Podcasts about Giant Sand

Regresamos a las valijas de francés New Rose Records, la escudería independiente más importante de la Europa continental en los años 80. El sello francés dio cobijo a fantásticos seres procedentes del underground o las escenas alternativas. Artistas de incuestionable talento, pero incomprendidos o demasiado provocadores para el público generalista. Sumergirse en su catálogo es como abrir el cofre del tesoro.Playlist;(sintonía) CUB KODA “Let’s get funky”THE FUGS “Nova slum goddes”THE LEROY BROTHERS “Why should I be surprised”THE CRAMPS “Can your pussy do the dog”THE ORSON FAMILY “The river of desire”TAV FALCO PANTHER’S BURN “Tina the Go Go Queen”ALEX CHILTON “No sex”DINO LEE “Beer party”NERVOUS EATERS “Shit for brains”DRAMARAMA “Anything anything”FORTUNE TELLERS “Lively up!”ROKY ERICKSON “You don’t love me yet”MIKE WIHELM “Me and my uncle”GIANT SAND “Valley of rain”Escuchar audio

WARNING: EXTREMELY SENSITIVE CONTENT Ken Stringfellow was a founding member of the Posies, who enjoyed a long career as one of the best power pop bands of the 90s and beyond. He also held down recurring gigs with REM, Big Star, Giant Sand and many others as well as a solo career. In 2021 this was all upended when three women accused him of sexual assault. Since then almost all of his musical partners have distanced themselves from him and he's had to (almost) start over from scratch. This year he released his first album since his world imploded called Circuit Breaker which is about as primal a creative response to this as you'll ever hear. Ken joins us this week to tell his side of the story. It's a tricky subject that we chose to approach journalistically and neutrally. We apologize in advance if anyone is triggered by this conversation as that was not our intention.  www.patreon.com/c/thehustlepod  www.rainn.org/resources www.kenstringfellow.com

Formed in 2004 The Old Ceremony has survived longer than many marriages. They've reinvented themselves again and again, beginning as an eleven-piece mini-orchestra, slimming down to a five-piece touring machine (guitar, bass, drums, vibraphone/keys, violin), and now –  in their 20th year together – creating a fresh, energized record that incorporates the visceral (“Valerie Solanas”), the meditative (“North American Grain”), the philosophical (“Too Big To Fail”), and a nod back to their noir-ish beginnings (“Lonely Mayor”). Songwriter and vocalist/guitarist Django Haskins' gift for incisive, colorful lyrics and melodies is on full display throughout, whether it be an unhinged first-person tale of shooting Andy Warhol or the melancholy last act of a long-closeted politician. He writes with empathy and precision that occasionally calls to mind the source of the band's name, Leonard Cohen, among others. In fact, the songs contained in Earthbound are culled from the 115 new songs Haskins penned during the pandemic. When tossed into the well-seasoned cauldron of the band's collective musical voices, they transform from one person's songs into something else: the sound of a band that has created together for two decades, through highs and lows, busy years of touring and slow years of child-rearing and mask wearing.  The Old Ceremony has seen their share of highlights: sharing bills with the Jayhawks, CAKE, Squirrel Nut Zippers, Mountain Goats, Chuck Berry, Giant Sand, and many more; touring the U.S., Canada, and Europe; building their stature in the fertile Chapel Hill/Durham scene one cinematic performance at a time. Meanwhile band leader Django Haskins in addition to participating in the Big Star tribute tours, co-wrote and recorded an album of Folk-Rock originals with the Jayhawks' Gary Louris under the name “Au Pair.” Earthbound is destined to be another highlight to add to the list, a musical recommitment ceremony among five musicians who share a life in song.       The Old Ceremony's info  www.theoldceremony.com www.facebook.com/theoldceremony www.instagram.com/theoldceremonyofficial https://open.spotify.com/artist/21PmWnK0ROD7G4nGvYCmDj  

Everything you always wanted in 62 minutes of sub-underground rocknroll music from the last six decades - and less. New material from GUIDING LIGHT, FEELING FIGURES, S.M.E.F, WORKERS COMP, THE GABYS, STEFAN CHRISTENSEN, BILDERS, GEE TEE and THE SUTROS too - plus old hits and favorites from The Fall, Smexmec, Peer Group, The Penetrators, Mole House, Giant Sand and more. Track listing:GUIDING LIGHT - Sterb DochS.M.E.F. - PsycowcasisPEER GROUP - Iconoclast YouthTHE CHICKENS - ArtingSMEXMEC - La SangaTHE FALL - Choc-StockGEE TEE - Choppa City SpecialTHE PENETRATORS - #1 Band In TownFEELING FIGURES - Co-operatorTHE GABYS - Colour Me OutANNA SAVAGE - Saturn AgainMOLE HOUSE - Come AroundWORKERS COMP - Lemon KitSTEFAN CHRISTENSEN - 84 DaysBILDERS - Trip SlugGIANT SAND - Center of the UniverseTHE SUTROS - Disguised Blood RushPISCES - Dear One

La música del azar. Canciones dedicadas a la buena y la mala fortuna. A ver si tenemos suerte, y te gusta.Playlist;(sintonía) NICK WATERHOUSE “Lucky once”MORPHINE “Have a lucky day”STEVE MILLER BAND Lucky man”LENE LOVICH “Lucky number”TOMMY and THE ROCKETS “Out of luck”THE PLIMSOULS “I’ll get lucky”DR FEELGOOD “Lucky seven”THE MUFFS “Lucky charm”DESCENDENTS “Lucky”SOCIAL DISTORTION “Bad luck”JOHN PAUL KEITH “Bad luck baby”KING KHAN and THE SHRINES “Better luck next time”GIANT SAND “Lucky star love”LABI SIFFRE “Thank your lucky star”C.W. STONEKING “Good luck charm”THE PARAGONS “Happy go lucky girl”RAY COLLINS HOT CLUB “Ready for luck”NICK CURRAN and THE NITELIFES “Good luck”Escuchar audio

Pearl Jam, The War on Drugs, Beth Orton, Giant Sand, Cat Power, Arcade Fire, The Killers, Bruce Springsteen, Nick Cave, Grant-Lee Phillips, Tom Waits

1. Mel Parsons 2. Shovels And Rope 3. Giant Sand 4. The Church 5. Ian Dury and the Blockheads 6. Water From Your Eyes 7. Foo Fighters 8. Stone Roses 9. The Clean 10. Francisca Griffin 11. Bruce Springsteen 12. A Savage 13. The High Numbers 14. Primal Scream 15. Stone Temple Pilots 16. John Fogerty 17. Nine Inch Nails

Sintonía: "June Apple" - Shirley Collins"Texting Feist", "Song So Wrong", "Every Now And Then", "Bitter Suite", "Home Sweat Home" y "Done" - Giant Sand"Lincoln, NB" - John Vincent III; "Waves of Galveston" y "Last Of Your Rock ´n´ Roll Heroes" - Iron & Wine; "Stay High", "Fever" (feat. Branford Marsalis) y "Carried Away" - Krasno Moore Project; "Isak-Anders" y "Varruset" - Hoven DrovenEscuchar audio

Libri: Francesca Coin, Le grandi dimissioni (Einaudi); Grace Paley, Una donna ha inventato il fuoco e l'ha chiamato ruota (trad. I. Zani e P. Cognetti, BigSur). Musica: Nick Cave and the Bad Seeds, Alessandro Adelio Rossi, Mick Jagger, Gia Margaret, Giant Sand.

"Everything On Memory" The Fresno-born, Modesto-raised Jim Fairchild got his start on guitar as a teenager and in the mid-nineties became the lead guitar player for the indie rock outfit Grandaddy. That would be enough to make a resume' shimmer, but Fairchild was just getting started. He was the touring guitar player for Giant Sand, he worked with everyone from Hawaii to Dappled Cities and he took over for Johnny Marr in Modest Mouse in 2009 and played lead guitar for them until 2021. Fairchild fronted the band All Smiles, he was selected to lead a project at the San Francisco Museum of Modern Art in 2010 and started a new project called Grace Meridian in 2020. But that's not all—Fairchild currently is the Director of A&R for Dangerbird Records and he's scoring films like the documentary Common Ground and Bee The Change, which is narrated by Ellie Goulding. And we haven't even talked about Small Isles yet. Their new EP Everything On Memory has been described by Fairchild as, "written as the imagined score to a Christopher Nolan-directed movie I dreamt about in which Donald and Steven Glover wrote a script in response to Modest Mouse's "Third Planet”. To my ears, Small Isles' new release is a moody blend of spellbinding cinemascapes, arching crescendos, soaring distant melodies and futuristic percussion, all of which adds up to one of the most spellbinding releases of the year. Fairchild recently scored the documentary film Common Ground (Donald Glover, Laura Dern, Woody Harrelson, Rosario Dawson, Ian Somerhalder) which won the Tribeca Film Festival “Human/Nature” award. He is currently working on the follow up, Bee The Change narrated by Ellie Goulding, which will premiere at COP 28 (United Nations Climate Change Conference). Small Isles on Instagram: https://www.instagram.com/smallislespicturemusic Bandcamp: https://smallislesmusic.bandcamp.com/album/the-valley-the-mountains-the-sea www.stereoembersmagazine.com www.embersarts.com www.alexgreenbooks.com www.bombshellradio.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com

Aliñamos la ensalada de hoy con muchos de los ingredientes secretos que dieron forma a la escena del rock alternativo. Todo clásicos, nada de relleno.Playlist;HOODOO GURUS “What’s my scene”MIDNIGHT OIL “Beds are burning”THE CHURCH “Unguaarded moment”GIANT SAND “Valley of rain”FUGAZI “Waiting room”REDD KROSS “Annie’s gone”PIXIES “Caribou”MUDHONEY “No end in sight”LOVE AND ROCKETS “No new tale to tell”THE BEVIS FROND “Lights are changing”THE LA’S “There she goes”PRIMAL SCREAM “Movin’ on up”NICK CAVE and THE BAD SEEDS “Deanna”THE GO-BETWEENS “Cattle and Cane” Escuchar audio

I 1999 lærte alle med et radioapparat nærmest fra den ene dag til den anden Marie Frank at kende. Sange som "Symptom of My Time", først og fremmest, "Save a Little Love", "Worth it" (2001) og "Under the Water" i et remix blev spillet igen og igen. Også i udlandet. Nu, 24 år senere udsender Marie Frank en EP med titler som "Det bedste ud af alting", "Hvem ved hvad vej det går" og "Stenslag". POV Mediano Musics Jan Eriksen har besøgt Marie Frank i Langå, hvor hun med en fantastisk udsigt til Langå sø bor sammen med sin mand, musikeren Anders Pedersen og deres to børn. I podcasten taler de om alt det, der skete dengang, hvor hun rejste rundt i verden, og bl.a. øvede sit håndværk i New York – og hvad der er sket siden og, hvor de nyeste sange kommer fra. ”Måske havde Danmark brug for en pige med en guitar dengang,” siger hun selv som en mulig forklaring på det pludselige gennembrud. I USA havde de Sheryl Crow, Suzanne Vega og Joni Mitchell. Det handler om tilfældige møder som blaffer bl.a. med bossen for Spot Festivalen og en DR radiovært, der skulle komme til at hjælpe hende videre. Indspilningen af debut-albummet ”Ancient Pleasures” i et studie i New York med det funky navn Dan's House of Love. Det handler om en turne, som Marie måtte gennemføre i en kørestol og på krykker. Efter et par hektiske år i begyndelsen af 0'erne blev Marie Frank selvstændig – hverken hun eller det tidligere pladeselskabet havde særlig travlt med at forhandle ny kontrakt – og selvstændig har hun været siden. Så det er også historien om kampen for at bevare sin integritet i en branche hvor alle flår i en. ”Jeg følte, at jeg blev modarbejdet af mit pladeselskab, der gerne ville flytte rundt med mig. Du bliver hele tiden stillet overfor det spørgsmål: hvis du bare vil det og vil det. Det konstante pres. Der var så mange, der havde en holdning, vi synes du skal gøre det og det. Jeg synes på en måde det er en barsk måde at henslæbe sine tyvere på.” Det handler om et gedigent benspænd, da festivalen Wig Wam krakkede med et brag og efterlod en række uskyldige musikere uden penge. Men det handler Ikke mindst om mødet med Howe Gelb, lederen af et af første markante alt-country bands, Giant Sand, og andre amerikanske musikere som Grant Lee Phillips og legenden Lucinda Williams. Møder som naturligt har påvirket hendes sangskrivning og betydet en masse gode oplevelser og rejser. Albummene "Where the Wind Turns the Skin to Leather" og "Kontinua", Franks første dansksprogede album, er ganske udmærkede danske americana-album. Og selvfølgelig taler Marie og Jan om arbejdet med at etablere et musikmiljø i Langå. "Det er en lille smule mere hillbilly-agtigt herude i Langå," som hun siger. Dette og meget mere i denne podcast.

I 1999 lærte alle med et radioapparat nærmest fra den ene dag til den anden Marie Frank at kende. Sange som "Symptom of My Time", først og fremmest, "Save a Little Love", "Worth it" (2001) og "Under the Water" i et remix blev spillet igen og igen. Også i udlandet. Nu, 24 år senere udsender Marie Frank en EP med titler som "Det bedste ud af alting", "Hvem ved hvad vej det går" og "Stenslag". POV Mediano Musics Jan Eriksen har besøgt Marie Frank i Langå, hvor hun med en fantastisk udsigt til Langå sø bor sammen med sin mand, musikeren Anders Pedersen og deres to børn. I podcasten taler de om alt det, der skete dengang, hvor hun rejste rundt i verden, og bl.a. øvede sit håndværk i New York – og hvad der er sket siden og, hvor de nyeste sange kommer fra. ”Måske havde Danmark brug for en pige med en guitar dengang,” siger hun selv som en mulig forklaring på det pludselige gennembrud. I USA havde de Sheryl Crow, Suzanne Vega og Joni Mitchell. Det handler om tilfældige møder som blaffer bl.a. med bossen for Spot Festivalen og en DR radiovært, der skulle komme til at hjælpe hende videre. Indspilningen af debut-albummet ”Ancient Pleasures” i et studie i New York med det funky navn Dan's House of Love. Det handler om en turne, som Marie måtte gennemføre i en kørestol og på krykker. Efter et par hektiske år i begyndelsen af 0'erne blev Marie Frank selvstændig – hverken hun eller det tidligere pladeselskabet havde særlig travlt med at forhandle ny kontrakt – og selvstændig har hun været siden. Så det er også historien om kampen for at bevare sin integritet i en branche hvor alle flår i en. ”Jeg følte, at jeg blev modarbejdet af mit pladeselskab, der gerne ville flytte rundt med mig. Du bliver hele tiden stillet overfor det spørgsmål: hvis du bare vil det og vil det. Det konstante pres. Der var så mange, der havde en holdning, vi synes du skal gøre det og det. Jeg synes på en måde det er en barsk måde at henslæbe sine tyvere på.” Det handler om et gedigent benspænd, da festivalen Wig Wam krakkede med et brag og efterlod en række uskyldige musikere uden penge. Men det handler Ikke mindst om mødet med Howe Gelb, lederen af et af første markante alt-country bands, Giant Sand, og andre amerikanske musikere som Grant Lee Phillips og legenden Lucinda Williams. Møder som naturligt har påvirket hendes sangskrivning og betydet en masse gode oplevelser og rejser. Albummene "Where the Wind Turns the Skin to Leather" og "Kontinua", Franks første dansksprogede album, er ganske udmærkede danske americana-album. Og selvfølgelig taler Marie og Jan om arbejdet med at etablere et musikmiljø i Langå. "Det er en lille smule mere hillbilly-agtigt herude i Langå," som hun siger. Dette og meget mere i denne podcast.

Episode 146 of Pudding On The Wrist, in which your psychic friend and faithful deejay, Frozen Lazuras, spins choice cuts from Giant Sand, The Carter Family, Pearls Before Swine, Helene Smith, Pan Ron, and a whole bunch other stuff you won't hear anywhere else.

Un viaje hacia las colinas lejanas, un trayecto musical que responde a la llamada de las montañas y nos encamina irresistiblemente hacia ellas. Playlist; (sintonía) VICTOR YOUNG “Call of the Faraway Hills” GIANT SAND “Monk’s mountain” THE LEN PRICE 3 “Telegraph Hill” BUFFY SAINTE-MARIE “The Piney Wood Hills” THE YOUNGBLOODS “Darkness darkness” T-REX “The King of the mountain cometh” THE GRATEFUL DEAD “Mountains of the Moon” LED ZEPPELIN “Black mountain side” NEIL YOUNG “Sugar mountain” BEVIS FROND “Preservation Hill” BRONCO BULLFROG “Greenacre Hill” MALCOLM HOLCOMBE “Mountains of home” LOUIS ARMSTRONG “Blueberry Hill” Escuchar audio

Bye Bye Lullaby es música viajera hecha a fuego lento. Canciones de sonido mestizo y fronterizo que se mueven entre el folk-americano y los ritmos latinos. Su sonido nos invita a bailar y caminar por tierras polvorosas. Tienen nuevo álbum, ‘Tucson’. Bye Bye Lullaby es el proyecto personal de Esther Valverde y Dani H. Serrano. Han recorrido salas y espacios del circuito nacional durante estos años y pasado por diferentes etapas y sonidos... pero como la planta rodadora que define su imagen, han dado una vuelta completa hasta volver a recuperar el sonido folk con el que llegaron...pero esta vez, con el aprendizaje y las influencias de estos años. Su nuevo álbum, ‘Tucson’, está grabado y producido por Craig Schumacher (Calexico, M. Ward, Giant Sand, Iron and Wine, Neko Case) en los estudios Wavelab de Tucson (Arizona) y cuenta con las colaboraciones especiales de Jairo Zavala (Depedro), Jacob Valenzuela (Calexico) y Sergio Mendoza (Orkesta Mendoza, Calexico). Escuchar audio

John Parish has crafted some of the indie music's most acclaimed albums. The Bristol producer has been behind Aldous Harding's last two records, he co-wrote and produced Eels “Souljacker”, and Giant Sand's “Chore of Enchantment”, and recently he's been working with The Goon Sax and Parquet Courts. He's a composer and musician too, releasing his own works and soundtracking beautiful scenes on stage and screen. But John's longest creative relationship is also his most celebrated, a lifelong musical partnership with PJ Harvey. You'll hear the story of how they met, and why their collaboration has been so fruitful, as well as tales from the studios of Aldous Harding, and Mark Linkous, in this beautiful insight into capturing the intangible magic of song. Dry Cleaning – Scratchcard Lanyard Sparklehorse – Piano Fire Aldous Harding - Blend John Murry – I Refuse To Believe (You Could Love Me) John Parish & PJ Harvey - April

John Parish has crafted some of the indie music's most acclaimed albums. The Bristol producer has been behind Aldous Harding's last two records, he co-wrote and produced Eels “Souljacker”, and Giant Sand's “Chore of Enchantment”, and recently he's been working with The Goon Sax and Parquet Courts. He's a composer and musician too, releasing his own works and soundtracking beautiful scenes on stage and screen. But John's longest creative relationship is also his most celebrated, a lifelong musical partnership with PJ Harvey. You'll hear the story of how they met, and why their collaboration has been so fruitful, as well as tales from the studios of Aldous Harding, and Mark Linkous, in this beautiful insight into capturing the intangible magic of song. Dry Cleaning – Scratchcard Lanyard Sparklehorse – Piano Fire Aldous Harding - Blend John Murry – I Refuse To Believe (You Could Love Me) John Parish & PJ Harvey - April

Growing up in the melting pot of Tucson primed guitarist and singer Brian Lopez for absorbing the cultural music of other countries. Graduating from college with a background in classical guitar, Brian made a name for himself in the band Mostly Bears before striking out as both a solo artist and an acclaimed sideman. With his band Xixa, Brian has channeled his many influences into the new album "Genesis", a collection of songs that reflect the concerns of our Covid-rattled world. Pour yourself a big mug of chicha and kick back as Nick and Brian talk about touring in Europe, how an artist's political slant informs their art, and the rise of today's Seinfeld hipsters. HIGHLIGHTS: [01:09] Brian describes his new band, Xixa, and how they got started as a Peruvian chicha cover band [05:09] Xixa recorded their new album "Genesis" as a group, before the pandemic lockdown [06:33] The song "Land Where We Lie" was a blatant mix of South American cumbia music and 80s New Wave vibes [07:10] Brian explores the various themes touched on by the songs, and how the album's title has multiple meanings [09:55] Brian explains that not touring and being home has given him a deeper love of the craft of songwriting [11:34] Brian is a multi-instrumentalist with a classical guitar background, but he loves piano [13:03] Brian's band Mostly Bears survived their tours thanks to Wal-Mart's deli meats [16:09] Howe Gelb of Giant Sand became a mentor and "path finder" for Brian's career [17:43] Brian tries to find a balance between collaborations and his own personal projects [20:14] Brian appreciates the break from the business side of music that being a sideman provides [21:35] Brian has toured more overseas than here in the US because there were more opportunities [23:20] Xixa and "Genesis" are becoming very popular in South America, prompting a possible tour [24:14] Brian and Nick rave about the beauty and art culture of Mexico City [26:03] Brian participated in the Kennedy Center "Arts Across America" program during the lockdown [28:58] Brian feels more politically activated these days, and it's reflected in his art at times [29:58] Brian's musical influences range from pop of The Beatles to the thrash of Nirvana [32:10] It's official: the early 90s are back in fashion, both musically and stylistically [33:19] Brian can't stand the way the term "psychedelic" is applied so broadly to various styles of music [36:03] Brian loves being immersed in the blended cultures that make up the Tucson experience [38:13] Maintaining a studio during the pandemic has been tricky [39:37] Brian's opinions on certain artists have changed over time, as he comes to appreciate their art   Thanks for listening! Tune in next week and don't forget to take a minute to review the podcast. In this incredibly competitive podcasting world, every piece of feedback helps. Follow our social media channels for last-minute announcements and guest reveals @theradicalpod on Instagram and Facebook. Find out more about today's guest, Brian Lopez Find out more about your host, Nick Terzo   MENTIONED IN THIS EPISODE: @XIXA_tuxon @giantsand @howegelb_ [of the band Giant Sand] @casadecalexico [the band Calexico] @KTTunstall @vivaelatino [Music festival] @kencen [The Kennedy Center] @thebeatles cPearlJam @soundgarden @Nirvana @ladygaga

Hope you're enjoying the new season of Aquarium Drunkard's Transmissions. Here's a good one from the archives, a favorite of Timothy Showalter of Strand of Oaks a roundtable talk with three lifers: Howe Gelb, Robyn Hitchcock, and Steve Wynn. The three share similar paths through scenes and the industry, their paths are shared but divergent, and there’s a spiritual unity at work even in their differences. With his band Giant Sand, Howe Gelb pens strange, dusty songs about love and the desert. Both solo and with his Paisley Underground pioneering band the Dream Syndicate, Wynn composes driving minimalist rock sagas (a recent 11-disc boxset documents much of his range) . And after emerging from the UK punk scene with the Soft Boys, Robyn Hitchcock has embarked on a career full of wry and funny songs that skewer pop conventions. We spoke in August of 2018 when they performed at HOCO Fest in Tucson, Arizona, a place where they all share considerable history. This interview was recorded at the KXCI studio at the historic Hotel Congress. Please enjoy this one from the vault.

Seja talks to her guest Joey burns (Calexico, Giant Sand) about the all-encompassing topics Covid-19 and the US election as well as less intense topics such as lap steel tunings, his Willie Nelson collaboration, being positive and co-writing. Joey tells Seja about parenting his 8 year old twin girls, his goal of changing the world through music, writing in character and being influenced by the ocean and the desert. They chat about their love for the Tweedy show and Jeff Tweedy’s songwriting, Joey’s recent Grammy nomination and how to best communicate with an audience on and off stage. Joey’s strange show story was illustrated by Lara Canfield (@lalalian). You can see all podcast illustrations on instagram @hearsejpodcast or on the HearSej Facebook page.

Cory and Che discuss the new Borat movie and the response to the film (24:22).  Then they review the new issue of Friday from Ed Brubaker and the Mirka Andolfo series Mercy (39:29).  Then they praise the amazing Three Jokers and discuss Gideon Falls before it's final issue (58:26).  Then finally close with a conversation about the disappointing end to Lovecraft Country's first season and the premier of The Mandalorian season 2 (01:32:17). All-Old All-Good Book Club: The Long Halloween by Jeph Loeb and Tim Sale Curse of the Rewatch: Underworld by Len Wiseman Subscribe: Itunes | Spotify | Google Play | Stitcher Twitter: @NextTimeOnPod If you have any questions or comments please email nexttimeonpodcast@gmail.com Intro track: Blerds Beats by Baronhawk Poitier

Just chillin, decompressing. Things are wild, so in this unstructured episode we just cover a lot of ground, pleasant as you please. Kill the Discourse! Burn your mom! Support the show: www.patreon.com/hvulgaris Twitter: twitter.com/homovulgarispod Email Us: homovulgarispodcast@gmail.com Join our Discord: discord.gg/ycqcGx Merch: www.redbubble.com/people/hvulgaris/shop Website: homovulgaris.website op: Voice by Daoko ed: Yer Ropes by Giant Sand

Thanks to an episode of Giant Sand (https://en.wikipedia.org/wiki/Giant_Sand). After making a list of all the people I wanted to yell out for not introducing me to this band when I first arrived in Arizona back in 1997, I was struck by the difference in how music is presented to new listeners in 2020 versus how podcast episodes are presented to the uninitiated. Rather than presenting me with the most recent track released by the band or making me wade through a list of the ~30lbums they’ve released, the app made it very easy to listen to the very best -- most popular -- tracks from that band. And I loved that.  On the home screen of most podcast apps, they do present podcasts based on popularity. But that’s the entire podcast. Which episode should a person brand new to that podcast start with? And which episode after that? Imagine a podcast app working more like the music streaming apps. Someone tells you of a new show and you search for that show by name on your listening app. This imaginary helpful app then presents to you the very best episodes of that show for you to listen to first, allowing you to quickly confirm the recommendation given was right for you. That’s a very different world than we live in today, podcasters. No, this is not going to work for all types of podcasts. Time-sensitive episodes that cover “the news” or current events like Valence (https://hughouse.productions/valence/) must be presented in order from the first episode. But this concept is perfect for timeless, evergreen podcast content, Shows like The Snooze Button (https://thesnoozebutton.com/) each have favorite or stand-out episodes. For those shows and the vast swath of the podosphere that is also timeless content the forced adherence to linear episode consumption in apps runs counter to what music app developers have figured out. As I've previously (https://podcastpontifications.com/episode/better-podcasting-by-living-up-to-the-hype) on this show, the most recent episode of your podcast isn't necessarily the best episode of your podcast. Yet it’s the one that the apps present to new listeners and would-be subscribers first. See the disconnect? If you’re thinking of just using download data to determine popularity, there’s a problem. Podcast episode downloads often (usually?) happen automatically, which is why you see a spike in downloads the day your release an episode. Having episodes automatically appear in podcast listening apps or other distribution channels is one of the magic powers of podcasting, and that magic adds noise to our data.  Podcast hosting companies could give us better data, helping identify when an episodes bucks the trend. They could also better report on repeat listening, connections between episodes downloaded by the same unique user, and other insightful data that could help us build truly timeless episodes our listeners want to listen to over and over again. Podcast apps have actual-play data, giving them great insight into actual listening behavior that could help present the best timeless episode to a brand new listener Maybe, as we approach the third decade of podcasting, the value of repeat plays and the interconnectivity between episodes will be realized. I’d actually bet money on that, as the much-more-data-savvy app makers now listing podcasts in their apps will force that change.  They’ve solved the problem for music. They’ll solve it for podcasting too.  ----- Read the full article and share with a friend: https://podcastpontifications.com/episode/solving-podcastings-linear-listening-problem (https://podcastpontifications.com/episode/solving-podcastings-linear-listening-problem) Podcast Pontifications (https://podcastpontifications.com/) is published by Evo Terra four times a week and is designed to make podcasting better, not just easier. Follow Evo on Twitter (https://twitter.com/evoterra) for more podcasting insights as they come. And if you need a professional in... Support this podcast

Thanks to the Time Loop we all seem to be stuck in, our 99th episode is here . . . . directly following our 100th. The border used to be a lot of fun, back before the prison walls went up around our country. And guess what, now we can't leave. PLUS: Jason P. Woodbury joins us with the wild tale of Arizona's own Giant Sand. Support the show: https://www.patreon.com/user?u=26080998

This podcast is unpaid and survives on donations. You can donate here via paypal www.stephenmbland.com/olas-kool-kitchen Ola's Kool Kitchen is a show on KCLA 99.3 FM in Los Angeles, 107.5 andhow.FM, Rock Velvet Radio, Maximum Threshold Radio, Rock Radio UK, Sword Radio UK, Jammerstream One, Kor Radio, Bombshell Radio, Firebrand Radio, Pop Radio UK and Radio Wigwam and you can hear more shows here www.mixcloud.com/olaskoolkitchen/ Show 407 1. Isobel Campbell-Hey World-There is No Other-Cooking Vinyl LTD 2. Khruangbin & Leon Bridges-Texas Sun-Texas Sun-Dead Oceans 3. eGGs - A Certain Smile- Howlin' Banana Bands Summer Sampler 6-Howlin Banana Records 4. Purple Heart Parade-Starwheel- Desolation Angel-Club AC30 5. Beat Hotel-Heat Light Fire-Beat Hotel- Occultation Recordings 6. The Lovely Eggs - This Decision-Single-Egg 7. The Black Lips- Get It On Time- Black Lips Sing...In A World That's Falling Apart-Fire 8. Shopping-For Your Pleasure- All or Nothing-Fat Cat Records 9. Blossoms-Your Girlfriend- Foolish Loving Spaces-Virgin 10. THE ROCK -A-TEENS - WOO HOO-single-Decca 11. Byrds-Gunga Din-Ballad of Easy Rider-Columbia 12. Bill Withers-Ain’t No Sunshine-Just As I Am-Sussex- 13. Squirrel Flower-Slapback-I Was Born Swimming-Polyvinyl 14. Voice of The Seven Woods- The Fire in My Head-Voice of the Seven Woods-Twisted Nerve 15. Giant Sand – Done-Heartbreak Pass-New West Records

Vanavond hoor je om 21.00 uur Hans Vandenburg bij 40UP Radio met een nieuwe thuiswerk special van Why I Quit Composing. Dit keer schotelt hij je muziek voor van o.a. Morphine, Giant Sand, Lewis Furey en Razorlight.

Solénoïde (02.03.2020) - R.E.M revisité à la sauce western-dub, les Doors corrigés sur le mode reggae-crooner, Georges Brassens réincarné dans les cuivres d'une fanfare latino-américaine... ce sont là quelques-uns des ingrédients figurant au menu de cette 'Cover Box'!

Dit keer met muziek van Thin Lizzy, Emitt Rhodes, Grin, Neil Young, Tom Petty & The Heartbreakers, Alex Chilton, Texas Tornados en Giant Sand.

Dit keer met muziek van Thin Lizzy, Emitt Rhodes, Grin, Neil Young, Tom Petty & The Heartbreakers, Alex Chilton, Texas Tornados en Giant Sand.

Soraya & Jeff speak to Mark Walton about his work with The Dream Syndicate, Continental Drifters, Giant Sand, Chris Cacavas & Junkyard Love, among many others.

VERA SOLA. SMALL MINDS – 4:15Shades, Spectraphonic records, 2018 ELVIS PERKINS. MY KIND – 5:05Label Pop Session, Microcultures, 2016 GIANT SAND. HAPPENSTANCE – 5:00Glum, Imago, 1994 LISA GERMANO. THE DARKEST NIGHT OF ALL – 4:40Happiness, 4AD, 1994 DAVID BOWIE. CONVERSATION PIECE – 3:50Heathen (Deluxe edition), Columbia, 2002 BERT JANSCH. MOONSHINE – 5:00Moonshine, Reprise records, 1973 […] Cet article Errance #128 : De Vera Sola à Tom Waits est apparu en premier sur Eldorado.

Vandaag met muziek van Dawn Brothers, Ultimate Painting, Gram Parsons, Slaid Cleaves, Dale Watson, Giant Sand en Buck Owens.

..................WINTER.LULLABIES................................... By Anatoly Brooks http://www.filefactory.com/file/2ibhnyvaa645/WINTERLULLABIES.mp3 01. Halo – Winter Lullaby 02. Idaho – You’ll get to the bottom of this 03. Great Lake Swimmers – Think that you might be wrong 04. Grant-Lee Phillips – Humankind 05. Giant Sand – Spiral 06. Chris Garneau – Yours 07. Peter Broderick – Colin 08. Au Revoir Simone – The winter song 09. June Tabor & Oysterband – Love will tear us apart 10. GNR – Alhos verdes 11. M. Ward – Post-war 12. Steve Gunn – Spring garden 13. Mazgani – Dog at your door 14. Crime And The City Soluton – Beyond good ande vil 15. Elvis Perkins – Ash Wednesday 16. Mogwai – The huts 17. John Cale – Taking your life in your hands 18. Elvis Perkins – Good Friday Total time – 1.21:29 A photo by Andre du Plessis Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt

John Parish in conversation with David Eastaugh Parish is best known for his work with singer-songwriter PJ Harvey. He has also worked with many other bands including Eels, Tracy Chapman, Giant Sand, and Sparklehorse.  His first record release was a single "Mind Made" by the British new wave band, Thieves Like Us (1980). In 1982, he formed the band Automatic Dlamini, with Rob Ellis. The changing line-up of Automatic Dlamini included Polly Harvey from 1988 until 1991. Automatic Dlamini recorded three albums: The D is For Drum (1987),Here Catch Shouted his Father (1990 – unreleased but available as a bootleg), and From A Diva to a Diver(1992). By the time From A Diva to a Diver was released, Harvey had left to form the PJ Harvey trio with ex-Dlamini members Rob Ellis and Ian Olliver, and Parish was playing guitar with Marc Moreland's band The Ensenada Joyride. In 1986 Parish had begun a parallel career as a record producer working with UK bands including The Chesterfields, The Brilliant Corners, The Caretaker Race and The Becketts. In 1995 he co-produced PJ Harvey's "To Bring You My Love", on which he also played guitar, drums, percussion and organ. He co-wrote and produced The Eels album Souljacker (2001), and played guitar on the world tour that accompanied its release. He has produced and/or played on a number of Howe Gelb / Giant Sand albums and frequently appears onstage with them. Parish produced the Giant Sandalbum Chore of Enchantment (2000), and a photograph of his wedding in Tucson in 1998 was used as the cover for the 2011 re-release of the record. He also began working as a film composer in 1998, writing the score for Belgian director Patrice Toye's debut film, Rosie. Parish's score won the Jury Special Appreciation prize at the 1999 Bonn Film & TV Music Biennale. He has since scored other films and a Dutch seven-part TV drama Waltz(2006). Parish has now worked on seven albums with Harvey, including two co-written albums: Dance Hall at Louse Point (1996) and A Woman A Man Walked By (2009). He played in the PJ Harvey touring band (guitar/drums/keyboards) from 1994 – 1999, from 2009 – 2012 and from 2015 - 2017. He co-produced and played on To Bring You My Love (1995),White Chalk (2007), the Mercury Prize winning Let England Shake (2011) and The Hope Six Demolition Project (2016).

Tous les week-ends, découvrez le sommaire et la playlist composés par Tsugi pour Libération. Avec School Daze, Giant Sand, M.I.L.K., Vale Poher et White Velvet.

