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On this episode, Matt & Eric review Springsteen: Deliver Me From Nowhere starring Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham and Odessa Young.
Springsteen: Deliver Me from Nowhere is a 2025 American biographical musical drama film starring Jeremy Allen White as Bruce Springsteen. Written and directed by Scott Cooper, and based on the 2023 book Deliver Me from Nowhere by Warren Zanes, as well as some elements from Springsteen's autobiography Born to Run, it chronicles Springsteen's personal and professional struggles during the conception of his 1982 album Nebraska. The film also stars Jeremy Strong, Paul Walter Hauser, Stephen Graham, and Odessa Young.Springsteen: Deliver Me from Nowhere had its world premiere at the 52nd Telluride Film Festival on August 29, 2025, and was theatrically released in United States by 20th Century Studios on October 24, 2025. The film received mixed reviews from critics, though White's performance has received praise. Hosted on Acast. See acast.com/privacy for more information.
We go deep inside the making of the new movie Springsteen: Deliver Me From Nowhere, with host Brian Hiatt interviewing writer/director Scott Cooper and actor Stephen Graham, who plays Bruce's troubled father, Douglas Springsteen. (These interviews contain spoilers for the movie — if there is such a thing for a biopic.) Learn more about your ad choices. Visit podcastchoices.com/adchoices
Springsteen: Deliver Me From Nowhere is one of the best depictions of the creative process that I've ever seen, exploring where an artist's ideas come from: those sources, personal and environmental that are processed via one's family history, dreams, desires - and are then delivered through said artist's private relationship with their tools - (in this case the Tascam Portastudio, Echoplex reverb unit, and a water-damaged boombox). I was thrilled by that examination, and by Bruce's steadfast protection of his lo-fi masterpiece when it was being threatened by corporate pressure to compromise. Jeremy Allen White is one of America's finest exemplars of smoldering emotion, and the close ups on Springsteen's anguished face were a tour de force of inner conflict. The protean Stephen Graham as Bruce's complicated monster of a father found vivid expression with just a smattering of dialogue. And, Jeremy Strong - an actor capable of the deepest levels of immersion portrays Bruce's guardian angel of a manager, Jon Landau with such grace, and generous restraint that it made me cry. Kudos to all.The pace is pokey, and I personally could have done without the manufactured love story in which the actress, Odessa Young has the unenviable task of having to deliver clunky exposition, notably when she psychologizes Bruce for us. But, all in all, for a story that chronicles depression and child abuse, the darkness is mitigated by the knowledge that our hero emerges from this crucible to become a happily married family man and cultural hero, and create a timeless work of art. The Splendid Bohemians are honored to feature a couple of tributes to The Boss, which recognize his influence and influences: First, a duet with Bruce and Pete Seeger, the Patron Saint and Johnny Appleseed of folk music, singing Bruce's still relevant- (sadly)- homage to John Steinbeck's The Grapes of Wrath: The Ghost of Tom Joad. And, we'll close with Ryan Adams' honorable rendition of Nebraska, the title song from those sources which are celebrated in Warren Zanes book and Scott Cooper's film
For this week's main podcast review, Ema Sasic, Katie Johnson, and Tom O'Brien join me to discuss the latest film from Scott Cooper, "Springsteen: Deliver Me From Nowhere," starring Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffmann, Marc Maron & David Krumholtz. Written and directed by Scott Cooper and based on the 2023 book "Deliver Me from Nowhere" by Warren Zanes, as well as some elements from Bruce Springsteen's autobiography "Born to Run," it chronicles Springsteen's personal and professional struggles during the conception of his 1982 album "Nebraska." The film had its world premiere at the 2025 Telluride Film Festival, where it received positive reviews for its performances, emotional honesty, and character-driven story of confronting depression and turning pain into art. What did we think of it? Please tune in as we discuss the performances, writing, direction, tone, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Min 4: CONEXIÓN ABYCINE 2025: ENTREVISTA AL MORIARTI AITOR ARREGI Esta semana viajamos a Abycine, el Festival de Cine de Albacete, para vivir desde dentro su inauguración en el Teatro Circo y descubrir cómo Castilla-La Mancha Media impulsa, un año más, el talento emergente a través de Abycine Lanza. Entre los protagonistas de la gala, hemos recogido el testimonio de la actriz y directora Marta Nieto, reconocida con el Premio Trayectoria Joven, y con uno de los grandes nombres del cine español actual: Aitor Arregi. Codirector de Handia, La trinchera infinita, Marcop o la reciente Maspalomas, Arregi nos regala una entrevista personal y cinéfila en la que repasa su visión del cine, su conexión con los Moriarti y el proceso creativo que les ha permitido sacar adelante algunos de los títulos más interesantes y premiados del reciente cine español. Min 19: EL FILTRO LUCHINI: DE LOS DOMINGOS A BLACK PHONE 2 Min 20: LOS DOMINGOS (4 estrellas) En Los domingos, Alauda Ruiz de Azúa ("Cinco Lobitos", "Querer") vuelve a demostrar su maestría para retratar los silencios familiares y los conflictos interiores. La película nos sumerge en la historia de Ainara (interpretada por Blanca Soroa), una joven de 17 años que rompe las expectativas de su entorno al anunciar su decisión de ingresar en un convento de clausura. Lo que podría parecer una elección personal se convierte en un espejo de las tensiones entre fe, libertad y afecto dentro de una familia vasca que se tambalea ante lo inesperado. A su lado brillan Patricia López Arnaiz, Miguel Garcés y Juan Minujín, en un reparto de altísimo nivel que dota de hondura, matices y verdad a cada gesto. Con una puesta en escena sobria y un elenco en estado de gracia, Los domingos confirma el talento de Ruiz de Azúa para explorar las zonas más íntimas del ser humano y el peso de las decisiones que nos definen. Min 30: DECORADO (3,5 estrellas) En Decorado, Alberto Vázquez despliega su universo gráfico para construir una fábula ácida sobre la libertad, la alienación y el coste de existir en una sociedad que ya parece diseñada. El protagonista, Arnold, un ratón de mediana edad atrapado en el paro y en un matrimonio desmoronado, empieza a sospechar que su entorno —su trabajo, su hogar, su ciudad— no es otra cosa que un decorado fabricado por la gran corporación ALMA. Con una estética que evoca los dibujos clásicos de animación y un guion que bebe del surrealismo y la sátira social, la película mezcla humor negro, drama existencial y críticas al capitalismo, la hiperconectividad y los mecanismos que moldan nuestras vidas. Desde Abycine, el productor Iván Miñambres nos detalle por qué apostó firmemente por este proyecto de Alberto Vázquez. Min 35: PEQUEÑOS CALVARIOS (2,5 estrellas) En Pequeños calvarios, el debut en ficción de Javier Polo despliega un universo coral tan absurdo como reconocible, en el que un excéntrico