/ TVIce Road Truckers is returning to the History Channel after eight years off the air. https://variety.com/2025/tv/news/ice-road-truckers-new-season-history-channel-1236506022/ Jorma Taccone a member of the comedy trio The Lonely Island, is recovering in a Connecticut hospital after falling about 20 feet from a rickety ladder while hanging lights at his barn on the morning of his daughter's fifth birthday. The actor and writer fractured the left side of his pelvis and detached his sacrum from his spine, leaving him unable to walk. Doctors say he faces a three-to-six month recovery involving acute rehabilitation. Jasveen Sangha — dubbed the “Ketamine Queen” — has pleaded guilty to five federal charges in Los Angeles federal court in connection with the October 2023 overdose death of Friends star Matthew Perry. Steve Burns from "Blue's Clues" has a new weekly podcast, called "Alive", and the first episode drops on September 17th. And even though people still associate Steve with children's programming, this is a grown-up show. How grown up? One of his guests will be a PORN STAR. That porn star is Maitland Ward, who was best known for "Boy Meets World" before she became a full-time mattress actress. Other guests will include Wayne Coyne from the Flaming Lips, congressman Ro Khanna, and Jamie Lee Curtis. And he'll tackle heavy subjects, like sex and death. https://youtu.be/8kFDxN0K2zQ MOVING ON INTO MOVIE NEWS:Conjuring: The Last Rites is aiming for a big box office grab. Experts predict that the latest movie in The Conjuring series will gross $50 million or more this weekend. https://variety.com/2025/film/box-office/conjuring-4-box-office-projection-50-million-plus-debut-1236505681/ 'Superman' sequel in the works: DC Studios co-CEO James Gunn has revealed the follow-up to this summer's blockbuster "Superman" will be titled "Man of Tomorrow" and hit theaters on July 9, 2027. https://www.msn.com/en-us/movies/news/superman-sequel-in-the-works-james-gunn-confirms-title-and-release-date/ar-AA1LOliV?ocid=entnewsntp&pc=DCTS&cvid=68b9656f3dc6441f89ce23b15e63ec97&ei=53 The official teaser for the new "Wuthering Heights" is out. It stars Margot Robbie and Jacob Elordi in the classic story of a rich girl hooking up with a hunky stable boy. Get ready for steam to emanate from your speakers. Will Smith is working his way back into Hollywood after the infamous Oscar slap of Chris Rock. https://deadline.com/2025/09/will-smith-westbrook-paramount-pictures-1236505527/ Channing Tatum says he'll tone down his character Gambit's Cajun accent in the upcoming 'Avengers: Doomsday' film. https://www.joblo.com/channing-tatum-cajun-voice-avengers-doomsday/ You know Denzel Washington? No, you don't. Because you've been saying his name wrong all these years. It's not "den-ZEL" . . . It's "DEN-zuhl". You emphasis the first syllable, and kind of clip the second. It's really not your fault, though. It was actually DEN-zuhl's mother who started calling him den-ZEL. That's because he and his father were both named DEN-zuhl, and she got tired of both of them answering when she called that name. So she changed the pronunciation of her son's name. https://youtu.be/Kql0ltyREJ4· AND FINALLYThe complete celebrity cast of "Dancing with the Stars" Season 34 was announced yesterday on "Good Morning America". Alfonso Ribeiro and Julianne Hough will return to co-host.The new season premieres Tuesday, September 16th on ABC and Disney+. AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Connect with us at ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Composer, producer and Buchla enthusiast Kaitlyn Aurelia Smith joins William J. Stokes to discuss her latest album Gush. She also treats listeners to a live set, performed on a carefully curated selection of Buchla 200e modules.Chapters00:00 - Introduction01:10 - Peacock Moments06:24 - Working With Suzanne Ciani10:54 - Discovering Buchla And Eurorack16:40 - Blending Sensibilities23:21 - Buchla 200e Modular System And 223e Input28:48 - 259e and 261e Waveform Generators36:58 - 296e Spectral Processor43:37 - 227e System Interface51:25 - The Performance#buchla200e #buchla223e #buchla259e #buchla #261e #buchla 296e #buchla 227eKaitlyn Aurelia Smith BiogKaitlyn Aurelia Smith is a classically trained American composer, producer and performer originally from the Pacific Northwest who now lives in Los Angeles. Drawing upon her formal training in composition and sound engineering from Berklee College of Music, she initially explored vocal performance, classical guitar and piano before her creative trajectory shifted when a neighbour lent her a Buchla 100 modular synthesizer. Her music combines the use of modular, analogue and rare synthesizers, orchestral textures and voice.Her early self-released works, including Cows Will Eat the Weeds and Tides: Music for Meditation and Yoga (2014), were followed by Euclid (2015), her first official album with Western Vinyl, which combined structured songwriting with ambient exploration. This was succeeded by EARS (2016), which critics praised for its seamless layering of organic instrumentation and analogue synthesis to evoke feelings of awe and disorientation. Her 2017 release, The Kid, marked a conceptual leap, tracing stages of human development through richly textured, emotionally resonant compositions that bolstered her status among experimental music audiences.Kaitlyn has performed alongside artists like Hot Chip, Glass Beams, RY X, Caribou and Four Tet, composed original works for Apple, BBC Orchestra, Adult Swim, MoMA, Red Bull and others, plus her song “Stratus” was also synced in the 2023 film Priscilla Motion Picture Soundtrack. She has also collaborated with longtime inspiration Suzanne Ciani and other artists like Emile Mosseri, while exploring multidisciplinary projects through her label, Touchtheplants. On her latest album, GUSH, Kaitlyn sets her sights on aesthetics, focusing on the heightened awareness of and presence in the world where every interaction, whether with people, objects or nature, has the potential to become a moment of connection and personification.https://kaitlynaureliasmith.com/https://www.instagram.com/kaitlynaurelia/https://www.facebook.com/kaitlynaurelia/https://x.com/kaitlynaureliaWilliam J. Stokes BiogWilliam J. Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

In a Priest Driven Ambulance marks a pivotal moment for The Flaming Lips with the addition of Jonathan Donahue as a member of the band (and later Mercury Rev), along with Dave Fridmann behind the board for the first time. The blend of lo-fi psychedelic rock retains the melodic chaos while exploring new experimental territory. Wayne Coyne finds his voice, and tracks like “Shine on Sweet Jesus” showcase his spiritual fixation, filtered through fuzz pedals and existential yearning. It's an ambitious, unpolished gem that foreshadows the band's later sonic evolutions.   Songs In This Episode Intro - Sweet Jesus (Jesus Song No. 1) 23:20 - Raining Babies 32:42 - Take Meta Mars 37:30 - Five Stop Mother Superior Rain Outro - Unconsciously Screaming   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In a Priest Driven Ambulance marks a pivotal moment for The Flaming Lips with the addition of Jonathan Donahue as a member of the band (and later Mercury Rev), along with Dave Fridmann behind the board for the first time. The blend of lo-fi psychedelic rock retains the melodic chaos while exploring new experimental territory. Wayne Coyne finds his voice, and tracks like “Shine on Sweet Jesus” showcase his spiritual fixation, filtered through fuzz pedals and existential yearning. It's an ambitious, unpolished gem that foreshadows the band's later sonic evolutions.   Songs In This Episode Intro - Sweet Jesus (Jesus Song No. 1) 23:20 - Raining Babies 32:42 - Take Meta Mars 37:30 - Five Stop Mother Superior Rain Outro - Unconsciously Screaming   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