Salty Dog's ESCALATE Podcast, July 2019 Visit: www.salty.com.au There's a time to chill back, and a time to escalate. Bad cliche folks!, but on this show we move up to some mighty fine tracks. Cuts from Chris Knight, Amnesia Blues Band, Christone Ingram, Lonesome Shack, Frank Sultana, James McMurtry, McNaMarr Project, Matt Walker, Nathan Seeckts, Billy Branch, Gwyn Ashton, Endless Boogie, Mark Hollis, Becoming August, Giant Sand, Opelousas, Nick Moss, Bob Dylan, Lou Reed, Shane Pacey, Dom Turner. ----------- ARTIST / TRACK / ALBUM ** Australia 1. Chris Knight / Miles To Memphis / Heart of Stone 2. ** Amnesia Blues Band / Out Of Time / Hailstone 3. Christone Kingfish Ingram / That's Fine By Me / Kingfish 4. Lonesome Shack / On The One / Desert Dreams 5. ** Frank Sultana / The Howling Dogs / Blues Roulette Kings And Queens 6. James McMurtry / Hurricane Party / Just Us Kids 7. ** McNaMarr Project / Holla And Moan / Holla And Moan 8. ** Matt Walker And Friends / Jesus Make It Alright / Live At The Rainbow 9. ** Nathan Seeckts / Beast Beneath The Bed / The Heart Of The City 10. Billy Branch And Friends / Blues With A Feeling / Roots And Branches - Songs of Little Walter 11. Gwyn Ashton / She's What I Like / Sonic Blues Preachers 12. Endless Boogie / Dirty Angel / Vol I, II 13. Mark Hollis / The Gift / The Gift 14. Becoming August / 4 Nothing / Someplace Better 15. Giant Sand / October Anywhere / Returns To Vallet Of Rain 16. ** Opelousas / Opelousas Baby / Opelousas Baby 17. Nick Moss / Was I Ever Heard / Time Ain't Free 18. Bob Dylan / Idiot Wind / The Bootleg Series 1961-1991 19. Lou Reed / Hold On / New York 20. ** Shane Pacey / Turn This Caravan Around / The Garddener 21. ** Dom Turner N Tony Wheeler / Desert Barbed Wire / Microtonal Crossroads One: Music For Slide Guitar And Guqin

Salty Dog's TORQUE Podcast, July 2019 Visit: www.salty.com.au Tension down those tracks as we apply the right amount of torque. Bolted and pulling their weight, great tracks from Watermelon Slim, Rosie Flores, Giant Sand, Jeff Lang, Lachlan Bryant, Electro Blues Society, Violet Femmes, Billy Price, Dom Turner, Lonesome Shack, Taj Mahal, Samantha Fish, Ash Grunwald, Talk Talk, Over The Rhine, Deborah Conway, Stephen Forster, Tail Dragger, Garrington T Jones, Pinetop Perkins. ----------- ARTIST / TRACK / ALBUM ** Australia 1. Watermelon Slim / Gypsy Woman / Church Of The Blues 2. Rosie Flores / Love Don't Love No Body / Simple Case of the Blues 3. Giant Sand / Barrio / Returns To Valley Of Rain 4. ** Jeff Lang / Smarts Hill Rd / Alone In Bad Company 5. ** Lachlan Byrant N The Wildes / The Road / Pre release 6. Electro Blues Society / Back Door Man / Back Door Man 7. Violet Femmes / Run With It / 2 Mics And The Truth 8. Billy Price / Expert Witness / Reckoning 9. ** Dom Turner N Tony Wheeler / Robert 'Wolfman' Belfour / Microtonal Crossroads One: Music For Slide Guitar And Guqin 10. Lonesome Shack / King Clone / Desert Dreams 11. Taj Mahal / Leaving Trunk / Taj Mahal 12. Samantha Fish / Poor Black Mattie / Belle Of The West 13. ** Ash Grunwald N Ian Collard / Everyday / Live At The Corner 14. Talk Talk / Ascension Day / Laughing Stock 15. Over The Rhine / Leaving Days / Love N Revelation 16. ** Deborah Conway / Fallen Star / The Words of Man 17. ** Stephen Forster / Crazy Jane On The Day Of Judgement / Inferno 18. Tail Dragger N Bob Corritore / Sugar Mama / Longtime Friends In The Blues 19. Garrington T Jones / Watch Me Go Blues / Dead Roses 20. Pinetop Perkins / Anna Lee / Back On Top 21. ** Dom Turner N Tony Wheeler / Dark Was The Night / Microtonal Crossroads One: Music For Slide Guitar And Guqin

Con: Daniel Johnston, Yo la Tengo, Karen O, Built to Spill, The Messthetics, June of 44, Maria Antonietta, Fast Animals Slow Kids, I Hate my Village, Massimo Volume, Amyl and the Sniffers, Joan as a Policewoman, Giant Sand, Jeff Tweedy, Teenage Fanclub, Canarie

lonely night traveller in mixed directions..PLAYLIST: MURCOF: URANO..ALICE COOPER: HALO OF FLIES..BRIGITTE FONTAINE: JE SUIS INADAPTÉE..ARTHUR RUSSELL: THIS IS HOW WE WALK ON THE MOON..BEACH BOYS: HEROES AND VILLAINS..VERDENA: NUOVA LUCE..IDRIS MUHAMMAD: TURN THIS MUTHA OUT..HAILU MERGIA: LAILA BELU..COMA COSE: JUGOSLAVIA..GIANT SAND. FOREVER AND A DAY..BJORK: CITY LIGHTS: SUN DRIVER, FEAT. BJORK VOCALS

lonely night traveller in mixed directions..PLAYLIST: MURCOF: URANO..ALICE COOPER: HALO OF FLIES..BRIGITTE FONTAINE: JE SUIS INADAPTÉE..ARTHUR RUSSELL: THIS IS HOW WE WALK ON THE MOON..BEACH BOYS: HEROES AND VILLAINS..VERDENA: NUOVA LUCE..IDRIS MUHAMMAD: TURN THIS MUTHA OUT..HAILU MERGIA: LAILA BELU..COMA COSE: JUGOSLAVIA..GIANT SAND. FOREVER AND A DAY..BJORK: CITY LIGHTS: SUN DRIVER, FEAT. BJORK VOCALS

lonely night traveller in mixed directions..PLAYLIST: MURCOF: URANO..ALICE COOPER: HALO OF FLIES..BRIGITTE FONTAINE: JE SUIS INADAPTÉE..ARTHUR RUSSELL: THIS IS HOW WE WALK ON THE MOON..BEACH BOYS: HEROES AND VILLAINS..VERDENA: NUOVA LUCE..IDRIS MUHAMMAD: TURN THIS MUTHA OUT..HAILU MERGIA: LAILA BELU..COMA COSE: JUGOSLAVIA..GIANT SAND. FOREVER AND A DAY..BJORK: CITY LIGHTS: SUN DRIVER, FEAT. BJORK VOCALS

We’re back. The weather is beginning to turn. We’re almost there. Welcome to the September edition of the Transmissions podcast. On this episode, we sit down with three legends of independent music: psychedelic singer/songwriter Robyn Hitchcock, Giant Sand leader Howe Gelb, and Steve Wynn of the Dream Syndicate. Since emerging in the ‘80s, they’ve amassed incredible catalogs, and they’re all still making vital and poetic records. We spoke earlier this month at HOCO Fest, a multi-day festival in Tucson, Arizona. Sitting down at the KXCI studio at Hotel Congress, the three riffed on their years making music, how their sounds have evolved over the years, and what a lifelong commitment to making art looks like. But first, our conversation with Matt Sullivan of Light in the Attic Records, one of our longtime favorite reissue labels. We spoke live at Gold Diggers in East Hollywood as part of our Talk Show series – a set of live conversations centered around the worlds of music, art, film and beyond. LITA has released records by Rodriguez, Betty Davis, Lee Hazlewood, Jim Sullivan, Serge Gainsbourg, and has launched expansive archives like the Native North America and Japan Archival projects. How did Light in the Attic get started? Live on stage at Gold Diggers, Sullivan explained it all.