relojero escuchando un programa de radio se convierte en demiurgo involuntario de historias disparatadas sobre obsesiones, manías y soledades cotidianas. A través de viñetas que retratan desde un hipocondríaco que convoca a sus amigos para anunciar su muerte, hasta una profesora de yoga asediada por el ruido de la vecina, la película combina humor negro, estética pop-irónica y una mirada crítica al paso del tiempo y al peso de lo trivial. Con un reparto repleto de caras conocidas que dota de vitalidad al conjunto —Arturo Valls, Berta Vázquez, Andrea Duro entre otros— la cinta se convierte en un espejo incómodo y divertido de nuestras propias micro-dramas, invitando a pensar que, quizá, vivimos en un escenario perfectamente decorado para nosotros. Min 39: FRANKENSTEIN (4,5 estrellas) En Frankenstein (2025), Guillermo del Toro se enfrenta al mito universal de Mary Shelley con la solemnidad de un artista que ha esperado décadas por este proyecto. La cinta sitúa al brillante pero arrogante científico Victor Frankenstein (interpretado por Oscar Isaac) en una espiral de ambición y culpa al dar vida a una criatura (The Creature, encarnada por Jacob Elordi) con fuerza sobrehumana y capacidad de sanar. Esa creación, que aspira a hallar su lugar en un mundo que lo rechaza, deviene espejo roto de la soledad, la rebelión y el acto mismo de crear. Con un reparto sólido —incluyendo a Mia Goth y Christoph Waltz— y una imaginería gótica y visceral, la película no se queda en el horror tradicional: es una reflexión moral sobre hasta qué punto el creador está dispuesto a asumir la responsabilidad de lo creado. Min 48: SPRINGSTEEN (3 estrellas) En “Springsteen: Deliver Me from Nowhere†, Bruce Springsteen emerge no como leyenda del rock, sino como un hombre en plena encrucijada creativa. Bajo la dirección de Scott Cooper, el biopic se centra en la grabación de su álbum de 1982 Nebraska, una obra íntima, áspera y esencial, y sigue la lucha interna de Springsteen (interpretado por Jeremy Allen White) por conservar su voz propia frente al éxito y las expectativas. Con una atmósfera sobria, un reparto sólido —incluyendo a Jeremy Strong, Paul Walter Hauser y Stephen Graham— y un retrato sensible de la depresión, la paternidad ausente y el proceso creativo, la película desafía el mito para mostrar al artista vulnerable, atrapado entre el pasado que lo frena y el futuro que lo empuja. Min 55: BLACK PHONE 2 (3 estrellas) En The Black Phone 2, el director Scott Derrickson retoma el escalofriante universo de la primera entrega para adentrarse aún más en el horror psicológico y sobrenatural. Cuatro años después de que Mason Thames se enfrentara al brutal Grabber, su hermana menor, Madeleine McGraw (Gwen), comienza a recibir llamadas misteriosas y visiones en mitad de una tormenta de nieve en un campamento abandonado, mientras Ethan Hawke regresa como ese villano que trasciende la muerte. Con un ritmo que alterna sustos explícitos, atmósfera opresiva y la carga del trauma familiar, la película mezcla la fórmula del slasher clásico con una fábula de revancha onírica, donde el pasado vuelve a llamar al teléfono… y esta vez nadie puede ignorarlo. Mim 60: LA PELÍCULA DE TU VIDA: AITOR ARREGI Aprovechamos la presencia en Abycine del director vasco para desvelar cuál es la película clave en la vida del codirector de "Marco" o "Maspalomas". Arregi nos sorprende con su apuesta por una trilogía ochentera de éxito que hasta ahora no había elegido ninguno de nuestros invitados ¿Te imaginas cuál puede ser? Min 65: COLOFÓN MUSICAL: BSO HANDIA Y como homenaje a la presencia destacada de Arregui en Estamos de Cine, le pedimos a nuestro crítico musical, Ángel Luque,que elija la mejor canción y la mejor banda sonora del universo Moriarti. Luque lo tiene claro: la canción Primer Viaje, incluida en la composición de Pascal Gaigne para "Handia" es su elegida para cerrar este capítulo especial.
Springsteen: Delvier Me from Nowhere was born in the U.S.A. and the rest of the world today. This has been one of my most anticipated movies of the back half of this year because I'm a big Bruce guy and I love Jeremy Allen White. The Bear is, without question, one of my favorite shows of the last couple of years and the idea of him playing The Boss was pretty awesome. The trailers ceetainly won me over and the pretty solid reviews out of the festivals have gotten me even more hyped. But, there is one elephant in the room: I am completely sick of these stupid and slight music biopics. Whetehr it was the Dylan movie, or the Elvis movie, all these movies have the same flaws and the same crowd that ends up really liking them. And I'm usually not a part of the latter. Is Springsteen an exception to that rule? Find out in this review!Springsteen: Deliver Me from NowhereWritten for the Screen and Directed by: Scott CooperBased on the book "Deliver Me from Nowhere" by Warren ZanesProduced by: Scott Cooper, Ellen Goldsmith-Vein, Eric Robinson, Scott StuberCo-Produced by: Richard Mirisch, Christopher SurgentExecutive Produced by: Tracey Landon, Jon Vein, Warren ZanesMusic by: Jeremiah FraitesDirector of Photography by: Masanobu TakayanagiEdited by: Pamela MartinCasting by: Francine MaislerProduction Design by: Stefania CellaCostume Design by: Kasia Walicka MaimoneCast: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffmann, Marc Maron, David KrumholtzSynopsis: Bruce Springsteen, a young musician on the cusp of global superstardom, struggles to reconcile the pressures of success with the ghosts of his past.
L'intervista:Riccardo Milani, regista de "La vita va così" ci presenta il suo nuovo lavoro. Gli attori protagonisti sono Virginia Raffaele, Diego Abatantuono e Aldo Baglio.In sala:"Bugonia" diretto da Yorgos Lanthimos, con Emma Stone, Jesse Plemons e Alicia Silverstone"Frankenstein" diretto da Guillermo del Toro, con Jacob Elordi, Mia Goth e Oscar Isaac. Con un'intervista a Emanuele Di Nicola, giornalista e critico cinematografico"Springsteen - liberami dal nulla" diretto da Scott Cooper, con Jeremy Allen White, Stephen Graham e Paul Walter Hauser"A House of Dynamite" diretto da Kathryn Bigelow, con Idris Elba, Willa Fitzgerald e Rebecca Ferguson. Con un'intervista a Mauro Gervasini, giornalista e critico cinematografico, responsabile cinema Trento Film Festival e consulente Venice Film Festival
Parenting can involve big ideas, public debates and the odd festive guilt trip - and this week, we’re tackling all three. The man who created Adolescence has a new idea for how dads can connect with their sons - it’s beautiful, but one of us hates it. Plus, Amelia dives into the kids party photo that’s divided Australia: can you really “bags” a park table? And finally, it’s Elf O’Clock. Monz realises she’s the last mum on earth without a tiny spy living in her house, and wonders aloud if there are some traditions that should just be left alone. Our recommendations:
For this "Quick Screen" episode, Michael checked out the brand new theatrical film "Springsteen: Deliver Me From Nowhere". What are some of his thoughts of this biographical musical dramatic film based on the life of musician Bruce Springsteen starring Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Gaby Hoffman and Odessa Young? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork
Hollywood icons call music legends in a star-studded edition of Sit Down, Stand Up!