This week on another episode of the award* winning** comedy/music(?) podcast TTYG, we discuss Melodrama by Lorde. In Girl, So Confusing I think Charli XCX and Lorde should've referred to each other as "popplegangers" when they were talking about how they had the same hair. Just some food for thought, some regular music criticism of the quality you should expect from this program.Also up for discussion: 2025's Finest Music Thus Far, If You Liked It Then You Should've Watched The Ring With It, and Wayne Coyne, Whose Business Art Thou? (Not Ours). I regret using title case for that sentence but its just too late.This week our guest is Leah Weinstein, staff writer at The Needle Drop and contributor The Alternative, Paste and others. Follow Leah on Twitter @leahetc_ Hosted on Acast. See acast.com/privacy for more information.

Composer and musician Yann Tiersen talks to William Stokes about his love of modular synthesis, the joys and challenges of touring and performing and how he found himself unexpectedly involved in film composition, followed by an exclusive performance using five selected modules.Chapters00:00 - Introduction01:26 - An Accidental Film Composer05:44 - Recording And Mixing Process11:38 - Visiting Erica Synths13:21 - Trans Musicale Festival In Rennes18:47 - Eskal Studio On Ouessant Island21:00 - Module 1: Serge New Timbral Oscillator25:51 - Module 2: Instruō Lúbadh31:06 - Module 3: Mutable Instruments Beads32:58 - Module 4: Erica Synths Black Stereo Delay37:21 - Module 5: TouellSkouarn Ar Merc'het Brao41:30 - Yann Tiersen PerformanceYann Tiersen BiogYann Tiersen is a French composer and multi-instrumentalist whose work spans classical, electronic, and experimental music. He gained international recognition in 2001 for his soundtrack to Le Fabuleux Destin d'Amélie Poulain (Amélie), following the success of his 1998 album Le Phare, which achieved gold status in France.Since then, Tiersen has released numerous studio albums and has performed extensively across Europe, North America and Asia. His discography includes collaborations with artists such as Jane Birkin, Elizabeth Fraser and Matt Elliott. His work has been featured in films, theatre productions and contemporary art installations.Tiersen's compositions have appeared in a range of films beyond Amélie, including Good Bye, Lenin! (2003), Alice et Martin (1998) and Tabarly (2008), as well as various short films and documentaries. His music is frequently used for its emotive and atmospheric qualities, particularly in European cinema.His latest release, Rathlin from a Distance | The Liquid Hour (2024), is a double album where the first part comprises eight solo piano pieces written during a 2023 sailing trip, each linked to a specific location. The second part shifts to electronic production, incorporating modular synths, samples and rhythmic textures, created following a night at sea near Belfast. The project reflects Tiersen's ongoing interest in location-based composition and the integration of acoustic and electronic elements.Tiersen records at his studio on the island of Ushant, off the coast of Brittany and continues to tour internationally.https://www.yanntiersen.com/https://www.instagram.com/yanntiersenhttps://www.facebook.com/yanntiersen.officialhttps://www.youtube.com/yanntiersenWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

During the 2015 VMAs, Miley Cyrus surprise-dropped her strange and experimental new album, 'Miley Cyrus and Her Dead Petz' on SoundCloud. Nora and Nathan discuss songs like "Dooo It!" and "BB Talk" (1:00), Miley's work with Flaming Lips front man Wayne Coyne on this record (34:32), and the deeper emotional themes that are running just under the surface of a lot of these songs (51:14). Hosts: Nora Princiotti and Nathan HubbardProducer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

For our 400th episode (!!!) we're joined by musician Jonathan Hischke (Hella, Dot Hacker, E V Kain), who brought us a record that got under his skin when he first heard it in 1999 - Rob's too! - and continues to astound: The Flaming Lips' beautifully trippy kinda-masterpiece 'The Soft Bulletin'. "Will the fight for our sanity Be the fight of our lives?" Songs discussed in this episode: Race For The Prize (Feat. The Colorado Symphony & Andre De Ridder, live at Red Rocks) - The Flaming Lips; Eye Opener - Dot Hacker; Striking Out - E V Kain; Infektion - The Flying Luttenbachers; She Lives in an Airport - Guided By Voices; She Don't Use Jelly, Christmas At The Zoo - The Flaming Lips; Easter Theatre - XTC; Race For The Prize, A Spoonful Weighs A Ton, The Spark That Bled, The Spiderbite Song, Buggin', What Is The Light, The Observer, Waitin' For A Superman, Suddenly Everything Has Changed, The Gash, The Gash (Feat. The Colorado Symphony & Andre De Ridder, live at Red Rocks), Feeling Yourself Disintegrate, Sleeping On The Roof - The Flaming Lips; Waitin' For A Superman (The Flaming Lips cover) - Iron & Wine

Saison 3 – épisode 31 Montez à bord pour une petite virée musicale d'une demi-heure : 7 titres qui donnent envie de prendre le large et d'aller voir ailleurs, sur la route encore. Sur la route encore est un balado créé et animé par Monsieur Dams (@feelgoodbuddy sur Twitter).http://www.surlarouteencore.frTwitter : @sur_encoreBlueSky : @surlarouteencore.bsky.socialmonsieurdamsrqc@gmail.com (00:52) Randid - Time Bomb (03:50) Curry & Coco - Sex Is Fashion (06:34) The Shoes - Time To Dance (10:21) BWO - Chariots Of Fire (18:43) Les Rythmes Digitales - Jacques Your Body (Make Me Sweat) (24:26) Moby - The Perfect Life (feat. Wayne Coyne) (23:41) Robyn - Send To Robyn Immediately Vous pouvez me retrouver sur le discord du collectif des podcasteurs d'histoires à bulles & d'imaginaire :https://discord.gg/CXag35N3eU Visuel créé par le talentueux Silver (@silverbd sur Twitter)www.patreon.com/Silverillustrationshttps://www.instagram.com/silverillustrations/https://silverillustrations.com

