Podcast appearances and mentions of joey burns

Send us a Text Message.This week, we're answering some of the most frequently asked questions in the lab. Our R&D chemists, Autumn Phillips and Madeline Gozzi, along with production manager Joey Burns, offer their insights on the best practices for lithium analysis using ICP-OES and ICP-MS. Discover how to handle spectral interferences, the role of ionization buffers, and why tuning your ICP-MS is crucial for accurate results. Plus, learn how to verify the cleanliness of your DI water and avoid contamination from unexpected sources.

Entrevista a Joey Burns del grupo Calexico en Hoy por Hoy Córdoba. 43 Festival de la Guitarra

Send us a Text Message.Host Mike Booth, continues the engaging conversation with Ashley Jones, Autumn Phillips, and Joey Burns as they address more of the most frequently asked technical support questions.In this episode, the team dives into the topic of transpiration and the benefits of TCT (transpiration control technology) bags for maintaining the integrity of your standards. They also discuss best practices for using your standards, including the debate between preparing by weight versus volume, and share tips for effective sample preparation, especially when dealing with challenging materials like zeolites.For more ICP education, try out our virtual learning academy, IV Ignite.

Send us a Text Message.In this episode, host Mike Booth, Technical Director at Inorganic Ventures, is joined by our knowledgeable team: Ashley Jones, Autumn Phillips, and Joey Burns. Together, they tackle some of the most frequently asked technical support questions about ICP sample preparation and analytical science.Discover solutions to common challenges with arsenic and mercury, learn about the impact of oxidation states on ICP analysis, and get insights into working with natural abundance versus depleted uranium in standards. Join us next week for part 2 as we continue the conversation with more FAQs and practical advice!

Formed in 1996 and named for the California-Mexico border town, the indie rock band Calexico is returning to New Zealand once more for three shows this February.  Frontmen Joey Burns and John Convertino originated the band, the shows they're playing a part of their 20th anniversary tour for their original album: ‘Feast of the Wire.'  Joey Burns told Tim Dower that back when they first created the album, they had no idea that it could be an anniversary tour twenty years on.  “We were all so focused on the next project,” he told Dower.   “We don't often take the time to pause and reflect back and celebrate an album.”  Burns said that it feels really good to reflect back on the album, their lives, and their friendships through the lens of this tour.  LISTEN ABOVE See omnystudio.com/listener for privacy information.

Vancouver Folk Music Festival broadcasting live from the Rogue Folk tent in the park! Sadly, there were some technical diffculties at the start, so the show didn't really commence until 8:22 or so. I didn't think we had saved any of it, but here is the show. Previewing western Canadian festivals - including Vancouver, of course - and near the end there is a fascinating conversation with Joey Burns of Calexico. Enjoy!!

In the nearly 30-year lifespan of Arizona-bred band Calexico, they've incorporated a bevy of Latin sounds into their personal brand of rock and roll. As frontman Joey Burns told DJ Miss Ashley in this episode of Live on KEXP, “I felt like North America needs to get over itself and embrace diversity. Felt good to raise the middle finger to people who are uptight.”  Their new record, El Mirador, continues that path of world-inspiration despite being confined to a home studio made out of shipping containers during the pandemic. This episode sees the band play four songs off the new album for their latest of many performances for KEXP. Recorded 06/05/2022. Caldera Then You Might See Rancho Azul Cumbia Del Polvo Watch the full Live on KEXP session on YouTubeSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

In the nearly 30-year lifespan of Arizona-bred band Calexico, they've incorporated a bevy of Latin sounds into their personal brand of rock and roll. As frontman Joey Burns told DJ Miss Ashley in this episode of Live on KEXP, “I felt like North America needs to get over itself and embrace diversity. Felt good to raise the middle finger to people who are uptight.”  Their new record, El Mirador, continues that path of world-inspiration despite being confined to a home studio made out of shipping containers during the pandemic. This episode sees the band play four songs off the new album for their latest of many performances for KEXP. Recorded 06/05/2022. Caldera Then You Might See Rancho Azul Cumbia Del Polvo Watch the full Live on KEXP session on YouTubeSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Cofounder of Calexico, Joey Burns and long-time compatriot Sergio Mendoza stopped by for a warm chat about what's going on with this prolific band.  With a unique blend of folk, indie rock, and Americana,  and with great respect to the traditions of Mexico and South America, Calexico has become synonymous with the sound of the desert southwest.  Decades in, they are still blooming with new material.  Their most recent release, recorded in Tucson, AZ at Sergio Mendoza's home studio, continues the tradition, sounding as if it is floating from the windows to the streets of some narrow-walked Mexican town.  We're talking recording, touring and plenty of other savory topics so come on in and give a listen.

