Podcast appearances and mentions of Freddie Francis

It's more monochrome madness as Freddie Francis returns to direct another of Jimmy Sangster's thrillers and guess what? It's even more gaslighting. But this time, there's a twist!It seems to be all about bad weather and bad dreams so the lads decide to raid Philip's Negroni stash in an attempt to brighten things up. This may or may not have been a good idea. It's up to you to decide...“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod

In this episode of General Witchfinders, we take a close look at The Creeping Flesh (1973), a British horror film from cult studio Tigon British Film Productions. Best known for low-budget horror that ran alongside the likes of Hammer Horror and Amicus, Tigon was founded in 1966 by Tony Tenser and operated out of Hammer House on Wardour Street in London. This marks our first dive into their back catalogue—and what a place to start.The Creeping Flesh stars Peter Cushing and Christopher Lee (#BigChrisLee) as brothers on opposing ends of a bizarre scientific discovery involving an ancient skeleton, reanimation, and some very shaky ideas about inherited evil. Lorna Heilbron plays opposite them as the increasingly disturbed Penelope.The film was directed by Freddie Francis, a key figure in British horror cinema. Francis replaced Don Sharp at the last minute and brought his usual visual flair, having previously directed Paranoiac, The Evil of Frankenstein, Dracula Has Risen from the Grave, and Tales from the Crypt. He's also better known in wider circles for his cinematography—earning two Academy Awards and five BAFTAs for work on Sons and Lovers, The Elephant Man, The Innocents, Return to Oz, and Glory. He also worked on Dune, Cape Fear, and even music videos for All Saints and Jimmy Nail. Cinematographer Norman Warwick handled the visuals on The Creeping Flesh. Warwick was also behind the camera for The Abominable Dr. Phibes (see Episode 10), Dr. Jekyll and Sister Hyde, and Confessions of a Window Cleaner. The film was shot at Shepperton Studios and Thorpe House in Surrey.We believe The Creeping Flesh was the 20th film pairing Cushing and Lee, likely falling between Horror Express (Episode 7) and Nothing but the Night (Episode 42). We're happy to be corrected—find us on BlueSky @generalwitch.Subscribe, listen, and join us as we explore the world of British cult horror, Tigon films, and everything in between. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Reel Britannia - a very British podcast about very British movies...with just a hint of professionalism This week...more from the great Hammer studios as they craft a chilling tale of deceit and madness. A presumed-dead heir resurfaces, unraveling sinister family secrets. Gothic suspense intertwines with psychological twists, as greed, guilt, and identity collide in a haunting inheritance drama. Starring Oliver Reed and Janette Scott.   Paranoiac (1963) Where secrets fester and madness reigns—welcome to the Ashby estate, where paranoia is just the beginning Paranoiac (1963), directed by Freddie Francis and produced by Hammer Films, is a gripping psychological thriller that delves into themes of identity, deception, and madness. Loosely based on Josephine Tey's novel Brat Farrar, the film is set against the backdrop of a wealthy but dysfunctional British family, the Ashbys, whose lives are marred by tragedy and secrets. The story begins with the Ashby siblings, Simon and Eleanor, living under the care of their strict Aunt Harriet after the death of their parents in a plane crash. Simon, a cruel and manipulative alcoholic, is weeks away from inheriting the family fortune. Eleanor, fragile and haunted by the past, struggles with her mental health, particularly after the apparent suicide of their elder brother, Tony, years earlier. The plot takes a dramatic turn when a man claiming to be Tony reappears, throwing the family into turmoil. While Eleanor is overjoyed and convinced of his identity, Simon and Aunt Harriet are skeptical, suspecting him to be an impostor. As tensions rise, the film unravels a web of deceit, revealing that "Tony" is indeed a conman hired by the family solicitor's son to cover up financial embezzlement. The narrative is further complicated by Simon's descent into madness, driven by guilt and greed. The eerie atmosphere is heightened by haunting organ music and a masked figure, adding layers of gothic suspense. The climax reveals shocking truths about the family's dark past, including Simon's role in Tony's death and Aunt Harriet's attempts to maintain a facade of normalcy. Oliver Reed delivers a standout performance as the volatile Simon, capturing the character's menace and vulnerability. The film's cinematography, with its shadowy visuals and dramatic angles, enhances the sense of unease, while Elisabeth Lutyens' haunting score underscores the psychological tension. Paranoiac is a masterful blend of gothic horror and psychological drama, showcasing Hammer Films' ability to craft compelling narratives that linger in the mind long after the credits roll. You can find this and all our previous episodes everywhere you download your podcasts   Follow us on Twitter @rbritanniapod email: reelbritannia@gmail.com #podcast #britmovie #reelbritannia #hammerhorror    Thanks for listening Scott, Steven and Mark

This week we continue our David Lynch season with his second film, 1980's "The Elephant Man." We discuss how exactly Lynch came to this project as well as all of the backstage machinations that made this film possible. We then dive into the plot of the film, exploring everything we love about this extremely empathetic film.  Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

WHAT'S BETTER THAN A SCARY STORY? SEVERAL SCARY STORIES COLLATED INTO A SINGLE MOVIE WITH A SPOOKY WRAPAROUND SEGMENT!   Gather ‘round the campfire, boils, ghouls, and non-binary creatures of all ages while we take a look at those little groupings of shorts known as Anthology or Portmanteau Horror. Join Gabe and first time special guest Chloe Warayan (https://chloesnotscared.com/) as they take a look at a cavalcade of titles from across the decades – Alberto Cavalcanti, Charles Crichton, Basil Dearden, and Robert Hamer's Dead of Night (1945), Freddie Francis' Dr. Terror's House of Horrors (1965), Jeff Burr's From a Whisper to a Scream (aka: The Offspring, 1987), and Jovanka Vuckovic, Annie Clark (aka: St. Vincent), Roxanne Benjamin, and Karyn Kusama's XX (2017).   00:00 – Intro (a brief history of Anthology Horror)  06:09 – Dead of Night 42:33 – Dr. Terror's House of Horrors 1:09:39 – From a Whisper to a Scream 1:37:19 – XX 1:55:25 – Outro   If you are in a position to make the world a better place, please consider the following fundraisers: Gender/Justice HRT – Harm Reduction Toolkit (Omprakash HRT supply fundraiser) Black LGBTQIA Migrant Project (BLMP) Tigerrs: Minnesota Trans Intersex Gender-Expansive Revolutionary Resources & Services And please check out our merch on Genre Grinder Cares. All profits are going to charity!

Jim reflects back on an anthology film from Amicus that greatly influenced him early on - Freddie Francis' "Dr. Terror's House Of Horrors," starring Peter Cushing, Christopher Lee, Max Adrian, Ann Bell, Peter Madden, Donald Sutherland, Roy Castle, Ursula Howells, Katy Wild, Bernard Lee, Alan Freeman, Jeremy Kemp, Kenny Lynch, Thomas Baptiste, Michael Gough, and Jennifer Jayne. This tale involves five men riding on a train with a strange doctor who tells their fortunes using Tarot cards. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicted To Old Monster Movies.