Celebrity interviews without substance seem to be officially out, as the reaction to Kim Kardashian's surprisingly flat Call Her Daddy episode proved last week, while thoughtful conversations about art (think Cillian Murphy and Stephen Graham) are in. We discuss! Also this week: Callum Turner's heart-melting Sunday Times interview about Dua Lipa, Lily Allen's candid Vogue comeback piece, Britney Spears' response to Kevin Federline's new memoir, as well as our reviews of Molly Mae: Behind It All S2 and the Austin Butler–Zoë Kravitz film. Plus two gripping true-crime recs: a podcast discovery courtesy of a hun, and Netflix's ‘revolutionary' new doc The Perfect Neighbor. Final tickets to our very special live recording at Curzon Hoxton on 19 November are available here :)Get 10% off our fave sofa brand Swyft with the code straightup10 at swyfthome.com. Stylish, comfy, flat-packed and no tools required.We love hearing from you, DM us @straightuppod, email at hello@straightuppodcast.co.uk and follow us on TikTok @straightuppod too!Recs/reviewsWisecrack podcast The Perfect Neighbor, Netflix The Perfect Neighbor: How a 'revolutionary' CCTV film captures a shocking US killing, BBCCallum Turner: ‘Love? It's never not worth it' The TimesGwyneth's Second Coming: “I'm Much Easier On Myself, I Would Say”, Vogue‘It Was a Way for Me to Process What Was Happening': Lily Allen on Marriage, Motherhood, and Her Music Comeback, VogueBritney Spears: the brutal media shaming of America's teen dream, Straight Up You Thought You Knew, Kevin Federline Britney Spears, The Woman in Me Kim Kardashian on Call Her DaddyKim Kardashian's faux pubic hair thong is a patriarchal fever dream, ImpactDear Dickhead by Virginie Despentes, in all good bookshopsThe Beauty Queens of MAGA World, Wall Street JournalCaught Stealing, available to rent on Amazon Prime etc. Hosted on Acast. See acast.com/privacy for more information.
"Good Boy" main actors Stephen Graham and Anson Boon on society, youth and culture's role in shaping identity The post “Good Boy”, interview with actors Stephen Graham and Anson Boon appeared first on Fred Film Radio.
"Good Boy" main actors Stephen Graham and Anson Boon on society, youth and culture's role in shaping identity The post “Good Boy”, interview with actors Stephen Graham and Anson Boon appeared first on Fred Film Radio.
"Good Boy" main actors Stephen Graham and Anson Boon on society, youth and culture's role in shaping identity The post “Good Boy”, interview with actors Stephen Graham and Anson Boon appeared first on Fred Film Radio.
"Good Boy" main actors Stephen Graham and Anson Boon on society, youth and culture's role in shaping identity The post “Good Boy”, interview with actors Stephen Graham and Anson Boon appeared first on Fred Film Radio.
"Good Boy" main actors Stephen Graham and Anson Boon on society, youth and culture's role in shaping identity The post “Good Boy”, interview with actors Stephen Graham and Anson Boon appeared first on Fred Film Radio.
"Good Boy" main actors Stephen Graham and Anson Boon on society, youth and culture's role in shaping identity The post “Good Boy”, interview with actors Stephen Graham and Anson Boon appeared first on Fred Film Radio.
Co-Creator and star of the hit Netflix TV series ‘Adolescence', Stephen Graham, has launched a new project asking fathers to write letters to their sons about what it means to be a man, to form a book about masculinity. Due to technology, Stephen Graham says “There is arguably an even bigger disconnect between fathers and sons than ever before.”Joining Ciara Doherty to discuss this is Comedian and Father, Joe McGucken and Comedian and Father, Steve Cummins.
Estas son las noticias del cine, series y cultura pop que no te puedes perder.
Do you know your Granny Smiths from your Cox?Welcome back to the Chris Moyles Show on Radio X Podcast.Wow what a chaotic week! We went from Jeremy Allen White to Jade Jones to Captain eating apples, to a listener winning £10k! And that's just the tip of the iceberg. Rory Bremner was our first guest this week, he came in to talk about his additional tour dates where he will be doing a mixture of standup and of course his incredible impressions. He of course gave us a taste of what one can expect from his live shows.Next we were blessed by the presence of the chaotic trio that is Leigh & Jill Francis and Jade Jones (would have been Emma Bunton too if she wasn't so busy!). They were in to chat about their upcoming podcast: ‘Unlikely Friends,' where they chat about all kinds of random topics that listeners and celebs submit.Jeremy Allen White and Stephen Graham were in to chat about their new film: Springsteen: Deliver Me From Nowhere. Jeremy opens up about the support that Stephen gave him when feeling overwhelmed while on set. Stephen shared his admiration for Jeremy's talent and also spoke on some of his older roles.Our final guest was the unbelievably hilarious Ross Noble. He was here to promote his upcoming 5-month long tour, but to be honest, he was here more for a chat and laugh than anything else! He chatted with Chris and Dom about their upcoming Palladium shows, and gave them some much needed advice!Even if guests really aren't your thing, there are a bus load of other silly bits in here as usual:Chris can't blow his noseToby forgets Pippa's birthdayDom's Babestation movieEnjoy!The Chris Moyles Show on Radio XWeekdays 6:30am - 10am
Episode 183 - Boiling Point (2021) "I do not get paid enough to deal with this shit." The 2021 British film "Boiling Point" offers a raw and immersive look into the high-pressure environment of a professional kitchen, captured in a single, continuous take. Directed by Philip Barantini, who co-wrote the screenplay with James Cummings, the film is a technical marvel that amplifies the relentless stress of the culinary world. The production notably filmed the entire movie four times, with the third take being the one used in the final cut, a testament to the cast and crew's incredible coordination and performance. The narrative unfolds in real-time on the last Friday before Christmas, one of the busiest nights of the year for the upscale London restaurant, Jones & Sons. At the heart of the storm is Head Chef Andy Jones, portrayed with a visceral intensity by Stephen Graham. Already burdened by personal issues, Andy's night spirals into chaos from the moment he arrives. A surprise visit from a health and safety inspector downgrades the restaurant's rating, setting a tense tone for the evening. As the service gets underway, the pressure cooker environment of the kitchen reaches a fever pitch. The camera masterfully weaves through the cramped and chaotic space, capturing the escalating conflicts between the overworked staff. Andy's patient and capable sous-chef, Carly (Vinette Robinson), struggles to manage the kitchen amidst her boss's erratic behavior. Meanwhile, the front-of-house manager, Beth (Alice Feetham), adds to the friction with her mishandling of demanding customers, including a celebrity chef who is also Andy's former mentor and a renowned food critic. The film expertly juggles multiple storylines, from difficult patrons with severe food allergies to internal staff disputes, all while Andy's personal life continues to unravel just outside the kitchen doors. The result is a palpable sense of anxiety that leaves the audience on the edge of their seat, deeply invested in the fate of the restaurant and its deeply flawed but compelling protagonist. This and previous episodes can be found everywhere you download your podcasts Bonus content available at: patreon.com/ReelBritanniaPodcast Follow us on Twitter @rbritanniapod You can follow Hal @coupleindemnity Thanks for listening Scott and Steven
This week, after eight years on the show, one team member had a big announcement to make! Also, Dave was joined by Jeremy Allen White and Stephen Graham!