What do you say about Wayne Coyne? The legendary frontman of Flaming Lips has been bringing us joy for more than four decades. Their live shows are the stuff of legend; wild visuals, confetti, balloons, furry animal costumes and giant plastic balls rolling across the crowd. And then there's their music, strange and uplifting pop songs that have become the soundtrack to our own lives.As they visit Australia to play Yoshimi Battles the Pink Robots in full, Wayne opens up his record box and shares the very foundations of who he is today.The Beatles – 'Strawberry Fields Forever' Billie Eilish – 'BIRDS OF A FEATHER' Nancy Sinatra – 'You Only Live Twice'Julee Cruise – 'Falling'Aphex Twin – 'Flim'Listen to why comedian Adam Hills picks a classic Flaming Lips song in his Take 5 here

In this occasional series exploring modular synthesis and live performance, William Stokes talks to Tony Rolando, electronic musician and founder of modular company Make Noise. Tony talks about his beginnings in the industry and how Make Noise has relaunched in 2025 with a new team and a brand new module release, which he then showcases in an exclusive performance alongside four additional modules.Chapters00:00 - Introduction05:22 - Creating Social Media Posts12:10 - Recent Innovations In Modular14:02 - Revisioning Jettisoned Music Technology21:08 - Module 1: Maths 30:17 - Module 2: Morphagene47:42 - Module 3: Qpas 57:57 - Module 4: Bruxa01:12:52 - Module 5: New Universal Synthesizer System01:27:40 - The PerformanceTony Rolando BiogTony Rolando is a self-taught musician and electronic musical instrument designer who started his career building electronics for artists, such as the light controlled mixer for Simon Lee's “Bus Obscura,” working for Moog Music and playing in bands. He has recently released music with Important Records and the Asheville, NC based Ceremony of Seasons.Tony is the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008, known for modules such as the Morphagene and 0-Coast, popular with artists like Thom Yorke and Robert Lowe, aka Lichens. They operate out of Asheville, NC and have global distribution through a number of music tech dealers.https://tonyrolando.bandcamp.com/www.makenoisemusic.comWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Text us, and Rock on!What happens when a punk band sheds its underground skin to emerge as Grammy-winning innovators? We explore this fascinating transformation with the Flaming Lips' album "The Soft Bulletin" and draw parallels to the legendary impact of "Pet Sounds" on the '90s music scene. Tim and I reflect on our personal journeys with the band's music, including a missed concert experience and an unforgettable rendition of "Oki from Muskogee" with Wayne Coyne. Join us as we pay homage to the Flaming Lips' creative process, introspective lyrics, and the soundscapes that continue to mesmerize fans across the globe.Ever wondered how humor and emotional depth can coexist in music? We tackle this intriguing duality as we dissect tracks like "A Spoonful Weighs a Ton" and "The Spark That Bled," drawing unexpected connections to legends like Led Zeppelin and Stevie Wonder. Our conversation is peppered with pop culture references, from Charlie Sheen to bizarre musical techniques, creating a tapestry of sound and storytelling that's as complex as the band itself. Expect a mix of laughter and musical insight as we celebrate the eclectic nature of the Flaming Lips' artistry.And what about those non-hit tracks that often fly under the radar? We dive into the rich themes of change, nostalgia, and the metaphorical battles embedded in the album. With a playful nod to pop culture and the band's whimsical approach to music, we rank our favorite non-hits, with "The Spark That Bled" and "Race for the Prize" earning top honors. As we wrap up, we can't resist a light-hearted reference to "Sharks with Laser Beams," ensuring you leave with both a smile and a newfound appreciation for the Flaming Lips' enduring legacy.Support the show

Text us, and Rock on!What happens when a punk band sheds its underground skin to emerge as Grammy-winning innovators? We explore this fascinating transformation with the Flaming Lips' album "The Soft Bulletin" and draw parallels to the legendary impact of "Pet Sounds" on the '90s music scene. Tim and I reflect on our personal journeys with the band's music, including a missed concert experience and an unforgettable rendition of "Oki from Muskogee" with Wayne Coyne. Join us as we pay homage to the Flaming Lips' creative process, introspective lyrics, and the soundscapes that continue to mesmerize fans across the globe.Ever wondered how humor and emotional depth can coexist in music? We tackle this intriguing duality as we dissect tracks like "A Spoonful Weighs a Ton" and "The Spark That Bled," drawing unexpected connections to legends like Led Zeppelin and Stevie Wonder. Our conversation is peppered with pop culture references, from Charlie Sheen to bizarre musical techniques, creating a tapestry of sound and storytelling that's as complex as the band itself. Expect a mix of laughter and musical insight as we celebrate the eclectic nature of the Flaming Lips' artistry.And what about those non-hit tracks that often fly under the radar? We dive into the rich themes of change, nostalgia, and the metaphorical battles embedded in the album. With a playful nod to pop culture and the band's whimsical approach to music, we rank our favorite non-hits, with "The Spark That Bled" and "Race for the Prize" earning top honors. As we wrap up, we can't resist a light-hearted reference to "Sharks with Laser Beams," ensuring you leave with both a smile and a newfound appreciation for the Flaming Lips' enduring legacy.Support the show

Wayne Coyne is the frontman for The Flaming Lips, one of the best American bands of all time. They are touring Australia in celebration of their 2002 masterpiece Yoshimi Battles The Pink Robots - get tickets from flaminglips.com.

Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface.Chapters00:00 - Introduction01:06 - The First Female To Score A Movie04:01 - Having More Than 20 Albums04:36 - Golden Apples Of The Sun07:55 - Live Performance Struggles11:57 - A Love Of Programming14:09 - Interacting With A Buchla17:14 - A New Way Of Performing Music22:32 - The Buchla 250 MARF25:36 - Making A Comeback At Moogfest29:36 - Creating Spatial Content38:40 - A Meeting Of Art And Science 41:36 - Future Plans"I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked".#buchla #moogSuzanne Ciani BiogSuzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award.Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola's pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani's life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms. Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley.http://sevwave.com/https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