Jim reflects back on an anthology film from Amicus that greatly influenced him early on – Freddie Francis’ “Dr. Terror’s House Of Horrors,” starring Peter Cushing, Christopher Lee, Max Adrian, Ann Bell, Peter Madden, Donald Sutherland, Roy Castle, Ursula Howells, Katy Wild, Bernard Lee, Alan Freeman, Jeremy Kemp, Kenny Lynch, Thomas Baptiste, Michael Gough, and […] The post Dr. Terror’s House Of Horrors | Episode 455 appeared first on The ESO Network.

In this episode, rising from the snowpocalypse, we make our triumphant return in the new year. We're kicking the year off as we usually do with a few free wheeling picks just for the heck of it. Jason heralds his return by selecting The Creeping Flesh directed by Freddie Francis from 1973. So join us as Peter Cushing and Christopher Lee clash on the big screen to deliver one of the most nonsensical, but fun, slices of sci-fi horror. And before all that, Jason recounts his trip to England, we celebrate the life of David Lynch with a small discussion, and dig in on some parting shots at 2024 as we circle back for a few films; most notably Nosferatu. And so much more! Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Jason: Saturday Night (2024) & Star Wars: Skeleton Crew (2024) & Nosferatu (2024) -Dustin: Sonic the Hedgehog 3 (2024) & Nosferatu (2024) Our Favorite David Lynch Film: -Jason: Blue Velvet (1986) -Dustin: Lost Highway (1997) Show Notes: -The Creeping Flesh Trailer -Go check out all the other fine shows on the Prescribed Films Podcast Network -Related Film: Goldfinger -Related Film: The Spy Who Loved Me -Related Film: Batman -Related Film: Batman Begins -Related Film: The Batman -Related Topic: Warwick Castle -Related Topic: Stonehenge -Related Film: Halloween III: Season of the Witch -Related Series: Twin Peaks -Related Series: Twin Peaks: The Return -Related Film: Dune (1984) -Related Film: Dune (2021) -Related Film: Inland Empire -Related Film: Mulholland Drive -Related Short: Rabbits -Related Short: The Alphabet -Related Film: Eraserhead -Related Film: Wild at Heart -Related Film: Death Forest 5 -Related Series: Saturday Night Live -Related Series: In Living Color -Related Game: Sonic Adventure 2 -Related Film: The Mask -Related Film: Bram Stoker's Dracula -Related Film: Yoga Hosers -Related Film: Tusk -Related Film: Nosferatu (1922) -Related Film: Interview With the Vampire -Related Film: The Witch -Related Film: The Lighthouse -Related Film: The Northman -Related RPG: Vampire: The Masquerade -Related Film: The Elephant Man -Related Film: The Straight Story -Related Topic: Hammer Film Productions -Related Topic: Amicus Productions -Related Film: Dracula Has Risen From The Grave -Related Film: The Skull -Related Film: Trog -Related Film: Emmanuelle in Space -Related Song: Emmanuelle in Space Theme -Related Film: Re-Animator -Related Film: Of Mice and Men -Related Film: The Kiss of the Vampire -Related Film: Craze -Related Film: The Brotherhood of Satan -Related Film: Torture Garden -Related RPG: Call of Cthulhu -Related Film: Dead Ringers -Related Film: The Quatermass Xperiment -Related Film: Horror Express -Related Fiction: The Last Test by H.P. Lovecraft & Adolphe de Castro -Related Fiction: The Electric Executioner by H.P. Lovecraft & Adolphe de Castro -Related Film: Captain Kronos – Vampire Hunter -Related Film: House of the Long Shadows -Related Film: The Oblong Box -Related Film: Dracula A.D. 1972 -Related Film: The Satanic Rites of Dracula Next Time: Scream and Scream Again (1970)

Jim reflects on a classic 1975 horror film from Tyburn Film Productions directed by Freddie Francis, "The Ghoul," starring Peter Cushing, Veronica Carlson, John Hurt, Alexandra Bastardo, Gwen Watford, Stewart Bevan, Ian McCulloch, Dan Meaden and Don Hendersan. Two couples find themselves lost in "the moors" and facing a strange family with a terrible secret. Find out more on this week's episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim reflects on a classic 1975 horror film from Tyburn Film Productions directed by Freddie Francis, “The Ghoul,” starring Peter Cushing, Veronica Carlson, John Hurt, Alexandra Bastardo, Gwen Watford, Stewart Bevan, Ian McCulloch, Dan Meaden and Don Hendersan. Two couples find themselves lost in “the moors” and facing a strange family with a terrible secret. […] The post The Ghoul (1975) | Episode 447 appeared first on The ESO Network.

It's Wednesday during October so that means it's HAMMER HORROR HUMPDAY and we're on the last of our three Oliver Reed starring films and we saved one of his most scene chewing performances for today. This is also the show's first discussion of a film starring the classic British Scream Queen Janette Scott. A family is in shambles. The mother and father are dead. A brother, Tony, gone from taking his own life. The surviving brother, Simon, is a psychotic alcoholic and the surviving sister thinks she might be losing her mind because she sees her dead brother around the estate. One day she decided to end it all the same way her brother did and throws herself off a cliff only to be rescued and returned home, in front of the whole family, by their supposedly late brother. Mystery, thrills, psychological chills and a very affecting jumpscare in this Freddie Francis flick from 1963 called “PARANOIAC” starring Janette Scott, Oliver Reed, Sheila Burrell & Alexander Davion. Sometimes we get way too close with our brothers and aunts and it's kind of weird but also disturbingly normal for those British Blue Bloods. Hear us tell the unsettling tale and click this link here if you want to see it for yourself: https://archive.org/details/paranoiac_202107 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Nothing says Halloween like multiple tales of terror & revenge! The magical collaboration of George A. Romero & Stephen King was born from a genuine love for the horror genre, comradery & ingenious creativity. Join us for this dive into the lively CREEPSHOW spirit & how it became one of the most celebrated horror anthologies around.  
///***Discussions include*** Bringing Romero, King & Tom Savini together; EC Comics, formation of the film & assembling an anthology screenplay; dissection of individual stories, tonality, common themes; bits about the cast & performances, plus special effects, editing & music; release, reception, favorite moments, longevity of the franchise & plenty of behind the scenes action. Hal Holbrook, Adrienne Barbeau, Stephen King, Leslie Nielsen, E.G. Marshall & so many more star in CREEPSHOW (1982) /// Directed by George A. Romero.   ///***Picks of the Week***  • Lindsay's Pick: TALES FROM THE CRYPT (1972). Joan Collins, Peter Cushing, Richard Greene /// Directed by Freddie Francis.  • Justin's Pick: TALES FROM THE HOOD (1995). Clarence Williams III, David Alan Grier, Rosalind Cash, Corbin Bernsen /// Directed by Rusty Cundieff. ///***MurrayMoment*** Bill gets some innocent revenge on a well-known film critic. ///***Final Thoughts on CREEPSHOW***    • Please rate, review & subscribe.  • Follow on Facebook, Instagram, TikTok & YouTube.  • Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind & Rewatch // October 15, 2024