In this week's round-up of the latest news in online speech, content moderation and internet regulation, Mike and Ben cover:Sam Altman says OpenAI isn't ‘moral police of the world' after erotica ChatGPT post blows up (CNBC)Where are all the women on Sora 2? This could be a nightmare for OpenAI. (Business Insider)Musk's AI Is Being Used to Make Hardcore Porn: ‘Grok Is Learning Genitalia Really Fast!' (Rolling Stone)Instagram Will Limit Content for Teenagers Based on PG-13 Ratings (NY Times)UK MPs urged to investigate TikTok's plans to cut 439 content moderator jobs (The Guardian)TikTok ‘directs child accounts to pornographic content within a few clicks' (The Guardian)New AI video tools are fuelling violent racism on TikTok (The Bureau of Investigative Journalism)New York City Sues Instagram Rather Than Teach Kids Filters Aren't Real (Techdirt)Kids who use social media score lower on reading and memory tests, a study shows (NPR)Congress is Asking the Wrong Questions About Discord and Boys (Time)Adolescence star Stephen Graham launches global project asking fathers to write to their sons (The Guardian) Ctrl-Alt-Speech is a weekly podcast from Techdirt and Everything in Moderation. Send us your feedback at podcast@ctrlaltspeech.com and sponsorship enquiries to sponsorship@ctrlaltspeech.com. Thanks for listening.
The Peabody Award's Executive Director Jeffrey Jones sits down with Stephen Graham and Jack Thorne, the minds behind the gripping mini-series Adolescence. The Emmy-winning crime drama explores the aftermath of a brutal crime committed by a young boy against a girl classmate. With its unflinching exploration of grief and confusion in the wake of such a horrific event, the show sparked worldwide conversations regarding online misogyny and teen behaviors. Graham and Thorne discuss how concern over the role that technology plays in the lives of children was a major inspiration behind the show. Graham also shares how his personal experiences shaped his character, Eddie Miller. Later, host Gabe González is joined by Dr. Harriet Over to discuss “the manosphere:” what it is, why we should all be concerned, and ways to tackle the very real rise of misogyny online.
durée : 00:02:35 - Regarde le monde - En Grande-Bretagne, l'acteur Stephen Graham s'associe à la psychologue Orly Klein pour compiler des témoignages sur les relations entre des pères et leurs fils. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:02:35 - Regarde le monde - En Grande-Bretagne, l'acteur Stephen Graham s'associe à la psychologue Orly Klein pour compiler des témoignages sur les relations entre des pères et leurs fils. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Stephen Graham, originally episode 87 from 2016-03-09.Original writeup below:Not one, not two, but THREE welcomes upon you as standard to episode 87 of the Distraction Pieces Podcast, with Kirby's own cinema superstar Mr Stephen Graham! Full on good time chatter goodness from Pip and Stephen as they get along like old pals (with one very important thing in common - no spoilers here yo, you'll find out), and we glean much from Stephen's diverse acting career. From his beginnings as a self proclaimed scally out on the streets to his acting school progressions right up to his well earned and crazy great roles in some gigantic cinema smashes like Snatch, Pirates Of The Caribbean, This Is England and starring in the massive Boardwalk Empire as none other than Al Capone. AND starring alongside our very own Pip too in the forthcoming 'Taboo'! A lovely chat, with a lovely guy. Distract yerself fully with this one folks.PIP'S PATREON PAGE if you're of a supporting natureADOLESCENCEIMDBBOILING POINTTHE VIRTUESCALM main linkCALM donate linkDAN LE SAC VS SCROOBIUS PIP BANDCAMPPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
Τα φετινά Emmys κυριολεκτικά ξεκίνησαν και τελείωσαν με ένα ρολόι που μετρούσε αντίστροφα! Η ιδέα του Nate Bargatze, του πιο επιτυχημένου εισπρακτικά stand-up κωμικού αυτή τη στιγμή στις Ηνωμένες Πολιτείες, να εξασφαλίσει σύντομους λόγους από τους νικητές της βραδιάς είναι αμφιλεγόμενη, και είναι το πρώτο στοιχείο της φετινής τελετής που σχολιάζουμε στο POP για τις Δύσκολες Ώρες αυτής της εβδομάδας. Το POP για τις Δύσκολες Ώρες επιστρέφει μετά από το μεγάλο καλοκαιρινό του διάλειμμα για να αναλύσει τα highlights, τις νίκες, τις εκπλήξεις και τις απογοητεύσεις της μεγαλύτερης γιορτής της τηλεόρασης, των Emmys του 2025. Ποια νικήτρια των Emmys θεωρούμε αυτή τη στιγμή ανίκητη και ποια ηθοποιός έχασε το σίγουρο βραβείο της; Πώς το The Pitt επικράτησε του Severance και τι ρεκόρ έσπασε η κωμωδία The Studio του Seth Rogen; Ποια ήταν η αληθινά μεγαλύτερη έκπληξη της βραδιάς και γιατί έχουμε αδυναμία στις κατηγορίες σκηνοθεσίας και σεναρίου; Ποιες ομιλίες ξεχωρίσαμε και ποιες θυσιάστηκαν - ίσως ύποπτα - στον βωμό του gag του Bargatze; Ποιες ιστορικές νίκες πέτυχαν το Severance και το Adolescence και τι γλέντι έστησε το δεύτερο; Πώς νιώθουμε για τον Stephen Graham και τι φιλοδοξίες έχει για τον ρόλο του ως παραγωγός; Γιατί η Hannah Einbinder ήταν ο πιο ξεκάθαρα πολιτικός λόγος της βραδιάς παρότι έχουμε συνηθίσει αλλιώς στα βραβεία φορτισμένων χρονικών περιόδων; Και τέλος, τι κρατάμε από το φετινό Φεστιβάλ Βενετίας και τι πρέπει να κρατήσουν και τα υπόλοιπα φεστιβάλ από αυτό; Αυτά και πολλά (πολλά!) ακόμη στο POP για τις Δύσκολες Ώρες αυτής της εβδομάδας! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Welcome to Multiverse News, Your source for Information about all your favorite fictional universesImages and video featuring promotional artwork, including a laser light show, of Marvel's Doctor Doom surfaced last week during Walt Disney Studios' Marketing Expo in Shanghai. While many fans and outlets of varying reputation and credibility were quick to assume and label the imagery as officially tied to Avengers: Doomsday and our first look of Robert Downey Jr in the role, there is nothing in the aforementioned marketing materials that brands the content as Marvel Studios'. Still, the concept art and accompanying light show are exciting as potential teases of what this highly anticipated version of the villain may look and feel like when he finally hits the big screen next December.In a completely unexpected turn of events during a recent appearance on The Howard Stern Show, James Gunn dished out more details surrounding his recently announced sequel to Superman, titled Man of Tomorrow, including an intended April 2026 slate to begin filming. The filmmaker shared, “It is a story about Lex Luthor and Superman having to work together to a certain degree against a much, much bigger threat,” he said. “And it's more complicated than that. It's as much a Lex movie as it is a Superman movie. I relate to the character of Lex, sadly.” On the other end of the DCU, during a red carpet appearance at the Emmys, Matt Reeves shared star Robert Pattinson's reaction to reading the long awaited script, saying “He's Batman, and if he doesn't like it, not good. I was super excited. I thought that he really would [like it] because the things that it does for his character, for Batman and for Bruce, have never been done before in this way. I had a feeling that he would respond in this way, but the fact that he did was incredibly encouraging.” It was a night of celebration for newcomer series at Sunday's 77th Primetime Emmy Awards, as HBO Max's rookie series The Pitt dominated the drama categories while Apple TV+'s The Studio swept comedy honors. Netflix's limited series Adolescence led the field with six trophies, including wins for writer-producer-star Stephen Graham, and HBO/HBO Max topped all networks with nine total Emmys, followed by Apple TV+ with seven. Notable firsts included Tramell Tillman becoming the first Black man to win Supporting Actor in a Drama for Severance, Seth Rogen claiming his first Emmy ever for The Studio, and The Penguin's Cristin Milioti bringing home the only award for the series for her portrayal of Sofia Falcone. The freshly merged Paramount/Skydance is exploring a potential bid to acquire all of Warner Brothers Discovery, according to the Wall Street Journal.Universal and Illumination have officially titled the Super Mario Bros. Movie sequel The Super Mario Galaxy Movie, taking its name from Nintendo's 2007 Wii game and setting an April 3, 2026 release date. The entire voice cast including Chris Pratt, Anya Taylor-Joy, Charlie Day, and Jack Black will return for the follow-up to the record-breaking original that earned $1.36 billion worldwide.Amazon MGM/s Highlander reboot, which was set to go into principal photography this month, will now be pushed into 2026 after Henry Cavill sustained an injury during pre-production.A24 has reportedly won the bidding war for the Texas Chainsaw Massacre film and TV rights, beating out competitors including Jordan Peele and Taylor Sheridan. The horror studio plans to first develop a series from Strange Darling director JT Mollner, producer Roy Lee, and Glen Powell, though Powell will not star in the project.Oscar nominated actress Mary McDonnell has joined the cast of Marvel's upcoming Vision series, the Hollywood Reporter has learned. At this time, her role has not been disclosed.