In this first part of an occasional series exploring modular synthesis and live performance. William Stokes talks to experimental electronic musician Scanner about his career, the choice of his favourite modules he'll showcase in his closing performance and the friendliness of the modular community. Chapters00:00 - Introduction01:13 - The Tate Modern Installation02:52 - Working With Laurie Anderson06:40 - The Origin Of The Name Scanner10:47 - Module 1: Morphagene14:30 - Module 2: Mimeophon18:52 - Module 3: Equation Composer24:08 - Module 4: QU-Bit Prism26:51 - Finding Your Sound With Modular29:22 - Module 5: QU-Bit Nano Rand31:16 - Module 6: Instruō øchd DivKid 33:12 - Modular Social Community 35:31 - Modular Aesthetics38:38 - Module 7: Bela Gliss42:37 - The PerformanceMorphagene - https://www.makenoisemusic.com/modules/morphagene/Mimeophon - https://www.makenoisemusic.com/modules/mimeophon/Equation Composer (discontinued) QU-Bit Prism - https://www.qubitelectronix.com/shop/p/prismQU-Bit Nano Rand - https://www.qubitelectronix.com/shop/p/nano-rand Instruō øchd - https://www.instruomodular.com/product/ochd/Bela Gliss - https://uk.shop.bela.io/products/glissRobin Rimbaud BiogScanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world's first Virtual Reality ballet, Nightfall, for Dutch National Ballet.More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018.Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.http://www.scannerdot.comWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Being born and raised in Tulsa, Oklahoma, it wasn't long before I caught wind of The Flaming Lips-- an experimental psychedelic art-rock band rising out of our neighboring Oklahoma City. By summer of 1993, you could hear people singing 'Taaaaaangerines' along with front-man Wayne Coyne on MTV, but it was when I first purchased Transmissions from the Satellite Heart on CD that I witnessed the earliest days of this enduring band that has metamorphosized into a joyful celebration of art, music and life. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got a bit of a strange one for you on this week's Talkhouse Podcast. Back during the darkest days of the pandemic, we hosted an Instagram live chat between Wayne Coyne of the Flaming Lips and actor/musician Joe Keery, who at the time was best known as part of the cast of Stranger Things. Keery is also a musician, having released music with his band Post Animal, and he was just starting to release music under the name Djo. Keery had a pretty big viral hit with a Djo song this year: You may have heard “End Of Beginning.” If you haven't, check it out right here. Anyway, we figured that a lot of folks may have missed that conversation, so now would be the perfect time to resurface it in slightly edited podcast form. These two had never met, but they jump into a great chat about songwriting, Miley Cyrus's house—which is where Coyne was dialing in from—and lots more, including how Coyne and his Flaming Lips bandmate Steven Drozd are like french fries and salt, about how listening is equally vital in music and acting, and much more. Enjoy. 0:00 – Intro 1:40 – "This is Wayne Flaming Lip" getting himself connected 6:25 – Joe's thoughts on the Flaming Lips' live show, which Wayne thinks isn't really about the band 10:57 – Wayne asks Joe how making music is different than being directed 22:52 – "You have to listen to your own music!" 29:41 – Making music and creating art shouldn't be a sacrifice Thanks for listening to the Talkhouse Podcast, and thanks to Wayne Coyne and Joe Keery for time traveling from 2020 for this episode. It was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

My irregular series on albums that are perfect 10/10s - here celebrating the 25th anniversary of the album that put the underground alt stars on the same level as Radiohead, and with Yoshimi, one of the great one-two's in alternative music. Much credit has always gone to the incredible "Indie Pet Sounds" music, but Wayne Coyne's singing and in particular, lyrics are criminally underappreciated. It's one of the greatest alternative albums thematically - and its themes of angst filled superheroes, scientists trying to save the world and existential dread and wonder, feel even more relevant today.

The Flaming Lips formed in Oklahoma City in 1983. Over the last four decades, they've put out 16 albums. In 1999, they put out their album The Soft Bulletin, and that brought them a new level of success. And then, in 2002, they followed it up with Yoshimi Battles the Pink Robots, which was their biggest album to date. Pitchfork named it one of the top 5 albums of the year, Stereogum called it one of the best albums of the decade, and they won a Grammy. And the biggest song from the album was "Do You Realize??" So, for this episode, I talked to Wayne Coyne and Steven Drozd about how that song was first imagined. You'll hear the very first demo Wayne recorded for the song, and the demo he and Steven put together later, on their way to making the final version with producer Dave Fridmann. For more, visit songexploder.net/the-flaming-lips.

Go Giver https://www.amazon.com/Go-Giver-Expanded-Little-Powerful-Business/dp/1591848288 New Girl Pitch https://www.google.com/amp/s/www.clearvoice.com/blog/tv-show-elevator-pitch-examples/amp/ Wayne Coyne of the Flaming Lips on All Songs Considered https://www.npr.org/2020/10/26/927922115/wayne-coyne-on-drugs-and-the-flaming-lips-american-head

In this episode, Maria Paz Gutiérrez does battle against the one absolute truth of human existence and all life… death. After getting a team of scientists to stand in for death (the grim reaper wasn't available), we parry and thrust our way through the myriad ways that death comes for us - from falling pianos to evolution's disinterest in longevity. In the process, we see if we can find a satisfying answer to the question “why do we have to die” and find ourselves face to face with the bitter end of everything that ever existed.Special thanks to Wayne Coyne of the Flaming Lips, Steven Nadler, Beth Jarosz, Anjana Badrinarayanan, Shaon Chakrabarti, Bob Horvitz, John K. Davis, Jessica Brand, Chandan K. Sen, Cole Imperi, Carl Bergstrom, Erin Gentry -Lam, and Jared Silvia. This episode was made in loving memory of Dali Rodriguez.EPISODE CREDITS - Reported by - Maria Paz GutiérrezProduced by - Maria Paz Gutiérrezwith help from - Alyssa Jeong Perry and Timmy BroderickOriginal music and sound design contributed by - Maria Paz Gutiérrez and Jeremy Bloomwith mixing help from - Arianne WackFact-checking by - Emily KriegerOur newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

1. RADIO WONDERLAND OPENER2. Sublab - Forward Only3. EYEDRESS - JEALOUS4. One True God & AWAY - Godless5. The Glitch Mob, Joshua Mayer, Edward Ma - Peace6. INZO & LSDREAM - Dopamine7. Ivy Lab - Demon Dust8. Tiga & Hudson Mohawke - TR Smooth9. Dillon Francis, REI AMI - Rainy10. MEMBA & Kahani - Transcendence11. Ship Wrek & DLMT - Jumpstarter12. Tchami x Malaa - The return of No Redemption - When the beat bang13. Anna Lunoe - Deep Blue Sea (Motez Remix)14. Kenya Grace - Paris15. Highlnd - Take Me Down16. Slow Magic, Juuku - Emotions (44 Ardent Remix)17. sumthin sumthin - Not Into It18. ROSSY & Hex Cougar - DON'T SAY (Hex Cougar Remix)19. ROSSY & Jazz Cartier & Holly - KARMA (with Jazz Cartier) (Holly Remix)20. Robbe & Payback - Pjanoo21. Slow Magic, Conrad - Eternal Sunshine (Conrad Remix)22. Daniel Allan - I Just Need (with Lyrah) [VIP]23. Alison Wonderland - U Don't Know (feat. Wayne Coyne)