The crew get all warm and fuzzy watching Cushing and Lee together again, in 1973's "The Creeping Flesh", directed by the fantastic Freddie Francis. Better than cold and slimy, right???Mary's Challman strength cocktail was another winner. Yum!"The Serum" cocktail1 1/2 oz. Dry Gin 2/3 oz. Chartreuse 2/3 oz. Luxardo 2/3 oz. Freshly squeezed lime juice 1/4 oz. Ice cold water Shake all ingredients over ice in a cocktail shaker. Strain into a coupe glass, and garnish with several cherries stacked together on a cocktail skewer (mimicking a severed finger)!Visit our website:http://www.monstermoviehappyhour.com/Chat with us on Facebook:https://www.facebook.com/monstersndri...Our Twitter:https://twitter.com/monstersndrinksMusic created by Kevin MacLeod.You can hear more of his work at:https://incompetech.com/wordpress/author/kevin/

This week we fall under the sway of Christopher Lee and submit ourselves to Freddie Francis's Dracula Has Risen From the Grave as the 4th of 4-ly marches on. Email: WeeklyPodcastMassacre@gmail.com Instagram: @WeeklyMassacre Threads: @WeeklyMassacre Music by Dora the Destoryer

Masters of the Air on AppleTV+ is about the pilots who served in the 100th Bomb Group in the U.S. Air Force during World War II. Cinematographer Richard Rutkowski shot episodes 107 and 108, which included both aerial flying, bombing and imprisoned airmen at a German POW camp. From the beginning, Richard was impressed with how everything was organized on such a massive scale. The props, set design and costumes were extremely exact to the time period. “I really am attracted to stories that have authenticity in them,” says Richard. “And they put the authentic on camera. It is all exactly what it's meant to be, what it was at the time, as close as they can get.” Richard worked with director Dee Rees on their block of Masters of the Air. The prison camp scenes involved working with searchlights, mud and absolute darkness at night, with up to 250 people in a scene. He chose to light in a way that would emphasize the dim lighting, gray atmosphere and unhealthy look for the POWs. Some of the Tuskegee Airmen, the legendary African-American fighter pilots, are also brought to the POW camp and the prisoners are integrated into the previously racially-segregated fighting force. Shooting the action inside the planes involved large-scale LED volume screens surrounding the aircraft sections, with an LED roof overhead, which created most of the lighting for the scene. The actors were placed on a gimbal controlled articulated steel deck so they could react to the motion. The cameras tracked with the video system, and had GPS locators that allowed the background to respond to where the camera was so that it knew how much background to put in. Richard was the sole cinematographer on the FX series The Americans for several seasons. The Americans was about a Russian spy couple posing as Americans in suburban Washington D.C. during the Cold War in the 1980's. Richard established the look of the show, with the couple's “normal” DC life leaning into bolder primary colors, in a kind of red, white, and blue cleanliness. By contrast, in their double life as spies, Richard chose a grittier, darker and grainy look. On The Americans, Richard says he learned the value of letting the actors do their work. “(There is) an unspoken connection being made about whether a scene is moving well, whether a take is truly finished. I would learn to stop reaching for that cut button. No matter who said what, if the actor was in it, we don't cut. You leave the boom up, keep out of the frame. If the actor's in it, we're not cutting. We'll go till they're ready.” As a kid, Richard's father was a fine art painter and he grew up all over the country. He began making 16mm films in college and working with theatrical director Robert Wilson. After college, Richard started working on small budget films, working his way up through the camera department, including being a second assistant camera on School Ties with cinematographer Freddie Francis, a two time Oscar winner. After School Ties, Richard wrote Ed Lachman asking to work with him, and he went on to work with Ed on several movies. He feels that working your way up and learning all the different crafts in the camera department is a great education for a DP. Masters of the Air is available on AppleTV+. Find Richard Rutkowski: Instagram @richardrutkowskidp Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Dr. Terror's House of Horrors (1965), The House that Dripped Blood (1971) and Tales from the Crypt (1972) Amicus Productions was most known for their anthology films, even though that was a small percentage of the types of films they did make in over the years. But because of the quality of the films, the power of the stories they were based on, and the incredible cast of actors they would hire, they always made an impact on fans. In this episode, not only do we cover three of our favorite Amicus' anthology titles, but we're joined by producer/director Lawrie Brewster, the man behind the resurrection of Amicus Productions, that is currently working on a new anthology film to be released under the Amicus name!  Films Mentioned in this Episode: And Now the Screaming Starts! (1973), Asylum (1972), The Black Gloves (2017), Candyman (1992), Castle of the Living Dead (1964), City of the Dead (1960), Creepshow (1982), Curse of Frankenstein (1957), Doctor Jekyll (2023), Dr. Terror's House of Horrors (1945), Dr. Terror's House of Horrors (1965), Frankenstein Must Be Destroyed (1965), From Beyond the Grave (1974), The House that Dripped Blood (1971), In the Grip of Terror (2024), Jamboree (1957), Lord of Tears (2013), Rock Around the Clock (1956), Rock! Rock! Rock! (1956), The Skull (1965), Tales from the Crypt (1972), Vault of Horror (1973)

A Christmas Horror Story is a 2015 Canadian anthology horror film directed by Grant Harvey, Steven Hoban, and Brett Sullivan.  It premiered on July 20, 2015, at the Fantasia International Film Festival and had a limited theatrical release on October 2, 2015, along with a VOD release.  The film is a series of interwoven stories tied together by a framework story featuring William Shatner as a radio DJ.     Tales from the Crypt is a 1972 British horror film directed by Freddie Francis. It is an anthology film consisting of five separate segments, based on stories from EC Comics. It was produced by Amicus Productions and filmed at Shepperton Studios.   In the film, five strangers (Joan Collins, Ian Hendry, Robin Phillips, Richard Greene and Nigel Patrick) in a crypt encounter the mysterious Crypt Keeper (Ralph Richardson), who makes each person in turn foresee the possible manner of their death. It is one of several Amicus horror anthologies produced during the 1970s.     Opening Credits; Introduction (2.41); Background History (54.21); A Christmas Horror Story (2015) Trailer (55.24); Take One (57.13); Let's Rate (1:38.51); Introducing a Film (1:43.14); Tales From the Crypt (1972)  Film Trailer (1:45.07); Lights, Camera, Action (1:47.00); How Many Stars (3:04.06); End Credits (3:08.34); Closing Credits (3:09.45)     Opening Credits– Alex Kashadian – Copyright 2015. All rights reserved   Closing Credits:  Elf's Lament by Barenaked Ladies (featuring Michael Buble).  Taken from the album Barenaked For The Holidays.  Copyright 2004 Desperation Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