pWotD Episode 3058: Stephen Graham Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 606,411 views on Monday, 15 September 2025 our article of the day is Stephen Graham.Stephen Graham (born 3 August 1973) is an English actor and film producer. He began his career in 1990, with early notable roles in Snatch (2000) and Gangs of New York (2002), before his breakthrough role as Andrew "Combo" Gascoigne in the film This Is England (2006).On television, Graham reprised his role as Combo in This Is England '86, This Is England '88, and This Is England '90. He also starred in the drama Little Boy Blue, in the fifth series of Line of Duty, in the HBO series Boardwalk Empire, in the BBC drama Time, and in the sixth series of Peaky Blinders. He created, co-wrote and executive produced the miniseries Adolescence (2025) on Netflix, in which he also appeared, and won all of three nominations at the 77th Primetime Emmy Awards for it.Graham's film appearances include Tinker Tailor Soldier Spy (2011), Pirates of the Caribbean: On Stranger Tides (2011) and Pirates of the Caribbean: Dead Men Tell No Tales (2017), The Irishman (2019), Boiling Point (2021) and its sequel series of the same name (2023), and Venom: Let There Be Carnage (2021) and its sequel Venom: The Last Dance (2024). He has received nominations for seven British Academy Television Awards, three Primetime Emmy Awards and one British Academy Film Award. He was appointed OBE in 2023.This recording reflects the Wikipedia text as of 01:33 UTC on Tuesday, 16 September 2025.For the full current version of the article, see Stephen Graham on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Nicole.
The Netflix miniseries follows a 13-year-old accused of murdering a girl from his school. Co-creator and star Stephen Graham says he read about similar crimes and wanted to know: "Why is this happening?" Graham spoke with Sam Briger about the crime that inspired the show, fatherhood, and the unusual way the show was shot — in one single take. Adolescence has 13 Emmy nominations. Film critic Justin Chang reviews Downton Abbey: The Grand Finale.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The Netflix miniseries follows a 13-year-old accused of murdering a girl from his school. Co-creator and star Stephen Graham says he read about similar crimes and wanted to know: "Why is this happening?" Graham spoke with Sam Briger about the crime that inspired the show, fatherhood, and the unusual way the show was shot — in one single take. Adolescence has 13 Emmy nominations. Film critic Justin Chang reviews Downton Abbey: The Grand Finale.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
"Adolescence" is a British television psychological crime drama series created by Emmy nominees Jack Thorne and Stephen Graham and directed by Emmy nominee Philip Barantini. It centers on a 13-year-old schoolboy, Jamie Miller (Emmy nominee Owen Cooper), who is arrested after the murder of a girl in his school. Each of its episodes was shot in one continuous take. The limited series received critical acclaim for its directing, writing, and cinematography, with special attention paid to its atmosphere and performances. It has received thirteen nominations at the 77th Primetime Emmy Awards, including for Outstanding Limited or Anthology Series and acting nominations for Graham, Ashley Walters, Christine Tremarco, Cooper, and Erin Doherty. Thorne, Tremarco, Walters, and Emmy-nominated cinematographer Matthew Lewis were all kind enough to spend some time speaking with Giovanni Lago, Daniel Howat, Will Mavity, and Brendan Hodges about their work respectively on the series, which you can listen to below. Please be sure to check out the limited series, which is now available to stream in full on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
In this Film Ireland podcast, Naemi Victoria talks to Paul Sng, Director of Irvine Welsh: Reality Is Not Enough, which had its World Premiere at the Edinburgh International Film Festival on 20th August 2025. This intimate documentary explores the life, legacy, and creative genius behind groundbreaking novels like 'Trainspotting', 'Crime', and 'Filth'. Narrated by an all-star cast including Liam Neeson, Maxine Peake, Nick Cave, Ruth Negga, and Stephen Graham, the film follows Welsh as he embarks on a profound psychedelic journey, reflecting deeply on his upbringing in Edinburgh, his wild years in London's 1970s counterculture, and the fame that followed his global literary success. Irvine Welsh: Reality Is Not Enough will be in UK & Irish cinemas from 26th September
The Cinematography Podcast Episode 321: Cinematographer Matt Lewis In the limited Netflix series Adolescence, each episode unfolds as a single, uninterrupted take, a cinematic choice that immediately immerses viewers in the unfolding drama. This ambitious format was a deliberate artistic choice. Both cinematographer Matt Lewis and series director Philip Barantini had previously collaborated on the independent feature Boiling Point, which also followed the one-shot format. This shared experience allowed them to bring a unique intensity and almost voyeuristic quality to the new series. As Matt explains, “A one-shot creates intensity. It creates slight paranoia that something might happen because you've got this lack of editing. We managed to deploy that technique for Adolescence to make it feel like the camera just happened to be there. It was an inevitable floating force. You never feel like the camera is a filmmaker.” The decision to film Adolescence in one continuous shot was a massive undertaking that required meticulous planning, from the writing stage to the final take. The series' writers, Jack Thorne and Stephen Graham, crafted the script with this format in mind, allowing the story to flow seamlessly from one character to the next. The crew and cast treated each hour-long episode like a live theatrical performance, knowing that any mistake would require a complete reset. For Matt, the process was similar to choreographing a dance. The cast and crew had about 2 attempts per day to get each hour long episode right. Matt chose a single, lightweight DJI Ronin 4D camera that was passed between operators and