Podcasts about gladstone

This week on the OPPOSITION TERRITORY podcast, Jeff sat down with Travis Holmes from BigCatCountry.com at SB Nation for a great and in-depth conversation about the Jacksonville Jaguars offseason. Jeff and Travis assessed the Jaguars' moves in free agency and how the front office and new coaching staff has handled the success of last season. The guys also dove into what the latest draft picks mean for this Jags team in the near and long-term future. Will Trevor Lawrence take that next step this coming season? What are the biggest strengths and weaknesses of this team looking to compete for a Super Bowl this coming year? All of this and much more this week on our Opposition Territory show!SUBSCRIBE on YouTube: youtube.com/@thephiladelphiasportstableHead over to our website for all of our podcasts and more: philadelphiasportstable.comFollow us on Threads: @philadelphiasportstableFollow us on Twitter/X: @PhiladelphiaPSTFollow us on Instagram: @philadelphiasportstable.Follow us on Facebook: facebook.com/PhiladelphiaSportsTable

In this episode, host Jessica Westerduin sits down with Regan Shields Ives, principal and studio leader at Finegold Alexander Architects, and Amy Vachon, principal at Gladstone Elementary School in Cranston, Rhode Island. Together, they explore how deep collaboration between educators, students, and architects shaped the design of Gladstone's new school building — one built around project-based learning, flexible spaces, and student voice. From visioning sessions with kids to co-teaching trials and curiosity centers, this conversation is a masterclass in what it looks like to truly put students at the center of every decision. About Regan Shields Ives: Regan is a Principal and studio leader for Finegold Alexander's educational and cultural projects. She is passionate about design for education and creating spaces that are welcoming, safe, and supportive of students, teachers and administrators. Regan is a true consensus builder, leading school communities and large stakeholder groups to collaborative and cost-effective solutions. She is past President for the New England Chapter of the Association for Learning Environments. About Amy Vachon:Amy is Principal of Gladstone Elementary School. Under her leadership, the school prioritizes students' academic and social emotional skills so that they are prepared to succeed in their futures. Amy's goal is to promote a safe school environment that is based on respect, kindness, and high academic achievement.   Episode 331 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com.   For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website  

August Gladstone joins Heart of The East End with Gianna Volpe on WLIW-FM to discuss the writing—and May 16 release of—his brand-new record, “The Golden West.” Listen to the playlist on Apple Music

Welcome to another member's podcast! In this episode we are heading up to the Gladstone region chatting with local guide running Gladstone Fly & Sportfishing, Cory Gooch. Cory loves chasing freshwater Barramundi and spends a lot of time fishing and guiding on Awoonga Dam. In this chat we talk all about impoundment Barramundi, the basics of catching Barramundi and casting to the weeds, along with plenty of chat on fishing Lake Awoonga. We then move on to talk about Cory's ABT win, how it all went down and the tactics he used to win the competition. Book a guided trip with cory: Gladstone Fly & Sportfishing   In this Episode: 2:45 – Introduction to Cory and His Passion for Chasing Barramundi 24:20 – Fishing Lake Awoonga – Tips, Techniques and Fishing 38:48 – What's a successful session and key lures for Awoonga? 46:35 – Chasing Awoonga Barra with Live Tech 51:35 – Cory's ABT Win

Jaguars GM James Gladstone tells Rich that Travis Hunter's days playing both WR and CB are “absolutely not” over, discusses Jacksonville's major leap last season, the Jags' running back plans after the departure of Travis Etienne, breaks down his 2026 NFL Draft class, and more. Comedian Tom Segura joins Rich in-studio where he promotes his ‘Funny AF with Kevin Hart' and ‘Bad Thoughts' Netflix shows, reveals how he became fast friends with Bert Kriescher, why he opened his own bakery, and reveals how Joe Burrow reacted that time he tried to compare injuries with the Cincinnati Bengals QB. ‘No-Contest Wrestling' co-host O'Shea Jackson Jr. drops by the studio to talk Lakers and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Season 2025 – Talk 02 – Gladstone In ‘Gladstone’ Jo Huddleston tells us about the career of the man who was Liberal Prime Minister four times. His talk suggests that he feels Gladstone was far better than our recent Prime Ministers and also his great opponent, Disraeli. Early life:  Born in 1809, in Liverpool, to … Continue reading "TH2025 02 Gladstone" The post TH2025 02 Gladstone appeared first on The MrT Podcast Studio.

Seth and Sean see if Skip Bayless not being impressed by Will Anderson, Draymond wondering if he could have been an offensive powerhouse if not for Steve Kerr, or James Gladstone bragging that the Jags got the guys they wanted in the draft can dethrone reigning champ Oregon QB Coach Koa Ka'ai.

Fresh off her appearance on Chopped, Mariah Gladstone of Indigikitchen joins Rebecca and Shannon for a conversation rooted in food, culture, and connection. A Blackfeet and Cherokee food advocate, Mariah is on a mission to bring Indigenous ingredients and knowledge back to the table, blending tradition, sustainability, and a whole lot of flavor. In this episode, recorded during her visit to Great Falls for a live cooking demo, we dive into her experience competing under pressure on Chopped, explore the stories behind Native foods, and get her take on Montana's most iconic berry (spoiler: it might not be the one you expect). From plant knowledge to modern kitchens, this conversation is equal parts educational and delicious. Indigikitchen: https://www.indigikitchen.com https://www.krtv.com/neighborhood-news/indian-country/montana-chef-brings-indigenous-foods-into-the-national-spotlight Food Network episode preview: https://www.instagram.com/reels/DXWkqqyDyJz/  

A special in-studio appearance and performance of audio art by Kamari Carter and Gladstone Deluxe in partnership with CU Boulder's Media Archaeology Lab, during Carter's artist residency at the MAL! Kamari Carter is a New York-based artist primarily working with sound, video, installation, and performance. His practice critically engages with materiality through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Carter's work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, Flux Factory, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. Kamari Carter is represented by Microscope Gallery in New York City. Gladstone Deluxe is a New York based artist working with percussion and electronics. As a percussionist, Gladstone is interested in how conceptions and politics of time are embodied, and can bleed into the social topography of a culture through rhythmic performance. As a technologist, they develop systems for the augmentation and amplification of percussive messages. Their experimental approach towards composition and interface design is a collision of the spiritual and the cybernetic. They've appeared in galleries like The Warhol Museum, Rubin Foundation, Chashama, the Carnegie Museum of Art, and clubs all over the country.

Welcome to “When Words Fail, Music Speaks,” the podcast that turns melody into medicine.In today's episode, host James Cox sits down with Robert Ross, a Canadian‑Australian singer‑songwriter whose life has been forged by both battlefield and studio. After 11 years of service in the Canadian Army, Robert turned his battlefield stories, camaraderie, and raw emotions into a string of heartfelt country‑rock anthems that have topped indie charts around the world.Together they explore how classic legends like Johnny Cash and Merle Haggard shaped Robert's storytelling, why the 90 s country sound still feels like home, and how today's genre‑blurring landscape both challenges and revives traditional country roots. Listeners get an inside look at the inspirations behind three of Robert's standout tracks:“Jack Daniels” – a drunken, 4‑a.m. escapade in Gladstone, Queensland that turned into a tongue‑in‑cheek ode to late‑night misadventures.“For You Girl” – a playful, chase‑the‑love‑song co‑written with Nashville producer Gil Grand, inspired by Robert's “other half,” Sue.“Better With Time” – the title cut of his latest album, a tender tribute to aging gracefully and the beauty that lies beyond today's image‑obsessed culture.Robert also shares how the military taught him confidence and structure, the ache of losing comrades, and the therapeutic power of music when words fall short. He highlights why buying merch—hoodies, hats, water bottles—means more to independent artists than streaming numbers, and he points fans to his socials (Robert Ross Music, @Robert.RossMusic, robertrossmusic.com) for new releases, videos, and the ever‑growing community that fuels his craft.Whether you're a veteran seeking a new purpose, a country purist longing for that classic twang, or anyone wrestling with depression and anxiety, this conversation proves that a well‑written song can lift the spirit, bridge the gap between genres, and remind us all that “when words fail, music speaks.”Stay tuned— you won't want to miss this heartfelt, genre‑spanning deep‑dive into the life, love, and lessons of Robert Ross.Website:https://www.robertrossmusic.com

Seth and Sean dive into Sean's early 53-man roster prediction for the Texans, their concerns with RB depth, how Nick Caserio says the team uses mock drafts, and react to Jaguars GM James Gladstone defending the notion that he reaches in the draft.