Joey Burns of Calexico offers his view on tracklisting Is Stephen Steps Lowe onto something? Sam Steen recently asked Joey Burns if he, too, thinks second songs are superior.

. ..Cuidado con El Mirador… Throughout their decades-long career, Calexico founders Joey Burns and John Convertino have remained true to their Southwestern roots, and that deep reverence burns throughout their tenth full-length studio release, El Mirador. The opening title track, and killer rips like “Cumbia del Polvo,” are layered with cumbia, conjunto and mariachi influences, […]

We spoke to Joey Burns on the eve of Calexico's recent European shows in Brussels and London. Calexico play bigger venues in Europe than they do on their home turf, despite inventing a sound that conveys that land so evocatively. Indeed, it was music journalist Fred Mills who captured the band's sound so perfectly with just two words: “desert noir”.  What a cool subgenre to have invented. Since most music writers lazily throw in all the various tex mex music flavours in describing Calexico's sound, Joey is happy to clarify:“We are connected more with mariachi and cumbia than say tex mex or tejano or norteño which has a different connection to a different tradition. For the most part we are mariachi, cumbia. I've never felt like I've mastered anything, but I'm lucky enough to play with some of those that have”. Calexico is touring as a septet, with Burns and partner/drummer John Convertino accompanied by Sergio Mendoza, MARIACHI LUZ DE LUNA, upright bass virtuoso Scott Colberg and the brilliant guitar player and singer Brian Lopez. The set combines magical mariachi of the highest possible standard, yet when the band chooses to (as on the thrilling Then You Might See) they jam out extended plays of true sonic power in the style of Radiohead or James. In combining those elements the band's singularity is astonishing. I can usually pinpoint exactly how I discovered a new band of longevity and for Calexico it was a recommendation from the late, erudite Robert Sandall, BBC Radio 3 presenter of Late Junction and one time Head of PR for Virgin Records. He told me I must listen to Feast of Wire three times. He was very specific about it. I remain entirely grateful to Robert. There is nothing quite like a recommendation that sticks. Not only did that one tether me to Calexico for life, but the ‘listen three times' rule is something I have adopted as a tactic in my own recommendations. I implore you, thrice discerning listeners. It is well-known that beautiful things often come in threes. Support the show

"El mirador"

Joey Burns - Gitarrist, Sänger, Songwriter und einer der beiden Gründer der Band Calexico. Mit seiner Musik möchte er Grenzen überbrücken und das steckt schon im Namen. Von Anna-Bianca Krause.

This week, we have a few guests again as Christmas nears. Americana artist Amanda Shires is on hand to talk about For Christmas, and the way it reflects some of the less common impulses behind Christmas music. The husband and wife team of Rod and Rose—country singer Rodney Atkins and Rose Falcon—talk about why they recorded “Winter Wonderland,” and how their conflicting writing styles got them to a new song for this holiday season. Finally, indie multi-instrumentalist Julian Koster drops by to talk about his role in the 2008 album, The Singing Saw at Christmastime.    We'll have more with all three in 2022.   In the news this week, host Alex Rawls contributed a story on the influence of Vince Guaraldi's soundtrack to A Charlie Brown Christmas to The New Orleans Advocate. The story includes quotes from George Winston, Steven Drozd, Kristin Chenoweth, Joey Burns of Calexico, Mega Ran, and Jen Gunderman of The Ornaments, all drawn from episodes of this podcast.    If you're maxing out on the Christmas music you have, let us help. At Spotify, you can listen to our 24-hour “Twelve Songs of Christmas Radio.” Just click Shuffle and you get the Christmas radio experience minus the repetition. Or, you can email Alex@myspiltmilk.com to get an mp3 of our 90-minute holiday mix.    If you haven't already done so, please do what you have to do to get Twelve Songs in your podcast feed. You can find us at Apple Podcasts, Google Play, Stitcher, Pandora, and Spotify.  

Think of this as a remix. Last year, I interviewed New Orleans bounce artist Big Freedia for an episode about his Christmas music including the EP he released last season, Smokin' Santa Christmas. In early January, I interviewed New Orleans' founder of "rap cabaret" Boyfriend about Amy Grant's A Christmas Album. We also talked about her work with Big Freedia--a part of the conversation I saved because the Amy Grant conversation was a full episode on its own. (Boyfriend has also appeared on the show to talk about her love of The Carpenters.) So this week, I've pulled the two interviews together, combining highlights of the Big Freedia interview with Boyfriend's behind the scenes point of view, and I've included a short digression into Boyfriend's first Christmas song, a version of "You're a Mean One, Mr. Grinch" with the Preservation Hall Jazz Band. This episode also includes another call-back. When I interviewed Calexico's Joey Burns, we talked about the Spanish language Christmas song, "Mi Burrito Sabanero," which they performed with singer Gabi Moreno on their Seasonal Shift. This week, I go through some of the recorded highlights of the song's history, though they really don't make it any clearer why that song has developed a seasonal following in Miami.  If you have any questions, suggestions, or favorites you want to share, I'm at alex@myspiltmilk.com. If you haven't already done so, please do what you have to do to get Twelve Songs in your podcast feed. You can find us at Apple Podcasts, Google Play, Stitcher, Pandora, and Spotify. 

In December, I had more good interviews than I had time for, so I ran episodes that featured excerpts from conversations with a number of artists. One such musician was Joey Burns of Calexico. Calexico released Seasonal Shift in time for last Christmas, and last December I ran the part of our conversation about their version of "Happy Xmas (War is Over)" and the political significance that Calexico's music has taken on.  This week, I'm returning to that conversation, which again ranges wildly from talking about their musical guests, their method, and their musical default settings (which aren't what you might expect.) Unfortunately, it sounds like someone is stacking poker chips throughout the interview. That sound wasn't audible when I talked to Burns, but it showed up on the recording for the first and only time so far. I wish it wasn't there, but since the alternatives were use the recording or don't, I went with it. I didn't find it too distracting; if you do, sorry. I wish it wasn't there either.  This episode also shines a spotlight on an album I consider to be a good but not great Christmas album: The Beach Boys' Christmas Album from 1964. I generally consider Christmas music to be a singles or playlist medium, but The Beach Boys' Christmas Album gets a lot of love. It deserves the praise it gets on the strength of a handful of songs, but the version of "Blue Christmas" illustrates some real problems that The Beach Boys just couldn't overcome.  

Joey Burns of indie-rock band Calexico joins improvisers Charlie Sanders and Brian Huskey for this week’s improv4humans with Matt Besser! Joey plays songs that inspire scenes about the upside of smog, convicts faking cramps, competitive flower arranging, succeeding as a psychic, and more!

Before Christmas, I talked to Holly Foster-Wells, the president of Peggy Lee Associates, about her grandmother, singer Peggy Lee. In the episode that also included conversations with Joey Burns of Calexico and Grant-Lee Phillips, we talked about Lee's Christmas parties and her songwriting, which seemed to be aimed at children more than fans might expect.  Today, we resume the conversation to talk more about her songwriting, her role in her career, and the challenges she dealt with as a woman that men didn't.  During the Christmas season, Capitol Records released a two-CD/two-record set of her Christmas music, Ultimate Christmas. This episode also includes one of my favorite bizarre Christmas songs, "Jingle Bell Hustle" by Wayne Newton.

In this episode, David Harris, Holly Hazelwood and Eric Mellor are joined by special guest, Joey Burns from Calexico, to discuss Christmas tunes and music from far-flung corners of the globe.Support the show (https://www.patreon.com/bePatron?u=35658686)Support the show (https://www.patreon.com/bePatron?u=35658686)

I'm ending 2020 with a bang on a number of fronts. First, I have four interviews for the nights before Christmas--"folk pianist" George Winston; singer Inara George of The Bird and The Bee; Jamie Hilsden, who performed this holiday season as The Myrrhderers; and Matt Munoz of the East Bakersfield ska band Mento Buru.  The second big news is that there will more in the upcoming months from all of these artists and others I have interviewed this season including Steven Drozd, Grant-Lee Phillips, Joey Burns of Calexico, and Holly Foster-Wells, Peggy Lee's granddaughter. Twelve Songs will take December 30 off but will return January 6, 2021 and will continue year-around at that point. I've always thought that the show was more about musicians and their musical, commercial and personal lives, and that Christmas music was simply a unique lens to help us get that view. I've never thought the show was simply part of the soundtrack to the season. This episode's interviews need little explanation. Inara George's roofers decided the day and hour of our interview was the time that they needed to work over her room, but the hammering is only briefly noticeable.  

Welcome to Tape Op's DISCussion, where we call our friends and music community notables to talk about their favorite records. This week we chat w/ Joey Burns about Gaby Moreno's 2014 release, Posada and Calexico's new collection of holiday songs, Seasonal Shift. Enjoy!

Calexico released a Christmas album for 2020 called 'Seasonal Shift.' But rather than the typical holiday songs about good tidings and cheer, Calexico paints a more realistic picture of dysfunctional families, crying over a drink of Mezcal, and holiday meals ruined.  Vocalist and guitarist Joey Burns talks about the record and how it came together through collaborations with musicians from around the world.   Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.

Además de miembro de los Heartbreakers y colaborador de Fleetwood Mac, Mike Campbell ha estado tocando desde hace 15 años en un cuarteto llamado los Dirty Knobs, con un toque que recordaba a Mudcrutch. “Irish Girl” es uno de los 13 cortes que conforman su álbum de debut Wreckless Abandon, que quedó en el limbo con la llegada de la pandemia Es un tema lleno de poesía del propio Mike Campbell inspirado por haber estado conduciendo a altas horas de la madrugada de regreso a su casa escuchando a Van Morrison en la radio. Al llegar al hogar escribió el tema. Durante la pandemia, los Avett Brothets anunciaban la edición de The Third Gleam, con los hermanos Scott y Seth Avett junto al bajista Bob Crawford regresando a los primeros tiempos de la formación. A lo largo del proyecto escriben sobre el prejuicio histórico, la fe, la disparidad económica, la violencia con las armas de fuego, el encarcelamiento, la redención y la mortalidad. Todo ello arropado por una casi espartana sencillez instrumental. “Victory” es uno de los momentos mágicos de esa publicación de ocho canciones. Es una forma perfecta de compartir el arte en lo que parece ser una noche relativamente larga y oscura. El pasado martes supimos sobre los premios de la Americana Music Association, que suele ser el momento cumbre de su anual AmericanaFest, que reparte actuaciones y eventos por Nashville durante una semana y que debido a la pandemia fueron cancelados. Nacida en Nashville, Brittany Haas es la nueva Instrumentista del Año para la AMA. En TOMA UNO la conocimos formando parte de una banda de bluegrass como Crooked Still, donde coincidió con Aoife O'Donovan, actualmente en I'm with Her. Aquel grupo de Boston se dio un respiro y a partir de 2018, Brittany Haas es miembro de Hawktail. El último trabajo del cuarteto es Formations, donde está incluida “Annbjørg”, inspirada en una de sus héroes del violín, Annbjørg Lien. John Prine fue elegido Artista del Año. Desgraciadamente, el artista murió el 7 de abril con 73 años. Con Brandi Carlile en los coros vocales, “Boudless Love”, compuesto por John Prine junto a Pat McLaughlin y Dan Auerbach, fue otro de esos regalos tan maravillosos como inesperados que repartió a lo largo de sus muchos años de magisterio. Se convirtió en el último álbum de un artista que regresaba con un disco de temas nuevos tras 13 años sin hacerlo. Con el productor Dave Cobb supervisando las sesiones, The Tree of Forgiveness parece grabado en una reunión informal a la luz de una fogata nocturna, sin nada impostado, convirtiendo la veteranía de su protagonista es un activo más que en un inconveniente. El vocalista Eric Burton, que siempre nos recuerda a Steve Winwood, y el guitarrista Adrian Quesada formaron Black Pumas hace tres años y en el pasado 2019 publicaron su disco de debut con el nombre del dúo como título, siendo nominados al Grammy como Mejor Nuevo Artista. Quesada había formado parte del Grupo Fantasma, una banda de toques latinos. Se encontraron en Austin, Texas, y decidieron aunar fuerzas como Black Pumas y moverse en el terreno de la Americana, sin olvidar su respeto por los sonidos de Curtis Mayfield y el soul de los 70 y 80. "Confines" es una de las canciones que han convencido a la Americana Music Association para premiarlos como Artistas Emergentes del año. The Highwomen han sido las grandes triunfadoras de la última edición de los premios de la Americana Music Association. La última sensación femenina en forma de supergrupo reunió en formato de cuarteto a Brandi Carlile, Maren Morris, Natalie Hemby y Amanda Shires, que fue la que tuvo la idea inicial como respuesta a la falta de mujeres sonando en las emisoras de radio. El nombre tiene que ver con The Highwayman, el supergrupo formado en los 80 por Johnny Cash, Willie Nelson, Waylon Jennings y Kris Kristofferson. “Redesigning Women” fue el single de anticipo de su álbum de debut que produjo Dave Cobb La canción, compuesta por Natalie Hemby y Rodney Clawson, trata sobre la maternidad, las luchas profesionales, las expectativas sociales y los distintos roles que desempeñan las mujeres diariamente. Su disco homónimo también fue premiado como Álbum del Año y su tema “Crowded Table”, una canción que Natalie Hemby y Brandi Carlile compusieron con Lori McKenna y que se convirtió en un himno que desde que la estrenaron en el último Newport Folk Festival en el que participaron. La nueva canción de Michaela Anne, con un vídeo especialmente divertido y un título que lo explica todo, “If I Wanted Your Opinion”, formó parte del último álbum de la artista de Brooklyn, que creció a saltos entre Washington, California, Virginia, Michigan e incluso Italia. Ha sido esa personalidad errante la que definió las características de ese trabajo, Desert Dove, en el que reflexiona sobre la soledad, el amor, la conexión entre las personas y, por supuesto, la carretera. Ese un álbum, que no ha tenido continuación lógica debido a la pandemia, se ha convertido en vital para su progresión, contando con el apoyo de Sam Outlaw y Kelly Winrich de Delta Spirit, con quienes se marcho hasta San Clemente, en California, para completar una colección exuberante de sueños musicales, con el cielo como límite. Kacy & Clayton, que pasaron por España el pasado año, y Marlon Williams han encontrado en el álbum Plastic Bouquet, que publicarán a mediados de diciembre, la mejor manera de compartir su cariño por la tradición musical, aunque Saskatchewan, en Canadá, y Christchurch, en Nueva Zelanda, no están precisamente cerca. La química es evidente en temas como "I Wonder Why". Firefall fue una excelente banda de folk rock en la segunda mitad de los 70 y primeros 80. Sus miembros habían tenido experiencias en distintas formaciones anteriores, pero sería su encuentro en la banda de acompañamiento de Chris Hillman tras su debut en solitario con Slippin’ Away cuando se gestó el proyecto. Apareció Rick Roberts desde los Flying Burrito Brothers y se sumaron Jock Bartley, Mark Andes, Larry Burnett, David Muse y Michael Clarke, el ex batería de los Byrds. Así nació Firefall, que todavía sigue en activo como demuestra la publicación de su último trabajo de estudio, Comet, un soplo de aire fresco con mucho de emotiva mirada por el retrovisor como ocurre en “Way Back When”, que recuerda aquellos convulsos tiempos de los 60. The Wild Feathers utilizaron estos tiempos de confinamiento para poner al día sus archivos y recopilar canciones que ahora han completado Medium Rarities En el álbum encontramos maquetas, caras B y algunas curiosas versiones inéditas como "Blue" de los Jayhawks, "Almost Cut My Hair" de Crosby Stills, Nash & Young y "Guitar Man" de Bread, cuyo líder, David Gates, se hizo octogenario hace unos días. Ese nativo de Tulsa, en Oklahoma, empezó tocando junto a Leon Russell en los bares de la zona hasta que se marchó a California, formando Bread en Los Angeles y pasando a ser uno de los mejores ejemplos del llamado soft rock de los 70. “Guitar Man” fue el tema central de su quinto álbum. Calexico han regresado justo a tiempo para la Navidad y su nuevo álbum tiene que ver con esta etapa. Se trata de Seasonal Shift, convertido fundamentalmente en una celebración intercultural focalizada en los recuerdos. En el trabajo, Joey Burns y John Convertino han incluido un par de versiones de Tom Petty e incluso John y Yono, además de tener invitados de muy distintos puntos geográficos, lo que lleva a abarcar desde el fado portugués a las canciones populares mexicanas. “Hear The Bells” es una historia que podría tener distintos significados y que esta vez se ha centrado en las tradicionales de estas fechas que se mantienen en Tucson, Arizona, donde la pareja tiene su base de operaciones. Cada año, en la fecha más cercana a la Navidad hay una canción que siempre suena en el tiempo de TOMA UNO para transmitir los mejores deseos de cara a estas fiestas. Los más veteranos oyentes saben que se trata de “Colorado Christmas”, el maravilloso regalo navideño que compuso Steve Goodman y nos transmitieron desde 1987 la Nitty Gritty Dirt Band. El grupo ha grabado en más ocasiones la canción, pero esta fue la primitiva versión, en la que contaron con Emmylou Harris en los coros. Con ella queremos expresaros el enorme cariño y respeto que sentimos por cada uno de vosotros, desearos lo mejor para terminar de una vez con este extraño 2020 y confiar en que el próximo año todo sea infinitamente mejor y, además, nos veamos en los conciertos. ¡Feliz Navidad! Escuchar audio

Christmas is approaching and we have a lot of conversations to get to. This week, I spend time with Joey Burns of Calexico, Grant Lee Phillips, and Holly Foster Wells, singer Peggy Lee's granddaughter and the president of Peggy Lee Associates, which oversees her musical legacy.  Calexico released Seasonal Shift in November, and it's true to the band's long-time project as it lives in a place where cultures find ways to coexist. As such, Calexico projects often feel like they have political subtexts, and Burns addresses that.  Grant-Lee Phillips released the four-song Yuletide EP this year, and he talks about what Christmas music taught him about songwriting as a boy. He reflects on the experience of playing Christmas shows with Aimee Mann and being a mall Santa one Christmas season--a first for 12 Songs! He also talks about how his "Winterglow" ended up on Gilmore Girls.   Holly Foster Wells remembers Christmases with Peggy Lee including Christmas parties that inevitably features some of the top singers of the day singing Christmas favorites around the piano. She provides behind the scenes recollections of her decorations and her biggest Christmas hits. We'll have more with Wells on Peggy Lee soon.  This episode also spotlights Christmas Time is Here, a new album from sax player Benny Barksdale Jr. that sounds like home cooking--not quite smooth jazz but close, and the kind of warm sound and easy groove that sounds great at Christmas time.      

Welcome to Tape Op’s DISCussion, where we call our friends and music community notables to talk about *their* favorite records. This week we chat w/ Joey Burns about Gaby Moreno's 2014 release, *Posada*. Enjoy!

This week on Past, Present, Future, Live! we bring you a conversation and performance with Joey Burns of Calexico. Over the past 20 plus years Calexico has blended Tex-Mex, indie rock, jazz, surf and other influences to create a unique sound sometimes called “desert noir.”Joey and his longtime bandmate John Convertino first broke through with “The Black Light” in 1998, and were soon on tour with Pavement and other heroes of theirs. Since then they’ve made more than a dozen albums with collaborators from across the globe including two albums with Sam Beam of Iron and Wine, most recently with 2019’s “Years to Burn”, which was nominated for two Grammys. Joey explains how he and John started out just messing around together in a house full of instruments, how their sound continues to evolve, and what travel adds to his experience as a songwriter and composer. After the interview, you’ll hear a unique performance from Joey and his bandmate Sergio Mendoza including “Cumbia De Donde,” “Hear the Bells," and “Service & Repair." Videos of these and all Past, Present, Future, Live! performances are on the show page and on the Osiris Media YouTube Channel. You'll find music from all the artists mentioned in this interview on our Past, Present, Future, Live! Spotify playlist. If you like what you hear, please give us a review on Apple Podcasts. Past, Present, Future, Live! is brought to you by Osiris Media. Hosted and Produced by RJ Bee. Executive Producers are Adam Caplan and Kirsten Cluthe. Production, Editing, Mixing, and original theme music by Brad Stratton. Show logo by Liz Bee Art & Design. To discover more podcasts that help you connect more deeply to the music you love, check out osirispod.com. See acast.com/privacy for privacy and opt-out information.

Seja talks to her guest Joey burns (Calexico, Giant Sand) about the all-encompassing topics Covid-19 and the US election as well as less intense topics such as lap steel tunings, his Willie Nelson collaboration, being positive and co-writing. Joey tells Seja about parenting his 8 year old twin girls, his goal of changing the world through music, writing in character and being influenced by the ocean and the desert. They chat about their love for the Tweedy show and Jeff Tweedy’s songwriting, Joey’s recent Grammy nomination and how to best communicate with an audience on and off stage. Joey’s strange show story was illustrated by Lara Canfield (@lalalian). You can see all podcast illustrations on instagram @hearsejpodcast or on the HearSej Facebook page.

Jim and a recently Boisien Joey Burns talk about remote collaboration, racing train noise to get takes in and the choice to approach writing with ensemble feels in mind. GET THE MUG: https://kingsroadmerch.com/jim-adkins...Subscribe: https://smarturl.it/JEWSubscribe More Jimmy Eat World:Website: https://www.jimmyeatworld.com/Facebook: https://www.facebook.com/jimmyeatworldInstagram: https://www.instagram.com/jimmyeatworld/Twitter: https://twitter.com/jimmyeatworldSpotify: https://open.spotify.com/artist/3Ayl7mCk0nScecqOzvNp6s?si=MbdpB2sETYupWQgha07PDwApple: https://itunes.apple.com/us/artist/jimmy-eat-world/id3446973 Joey Burns : https://www.casadecalexico.com/about/ Animations and Logo: Tonianne Tartaro @tonianaro and Emily Argiro @em_argiroCredit Sequence Music:  “Flying On By” by Jackson, Finn and Jim Adkins. Published by Red Pods Of Fire Music (Kobalt) Produced and Edited by Jim Adkins 

I'm interviewing Joey Burns!