even mounted on a drone for one episode, emphasizing the camera's fluid, continuous motion. “It forces a kind of energy on set, which is really palpable when you're there,” explains Matt. “I think that also translates into the piece. A true one shot wasn't any sort of flex. We wanted to try and see if by stripping back and actually not having those opportunities to cut camera, it ends up focusing more on the story.” To navigate the complex, unbroken shots, Matt relied on detailed preparation and his extensive experience. He used the application Shot Designer to meticulously map out the camera's path, memorizing specific lines of dialogue as cues for each movement. Fortunately, the cast and crew had two weeks of rehearsals. Matt used his phone to shoot the rehearsal for reference, in order to plan the camera's route and see what would work. The lighting was also an integral part of this intricate choreography. Every fixture was practically built into the set and controlled in sync with the camera's journey through the scene. “Every step the camera takes is choreographed,” says Matt. “There was no room to work it out in the moment. But ultimately, we're creating a route, a path through a place. So there's only a certain way you can do that. If you start moving one piece, then you can't get from that piece to the next one suddenly.” The one-shot format in Adolescence ultimately served the story, creating a powerful and intimate viewing experience. By stripping away the ability to cut, Matt and the team were able to focus entirely on the narrative, allowing the raw energy and palpable tension of the set to translate directly to the screen. Find Matt Lewis: Instagram: @mattlewisfilm Matt Lewis is Emmy-nominated for episode 2 of Adolescence. See Adolescence on Netflix. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
According to the Substance Abuse and Mental Health Services Administration, in 2022, more than one in three U.S. adolescents between the ages of 18 and 25 had some form of mental health disorder, including anxiety and depression. There's also a loneliness epidemic: Teens and adults are more connected than ever, yet, somehow, more alone. Kara and three panelists explore how much blame should be placed on technology like smartphones, the impact of social media, whether the adolescent brain is inherently vulnerable, how artificial intelligence might shift the paradigm, and how parents and society at large could mitigate the problem. In this episode: Lauren Greenfield, artist, documentary photographer and filmmaker, who has been chronicling the lives of American adolescents for decades. Most recently, she created and directed Social Studies, an Emmy-nominated five-part docuseries for FX. Matt Richtel, a health and science reporter for the New York Times, who has long covered the social impact of the tech industry. His latest book, How We Grow Up: Understanding Adolescence, draws on neuroscience and personal narratives to explore the changing complexities of the teen brain and the role technology plays. Jack Thorne, playwright and screenwriter, whose recent Emmy-nominated Netflix hit Adolescence, co-created with Stephen Graham, examines the psychological toll of toxic masculinity, bullying and social media radicalization after a teenage boy kills his female classmate. Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices
After becoming one of Netflix's most-watched series ever, 'Adolescence' star and co-creator Stephen Graham, and his costars Owen Cooper and Erin Doherty, join Awardist host Gerrad Hall to discuss the impressive limited series, each episode of which was filmed in one take, the emotional preparation, why they focused on the family of the accused, and more. Plus, Gerrad is joined by EW critic Kristen Baldwin to chat about the Original Music & Lyrics category, which includes songs by Kristen Wiig and Adam Sandler, and the Variety Special category, which includes Beyoncé and two 'SNL' nominations and will now be presented at the Primetime ceremony. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Tyler Coates joins Katey and Christopher Rosen to look at the slates for three indie labels owned by studios that all hope to stake their claim in this year's awards race. Searchlight Pictures, the only one of the three to ever win best picture, is hoping to win hearts with Rental Family, while Focus Features is going heavy on auteurs with Yorgos Lanthimos's Bugonia and Chloe Zhao's Hamnet. Meanwhile Sony Pictures Classics has a tried-and-true formula for getting their films in front of voters, and have a heavy historical drama, Scarlett Johansson's directorial debut, and much more. The episode also includes Katey's conversation with Stephen Graham about his labor of love turned worldwide phenomenon, Adolescence. He calls the experience of making the show like working with a theater troupe, and talks about how he built the confidence to build the series around a series of astonishing single-takes, and why he thinks the show has hit such a nerve since it debuted on Netflix earlier this year. Subscribe to Prestige Junkie After Party, where you can get video versions of future episodes and lots of special bonus content. Join us there! Subscribe to the Prestige Junkie newsletter. Follow Katey on Letterboxd. Follow The Ankler.
News Alert: Michael Mann mag zwar in die Jahre gekommen sein, seine Filme gucken sich aber immer noch so rough und packend wie die aus seinen jugendlicheren Tagen. Das liegt in PUBLIC ENEMIES (2009) nicht zuletzt an einem frischen Ensemble, gespickt mit up 'n coming Stars wie Jason Clark, Stephen Graham und Channing Tatum – nur Hauptdarsteller Johnny Depp kann da nicht ganz mithalten. Das gilt übrigens auch für BLACKHAT (2015), dessen Besetzung hier und da für Stirnrunzeln sorgt. Und dabei sprechen wir nicht nur von Hacker Hunk Thor. Dafür gehört aber die Action zum Besten, was Maestro Mann im Laufe seiner Karriere auf die Leinwand gezaubert hat. Und zum il grande Finale beweist der Regisseur mit FERRARI (2024), dass er sogar in der Lage ist, eine richtig gute Frauenrolle zu schreiben und diese mit Penélope Cruz auch noch kongenial zu besetzen. Und ja, die Autorennen ballern ebenso. Vrrrooom!!!