Seth and Sean discuss which Texans Sean has making the 53-man roster, the concerns around RB depth, how Nick Caserio says the Texans use mock drafts, Jags GM James Gladstone defending reaching for players in the draft, and react to TMZ following Mike Vrabel around at the airport asking questions.

TealTalk catches up with the Jaguars International Fan of the Year who is shaking off the jet lag to tell us all about his trip to Pittsburgh for the NFL Draft and making a pick from the draft stage. Reece & Jay look at the Jags picks and play 'Going Gladstone' where Reece signs Russell Wilson to be our back up QB in 2026....and Jay makes a few more sensible suggestions. More later in May and don't forget to sign up to the Jaguars online to get the news drop expected in mid May about the two Jaguars games in London this year. See omnystudio.com/listener for privacy information.

Jaguars General Manager James Gladstone joins Senior Writer John Oehser for the O-Zone Podcast as he decompresses following a busy draft weekend. Gladstone discusses his strategy when evaluating potential draft picks, the prospect of a "boring" draft and how the draft process fits into the season's plans as a whole. All this and more on The O-Zone Podcast.See omnystudio.com/listener for privacy information.

Jaguars General Manager James Gladstone joins Senior Writer John Oehser for the O-Zone Podcast as he decompresses following a busy draft weekend. Gladstone discusses his strategy when evaluating potential draft picks, the prospect of a "boring" draft and how the draft process fits into the season's plans as a whole. All this and more on The O-Zone Podcast.See omnystudio.com/listener for privacy information.

Jacksonville Jaguars General Manager James Gladstone meets with the media following the conclusion of the 2026 NFL Draft.See omnystudio.com/listener for privacy information.

Jaguars GM James Gladstone and HC Liam Coen speak with the media following Round 2 and 3 of the 2026 NFL Draft.See omnystudio.com/listener for privacy information.

Jaguars GM James Gladstone and HC Liam Coen speak with the media following Round 2 and 3 of the 2026 NFL Draft.See omnystudio.com/listener for privacy information.

James Gladstone meets with the media following the first round of the 2026 NFL Draft.See omnystudio.com/listener for privacy information.

Donald Trump responded to remarks by Prince Harry calling on America to “honour its international treaty obligations” in Ukraine. Plus, Kyle Sandilands and Jackie Henderson await judge’s decision on trial timing, and more diesel secured for Australia. Read more: Harry angers Trump days before Charles visits the US Kyle Sandilands’ behaviour ‘not nice’ but what ARN paid for, court told Another 100m litres of diesel secured under new reserve powersSee omnystudio.com/listener for privacy information.

James Gladstone meets with the media following the first round of the 2026 NFL Draft.See omnystudio.com/listener for privacy information.

brianturnershow.com, eastvillageradio.comRichard Langston, author of the new Clean biography In The Dreamlife You Need a Rubber Soul, joins The Brian Turner Show. The two will be chatting extensively about this brilliant band's 1978-2016 life, which was punctuated by periods on inactivity but inevitably continual returns that netted them deep and dedicated international fandom. Founded by brothers Hamish and David Kilgour, initial rotating lineups traversed their New Zealand homeland with budget tours, met with degrees of alienation from the established Auckland punk scene. Their psychedelic pastiche contained deep love of Barrett, The Beatles, Velvets, Hendrix, and Arthur Lee, which showed in their rudimentary DIY ethic; a heady formula out of fashionable step and thus triggering retreat back to their Dunedin hometown. However,  surprise success of their first single hitting the top 20 trigged a great leap forward for not only the Kilgours (now joined by future Bats founder Robert Scott), but a newfound communal scene in The Clean's wake that launched not only the Flying Nun label but a score of kindred spirit groups. They eventually achieved notoriety internationally despite periods of pause, and massively influenced a big slab of American indie rock units as well. Langston chronicles the great heights of this band live and on record with dutiful shoutouts to those in their circles who helped elevate them. We'll be playing a bunch of live Clean tracks as well.THE CLEAN - Point That Thing Somewhere Else (live Fulham Greyhound, 88)THE CLEAN - Quickstep (live Gladstone, 81)THE CLEAN - Art School (live Railway, Auckland, 81)THE CLEAN - Side On (live Christchurch, 82)THE CLEAN - Beatnik (live Christchurch, 82)THE CLEAN - Oddity (live Rumba Bar 82)INTERVIEW WITH HAMISH AND DAVID KILGOUR on the show, Nov 2021THE CLEAN - Dunes (live Gronigen, 89)THE CLEAN - Draw(in)g To a (W)hole (live Barcelona 2010)THE CLEAN - Outside the Cage (live Barcelona 2010)THE CLEAN - I Wait Around (live Regent, Dunedin, 2007)INTERVIEW WITH RICHARD LANGSTON - Author of In The Dreamlife You Need a Rubber SoulTHE CLEAN - In The Dreamlife You Need a Rubber Soul (live Barcelona, 2010)THE CLEAN - Whatever I Do Is (live Barcelona 2010)THE CLEAN - Fish (live Sammys, Dunedin, 2000)THE CLEAN - Getting Older (live Maxwells, Hoboken, 2010)THE CLEAN - Hold On To the Rail (live Sammys, Dunedin, 2000)THE CLEAN - At the Bottom (live Sammys, Dunedin, 2000)THE CLEAN - I Can't Stand It (live) - Mashed (Arch Hill, 2008)THE CLEAN - Point That Thing Somewhere Else (Sammys, Dunedin, 2000)

The Jaguars are one week from the NFL Draft. JP Shadrick is joined by Jeff Lageman and Austen Lane to discuss what it means to have no first‑round pick, GM James Gladstone's draft strategy and why late‑round picks still matter. Later, the crew shares draft stories and preview offseason workouts. All this and more on Jaguars Happy Hour.See omnystudio.com/listener for privacy information.

The recent fire at the Viva refinery has sparked fears of petrol rationing, but is the nationwide panic actually justified? Australian Association of Convenience Stores CEO Theo Foukarre joined Gary to break down the reality of our fuel supplies and explain why you don't need to rush to the bowser.See omnystudio.com/listener for privacy information.