In the first part of this season, James Dean Bradfield looks at the influence of Chilean musician and revolutionary singer Victor Jara on modern music. From lyrical references by the likes of U2, Calaxico and The Clash to an album dedication from Simple Minds and Bruce Springsteen covering Jara’s most famous song.   James has written his own album called “Even in Exile” which is inspired by Jara.   In this episode he interviews Charlie Burchill from Simple Minds and Joey Burns from Calexico and talks us through some of the tracks on his new album. James has compiled this playlist of songs which feature in the podcast and songs which inspired the creation of the album https://open.spotify.com/playlist/1QZhQDIS4idmRJVnERXx6D?si=B8RsrXhsQwSddIs5e0YOdw     You can pre-order and stream "Even in Exile" here https://orcd.co/eveninexile

On this week's show, we spend quality time exploring the queer country community, checking out the new Jayhawks record & spinning some tracks we haven't listened to in a minute. All this & much, much less!

Love Scammers? Yea we wanted to know about it too. Joey Burns joins us in the studio to discuss the rising trend of Love Scams associated with internet dating apps. There is big dollars in Love scams. In the online world anonymity is the cloak in which innocent victims looking for love are deceived. Joey walks us through some examples and red flags and shares his knowledge and expertise in this field. Enjoy the show! Checkout his pages: https://www.facebook.com/gotgiftcard https://www.facebook.com/lovucommunity/

On this special episode of Rationalish, Eddie's brother Sandy Matthews talks about how he met Sam Beam of the folk band Iron & Wine as well as Joey Burns, the frontman of Calexico. It's a memorable story. Support the show (https://twitter.com/rationalishpod)

Let’s say you want to be a musician. The music bug bit you, and you just can’t resist the urge to pick up an instrument, maybe keep a notebook handy at all times to write down ideas and lyrics. You start recording pieces of melodies and sing them to your phone before the ideas evaporate. Maybe it was because you saw that performance where the light bulb went off over your head, or you heard a song in a movie soundtrack that moved you, or you got on stage and felt more alive than anywhere else. However it happened, you are soon wood shedding and finding like minds to play with and then finding an audience to play to. The muse serves up a sweet elixir, and you may be forever under its spell. The Deer, from Austin, Texas, perform in Greer, SC 4-13-19. Photo: John Gillespie Our guests on this podcast are firmly in that camp, but there are also plenty of musicians who have dropped out. Some came back, too. In our first episode on Side Hustles, there were a lot of examples of why music artists would want to quit making music, at least as a primary means of making a living. Making money by making music is harder than ever, it seems, unless you are at the very top of the heap. The pitfalls for professional musicians seem to have no end. But, there is no shortage of people making music, and plenty who stay with it through thick and thin. I hinted at why that’s the case in our first episode, but never spelled it out. If you haven’t deciphered the clues yet, stick around and it will come together by the end of the episode. Along the way, you’ll hear from Dangermuffin, Joey Burns of Calexico, The Deer, Max Brown and Phil Bronstein from The War and Treaty, and Dan Fedoryka from Scythian, along with a lot of their music, too. Thanks for visiting! Please support the music of the artists you enjoy hearing here, and I hope you will spread awareness about this independent project and consider helping by subscribing, rating and commenting on the show where you get your podcasts, and by becoming a patron. You can find out about contributing on our Patreon page, linked in the column to the right. To correspond, shoot me an email and I will be glad to get back to you from southernsongsandstories@gmail.com. This series is available on most every podcast platform, as well as on Bluegrass Planet Radio. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Kelly Austin and Joey Burns. Both are emerging artists that are establishing themselves in the Australian ceramic community. Austin is based in Hobart, Tasmania, where she teaches at TasTAFE and maintains an active studio practice. Burns splits time as the studio technician for the Ernabella Arts Center in Ernabella, South Australia and a studio artist in Gundaroo, New South Wales. In our interview we talk about their educational paths, working in indigenous communities and developing multiple bodies of work. For more information on Kelly visit www.kellyaustin.co. More information on Joey can be found at @sawpitstudios on Instagram.   Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Joey Burns is a leader and founding member (with the brilliant drummer, John Convertino) of one of the most exciting, talented, and critically lauded bands on the planet, Calexico. On this edition of the podcast, Joey discusses the band’s Tucson roots, what the environment brings to the music, fostering a spirit of collaboration, speaks very candidly about Calexico’s creative process, and much more. Calexico is currently on tour in support of their new album, The Thread That Keeps Us (easily one of the best albums of the year thus far), and if you have the chance to see them live, don’t hesitate to do so. Also on the show, a brief preview of an upcoming conversation with Philip Haldiman, one of the stars of The Room, which will have a screening at FilmBar on Friday, June 15th at 10 pm. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