We're returning for our penultimate Hammer Films Dracula feature this month and we aren't with Terence Fisher this week, instead we check out an early director work by the acclaimed cinematogrpaher, Freddie Francis. Last we saw Dracula, his sad-ass fell into some ice. How does he get out of that pickle? Well, a sadder-ass priest slips on some rocks right outside of the castle and bleeds into cracks in the ice which happens to be right over Dracula's mouth. That's more than enough to bring our most tragic fuckboy back into the fold. We're going on about Hammer Film's third Christopher Lee Dracula portrayal in 1968's “DRACULA HAS RISEN FROM THE GRAVE”. Dracula is definitely looking for love and he's found the right girl, but he will have to contend with her Monsignor Uncle and her hunky atheist boyfriend. Will Atheist Paul's experience in dealing with Dracula lead him to to understand that a lifetime of guilt and self loathing is the way to go? Dracula actually might be Catholic if you think about it. He fears the faith just as those within it do. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Are killer plants ever scary? This British sci-fi thriller hits us with its best poison dart, so tune into the BBC emergency wire to find out! Plus, connections to THE ROCKY HORROR PICTURE SHOW; RAIDERS OF THE LOST ARK; and HITLER'S SLAVE GIRLS (what do you mean that's not a real movie?). Then in Minya's Mailbox, thoughts on VELOCIPASTOR and casting TROLL 2.  Thanks for listening, friends! We're getting into some true cult classics this October. If you'd like to support the show further, visit ⁠campkaijumoviereviews.com⁠, and Instagram (@camp_kaiju) for more monster movie content - and write into Minya's Mailbox on Instagram or campkaiju@gmail.com We'll see ya next week for THE TOXIC AVENGER (1984) ⁠TWIN CITIES HORROR FESTIVAL⁠ ⁠MATT'S NOVEL - "HOLLOW"⁠ Camp Kaiju: Monster Movie Reviews. The Day of the Triffids (1963) Movie Review; directed by Steve Sekely, Freddie Francis. Hosted by Vincent S. Hannam, Matthew Cole Levine --- Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

Welcome, horror enthusiasts and casual fans, to a thrilling journey into the realm of the macabre! Be prepared, as we venture into the haunted heart of the 1972 horror classic, 'Tales from the Crypt.' We dare to dissect each eerie tale, beginning with the bone-chilling Christmas tale, "All Through the House", meandering through stories of torment and revenge, not forgetting to shine a spotlight on some well-worn horror tropes that have earned their place in the Hall of Shame. Our discourse is not for the faint of heart, as we examine twisted plots, grisly special effects, and characters who dance on the edge of villainy and victimhood. So, brace yourself for a spine-tingling conversation that stretches the boundaries of traditional horror critique.We then plunge into the shadowy depths of "Reflection of Death," a chilling narrative of infidelity and its unexpected consequences. We probe the murky emotions, dissect the flawed characters, and muse on the unfulfilled promise of horror that lurks in the unkempt cemetery. The macabre Monkey's Paw story and the heart-wrenching tale of revenge-seeking blind senior citizens are also put under our analytical microscope. We revel in the grotesque details, challenge cliched narrative tropes, and stir the pot of a classic horror stew that has thrilled audiences for decades. Beware, as our no-holds-barred discussion might make you see these familiar tales in an entirely new, and potentially disconcerting light.Our deep dive into the crypt concludes with an exploration of the film's enduring legacy. From box-office triumphs to bizarre cross-promotional fare, we leave no tombstone unturned. We unwrap the influence of the original EC Comics series on the HBO adaptation, and remember the outstanding performances that made the film a horror classic. So, if you dare, join us on this haunting expedition, and visit our website for more exciting episodes from the Screams and Streams crypt. Head to www.screamsandstreams.com for more information related to our episode.

Count von Nudo and Schmutt P. Eddler do the time warp back to the musical that started a cult phenomenon exactly 50 years ago - The Rocky Horror (Picture) Show. We celebrate the opening song "Science fiction/Double Feature", which name-checks some of the greatest science fiction and horror films of the 1930s, 40s, 50s and 60s. We have been able to include six of the 11 films mentioned in this theme week. The other five, such as King Kong (1933) and The Invisible Man (1933) belong to big Hollywood studios, making it more difficult for us to get the rights to show them (but we will keep trying).   Tony Sokol over at DenofGeek.com has a great overview of each song and film reference, from which we have stolen, sorry, quoted extensively. Do read his original article for more context and in-depth insights. It is remarkable how well Richard O'Brien knew his B-movies, given that there was no Internet or IMDb back in the days, but that is a sign of true geek fandom. Respect! The Day the Earth Stood Still (1951) -  “Michael Rennie was ill the day the Earth stood still, but he told us where we stand.” A science fiction film with a message for earth to get its s#!t together, by the great director Robert Wise.  “Klaatu barada nikto”.Flash Gordon (1936) -  “And Flash Gordon was there in silver underwear”. An episodic cinema serial with Buster Crabbe fighting Ming the Merciless. Familiar from television re-runs and of course the more famous 1980 re-make.  It Came From Outer Space (1953) -  “Then at a deadly pace it came from outer space.” An alien spaceship crash lands in the Arizona desert and people start acting strange. More Cold War paranoia, by director Jack Warner. Originally in 3D but shown here in boring 2D. Doctor X (1932) -  “Dr X will build a creature.” Doctor Xavier doesn't actually build a creature (Frank N Further does tho), in this pre-code color film by Michael Curtiz, who later directed Bogart again in Casablanca (1942).   “See androids fightingBrad and JanetAnne Francis stars inForbidden Planet…”Oh-oh-oh-oh-oh-ohAt the late nightDouble Feature picture show”The Day of the Triffids (1963) - “And I really got hot when I saw Janette Scott fight a Triffid that spits poison and kills.” Or as Tony Sokol put it,  "Vegetarians eat vegetables. Humanitarians, like Doctor X, eat humans. Triffids are vegetables that eat humans, vegetarian or not." So don't look up at meteor showers, or you'll wake up all "28 Days Later." Freddie Francis co-directs. Curse of the Demon aka Night of the Demon (1957) - “Dana Andrews said prunes, gave him the runes, and passing them used lots of skills.” Jacques Tourneur, of Cat People (1942) and I Walked with a Zombie (1943) fame, directs this British demonic chiller. A special shout-out to RKO Radio Pictures. We have our biggest Spotify playlist EVER, with over 100 songs. 