Bienvenidos a ERA Magazine, el podcast de la música independiente española. Continuamos con el capítulo 9 de la sección 7 minutos al día de la revista online Muzikalia, con Borja Buján. Comenzamos. Buenos días a todos los amantes de la música indie. Antes de comenzar comentar a los grupos que nos estéis escuchando, que si queréis presentar vuestras canciones en el podcast de ERA Magazine, solo tenéis que mandarnos un email a través de eramagazine.fm/contacto. ¿Quieres tener una página web de tu grupo o discográfica y no sabes cómo? Escríbenos un email, hablamos tu mismo idioma y, además, conocemos perfectamente el mundo de la música independiente. Aprenderás a gestionar tu propio sitio en internet. Bien y hoy me apetece buscar grupos de mujeres entre los 7 minutos. Veremos hiphoperas, folkies, tangueras, flamencas, llenas de dreampop… De todo un poco para que veamos su aporte dentro de la selección de Muzikalia. Celia BSoul. Esta bien esto de que a las raperas las llamen también poetisas. Gloria Fuertes nos parecía cualquier cosa en su tiempo y ahora es poetisa femenina. Para que escarmentemos. Celia BSoul metida en el panorama poético y musical madrileño, siempre se ha sentido vinculada a las palabras y se ha iniciado con la música hip hop y a su vez también con la búsqueda de otras formas de creación como la danza y los proyectos audiovisuales. Ha publicado su primer trabajo discográfico, un álbum llamado Estacciones del que vamos a escuchar “Be Soul”. La Chocolata es el nombre artístico que ha escogido la jerezana Carmela Páez. Combina el tablao flamenco con otros grupos más latinoamericanos. En 2009 presentó su proyecto Chocolata y un par de años después llegaría su primer disco grabado en estudio, De un Suspiro. En los años siguientes colabora en concierto o actúa como telonera con gente como Aterciopelados, Kiko Veneno o Bomba Stereo. Cantándole al Río fue finalmente fue lanzado en septiembre de 2016 del que ahora vamos a escuchar “El camino de los Santos”. Chlöe’s Clue es el proyecto de la joven artista valenciana Raquel Adalid que ya con 21 años cuenta con un álbum: Hidden Rhythms (2014) y otro recién salido llamado Panorama. Lo primero que podemos escuchar de su nuevo disco es “Visions and versions” del que dicen desprende lujuria, decadencia y elegancia. Para presentarlo ha grabado el video en el Teatro Olympia de Valencia, un buen referente para darle empaque a “Visions and versions”, que escuchamos ahora. Cándida es el proyecto musical de la cantante y compositora valenciana Candi Imbernón, que empezó hace casi 10 años, buscando la fusión de tango y pop. Con este “neotango” ha publicado músicas más cercanas al rock como esa versión del “So payaso” de Extremoduro. Ahora ha incorporado elementos electrónicos y en 2017 Cándida ha sacado Galgos o Podencos que se asocia más a Forastero o Giant Sand. Escucharemos de su nuevo disco la canción que le da nombre: Galgos y Podencos. Júlia es un dúo valenciano formado por Estela Tormo y Lídia Vila. Folk, pop con toque a lo Beach House. En su nuevo trabajo, Pròxima B, suenan más electrónicas a pesar de sus guitarras. El dream pop es ahora más notables en temas como “Índica”. Electrónica galáctica repleta de detalles minúsculos pero sublimes. Vamos a escuchar ese tema. María Reyes lleva ejerciendo como actriz, modelo y cantante. La hemos podido conocer por su participación en Nouvelle Vague con las que estuvo en sus giras. Subterfuge editó un EP suyo en el 2015, Introducing, y ahora tiene un nuevo proyecto: META, junto a Rodrigo Borque. Lanzarán su nuevo disco, Love and Die, y vamos a escuchar de este disco “Violence order”. Con esta canción nos despedimos por hoy. También recordad, que si quieres ayudar a este podcast, y seguir disfrutando de la música de muchos más grupos, haz tus compras de Amazon a través del enlace eramagazine.fm/amazon. A ti no te cuesta nada y ERA Magazine se lleva una pequeña comisión con la que podremos difundir más propuestas emergentes. Porque recuerda: a la gente le encanta la música indie, pero todavía no lo sabe. Adiós.

EVAN DANDO. SHOTS IS FIRED – 2:45Baby I'm Bored, Setanta records, 2003 EVAN DANDO. RANCHO SANTA FE (Alternative version) – 3:15Baby I'm Bored, Fire records, 2017 RAINER. PASTIME PARADISE – 4:20Alpaca Lips, Glitterhouse, 2000 GIANT SAND. MONK'S MOUNTAIN – 7:30Blurry Blue Mountain, Fire records, 2010 JONATHAN RICHMAN. HERE IT IS – 4:30Because Her Beauty Is […] Cet article Errance #92 : De Evan Dando à Wilco est apparu en premier sur Eldorado.

Working Class Audio Session #127 with Craig Schumacher!!! Craig Schumacher has been making noise unprofessionally since 1985. He's managed to carve out a niche in the desert southwest by be part of an eclectic scene that bubbles out of Tucson and has been an integral part of the sound of  Calexico and Giant Sand, and has recorded artists like Neko Case, Amos Lee, KT Tunstall, Roger Clyne, Left Over Salmon, The Jayhawks, Steve Wynn, and John Doe at WaveLab. He is also a sought after mixer and has been to France, Sweden, LA, NYC, Austin, and New Orleans for mix jobs. He is also an adjunct professor at Scottsdale Community College for the past ten years. Craig crashes at Matt's house for a night while on his way to record the new Calexico record. Naturally an interview that was long overdue was in order. 

Record Store Day finds from Townes Van Zandt, Vic Chesnutt and Giant Sand along with the latest from Spiral Stairs and music beds from Calexico.   Go buy a record and enjoy, y'all.

Howe Gelb's multiple-decade catalog is hard to pin down, but the one current that runs through it all is the Tucson, Arizona musician's warm-burning songwriting. The sometime Giant Sand leader pares down to a piano for his latest record, Future Standards, and accompanied only by a bassist, Gelb doubles down on the songwriting skills he's honed over his decades in this incandescent session with DJ Morgan. Recorded 2/4/2017 - 4 songs: Irresponsible Lovers, Sweet Confusion, A Book You've Read Before, Impossible ThingSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

In this episode, the Goods from the Woods Boys are talking to the absolutely hilarious comedian Curtis Cook. We talk about the Buckeye state of Ohio. We talk about the disaster that was Cleveland's Balloonfest. We also talk about 'Pimp My Ride' and finding porn in the woods. This episode is hilarious and we hope you'll follow Curtis on Twitter @Curtis_Cook!  Song of the week this week: "Can Do" by Giant Sand.  Follow the show @TheGoodsPod  Rivers is @RiversLangley  Dr. Pat is @PM_Reilly  Mr. Goodnight is @SepulvedaCowboy  Pick up a Goods from the Woods t-shirt at: http://prowrestlingtees.com/TheGoodsPod

Celebrating the 88th birthday of Ennio Morricone comes a wild and evocative set of music from and inspired by the American Old West, including new music from Tredici Bacci, Denver outfits Slim Cessna’s Auto Club and Wovenhand, plus Tucson productions of Neko Case, Calexico, and Giant Sand. Augmented and rebroadcast on December 2, 2016 from original WZBC broadcast on April 30, 2016.