The approach by the English political parties of the time to the young Boer Republics was confused, and even contradictory. William Gladstone, a liberal, had succeeded in ousting the Tory's under Benjamin Disraeli in his famous Midlothian Campaign of 1879 and 1880. In 1880 Gladstone formed his second ministry and almost immediately, the promises he'd made about foreswearing foreign wars were broken. There is a direct link between what was going on in South Africa and in Ireland. These two territories, so far apart geographically, featured as joint threats in the English mind of the time. The most direct link is Gladstone himself. He had criticized the annexation of the Transvaal during his Midlothian Campaign, but once in power, he hesitated to reverse British policy, fearing a domino effect where weakness in Pretoria would lead to revolution in Dublin. By 1880, the Irish Nationalists began to see the Boers not just as fellow farmers, but as fellow victims of British coercion. This Irish link flourished throughout the 19th and part of the 20th Century with Irish Nationalists fighting both for the Boers during the Second Anglo-Boer War. The shift in Irish nationalist alignment was driven by a move from anti-imperial solidarity to human rights internationalism. Initially, the Irish supported the Boers as fellow "peasant-republicans" fighting the British Empire, but as the 20th century progressed, the Irish Republican movement increasingly identified with the ANC, viewing the struggle against Apartheid as a mirror to their own fight against institutionalized discrimination in Northern Ireland. By the height of the Cold War, the Irish Republican Army's Marxist-leaning leadership saw the Afrikaner government as a pro-Western, colonialist proxy, leading them to provide tactical advice and training to Umkhonto we Sizwe (MK) to help dismantle the very state they had once ideologically championed. But at first, they were close allies in both spirit and in their political expression. The South African crisis which led to the first Boer War of 1880 and 1881, occurred because the British government claimed to be the paramount authority and trustee of South Africa, and the Boers rejected this claim. Earlier, in 1878, Paul Kruger and Piet Joubert had sailed to London with a petition signed by over 6,500 Boers demanding the reversal of the Transvaal annexation. Sir Michael Hicks Beach had just taken over as Colonial Secretary from the more diplomatic and polite Lord Carnarvon. Hicks-Beach was nicknamed Black Michael, referring to his famously long, dark beard, his tall, thin, imposing frame, and his legendary dark temper. He was known for being abrasive, combative, and having very little patience for those who didn't respect British authority. To the English, it seemed that South Africa was on the verge of becoming another Ireland, the inveterate hostility of whose people might only be held down at tremendous cost by main force. Gladstone and his cabinet grappled with one main question. In both territories, Transvaal and Ireland, should a nationalist reaction be met with coercion, or concession?

GM James Gladstone and HC Liam Coen speak with the media ahead of the 2026 NFL Draft.See omnystudio.com/listener for privacy information.

fWotD Episode 3259: Interstate 205 (Oregon–Washington) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 7 April 2026, is Interstate 205 (Oregon–Washington).Interstate 205 (I-205) is an auxiliary Interstate Highway in the Portland metropolitan area of Oregon and Washington, United States. The north–south freeway serves as a bypass route of I-5 along the east side of Portland, Oregon, and Vancouver, Washington. It intersects several major highways and serves Portland International Airport.The freeway is 37 miles (60 km) long and connects to I-5 at both of its termini: to the south in Tualatin, Oregon, and to the north in Salmon Creek, Washington. I-205 is named the Veterans Memorial Highway and East Portland Freeway No. 64 in Oregon (see Oregon highways and routes). From Oregon City to Vancouver, the corridor is paralleled by a multi-use bicycle and pedestrian trail, as well as portions of the MAX Light Rail system between Clackamas and northeastern Portland.A freeway to serve as an eastern bypass of Portland and Vancouver was conceived in a 1943 plan for the area, and in the 1950s was included in the federal government's preliminary plans for the Interstate Highway System. In 1958, I-205 was assigned as the designation for the eastern bypass; the Oregon state government initially planned it to travel east through Lake Oswego and close to inner neighborhoods of Portland, but protests from several communities led to the route of I-205 being moved further east and south into other areas of Clackamas County.Construction began in 1967 with work on the Abernethy Bridge over the Willamette River, which opened in 1970. By 1972, I-205 was extended west to Tualatin and north to Gladstone, but the Portland section was delayed by opposition from local governments. A six-lane design was chosen as a compromise, which allowed for the freeway to reach Portland in 1977. The Glenn L. Jackson Memorial Bridge, spanning the Columbia River between Portland and Vancouver, opened on December 15, 1982. The bridge connected to the Washington section of I-205, which had been completed in two stages between 1975 and 1976. The remaining 6.6 miles (10.6 km) in Portland opened on March 8, 1983, and two years later, additional ramps were constructed to connect with I-84.This recording reflects the Wikipedia text as of 00:07 UTC on Tuesday, 7 April 2026.For the full current version of the article, see Interstate 205 (Oregon–Washington) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joanna.

Discover the warning signs of failing water lines in Gladstone, Missouri—from unexpected wet spots to skyrocketing bills. Learn why local soil and freeze-thaw cycles accelerate pipe wear, and explore trenchless replacement options that save your yard. John the Plumber City: Kansas City Address: 5963 Paseo Blvd Website: https://johntheplumberkansascity.com/

Certified dog trainer, senior dog foster, animal advocate, and author Katya Lidsky discusses wellness for both dogs and humans in her book Be Your Dog's Best Friend: The Benefits of Mutual Bonding and Relationship Building. Use the code DOGWORDS for 75% off the first month at members.katyalidsky.com.KatyaLidsky.comInstagram.com/KatyaLidskyAmazon.com/dp/1476696616On the Rosie Fund YouTube channel:Adopt This Dog! KC Pet Project's MollyPlease help previous Dog Words guest Scott Baggett continue his volunteer work by contributing to the fundraising campaign at HelpHopeLive.org. Insurance does not cover the cost of the specially equipped van that accommodates Scott's progressive loss of mobility from Post Polio Syndrome. Listen to his Dog Words interview: 0704: Scott Baggett.Mark your calendar for the evening of Friday, April 24. A special event is coming to the Stone Canyon Pizza in Gladstone for lovers of dogs and pizza. More details to follow.Support Rosie Fund by booking a session with Claire Shelley at BLegendaryPhotographyCreations.com.Music for this episode is provided by alternative string duo, The Wires. Visit them at TheWires.info. Learn fiddle and cello-fiddle online — even if you've never played before — from Laurel Morgan Parks and Sascha Groshang at FiddleLife.com.Make a donation at RosieFund.org or through our Facebook page. You can contribute by making a purchase from the store on our website or buying a t-shirt at Bonfire.com. Also check out our page on BarkYours, the online mall with gifts for people who love their dogs.Another wonderful way to support Rosie Fund and create beautiful artwork of a beloved pet is to book a session with Claire Shelley at BLegendaryPhotographyCreations.com. For every referral from Rosie Fund, Claire will donate $100 or 10% of the order total, whichever is greater. This does not apply to designated fundraising campaigns like the Pooch Playoffs that already support charities or to the gift vouchers that Claire donates to the Rosie Life Starter Kits.Rosie Fund online:RosieFund.orgFacebook.com/rosiefundInstagram.com/rosiefundYouTube.com/rosiefund