To pass the time on their bizarre journey Beyond Hammerland, Ian and AC enjoy some Tales from the Crypt!Freddie Francis' 1972 horror anthology may be from Amicus Pictures, but it features a who's who of Hammer talent in front of (and behind) the camera. This breezy (and often chilling) British adaptation of the 1950's EC Horror Comics finds a group of strangers touring an ancient graveyard. When they're confronted by a mysterious robed figure in the catacombs beneath, they are treated to visions of treachery, torture, and terror that may just be windows into their own demises!In this spoilerific celebration, Ian explains why he'd avoided this film for more than three decades; AC talks about the history of horror anthologies; and the guys debate the effectiveness of the "Crypt Keeper" wrap-around!Show Links:Watch the Tales from the Crypt (1972) trailer: https://youtu.be/_ol4MvRkWekChicagoans! Join AC for a special anniversary screening of The Haunting at the Sulzer Regional Public Library on Tuesday, August 22! He'll introduce the film and conduct a Q&A afterward!Subscribe to AC's YouTube channel, which is positively dripping with fiendishly fresh content!It's not too late to catch up with our 2023 trip “Beyond Hammerland”!Check out 2022's year-long journey, "Son of Hammerland"!And watch the series that started it all: "Hammerland"!Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Hello! Welcome to another edition of the exclusive audio commentary podcast hosted by me, David Hughes. On this episode, we take a deep dive into Martin Scorsese's 1991 remake of J. Lee Thompson's 1962 thriller Cape Fear, itself based on John D. MacDonald's 1957 novel The Executioners, in which lawyer Sam Bowden and his family are terrorised by Max Cady, a violent rapist whom Sam testified against in a trial that helped put him in prison for more than a decade. In crafting his own exceptional take on the source materials, screenwriter Wesley Strick twists the knife still further, by making Sam Bowden the lawyer who defended Cady, rather than merely testifying against him, burying testimony that could potentially have exonerated Cady, despite his guilt. In addition, Strick added marital infidelity into the mix, muddying the moral and ethical waters of the story and enhancing the female roles of Sam's wife and daughter, played here by Academy Award® winner Jessica Lange and newcomer Juliette Lewis, as well as adding a brand new character, Lori, played by Scorsese's then girlfriend Illeana Douglas. Leading the cast are Nick Nolte as Sam and Robert De Niro as Max Cady, while three members of Thompson's cast – Gregory Peck, Robert Mitchum and Martin Balsam – make cameo appearances, Elmer Bernstein retools Bernard Herrmann's original score for the new production, and the whole thing is shot by veteran British cinematographer Freddie Francis. Even on paper, it's quite a heady mix. Everything in Scorsese's remake, originally intended to be directed by Steven Spielberg, is turned up to 11, but although many assume that this was Scorsese's influence, much of what we see in the film was present in Strick's very first draft, and I've always been fascinated by the evolution of the story from its relatively straightforward dual source material as straight thriller to grand guignol monster movie, so I was thrilled when Wes kindly agreed to join me for his first full audio commentary for the 1991 film, now that, as he points out, more time has passed since his version was released than the 29 years that passed between the original and remake. Comments? Feedback? Suggestions? Email David *at * Rogue-Commentary *dot* com or send us a tweet. We have lots of exciting episodes in the works, so if you like what you hear, please subscribe, and remember to rate us wherever you hear this podcast – it'll really help us to keep going. Oh, and follow us on Twitter and/or Instagram to stay up-to-date on our forthcoming releases. Thanks for listening! A Synchronicity production. Conceived, written and presented by David Hughes. Produced by Sam Ibrahim. Music by Olli Oja. All content © 2023 Synchronicity II Ltd. All rights reserved.

4x4 - DRACULA HAS RISEN FROM THE GRAVE (1968)The Hammer falls once again, with the fourth instalment in the British horror studio's Dracula saga. Christopher Lee returns for Dracula Has Risen from the Grave, directed by Freddie Francis, which finds the Count resurrected after an exorcism and in pursuit of the clergyman who's banished him from his castle...This week, we have vampire and monster academic to help us discuss this movie, in the shape of Madeline Potter...HostsDan Owen & Hugh McStayGuestMadeline PotterEditorDan Owen"Now my revenge is complete." - Count DraculaWhy not get Bitten and join our Ko-fi membership tier, to access episodes earlier?Or subscribe and leave us a rating or review to help spread the word. It's the best way to help grow the podcast and make it discoverable by more people. You can also leave a donation at Ko-fi and follow us on various social media platforms here.A proud part of the We Made This podcast network.Theme music: 'The Victim' by Mary Riddle via Epidemic Sound • Podcast artwork by Dan Owen.Become a supporter of this podcast: https://www.spreaker.com/podcast/vampire-videos--5546381/support.

Dracula Has Risen From the Grave (1968) on Screams After Midnight. Dracula Prince of Darkness is directed by Freddie Francis and stars Christopher Lee, Rupert Davies, Veronica Carlson, Barry Andrews patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight discord: https://discord.gg/8fbyCehMTy TWITCH: https://www.twitch.tv/mildfuzztv email: mftvquestions@gmail.com THE CRYPT: https://sites.google.com/view/mildfuzztvpatreonlists/crypt?authuser=0 Audio version: https://screams-after-midnight.pinecast.co/

Our winding adventures Beyond Hammerland bring us to a lavish English estate, where nothing is what it seems--even The Innocents!Jack Clayton's eerie 1961 thriller stars Deborah Kerr as a governess who takes a job looking after two siblings in the countryside. She quickly notices something odd about young Miles (Martin Stephens) and Flora (Pamela Franklin); they're mischievous, conspiratorial, and possibly in league with ghosts!Ian and AC dig into this atmospheric mind-bender, exploring theories; heaping praise on the direction, performances, and Freddie Francis' otherworldly cinematography; and understanding why it's one of AC's all-time favorite films!Show Links:Watch The Innocents trailer.Read AC's written review of The Innocents at Horror 101 w/ Dr. AC.And be sure to support AC's YouTube channel, which is positively dripping with fiendishly fresh content!Catch up with 2022's year-long journey, "Son of Hammerland"!And watch the series that started it all: "Hammerland"!Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Julius en Jasper bespreken twee klassieke Britse anthologiefilms van Amicus Productions: Tales from the Crypt (1972) van Freddie Francis en From Beyond the Grave (1974) van Kevin Connor. Welke film zou mogen blijven als er eentje weg moet?

Cryptmas is upon us once again and we're talking both the 1972 and 1989 Tales From The Crypt: And All Through The House! Both versions are about a woman who has just murdered her husband while a maniac in a Santa suit is murdering women in her area and sets his sights on her! We've got genre icons like Freddie Francis directing the '72 version with the legendary Joan Collins, Fred Dekker writing the '89 with unsung, alternative-Christmas-movie Queen Mary Ellen Trainor as our murderess being pursued by Larry Drake! The 1972 version is visually amazing and we really wish it was a full-length film and 1989 is campy fun! Merry Christmas!!!

Tales From the Crypt is a 1972 British anthology horror film directed by Freddie Francis. The film, consisting of five segments adapted from EC comics, was produced by Amicus Productions, which made several horror anthology films throughout the 1970's.  The film stars Joan Collins, Peter Cushing, and Ralph Richardson. The plot focuses on a group of 5 strangers who encounter the mysterious Crypt Keeper in the catacombs.  He reveals to each of them the possible manner in which they might die, in the hopes that they might stray from their evil ways. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch Tales From The Crypt: https://youtu.be/z-Tdt327vaQ         Out this Month: Week 1: Shooting the Flames Week 2: Tales from the Darkside Week 3: Tales from the Crypt Week 4: Top Ten Treehouse of Horror Segments Patreon: Cat's Eye     Coming in November 2022: The Neverending Story Legend Top Ten Gateway Horror Patreon: Gateway Horror Poll      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennet Hunter Brandon Anderson Brandon C CenobiteBetty Dan Alvarez Daveisruff Erica Huff Gia-Ranita Pitt GWilliamNYC Hunter C Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Mr. E. Patron Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Perfecta Erecta Poodie Castle Random Dude Robert B. Sean Homrig Senor Sombra The Unknown Patron Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Jim looks back on a classic horror film from Tigon Productions - 1973's "The Creeping Flesh," starring Christopher Lee, Peter Cushing, Lorna Heilbron, Duncan Lamont, Jenny Runacre, Michael Ripper, Kenneth J, Warren and George Benson. A scientist's exploration into a possible cure for evil results in tragic consequences. Find out more about this little gem from director Freddie Francis on this episode of MONSTER ATTACK!, the Podcast Dedicated To Old Monster Movies.

#50thEpisode To mark our 50th Episode of Great in Britain Radio I wanted to do something different. I was going through my attic and came upon a box from 20 years ago when I first started doing journalism.  In it were old cassette tapes.  Amongst them were two tapes featuring interviews with  two extraordinary British names from the past who are sadly no longer with us.  One was the late film director #SirAlanParker whose films garnered nineteen #BAFTA awards, ten #GoldenGlobes and six #AcademyAwards.  The other tape that caught my eye was an interview with the legendary, late British cinematographer #FreddieFrancis. Francis was a remarkable cinematographer and he won two academy awards for Sons and Lovers and Glory. He graced movies like The Elephant Man with David Lynch and The French Lieutenant's Woman starring Meryl Streep as well as Cape Fear with Martin Scorsese.  Both men were truly greats in Britain during their time and rather than let these interviews sit in a box collecting dust for another 20 years I spent some time digitising the old tapes and trying to clean up the audio as best I could.  After all we have been through in the last two years with the world being, in some respects, irrevocably changed, it seemed timely to look back at two great Brits.   The recordings were done on old audio cassettes and the quality isn't perfect despite all the filters I ran them through. In some places you will have to listen quite carefully but I think it will be worth it. British history is a complex one, full of both good and bad, but by any reckoning this is a great country, a people that stood alone, and defiant, against the greatest evil the world has ever seen, the Nazis.  And for that reason, and that unique act of defiance in the face of ultimate evil, I believe Britain's legacy, traditions, values and heritage are worthy of respect and acknowledgement.  Because it is that legacy, its contradictory history, its rich heritage and moral imperative that raised a generation of men and women that refused to capitulate and stand defiant in the cause of light when Europe had fallen into darkness in 1940.  These facts are, of course, an inconvenience to those who would wish to force us all to see Britain's past through a warped mono-variant lens of whatever ism or ist is popular that day.  You know the ones I mean.  The world is complex and requires illuminating by those who understand its light and dark, its good, bad and great, its compassion and indifference, its resentments and gratitudes. That's why, I thought, even in a small way, it would be good to hear some of the highlights from interviews I did two decades ago with two great Britons who did remarkable work in their lifetimes and through the stories they told added to the sum of all that is great about Britain. They both, working with light as a principle story-telling means, illuminated this mortal coil and the brief time we all have here together.  Both men were truly great in Britain, by any metric you can apply, and I am grateful to have met them both briefly, recorded these interviews and got a chance to listen once again to what they had to say. Great in Britain Radio is brought to you by the writer/director of the comedy movie Great in Britain: The Movie.  If you are in the UK or USA you can support truly independent British comedy by renting Great in Britain: The Movie on Amazon's Prime Video.   Great in Britain: The Movie is a comedy about three old school friends and a dog called Audrey.  It stars Jason Flemyng (Lock Stock) and Ben Starr, with Hannah Waddingham

 (Ted Lasso), Larry Lamb (Gavin & Stacey), Colin Salmon (Bond) with West End star, Robert Portal and the late, great legendary British actor Peter Bowles.   All supported by a cast of brilliant British comedy talent https://greatinbritainmovie.com/   https://www.amazon.co.uk/Great-Britain-Movie-Jason-Flemyng/dp/B07WFXDYF3   https://www.amazon.com/Great-Britain-Movie-Jason-Flemyng/dp/B07WGWSJ5Y    

Cerise & Vicky are set against each other in a lethal contest of movie ranking acumen, racing against the clock and adding five movies about deadly games to the list! Does We're All Going To The World's Fair live up to the festival hype? Does Battle Royale stand the test of time? Is Gary Busey a better villain than Rutger Hauer? Tune in after your state-mandated viewing of Clawing For Dollars and find out! 9:08 - We're All Going to The World's Fair (2021, Jane Schoenbrun) 23:48 - Mumsy, Nanny, Sonny & Girly (1970, Freddie Francis) 38:26 - The Running Man (1987, Paul Michael Glaser) 54:55 - Surviving The Game (1994, Ernest Dickerson) 1:09:09 - Battle Royale (2000, Kinji Fukusaku)

On this episode of MONSTER ATTACK!, the podcast dedicated to old Monster Movies, Jim discusses 1962's "The Brain," starring Peter van Eyck, Anne Heywood, Bernard Lee, Jack MacGowran and Cecil Parker. This adaptation of Curt Siodmak's "Donovan's Brain" was the directorial debut for Freddie Francis and opened the door for his directing future Hammer films. It's all ahead on this week's episode.

On this episode of MONSTER ATTACK!, the podcast dedicated to old Monster Movies, Jim discusses 1962’s “The Brain,” starring Peter van Eyck, Anne Heywood, Bernard Lee, Jack MacGowran and Cecil Parker. This adaptation of Curt Siodmak’s “Donovan’s Brain” was the directorial debut for Freddie Francis and opened the door for his directing future Hammer films. The post The Brain | Episode 322 appeared first on The ESO Network.

Django Nudo and the Smut Peddler sink their teeth into a bevvy of sexy vampire-themed films - Peddler from inside a tomb (sorry for mic problem). But not before celebrating new features on the site, including a Comments field for every film, a weekly Top Ten, movies Free to View for all (registered) and a special category for Vinegar Syndrome films. Integration with PlayPilot, JustWatch and Letterboxd is imminent and Roku, Android and iOS apps not far off.  There is also the cinema screening of "Besökarna / The Visitors" (1988) at Stockholm's Klarabiografen this Sunday 30 January 14:30.  "Dracula (the Dirty Old Man)" (1969) finds the Count living in a cave, sporting a Jewish accent, bad hairpiece and called 'Mr Alucard' (Dracula backwards). His sidekick Irving Jackalman brings nubile women to the cave to be tied, stripped and have their breasts bitten by a bat. "Guess What Happened to Count Dracula?" (1970) is wackiness of the highest order. Sporting a goatie beard and bad Bela accent, Count Adrian and his ghouls run "Dracula's Dungeon," a bizarre Hollywood nightclub.  "Sex and the Single Vampire" (1970). John Holmes is Count Spatula in his acting debut, where he tried to be funny and only gets his famous schlong out towards the end. Horny couples arrive at a haunted house for the Count to ogle and try to drain them of blood. Rude, raunchy, and ridiculous horror sex comedy. "The Vampire Happening" (1971) is what happens when you cross "The Fearless Vampire Killers" (1967) with "Rocky Horror Picture Show" (1975). Pia (Elvira Madigan) Degermark is a Hollywood actress who inherits a castle in Transylvania.  Director Freddie Francis considered this nudie horror parody a 'disaster', but it is fun viewing today. "Dracula Sucks" (1978). Prof Van Helsing thinks bite marks on patients at a sanatorium are the work of Dracula in this film, considered the most star-studded X rated film ever made, with Annette Haven, Seka, John Leslie, Serena, John Holmes (again) and many others.  "Vampire Hookers" (1978) sees a bevy of female vampires lure their customers back to the lair of aged vampire (John Carradine)."Mad Love Life of a Hot Vampire" (1971) is a horror comedy where Dracula lives in Vegas and sends out his female vampires to collect blood in the most unusual ways. Guess where they bite their male victims. Ouch! There is also "The Sadist With Red Teeth" (1971), "Condemned to Live" (1935) and "House on Bare Mountain" (1962), which all feature vampires in some erotic variant. We've also curated a Sexy Vampire Spotify playlist for your enjoyment. If you are reading this far, write us to tell us what you would like to see on Cultpix and please rate this podcast wherever it is that you're downloading it from. 

Uh-oh, fiends! Looks like we got some Universal in our Hammer Horror. Things are getting weird. This week we're talking about how to drag a body through a window, a metal priest, low-budget monsters & lower-budget ice blocks and Dr Frankenstein's guide to hiding in plain sight. Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Follow us on Twitter or Instagram @thefrankencast or send us a letter at thefrankencast@gmail.com. We'd love to hear from you! Your Horror Hosts: Anthony Bowman (he/him) & Eric Velazquez (he/him). Cover painting by Amanda Keller (@KellerIllustrations on Instagram).

“It's elevens. Tens are for booties.” Shouldn't that go without saying? Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, Daphne Monary-Ernsdorff, and Jeff Mohr – as they cozy up to a film director Freddie Francis calls his favorite, which was originally released as Mumsy, Nanny, Sonny & Girly (1970) in the […]

Welcome to the Late Night Fright, broadcasting from WKMF Cozy Corner Public Radio! Pour yourself a cup of coffee, put your feet up and get ready to howl at the moon as your horror hosts Dan and Faith take a look back at classic horror and science-fiction films.  Tonight's film, THE INNOCENTS, was released on November 24th, 1961 and stars the legendary Deborah Kerr (FROM HERE TO ETERNITY, THE KING AND I) as an English governess dispatched to Bly Manor to take care of orphans Miles (Martin Stephens, VILLAGE OF THE DAMNED) and Flora (Pamela Franklin, THE PRIME OF MISS JEAN BRODIE, THE LEGEND OF HELL HOUSE). The governess comes to believe that the children are possessed by the spirits of two of their former caretakers. Are the ghosts real...or are the supernatural events the products of an overactive, undersexed Victorian era imagination? Directed by Jack Clayton (SOMETHING WICKED THIS WAY COMES) and beautifully filmed by Freddie Francis (cinematographer for GLORY, director of films for both Hammer and Amicus), THE INNOCENTS, based on THE TURN OF THE SCREW by Henry James, was adapted to the screen by Truman Capote (BREAKFAST AT TIFFANY'S, IN COLD BLOOD) and was voted one of the 25 greatest horror films of all time by THE GUARDIAN.  Join Dan and Faith as they dive into the ambiguity of the film, discuss the recent news that Nicolas Cage (FACE/OFF, MOONSTRUCK) will be portraying Dracula in the upcoming Universal Studios film RENFIELD, and bring Creepy Classics month to a close. As always, be sure to stay tuned for all of the fake news not fit to print!  Tonight's show includes vintage commercials for Count Chocula cereal and Kool Aid.  You can get in touch with the Late Night Fright at latenightfrightpodcast@gmail.com  Join us next week for 2013's James Wan film THE CONJURING, starring Vera Farmiga (THE DEPARTED, BATES MOTEL), Patrick Wilson (WATCHMEN, MORNING GLORY), Ron Livingston (SWINGERS, OFFICE SPACE) and Lily Taylor (SAY ANYTHING, MYSTIC PIZZA).  Stay spooky!   

Analisamos o clássico "Os Inocentes", dirigido por Jack Clayton e protagonizado por Deborah Kerr, um dos melhores filmes de horror de todos os tempos. Confira abaixo a minutagem dos quadros do podcast: 00:00:00 - Introdução 00:06:10 - Grande Angular: saiba mais sobre o elenco e a equipe do filme 00:14:56 - Close-up: perfil da atriz Deborah Kerr 00:20:10 - Ponto de Vista: análise e comentários sobre o filme 01:21:06 - Zoom: cenas ou momentos essenciais do filme 01:27:57 - Fora de Quadro: outras adaptações de "A Outra Volta do Parafuso" para o cinema e para a TV "Os Inocentes" é baseado na novela gótica "A Outra Volta do Parafuso", escrita por Henry James. O roteiro foi adaptado por William Archibald e Truman Capote. O enredo acompanha a Srta. Giddens (Deborah Kerr), uma governanta recém-contratada para cuidar dos irmãos órfãos Flora (Pamela Franklin) e Miles (Martin Stephens), que vivem na Mansão Bly, em Essex, no Leste da Inglaterra. Não demora para que a Srta. Giddens comece a notar comportamentos estranhos nas crianças e a ser assombrada por visões de um casal de ex-funcionários da propriedade que teriam morrido no local. E essas supostas forças sobrenaturais perturbam cada vez mais a rotina da Srta. Giddens e a sua relação com Flora e Miles. Além da análise do filme em si, o nosso podcast também discute a importância da fotografia em CinemaScope dirigida pelo renomado Freddie Francis; destaca a importânica de Daphne Oram, pioneira da música eletrônica, para o design de som do filme; traz o perfil da atriz Deborah Kerr; comenta a prequela "Os Que Chegam com a Noite" (The Nightcomers, 1971), estrelada por Marlon Brando; e relembra outras adaptações de "A Outra Volta do Parafuso" para o cinema e para TV. Participam do podcast sobre "Os Inocentes": Renato Silveira e Kel Gomes, editores do cinematório, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. - Visite a página do podcast no site e confira material extra sobre o tema do episódio! - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema!

Aric and Marisa travel across the pond to explore the films of the United Kingdom, specifically during the '60s and with a little detour into the '90s. They look at how the perspectives of these films are shaped by the social and economical circumstances of everyday people, and how these perspectives have much to illuminate about today's prevalent issues.The six films this episode highlights are a mix of heavy hitters and tender stories of identity: SATURDAY NIGHT AND SUNDAY MORNING (1960), a Karel Reisz picture studying the attitude of a man who plays by the rules during the week, then lets loose on the weekends, VICTIM (1961), the suspenseful story of a man blackmailed by his homosexuality and his fight to be himself against the law, THE LONELINESS OF THE LONG DISTANCE RUNNER (1962), a character study about a talented young runner who questions discipline and the authority behind it, THIS SPORTING LIFE (1963), a story of a man who wins everything except his unrequited love, THE LEATHER BOYS (1964), a film about a newlywed couple in crisis when the husband develops feelings for a member of a rival biker gang, and LIFE IS SWEET (1990), a Mike Leigh film about a working class family enduring the mundanities of life while hanging onto their personal dreams. Please consider supporting this show through our Patreon!Keep up with us on Instagram and Twitter: @filmchatterpod.Check out the films mentioned in this episode on our Letterboxd.Thanks for tuning in!Powered and distributed by Simplecast

Jenny discusses an underrated British scifi/horror film from Tigon British Film Productions, directed by Freddie Francis and starring Peter Cushing and Christopher Lee. Find this movie and more at the 13 O’Clock Amazon Storefront! Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us … Continue reading Flickers Of Fear – Jenny’s Horror Movie Reviews: The Creeping Flesh (1973)

Today I discuss Arrow Video's release of David Lynch's Dune (1984). Starring Kyle MacLachlan, Kenneth McMillan, Jose Ferrer, Sting, Everett McGill, Patrick Stewart, Jurgen Prochnow, Paul L. Smith, Max von Sydow, Alicia Witt, Sean Young, Brad Dourif, Fancesca Annis, Virgina Madsen, Leonardo Cimino, Linda Hunt, Freddie Jones, Silvana Mangano, Jack Nance, Sian Phillips, and more. Production Design by Anthony Masters. Music by TOTO. Cinematography by Freddie Francis. Written and Directed by David Lynch.