"Severance" from Apple TV+ earned 27 nominations for the 77th annual Primetime Emmy Awards, while HBO Max's "The Penguin" and "The White Lotus" weren't far behind. "The Studio" and "The Bear" were also high on the list, and Harrison Ford picked up an acting nomination for "Shrinking." On this episode, the co-hosts go through some of the notable selections — and snubs — following the release of the nominations. Review the full list below: Outstanding drama series"Andor" (Disney+)"The Diplomat" (Netflix)"The Last of Us" (HBO Max)"Paradise" (Hulu)"The Pitt" (HBO Max)"Severance" (Apple TV+)"Slow Horses" (Apple TV+)"The White Lotus" (HBO Max)Outstanding comedy series"Abbott Elementary" (ABC)"The Bear" (FX)"Hacks" (HBO Max)"Nobody Wants This" (Netflix)"Only Murders in the Building" (Hulu)"Shrinking" (Apple TV+)"The Studio" (Apple TV+)"What We Do in the Shadows" (FX)Outstanding limited or anthology series"Adolescence" (Netflix)"Black Mirror" (Netflix)"Dying for Sex" (FX)"Monsters: The Lyle and Erik Menendez Story" (Netflix)"The Penguin" (HBO Max)Outstanding television movie"Bridget Jones: Mad About the Boy" (Peacock)"The Gorge" (Apple TV+)"Mountainhead" (HBO Max)"Nonnas" (Netflix)"Rebel Ridge" (Netflix)Outstanding reality competition program"The Amazing Race" (CBS)"RuPaul's Drag Race" (MTV)"Survivor" (CBS)"Top Chef" (Bravo)"The Traitors" (Peacock)Outstanding talk series"The Daily Show" (Comedy Central)"Jimmy Kimmel Live!" (ABC)"The Late Show with Stephen Colbert" (CBS)Outstanding scripted variety series"Last Week Tonight with John Oliver" (HBO Max)"Saturday Night Live" (NBC)Outstanding variety special (live)"The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar" (Fox)"Beyoncé Bowl" (Netflix)"The Oscars" (ABC)"SNL50: The Anniversary Special" (NBC)"SNL50: The Homecoming Concert" (Peacock)Outstanding variety special (pre-recorded)"Adam Sandler: Love You" (Netflix)"Ali Wong: Single Lady" (Netflix)"Bill Burr: Drop Dead Years" (Hulu)"Conan O'Brien: The Kennedy Center Mark Twain Prize For American Humor" (Netflix)"Sarah Silverman: Postmortem" (Netflix)"Your Friend, Nate Bargatze" (Netflix)Outstanding game show"Celebrity Family Feud" (ABC)"Jeopardy" (ABC)"The Price is Right" (CBS)"Wheel of Fortune" (ABC)"Who Wants to Be a Millionaire" (ABC)Outstanding lead actress in a drama seriesKathy Bates, "Matlock"Sharon Horgan, "Bad Sisters"Britt Lower, "Severance"Bella Ramsey, "The Last of Us"Keri Russell, "The Diplomat"Outstanding lead actor in a drama seriesSterling K. Brown, "Paradise"Gary Oldman, "Slow Horses"Pedro Pascal, "The Last of Us"Adam Scott, "Severance"Noah Wyle, "The Pitt"Outstanding lead actress in a comedy seriesUzo Aduba, "The Residence"Kristen Bell, "Nobody Wants This"Quinta Brunson, "Abbott Elementary"Ayo Edebiri, "The Bear"Jean Smart, "Hacks"Outstanding lead actor in a comedy seriesAdam Brody, "Nobody Wants This"Seth Rogen, "The Studio"Jason Segel, "Shrinking"Martin Short, "Only Murders in the Building"Jeremy Allen White, "The Bear"Outstanding lead actress in a limited or anthology series or movieCate Blanchett, "Disclaimer"Meghann Fahy, "Sirens"Rashida Jones, "Black Mirror"Cristin Milloti, "The Penguin"Michelle Williams, "Dying for Sex"Outstanding lead actor in a limited or anthology series or movieColin Farrell, "The Penguin"Stephen Graham, "Adolescence"Jake Gyllenhaal, "Presumed Innocent"Brian Tyree Henry, "Dope Thief"Cooper Koch, "Monsters: The Lyle and Erik Menendez Story"Outstanding supporting actress in a drama seriesPatricia Arquette, "Severance"Carrie Coon, "The White Lotus"Katherine LaNasa, "The Pitt"Julianne Nicholson, "Paradise"Parker Posey, "The White Lotus"Natasha Rothwell, "The White Lotus"Aimee Lou Wood, "The White Lotus"Outstanding supporting actor in a drama seriesZach Cherry, "Severance"Walton Goggins, "The White Lotus"Jason Isaacs, "The White Lotus"James Marsden, "Paradise"Sam Rockwell, "The White Lotus"Tramell Tillman, "Severance"John Turturro, "Severance"Outstanding supporting actress in a comedy seriesLiza Colón-Zayas, "The Bear"Hannah Einbinder, "Hacks"Kathryn Hahn, "The Studio"Janelle James, "Abbott Elementary"Catherine O'Hara, "The Studio"Sheryl Lee Ralph, "Abbott Elementary"Jessica Williams, "Shrinking"Outstanding supporting actor in a comedy seriesIke Barinholtz, "The Studio"Colman Domingo, "The Four Seasons"Harrison Ford, "Shrinking"Jeff Hiller, "Somebody Somewhere"Ebon Moss-Bachrach, "The Bear"Michael Urie, "Shrinking"Bowen Yang, "Saturday Night Live"Outstanding supporting actress in a limited or anthology series or movieErin Doherty, "Adolescence"Ruth Negga, "Presumed Innocent"Deirdre O'Connell, "The Penguin"Chloë Sevigny, "Monsters: The Lyle and Erik Menendez Story"Jenny Slate, "Dying for Sex"Christine Tremarco, "Adolescence"Outstanding supporting actor in a limited or anthology series or movieJavier Bardem, "Monsters: The Lyle and Erik Menendez Story"Bill Camp, "Presumed Innocent"Owen Cooper, "Adolescence"Rob Delaney, "Dying for Sex"Peter Sarsgaard, "Presumed Innocent"Ashley Walters, "Adolescence"Outstanding guest actress in a drama seriesJane Alexander, "Severance"Gwendoline Christie, "Severance"Kaitlyn Dever, "The Last of Us"Cherry Jones, "The Handmaid's Tale"Catherine O'Hara, "The Last of Us"Merritt Wever, "Severance"Outstanding guest actor in a drama seriesGiancarlo Esposito, "The Boys"Scott Glenn, "The White Lotus"Shawn Hatosy, "The Pitt"Joe Pantoliano, "The Last of Us"Forest Whitaker, "Andor"Jeffrey Wright, "The Last of Us"Outstanding guest actress in a comedy seriesOlivia Colman, "The Bear"Jamie Lee Curtis, "The Bear"Cynthia Erivo, "Poker Face"Robby Hoffman, "Hacks"Zoë Kravitz, "The Studio"Julianne Nicholson, "Hacks"Outstanding guest actor in a comedy seriesJon Bernthal, "The Bear"Bryan Cranston, "The Studio"Dave Franco, "The Studio"Ron Howard, "The Studio"Anthony Mackie, "The Studio"Martin Scorsese, "The Studio"Outstanding directing for a drama series"Andor," Janus Metz ("Who Are You?")"The Pitt," Amanda Marsalis ("6 P.M.")"The Pitt," John Wells ("7 A.M.")"Severance," Jessica Lee Gagné ("Chikhai Bardo")"Severance," Ben Stiller ("Gold Harbor)"Slow Horses," Adam Randall ("Hello Goodbye")"The White Lotus," Mike White ("Amor Fati")Outstanding directing for a comedy series"The Bear," Ayo Edebiri ("Napkins")"Hacks," Lucia Aniello ("A Slippery Slope")"Mid-Century Modern," James Burrows ("Here's To You, Mrs. Schneiderman")"The Rehearsal," Nathan Fielder ("Pilot's Code")"The Studio," Seth Rogen & Evan Goldberg ("The Oner")Outstanding directing for a limited or anthology series or movie"Adolescence," Philip Barantini"Dying for Sex," Shannon Murphy ("It's Not That Serious")"The Penguin," Helen Shaver ("Cent'anni")"The Penguin," Jennifer Getzinger ("A Great or Little Thing")"Sirens," Nicole Kassell ("Exile")"Zero Day," Leslie Linka GlatterOutstanding writing for a drama series"Andor," Dan Gilroy ("Welcome to the Rebellion")"The Pitt," Joe Sachs ("2 P.M.")"The Pitt," R. Scott Gemmill ("7 A.M.")"Severance," Dan Erickson ("Cold Harbor")"Slow Horses," Will Smith ("Hello Goodbye")"The White Lotus," Mike White ("Full-Moon Party")Outstanding writing for a comedy series"Abbott Elementary," Quinta Brunson ("Back To School")"Hacks," Lucia Aniello, Paul W. Downs and Jen Statsky ("A Slippery Slope")"The Rehearsal," Nathan Fielder, Carrie Kemper, Adam Lock-Norton and Eric Notarnicola ("Pilot's Code")"Somebody Somewhere," Hanna Bos, Paul Thureen and Bridget Everett ("AGG")"The Studio," Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez ("The Promotion")"What We Do in the Shadows," Sam Johnson, Sarah Naftalis and Paul Simms ("The Finale")Outstanding writing for a limited or anthology series or movie"Adolescence," Jack Thorne and Stephen Graham"Black Mirror," Charlie Brooker and Bisha K. Ali ("Common People")"Dying for Sex," Kim Rosenstock and Elizabeth Meriwether ("Good Value Diet Soda")"The Penguin," Lauren LeFranc ("A Great or Little Thing")"Say Nothing," Joshua Zetumer ("The People in the Dirt")Outstanding writing for a variety series"The Daily Show""Last Week Tonight with John Oliver""Saturday Night Live" About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
In this episode, Nathan and Whitney break down the gripping four-part Netflix drama Adolescence, a British psychological crime series filmed entirely in one take per episode. The story follows 13-year-old Jamie Miller, who's arrested for the murder of a classmate — but what unfolds is a chilling, timely examination of bullying, toxic masculinity, social media and the emotional lives of boys.They discuss what makes the show a standout of the year so far, how the one-shot format heightens the intensity and why it's both an artistic and emotional achievement worth watching — especially with teens.