WEEK 10 Another good week for recaps BUY or SELL The one the only the JOEY BURNS gets in the corner TRADE DEADLINE DEAL

La primera edición de Future Beats en la temporada 2016 / 2017 despliega un arsenal sonoro de primer orden: el nuevo y esperado álbum de los exuberantes La Femme; el regreso de Nick Waterhouse fiel a su obsesión por lo analógico y vintage; el próximo trabajo de Jairo Zavala frente a DePedro secundado por Joey Burns y John Convertino de Calexico; la maravillosa reaparición de Weyes Blood con uno de los mejores temas del otoño; la fructífera alianza entre Joan as Police Woman y el multi-instrumentista Benjamin Lazar; William Bell resucitando Stax Records y el soprendente single de 18 minutos que anticipa lo nuevo de Lambchop.

My guest this week is the very creative and grooving drummer, John Convertino. Along with Joey Burns, John started Calexico in the mid-90's after a long stint playing and touring with the seminal group, Giant Sand. His work with Howe Gelb in Giant Sand brought him from LA to Tucson, where he's been living for many years, and has helped to develop a creative and nurturing music scene. Calexico has released a series of amazing albums, and John's unique approach to the drums is always a highlight. The group successfully mixes folk, rock, twang, mariachi, and avant-garde music into their sound, and it was great to discuss all of those elements with John, as well as his history playing in his family band, how he met Howe Gelb and started playing in LA, his move to the desert of Tucson, and his experiences recording and working in the studio. Enjoy my conversation with John Convertino!

Calexico is the seminal desert noir band. Their music is a melting pot where traditional Latin and southwestern elements of mariachi, conjunto, cumbia and Tejano styles peacefully and harmoniously coexist with alt-country, indie rock and a trace of jazz. Founded in 1996 by singer Joey Burns and drummer John Convertino at the University of California - Irvine when the pair met while Convertino was playing in the group Giant Sand, Calexico started as a side project and grew to its current six members and an identity all its own. John will join us from his home in Tuscon, Arizona and we'll talk about the process behind recording the soundtrack for Circo - a documentary about a century-old Mexican circus.

Calexico is the seminal desert noir band. Their music is a melting pot where traditional Latin and southwestern elements of mariachi, conjunto, cumbia and Tejano styles peacefully and harmoniously coexist with alt-country, indie rock and a trace of jazz. Founded in 1996 by singer Joey Burns and drummer John Convertino at the University of California - Irvine when the pair met while Convertino was playing in the group Giant Sand, Calexico started as a side project and grew to its current six members and an identity all its own. John will join us from his home in Tuscon, Arizona and we'll talk about the process behind recording the soundtrack for Circo - a documentary about a century-old Mexican circus.

Calexico is the seminal desert noir band. Their music is a melting pot where traditional Latin and southwestern elements of mariachi, conjunto, cumbia and Tejano styles peacefully and harmoniously coexist with alt-country, indie rock and a trace of jazz. Founded in 1996 by singer Joey Burns and drummer John Convertino at the University of California - Irvine when the pair met while Convertino was playing in the group Giant Sand, Calexico started as a side project and grew to its current six members and an identity all its own. John will join us from his home in Tuscon, Arizona and we'll talk about the process behind recording the soundtrack for Circo - a documentary about a century-old Mexican circus.

An Arizona band led by singer-guitarist Joey Burns and drummer/multi- instrumentalist John Convertino, Calexico has spent a decade and a half as a go-to purveyor of atmospheric, even cinematic desert pop. With the aid of trumpets, pedal-steel guitars and piano, Calexico has become a festival favorite (playing a set at Bonnaroo earlier this summer), recorded high-profile collaborations (including 'In the Reins,' a tremendous album with Iron & Wine), and evolved into a consistent studio force (most recently releasing the well-received 'Carried to Dust'). Here, Calexico performs live at the Newport Folk Festival in Newport, R.I.