L'un des créateurs de la bande son du Londres de la fin des années 70 s'appelle Don Letts. Ce Dj producteur et cinéaste sort un 1er album sous son nom Outta Sync à l'âge de 66 ans. (Rediffusion) Don Letts est le 1er de la série vidéo #secreticône avec RFI Vidéos voir la vidéo.Qu'il s'agisse de travailler avec des artistes comme The Clash et Bob Marley, de mélanger les genres avec Big Audio Dynamite, de présenter sa propre émission de radio sur BBC6 Music, de gagner un Grammy et de recevoir un doctorat honorifique pour sa contribution à la culture, Don Letts semble avoir tout fait. En effet, avec la sortie de son autobiographie à succès « There and Black Again » l'année dernière et « Rebel Dread », un film retraçant sa vie sortie cette année, on pourrait penser que c'est le cas. Mais il y a une chose que le polymathe de 66 ans n'a pas faite... jusqu'à maintenant.Aujourd'hui, Don Letts partage Outta Sync, son premier titre en tant qu'artiste solo et le premier aperçu de son premier album, également intitulé Outta Sync, qui a été produit par Gaudi et est sorti le 28 avril 2023. L'album, qui a suivi le single au printemps 2023, est un cocktail enivrant de rythmes de basse lourde, de vibrations insulaires et de mots parlés juxtaposés à des accroches et des harmonies mélodiques. L'album est exactement ce que l'on attend d'un projet de Don Letts. Outta Sync, le titre de l'album, est également remarquable car il s'agit de l'une des rares chansons à présenter une vie aussi riche en histoires en un seul couplet : « Maintenant, à cause de ma dualité, élevé sur la pop et la basse, ça ne m'a pas vraiment dérangé, parce que tout est question de goût, je suis la génération vinyle, et c'est comme ça que j'ai commencé, en combinant les vêtements et la musique, et je l'ai transformé en art. » Et ce n'est que l'introduction ! Don poursuit sa réflexion sur le monde changeant qui l'entoure et sur ses propres perceptions changeantes.Ironiquement, il n'avait pas vraiment l'intention de faire sa propre musique. Mais le confinement a frappé et son vieil ami, Youth, producteur et bassiste de Killing Joke, l'a encouragé à essayer, lui envoyant même quelques lignes de basse pour travailler, mais Don n'était pas entièrement convaincu. Cela change lorsqu'il travaille en studio avec le légendaire producteur de dub anglo-italien Gaudi, un autre ami de longue date de Don, connu pour son travail avec Steel Pulse, Lee « Scratch » Perry et Horace Andy, pour ne citer qu'eux. Le duo a produit un remake de 'Sightsee MC' de Big Audio Dynamite pour le groupe post-punk Megative, inspiré par le dub. Ils ont ensuite collaboré à un remix dub du classique de B.A.D. 'E=MC2' pour la compilation Late Night Tales 'Version Excursion' de 2021. Don et Gaudi ont eu un déclic sonore et ont fini par travailler ensemble dans le studio londonien de Gaudi pendant neuf mois, naviguant à la fois entre le confinement et la vision orchestrale de Don. Le résultat est le premier album solo de Letts, qui sortira l'année prochaine, produit et co-écrit par Gaudi.Avec ses onze titres, pour la plupart écrits par lui-même, Outta Sync reflète la myriade de ses goûts et intérêts, ainsi que sa vision unique du monde. Il met également en lumière un éventail intrigant d'invités : le légendaire Terry Hall des Specials, Wayne Coyne des Flaming Lips fait une apparition, tout comme la reine du rock en amoureux Hollie Cook. Don a coécrit la chanson « Situationist » avec Zoe Devlin Love, anciennement d'Alabama 3. La fille de Don, Honor, reste dans la famille et chante sur le groove électronique « Civilization » aux accents de sitar. Gaudi complète le tout en jouant du piano et des synthétiseurs sur l'ensemble de l'album. Collectivement, c'est un instantané de qui est vraiment Don Letts ici et maintenant. Letts dit : « pour le meilleur ou pour le pire, c'est moi, même si je ne dis pas que j'ai tout compris, comme le reconnaissent les paroles du refrain du single. En fin de compte, l'album est une bande mon esprit avec quelques lignes de basse cool, reflétant la somme totale de mon parcours culturel et la dualité de mon existence, qui est noire et britannique ».Playlist- Outta Sync Don Letts voir le clip - Gangsters The Specials - Punky Reggae Party Bob Marley- Public Image PIL- London Calling The Clash- Civilization Don Letts (feat. Honor Letts)- The Universe You've Done Don Letts (feat. Terry Hall)- No Fooling Me Don Letts (feat Hollie Cook)- Pass The Dutchie The Musical Youth- Back to Life Soul2Soul- The Guns of Brixton The Clash- Situationist Don Letts (feat. Zoe Devlin Love/Alabama3)- Money in my Pocket Dennis Brown.► album Outta Sync (Cooking Vinyl 2023).

Wayne Coyne of The Flaming Lips chats with Simon and Brian about the band's classic album Yoshimi Battles The Pink Robots and his songwriting process. The veteran artist talks about the writing of beloved tracks like 'Do You Realize??', working intuitively, and responding with pure emotion to song ideas.

The Flaming Lips took over Kirkwood for the annual Granfalloon Festival, which celebrates all things Kurt Vonnegut, but also, more importantly, seeks to make the humanities at IU sexy. Your cub reporters were on the scene, which sent us both into some time-tripping. Some of it has to do with our kids, so if you don't like hearing dads be nostalgic lil bitches about their kids, then skip to about halfway through the episode. Along the way, we talk about Wayne Coyne, the lead singer of Flaming Lips. We also end up thinking about an old Bloomington/Indianapolis friend who is no longer with us: LonPaul Ellrich.  More music with LonPaul: Sardina Marmoset Old Flames For more Indiana music, checkout Musical Family Tree BIG NEWS: WE HAVE MERCH! Designed by Chris Mott and sponsored by badknees. Check it out! Support Bloomington Stories Transcripts Contact & Follow: bloomingtonstoriespod@gmail.com  Instagram Facebook Threads Content Warning: It is never our intention to hurt or offend people, and we plan to be mindful about not punching down. We are always open to feedback about this because we want to keep growing and evolving until we croak. However, we do like to joke around and we are middle-aged, so our sense of humor may not be for you.

L'un des créateurs de la bande son du Londres de la fin des années 70 s'appelle Don Letts. Ce Dj producteur et cinéaste sort un 1er album sous son nom Outta Sync à l'âge de 66 ans. Don Letts est le 1er de la série vidéo #secreticône avec RFI Vidéos voir la vidéo.Qu'il s'agisse de travailler avec des artistes comme The Clash et Bob Marley, de mélanger les genres avec Big Audio Dynamite, de présenter sa propre émission de radio sur BBC6 Music, de gagner un Grammy et de recevoir un doctorat honorifique pour sa contribution à la culture, Don Letts semble avoir tout fait. En effet, avec la sortie de son autobiographie à succès « There and Black Again » l'année dernière et « Rebel Dread », un film retraçant sa vie sortie cette année, on pourrait penser que c'est le cas. Mais il y a une chose que le polymathe de 66 ans n'a pas faite... jusqu'à maintenant.Aujourd'hui, Don Letts partage Outta Sync, son premier titre en tant qu'artiste solo et le premier aperçu de son premier album, également intitulé Outta Sync, qui a été produit par Gaudi et est sorti le 28 avril 2023. L'album, qui a suivi le single au printemps 2023, est un cocktail enivrant de rythmes de basse lourde, de vibrations insulaires et de mots parlés juxtaposés à des accroches et des harmonies mélodiques. L'album est exactement ce que l'on attend d'un projet de Don Letts. Outta Sync, le titre de l'album, est également remarquable car il s'agit de l'une des rares chansons à présenter une vie aussi riche en histoires en un seul couplet : « Maintenant, à cause de ma dualité, élevé sur la pop et la basse, ça ne m'a pas vraiment dérangé, parce que tout est question de goût, je suis la génération vinyle, et c'est comme ça que j'ai commencé, en combinant les vêtements et la musique, et je l'ai transformé en art. » Et ce n'est que l'introduction ! Don poursuit sa réflexion sur le monde changeant qui l'entoure et sur ses propres perceptions changeantes.Ironiquement, il n'avait pas vraiment l'intention de faire sa propre musique. Mais le confinement a frappé et son vieil ami, Youth, producteur et bassiste de Killing Joke, l'a encouragé à essayer, lui envoyant même quelques lignes de basse pour travailler, mais Don n'était pas entièrement convaincu. Cela change lorsqu'il travaille en studio avec le légendaire producteur de dub anglo-italien Gaudi, un autre ami de longue date de Don, connu pour son travail avec Steel Pulse, Lee « Scratch » Perry et Horace Andy, pour ne citer qu'eux. Le duo a produit un remake de 'Sightsee MC' de Big Audio Dynamite pour le groupe post-punk Megative, inspiré par le dub. Ils ont ensuite collaboré à un remix dub du classique de B.A.D. 'E=MC2' pour la compilation Late Night Tales 'Version Excursion' de 2021. Don et Gaudi ont eu un déclic sonore et ont fini par travailler ensemble dans le studio londonien de Gaudi pendant neuf mois, naviguant à la fois entre le confinement et la vision orchestrale de Don. Le résultat est le premier album solo de Letts, qui sortira l'année prochaine, produit et co-écrit par Gaudi. Avec ses onze titres, pour la plupart écrits par lui-même, Outta Sync reflète la myriade de ses goûts et intérêts, ainsi que sa vision unique du monde. Il met également en lumière un éventail intrigant d'invités : le légendaire Terry Hall des Specials, Wayne Coyne des Flaming Lips fait une apparition, tout comme la reine du rock en amoureux Hollie Cook. Don a coécrit la chanson « Situationist » avec Zoe Devlin Love, anciennement d'Alabama 3. La fille de Don, Honor, reste dans la famille et chante sur le groove électronique « Civilization » aux accents de sitar. Gaudi complète le tout en jouant du piano et des synthétiseurs sur l'ensemble de l'album. Collectivement, c'est un instantané de qui est vraiment Don Letts ici et maintenant. Letts dit : « pour le meilleur ou pour le pire, c'est moi, même si je ne dis pas que j'ai tout compris, comme le reconnaissent les paroles du refrain du single. En fin de compte, l'album est une bande mon esprit avec quelques lignes de basse cool, reflétant la somme totale de mon parcours culturel et la dualité de mon existence, qui est noire et britannique ».Playlist- Outta Sync Don Letts voir le clip - Gangsters The Specials - Punky Reggae Party Bob Marley- Public Image PIL- London Calling The Clash- Civilization Don Letts (feat. Honor Letts)- The Universe You've Done Don Letts (feat. Terry Hall)- No Fooling Me Don Letts (feat Hollie Cook)- Pass The Dutchie The Musical Youth- Back to Life Soul2Soul- The Guns of Brixton The Clash- Situationist Don Letts (feat. Zoe Devlin Love/Alabama3)- Money in my Pocket Dennis Brown.► album Outta Sync (Cooking Vinyl 2023).

Over the last four decades, the courageous and creative Flaming Lips have put out 16 studio albums. Their genre is an alphabet soup that ranges from acid rock and ambient to zany psychedelia, all while pumping on a pop heartbeat. They've won three Grammys, written and filmed an alien colonization movie and soundtrack (Christmas on Mars), reimagined Dark Side of the Moon with Henry Rollins, had their hit “Do You Realize??” named the official rock song of Oklahoma, and of course, performed in bubbles before and during the pandemic.As members of one of rock's most adventurous bands, founding frontman Wayne Coyne and his longtime collaborator, multi-instrumentalist Steven Drozd (who originally joined the band in 1991 as a drummer), have tried almost everything, including transforming their sensitive-smash album, Yoshimi Battles the Pink Robots, into a Broadway musical. And Yoshimi was back in the spotlight this spring as the Lips toured for its (delayed) 20th anniversary, playing it front to back for their show dates later in the season.Before the band delighted a sold-out crowd at the Ryman Auditorium with Yoshimi and 11 other of their greatest hits, Drozd invited PG's Chris Kies onstage to catalog his bizarre-yet-basic setup. Steven details the origins and deterioration of his 1967 Fender Jazzmaster (and why there's a Hot Rails in the bridge), explains the superficial reason why his doubleneck only has one fretboard, and shows off a pedalboard that's probably smaller than yours.Brought to you by D'Addario XPND Pedalboard

The one where Dena and Milly gush over Wayne Coyne. Episode Playlist: https://spoti.fi/3JmcnSX

This week: we close out Sci-Fi Ebruary the only way we know how!! By reviewing three science fiction movies! Again! Up first! We're surprised to find out that Europe had an Wayne Coyne zombies in the 80's when Parker picks Nightmare City, from 1980. It features all of the blood and boobs that Umberto could Lenz(i). Next up! We hook up with a young Geena Davis (and an even younger Jim Carrey), along with several other famous friends in 1988's Earth Girls Are Easy, starring Geena Davis's barely sheathed nips. With pixels like these, ya gotta donloyd now. Finally! Of course, it's 2020's Beyond the Infinite Two Minutes, because Sean can't escape the time loop of Japanuary. All this plus captive cat creatures, croatian citizenry, a heartfelt thanks from Umberto, Parker's Personal Patreon Pic-a-ninny, sixteen audible burps, nerd news and even more! Recorded live-to-tape on Cindy Crawford's birthday, 2023!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll put a cone on your head and let you sleep in our bathroom for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

We're back for 2023, and we've brought along the best band to celebrate with! The Flaming Lips are one of the most beloved psychedelic and indie rock bands of the last 30 years, and late last year they celebrated the 20th anniversary of their brilliant Grammy Award-winning record ‘Yoshimi Battles the Pink Robots'. In today's episode, we're speaking with frontman Wayne Coyne about the making of the record, Christmas movies, laser hands (and the time someone in Perth stole them), their wild live shows, and the song they wrote for one Mr. Jack White.The Flaming Lips: Instagram / Facebook / SpotifyPre-order Yoshimi Battles the Pink Robots vinyl here. Find them on tour across the US here.Thanks again to Wayne Coyne for his time. We also want to give a special shout out to Rick and Delanee from Warner Music for their help with this episode.You can help follow and support here: TSIY Insta / TSIY FB / TSIY TikTok / TSIY Patreon Hosted on Acast. See acast.com/privacy for more information.