This week on Drink in the Movies Michael & Taylor Rescreen This week on Drink in the Movies Michael & Taylor Rescreen Martin Scorsese's Cape Fear(1991) and provide a First Impression of the next Rescreening episode title, Michael Mann's Thief. Visit us at https://drinkinthemovies.com or connect with us on your preferred Social Media Platform Letterboxd, Twitter, Instagram, and Facebook. Michael Clawson on Letterboxd | Taylor Baker on Letterboxd

Movie Meltdown - Episode 555 This episode the Horror Club reconvenes to discuss The Ghoul - the 1975 movie directed by Freddie Francis and starring Peter Cushing, John Hurt and Veronica Carlson.  And while we brush up on our fake violin playing, we also mention… A Quiet Place Part 2, From Beyond, an evil Maharaja, he's quite dead, Top Secret, Greedo in heels, look at these… they're so tall, The Great Gatsby, your weird like medieval Knight haircut looks kind of familiar, John Krasinsk, the secret Satan-worshipping room, practical effects, double quicksand, nobody changes clothes, Greg Nicotero, decoy ghoul, Ken Foree's underwear, the entire Back to the Future trilogy, why don't people dance like that anymore, bedroom slippers, laid his depravity, Colin Firth in the marsh and those nachos are gonna get us killed man!  Spoiler Alert: Full spoilers for “The Ghoul” (aka “Night of the Ghoul”), so go watch it before you listen.  “Dammit… you have opened a door, to a room - that I don't wanna be in!”

In this very special jaunt through Hammerland, Ian and Aaron celebrate a couple of birthdays while admiring the scenery of Dracula Has Risen from the Grave!Freddie Francis' 1968 sequel to Dracula: Prince of Darkness is a different kind of Hammer film than the guys have seen so far. Focusing less on horror atmosphere and traditional ghouls-versus-good-guys action, Risen is more like a really compelling soap opera that happens to have vampires in it.Our intrepid hosts explore this new direction for the Dracula films, and raise a lot of questions about lore, continuity, and how the material might evolve if...ahem...resurrected today!"Hammerland" is our monthly look at the 1950s-1970s Hammer Studios horror films featuring Dracula and Frankenstein.Show Links:Watch the Dracula Has Risen from the Grave trailer.Keep up with all of Aaron's reviews at Horror 101 with Dr. AC.Dying for more? Check out our other monthly horror series, "Accademia Giallo"!Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Em 1961, Jack Clayton lançava a adaptação de um livro que ele adorou ler na infância. Os inocentes é baseado no livro de Henry James chamado A volta do parafuso. Munido de uma aura gótica e uma ambiguidade na narrativa, Clayton precisou trabalhar bem no no roteiro para trazer essa história da melhor maneira possível, e para dar esse sentimento ambíguo ele chamou Truman Capote, um parceiro de longa data que deu um charme especial no texto do longa. Clayton então se uniu ao seu amigo diretor de fotografia Freddie Francis e trabalharam numa ambientação e transposição da história que rompia com algumas convenções do gênero e transformava Os inocentes em um ótimo terror psicológico repleto de mensagens subliminares e ambiguidade entranhada na história. Instagram: @colastrom Twitter: @colastrom Trilha sonora: Isla Cameron - The Willow Waly Fearless First by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3742-fearless-first License: https://filmmusic.io/standard-license

Come with us as we go out to play games with Mumsy, Nanny, Sonny and Girly, Freddie Francis' forgotten 1970 horror film. It was his favourite film, I wonder if it will be yours.    Let us know on  Facebook: AVeryBritishHorror Twitter: @verybrithorror Email: averybritishhorror@gmail.com

Ouça os destaques do Caderno 2 desta quarta-feira (05/02/20)See omnystudio.com/listener for privacy information.

Thus far, our series to celebrate Halloween — the Naughty Children series — hasn't really been that scary. “The Bad Seed” is labeled a crime/drama/horror but comes across a bit more as a comedy now with the over-the-top performances. “Village of the Damned” is labeled a horror/mystery/sci-fi but doesn't have much in the way of horror. This week's film, Jack Clayton's 1961 film “The Innocents,” really feels like the first in the series that's got real scares in it, and scares that still hold up today. Martin Scorsese even put it on his list of 11 most scary films. And a lot of that is because of the atmosphere Clayton and his screenwriters (mostly Truman Capote) created with this adaptation of Henry James' “The Turn of the Screw.” Join us — Pete Wright and Andy Nelson — as we continue our Naughty Children series with “The Innocents.” We talk about how much each like this film — Andy as the veteran of the film and Pete as the newbie — any why it works so well. We chat about Deborah Kerr in a role that exemplifies the ambiguity in the story and how it works so well in context of the decaying nature Capote riddled throughout the screenplay. We talk about Jim Clark's editing and Freddie Francis' cinematography, as well as Georges Auric's score, noting how well they each work to add to the atmosphere in this film. And we marvel at Martin Stephens' performance here, vastly different (and superior) to his performance in “Village of the Damned.” It's a brilliant film that we're thrilled to add to our list, so check it out and then tune in!

Thus far, our series to celebrate Halloween — the Naughty Children series — hasn't really been that scary. “The Bad Seed” is labeled a crime/drama/horror but comes across a bit more as a comedy now with the over-the-top performances. “Village of the Damned” is labeled a horror/mystery/sci-fi but doesn't have much in the way of horror. This week's film, Jack Clayton's 1961 film “The Innocents,” really feels like the first in the series that's got real scares in it, and scares that still hold up today. Martin Scorsese even put it on his list of 11 most scary films. And a lot of that is because of the atmosphere Clayton and his screenwriters (mostly Truman Capote) created with this adaptation of Henry James' “The Turn of the Screw.” Join us — Pete Wright and Andy Nelson — as we continue our Naughty Children series with “The Innocents.” We talk about how much each like this film — Andy as the veteran of the film and Pete as the newbie — any why it works so well. We chat about Deborah Kerr in a role that exemplifies the ambiguity in the story and how it works so well in context of the decaying nature Capote riddled throughout the screenplay. We talk about Jim Clark's editing and Freddie Francis' cinematography, as well as Georges Auric's score, noting how well they each work to add to the atmosphere in this film. And we marvel at Martin Stephens' performance here, vastly different (and superior) to his performance in “Village of the Damned.” It's a brilliant film that we're thrilled to add to our list, so check it out and then tune in!