Producer Andrew Parrella Claims His Own Gothic WorldIn this follow-up session, Jennie Nash checks in with producer-turned-novelist Andrew Parrella, who returns to the “hot seat” with a major breakthrough. After a week of “staring at the screen and walking the dog,” Andrew realizes he has been “writing small” to keep the project manageable. By leaning too heavily on the existing framework of Bram Stoker's Dracula, he was inadvertently stifling his own creativity. He decides to “embrace the big,” shifting the story from a cautious tribute into a standalone Historical Gothic Mystery. This evolution includes a high-stakes world-building choice: making vampires a known, though unaccepted, part of the public consciousness in 1920s London, adding a layer of modern resonance and social tension to the atmosphere of dread.The duo also digs into the “glaring holes” that surface when a writer decides to expand their narrative scope. Andrew identifies a need for deeper research into the Suffragette movement to ensure his protagonist's familial history feels integrated rather than “tacked on.” By connecting the mystery of the protagonist's mother to historical activism, Andrew finds a way to ground the supernatural elements in a more 3D reality. As they grapple with the structural puzzle of Point of View—weighing the benefits of including voices from the past versus staying close to the present—Jennie challenges Andrew to choose the perspective that best amplifies the protagonist's transformation and the secrets hidden within a mysterious Gladstone bag.Visit Andrew on the web: https://www.andrewparrella.comListen to the first session with Andrew:#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.TranscriptJennie: [00:00:00] Hi, I'm Jennie Nash and you're listening to the hashtag am Writing podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. This is a hot seat coaching episode where we work through a real writing challenge in real time.Today I'm talking again with Andrew Perella, the hashtag am writing podcast producer who stepped out from behind the mic to work on his novel. He completed our winter blueprint challenge and is now working on blueprint revisions, which is such an important stage in the writing process, digging into what you really want the book to be, what you really wanna say.And Andrew's told me he just had a revelation, which I'm dying to hear about. But um, before we get to that. Um, when we're talking here today, the first episode where we did hot seat coaching launched out into the world, and I wanted to ask how [00:01:00] you're feeling about that.Andrew: Um, it feels a little weird. Um, you know, I'm used to being behind the mic.I'm used to, um, helping obviously produce a lot of audio over the years and, and, and helped get a lot of podcast episodes out into the world. It's strange to. Kind of be featured in a podcast episode. Um, that is a new experience for me. Um, uh, you know, when we recorded it, it was just you and I talking, but now it's like out in the world and, uh, and, and people can listen, um, and, uh, and, and, and judge, um, which of course they're welcome to do.Uh, but uh, but yeah, so it's a little, it's a little weird, but it's fun. It's fun.Jennie: Yeah, that's, that's you, you hit the nail on the head, the, the judge part. As soon as you put anything into the world, you put yourself up for judgment. And what we're doing here in these sessions is, is really, in some ways so intimate because we're getting to watch [00:02:00] somebody's thinking as it's unfolding, as it's progressing before they know what they want it to be.And we're watching someone hopefully, um. You know, hone in on their, their voice, their story, their point, their whole thing. And it's, um, it's really special to get to see it unfold, I think. Um, so thank you for. Putting yourself out there.Andrew: I'm, I'm happy to do it. This is, this has been a really value, this is a really valuable exercise for me personally.So, uh, happy to, happy to share that with folks.Jennie: So what happened last time was you left with some, uh, homework, which you did. Mm-hmm. And what was interesting from my point of view was when I. Looked at what you did. My first thought was, well, he didn't do very much. And I, I sort of thought, uh, okay, that's funny.Andrew: I kind of felt the same way.Jennie: Oh, that's really funny. But then when I read it, it was like, oh no, you worked out a [00:03:00] lot of things that we had been circling around. And primarily the, um, I would say the. Personal familial history of abriana and her connection to this famous vampire hunter. So that all got really sorted.Um, but the, the one that really made me chuckle was you have this beautiful description of your ideal reader in the blueprint, and it, it's probably. I don't know, it might be 500 words. It's, it's like, you know, this ideal reader really well, and I can tell that you actually really love this ideal reader and want to I do, I do.Yeah. It's really sort of beautiful, um, the specificity of, of who she is, but you added like three lines to the end of that. That was part of what you, what you did. And, um, [00:04:00] one of those lines was. In response to something we talked about, which was, does your ideal reader, are they familiar with Dracula? And you said, now, no.So that was really interesting to me. Do you wanna talk a little bit how you landed on that? Because I, I do think it might impact the genre.Andrew: Uh, yeah, I agree. And I, I saw your note about the genre too, which, which, um, I'm, I'd be eager to talk more about, but yeah, I mean, as, as I was thinking about this, I say I feel like I didn't do much.I spend a lot of time staring at the screen, uh, over the last couple of weeks and like. Walking my dog and thinking about these questions that you were posing. I feel like I spent hours doing it and like it, like, and, and like the words on the page since we last spoke, don't, I don't know, have reflect like the number of, the number of new words on the page.Don't reflect that. But I spent, I spent a lot of time thinking about, about that question and [00:05:00] some of the other questions that, that you posed. And I think for a long time I wanted to presume a familiarity with Stoker's Dracula, um, because it made my job easier. And, and so I think I, I kind of had to come to terms with the fact that though it is a popular book, not everybody has read it.And while many people, because it's a popular book, many people have some. Passing knowledge about the structure, about the plot, about some of the characters maybe, but they won't know. They won't know the level of detail that I do having read it many times. And so I need to create, I need to expand the world.I need to create my own world. I can't just live in Stoker's world. I need to create my own world. These characters, while they have the same names as the characters in in Stoker's novel. They are, they become different characters in my world, the [00:06:00] world I'm creating. And so I need to, I need to kind of accept that.And so it doesn't matter if you've read Dracula before you pick up this book, and these, these characters have a rich backstory that I will allude to. And if you've read Dracula, you might pick up on some extra, some extra bits, but this is still going to be a cohesive, discreet novel that you'll be able to enjoy.Regardless of, uh, whether you've read the, the, the original or not.Jennie: Okay. That's huge. Is that the revelation or is there something else?Andrew: No, that is notJennie: theAndrew: revelation.Jennie: Okay. So we'll get, wow, okay. We'll get to that in a minute. But that, the reason I said it impacts the genre is that you said your ideal right reader wouldn't describe herself as a horror fan and that her.Most, she's, she loves this, um, period of time. She loves London. Um, you know, there's a lot of things that [00:07:00] connect her to this story, but not horror. And so my thought was, should, should it still be classified as horror? Uh, there are lots of other ways to classify it, you know, historic, um, a historic thriller, a historic mystery.You know, gothic could be in there, but what, what are your thoughts at this point about that?Andrew: Yeah, and I, I, I think we've, we've, we've used the term horror when we talk about it, but when I, when I, when I did the blueprint challenge, I think I did kind of identify more like historical gothic as the genre.And, and, and as, as you say in one of your notes, this is feeling more like a mystery, a murder mystery than it is horror. Like, I feel like the horror genre leans into the gore, and I don't know that that's where. My book lives, I think, I think the gothic kind of sense of imminent doom, pervading, you know, every page is definitely something I wanna lead into.So, so I think gothic is, is [00:08:00] relevant, historic, gothic, and ultimately it is a murder mystery. And so who, and so, and so solving that mystery is the protagonist's kind of ultimate mission.Jennie: Right. So the, the sort of moodiness of the world and, and something, yeah. The dread, uh, that's out there. Right. Um, which fits really nicely, uh, with what you're doing.Okay. So what's the revelation?Andrew: So it came from the question that you asked me last or two weeks ago now. Um, and one that I've been asking myself, which is. Are vampires part of the public consciousness in this world that I'm building. And for a long time I've been saying, no, no, no, no. They're not part, they're still, they're still a secret society.They're still a secret community. They're still a secret species. They're, they're, and nobody knows about them. And, and anyone who talks about vampires is seen as being a [00:09:00] lunatic. Um. And I was realizing, and, and as you probably saw in the, in, in the, in the document, I was, I, I was trying to explore both, both possibilities.There's a possibility where, where the public understands vampire exists and then there's a, a, a possibility where that it doesn't, where they don't understand they exist. And I've been leaning towards maintaining the secrecy of vampires among the public. And I think the reason I've been doing that, it ties back, ties into what we were just talking about in that I was, I saw that creating like a whole vampire society that, uh, that human, that human society has been interacting with for a number of years, it felt like a distraction from the primary.From the primary plot, but I've been struggling because it does offer some really nice motivation for my murderer.Jennie: Yeah. [00:10:00]Andrew: SoJennie: you've been flip flopping back and forth in your mind.Andrew: I've been flip flopping back and forth in my mind until last night. And I was, I was reading, I was reading some of your comments, uh, on my document and I was like, why am I stuck on this?Why am I hung up on this? Why can't I make a decision about this? Um, and it's because. I was writing small, I was trying to keep it, you know, this is something I could manage. Like I was trying to keep it, I was trying to keep it like manageable. I was trying to keep it, I, I don't know. I was trying to give my, I was trying to like pen myself in, I guess, and lean.More heavily on the work of Stoker. And it's like he's already done his work. He's already So the, so the, the, the, the revelation I said he's already done his work. He's already created his book. Mine is a different book. Mine is, is, uh, a different [00:11:00] world and like. As we have been saying, I need to write big, so I need to embrace the big.And so that gonna, that's gonna mean creating more characters. That's going to mean creating, uh, more exposition. That's going to mean creating, um, more interactions between these communities. Creating a lot more than I had initially been thinking about. I feel like my original idea was a nice idea. You know, I'm, and I'm using air quotes with a nice idea, but like, I feel like this is now.Becoming a novel by, by choosing to, by choosing to go big here.Jennie: Well, you're, you make me like actually wanna cry because of happiness, because you've obviously been listening to the right. Big episodes and Yes. That whole um, thing and winter blueprint, um, listening to me hammer away at. Uh, [00:12:00] that this is all we have.This is all a writer has, is what is in their heart and mind mm-hmm. And comes from their experiences and interests. And it is so crazy how we shy away from that. We tamp it down, we hide from it, all the things because it's, it's terrifying in many ways. And for you to just get that and in both. The conversations we've had this morning already, like, like the, um, you were afraid.Yeah. Afraid of your own creation, which is actually very sort of, I guess that's more, um, well, more Frankenstein, more Frankenstein than Dracula, but, but you know, it is like the monster of our own creation. Mm-hmm. You know, like, oh, I wanna write this book. There's a kind of dread in just even saying that.Yeah. And then, oh, I [00:13:00] wanna write this book andRight.Jennie: And that question of am I up to it? Am I capable of, it lies at the heart of. So many problems that we make for ourselves because, you know, we tell ourselves, no, I couldn't do that or that Yeah, that's too, I just, I, you know, that's for somebody else, or I, I'll keep it small, I'll keep it mm-hmm.Attached to this other, I'll keep it easy. That was what mm-hmm. You know, and, and what you're saying is, okay, now I'm gonna. I'm gonna write the book I wanna write.Andrew: Yeah.Jennie: Oh man, that's so big. So that,Andrew: yeah, that was my, that was my big revelation last night as I was, ‘cause I still didn't have an answer for you on that question as late as last night.And I was like, I don't know what to say. And then I was like, why is this heart so hard for me? And so that was, that was, that was really nice to kind of make that, find that understanding and that gave me peace and like. I started, I started just throwing words on the page [00:14:00] last night about what that meant.Um, what that will mean for the story, what that will mean for the, for the characters. So,Jennie: well, I'm gonna write down this question ‘cause I wanna, I wanna explore that more. Why is this so hard for me? That's such a good question because what I was doing last night after I wrote that note to you was I did a whole pro con thing.You know, pro, um, the vampires are here and present and known, or, you know, be, they're not like, you know? Mm-hmm. Or even c nobody knows if they're real or, you know, like I was trying to parse out what do I have to do to guide Andrew toward. A decision. So I was thinking more what's gonna prompt your brain to decide, and your question, why is this so hard for [00:15:00] me is really what the right question is instead of the pro con list.So that is brilliant. Um, I'm, I'm writing down so good. Um.Andrew: Well, thank you for pushing me.Jennie: Oh, well that's my job. So, um, it's fun. I mean, it's fun. And what's interesting, particularly with this project is as we know, I don't know Dracula, I don't read a lot of horror. And so I'm, I am, I am reacting to you more than this story, you know?So that was, that was why, how am I gonna get Andrew to. Figure this out. I have absolutely no, you know, opinion or, or you know, um, any reason why we choose one or the other. Uh, sure. You know, it's really what you want. So once you decide that, then does that help with. Other open questions? [00:16:00] Does it sort of have a domino effect in your mind on some of the other things?Andrew: I think it, yeah, it, yeah, I think it's gonna affect, I mean, it's gonna affect, so it's gonna affect the whole tenor of the book. Um, I think it, it's, it's going to change the motivations of so many other characters. It's going to change. The relationship between, um, uh, between all of the characters. Um, it's going to change the politics of the moment inside this world.Um, and it's going to kind of raise the stakes, uh, a little bit more. And I think in, in, in another way, it's going to make it resonate more with a modern audience. Um,Jennie: Ooh. Say more. Why do you think that?Andrew: Well, I think, uh, I think. Just because the vampires are no longer a secret, uh, society, just because they are, um, part of the public zeitgeist, that doesn't mean they are accepted by the public.Um, and so there's going to be [00:17:00] misunderstanding and fear, um, and uh, and violence all around this, uh, group of individuals, which I think. Again, as I, as I said, resonates with, with, with modern, with a modern audience.Jennie: Wow. That's, that's awesome. Um, so I'm also curious, one of the questions I had, you did some work around a Brianna's mother whomm-hmm.Jennie: Died in childbirth, giving birth to her. Mm-hmm. And, um. She was involved in this whole previous generation's relationship to the vampire hunting andmm-hmm.Jennie: Um, all of that. And it, it's been a little vague. Um, we've talked about it a little, but it sounds like that is becoming more of a connection for, for two things, both for a [00:18:00] Adrianna's motivation, um.To, to solve these murders, but also her connection to the suffragette movement, which prior to this draft, I kept feeling a little bit like it was shoehorned in there, likemm-hmm.Jennie: Oh, there's this vampire story and it's London and it's at this time, and there's this young woman in suffragette. You know, and, and now that small change really locks the, the suffragette movement into Aub Brianna's world and life.Um, so what do you now know about the mother that feels new or, um, that you've pinned down more because of these thoughts?Andrew: I'm still fleshing that out. But let me, let me say, one of the reasons I think that the suffragette movement element of the book feels a little tacked on is I have not [00:19:00] yet done my research there.And so it's like, that's a really, that's a, that's a glaring, that's a glaring hole right now that I need to fill with more research. I've been doing a lot of vampire research now. Um, and, but I need to switch. I need to switch tax and start and start doing more, uh, suffrage, uh, research. Um, but that said, yeah, I think.A Brianna's mother, Mina, um, was involved briefly in the suffrage movement because she dies or does she? And um, and, and I think she continues, she continues to play a role in the suffrage suffrage movement. What. What I've been grappling with now is how much of that does abriana know how much of that has her father told her?And I could see that being another point of contention between the two of them. If she discovers later that this was [00:20:00] another, another piece of information that was, that was hidden from her. And so,Jennie: Ooh, that's so good. It's so good. This, this young, yeah, this young woman. All these things stacked up against her that she, yeah.Sort of knows about or maybe suspects. Um, right. So you're right. The work is, there's always in any story who, the question of who knows what, when. Mm-hmm. I mean, particularly in a mystery or thriller, obviously.Andrew: Right.Jennie: Yeah. But who knows what, when, you know, can. Change who you choose to be your narrator. Who, who has right point of view, um, who gets point of view in the story.Uh, you know, do we go to a chapter in somebody's point of view? You know, all of those, all of those questions hang on. This idea of who knows what went. So, you as the author, are the first person that has to know. Everything. Right. And [00:21:00] then choose to, you know, how like, like putting little breadcrumbs or, you know, planting little seeds, ummm-hmm.Jennie: That you have to manage that material. Um, so that's a big question. And here's a question. Do you think you need those answers before you can pin the whole story down, or do you feel like. You can pin the plot down and that that is, gives more texture, more, more to a Adriana's motivation. Maybe it'll move certain scenes about her discovery of certain things, but do you, what do you feel about that research?Andrew: About the suffrage research they needJennie: to do? Yeah, yeah,Andrew: yeah. I think it's going to get, I think it's gonna open avenues for me. To identify what Mina's role was, what her mother, what, what breanna's mother's role was in the suffrage suffragette movement. [00:22:00] Who some of the players were, who some of the, some of the larger names, the, some of the larger, um, protesters and advocates for it were.Because the, you know, being a historical novel, I do want to incorporate some historical figures, which I, I think, um, is always a kind of a fun element of, of, of a novel. And so being able to incorporate some of that, I think will lay out a lot of avenues for a Brianna's story arc.Jennie: So I just wanna point out for our listeners that what is happening here, um, is that every question we ask or we pose.Is work, right? So some of it is, you know, work of walking the dog and thinking and saying, well, I don't know. Or Why don't I now? Or why is this hard for me? Or, uh, or, you know, all of that. And then now we're talking about. This question is work, um, figuring out research and, you know, at every turn it's, [00:23:00] when you do the thing that you wanna do, when you really lean into that, it, it gets harder.I mean, you're making it harder for yourself. So,yeah,Jennie: I just wanna point that out. ‘cause it, it's so interesting here as this is unfolding, um, that, that, that is just a, a truth. And the other thing I wanna point out is. Where this story started is where every story starts, which is you have this idea, it's a really cool idea.You have this sense of a plot. And, and in some ways, that very central idea of the plot is never gonna change. No matter what you do to this book, it's, it's a, mm-hmm. It's a murder, you know, there's murders and this young woman's gonna solve it, so. Mm-hmm. Like, that plot's not changing, but the, where it started was.These kind of card work cutout characters, kind of placeholder characters. And if you leave it at that, you can see where that would go, you know? Mm-hmm. It's like, [00:24:00] oh, mother died in childbirth. Of course child's motivated to, you know, something. Um, or Oh, distant and emotional dad, you know, you sort of start, start there.But now by understanding. The whole life that her mother lived and the whole role that she played, and is she even dead or not? You know, like huge, huge questions. Yeah. Make the mother a fully fleshed out 3D character. You know, that's where you're gonna go. And then you can see how that will make a Brianna.A more fully fleshed out 3D character. So instead of, instead of the tropes or the expected things, there's gonna be these nuances to it andmm-hmm.Jennie: Um, specific things. And then your question of what, how much does she know and, and what does she find out? [00:25:00] Um, there's gonna be plot points that come from that.Right. You know? Uh, do you have a sense. At this point, are there letters, are there diaries? Is there a friend who hasn't spoken? Like is there some source of information in your mind that Abriana might encounter?Andrew: Yes. And I think, and, and I think there are a couple of different sources. I think, I think her mother Mina will have had diaries, um, and potentially letters.I think also Van Helsing will also certainly have papers. Um. And letters. Um, and, uh, there's a, there's a, there's a prop. He, when he dies, he bequeaths to abriana his Gladstone bag. Um, and I think there's going to be some sort of revelatory piece of information in the Gladstone bag, and I haven't figured [00:26:00] out what that piece of information is.So,Jennie: is that black bag that doctors hadAndrew: that doctors carry around? Yeah. That the old time, that old, that old timey doctors carry?Jennie: Yeah. Why was it ca called that?Andrew: You know, that's a good, that's a good question. I don't know where, uh, what the etymology for, for, for the Gladstone bag is. I don't know why that is.Jennie: Interesting. So that's like a toolbox basically. Yeah. It's filled, filled with things and,Outro: yeah. Yeah.Jennie: Uh, that's cool. That's cool. Um, that, I love that. So this is a silly thing. I was so confused. And I know you told me this, um, but that there's a character, John Seward, who's a character from Dracula. Mm-hmm.And Abriana refers to him as her uncle, but he's not her uncle. Correct. But the reason I continue to be confused is that her dad's name is also JohnAndrew: Jonathan. Yeah.Jennie: Jonathan.Andrew: Yeah.Jennie: Does it have to [00:27:00] be or is that just like, oh, Jennie, come on. Surely the reader can handle a John and a Jonathan.Andrew: Well, I mean, no, that's a legitimate question because, um, can they, um, especially if we've got two characters named Abraham and Abriana, right?And so like, and so now I, I, I've been struggling with that too. I think I've been, I've been trying to carry forward some of, some of the characters from Dracula. I think I like the character of Seward because he is a protege of Van Helsing, but perhaps the protege bit is important and not the actual name of the person.So maybe it's another character that I've, that I'm introducing here who was a protege of Van Helsing.Jennie: Oh. But see, I think that's where you get into. So your ideal reader you've established may not know Dracula right. Inside and out. Right. But you will have a lot [00:28:00] of readers who do.Yes.Jennie: And there is a world of people who really love this stuff and who really.Right. You know, and if you were to change an actual charactermm-hmm.Jennie: And give it, give him a different name or a different whatever, people will come after you.Yeah. People will be obsessed.Jennie: And that's fine. Right. Butyeah.Jennie: Is, is that one of the things that could be in the book that those readers. That would delight those readers.Andrew: Right. I like, I feel like there are a lot of ways I can leave Easter eggs for Dracula fans.Jennie: Yeah.Andrew: Um, that aren't, that aren't germane to understanding the plot of the motivations of the characters, but that, like a Dracula fan will appreciate, oh, I see what you did there. That was a nice touch. Um,Jennie: and soAndrew: I,Jennie: oh, I think they, they're gonna love that andAndrew: Yeah.Yeah.Jennie: You know, there's also then. This is just where my brain goes in terms of marketing. There's also then a whole [00:29:00] thing of, you know, a connection to a literary, uh, to literature readers, which could potentially be students and scholars and, you know, that sort of thing. Yeah.Andrew: Yeah.Jennie: So I don't, I don't think you should so quickly dismiss.John Stewart, but it's a Adrianna's father being named Jonathan, I was wondering about.Andrew: Mm-hmm. Okay.Jennie: And, and you do not have to care that Jennie can't keep him straight. Uh, I'm, I'm 62. My brain doesn't work the same way it used to, but I can't tell you the number of times. I'm like, wait. Was that like I wasAndrew: right.Jennie: Really snagging on that. So, um, just a point of information.Andrew: Gotcha, gotcha. No, it's worth thinking about though. It's worth thinking about. But I, I had a, I had a question for you.Jennie: Yeah.Andrew: If now is an appropriate time to ask it.Jennie: Ask it. [00:30:00] Yeah.Andrew: I've been, I've been spending a lot of brain power on the question of POV.Jennie: Yeah,Andrew: and I've been go like, and going back and forth about whether this is going to be a single POV, uh, and Abriana is, Abriana is our narrator, or if it's more third person omniscient, or maybe this is a dual POV. And I think most recently I've been thinking this is a dual POV between Abriana and her namesake Van Helsing, and like.Which is also create some time traveling, uh, mechanisms because we'll be, we'll be talk, he'll be talking about his experiences, uh, before Abriana was born and as she, as she's a child, and she'll be talking about her experiences as a young woman. And so, but now as we're talking about a Adrianna's mother, I'm more, I'm wondering like, do I want the dual POV to between, between Abriana and her mother?Um. What question should I [00:31:00] be considering to help me make that decision?Jennie: Uh, well this is a huge question, Andrew. Um, there, I feel like you just named so many excellent structural ways forward, right? And the question of what do you ask yourself? You're asking such good questions, like what do you ask yourself to make that decision?And. I'm gonna, my answer's gonna be something really unsatisfying in many ways because it's, you gotta go back to your why, why are you writing the story? Mm-hmm. Okay. Why does it matter to you? Mm-hmm. What is your point? Who do you, who do you want to speak to? Uh, those fundamental questions are going to inform the POV because if you, well, I know you originally had an idea about the brother.Um, her brother being a narrator, and you didn't mention him this time, you mentioned No, [00:32:00] the mom. So a story in which the mom and daughter are narrating and the mom and they're never going to meet.Mm-hmm.Jennie: Those two people in, I don't think, well, no, that's not true. Uh, uh, an unden person could meet a, a human walking the earth, um, right.Andrew: And that may be, that may be part of the climax.Jennie: Yeah. SoAndrew: of the novel. ButJennie: that, um, that a mother daughter who, who don't think that they can, maybe the daughter doesn't think that they will ever meet, you know, that's a real particular. Kind of a story. Mm-hmm. So I do think, going back to your why, why do I care about this?Why, you know, I, I asked you in our, our initial conversation, you know, you're, you're a man. You're writing about [00:33:00] suffragettes, you're writing about a woman protagonist, a young woman, protagonist, and you talked a lot about your sister.Mm-hmm.Jennie: Understanding those motivations and interests and passions because that mother-daughter story will carry a certain kind of weight.The, if we think of the, the Van Haling being a narrator, that taps into what we were talking about before. How connected is your story to that lineage ofright,Jennie: of that one. ‘cause now you're. Not only having Bram Stoker's character, you're giving that character a POV voice. Mm-hmm. Which is another level of connection to that mm-hmm.Literary lineage. Mm-hmm. Um, so that would take it in a different, you can see how that would take it in a really different direction. So POV is, [00:34:00] you know, in some stories it's quite. Instant. Um, you just sort of know, um, in other stories it's not, and this one, it, it is not. Um mm-hmm. I think it's, it's clear Abriana is your protagonist.It's her our core following. Mm-hmm. It's her. Transformation. We're interested in her, uh, solving the murder, her understanding her legacy, her coming into her own power. Those are the things we want to see resolved. Um, so whether or not she is a POV though, because there's a, then there's, there's third person.Mm-hmm. I mean, third person has different, you know, there's different permutations of it. There's third person close mm-hmm. Which is sort of functions in some ways, like first person, because in third person close, you don't go into anybody else's head. Mm-hmm. Um, I, I sometimes don't understand why, [00:35:00] why that is even a choice.Then I read books that do it, that work beautifully, and it's like, oh, okay. You know? So, uh, you know, everything can be a choice, but, um, you know, so we know that she's at the center. So then the question I'm circling around to answering your question, how do you help yourself solve this? What other voices would amplify?Mm-hmm.Jennie: Her transformation, that's really what it is, is it's her story. You know, the, the mother, POV would take it in one direction. Van Helsing would take it in a different mm-hmm. Uh, third person where we're,I don't know, a third person narrator that goes back in time feels odd to me.Andrew: Okay.Jennie: I think if it's, and I'm just talking out loud here. I think if it's third person, it, it, we could go into all the heads of everybody. Walking the earth [00:36:00] right now. But I feel like if you go into someone you can see I'm betraying my not understanding Vampire vampires very well.They never die, right?Andrew: Yes. They're undead.Jennie: They never die. So. Okay, so I think, ignore what I just said, A third person, omniscient narrator, could go into their heads as well. Um, right. And go back in time as well. But your time travel, like, like actually having that, that's a really different story, so.Mm-hmm.Jennie: Um, how you're going to answer is you're gonna sit with that question of what is gonna make a adrianna's story resonate the most at that end, right? What, mm-hmm. What knowing is going to, to amplify that the most. And then the second thing to ask yourself, and you might need to do a little more work, uh, in order to answer [00:37:00] this once you get the inside outline done.Looking at the key scenes. Yeah, you may just see, oh, there is no way that this is gonna work in a certain POV, or I have to have this other POVI can't convey. I can't go to that scene. I have to go to that scene. Or alternatively a scene that you can't go to. Then you think, alright, how will I get this?Into How do I convey this? I'm thinking of that. Um. You know, there's so many, uh, there's so many, uh, what's the word I'm looking for? I'm thinking of JK Rowling and Harry Potter and all the things that she did, you know, the mirror Yeah. That shows Harry or his parents and the pen sea that, you know, gets the memories outta somebody's head.Like all these, um mm-hmm. Mechanical ways Yeah. Of show, showing us what happened.Yeah. [00:38:00]Jennie: Back, back in the day. You know, that's a particularly kind of story with particularly kind of magic. But there, there, you don't know. You might have this, they're devices.Yeah,Jennie: that's the word I was looking for. Devices, yes.That you might have one or two scenes, it's like, do I need a whole POV just to convey these scenes or is there another way I could get this information in? So it's two parts, it's both. Um, I would say heart a heart. A heart-centered thing. What, what do I want? What will amplify my why and my point the most?What, what I think would be interesting and fun to write the question of, um, then Helsing, do I want to embrace that? Mm-hmm. For some reason I'm thinking of that, um, novel, um, the Hillary Clinton alternative history novel. Um. Called Rodham, uh oh, by, [00:39:00] is it Curtis Sittenfeld, I think. Um, Rodham, but so courageous and daring.She, yeah, she imagines, um, what would have happened had, had Hillary not married Bill, and it follows the, their lives and their meeting and their love story and all this whole thing, which he just chooses not to marry him. And, you know, like. That's a certain kind of bravery as an author to, to take that sort of a character.And you'd be, you'd be doing that. So do you, do I wanna do that? So it's all those hard questions and then there's plot questions, so Right. I'm gonna say that for the next, your next bit of homework. Mm-hmm. Um. Is to, I would go to the inside outline and start trying to pin this plot down and noodling around with it.And we know that it's going to change based on your research. Mm-hmm. Based on the fact that it always changes. [00:40:00] Um, but just noodle around with it and try it from different POVs. See, see what happens. You know? Take, take the, um, this is the reason, by the way, listeners, why I insist that the insight outline at the beginning is only three pages because Andrew can do one that is a Briana's, POV only.What does that look like? Uh, AA and her mom, what does that look like? Abriana and um. Van health sink, what does that look like? Uh, third person, what does that look like? You could do four, three page outlines and it's not gonna kill you. Right. Right. You could just to sort of get a feel for it, and I promise you mm-hmm.That what's gonna happen is one of ‘em is gonna feel more alive.Andrew: Right.Jennie: So that's the sortAndrew: of, okay,Jennie: unsatisfying [00:41:00] answer is one of them is gonna feel more alive. So you're gonna start with your why. Start with your point. Try to sit with that, then try those things on. One of them's gonna feel more alive.Okay.Andrew: So you're not just gonna tell me which POVs to use then?Jennie: No, it'sAndrew: not. That's not how thisJennie: works. I know, it's such a bummer. Um. I mean, it's such a, such an important question and people often skim past it, butAndrew: mm-hmm.Jennie: You know, take, I think it's the time, like dig, dig into the outline with the intention mm-hmm.Of landing on POV. How about, how about that for your homework?Andrew: Okay. That sounds good. That sounds good. I can do that.Jennie: Okay. Well, I can't wait to hear how it goes. And for our listeners. Until next time, stop playing small and write like it matters.Outro: The hashtag am [00:42:00] Writing podcast is produced by Andrew Perilla. Our intro music aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Gladstone's 2026 Jacksonville Jaguar Strategy? | Catching up with Tommy Mac 3/27