We talk with Mitchell Kezin, director of the documentary Jingle Bell Rocks!, which is about primarily left-of-center Christmas music, and features interviews with Reverend Run of Run-DMC, John Waters, Wayne Coyne of the Flaming Lips, Low, and others. We talk about Christmas music as part of the rituals that people create to give extra meaning to this time of year, from putting on the music that you have to hear in order for it to really feel like Christmas, to making mixes and playlists to share with friends, something Mitchell has been doing since 1990. We also discuss Mariah Carey's failed attempt to have herself legally declared the Queen of Christmas. See the trailer for Jingle Bells Rocks! here: https://www.youtube.com/watch?v=nBL6SQuaA8E Buy the DVD or rent a stream directly from Mitchell here: https://mitchellsmerrymix.com/jinglebellrocks/ Check out Zach's music by going to: https://muzach.bandcamp.com -Buy VCW merch: https://www.etsy.com/shop/VCWHall Twitter: Twitter: @vcwpod Zach- @muzach Dave- @Davejlester Podcast music by Zach Malm Logo by Zach Malm

This week Keegan, Cassi and Christina talk about bad hygiene and Spotify Wrapped. The FMK is Taylor Swift, Cardi B and Wayne Coyne. Going into the bad dates, Cassi shares a date that likes to go outside, Christina shares a date also not housetrained, and Keegan shares a story with an awkward teen. In the true crime segment, Tainted Love, Cassi shares the story of Marguerite Steinheil, "the Red Widow". Got a bad story to share? Go to http://www.myworstdatepodcast.com! Follow us on Insta, TikTok and YouTube @myworstdatepodcast Sign up today at butcherbox.com/MWD and use code MWD to get 10% off your first box and ground beef for the life of your membership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wayne Coyne of The Flaming Lips came by to talk about the 20th anniversary of Yoshimi Battles the Pink Robots, working with Miley Cyrus, She Don't Use Jelly and more! Gopuff instantly delivers all your daily needs right to your door (or your studio) in minutes. Click the link below to download Gopuff and use code ZACH10 for $10 off your first two orders. https://gopuff.onelink.me/xTqd/cyf88dhv #deliveredbyGopuff Learn more about your ad choices. Visit megaphone.fm/adchoices

Wayne Coyne of The Flaming Lips came by to talk about the 20th anniversary of Yoshimi Battles the Pink Robots, working with Miley Cyrus, She Don't Use Jelly and more! Gopuff instantly delivers all your daily needs right to your door (or your studio) in minutes. Click the link below to download Gopuff and use code ZACH10 for $10 off your first two orders. https://gopuff.onelink.me/xTqd/cyf88dhv #deliveredbyGopuff Learn more about your ad choices. Visit megaphone.fm/adchoices

Music critic Shaad D'Souza joins DJ Louie to talk about one of modern pop's most captivating, divisive and perplexing figures, Miley Cyrus. Louie and Shaad open with a break down of Miley's emergence on the smash Disney show, Hannah Montana, how the character's own double life as a pop star and a “normal girl” mirrored Miley's own, and the chaste image and anodyne pop-rock empowerment anthems on which Miley-as-Hannah made her name and, later in career, had to torch. They next dive into Miley's various, often bold but almost always awkward attempts to break out of the Hannah Montana box, first with her calculated pivot towards sexed-up dance pop on 2010's nonstarter Can't Be Tamed and much more effectively on 2013's Bangerz, a fascinating, garish record that repositioned the former Disney kid as a freewheeling, hip hop-obsessed party monster, a brazen and un-self-aware culture vulture and, for the first and perhaps only time in her a career, a trendsetting pop star. Louie and Shaad debate the record's prescient centering of trap in mainstream pop, as well its table-setting fusion of rap and country, how we view Miley's egregious cultural appropriation through a contemporary lens, and whether the album's whirlwind of controversy obscured some of the record's delicate, honest songwriting and virtuoso vocal performances. Later, they discuss how Miley squandered a lot of remaining good will with her next two projects, 2015's utterly bizarre Wayne Coyne-collabo Miley Cyrus and Her Dead Petz and 2017's middle-of-the-road country-pop-leaning Younger Now, and if Miley has effectively repositioned herself in recent years with a series of well-received live performances and covers and a turn towards rock homage on her 2020 album Plastic Hearts. Finally, Louie and Shaad rank Miley Cyrus in the official Pop Pantheon. Read Shaad's review of Plastic Hearts in Pitchfork Check out Louie's Miley Cyrus Essentials Playlist on SpotifyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Shaad D'Souza on Instagram

Wen-Jay Ying is a woman on a mission. The founder of Local Roots — a new kind of C.S.A. and, since last year, a physical cafe and market space — Ying has for the past 11 years been single-mindedly driven to bring hyperlocal nutritious food and produce to communities that need it most. But she does it in a way that is educational without being preachy, fun and almost punk rock. Which is not a stretch to say: Years ago, Ying received a piece of advice that set her on the path to where she is now … from Flaming Lips frontman Wayne Coyne.   Brooklyn news and views you can use: bkmag.com  Email: hello@bkmag.com  Follow along on Facebook: Brooklyn Magazine  Twitter: @brooklynmag  Instagram: @brooklynmagazine  Follow Brian Braiker on Twitter: @slarkpope  

Host Luke Burbank and announcer Elena Passarello celebrate the spirit of live performances; writer Daisy Hernández unpacks her latest book The Kissing Bug, a reportage-meets-memoir which outlines the impact of Chagas disease on Latinx communities; Wayne Coyne, frontman of The Flaming Lips, explains how to play a Covid-safe concert using space bubbles; and we hear a performance of their hit song "Do You Realize" from inside a bubble.

Danny and Dylan are joined by friend of the pod Chance Timm to discuss Big Thief's latest LP, Dragon New Warm Mountain I Believe In You, and their thoughts on the band's work overall.