My guest this week is the very creative and grooving drummer, John Convertino. Along with Joey Burns, John started Calexico in the mid-90's after a long stint playing and touring with the seminal group, Giant Sand. His work with Howe Gelb in Giant Sand brought him from LA to Tucson, where he's been living for many years, and has helped to develop a creative and nurturing music scene. Calexico has released a series of amazing albums, and John's unique approach to the drums is always a highlight. The group successfully mixes folk, rock, twang, mariachi, and avant-garde music into their sound, and it was great to discuss all of those elements with John, as well as his history playing in his family band, how he met Howe Gelb and started playing in LA, his move to the desert of Tucson, and his experiences recording and working in the studio. Enjoy my conversation with John Convertino!

Hola. Somos ese programa que habla de las Runaways y de Coltrane con escasa media hora de diferencia. ¿Falta absoluta de criterio o todo lo contrario? No te quedes con las dudas, escucha y opina. Hablamos de conciertos recientes (Giant Sand, Robert Plant) le damos su merecido al punk californiano a partir de Tenemos La Bomba de Neutrones (Munster Books) e invitamos al Dr Abad, que en su cruzada evangelizadora nos deleita con tres añitos en la vida de John Coltrane.

We are lucky enough to have Feel Good Lost's Brendan Canty stop by to tell us about one of his favourite songs, plus new music from Rusangano Family, Frightened Rabbit, Whitney, Land Lovers, Toby Kaar, The Thermals, Pleasure Beach, Funeral Suits and The Joy Formidable, as well as Jason Lytle, Giant Sand and Kimya Dawson. Strange Brew - indie beats, alternative rock and good vibrations from the past, the present and the not too distant future with gugai. Every Thursday night at Róisín Dubh, Galway, Ireland and every Friday at 9pm on 8radio.com. www.facebook.com/strangebrewgalway twitter/@gugai gugai@roisindubh.net

Cork's finest purveyors of altfuzzpsychrock, The Altered Hours, tell us about their favourite song, brand new music from Explosions In The Sky, Frightened Rabbit, Frankie Cosmos, Bob Mould, Parquet Courts, The Goon Sax, The Orchid Collective, plus Kormac, Giant Sand, Jason Lytle, Steve Mason and Chad Valley. Strange Brew - indie beats, alternative rock and good vibrations from the past, the present and the not too distant future with gugai. Every Thursday night at Róisín Dubh, Galway, Ireland and every Friday at 9pm on 8radio.com. www.facebook.com/strangebrewgalway twitter/@gugai gugai@roisindubh.net

RHLSTP #73: Robin Ince - Punching a Watermelon with the Face of Vernon Kay. Richard concludes the story of his disastrous romantic break with his wife and gives away an exclusive RHLSTP mug to one of the RHLSTP mugs. His guest is Britain's premiere John Peel/Oliver Hardy/Stewart Lee impressionist, Robin Ince. They discuss the autobiographies of Don Estelle and Syd Little, how Robin created The Office, a swearing Su Pollard, Iain Lee on a pink tricycle, the funniest serial killer and being the Giant Sand of comedy. Richard also quizzes about his decision to (at least temporarily) give up stand-up. It would be a shame. He's very funny. Having said that, he does seem to be in a very happy mood so why ruin that? SUPPORT THE SHOW!Check out our website and become a badger and see extra content http://rhlstp.co.ukSee details of the RHLSTP tour dates http://richardherring.com/gigsBuy DVDs and Books at http://gofasterstripe.com See acast.com/privacy for privacy and opt-out information.

Druhá hodina je inspirována novým albem samorostlého country psance Boba Wayna. Na rozdíl od předcházejících autorských počinů ale sáhl po klasických písních a natočil album coverů s výmluvným názvem Hits the Hits. Jedná se většinou o slavné rockové opusy takových legend jako Rolling Stones, Led Zeppelin, Ozzyho Osbourna, Red Hot Chilli Peppers, Guns 'n Roses či Beatles geniálně přetavené do ryzí country podoby. A protože Bob Wayne nebyl zdaleka prvním country umělcem, který sáhl do rockových zpěvníků, přidáme pár často docela raritních nahrávek z podobného soudku. Těšit se můžete na Johnnyho Cashe, Dwighta Yoakama, Dierkse Bentleyho, Giant Sand, Rodneyho Crowella, Allison Moorer, Nitty Gritty Dirt Band a Dolly Parton.

Druhá hodina je inspirována novým albem samorostlého country psance Boba Wayna. Na rozdíl od předcházejících autorských počinů ale sáhl po klasických písních a natočil album coverů s výmluvným názvem Hits the Hits. Jedná se většinou o slavné rockové opusy takových legend jako Rolling Stones, Led Zeppelin, Ozzyho Osbourna, Red Hot Chilli Peppers, Guns 'n Roses či Beatles geniálně přetavené do ryzí country podoby. A protože Bob Wayne nebyl zdaleka prvním country umělcem, který sáhl do rockových zpěvníků, přidáme pár často docela raritních nahrávek z podobného soudku. Těšit se můžete na Johnnyho Cashe, Dwighta Yoakama, Dierkse Bentleyho, Giant Sand, Rodneyho Crowella, Allison Moorer, Nitty Gritty Dirt Band a Dolly Parton.

Howe Gelb is an immensely prolific and well-respected musician, singer, songwriter, and producer based in Tucson, Arizona. In the mid-1980s, Gelb founded a music collective called Giant Sand, which began a vast slew of collaborations that he continues to this day. Aside from Giant Sand, he’s operated under Arizona Amp and Alternator, The Band of […]

Calexico is the seminal desert noir band. Their music is a melting pot where traditional Latin and southwestern elements of mariachi, conjunto, cumbia and Tejano styles peacefully and harmoniously coexist with alt-country, indie rock and a trace of jazz. Founded in 1996 by singer Joey Burns and drummer John Convertino at the University of California - Irvine when the pair met while Convertino was playing in the group Giant Sand, Calexico started as a side project and grew to its current six members and an identity all its own. John will join us from his home in Tuscon, Arizona and we'll talk about the process behind recording the soundtrack for Circo - a documentary about a century-old Mexican circus.

Calexico is the seminal desert noir band. Their music is a melting pot where traditional Latin and southwestern elements of mariachi, conjunto, cumbia and Tejano styles peacefully and harmoniously coexist with alt-country, indie rock and a trace of jazz. Founded in 1996 by singer Joey Burns and drummer John Convertino at the University of California - Irvine when the pair met while Convertino was playing in the group Giant Sand, Calexico started as a side project and grew to its current six members and an identity all its own. John will join us from his home in Tuscon, Arizona and we'll talk about the process behind recording the soundtrack for Circo - a documentary about a century-old Mexican circus.

Calexico is the seminal desert noir band. Their music is a melting pot where traditional Latin and southwestern elements of mariachi, conjunto, cumbia and Tejano styles peacefully and harmoniously coexist with alt-country, indie rock and a trace of jazz. Founded in 1996 by singer Joey Burns and drummer John Convertino at the University of California - Irvine when the pair met while Convertino was playing in the group Giant Sand, Calexico started as a side project and grew to its current six members and an identity all its own. John will join us from his home in Tuscon, Arizona and we'll talk about the process behind recording the soundtrack for Circo - a documentary about a century-old Mexican circus.