Gladstone announced a major expansion today to bring in hundreds of new scientists and grow key research teams in San Francisco's Mission Bay area. Artificial Intelligence and biotech are increasingly converging.

Welcome to the Personal Development Trailblazers Podcast! In today's episode, we're talking about how to rewrite your script and find fulfillment at any age.Amy's journey is a testament to courage, resilience, and reinvention. For decades, she thrived as a trial attorney and mediator, mastering the art of commanding a room and distilling complex issues into actionable insights. Yet her greatest pivot began with her determination to become a single mother by choice, raising her daughter in Manhattan with grit, grace, and heart. After celebrating her 60th birthday, Amy once again chose to reinvent herself—leaving the legal world behind to pursue her creative passions in voice acting and public speaking.Today, she thrives, motivating midlife professionals to rewrite their scripts at any age and find fulfillment, utilizing her 5-step PIVOT Method. Through her inspirational keynotes, workshops and private coaching, Amy empowers her audience to break free from paths that no longer serve them and create lives they truly love. Connect with Amy Here: https://www.linkedin.com/in/amy-gladstone-7b5a367/https://www.instagram.com/amygspeaks/www.amygladstonespeaks.comamygladstonespeaks@gmail.comGrab the freebie here: Amy will provide a free consultation to audience members who contact her via her website: https://www.amygladstonespeaks.com/===================================If you enjoyed this episode, remember to hit the like button and subscribe. Then share this episode with your friends.Thanks for watching the Personal Development Trailblazers Podcast. This podcast is part of the Digital Trailblazer family of podcasts. To learn more about Digital Trailblazer and what we do to help entrepreneurs, go to DigitalTrailblazer.com.Are you a coach, consultant, expert, or online course creator? Then we'd love to invite you to our FREE Facebook Group where you can learn the best strategies to land more high-ticket clients and customers. QUICK LINKS: APPLY TO BE FEATURED: https://app.digitaltrailblazer.com/podcast-guest-applicationDIGITAL TRAILBLAZER: https://digitaltrailblazer.com/

Seth and Sean dive into what anonymous NFL executives are telling Mike Sando about the Ravens backing out of the Maxx Crosby trade, what teams may look at trading for Maxx Crosby now, and react to Jaguars GM James Gladstone debunking the idea that they want to trade away Brian Thomas.

Seth and Sean talk about what anonymous NFL executives are saying about the Ravens backing out of trading for Maxx Crosby, what teams may trade for Crosby now, James Gladstone debunking rumors that Brian Thomas is on the trade block, and see who Keith Sanchez of the Draft Network has the Texans picking in the Mock Draft Injection.

J.P. Shadrick and Mark Duffner sit down with Jaguars GM James Gladstone to talk through the team's early moves in free agency. Later, Titans play-by-play announcer Taylor Zarzour weighs in on the potentially bright future building in Tennessee. All this and more on Jaguars Happy Hour.See omnystudio.com/listener for privacy information.

Jaguars General Manager James Gladstone speaks with the media following the start of the 2026 NFL League Year to discuss free agency. 2026 Jaguars' free agency coverage is presented by Dream Finders Homes.See omnystudio.com/listener for privacy information.

In this episode, ⁠Adam Torres⁠ interviews ⁠Augustus Sciulla⁠, Partner and Head of Business Development & IR at Gladstone Capital Management. Augie discusses the firm's 20-year track record in long/short equity investing, the strategic thinking behind its investment philosophy, and how Gladstone is integrating AI and data-driven analysis to enhance research and decision-making. Big thank you to ⁠iConnections⁠⁠! Follow Adam on Instagram at ⁠https://www.instagram.com/askadamtorres/⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠https://missionmatters.lpages.co/podcastguest/⁠ Visit our website: ⁠https://missionmatters.com/⁠ More FREE content from Mission Matters here: ⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Adam Torres interviews Augustus Sciulla, Partner and Head of Business Development & IR at Gladstone Capital Management. Augie discusses the firm's 20-year track record in long/short equity investing, the strategic thinking behind its investment philosophy, and how Gladstone is integrating AI and data-driven analysis to enhance research and decision-making. Big thank you to iConnections⁠! Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the Homeopathy247 podcast, host Mary is joined by expert homeopath Robin Gladstone to discuss a topic that touches many families: asthma. They dive into how homeopathy works alongside conventional medicine to provide deep, long-term relief for children and adults. Understanding Asthma and Its Triggers Robin explains that many cases, especially in children, involve allergic asthma. While winter is often blamed, many children find their symptoms "tick up" in the springtime due to hay fever, pollen, and increased outdoor sports. Common triggers include: Exercise: Physical activity frequently brings on coughing or wheezing. Allergens: Sensitivity to cats, milk, or sweets can exacerbate conditions. Environment: Dampness, moldy leaves in the fall, or high pollen counts in spring. Prescribing for the Person, Not Just the Flare A key theme of this episode is that homeopathy for asthma doesn't just treat the "flare" or the emergency; it works at a deeper, constitutional level to change how the body reacts over time. Alice shares a powerful success story of a 4-year-old boy who frequently visited the hospital for severe wheezing. By using Tuberculinum and LM potencies (gentle daily liquid doses), he was eventually able to have sleepovers at houses with cats without any reaction. Modern Homeopathic Prescribing: LM Potencies & Compounding Robin explains specific methods used in her practice: LM Potencies: Gentle remedies used for chronic conditions, designed to be taken daily to nudge the "vital force" without causing large aggravations. Compounding: Turning pellet remedies into a liquid solution, which is legally required in parts of Canada. Succussing: Shaking the bottle before each dose to slightly "bump up" the potency, keeping the healing response active. Mainstream Medicine and Homeopathy Together It is important to remember that homeopathy is complementary. Alice encourages parents to always use life-saving medications like nebulizers or Advil when needed in emergencies. Homeopathy works alongside these to make the lungs stronger so that, eventually, those emergency medications are needed less and less. Links in this episode: Robin Gladstone's website: https://www.homeopathicfamilywellness.com/     Subscribe to our YouTube channel and be updated with our latest episodes. You can also subscribe to our podcast channels available on your favourite podcast listening app below: Apple Podcast: https://podcasts.apple.com/us/podcast/homeopathy247-podcast/id1628767810 Spotify: https://open.spotify.com/show/39rjXAReQ33hGceW1E50dk Follow us on our social media accounts: Facebook: https://www.facebook.com/homeopathy247 Instagram: https://www.instagram.com/homeopathy247 You can also visit our website at https://homeopathy247.com/  

Wednesday 10th of April 1940 at 10.15am, Alfred Scott, a surveyor for Bates & Co, an estate agents in Kilburn entered 21 Brondesbury Villas, to check that the premises was empty. Inside, he found that the first floor flat had been ransacked, two bags (a Gladstone and an attache case) had been searched for a specific item, and the tenant, 60-year-old Karoline Jones had been murdered. But what were they looking for?Location: first floor, 21 Brondesbury Villas, Kilburn, London, NW6, UK Date: Wednesday 10th of April 1940 at 10.15am (body found)Victims: Karoline Getta Jones Culprit: ? Five time nominated at the True Crime Awards, Independent Podcast Awards and the British Podcast Awards, Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.TRUE CRIME FEST: Saturday 28th March 2026 in Maida Vale, London. For tickets, CLICK HERE.Follow me on SOCIAL MEDIA · Instagram· FaceBook· Threads SUBSCRIBE via PatreonSupport this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

The push to increase military presence in central Queensland has gained momentum with local councils arguing the business case for major defence spending in the region.

This week, David and Marina have a casual chat about eating at Gladstone's, ways to make housing more affordable, whiney people, (un)reasonable demands of car drivers, airplane stories, and more. This episode is supported by Chaos • Autodesk Forma & Autodesk Insight • Programa • Future London Academy SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Office  • Instagram • Facebook  • Call or text questions to 213-222-6950 SUPPORT Leave a review  EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Project Companion: Informative talks for clients.    •  Fellow Designer: Tips for designers.  •  After Hours: Casual conversations about everyday life. •  Design Reviews: Reviews of creative projects and buildings. The views, opinions, or beliefs expressed by Sponsee or Sponsee's guests on the Sponsored Podcast Episodes do not reflect the view, opinions, or beliefs of Sponsor.  

It is our solemn duty to inform listeners that David Lammy won deputy PMQs at a canter today. To be frank, it was a low-rent affair. Andrew Griffith was the Tory sent out to question David Lammy while Keir Starmer is in China, and the shadow business secretary didn't do a particularly good job. Perhaps he had assumed that Lammy would have another disastrous session, like he did when a prisoner was accidentally released last autumn. There were a few decent jokes in there – mainly about football – but the overwhelming winners were Kemi and Keir, who by comparison look like Gladstone and Disraeli.James Heale speaks to Tim Shipman and Isabel Hardman.Produced by Oscar Edmondson.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts.Contact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Remember what Gladstone teaches us when the love of power is replaced by the power of love, then you will experience peace.

Seth and Sean discuss the Jaguars continuing to double down on Travis Hunter being a 2-way player for some reason.

Jacksonville Jaguars HC Liam Coen & GM James Gladstone Press Conference Recap | Duval Rundown 1/15

Jaguars HC Liam Coen and GM James Gladstone address the media on the 2025 season and the team's path moving forward.See omnystudio.com/listener for privacy information.

Head coach Liam Coen and general manager James Gladstone wrapped up their first season together with a 13-5 record and an AFC South title. Now comes the difficult part, following that up. Will the team keep receiver Brian Thomas Jr.? What about the plan for Travis Hunter? Jamal St. Cyr and Justin Barney unpack Coen and Gladstone's final media session of the season. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jaguars GM James Gladstone and Executive VP of Football Operations Tony Boselli hop in the studio to discuss the Jaguars historic performance vs. the Chargers and detail how the team plans to continue to roll. All this and more on this episode of Jags HQ, presented by Fresh from Florida.See omnystudio.com/listener for privacy information.