The Ocean Child: Songs of Yoko Ono podcast tells the story of the making of the compilation tribute album of the same name. Conceived and curated by Benjamin Gibbard (lead singer, guitarist and songwriter of Death Cab for Cutie), the LP celebrates the extraordinary work of multimedia artist, singer, songwriter and activist Yoko Ono with inspired new renditions of her songs by an array of brilliant artists - Sharon Van Etten, David Byrne, Sudan Archives, Death Cab for Cutie, Thao, U.S. Girls, Jaysom, Stephin Merritt (of Magnetic Fields), Deerhoof, We Are King, the Flaming Lips, Japanese Breakfast, Yo La Tengo and Amber Coffman. These re-interpretations of her work accentuate Ono's powerful artistic impact, lasting cultural relevance, and utterly unique approach to songcraft. Hosted by Gibbard and music journalist Jenny Eliscu, The Ocean Child Podcast features interviews with several of the album's contributors about their own meaningful connections to Ono's music and art: - Ben Gibbard discusses his own relationship with Ono's music, what first inspired the idea for the album, and why misconceptions about Ono's catalog need to be set straight once and for all. - David Byrne highlights the influence of Ono's book Grapefruit on his Broadway show American Utopia, and talks about adding some new lyrics to his version of the song "Who Has Seen The Wind?," and how he wrangled Yo La Tengo to join him on the track. - Thao examines the barriers that kept her from delving into Ono's music earlier, and explains why recording her version of "Yellow Girl (Stand By For Life)" was so cathartic. - Deerhoof's Greg Saunier reminisces about dancing alongside Ono in a video for one of her songs, and reveling in the sense of freedom she brings to every artistic endeavor. - The Flaming Lips' Wayne Coyne describes what it's like to record with Ono ("She is one of the only people that you just don't get to figure out," he says), and remembers his early encounters with her music -- listening to the early Plastic Ono Band stuff while his older brothers drove him to school, "smoking 4 or 5 joints in the fifteen minutes it took to get there." - Japanese Breakfast's Michelle Zauner talks about how her Asian identity informed her early perceptions of Ono, and how pandemic life influenced her choice to perform her version of "Nobody Sees Me Like You Do" on piano. - Amber Coffman comments on the concept behind her beautiful cover of "Run, Run, Run" and the inspiration she draws from Ono's "incredible sense of personal freedom and peacefulness." Find the Music + Talk version of this show on Spotify HERE

Due out February 18th, on Yoko Ono's 89th birthday, the Ocean Child: Songs of Yoko Ono podcast will accompany the compilation tribute album of the same name. Imagined and curated by Benjamin Gibbard (lead singer, guitarist and songwriter of Death Cab for Cutie), the LP celebrates the extraordinary work of multimedia artist, singer, songwriter and activist Yoko Ono with new renditions of her songs by an array of brilliant artists including (in order of their voices in the trailer): David Byrne, Japanese Breakfast, The Flaming Lips, Thao, and Death Cab for Cutie, as well as Sharon Van Etten, Deerhoof, Yo La Tengo, Stephin Merritt (of Magnetic Fields), We Are KING, Amber Coffman, Jay Som, Sudan Archives and U.S. Girls. These new interpretations of her work accentuate Ono's powerful artistic impact, lasting cultural relevance, and utterly unique approach to songcraft. Hosted by Gibbard and journalist Jenny Eliscu, the Ocean Child podcast features interviews with contributors about their own meaningful connections to Ono's music and art, whether it's David Byrne describing the influence of Ono's book Grapefruit on his Broadway show American Utopia, or The Flaming Lips' Wayne Coyne describing what it's like to work with Ono, or Japanese Breakfast's Michelle Zauner examining how her own Asian identity affects her relationship with Ono's songs, or Gibbard remembering picking up a vinyl copy of Ono's Season of Glass at a record store years ago, and feeling stopped in his tracks by its beauty, from the very first listen. As he explains, “Her songwriting has been criminally overlooked. This is an artist whose output has run the gamut from avant-garde to bubblegum pop, often across a single album. She has consistently created melodies as memorable as those of the best pop writers. As a lyricist, she has always written with poignance, sophistication and deep introspection. It is my sincere hope that a new crop of Yoko Ono fans fall in love with her songwriting due in some small part to this album we have put together.” On Spotify, thanks to their awesome Music + Talk feature, the Ocean Child podcast will also feature renditions from the Ocean Child album, along with some of Ono's original versions. A portion of the album's proceeds will be donated to WhyHunger, a non-profit organization Ono has supported for decades in their efforts to transform our food system by building social justice and striking at the root causes of hunger and poverty. A visual of the trailer is available HERE Watch the lyric video for David Byrne and Yo La Tengo's collaborative cover of “Who Has Seen The Wind?” HERE

Shaggin' Flies with Ben and Zach Ben and Zach are joined this week by their Pitcher List and South Side Sox Colleague Chrystal O'Keefe (@chrystal_ok) for a delightful and rambling several hours that begins in Indianapolis, Indiana and instantly turns every which way imaginable.  --- 1 – Opening with Star Wars 7 – SciFis everyone should watch! 10 – Meeting the Firefly cast 14 – What to do in Indy 17 – The Chicago Bulls All Have Covid 21 – Name-a-Pacer 24 – Writing! 25 – Murder? 30 – Writing a kids book 34 – The great hot dog debate part 224 38 – Gino's East > Lou Malnati's 41 – Michael Ajeto once again finds himself in reference, this time for the crime of liking Malort 42 – Why baseball? 43 – Other sports don't have Tim Anderson. Also, family, writing, and Andrew McCutchen! 50 – Stadiums and food! 52 – Go to Pittsburgh and get a pierogi 55 – Churro love 1:03 – Ben messes up the Order of Operations Trifecta 1:06 – Field of Dreams sucks 1:10 – Toothpaste? 1:15 – A conversation with Carrie Fisher if we could 1:17 – A really genuinely unsettling ghost story 1:25 – Relitigating the windshield wiper self consciousness debate 1:29 – The Great Concert Wishlist (Nirvana, Prince, David Bowie) 1:32 – Writing advice: skip the replies 1:40 – Kids are weird and funny 1:45 – The Full Count! Chrystal's Book Recommendation: Breath Chrystal's Food Recommendation: Garlic and Breadsticks Chrystal's Movies/TV Recommendation: Pen15 Chrystal's Music Recommendation: The Metallica Collection Chrystal's Miscellaneous Recommendation: Take Care Of Your Face 1:55 – Fading out to Miley Cyrus and Wayne Coyne

Luke is excited to meet his musical hero, Wayne Coyne, this afternoon...especially after Andrew tells him a spicy detail about the Flaming Lips frontman. Plus, the return of This Day In TBTL History takes us back 5 years and puts Luke and Andrew on some shaky ground.

Flaming Lips frontman Wayne Coyne was in Los Angeles and decided to stop by the garage for a rare pandemic-era in-person chat. It's been a long time since Wayne and Marc hung out last. Since then both dealt with deaths of people close to them and they talk about how processing those losses gave them perspective on what we're all living through. Wayne also talks about being a new dad in his late 50s, how an epiphany while working at Long John Silver's changed his personal trajectory, and why he considers himself to be on his third life. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.