Grab your extra-icy Arnold Palmer… it's Mr. Stephen Graham. Topics may include: Scouse, scavenger hunts, parachute pants, and the risk of pretension. So load up your Dopp kit, and as always, thank you for flying the friendly skies with Air SmartLess. Subscribe to SiriusXM Podcasts+ to listen to new episodes of SmartLess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
The Big Mates discuss Shane Meadows, Stephen Graham, Paddy Considine, and Whatever People Say I Am, That's What I'm Not by Arctic Monkeys. Adam, Steve, and Lucas continue and conclude their discussion of the band's debut album, providing analysis and opinion as they finish up their track-by-track exploration.They discuss the final tracks of the album and then offer up their thoughts and feelings on the album as a whole, give it a score out of ten, and then explore the enormous success of the album, the critical reaction at the time of release, and how it has stood the test of time.They also find time to talk about the mid-00s cultural turning point, the future of Arctic Monkeys, and songs from the past that remind them of this album.What will we make of the album? Do you sing along in an accent? Who is the world's biggest Ke$ha fan? Find out on this episode of What Is Music?Our next episode is out next week, Monday June 30th, and will see us discuss the band's 2006 EP, Who the Fuck Are Arctic Monkeys? Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show
In this special crossover episode of the JKL Media Podcast and Set Less Than Bruce, hosts Karen, Lou, and Jesse discuss the newly released trailer for 'Deliver Me From Nowhere,' a film about Bruce Springsteen's Nebraska album. They share their excitement about Jeremy Allen White's portrayal of Springsteen, the movie's faithful depiction of the time period, and the impressive cast, including Jeremy Strong, Stephen Graham, and Mark Marin. They also touch upon fan reactions, the choice of Nebraska as the focus, and the importance of capturing the spirit rather than the exact appearance of Springsteen. The episode wraps up with a teaser for their upcoming discussion on the trial of the Chicago Seven. 00:00 Introduction and Greetings 02:42 Discussing the New Springsteen Biopic 05:08 Trailer Reactions and Cast Discussion 07:32 Debating Actor Resemblance in Biopics 12:53 Springsteen's Personal Stories and Legacy 15:10 Conclusion and Sign-Off Learn more about your ad choices. Visit megaphone.fm/adchoices
In this special crossover episode of the JKL Media Podcast and Set Less Than Bruce, hosts Karen, Lou, and Jesse discuss the newly released trailer for 'Deliver Me From Nowhere,' a film about Bruce Springsteen's Nebraska album. They share their excitement about Jeremy Allen White's portrayal of Springsteen, the movie's faithful depiction of the time period, and the impressive cast, including Jeremy Strong, Stephen Graham, and Mark Marin. They also touch upon fan reactions, the choice of Nebraska as the focus, and the importance of capturing the spirit rather than the exact appearance of Springsteen. The episode wraps up with a teaser for their upcoming discussion on the trial of the Chicago Seven. 00:00 Introduction and Greetings 02:42 Discussing the New Springsteen Biopic 05:08 Trailer Reactions and Cast Discussion 07:32 Debating Actor Resemblance in Biopics 12:53 Springsteen's Personal Stories and Legacy 15:10 Conclusion and Sign-Off Learn more about your ad choices. Visit megaphone.fm/adchoices
Seth takes a closer look at the rift forming between the world's richest man, Elon Musk, and President Trump, two guys with tons of money and giant egos who thought they could be best friends.Following that, Stephen Graham talks about the traumatic medical event he had on a flight, what it was like to shoot full episodes of "Adolescence" in one shot and his role in the Bruce Springsteen biopic.Then, exclusively for this podcast, Stephen continues the conversation backstage at Studio 8G.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Gotham TV Awards 2025: In this episode, we recap the standout moments and winners from this year's Gotham TV Awards ceremony. “Adolescence” emerged as the big victor, taking home three honors—including Breakthrough Limited Series and Lead Performance for Stephen Graham—after its March streaming debut. We also discuss Jenny Slate's tie with Owen Cooper for Outstanding Supporting Performance and spotlight other breakout talents like Julio Torres (Fantasmas), Poorna Jagannathan (Deli Boys), Kathy Bates (Matlock), and Ben Whishaw (Black Doves). Beyond the TV categories, we cover the top documentary and film awards—such as “Pee-wee as Himself” winning Best Original Film—and the key tributes paid to industry icons like Amy Sherman-Palladino, Elisabeth Moss, Brian Tyree Henry, and Parker Posey. Whether you missed the live announcements or want an insider's take on the breakout series and performances, this episode delivers a comprehensive review of Gotham's 2025 winners and what these accolades mean for the future of television.Target KeywordsGotham TV Awards 2025Adolescence limited seriesGotham Awards winnersBreakthrough series GothamsStephen Graham performanceTags (for podcast platforms)Gotham TV AwardsEntertainment NewsTV IndustryAward ShowsLimited SeriesPop CultureStreamingHashtags#GothamTVAwards #AdolescenceSeries #StephenGraham #KathyBates #BenWhishaw #TVAwards2025 #BreakthroughSeries
Amanda Knox was convicted — and ultimately exonerated — for the murder of her roommate Meredith Kercher while studying abroad in Italy. Now in a new memoir, Knox explains why getting out of prison was not the end of her saga. Also, we hear from British actor Stephen Graham. He stars in the Netflix miniseries Adolescence as the father of a 13-year-old boy arrested for murdering a girl from his school. He also co-created the series and talks about the ambitious style in which it was shot — in one long take. Ken Tucker reviews new albums by Lucy Dacus and Jeffrey Lewis.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The Netflix miniseries follows a 13-year-old accused of murdering a girl from his school. Co-creator and star Stephen Graham says he read about similar crimes and wanted to know: "Why is this happening?" Graham spoke with Sam Briger about the crime that inspired the show, fatherhood, and the unusual way the show was shot — in one single take. Graham also stars as a bare-knuckle boxer in the period drama series A Thousand Blows. Sign up for our free weekly newsletter to get special behind-the-scenes content, producer recommendations, and gems from the archive. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy