Podcast appearances and mentions of Eric Carle

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Welkom! Dit is het 3e seizoen van de PrentenboekenCast, een podcast over mooie, grappige en/of ontroerende prenten- en versjesboeken die je voor kunt lezen. In dit derde podcast seizoen bespreken we om de week prenten- en versjesboeken, de ene week voor baby, dreumes en peuter (0 t/m 3 jaar). De volgende aflevering schenken we aandacht aan prenten-en versjesboeken voor peuter en kleuter (3 t/m 6+ jaar).Deze aflevering bespreken we boeken voor baby-dreumes en peuter en de volgende titels passeren de revue:Babyboeken KIJK JE MEE BABY? 3-6 maanden van Alice Hoffman uitgeverij Van Holkema en Warendorf, 2024Dreumesboeken DIEREN OP DE BOERDERIJ -Zoek en Voelboek- van Rebecca Weerasekera, uitgeverij Ballon, 2024RAMADANFEEST MET RUPSJE NOOITGENOEG -een flapjesboek- World of Eric Carle, uitgeverij Gottmer, 2025Peuterboeken PABLO'S PAKJES in de Stroopstraat- een flapjesboek van Kate Hindley, uitgeverij Luitingh-Sijthoff, 2024VOOR AAP van Mark Janssen met illustraties van Suzanne Janssen, uitgeverij van Goor, 2018EBBIE DOET BOODSCHAPPEN van Marjet Huiberts en illustraties van Milja Praagman, uitgeverij Gottmer, 2024YES, COCO KAN HET! Een tweetalig Prentenboek van Loes Riphagen, uitgegevn door Gottmer, 2024  [Uitgegeven in Nederlands- Engels/ NL- Pools/ NL-Turk en NL-Arabisch]Ook dit seizoen werken we samen met @silversterkinderenjeugdboeken en willen we hen bedanken voor de fijne samenwerking en het beschikbaar stellen van nieuwe boeken om in onze podcast te kunnen bespreken.Tevens veel dank voor het beschikbaar stellen van de muzikale intermezzo's door Erik van Os (compositie) en Frans van der Meer (productie).Veel luister- én voorleesplezier gewenst! Volg ons ook via: https://www.instagram.com/prentenboekencast/

Our long colonial nightmare is over! Hanna's back to tell Andy & Fish about the life of children's author Eric Carle. Intro music is from "Across the Line" by the Wellington Sea Shanty Society.

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

This week on the Super Fun Time Trivia Podcast we discuss that time Tiny Tim ate all those kids, how to spit in gods face and be proud of it, and Eric Carle's book about a very hungry caterpillar that ate the twin towers. Music Round: Small / Tiny / Short Patreon: Super Fun Time Trivia Website: superfuntimetrivia.com Facebook: superfuntimetrivia Instagram: superfuntimetrivia Twitter: @sftimetrivia Email: superfuntimetrivia@gmail.com Intro Music By David Dino White. Welcome to Super Fun Time Trivia: The known universe's only live improv comedy trivia podcast.

Welkom! Dit is het 3e seizoen van de PrentenboekenCast, een podcast over mooie, grappige en/of ontroerende prenten- en versjesboeken die je voor kunt lezen. In dit derde podcast seizoen bespreken we om de week prenten- en versjesboeken; de ene week voor baby, dreumes en peuter (0 t/m 3 jaar). De volgende aflevering schenken we aandacht aan prenten-en versjesboeken voor peuter en kleuter (3 t/m 6+ jaar).Deze aflevering bespreken we boeken voor baby, dreumes en peuter:Babyboek: SOPHIE -speelboek- Sophie la Girafe, Veltman uitgevers 2024Dreumes-Peuterboeken:DIKKIE DIK -Zoekboek in 10 talen- van Jet Boeke, uitgeverij Gottmer, 2024 PIA van Olivier Dunrea, uitgeverij Gottmer, 2024 O, JEE, EEN LOGÉ van Miriam Bos, uitgeverij Lemniscaat, 2024 KOMT DAT ZIEN, TEL TOT TIEN, van Eva Stalinski, uitgeverij Lannoo, 2024 KLEERTJES UIT, PYJAMAATJES AAN – Slaapliedjes- van Mies van Hout, uitgeverij Gottmer, 2024 KLEERTJES UIT, PYJAMAATJES AAN – het boordevolle boek voor baby's en peuters- diverse auteurs en illustratoren, uitgeverij Ploegsma, eerste druk 2009 Daarna gaan we in gesprek met oma Margreet en zij bespreekt welke boekjes ze aan haar kleindochter van 2 jaar voorleest en hoe haar kleindochter hierop reageert. De titels die Margreet noemt:WE HEBBEN ER EEN GEITJE BIJ van Marjet Huiberts, met illustraties van Iris Deppe, kartonboekje, 2024 WIE HEEFT ER ÉÉN JONKIE MEER van Julia Donaldson, met illustraties van Sharon King-Chai, vertaald door Edward van de Vendel uitgeverij Volt, 2021 VOGELGELUIDEN & LIEDJES van Isabel Otter met illustraties van Clover Robin, Veltman Uitgevers B.V.2024 RUPSJE NOOITGENOEG IN DE TUIN, een flapjesboek, World of Eric Carle, uitgeverij Gottmer, 2022 OVER EEN KLEINE MOL DIE WIL WETEN WIE ER OP ZIJN KOP GEPOEPT HEEFT van Werner Holzwarth/ Wolf Erlbruch, uitgeverij C.de Vries-Brouwers, 1990 TOEN IK JOUW OMA WERD, van Susannah Shane met illustraties van Britta Teckentrupp, vertaald door Imme Dros, uitgeverij Leopold, 2022Ook dit seizoen werken we samen met @silversterkinderenjeugdboeken en willen we hen bedanken voor de fijne samenwerking en het beschikbaar stellen van nieuwe boeken om in onze podcast te kunnen bespreken.Tevens veel dank voor het beschikbaar stellen van de muzikale intermezzo's door Erik van Os (compositie) en Frans van der Meer (productie).Veel luister- én voorleesplezier gewenst!Volg ons ook via: https://www.instagram.com/prentenboekencast/

In episode 119 of White Canes Connect, host David Goldstein reflects on the highlights of the 2024 National Federation of the Blind (NFB) of Pennsylvania State Convention in Erie. The episode centers on President Lynn Heitz's powerful presidential report, where she draws inspiration from Eric Carle's The Very Hungry Caterpillar to parallel the journey of blindness with the caterpillar's transformation into a butterfly. President Heitz poignantly compares the challenges, growth, and triumphs faced by individuals navigating blindness to the stages of the caterpillar's metamorphosis. The report celebrates the progress made by NFB members, from those new to vision loss seeking resources and skills to those fully embracing independence, advocating for change, and mentoring others. She emphasizes the importance of outreach, education, and mentorship in breaking societal stigmas about blindness and fostering self-esteem and empowerment. The episode also highlights the NFB's ongoing initiatives, including Braille instruction, partnerships with Pennsylvania agencies, and advocacy for blind children and adults. Listeners are encouraged to reflect on their personal journeys, participate in outreach, and contribute to building a stronger blind community. Mark your calendars for the 2025 NFB of Pennsylvania State Convention in Harrisburg, November 13–16, and stay connected with White Canes Connect for updates and opportunities. Show notes at https://www.whitecanesconnect.com/119   An Easy Way to Help the NFB of PA Support the NFB of PA with every purchase at White Cane Coffee Company by going to https://www.whitecanecoffee.com/ref/nfbp. When you use that link to purchase from White Cane Coffee, the NFB of PA earns a 10% commission! Share the link with your family and friends! Listen to Erin and Bob Willman from White Cane Coffee on episode 072 of White Canes Connect. Donate to the NFB of PA If you want to donate to the National Federation of the Blind of Pennsylvania, visit https://www.NFBofPA.org/give/. We Want to Hear Your Story Reach out with questions and comments, or share ideas! We want to hear from you. Call us at (267) 338-4495 or at whitecanesconnect@gmail.com. Follow White Canes Connect Apple Podcasts: https://podcasts.apple.com/us/podcast/white-canes-connect/id1592248709  Spotify: https://open.spotify.com/show/1YDQSJqpoteGb1UMPwRSuI  YouTube: https://www.youtube.com/@pablindpodcast 

The Eric Carl Museum of Picture Book Art in Amherst, Massachusetts has a new exhibition, “Free to Be You and Me: 50 Years of Stories and Songs.” The exhibition is created by Margie Hofer and it is running through April 6, 2025. The exhibit celebrates the impact of the groundbreaking 1972 record, its subsequent picture books, and TV specials.

Hello there!!  Welcome to Alberts bookshelf.  We hope you enjoy listening to The Very Busy Spider one of Alberts favourite books.Thanks for Listening.

Drees, Jan www.deutschlandfunk.de, Büchermarkt

What was it like to raise an autistic child 30 years ago? Mark has a fascinating chat with Stephanie - his wonderful neighbour from over the road, who has a 31 year old son (diagnosed autistic with moderate learning difficulties, OCD and anxiety).  They discuss how parents of autistic children were able to navigate the process of understanding how best to raise their kids, without access to the internet, social media or the breadth of information we have available now?  This is an enlightening and surprisingly uplifting episode, which shines a light on just how far society has come in a relatively short space of time, when it comes to understanding, supporting and championing our neurodivergent kids. LINKS TO STUFF WE MENTION IN THIS EPISODE: Disneyland, Paris - https://www.disneylandparis.com/en-gb/ Echolalia - https://en.wikipedia.org/wiki/Echolalia The Very Hungry Caterpillar, Eric Carle - https://amzn.eu/d/boDv6wN Rain Man - https://en.wikipedia.org/wiki/Rain_Man The Essential Different, Simon Baron Cohen - https://amzn.eu/d/3Y5xgWv Gentle Parenting - https://www.psychologytoday.com/gb/blog/on-babies/202405/gentle-parenting-doesnt-mean-permissive-parenting Leonardo Da Vinci - https://www.independent.co.uk/news/health/leonardo-da-vinci-adhd-health-mona-lisa-a8927641.html Social Stories - https://www.autism.org.uk/advice-and-guidance/topics/communication/communication-tools/social-stories-and-comic-strip-coversations Supported Employment - https://www.base-uk.org/about/members/brighton-hove-city-council Fare Share - https://fareshare.org.uk/ Oxfam - https://jobs.oxfam.org.uk/jobs/home/ Leonardslee Gardens - www.leonardsleegardens.co.uk/   CONTACT US If you have any feedback about the show, ideas for topics or suggestions for neurodiversity champions you'd like us to give a shout out to, you can email: hello@neuroshambles.com FOLLOW US Instagram: www.instagram.com/neuroshambles TikTok: www.tiktok.com/@neuroshamblespod Facebook: www.facebook.com/Neuroshambles Threads: www.threads.net/@neuroshambles CREDITS The Neuroshambles theme tune was created by Skilsel on Pixabay: https://pixabay.com/ 

Welkom! Dit is het 3e seizoen van de PrentenboekenCast, een podcast over mooie, grappige en/of ontroerende prenten- en versjesboeken die je voor kunt lezen.In dit derde podcast seizoen bespreken we om de week prenten- en versjesboeken; de ene week voor baby, dreumes en peuter (0 t/m 3 jaar). De volgende aflevering schenken we aandacht aan prenten-en versjesboeken voor peuter en kleuter (3 t/m 6+ jaar). In deze volgorde blijven de afleveringen elkaar afwisselen.Deze aflevering zijn de baby-, dreumes-, peuterboeken weer aan de beurt. We bespreken onder andere de vijf genomineerde babyboekjes waarop tot 1 november 2024 gestemd kan worden om hét Babyboek van het jaar te worden. Over deze genomineerde babyboekjes gaan we in gesprek met Karin Buik, zij heeft meerdere jaren ervaring als BoekStartcoach op diverse consultatiebureaus én is tevens oma van een 9 maanden oude baby (kleindochter). Aanvullend bespreken we ook een tweetalig dreumesboek en twee ontzettend leuke, grappige, interactieve peuterboeken.Dit zijn de boeken die in deze aflevering de revue passeren, zijn: De vijf genomineerde Babyboekjes: - KNUFFELBEESTJE van Ingela P. Arrhenius,                 uitgeverij Gottmer, 2024- REGENBOOGRIF van Kathryn Jewitt met illustraties van Tracey English, uitgeverij De Vier Windstreken, 2023 - SLAAP ZACHT van Inge Rylant, uitgeverij Pelckmans, 2024 - IK MAAK MUZIEK van Lizzy Doyle, Standaarduitgeverij / Oogappel 2023 - HIGH FIVE! IN THE JUNGLE van Jess Hitchman met illustraties van Carole Aufranc, Standaarduitgeverij/ Oogappel, 2024Dreumesboek: RUPSJE NOOITGENOEG 100 EERSTE WOORDJES – een TWEETALIG boek- Eric Carle, uitgeverij Gottmer, 2024 verkrijgbaar in NL-Arabisch; NL-Engels; NL- Pools; NL-TurksPeuterboeken: LAAT MAAR DICHT! Van Ralf Butschkow, vertaald door Mark Haayema, uitgeverij Volt, 2024PAK DE BAL! Van Susanne Strasser, uitgeverij Hoogland & van Klaveren, 2024Ook dit seizoen werken we samen met @silversterkinderenjeugdboeken en willen hen bedanken voor de fijne samenwerking en het beschikbaar stellen van nieuwe boeken om in onze podcast te kunnen bespreken.Tevens veel dank voor het beschikbaar stellen van de muzikale intermezzo's door Erik van Os (compositie) en Frans van der Meer (productie).Veel luister- én voorleesplezier gewenst!Volg ons ook via: https://www.instagram.com/prentenboekencast/

Hello there!!  Welcome to Alberts bookshelf.  We hope you enjoy listening to The Very Quiet Cricket one of Alberts favourite books.Happy Birthday Albert!!Thanks for Listening.

In this episode of the Watchung Booksellers Podcast, Christopher Kimball's Milk Street Media Relations Director Deborah Broide talks with Voracious and Spark VP/Publisher Michael Szczerban about the changing landscape of publishing.Deborah Broide is the media relations director for the food media company Christopher Kimball's Milk Street, and she also works on select publicity projects for the Mayo Clinic and The Jerome Robbins Foundation and Trust. Before joining forces with Kimball 31 years ago, at what became Cook's Illustrated and America's Test Kitchen, she began her career in publicity at Crown Publishing, where she worked with Douglas Adams, author of The Hitchhiker's Guide to the Galaxy. She has also held senior positions at Workman Publishing, where her successes included the Silver Palate Cookbooks and What to Expect When You're Expecting, and Putnam, where her authors included Tomie dePaola and Eric Carle. She lives in Montclair, New Jersey, and her passions include books, theatre, ballet, music, and her family.Michael Szczerban is the vice president and publisher of Voracious and Spark, two imprints of Little, Brown and Company that help readers improve their lives by making them more delicious, more beautiful, healthier, and happier. He started his career as an editor at Simon & Schuster, where he worked with Samin Nosrat on her mega-bestseller Salt, Fat, Acid, Heat, and then joined Little, Brown ten years ago. He has edited numerous bestsellers and established several million-copy series that include books from White House photographer Pete Souza, cookbooks from Christopher Kimball's Milk Street, and Sarah Knight's collection of “No F's Given Guides.” His upcoming books include titles from activist and icon Pamela Anderson, chef Daniel Humm of Eleven Madison Park, star baker Bryan Ford, online phenomenon Accidentally Wes Anderson, and more.Resources: America's Test KitchenMayo Clinic PressSparkFrankfurt Book FairLondon Book FairBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Silver Stream Studio in Montclair, NJ. The show is edited by Kathryn Counsell and Bree Testa. Special thanks to Timmy Kellenyi and Derek Mattheiss. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

Stuur me een bericht.Wanneer ik haar spreek is Sterre Decru net terug in België, nadat ze een tijdje in Den Haag woonde voor repetities met de Dutch National Opera Academy. Ze zong in een bewerking van Claudio Monteverdi's opera ‘Il ritorno d'Ulisse in patria', over de Griekse held Odysseus die na een jarenlange zwerftocht weer thuiskomt.We hebben het over Klaas Verplancke, met wiens werk Sterre min of meer is grootgebracht, én aan wie ik op een manier schatplichtig ben. Illustratie en muziek blijken erg nauw met elkaar verweven te zijn, dat wordt duidelijk wanneer we de tekeningen van Eric Carle tegen het licht (en het geluid) houden. We bekijken ook de tekeningen van Lieve Baeten, die een en al sfeer en licht ademen.Verder hebben we het natuurlijk ook over muziek, met Joyce DiDonato en Claron McFadden en laten we Se l'aura spira van Girolamo Frescobaldi horen. Omdat het kan.Illustratoren die aan bod komen in deze aflevering: Klaas Verplancke, Bert Dombrecht, Eric Carle en Lieve Baeten.Mijn hartelijke dank aan Klara voor de toestemming voor het gebruik van de opname van Se l'aura spira (Girolamo Frescobaldi) in deze podcast.Meer Podlood? Voor meer info over de podcast en afleveringen, surf naar www.podlood.be. Voor nieuws en updates, abonneer je op Brief uit het atelier, de nieuwsbrief waarin schrijf ik over boeken of andere dingen waaraan ik werk en ook over nieuwe afleveringen van deze podcast. Je kan ook @kristoftekent volgen op Instagram. Je kan Podlood gratis steunen door de show in jouw favoriete podcast-app vijf sterren te geven, een positieve review te schrijven én een vriend of vriendin die veel voor jou (be)tekent over de podcast te vertellen. Dit helpt Podlood echt vooruit. Will je all the way steunen? De Podlood-pin is hét symbool van jouw appreciatie voor de show. Een podcast onderhouden brengt kosten met zich mee en jouw bijdrage helpt deze te dragen, in stijl. Je bestelt de pin op www.podlood.be. Podlood is een productie van en door Kristof Devos. Logo, cover art en branding door Kristof Devos. Theme song door Skilsel. ©Kristof Devos

Sometimes, to build a better future, you have to tear some things down. Also to build a worse future! Turns out, tearing things down is not an absolute moral good. Nor is building! But I didn't come here to lecture you on random ethics. I came to tell you about cool bulldozers, and how they're all technically tractors I guess! You can find a video version of this podcast for free on Scanline Media's Patreon! If you want to find us on Twitter, Dylan is @lowpolyrobot and Six is @sixdettmar. Our opening theme is the Hangar Theme from Gundam Breaker 3, and our ending theme for this episode is The Very Hungry Caterpillar Song by Matt Rever, based on the Eric Carle book The Very Hungry Caterpillar. Our podcast art is a fantastic piece of work from Twitter artist @fenfelt. Want to see a list of every unit we've covered from every episode, including variants and tangents? It's right here. Units discussed: Caterpillar D2 Caterpillar D4 Caterpillar D4C Caterpillar D4D Caterpillar D4H Caterpillar D3 Caterpillar D5 Caterpillar D6 Caterpillar D7

Tula Jane and her Mother in the Wild read "The Very Quiet Cricket" by Eric Carle. You can support us and the author by purchasing your own copy here: https://amzn.to/3KA2To7 As Amazon Influencers we are eligible to earn on qualifying orders! Thank you! --- Send in a voice message: https://podcasters.spotify.com/pod/show/mother-in-the-wild/message

Just 224 words long, Eric Carle's classic children's book, ‘The Very Hungry Caterpillar', was first published on 3rd June, 1969. Initially conceived as a "bookworm" eating through the pages, Carle's editor suggested a caterpillar for the central character, leading to a timeless tome that has sold over 55 million copies in 70 languages.  Carle's journey to becoming a renowned children's author began in his late 30s after a career in advertising. Despite a tumultuous early life, including being conscripted by the Nazis and later the US Army, Carle found solace in his unique artistic style, layering paint and tissue paper to create colourful, textured illustrations. In this episode, Arion, Rebecca and Olly ponder why Carle's military history has not caused him reputational damage in the USA; trace his childhood memories and his father's love for nature in his writing; and reveal why George W. Bush misunderestimated our ability to decipher chronology … Further Reading: • ‘The Very Hungry Caterpillar: 50 years of magical reading for children' (The Independent, 2019): https://www.independent.co.uk/arts-entertainment/books/features/the-very-hungry-caterpillar-author-eric-carle-anniversary-50-a8937571.html • 'The Enduring Whimsy and Wonderment of Eric Carle' (The New York Times, 2021): https://www.nytimes.com/2021/07/25/books/review/eric-carle-tiny-seeds-very-hungry-caterpillar.html?searchResultPosition=1 • ‘Eric Carle Discusses 50 Years of The Very Hungry Caterpillar' (Penguin Kids, 2019): https://www.youtube.com/watch?v=vYwE8qALm9M #Books #60s #Inventions #US Love the show? Support us!  Join 

Mother in the Wild reads "'Slowly, Slowly, Slowly,' said the Sloth" by Eric Carle. You can support us and the author by purchasing your own copy here: https://amzn.to/4c1LLmN As Amazon Influencers we are eligible to earn on qualifying orders! Thank you! --- Send in a voice message: https://podcasters.spotify.com/pod/show/mother-in-the-wild/message

Math+Literacy = A Winning STEAM ComboDiscover how to blend math and literacy into the joy of everyday play and learning. Dr. Kateri Thunder shares her incredible strategies for sparking children's innate mathematical curiosity through storytelling, play, and intentional language. From the pages of The Very Hungry Caterpillar to the adventures of Jabari Jumps, learn how you can turn any story time into an opportunity for young minds to explore mathematical concepts in a fun and engaging way.Join the conversation this week with Dr. Kateri Thunder, an expert in early childhood education, as she shares her top strategies for recognizing and nurturing young children's innate mathematical thinking. Through intentional language and fun-filled activities, discover how everyday interactions like reading and playing can ignite a lifelong love for math in young learners.Embrace the power of open-ended questions to transform your teaching practice, inspired by Eric Carle's beloved story The Very Hungry Caterpillar.  We discuss how letting children's natural curiosity lead can deepen their engagement with mathematical concepts. Learn how to use concrete, representational, and abstract methods—such as cubes and number charts—to foster critical thinking and a strong mathematical identity in young learners, making every moment in the classroom a joyful journey of discovery and problem-solving.Finally, dive into the creative integration of math and literacy using multicultural children's literature, as we discuss strategies for connecting math, literacy and STEM using books like Jabari Jumps and Jabari Tries. We also explore the profound impact of unplugged coding activities and the significance of including diverse fairy tales that reflect all children's experiences. Empower yourself as an educator or parent with a treasure trove of innovative techniques designed to make every classroom moment a delightful journey of discovery and problem-solving for our early learners.Don't miss out on this enlightening conversation with Dr. Kateri Thunder that promises to ignite a love for math in the hearts of children and provide fresh inspiration for educators everywhere!Listen now and join us in transforming early childhood education, one playful moment at a time! About Our Guest:Kateri Thunder, Ph.D. is an educator, researcher, author, and coach who collaborates with learners and educators from school divisions around the world to translate research into practice. Kateri has served as an inclusive, early childhood educator, an Upward Bound educator, a mathematics specialist, an assistant professor of mathematics education at James Madison University, and Site Director for the Central Virginia Writing Project. Kateri researches, writes, and presents on equity and access in education and the intersection of literacy and mathematics for teaching and learning. She has partnered with thousands of educators to catalyze change in their classrooms and schools. Kateri is a best-selling author for Corwin, including Visible Learning in Early Childhood and The Early Childhood Education Playbook. Support the Show.Read the full show notes, visit the website, and check out my on-demand virtual course. Continue the adventure at LinkedIn or Instagram. *Disclosure: I am a Bookshop.org. affiliate.

Polar Bear, Polar Bear, What Do You Hear? is the companion book to the classic Brown Bear, Brown Bear, What Do You See? Bill Martin's simple, rhythmic text invites young listeners to chant along with the sounds of the animals in the zoo, from braying zebras to trumpeting elephants. Eric Carle's vibrant and imaginative illustrations are the perfect match for the playful text, keeping children enthralled reading after reading. --- Send in a voice message: https://podcasters.spotify.com/pod/show/storytimewithmstee/message

Bienvenidos una vez más La literatura para niños ha surgido con mucho auge en las últimas décadas. Hoy día existen un campo dedicado a la Literatura Infantil, se llevan a cabo conferencias y simposios dedicados a dicha literatura. En una de mis lecturas acerca de esta literatura me encontré con una publicación titulada Expresión y Comunicación y sus autores son Encarni Mateo Peñalver y Miguel Gómez Amorós. Estos autores nos hablan del papel importante que juega La Literatura infantil. Esta literatura tiene como objetivos principales lo siguiente: – Ser fuente de placer y diversión: el niño a través de la literatura aprende, disfruta y se entretiene. –Ser fuente de enriquecimiento personal: la literatura desarrolla la curiosidad, la creatividad y la imaginación a través de sucesos, personajes y diversas situaciones, y estimula el hábito lector. – Ser un instrumento de comunicación y expresión: introduce el lenguaje, esencial para la socialización, proporciona modelos para imitar, facilita la vivencia de diferentes roles, amplía el vocabulario, muestra los patrones del lenguaje hablado y escrito y ofrece al niño la posibilidad de expresar su mundo interior. Por ultimo – Acercar el niño al mundo que le rodea: permite al niño conocer las características culturales y los valores del contexto social. Dentro de esta literatura se encuentran los libros ilustrados. Estos libros son excelentes fuentes para que los niños participen en conversaciones que surgen en sus entornos. Temas como la empatía, la añoranza, se pueden entender mejor si tenemos un cuento con ilustraciones. Estas ilustraciones pertenecen al lenguaje visual. Un lenguaje que todos deberíamos de conocer. Estor ilustradores o artistas visuales nos narran a través del color y las formas la historia, pero en un lenguaje accesible. Todo esto es un preámbulo para decirles acerca de la exposición que se inauguró el pasado viernes 3 de mayo en el Eric Carle Museum. Esta exposición titulada Pictures at Play: Metafiction in Art. Metaficción es ficción sobre ficción—libros que contienen ilustraciones acerca de ilustraciones e historias sobre historias. Estas ilustraciones aparte de ser hermosas son parte importante de libros ilustrados. En estos libros ilustrados podemos ver el elemento sorpresa o el elemento de continuidad mediante la ilusión óptica o podemos ver que en la ilustración el narrador de la historia eres tú u otro personaje que no ves hasta el final. En esta exposición participan una serie de ilustradores como Raúl Colon, Yuyi Mórales entre otros. Esta exposición estará acompañada por una extraordinaria programación de eventos. Para más información visite la página del museo. Una vez más muchísimas gracias y será hasta la próxima.

In this week's episode, host Kristin Hayes talks with Micah Ziegler, an assistant professor at the Georgia Institute of Technology, about the science, policy, and economics behind electric vehicle (EV) batteries. This episode continues a multipart series on EVs, which covers some of the most practical matters that EV users need to know. In this second episode of the series, Ziegler discusses the history of the development of EV batteries (which might be longer than you think), the materials that are used in batteries, and technological advancements that have improved battery efficiency over the past century. Ziegler also highlights policy tools that may be especially effective at reducing the costs of clean energy technologies such as EV batteries. Future episodes will dive deeper on charging stations and road trips—stay tuned for those. And as you listen, please let us know if we've missed any questions that you're curious about; we may address those in a future podcast episode or blog post. And if you'd rather not spin your wheels on this topic, then tune back in after a few weeks, when we'll return to our normally scheduled programming, which covers all kinds of matters related to environmental economics. References and recommendations: “Re-examining rates of lithium-ion battery technology improvement and cost decline” by Micah S. Ziegler and Jessika E. Trancik; https://pubs.rsc.org/en/content/articlelanding/2021/ee/d0ee02681f “Determinants of lithium-ion battery technology cost decline” by Micah S. Ziegler, Juhyun Song, and Jessika E. Trancik; https://pubs.rsc.org/en/content/articlelanding/2021/ee/d1ee01313k “Evaluating the causes of cost reduction in photovoltaic modules” by Goksin Kavlak, James McNerney, and Jessika E. Trancik; https://www.sciencedirect.com/science/article/abs/pii/S0301421518305196?via%3Dihub “The Very Hungry Caterpillar” by Eric Carle; https://www.penguinrandomhouse.com/books/301943/the-very-hungry-caterpillar-by-eric-carle/ “All the World” by Liz Garton Scanlon and Marla Frazee; https://www.simonandschuster.com/books/All-the-World/Liz-Garton-Scanlon/9781481431217 “Energy Firms, Green Groups and Others Reach Deal on Solar Farms” by Ivan Penn; https://www.nytimes.com/2023/10/12/business/energy-environment/solar-farm-agreement.html “Americans don't hate living near solar and wind farms as much as you might think” by Allyson Chiu, Emily Guskin, and Scott Clement; https://www.washingtonpost.com/climate-solutions/2023/10/03/solar-panels-wind-turbines-nimby/ “Demand for minerals sparks fear of mining abuses on Indigenous peoples' lands” by Julia Simon; https://www.npr.org/2024/01/29/1226125617/demand-for-minerals-sparks-fear-of-mining-abuses-on-indigenous-peoples-lands “The U.S. is expanding CO2 pipelines. One poisoned town wants you to know its story” by Julia Simon; https://www.npr.org/2023/05/21/1172679786/carbon-capture-carbon-dioxide-pipeline

Why do so many churches and Christians make such a big deal of the Bible? Isn't it just an out-dated, irrelevant piece of ancient literature? Shouldn't we keep it on the shelf and use more modern books to teach us how to live? These are the questions we'll explore today.--The PursueGOD Truth podcast is the “easy button” for making disciples – whether you're looking for resources to lead a family devotional, a small group at church, or a one-on-one mentoring relationship. Join us for new episodes every Tuesday and Friday. Find resources to talk about these episodes at pursueGOD.org.Help others go "full circle" as a follower of Jesus through our 12-week Pursuit series.Click here to learn more about how to use these resources at home, with a small group, or in a one-on-one discipleship relationship.Got questions or want to leave a note? Email us at podcast@pursueGOD.org.Donate Now --before we examine the Bible, let's start with some fun trivia about all those other books on the shelf…10 notable best-selling books of all time:The Cat in the Hat by Dr. Seuss - 10.5 millionThe Adventures of Huckleberry Finn by Mark Twain - 20 millionThe Hunger Games by Suzanne Collins - 29 millionTo Kill a Mockingbird by Harper Lee - 40 millionThe Very Hungry Caterpillar by Eric Carle - 43 millionPurpose Driven Life by Rick Warren - 50 millionThe Lion, the Witch and the Wardrobe by CS Lewis - over 85 millionHarry Potter and the Philosopher's Stone by J.K. Rowling - 120 millionA Tale of Two Cities by Charles Dickens - Over 200 million Don Quixote by Miguel de Cervantes - Over 500 millionTop three best-selling books of all time:The Quran - Estimated 800 million copies sold and distributed.Quotations from the Works of Mao Tse-tung - Over 900 million copies sold.The Bible - Estimated 5 billion copies sold and distributed.So, back to the question we'll unbox today:Q. Is the Bible Just Another Book?Think about how all of those other books were written: All of those other books were the product of one or more clever mindsThey all followed a similar process:Come up with the conceptCreate a storyline, characters, etc.Do some research if needed for accuracy Write and re-writeMy favorite book on the topic: “On Writing Well” by William Zinsser“Simplify, simplify.”“There's no minimum length for a sentence that's acceptable in the eyes of God.”“Writers must constantly ask: what am I trying to say? Surprisingly often they don't know.”"Ultimately the product any writer has to sell is not the subject being written about, but who he or she is."But this is what separates the Bible from every other book: it is not the product of one person's ideas or creativity. Nobody had to dream up the storyline or characters, and no one had to read “On Writing Well” to turn out the best chapters and verses. The Bible, Christians believe, is unique because it alone was inspired by God. Here's how Paul explained it to Timothy:2 Timothy 3:16 (NLT) All Scripture is inspired by God and is useful to teach us what is true and to make us realize what is wrong in our lives. It corrects us when we are wrong and teaches us to do what is right.See Where Did We Get...

Lesley explores Rebekah's journey from confronting the limitations of traditional publishing to establishing Row House Publishing. Discover how community support played a crucial role in her fundraising efforts, enabling the launch of initiatives like the Little Readers Big Change Initiative, which brings literacy resources to under-resourced schools. This episode highlights the importance of reciprocal relationships within the community, diversity, and the impact of equitable profit-sharing models in fostering a fair publishing environment.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:Rebekah's decision to leave a traditional publishing house due to its lack of diversity.The role of community support and the power of small donations in achieving big dreams.The strategic decisions behind the equitable profit-sharing model at Row House Publishing designed to disrupt traditional publishing norms.The importance of being actively involved in your community and how collective efforts can fuel significant change.The significance of not just giving to but also receiving from your community.Episode References/Links:Rebekah Borucki WebsiteRow House PublishingRow House Publishing InstagramGuest Bio:Rebekah “Bex” Borucki (she/they) is a mixed-race neuro-riotous mother-to-five, grandmother-to-one, self-help and children's author, and the Founder and President of Row House, Wheat Penny Press, and the WPP Little Readers Big Change Initiative, a 501(c)(3) nonprofit delivering literacy programming to K-12 students in underestimated school districts and grants to Black and Brown creatives and booksellers. Borucki is driven by a commitment to make wellness, self-learning, and literacy tools available to all and to help others recover the freedoms stolen from them by white supremacy through activism centering Black liberation and trans rights. Borucki lives with her family in her native state, New Jersey.  If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. DEALS! Check out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox Be in the know with all the workshops at OPCBe It Till You See It Podcast SurveyBe a part of Lesley's Pilates MentorshipFREE Ditching Busy Webinar  Resources:Watch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable Pilates Follow Us on Social Media:InstagramFacebookLinkedIn  Episode Transcript:Rebekah Borucki 0:00  I am a kid and I love writing for the little girl that was me that didn't have access to even hugs most days. So, you know, I'm sticking with this. If I could work in the children's space all the time, I love my authors. I love all of my authors at Hay House, but if I could just like hire another president and be in the children's space, I, 100% would.Lesley Logan 0:24  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started. Lesley Logan 1:06  Hi, Be It babe. Okay, get ready. Get ready. So our guest today is Rebekah Borucki. She is the founder of Row House Publishing. Oh my goodness. Oh my goodness. What an incredible story. What an incredible journey. What an incredible life she is living. And I am so grateful Roxy, for you making this massive connection. I am in awe of what Rebekah is doing and also like her ability to share that and also give you options. So we're going to talk a little bit about activism here, we're going to talk about her being going growing up and then becoming an author, a published author, and then switching from a publishing (inaudible) into owning her own and starting your own and then really taking care of authors. And then also the work she's doing for her children, K through 12 for reading, and I'm just you're gonna be fired up, I'm fired up, there is information on how to support her publishing company, there's also a, I'm going to put some in the show notes and with the charities that like little readers that you can have, you can donate to, because it is called littlereadersbigchange.com. So we'll make sure that all those things are in there. If you're wondering like, a little bit why this matters, I can tell you right now that because my mom made sure that during my year of kindergarten, she read to me 500 books, that my ability to dream, be creative. kind of go outside with the world today and think of something that could possibly happen and then make that happen is because of books. And I took a lot of years off of reading. And then I recently started reading again, and not reading. I've read a lot of books or just mostly workbooks, but like reading some months, some fiction and like just some other stuff. And I'm a ferocious reader. I love it. And I think it is important for children of all ages everywhere to see themselves in books out there. And so Rebekah Borucki is making that happen. She's one of many people and I'm so honored to share her with you today. So take a listen. And if you can support her publishing company or Little Reader Big change in any way, please do and we're going to look at those Be It Action Items. They're brilliant, they're amazing, and they're going to support you. Here is Rebekah Borucki. Lesley Logan 3:20  All right, Be It babe. Welcome to the podcast. I'm so excited for today's guest she has a connection with a dear friend who's also been on the show Roxy Menzies and so we have Rebekah Borucki here today she is a self-published author which is just I think it's interesting we have to even identify between self-published and like published, republish because writing a book, and you're both. Okay, so she's hyphenated. She's a multifaceted author of children's books and I'm so excited to have you here, Rebekah, will you tell us who you are and what you rock at?Rebekah Borucki 3:49  Okay, well, I'm Rebekah, who introduced me and got my name, right. That's awesome. Pronouns are she/they. I am the president and founder of Row House Publishing, also, Wheat Penny Press, which preceded Row House, which was the children's publishing house. And then also the Little Readers Big Change Initiative, which is our nonprofit that provides literacy, or literacy resources and books and author visits to K-12 schools in under-resourced districts. And we also support black-owned indie bookstores and black and brown creators. So we do a lot. I do a lot. Lesley Logan 4:22  You do a lot. Rebekah Borucki 4:24  I have five kids, I can't forget them. That's my most important job and one grandbaby. So. Lesley Logan 4:29  Oh my God, you don't look old enough to have a grandbaby and also when you said five kids for a split second, I thought you were joking. Like just saying I do all this and I have five kids, but then it's like, no, no, she's really, it's five kids. Okay. I feel like we have to go back a little bit like was it always a dream of yours to be an author? Was this something you fell into? I also, you know, I think it's amazing what you're doing for readers of schools, like I grew up, my, thank goodness, my mom made sure I read I think it changed my life. You know, so can you tell me how this, where do we begin? Rebekah Borucki 5:02  So, my parents didn't make sure I read at all. I grew up in a lower middle class or not middle class, I'm sorry, lower middle, or working class, working class family, in a very small working class town, lived under the poverty line, my entire pre-adult life, really struggled with food insecurity, all that stuff. So it was really a matter of just survival. But I loved school. And I love to write, I absolutely did not dream of becoming a writer because I didn't think that was even something you could do for a living. And I had a teacher, Glenda Autry. She was my first black teacher in middle school, I'm mixed race. And so she kind of like took all like the black and brown girls under her wing. And there was one report card, she wrote a note home. And I still have the note, and said, Rebekah's writing is beautiful. I can't wait to read one of her books one day. And it was just like that glimmer of, oh, that's something that I can do. And people think I could do that set me not on a path to writing but set me on a path to explore my creativity. Even on the side, I was a teen mom, I had three kids before I was 25. So there were a lot of obstacles in me going my own way. But I'm also completely unemployable. I'm autistic, I hate being outside, I don't do well in front of crowds of people. So I had to kind of make up my own way. And I hustled and created a platform, a wellness platform, I was doing yoga and meditation for a really long time. I was published with Hay House, two books with Hay House. Long story short, they're super racist and exclusive over there. So I had to leave in 2020 and start my own publishing house, knowing nothing about publishing. Lesley Logan 6:46  And so that's what I'm looking in the back of your office Row House Publishing that's you. That's yeah, that's gosh, okay. So, um, wow, I, your teacher, like, I almost had tears in my eyes. But you're really, really like reliving that moment. So beautiful. It's amazing, I think, how like something that probably how could she know like, how impactful that could have been? I mean, maybe she did, but also like, you know, I think of like, maybe some of the teacher's notes I got home and very few of my kept like, that's kind of that's really powerful. I also think it's really difficult for someone to leave something that (in air quotes) "to secure" a publishing house like that. What was, do you mind sharing? Like, was it an easy decision? Did you have to, like, really think about it like, because I just wonder like, some people just like, I had to do it. And other people, I'm like, well, you know, like, especially my life I grew up with, I wasn't impoverished that much as like that as low as your situation was. But we were just above that, right? So we were just enough that we couldn't get any of the extra help. And so, for a long time, people know who was in the podcast, we don't, I don't answer my phone, because I think it's bill collector, like, I'm so conditioned to like, screening the call.Rebekah Borucki 7:56  Same. Every time I go to the grocery line, I have my debit card, I'm like, do I have enough in the bank, like I totally do, and it's gonna be scary for the rest of my life. Lesley Logan 8:03  Right. So I mean, like, people don't realize, like, I was a little girl, like at the age of 11, I can't believe the world let you do this. But at age 11, I would take a check and write it for more. That's what my parents taught me to write it for more, because then you'll get the cash and then fingers crossed. It's when there's money in the bank, and no one bounces a check at the grocery store, like, so I do understand that. So I guess like when I hear things like where you stand up for something that's so much you believe in but also is like a livelihood for you. I guess I just wonder what that decision felt like.Rebekah Borucki 8:36  I don't know if it's a cultural differences. But the way I was raised, my parents were activists in their own way they were pacifist, they were adamantly anti-war in any circumstance. So I grew up with this sense of it is up to us to stand up and say something. And also, it's up to us to share and redistribute wealth, we had nothing, and we were constantly giving. So that's just, I don't know if it was a cultural thing. It's definitely something that is in black and brown communities, all marginalized communities because there was no other way to survive than to help another. So when I saw that, you know, I'm the brownest person in the room. And I said that to the CEO. And his response is, well, you have to understand, Rebekah, that we cater to an affluent audience. I knew that not only did my people not belong there, but I didn't belong there. And it just became unacceptable for me, who already walked through the world with a lot of light-skinned privilege, you know, skin privilege, like all the things that I navigate white spaces really well, like, it just felt completely gross for me to continue to benefit from this system. And if I thought about it, I don't know if I would have made the decision so quickly. I didn't really think about it. It's kind of like, oh, that's your answer. You know, you're not gonna do anything. And it was in the middle of a meeting actually to discuss why they weren't addressing that five of the 12 disinformation dozen, the 12 people online that were responsible for most of the misinformation and disinformation around COVID. Five of those people were their authors. And it was in a meeting to discuss, like, why you're not saying anything? Or Why aren't you coming out with a stance? And why aren't you talking about the uprisings happening all over the United States and Black Lives Matter and whatever. And their resistance refusal to take accountability or to say that they have the power to do something was just like, I was like, I gotta go. My agent was sitting there like, I don't know what she did. She didn't know that was gonna happen. And she's this like, amazing white lady from New York powerhouse, beautiful literary agent, had no idea really what I was saying, but was there for me. Yeah, I just, I just left and I wasn't planning on starting my own publishing house, my former editor and then good friend, Kristen McGuiness texted me late I think it was a Monday night, and she said, you know, why don't you just start your own Hay House. And I, in my infinite wisdom and spunk said, "Sure. Why not? Let's call it Bay House." That was, that's how it happened. That was (inaudible) 2020. In November we had the name registered, in February, we launched online with a fundraiser and we started, we raised 10,000, or not 10,000. We raised $100,000, in the first 10 days. So people wanted it.Lesley Logan 11:32  Yeah. Okay. Can you tell okay, and maybe we can go on to other tangent to this note you want to talk about, but like, I guess, like starting a publishing house, that is not an easy thing to do. You do need money. That's how that's why publisher like publishers have the money (inaudible).Rebekah Borucki 11:49  We needed the money. And this was very interesting for me, because I was very familiar with fundraising in terms of mutual aid, where it's just like direct giving to people who need, it paying people's electric bills. That was my whole life. And it was definitely something that I was engaged in as an activist at that time. But you know, so going out and asking for money wasn't a hard thing for me. But the scale, like we needed to raise, we thought we needed to raise $800,000, we ended up blowing past that raising 1.2 million, and these were small money donations, like this was $5, $20, $100. Because that's how we do, right, in this community. And, you know, we hit that mark, I didn't realize I didn't know the historic value of this. Only 150 women to date, right now, 150 black women have raised more than a million dollars from venture capital. So it just doesn't happen at all. Don't raise as much money. And so going in blindly, kind of helped me I didn't know how hard it was going to be. I didn't know the obstacles that were ahead. But Rebekah Borucki 12:53  Which was probably better. (Inaudible)Rebekah Borucki 12:58  So one, one of my mentors, a black man, black executive in finance, he said, like, look, this isn't going to be a matter of you going into rooms and then saying, so how much money we're gonna make together. It's going to be people asking you how you're not going to lose my money, because of where you come from, because of who you are what you are. And that was demoralizing. That was hard. But yeah (inaudible).Lesley Logan 13:27  That stings. I think like I had, maybe a year ago, I had a woman on who was in tech and financing and she like, was one of the few women who's in the rooms like with where the money is raised. And her whole thing is like, there's not, there's not that many women in general getting money from venture capital. And then she's like, and then you go, and you break it out by color. And it's like, it's just not even close. There's there's not even like a way to go, how do we bridge this? Make it, like, it's not going to be fair.Rebekah Borucki 13:56  (Inaudible) Like on the graph, like you can't even see it? And yes, that's a problem. But what I know, as someone, you know, with, that's in the black community, there's a way so it was really just being completely transparent. This is what we need. This is what we plan to do. This is how we're different. This is how we're, it's for us and by us. And so we rally that ground support that there's a ground support from my community, my close community, but it was also 2021 when people really wanted to be good. And so there was a lot of, we capitalize a lot on that that week of 2020. You know, that was unfair, like horrible, horrific, but at least some black folks brown folks were able to kind of get a foothold start their careers and have their voices amplified. Lesley Logan 14:49  So your publishing house is it specifically for black and brown authors. Like what do you guys focus on? Is it for everyone is it for like?Rebekah Borucki 14:56  It's for everyone, all genres. We have five imprints now. So it's children's, it's romance, it's YA. So many beautiful, beautiful books, beautiful people. The requirements to get published with us are, one of our imprints, are one you're writing through the lens of social justice. And this can be done through fiction, anything. It's disability justice, it's black and brown civil rights, it's all of that. So you have to be writing through the lens of social justice, you have to either be starting a conversation or expanding on a conversation in a way that has not been heard yet. So that's kind of easy to do when you're going into the margins to find stories because these voices just aren't being honored. They're not being amplified. So we have these incredible books that are New York Times bestsellers, one hit number one on the New York Times children's list, which is impossible, beating up Eric Carle, it's bananas. These are black, brown, queer, disabled authors that were not being looked at by anybody. And it's like, where did they come from? It's like we've been here. (Inaudible)Lesley Logan 16:08  Okay. Like, because I've, I have a lot of, have interviewed a lot of people who are authors and I know what it's like. And then I have some friends who publish and the amount of effort they do to be a bestseller. It's insane. So just congratulations, and so much awe and so excited. You've mentioned children's books, and I have, like, I really love, I love that there are more children's books out there today than I felt like when I was a child that are a little bit that show off more things than everybody poops. And you know, like in the Velveteen Rabbit, what made you (inaudible) which is why is it a children's book, it's so sad. My mom is in tears reading it to me. And I'm like, why? Before we got to the sad part.Rebekah Borucki 16:52  Can I tell you something now? The Velveteen Rabbit is actually my favorite children's book, I have so many different editions of it. And I have the fairy tattooed on my back. Lesley Logan 17:00  Do you really?Rebekah Borucki 17:02  Which is an unfortunate residual thing from my teen years. However, though, I do. I do love that book so much but there are there are better books, there's books that are teaching our kids things to really prepare them for the world and prepare them to be really awesome people. So I'm really excited about the new wave in transliteracy literature.Lesley Logan 17:24  There's a really cool area in town where I love to shop, it's all small business owners, there's actually a, I want to say, a 14-year-old who owns a store there, I'll send you her stuff, you'll, you will love her store. And it's all about social activism for children. Like it's freakin cool. So but I buy children's books from all of these places, because they show off different types of people, different types of children, and I give to all my nieces and nephews. And I swear, my family thinks I'm like this, like, why don't you just get them a coloring book? And I'm like, no, I don't know what their school is like, I don't know what they're being exposed to. They need to be exposed to different people. And so I think it's really cool that these books exist in the first place. What made you want to write children's books over like, was that the first book you wrote? I don't, so sorry if I don't know the history of that. Rebekah Borucki 18:06  So no, that's fine. The first book I wrote was a book about accessible meditation called You Have Four Minutes To Change Your Life. I grew up without health care, I was going to a lot of state-run medical facilities. And it was just really hard for me to be able to access especially the mental health care I needed as a kid. So keeping that in mind, and then getting older and doing my yoga training and teaching yoga and teaching meditation in New York City and seeing who was in the room and seeing how much people were being charged. I'm like, first of all, meditation is like, it's free. Like you can do it anywhere. I had been practicing everyday since I was 15 years old. I knew what it had done for me. And I was like, so how do I get this to more people? How do I make this more accessible. And I was working on that on my platform with these little four minute meditation videos, I was getting messages from soldiers who had PTSD saying this is the first time I was able to sit still and close my eyes and feel safe. So that all kind of evolved into wanting to make things accessible for adults wanting to make things accessible for neurodivergent and disabled folks. And then oh, well, kids, and I have kids and I as an autistic person who struggles very much with reading long form books, even though I'm a publisher, I struggle with reading. I love picture books. So my first attempt, I went and took some classes at a local community college, and I wrote this really terrible story that had 2000 words. It was way too many I read it to my kids' second grade class and they were like we like it but they were falling asleep in the middle. I got their feedback, workshopped it with the seven-year-old and came up with Zara's Big Messy Day, which is a book about mental health, about anxiety, about self-regulation, about meditation and breathing and it can kind of just blew up. No publisher wanted it Hay House didn't want it. We shopped it around to five others same response. We don't want it. We don't want it. That was my intro to self-publishing. So it was after I already had two books published that I decided, okay, let me try this myself, super hard, learned a lot. The book hit. And now it's part of the second-grade curriculum of the largest online K-12 school in America. It is definitely the book that built Row House, made a lot of our bills in the beginning and there's three more, there's three more titles after that. I love kids. I am a kid. Lesley Logan 20:37  And I'm glad to hear you (inaudible) I'm just so glad you love them. Rebekah Borucki 20:40  Yeah, I love I love them. I have them. I love kids. I am a kid. And I love writing for the little girl that was me that didn't have access to even hugs most days. So you know, I'm sticking with this. If I can work in the children's space all the time. I love my authors. I love all of my authors at Hay House. But if I could just like hire another president and be in the children's space, I, 100% would (inaudible). Lesley Logan 21:06  Well, you know what? I think we can manifest that I think and we can make it reality. I think like there's it's a little bit more money. And you can because and I say it, I say that not as a joke. I say it with seriousness like I built my businesses and I hated being the CEO. Like I just wanted to be with my members. I just wanted to be in creation mode. And it was it's, it was actually in 2020 when I met this woman, she said, well, you and Brad like, let's just see what you guys, what your strengths are. And his strength is being the entrepreneur, it's being the CEO, it's being the person, he's literally in a meeting right now that he's like are you going to join us and I'm like in zero, no, I don't. Here are my thoughts, okay. And it was the hardest thing we ever did. Because obviously, that year, everything in our business changed like everyone else's lives. But I was able to rewrite a new job description for myself, my own company. And in this time, as we're talking right now, I'm working on a new job description, because I'm able to like even offload even more of those things. So I just say that, and I really want that for you. And I really believe it's possible that there could be a new president and you can be in charge of children's.Rebekah Borucki 22:18  It's 100% possible, it's in the plan, I think that that's where I thrive, it's where I need to be. It's where my advocacy feels best. I love going into schools, I do that very often, I'm reading to the kids. And I get to have that opportunity to look at this, you know, most of the schools, it's going to be predominantly black and brown, sometimes predominantly Spanish speaking, we go to Baltimore, North Jersey, Philly, Camden. And when I go into these schools, I know that they haven't seen someone that looks like them, that talks like them, that's from where they from, where they're from. And for me, I'll say this, for so many people that are going into these schools, it's about charity, it's about charity, and it's about feeling good about themselves. They love the kids, they want to help the kids totally, but it's different. It's a different energy. When you look at these kids like your family, like, these are my kids. These are my cousins. They're like my little nieces and nephews, they're from the hood just like me. And I don't need to teach them how to write. I don't need to tell them like the path to success. I just need to say like, this is possible, like my teacher did for me. And now all these kids, like, send me thank you notes or their little stories and tell me they want to be like authors. It's freaking rad. I love it so much.Lesley Logan 23:31  That's so cool. That's so cool that so many of them can think that that's a possibility. Like you said in your story.Rebekah Borucki 23:36  All it takes, it's all it takes really, for so many kids, it's just to say that it's possible. And I'll say that when we were starting Row House, and people that have become my good friends who were brought in to kind of mentor us or guide us very successful women in publishing. One said, like, look, I don't think that you girls are ambitious, necessarily. I think that what you're trying to do is impossible. Like it can't work. And my co-founder was a white woman from Northern California. Definitely had her own share of hardship in her life, but felt very defeated. After I called her she was like, oh my gosh, what are we gonna do? (Inaudible) Like, I'm a high school dropout. I'm a teen mom, I've hustled all my life. It's fine. It's fine. And it's really about, the people who think is impossible lack the imagination or the experience to understand what can be it's like they haven't seen it, so they don't think it can be done. Lesley Logan 24:40  Yeah. And I think like it's an interesting word, impossible, because I think for some people, like I think there's some parts of my life if someone told me this thing was impossible, I would like figure out a way to show them how it is like that. There was like some parts of that. And then there are some things that if I'd heard that word, it might have taken me a while to pick myself back up off the ground again. So I think it's such an interesting word, it can fire you up, and it can also defeat you. But I feel like I'm also the person like who has the right to tell you something's impossible but you like, that's like kind of, I don't know, maybe I don't know where I learned that. That's an interesting thing. But I think it's so cool that you and your business partner had each other like to kind of do this together because it's not doing anything like it's not easy. You need multiple people to support things, but also that she had you to be like, hey, like, I feel like Rebekah Borucki 25:29  We shook each other. That was (inaudible) here. And, and she really only came in as a co-founder for the beginning stages. She didn't even want to be part of the company. She's like, let me help you and then bounce. So she's no longer, she's still alive but she's no longer with Row House. I love her very much, went on to start her own project, Rise Books, and but yeah, we needed each other and that sisterhood, that community, that's everything that Row House is about, it's called Row House, because I grew up in a brick attached, two-bedroom, one-bathroom house with a big family with people coming in and out, you know, like picking up the street kid, and he's living with us for a while, who ended up being my brother in law, my sister and he had been married for (inaudible) years. So this is like just these are my people. This is where I come from. And I know that people who have not walked in my shoes can't understand my motivation, my drive, and they don't have my ancestors. Like, I'm always thinking about the ancestors. I'm thinking about both my parents who died seven months apart in 2013. And I saw them die with so many dreams unrealized. And you have to at some point, just be like, fuck it, like, if not me, who and also like, if I don't do this, for what, we all end up in the same place. I don't know when my time is coming. I'm just going to be bold.Lesley Logan 26:44  So okay, you mentioned at the beginning that you're doing this work to also make sure that there's like, books for children in K through 12 for there's not access? Can you talk to me about how like, is that from the publishing company is at a different organization where you are, like, helping get books in their hands? How long have you been doing that? And how did that start? Because that is why I'm asking this is like, I know a lot of our listeners have these big, bold dreams. And there's a lot of other things like paying their bills and putting food on the table and all that stuff. So that (inaudible) you know, so how did what was the timeline and how is that how did that start, because it's such an incredible dream to come to fruition. And it has an impact to so many. Rebekah Borucki 27:25  So, like I was saying before, no matter what I have, I'm sharing. That's just the, you know, the ethos that I live by, you must share, like, that's what we're supposed to do. And, you know, my parents taught me and believed quite literally, that every human being were siblings on this planet. So we have to be for the stranger as much as we are for the people that live in our house. So when I started fundraising for self-publishing Zara, it was how do I make this happen, but also benefit other people because I have this vehicle to be able to bring in this money. So we had people buying books for classrooms, we took a portion to make sure that people got kids, I think that first campaign, we were able to donate like 1000 books. Now, that was 2018 or '19, 2019. And since then, we've donated over 20,000 books to different organizations and schools. It's just a matter of when we get them, they also go out the door. And we have a nonprofit that allows us to do that more easily. The ease really comes from people wanting the tax write-off, so we're getting big donations, and they can benefit from that too. Lesley Logan 28:42  Oh, hey, you know what? These billionaires get tax write-offs, people take advantage of the tax write-offs and give it to places like your nonprofit, because it's gonna get better impact.Rebekah Borucki 28:54  I told my accountant every day, please give me the Jeff Bezo's plan. My people came over here enslaved and as indentured servants from Scotland. I don't (inaudible), I'm good. But it's kind so I'm not for anybody like wanting to save money. However, I will say that the majority of people who ask if there's a way that they can get a tax credit, are coming from millionaires and confirmed billionaires. It's not like the 20 here, the 100 here, some people send thousands of dollars. They're coming from single moms, people that are saying like, this is all I have, and I want you to have it. It's really beautiful to be reminded of who actually drives change, and is actually here, you know, for each other. Lesley Logan 29:43  I mean, it really is like, going back to impossible, like when you look when you think about different problems that are out there. And I also then look at the people who live in the communities that's the communities that really make the biggest impacts and change, you know? Okay, so I want to know what you're excited about right now? Like, what are you, what is your, what are your mission-driven? values like what's going on this year that we can put out into the world and our listeners can support you or can just cheer you on? Like, what can we, how can we make the world a better place because you're in it?Rebekah Borucki 30:15  So I want to tell you what we're doing with Row House specifically. Row House, what we do that's very different is that we are an equitable publishing model. So we're going into the margins, and we're lifting up these voices, but also we're paying them. So every Row House author has a $40,000 advance its standard, and then they get 40% net profit share, which is about four times industry average, we pay our authors, we pay our creators, it means that I make less and that is okay, right, I don't need to be making $3 million a year, not that I could pay myself that yet. So we have a lot of systems within the company that disallow for big gaps in wealth distribution, like everyone is making a fair wage, we even pay our interns we started $25 an hour, like that's what we do. So it's important work that we're doing to actually put money into the pockets of people that deserve it. And most recently, and this is what I'm fired up about, but not happy about most recently, because of our politics and our values, we had a major funder pull $500,000 out of the company. So as we speak right now, in this moment, I am emergency fundraising. And I've been in meetings all day. And I will continue for however long it takes to make up that gap. And I'm excited about it. Because what has happened over the past 24 hours that this all came to ahead, I have seen the most incredible amount of support come up from our community. I've seen black women who have never received a dime for reparations show up for me in a way, showcasing us, amplifying, spotlighting us on their platforms, and then also contributing from the pocketbooks. It's just a good reminder of who, who really matters in my life. And it's a reminder that community really works. So that's what's happening. I'm fired up about inequity, but we're taking care of it. Lesley Logan 32:16  Yeah. Thank you for sharing that. I think it's so I think it's important for people listening to know that like, even when you overcome what was considered the impossible, and you're doing all these things, that there's still massive obstacles. And yeah.Rebekah Borucki 32:31  It's scary. It's scary that the people in power, and you know, no matter how good you are, how smart you are, how, you know, smart and business savvy, and all those other good things that I, you know, I speak well, I can go into rooms, I can entertain, that there's still so many people in power, you know, holding the strings, and if they'll cut you off at any moment. So it's really super important for me to stress that more black women need to be in charge. Ownership needs to be put into the hands of marginalized people just because they know how to get things done. There's a level of empathy and compassion. There's just not enough leadership. There's not enough female leadership. There's not enough black and brown disabled queer leadership. And when that shifts, everything's gonna shift for everybody. Everybody. Lesley Logan 33:29  Well, I really like (inaudible) seriously, as we're like, recording this podcast, how much we've all had to like, listen to going on. I want that sooner than I would love to happen yesterday, you know, so will you do me a favor? Can you just tell us where our listeners if they wanted to support Row House, how they can do that? Is that a possibility? Is that an ongoing thing? Or is it just right now, because I would love to (inaudible). Rebekah Borucki 33:55  It's an ongoing thing. It's an ongoing, it's easy, it's supportrowhouse.com, supportrowhouse.com Those are our GoFundMe. If you go to rowhousepublishing.com, you can find opportunities to invest for as little as $300. You can buy our books, which is awesome, every day. So there's so many ways to support and I also say that, that sharing is also currency. So tell people about us tell people you know who you're talking to, or what they can do. So just keep spreading the word about our house and our authors. That's just, that's amazing, too. Lesley Logan 34:28  Thank you for bringing up all those different options. Because I do tell people like look, if you don't have any money to do things, like you can also just share you know, like if you for people who listen to podcast, writing a review is currency for podcast hosts, and for a publishing house buying their book that is asking for that book to be existing at the library. If it's not there, like those kinds of things can help because it's, there's always an option if we're supporting if whether wherever your resources are, and I think that's really important. So thank you for sharing that. You're incredible. You're just you're I could I want to, I'm so grateful that we get to highlight you and I also got to learn from you because what you are doing in this world is nothing short of amazing and it's wildly needed. In this moment. Rebekah Borucki 35:11  I've a lot of help from my friends, I have a lot of help. We don't do any (inaudible). Lesley Logan 35:16  And also, like, thank you for sharing that too, because it's not fun alone. It's so like, it's if you're gonna go through this life with ups and downs and obstacles, you've got to have people in it who are willing to like fight those fights with you. So thank you. Okay, we're gonna take a very brief break, and then we're gonna find out how people can find you follow you and we got the support already. We'll do that again. And then your Be It Action Items for our listeners. Lesley Logan 35:36  Okay, Rebekah, any other ways people can find you, follow you, connect with you, support you?Rebekah Borucki 35:42  We are @RowHousePub everywhere on social media. It's where we talk about not only our books, we talked about other authors' books, we talk about different missions and different causes that you can become involved in. We are an activist platform, we are an activist business that wears our politics and our values on our sleeve. We all don't agree on all the things but everyone at Row House is there with a huge heart and a spirit of community. So yeah, just find us online, we're there hanging out. Lesley Logan 36:10  Perfect. Okay, last thing, bold, executable, intrinsic targeted steps people can take to be it till they see it. What do you have for us?Rebekah Borucki 36:18  Be it till you see it. Well, first of all, I tell all of my authors, but this works with anything, as soon as you have a dream or an idea, start talking about it. Don't wait until it's good. Don't wait until you have like the perfect presentation. But seriously, the moment I thought about writing a children's book, I went online and said, I'm writing a children's book, it's gonna come out on this date. And then that was enlisting accountability partners. So that's something to definitely do. And then I don't know if this is a direct route to be it in theater (inaudible). But be in community, which means on any level, whether it's volunteering to be a Girl Scout leader, which I was, or being involved in your church, be in community with others be in the practice of giving, but also receiving, because that's what makes it community that back and forth, build those relationships, those are the ones that will sustain you mentally, they can sustain you financially if you need it. But always be in community. I think it's great for you know, all levels of health and well being definitely, definitely important. And it puts you in the spirit of feeling like you're doing good, even if you don't feel like you're doing enough, which is wrong. And then I'm always encouraging people to advocate and to be an activist in your own way. I believe. Just like there are as many ways to meditate as there are people on this planet. There's so many ways to be an activist, we have a children's book coming out called Stand Up. And it's about people who are disabled in wheelchairs and how they're activists and people who kneel to stand up in activism. And there are so many ways to do and be good in your community. And just identify that for yourself. Don't compare your activism or advocacy with anybody else. But just do something lovely for somebody else every single day, please. And yourself, someone else and yourself everyday. Lesley Logan 38:13  Beautiful. Rebekah Borucki 38:13  And I hope it was specific enough.Lesley Logan 38:16  It's specific, I'm in love. I'm so grateful this happened today. You are wonderful. I'm so grateful. All right, and thank you Roxy for allowing us to have a special moment we are so like, I'm just honored. Y'all, how are you going to use these tips in your life? Let us know. Tag Row House Publishing, tag the Be It Pod, share this podcast with a friend if you got a friend who wants to write a book, and it's going to fall in line with that Row House stuff you got to send them this so they can see that there's a place out there for them you know, I mean, I think it's incredible. So everyone have an amazing day until next time, Be It Till You See It. Lesley Logan 38:50  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day.   Lesley Logan 39:06  Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @Be It Pod. Brad Crowell 39:15  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.  Lesley Logan 39:18  It is transcribed, produced and edited by the epic team at Disenyo.co.  Brad Crowell 39:20  Our theme music is by Ali at Apex Production Music and our branding by designer and artist Gianfranco Cioffi.  Lesley Logan 39:23  Special thanks to Melissa Solomon for creating our visuals.  Brad Crowell 39:24  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to the Instant Trivia podcast episode 1132, where we ask the best trivia on the Internet. Round 1. Category: Books For The Young 1: This Mark Twain character is "hated" by moms because he is "vulgar and bad" but "all their children admired him". Huckleberry Finn. 2: This Margaret Wise Brown children's classic about bedtime begins "In the great green room...". Goodnight Moon. 3: He illustrated "The Very Hungry Caterpillar" and "Brown Bear, Brown Bear, What Do You See?". Eric Carle. 4: Discovered in 1993 an asteroid was named Besixdouze, an homage to this title character who lives on Asteroid B-612. the Little Prince. 5: Russell Hoban wrote 6 picture book stories about this little badger and her family. Frances. Round 2. Category: Pipe Dreams. With Pipe in quotes 1: It stretches from the larynx to the bronchi. the windpipe. 2: This head covering is named for its shape. a stovepipe hat. 3: In 2006 and again in 2010 it was all golden for Shaun White in this Olympic event. the halfpipe. 4: The yagua of the Peruvian Amazon are skilled in using these weapons to bring down game. a blowpipe. 5: Also known as a syrinx, this variety of flute is popular in the Pyrenees. a panpipe. Round 3. Category: Scrambled Kegs 1: Cheers, mate:FORESTS. Fosters. 2: It's been known to shed a little light:A/C OR NO. Corona. 3: Not just for the stoutest:INN GUESS. Guinness. 4: Weekends were made for it:CLIMB HOE. Michelob. 5: Perfect for award season:PROBABLE BIB NUTS. Pabst Blue Ribbon. Round 4. Category: Genesis Basics 1: In Genesis 40 he takes a job as a dream interpreter. Joseph. 2: It sets sail in Genesis 7. Noah's Ark. 3: He is slain in Genesis 4. Abel. 4: These metropolises are destroyed in Genesis 19. Sodom and Gomorrah. 5: Thestartofthis structureis found inGenesis 11. the Tower of Babel. Round 5. Category: Country Confusion 1: Togo is in Africa; Tobago is just off the coast of this continent. South America. 2: Slovakia was once part of Czechoslovakia; Slovenia was part of this country until 1991. Yugoslavia. 3: Mauritania is in northwest Africa; this island nation lies 500 miles east of Madagascar. Mauritius. 4: In Africa, there is Guinea and Guinea-this, a neighbor of Guinea. Bissau. 5: The Dominican Republic is part of Hispaniola; Dominica is part of these "Lesser" islands. the Antilles. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Seymour Chwast's revolutionary contributions to the world of graphic design have overshadowed his equally impactful picture book career—until now. This is the first museum exhibition to focus on Chwast's books for children on display through April 14 at the Eric Carle Museum of Picture Book Art in Amherst, MA.

Welcome to the Instant Trivia podcast episode 1132, where we ask the best trivia on the Internet. Round 1. Category: Books For The Young 1: This Mark Twain character is "hated" by moms because he is "vulgar and bad" but "all their children admired him". Huckleberry Finn. 2: This Margaret Wise Brown children's classic about bedtime begins "In the great green room...". Goodnight Moon. 3: He illustrated "The Very Hungry Caterpillar" and "Brown Bear, Brown Bear, What Do You See?". Eric Carle. 4: Discovered in 1993 an asteroid was named Besixdouze, an homage to this title character who lives on Asteroid B-612. the Little Prince. 5: Russell Hoban wrote 6 picture book stories about this little badger and her family. Frances. Round 2. Category: Pipe Dreams. With Pipe in quotes 1: It stretches from the larynx to the bronchi. the windpipe. 2: This head covering is named for its shape. a stovepipe hat. 3: In 2006 and again in 2010 it was all golden for Shaun White in this Olympic event. the halfpipe. 4: The yagua of the Peruvian Amazon are skilled in using these weapons to bring down game. a blowpipe. 5: Also known as a syrinx, this variety of flute is popular in the Pyrenees. a panpipe. Round 3. Category: Scrambled Kegs 1: Cheers, mate:FORESTS. Fosters. 2: It's been known to shed a little light:A/C OR NO. Corona. 3: Not just for the stoutest:INN GUESS. Guinness. 4: Weekends were made for it:CLIMB HOE. Michelob. 5: Perfect for award season:PROBABLE BIB NUTS. Pabst Blue Ribbon. Round 4. Category: Genesis Basics 1: In Genesis 40 he takes a job as a dream interpreter. Joseph. 2: It sets sail in Genesis 7. Noah's Ark. 3: He is slain in Genesis 4. Abel. 4: These metropolises are destroyed in Genesis 19. Sodom and Gomorrah. 5: Thestartofthis structureis found inGenesis 11. the Tower of Babel. Round 5. Category: Country Confusion 1: Togo is in Africa; Tobago is just off the coast of this continent. South America. 2: Slovakia was once part of Czechoslovakia; Slovenia was part of this country until 1991. Yugoslavia. 3: Mauritania is in northwest Africa; this island nation lies 500 miles east of Madagascar. Mauritius. 4: In Africa, there is Guinea and Guinea-this, a neighbor of Guinea. Bissau. 5: The Dominican Republic is part of Hispaniola; Dominica is part of these "Lesser" islands. the Antilles. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Streamed live on Jul 19, 2023#thecheesecakenerd #Cheesecake #writerstrike#nerd #movies #marvel #DC Topics Tonight Writers Strike who Treasure Hunter in pop culture Internet experience as a teen with our guest Eric Carle The Cheesecake Nerd LLC TRUE STORY BRO MERCH STORE https://true-story-bro.creator-spring... SATURDAY NIGHT NIGHTMARE MERCH STORE https://saturday-night-nightmare.crea... Saturday Night Nightmare Instagram: www.instagram.com/saturdaynightnightmare PARTNERED WITH Wild Bill's Craft Beverages, head over to their website www.drinkwildbills.com Use code TrueStoryBro to get 10% off of any purchase. Chairs 4 Gaming, head over to their website www.chairs4gaming.com Use code TrueStoryBro to get 10% off of your purchase. ———————————— Make sure to Like, Share, Comment and Subscribe!!! Make sure to hit that for all updates of content from our channel. LISTEN TO US Search "True Story Bro Podcast" and Listen on Spotify Google Podcast Anchor Breaker Overcast Pocket Cast Radio Public FOLLOW US HERE True Story Bro Podcast Facebook   / officialtrue.  . True Story Bro Podcast Instagram   / officialtru.  . True Story Bro Podcast Twitter   / official_tsbp   Roundhouse's Twitch Gaming   / hereroundhouse84   Saturday Night Nightmare Youtube Channel    / @saturdaynightnightmare  Transcript --- Support this podcast: https://podcasters.spotify.com/pod/show/truestorybro/support

Brown bear, brown bear, what do you see? I see a new Dork Matters ep with Ben and Lexi. We're dorking out about the best, most amazing, legendary children's book illustrator-authors! With a bit of conspiracy theorizing about the Sankebetsu brown bear incident. Grab a blanky, get comfy, and let us tell you a story.FURTHER DORKSCUSSION:Sankebetsu brown bear incidentLegendary illustratorsMaurice Sendak - Where the Wild Things Are, Chicken Soup with RiceDr Seuss (Theodore Geisel), The Grinch, Green Eggs & HamEric Carle - Brown Bear, The Very Hungry CaterpillarRichard Scarry - Best Ever/BusytownBeatrix potter - Peter Rabbit, Benjamin Bunny, Jeremy FisherClement Hurd - Goodnight Moon, The Runaway BunnyEH Shepard - The Wind in the Willows, Winni-the-PoohUl de Rico - THE RAINBOW GOBLINS!Ezra Jack Keats - The Snowy Day, Peter's ChairBONUS CONTENT:Ul de Rico concept art for The Neverending Story (1984)Sendak's In the Night Kitchen: Unusual History of Censorship by Laura CattrysseBeatrix Potter - The Dead AuthorsProdorkcer Jess Schmidt's picks:say what you will about Roald Dahl, but Quentin Blake is an iconic illustrator in my mindLudwig Bemelmans of the Madeline books was another fave of my childhoodShel Silverstein was my first introduction to poetry and again just iconicThe Velveteen Rabbit was a book that I asked for all the time, illustrated by William Nicholson"I remember that as a child, when I felt overwhelmed, my mother would reassure me by saying, ‘One piece at a time.' That's good advice for many things in life." -Eric Carle SOCIALS:Here's where you can find us!Lexi' Hunt's website and twitter and instagramBen Rankel's website and instagram and where to buy his book: Amazon.ca / Comixology / Ind!go / Renegade ArtsJess Schmidt's website, twitter and instagramDork Matter's website(WIP) and twitter and instagram and redditThis podcast is created on the traditional territories of the Blackfoot Nations, which includes the Siksika, the Piikani, and the Kainai. We also acknowledge the Stoney Nakota Nation, Tsuut'ina, and Metis Nation Region 3.Help your dorky pals spread the word: share us on social media or give Dork Matters a rating and review on Apple Podcasts, or wherever you get your pods! Thank you for helping us to share our love of all things Dork!

Welcome!

Are we willing to walk with our characters? Are we willing to go far enough? Are we willing to let go to find transcendence? This episode's special guest is former Editor in Chief of Philomel Books, Patricia Lee Gauch. Patti (as she's known by her friends) was T. A. Barron's editor for over 30 years – editing 27 of his 32 books. T. A. and Patti speak passionately about finding the core values of your story, then protecting and nurturing them, and letting them shine organically. Hear two seasoned writers explore the power of humor and magic in stories, as well as the importance of voice. Patti urges us, “Trust the universal storyteller in you. If you only trust your brain, you may have a compositionally powerful piece, but you may have missed the beating heart. And that is what we're going for – the beating heart.” Where did it all begin for Patti? And… how do we, as authors, earn our ending? You don't want to miss this lively and completely inspiring conversation about voice, character, and the beating heart of story. Aspiring writers – this one's for you. About Patricia Lee Gauch: I am Patricia Lee Gauch, my writers call me Patti. I have worn many hats – journalist, author, teacher, lecturer and finally editor, but all of my hats have been grounded in writing. And my relationships with my writers have passed into sacred space, from my point of view. I have worked with Patricia Polacco, Brian Jacques, Eric Carle, Andrew Clements, Janet Lisle, Jane Yolen, but the first writer I worked with at Philomel was T.A. Barron. The renowned Madeleine L'Engle discovered him at a retreat, was impressed, and brought him to my agent Dorothy Markinko, and she brought him to me, fledgling editor. He was and always has been an unusual mix of writer of fantasy writer and environmentalist, wroter of fantasy and philosopher. As he walks his Colorado mountains, which he does regularly, he is always searching for ideas. His characters are often paradigms, rich in their humor, their courage, their humanity. That's Tom, searching. And discovering. Tom and my fondest memories were rooted in editorial sessions at his mountaintop cabin in Colorado. We would sit in a window that looked out on a meadow, simply breathing open air, and we would begin a somewhat miraculous brainstorming. I was often the tip-master, but Tom could catch fireflies of ideas, and when he realized that there was a key Merlin story still to be told, he began writing his life's work. We are partners still. And partners here today. Check out Patricia Lee Gauch's novels and picture books. Magic & Mountains is hosted by T. A. Barron, beloved author of 32 books and counting. Carolyn Hunter is co-host. Magic & Mountains Theme Song by Julian Peterson.

Hello there!!  Welcome to Alberts bookshelf.  We hope you enjoy listening to The very Hungry Caterpillar one of Alberts favourite books.Thanks for Listening.

Hector Lombard is a formidable mixed martial artist, inventor, & philosopher. Born in Matanzas Cuba, Hector's journey to becoming a professional fighter was marked by dedication and determination. He began his martial arts training at a young age, excelling in judo and eventually transitioning to Brazilian Jiu-Jitsu and boxing.Lombard's career reached its zenith when he joined the UFC, where he competed in the middleweight division. His aggressive fighting style and exceptional striking power earned him a reputation as a fearsome opponent. Throughout his UFC tenure, Lombard secured notable victories over some of the sport's top contenders, solidifying his status as a top-tier fighter. His relentless pursuit of victory and unwavering commitment to his craft have left an indelible mark on the world of mixed martial arts, making Hector Lombard a respected and enduring figure in the sport. In this episode we discuss "The Very Hungry Caterpillar" by Eric Carle. Get your copy here! :Amazon Link - https://amzn.to/3QbVfnvEpisode Resources: Hector Lombard | https://www.instagram.com/hectorlombard/Book BFFs: Website | https://www.bookbffs.comInstagram | https://www.instagram.com/bookbffs/TikTok | https://www.tiktok.com/@book.bffs

This week on the Adventures in Learning podcast, we celebrate the book birthday of Nesting Dolls  and the real-life birthday of its author/illustrator Vanessa Brantley Newton. Join us for an exuberant episode that touches on everything from dyslexia to embracing your inner five year old. We talk about the importance of books as windows and mirrors, manifesting your dreams, and creating space to connect with others. And Vanessa's story of how she overcame challenges to become the beloved illustrator, author, and entrepreneur she is today is inspirational. Get ready for a dose of feel-good as we meet the Queen of Kindergarten (and everywhere else) Vanessa Brantley-Newton!  [01:24] Vanessa discusses Nesting Dolls, her latest picture book emphasizing diversity and self-acceptance.[08:53] Vanessa's background as a makeup artist and experiences caring for sick children broaden her perspective.[13:01] The importance of self-care, exploring diverse perspectives on social media, and experiencing different cultures[16:37] Manifestation techniques and importance of teaching self-love to children[20:01] The journey from working multiple jobs to becoming a NYT bestselling illustrator[26:42] How she connected with fellow artists through blogging and built her career[28:08] Valuing one's dreams and using life experiences for creative inspiration[29:26] Three of Vanessa's favorite books: Don't Let Auntie Mabel Bless the Table, Grandma's Purse, and Becoming Vanessa [31:36] How Becoming Vanessa reflects her personal journey[32:54] Collaborating with Derek Barnes on the King and Queen of Kindergarten series[37:41] Christmas collection with Target[40:30]  Ezra Jack Keats' shared influence on us, particularly The Snowy Day and Peter's Chair [41:43] Shared love of the Eric Carle Museum of Picture Book Art, and that time when Dr. Diane's daughter licked Eric Carle[44:14] Growing up with dyslexia [48:46] Upcoming projects, including Shake It Off and a PBS pilot[50:05]  Joy in teaching art and hope for fostering self-love and love for others in childrenSupport the showRead the full show notes, visit the website, and check out my on-demand virtual course. Continue the adventure at LinkedIn or Instagram. *Disclosure: I am a Bookshop.org. affiliate.

In this podcast education experts Diane Snowball and Keay Cobbin discuss several important aspects of early reading education, including the significance of providing inviting and exciting reading materials in classrooms for young learners. Diane emphasises the importance of offering books that make sense and are interesting for students, as opposed to overly decodable books with limited word patterns. She suggests allowing students to explore words and create sentences with specific word patterns to enhance both encoding and decoding skills.Diane and Keay stress the importance of exposing children to excellent models of the English language from an early age, referencing classic children's books by authors such as Eric Carle, Mem Fox, Pat Hutchins, Pamela Allen, and Dr. Seuss. They argue that rich literature not only supports language development but also helps students learn to make inferences, predictions, and visualisations while reading.The conversation also touches on the topic of comprehension instruction. Both experts advocate for teaching comprehension strategies from the beginning of a child's school journey, emphasising that comprehension instruction should start early to ensure that all students have access to it. They reject the idea that comprehension instruction should be delayed until a certain grade.Additionally, Diane and Keay discuss the importance of motivation and engagement in reading, highlighting the significance of giving students choices in what they read. They stress that fostering a love of reading and ensuring students believe in their own reading abilities are critical for long-term engagement.Diane and Keay emphasise the importance of teaching students a repertoire of strategies to enhance comprehension and motivation in reading. They reference Chris Tavani's work on motivation and engagement, highlighting how students often wear masks to hide their reading struggles, even in primary school. They discuss the significance of executive skills in reading comprehension, drawing from Kelly Cartwright's book, which defines executive skills as tools for managing thinking processes. The educators stress the value of incorporating these skills into classroom instruction and guiding students to become CEOs of their own brains. They underscore the need for ongoing professional development, open-mindedness, and a wide range of expert sources to inform teaching practices.

Welcome!

A small caterpillar's journey from an egg to a butterfly!

Today, I'm speaking with Zoë Bisbing - mother of three and licensed psychotherapist at Body Positive Therapy NYC, and creator of Body Positive Home. Zoë works with families of youth struggling with eating disorders, and works to raise awareness about prevention, early detection, and immediate intervention. Zoë is also the host of The Full Bloom Podcast. Today we're talking about how to build a Body-Positive Home, and how we can build buffering skills right into the foundation of the homes and schools we nurture our children in.Find out more about Zoë's work here.Follow her work on Instagram here.Follow Laura on Instagram here.Subscribe to my newsletter here.Here's the transcript in full:Zoë Bisbing: I do think that if you're like, “Yeah, I totally want to build a body positive home, show me how”, I think you're actually embarking on some micro-activism. Because if you can commit to building a body positive home, you're going to potentially raise a body positive kid who's going to maybe then go out into the world and make the world a more body positive place.INTROLaura Thomas: Hey, and welcome to the Can I Have Another Snack? podcast where we talk about food, bodies and identity, especially through the lens of parenting. I'm Laura Thomas. I'm an anti-diet registered nutritionist, and I also write the Can I Have Another Snack? Newsletter.Today I'm talking to Zoë Bisbing. Zoë, who uses she/her pronouns, is a licensed psychotherapist, mother of three and creator of Body Positive Home, a learning and healing hub for humans who want to nurture a more embodied and inclusive next generation. Zoë directs a group therapy practice in New York City, where she and her team treat folks across the age, gender and disordered eating spectrum. A certified family based treatment practitioner, Zoë's work with families of youth struggling with eating disorders fuels her passion to raise awareness about prevention, early detection, and immediate intervention for eating disorders. Today, we're going to be talking about how to build a body positive home, and this is Zoë's idea of how we can build buffering skills right into the foundations of the homes and schools that we nurture our children in. But first, I'd love to tell you about the benefits of becoming a paid subscriber to the Can I Have Another Snack? newsletter and whole universe. And of course, there are cool perks like being able to comment on posts, our Thursday threads, Snacky Bits, and exclusive posts on intuitive eating, weight-inclusive health, and responsive feeding. But more than all of that, being reader and listener supported means that I can better control who comes into the space. In other words, we keep the trolls and the fatphobes out. And if they do sneak in, at least it's cost them and I can still boot them out. Having control over who comes into the space is essential for creating a safe nurturing space away from diet culture, where we can discuss the both and of why it's hard to have a body and how we deserve to feel safe in them, or why it's okay for your kids to eat sweets, without the food police breathing down our neck. So if you're still not convinced, here's a recent testimonial from someone in the CIHAS community: “I wish I had access to the advice and information you shared when my kids were little, but it's still valuable now they're nearly adults for a couple of reasons, at least. Firstly, having only been diagnosed as autistic in middle age, I have had a complicated relationship with food for most of my life. From childhood fussy eating through stigma over my higher body weight, and internalised fat phobia, to temporary success with dieting, followed by the inevitable return to my previous size. Your writing has helped me to cast off many of my own hang ups about food, weight and health, making me a better role model for my kids. Secondly, your advice helps me to support and advise my kids with their own food, health and body image issues and to advocate for them to my family and friends. I believe in showing my appreciation for people who provide me with help and support at least by saying thank you and, where possible, with feedback and or financially. I can't financially support everyone I'd like to all of the time, but I do what I can when I can. Thank you for all you do, Laura.”Well, thank you for that lovely review. And I guess the question is, what are you waiting for? You can sign up today at laurathomas.substack.com or find the link in your show notes. It's £5 a month or £50 for the year. And if you can't stretch that right now just email hello@laurathomasphd.co.uk with the word ‘Snacks' in the subject line and we will hook you up with a comp subscription, no questions asked and no need to explain yourself. Alright team, here's ZoëMAIN EPISODEZoë Bisbing: I am Zoe Bisbing. I'm a licensed clinical social worker and a licensed psychotherapist here in New York City. I run a group therapy practice, that's sort of, I guess my day job, a practice called Body Positive Therapy NYC. And I have a group of really wonderful clinicians that work there with me and we, we treat folks across the age and gender spectrum struggling with all kinds of disordered eating, eating disorders.And I do specialise in working with children and adolescents and their families with eating disorders, which actually is sort of how I got into my other.Laura Thomas: Your side hustle!Zoë Bisbing: My side hustle, yeah. My side hustle / baby / passion project, which is now called Body Positive Home, once was the Full Bloom Project, but it's sort of evolved into Body Positive Home.That work, I guess you could call it, I'd be curious to hear what you call it, but I think of it as advocacy, education and most importantly, prevention. It's my best attempt at disordered eating prevention, body image disturbance prevention, eating disorder prevention as far as we can, cos of course we can't entirely prevent eating disorders, but all of the work, my social media presence and speaking and all of it, it, it comes from a deep concern that I have for all of us. Laura Thomas: Just as you were speaking there, I would add activism into the mix, and this may be foreshadowing a little bit, but definitely there's, there's a thread of activism there and body politics, which I know we're gonna come back to in a minute. We're gonna get into what we need to run a body positive home in just a second. But I would love it if you could tell me…why do we need this? Like, you kind of alluded to it a little bit there, but maybe ground that in a bit more context for us.Zoë Bisbing: As a human being that lives in this world, but most importantly, as someone who's worked, uh, in a variety of treatment centres, working with people with like full blown eating disorders, I have been blown away by how eating disorder treatment, right, interventions….How we help people relearn how to essentially claim a healthier relationship with food and body. That a lot of the interventions don't look a lot like the way, like the culture we grow up in. So it's almost like, even though there is a difference between someone that struggles with disordered eating versus a full-blown eating disorder. There's a difference between having kind of body discontent versus like body dysmorphia. There's a difference. But I was struck when I started my career on like eating disorders, in inpatient treatment units, outpatient treatment programmes. How the way we treat eating disorders is to essentially help people become unafraid of eating, and not just eating, but like eating robustly, right? Like that's sort of what treatment looks like. Robust meals, multiple components at meals, multiple times a day, right? It's like the opposite of the diet messages that we get in our culture. And so I think prevention is, I think we're all, we all need recovery because we all have grown up in this very disturbed culture where I think it's fair to say our culture has a disorder of its own in terms of bodies that are valued and devalued, and foods that are bad and good in all of this that we all know, right?Laura Thomas: Yeah.Zoë Bisbing: But when you go into an eating disorder treatment centre, you start to get these, you know, these messages that you'd think would be helping us get back to where we once were. But a lot of us were never there.Laura Thomas: We never had that baseline in the first place.Zoë Bisbing: Yeah. We never had that baseline. And it's not necessarily one person's fault. Like I'm mindful that my mom is present over here. She's getting ready to go, but…Laura Thomas: Hi, Zoe's mom!Zoë Bisbing: Yeah, you got a shout out, mom. She's, she's a product of a very toxic culture. It's not her fault that she suffered at the hands of terrible messages about what women are supposed to look like or what she should eat or what she shouldn't eat. And then how does that not trickle into the next generation and, you know, and so on and so on.And so I think that prevention and making “eating disorder prevention” more accessible and more like just every day, right? I think eating disorder prevention, as you know, it's sort of siloed in like academia. There's like research that shows us…this kind of talk is helpful, this kind of language is unhelpful. This kind of feeding dynamics are helpful for prevention, but nobody is really talking about it in a way that makes it accessible and makes you feel like, oh, I could actually build a preventative environment for the kids that are either in my home or in my school. And so that's the thinking behind a body, positive home.It's really taking elements of all of these different disciplines, right? It's, it's pediatric feeding, responsive feeding, it's health at every size, or maybe more importantly, weight neutral health care. And there is a social justice piece to it, which is maybe when you, when you use the word activism, and I do think that if you are like, “yeah, I totally wanna build a body positive home, show me how” I think you are actually embarking on some micro activism. Because if you can commit to building a body positive home, you are gonna potentially raise a body positive kid who's gonna maybe then go out into the world and make the world a more body positive place. And I think we can talk about that term body positive. I actually, I liked that you wanted to go there, but that's sort of the thinking.Laura Thomas: So what Zoe's talking about here is that I, I kind of wanted to probe a little bit around why you decided, or why you landed on the term body positive. It's been a conversation lately, that sort of terminology. So yeah, in 2021, Lizzo said that the movement has been co-opted by all bodies and has become about celebrating medium and small girls and people who occasionally get rolls. And just to be clear, I don't think that that's what you're doing, Zoë, but I wondered how you get the piece around fat politics across in your work. Like where does that show up for you? Is that sort of a core value for you, as it were? You're nodding, nodding, nodding.Zoë Bisbing: I am. Well, I just loved the question because any time that I speak – and I speak a lot to parents or school professionals, kids' librarians, teens, like this type of population. And one of my first slides when I introduce what body positivity is, I always say body positivity as a movement, as a social movement, it's not created for or by people that look like me. I always say that because it wasn't, you know? I enjoy a lot of unearned privileges as like, you know, a white cis woman who…I guess I live in, probably like a mid, mid-sized body. It's not for me. I struggle a lot with it and I had a really amazing conversation about this with Da'Shaun Harrison who has said, you know, body positivity is benevolent anti fatness. I think I named the podcast episode that, and we had…I mean, it was one of my favorite conversations because I, I do think Da'Shaun was able to communicate the problem from a different perspective. I think Da'shaun's point is that so many people get left out, which is true, I think what you are bringing up and what Lizzo is saying is, it's not for all bodies and it's certainly not for, I had a four pack, now I have a two pack and a little cellulite, it's not for you. And I do think that at the core we are centering the most marginalised bodies. That's how I think about it. I think about body positivity as a value system. So if I'm body positive, it's not: I'm body positive, I accept my ass that's now fatter than it once was. Like, that's not how I think about it.Laura Thomas: That's not it.Zoë Bisbing: No, I mean if that's what you thought, I'm glad you're accepting your fatter ass now. But like, what I think about it is, I believe in my values that all bodies, including the most marginalised bodies, the fattest bodies, the most disabled bodies, whatever language feels right to you, right?That, your body is a good body and it deserves Respect, love, dignity, equity, all of these things. And that you, whoever you are, you deserve a positive regard and relationship to your body whether or not you can ever achieve that. Because I don't want people to confuse body positivity for, let's say, positive body image, which I talk a lot about the difference, but I'm aware that in using the term body positivity, I'm probably losing some people who might say, oh, there's just another white relatively thin person using this term. But I do think that my goal, and I talked to Da'Shaun about this, my goal is to bring people in who might see the term body positivity and say, yeah, I want, I want that. Laura Thomas: It's an accessible terminology. And I think what you're sort of alluding to is Trojan horsing it, where you get people in under the auspices of body positivity and then you can kind of gently bring them along with that more political aspect of this work.As much as I wish for radical fat acceptance for everyone. And that is always the goal that I have in mind. And radical acceptance for all bodies, not just fat bodies. I also acknowledge that we live in a deeply fatphobic culture and that it's gonna take time to change that narrative.And I was having a conversation recently with a couple of colleagues about how anti-fatness just feels so pervasive and more acceptable right now than it has at any other point in time. So, you know, I think that it needs all of us doing this work, whether it's kind of under the, the more gentle auspices of body positivity as well as radical fat acceptance.So I will take it, and I also think what you're, what you were saying just before this is this piece around, you know, I think what the work that you're doing is not this sort of personal project where we want our individual children to feel amazing about their bodies at all times, but to teach them the inherent worth of all bodies so that they go out into the world not replicating these systems of harm, and calling out harm when they see it.Zoë Bisbing: Totally. You said it perfectly. I mean, the reality is…I do think there is this maybe unintended consequence of a body positive boomerang, if you will. Like, if you can commit to trying to change the way you see bodies, right? See fatness, on behalf of others, right? The reality is this boomerang, it does come back to you and it does ultimately benefit your own personal body image. It does. The nuance is if it's all about you and your own body image, you know, then I don't know if it's entirely body positive, right? I don't know that it's about your role as a citizen. Right? And you know what? I also know, having sat for now years with people who just struggle so much with their own body loathing, self-loathing, that if where you are at in this journey is you just need to work on yourself and you don't have much to offer the world, you know, or, your neighbour, that's okay too.Like there has to be space for everyone. So I do like the Trojan horse idea, you know, and I wanna bring as many people in as possible, and I also want them right away to know there's a difference between body positivity and body image, and that this is about biases and, and yeah, human rights, social justice. I'm not hiding that, but yeah, I think the language is deliberate.Laura Thomas: Yeah. And I will link back to that podcast that you did with Da'Shaun Harrison, cos I think that that was a really good kind of exploration of some of the, the potential limitations of the word body positivity and kind of just unpacking that a little bit more. But I guess what I'm hearing you say is, we do this work particularly as parents in the same way that we talk about bodies from the perspective of racism or ableism. It's a social justice piece that we need to weave through our parenting on sort of all different levels. But one of the things that I really appreciate about your work, we were talking about this a little bit before we started recording, is how practical and accessible you make body positive parenting. And you talk about this concept of a body positive home. What exactly is that? And I'd love to hear what you think are the foundations or the building blocks. I'm not sure which metaphor we're using! What are some of the foundations or building blocks, and then maybe we can talk about some of those more practical tools and scripts and things that you use.Zoë Bisbing: There's a kind of theoretical way to think about building a body positive home. I think there is a way to just hold the idea in your head, right? I think you're saying what you appreciate is the practical application of it, and that's what I'm sort of obsessed with, I guess.Like how do you make these ideas really practical? And so, I do think that if you are doing your own, you know, if you're a parent and you are saying, yeah, I'm really working on expanding my definition of health and beauty and, human worth, like, in a way, if all you're doing is doing the thinking, right, and ex and maybe reading about fat positivity, reading about health at every size, like, that is one of the building blocks, right? I do think the learning and unlearning that a grownup can do, right. There are a lot of amazing books out there now. I think if you're gonna read…and I think this dovetails with building a body positive library for your home, right.Can you include Aubrey Gordon's work? Can you include Virgie Tovar's work? Can you include Da'Shaun Harrison's work for your adult consumption? Right? Like, so that becomes a building block, both in terms of your own learning and unlearning, but also the visual you start to create in your home.So a lot of advice that I've heard from people is, oh, you, you know, you need to hang fat art or have images of diverse bodies. And I do think that functionally can be hard for people, you know, to like figure out where do I get that art? And like, will that go with my couch? Or you know, so I think that, again, that can be a kind of a framework, like how do I bring images into my home?And I think parenting makes this so accessible because children's books… increasingly we see so many more opportunities to bring in…whether it's a children's book that is overtly about all bodies like Tyler Feder's Bodies Are Cool, which is like the best book I've ever read. O r Vashti Harrison's Big. There are ways to bring in…I did a Reel recently where I just found all this body positive wallpaper. Laura Thomas: Oh, I missed that. That's so cute. We need to link to that.Zoë Bisbing: You know, I'm thinking like, if you're really bold, you can bring those images on a wall in your kid's bathroom of all the diverse bodies at the beach.But something that I'm thinking of is, I don't know that, like, my husband's gonna want a bold print, so maybe I'll get a swatch and frame it and put that up. So this is where you start to see if bringing in body diversity is a complete, necessary building block of, what I like to say, scaffolding a body positive home, then you can be so creative with how you're gonna do that.And I'm just riffing, you know, a few ideas, but that's definitely a very important place to start. And then there's other rooms that we can venture into too.Laura Thomas: Okay so you are literally thinking about how you design a home that you know, that has representation of all different bodies. I guess what you're getting at is this idea of just normalising body diversity just by having it out as art and wallpaper and literally the books that you have on your shelf, like making it a part of the fabric of your home.Zoë Bisbing: Exactly. I mean, I'm thinking about a couple years ago when my daughter was maybe one and a half, I put..you know this brand Summersalt? The swimsuits. They started to do these very bold campaigns. I since have learned that, like actual fat activists were actually disappointed that the sizing wasn't inclusive enough. So I hold that, I hold that, and that catalogue came in my mail and I saw on the cover was I think…I don't remember if it was the cover or what, but there were so many different body types. It felt like the real life version of Bodies Are Cool. And I put it in her, in her play box with all of her objects because this is an example, right?If I am intentionally thinking, I want her to just, as part of her boring little walk from one end of the room to the other, for her to just have this option to pick it up and look at all the different bodies. It's almost like you start thinking and seeing everything differently and you think, oh, I'm gonna, I'm gonna comment on this when we read this book, or, oh, I'm gonna put that in the, the baby bin. Or, oh, look at that wallpaper. I'm totally going…got that extra bedroom or that little wall in the closet. I'm gonna put that fun wallpaper on it. And then…anyway, so this is like almost a mindset that then begets practical application.Laura Thomas: Yeah, I love that. I'm wondering if we could explore the bedroom, cos I feel like there could be a lot of stuff in there. And one thing that I'm immediately thinking of is, and I forget what you call this, so you're gonna have to remind me, but do you have like a little hack where you have a bin for clothes that no longer fit? Talk us through that. What is it that you call that?Zoë Bisbing: It's called the Not Working for My Body Anymore Bag. This is literally like if you have a bag sitting in your bag collection, like a tote bag, a Target bag, whatever. Just take it and write: “Not Working for My Body Anymore” on it. And to put this in your closet and your kids' closets. I think the label is important because you are saying it's a normal practice to notice if your clothing does not work for your body anymore, and put it in this bag because we will donate it. There are accessibility issues. Not everybody can afford to get new clothing. Not everybody can find their sizes. Like I wanna appreciate that. And also, this bag should be in everybody's closet because it sends a message both to yourself and your kid: bodies change. There's nothing wrong with that. If your clothing stops working for you, it's okay. You know where it goes.Laura Thomas: Yeah, there's a process in place to, to support you with, through that rather than ut being a point of judgment or shame or criticism, or, which is…I, I remember getting messages about when I outgrew my clothes, which – hello, I was a child's growing. Like, of course I'm gonna outgrow my clothes. But that felt wrapped up in a lot of shame, like it was my body's fault for not fitting the clothes rather than vice versa. So I, I love this, and especially with kids, you know, who at least every year, if not more often, we have to swap out sizes and, you know, just normalising that process, that bodies grow and they change. Zoë Bisbing: What this does, right, like creating a little system in place, like you said, a process, it also leaves space for, like, sensory challenges, and that's a whole other issue. A lot of toddlers just experience that, but a lot of neurodivergent folks just have sensory differences, and so it normalizes that too.And it's not just like, if I get too tall for my clothes, but also if my body becomes wider and the clothing no longer, like, buttons, that's okay. That's almost…could be a neutral noticing. And same with like, I, I can't tolerate the seam in this, like, so I think… Laura Thomas: Or the fabric, or…Zoë Bisbing: The fabric or whatever, you know. So again, whether the kid, even…like, I have one in my kids' closet, they never even put anything in there. They barely put stuff in their laundry bin, you know? But, but it's there. And so, I wanna connect one dot, especially with young children, there's an Eric Carle book called, um, A House for Hermit Crab.There's no overt message in there about all bodies being good bodies, nothing like that. But again, once you become, I think when you've trained your brain to think this way…Laura Thomas: You tune in.Zoë Bisbing: You tune in. The story begins where the hermit crab realizes, he says, “Oh! Time to move, my house is too small for me.” And so, without judgment, he steps out of his shell and he goes on a journey and he finds a bigger shell, without judgment. He just sizes up. And then he goes on his journey and he actually finds ways to make his home home, right?He finds adornments like sea anemone. He finds snails that can help him clean. To me, there's just like the reverberation. It's like, whoa. Yes. If you feel like your body's a good body, You have clothing that fits you and you're not carrying around all this like loathing and shame. You actually clean yourself. You take care of yourself. You know what I mean? It becomes much more accessible. And then at the end, he has to move again cos he needs a bigger shell without any judgment. And then he finds another hermit crab who says, “Well, I'll take that shell,” you know? And so I think that, you can even read that book to your kid and say, oh, it's just like us, just like our clothing when it doesn't fit anymore. We just need a bigger home. We need a bigger shell. You know, like to just simply make those little connections. I think that, again, that starts to feel like more of the fabric in your home.Laura Thomas: It goes both ways, doesn't it? That you can notice these themes in, you know, these body positive themes in books, books, in these, these, body accepting themes, these body liberatory themes in books. But you also see the flip side of that, right? And I think, and I know that sometimes my instinct is like, I do not want this book in my house. We need to get rid of this. I need to, like tear pages out or like... Zoë Bisbing: Burn it!Laura Thomas: Yeah! Don't get me wrong, there are books that we absolutely need to do that to. There's some horrifically fat phobic books, but there are also some books where I think we can use that as a point we can use that as a point of conversation and start to open up, yeah, a dialogue with our kids. I wonder if you could speak to that point a little bit?Zoë Bisbing: Oh, I agree. I mean, I do think there are some books that..I'm with you, like just…Laura Thomas: Like it might be one line in an otherwise fine book.Zoë Bisbing: Yeah. and I do think that right, sometimes it's okay to just skip, but I, I do think that those are teachable moments to just look at and be like, Ooh, I don't, I don't know about that. What do you think about that? Or like, why do you think they made this character…put him in this body? Like, have you ever noticed that the villain's always in a bigger body? What, what do you think about that?Laura Thomas: Yeah.Zoë Bisbing: And I say teachable moments, but I don't think we get anywhere by, like, explicitly, like, schooling our kids in this. I mean, I've tried, ooh, it does not work. But to just be like, what do you think about that?Laura Thomas: Yeah.Zoë Bisbing: Or I might say, I don't really like that. Like, do you have an opinion on that? They might not even know what you're talking about, but again, if you just keep modelling critical thinking. That's is…you're building critical thinking skills and I think that's the benefit of stumbling across fucked up shit. you know?Laura Thomas: It becomes like a, a learning opportunity or like a…not even learning opportunity, like you're saying like a, an opportunity to think critically and challenge and push back and, yeah, so that, you know, when kids go out into the wider world, they are able to use their voice and articulate when they see something that feels icky or feels uncomfortable that they can name that and that you normalise that practice.Zoë Bisbing: And that you literally modelled it, right? That you modelled what it looks like to see something that most people aren't registering, but you are. And if you are the one person in that kid's life that's registering it, maybe it's not enough, but it's better than nothing.So I've been talking about these Not Working for My Body Anymore. Bags. And I write it with a big sharpie. And recently I had a pile of clothes on the bed. And my husband said, “What are you doing with this? Is this laundry? Or is this for your Not Working for My Body Anymore Bag?And he said it like…I didn't even know that he knew, like, what I was up to with these bags. Like, cos I was just sort of putting them in closets. But I think that…you think about that moment, right, where he's very casually saying, is this laundry or is this, You're Not Working for My Body Anymore Bag.And if a kid is in earshot, he's just hearing a regular day, a parent saying to another parent, is this laundry or is this like just not working for your body anymore? Is. And that's a very potent little seed, you know? And so I just wanted to share that because I think it, it speaks to this, this process, this sort of never ending process of creating those…whatever, fabric, foundations, scaffolding.Laura Thomas: Yeah. Because I think we often talk a lot about like these big, these, like, sensationalised moments where, you know, it's your mother-in-law saying something really fatphobic, and then, oh shit, we're scrambling in our brains to come up with the perfect, like one-liner zinger to throw back at at her. But what I'm sort of taking from what you're saying is that I think that that stuff is, is important and we should talk about it, but also just having these things normalised all around us all the time. Whereas I think those conversations where, you know, if we explode at our mother-in-law, it kind of makes it, like, a big thing. At my toddler, well, preschoolers preschool, they had a presentation from the chef, and the chef was going around being like, “Oh, and now we have cake twice a week!” and was like making this big deal.And I was like, okay, but you realise what you're doing here is making cake a big fucking deal. And it's a similar sort of thing, right, where we're making these things a big fucking deal sometimes, the more we talk about it. But what I'm hearing you say is if we talk about these things just throughout the fabric of our daily lives, it just becomes part of our daily lives.Zoë Bisbing: Like you embody your values.Laura Thomas: Yes.Zoë Bisbing: That's what it is, I mean, and it's not to say that I…I've, I've totally been that parent and that mom making like a big comment about something when it really bothers me or...I think there's probably a time and a place for all of it, right?Like, I think there's like naturally occurring teachable moments. Then there are like proactive prep, you know, even when it comes to like confronting a mother-in-law. Like I think there's power in a family trying really hard to just live your values, talk about your values, so that when an outsider says something or a family member says something, your family ultimately has a sense. Like we, we do things differently. Like we, we see the injustice, we see the problem in that. I think this is very hard because everybody absorbs information differently.You know, I have three different kids with three different sensibilities. I have one kid who's clearly absorbed a lot of what I've said in a way that I noticed that like he'll spontaneously make a little art that's very overtly celebrating all bodies. And I'm like, you're my dream! This is what I had in mind.And then another kid who's like, “Shut up already! Like, call it junk food. I'm laughing at a fat joke. Leave me alone!” And I'm like, wow. Well, that might be a little bit cos I pushed too hard, you know, but, you know, I don't mean to pick on him because I think that ultimately they know that their family's values are inclusive and that doesn't mean they're, all of our kids are gonna emerge these like perfect little activists.But, but I do also hear, even with that one that's, like kind of pushing back on my overt attempts, I've also noticed the way he thinks about injustice more broadly. And so I start to say, okay, like this is a long-term project with kids.Laura Thomas: Yeah.Zoë Bisbing: And the best we can do is just keep affirming them. And I think, again, these different rooms of our homes, they have a lot of power to do that.Laura Thomas: And I also think about how confusing this must be for kids cos they're hearing a set of messages from you at home and, you know, we hope that they, that we have planted them deep down inside somewhere in that one day that's gonna blossom. Right?Zoë Bisbing: Right.Laura Thomas: And at the same time, they are getting these fatphobic messages from absolutely everywhere. These anti-fat messages. And not just anti-fatness, but all sorts of forms of prejudice are normalised in schools. And from their peers and their peers, parents, and, you know, not to like put a total downer on it, but we're asking kids to hold a really big cognitive dissonance there, and sometimes it's gonna fall down on the side that we don't want it to necessarily.But I think again, with that kind of, um, having that infrastructure at home in place, that the balance tips towards not being a jerk towards fat people.Zoë Bisbing: Yeah. No, but I think what you're…I appreciate what you're naming and I think I, I wanna, I wanna sit with that for a while because it's true. When you swim upstream as a parent, let's say you are really building a body positive home and I do think that's net positive for your kids and for the world, period. But I do think you're right that there's more…I mean, that's cognitive dissonance we want, right. We want them to have been told all food is good food so many times, and not just told it, but like seen it. Right. You know, seen the lack of moralising around food so that when they hear it and, and this has happened, that same kid who I was telling you about, my son who kind of pushes back, he came home once and he said, “This lunch monitor said salami's unhealthy. And she wouldn't let me take more.” And so yes, I did write an email about that and ended up speaking to the school because she didn't know what she was talking about. She was just thinking she was sending a helpful lesson. Of course, it's a science teacher, and science teachers are always sort of filled with misinformation about nutrition, but…Laura Thomas: It's really worrying, isn't it? Given they're the science teacher, I don't know!Zoë Bisbing: I know, I know. And it's…you know, it's the language. If every kid is only allowed to take a certain amount of salami because there has to be enough for the group, sure. But he told me, he said, “She said it wasn't healthy and I knew you wouldn't like that.” And he's right. I didn't like that.And so, I think that that's cool. You know, and Leslie, my friend, who she and I founded Full Bloom together, we talked to you, her daughter ultimately was like a little nine year old whistleblower in her school because they were weighing kids without parents consent.Laura Thomas: Oh my God. I love that.Zoë Bisbing: She told her mom, she said something didn't feel right about it. She's right and it was wrong.Laura Thomas: Yeah, they weren't getting consent!Zoë Bisbing: No, I mean, there's just no safeguards in place. But that is incredible. You know, both of these kids, like, she's talking funny about salami, they're weighing people and that doesn't feel right. Well, I'm so glad that these kids know something's up because then they can tell a grownup and the grownup can help. But I think that's powerful. You know, just those little tweaks. Right.Laura Thomas: Yeah. No, absolutely, because…i sounds like your son is, yeah. He's maybe pushing back on you, but it almost sounds like that's more to do with the fact that you're his mom and he's a kid… Zoë Bisbing: It's me!Laura Thomas: Yeah. But that, that message, even though to your face, he's still like, “Fuck you, mom.” At the same time, he's absorbing the messages and, and it's at least, at the very least, he's pausing and thinking a little bit more when he's getting those diet culture messages from the school whatever person. Give us one or two more real quick bedroom hacks.Zoë Bisbing: Okay, so when I think about the bedroom, I think about the closet. I will also say this is maybe not a hack…kind of, it's like a mindset. I think when I think about the bedroom, I think about sleep too. And one of the things that I think we completely forget about in our definition of healthy, right? It's like healthy eating is what comes to mind, but sleep is just, like, so important. And so I love Lisa Damour. She says, “Sleep is the glue that holds us together.” I think that is so true. I notice and talk about embody, like being embodied. When I am well rested, I am a different human being from when I'm not. When we use the word healthy, health with our kids, if we hear them using the word healthy, it doesn't matter what room you're in. I always like to insert, “Health is such a tricky word. Health is so tricky. Healthy's such a tricky word,” like on repeat. Because when I think about the bedroom and I think about sleep, I think about, wow, we spend so much time thinking about healthy food, unhealthy food, but we're forgetting that this is a huge part of overall wellbeing and health too. So that's one.But when I think about the bedroom and the closet, well, you tell me there's one more closet hack and then I think there's also like mirrors, cos mirrors are in closets too.Laura Thomas: Yeah, so tell us one wardrobe hack and one, mirror hack because I think they're super interesting as well.Zoë Bisbing: One of the, one of my favorite hacks, and I think this applies to people of honestly all genders, and it's a great hack to tell your teens and tweens about even if they, like, roll their eyes and they never use it. It's the hair elastic hack that is often only offered up to pregnant people.Laura Thomas: Cos they're the only people whose bodies are allowed to change! Right? Only with the caveat that it has to go back afterwards, right?Zoë Bisbing: Exactly. Exactly. That it's only suitable for the…maybe you could get away with like postpartum a couple months, but then you can't use this hack anymore. No, this hack is like…I think like menopausal people run with it. Tweens, teens, puberty. Oh my gosh. And just like general life, this is a very important hack and…if you take a hair elastic and you thread it through the button loop, like the buttonhole, and then you make a little knot and then you pull it over to connect it to the button. You've literally created an extra, I mean, it could be as much as two inches for yourself, and sometimes that's all you need to just get you through that day or just till the next moment when you can get a pair of pants that actually fit you.But again, when I, I say this is so useful to talk to teens and tweens and kids about…like, this is a hack by telling them, just put a couple in your bag. Like if ever your belly is like, oh, I can't take my pants, just like create a little space for yourself. Even if they don't use it, you're, you're telling them and yourself, it's okay. It's okay if my…and it cannot just be for pregnant people that this is okay. Like we all expand and swell and pudge and puff and like that's because we're human fucking beings. AndLaura Thomas: You have a really cool Reel, showing this hack as well, so I'll, I'll link to that because yeah, it's really helpful.Tell us about, tell us some fun mirror things that you like to do as well.Zoë Bisbing: So mirrors are tricky. I'll boil it down to a hack, but I think people know when they have, well, they don't always know, but a lot of people have a problematic relationship to the mirror,Laura Thomas: Agreed, yeah.Zoë Bisbing: Right? Like you, if you're looking at yourself a lot in the mirror, it might be a sign that you have some body image struggles going on. Like, if there's a lot of checking your body in a mirror, that is most likely maintaining negative thoughts and feelings you might be having about your body. So, you know, hacks are not therapy. A lot of people do need therapy around body image and Mirror Exposure Therapy is a type of therapy that we offer in my practice, and it's very powerful I think, for people.But I've noticed that even if you don't struggle with acute body image disturbances, like, if you're like, yeah, I just wanna get better at even just tolerating, looking at myself in the mirror…With kids…look, mirrors with kids, especially like babies. I love mirrors and babies, I mean like learning about the sense, you know, that you're a person. Being able to see and study in the mirror. There's so many like psychological benefits that come from looking in mirrors. And then of course at a certain point, like, people get really fucked up about mirrors. So like what happens? Right? But building descriptive language skills for kids, helps them with their emerging body image and also food acceptance skills, which I know you know that, like…but being able to look in the mirror in a playful way with your kid, whether it's like you're brushing your teeth or you know, you're getting changed and just sort of spontaneously say like, let's look for a specific shape. Like, can you find a triangle? Can you find a semicircle, can you find a lump, like something lumpy? Can you find something squishy? Like you can do this in so many different ways, but to really focus on descriptive language, form, colour, shape…Laura Thomas: Mm. Texture.Zoë Bisbing: Texture. Yeah. Because this is not the same thing as scrutinising your body. But to be able to look at your body – and this is a playful version to do almost preventatively with kids, but what this ultimately translates to as an adult is being able to look at, especially parts of your body that you really struggle with and use hopefully this language that you've been building because you're practicing with your kid to be able to notice the shapes and the line, the form, the function. This is the whole idea of like body neutralising, right? Being able to see what's actually there, not sort of what your mind interprets is there. But even if all your kid finds is the nose, oh, I found a triangle.Well, that's right. This is sort of a triangle. It's like a triangle. Oh. It has a little, like a little slope or a bump. Like words that are not even nose or ear, because I think that it helps this other part of the brain be able to look in a different way.Laura Thomas: Yeah, and I think…you know, I'm just thinking about bellies and roundness and, and just like the fullness of bellies and, and being able to name that in a neutral, non-judgemental way with our toddlers and our preschoolers and our younger kids like…how protective that could be if they bring that with them all the way through.Oh, I feel like we could be talking about hacks all over the place. And maybe we need to get you back for part two so we can explore some of these, these other rooms. But…we end every conversation with my guests and I sharing their snack. So this is basically anything that you've been loving lately. It can be a book or a podcast, a show, a literal snack, anything you want. So Zoë, what have you been snacking on lately?Zoë Bisbing: I don't know what it says about me, but the two things that are coming to mind, one is a show and one is an actual snack.Laura Thomas: Go on. Go for it. Let's have them both.Zoë Bisbing: The show is Chicago Med.Laura Thomas: Oh, is this like a ER situation?Zoë Bisbing: I think it's an ER situation and I can't even tell you why. I think I just love the actor Oliver Platt so much. He plays this like avuncular psychiatrist and…I can't even say I recommend the show and it was probably not worthwhile that I shared it, but I will say as, like, a very busy working parent. I am really relishing the laying on the couch watching this show and just sort of losing myself into the, like, drama of the doctors and, and all the different medical diagnoses and like there's a psychiatrist that always comes in and there's always some kind of psychiatric episode and I just like really enjoying that as like a pleasure.Laura Thomas: Yeah. Yeah. That sounds…like I was gonna say like a guilty pleasure, but that's not what I mean…Zoë Bisbing: I almost said it too!Laura Thomas: It's your like…Zoë Bisbing: It's like my, it's my play food.Laura Thomas: Yeah! Zoë Bisbing: It's interesting cos I think about that if I…the snack that I'm really enjoying right now, it's like, it does, it has a similar feeling. It's like, it's just really satisfying and comforting. I've recently discovered Chobani yoghurt, like Chobani is a yoghurt.Laura Thomas: Yeah. Yeah. I know that brand. Mm-hmm.Zoë Bisbing: With granola, peanuts and honey.Laura Thomas: Peanuts are so underrated, man. Zoë Bisbing: Peanuts and yoghurt! I mean, it was like a very random choice, but there's something about like the crunch, like the scratch, like there's something texturally going on there with the like, honey sweetness and the tartness of the yogurt. So that and Chicago Med is like how I'm closing my days and it's really restorative.Laura Thomas: That sounds so good. Okay, so just to bring this episode like full circle to some of what we were talking about before…my snack, my thing that I'm very excited about is that, since starting preschool, my three-year-old is not napping. And is going to bed at eight o'clock at night, like consistently for a week, which has literally never happened in three whole years.Zoë Bisbing: So you have a whole evening now.Laura Thomas: Yeah, it feels like I have an eternity. Like he was going to bed at like 10, 11 o'clock every night because his previous childcare was letting him sleep way too long during the dayZoë Bisbing: Oh gosh.Laura Thomas: And it was a whole thing. I am enjoying having some rest and recuperation. And what is so interesting to me is that he was sleeping like 70 minutes during the day and then getting, I don't know, like eight hours at night, maybe a little bit less, but now he's getting more overall sleep than that broken sleep during the day. And it is just..it makes me really angry that our last childcare provider was not listening to us when we were asked to cut the nap. But I will just add this caveat for anyone who's like, oh my God, my kid is not sleeping. Um, he does still wake up. Once a night. So, but I can take it cuz he falls back to sleep and it's fine. But yeah, it like the fact that we have an evening now is revolutionary. All right, Zoe, can you let everybody know where they can find out more about you and your work?Zoë Bisbing: Well, you can head to my new website. www.bodypositivehome.com. And my Instagram. That's where the action is right now. That's @MyBodyPositiveHome.Laura Thomas: I will link to both of those in the show notes so everyone could come and find you and follow your work. And thank you so much for coming on. It was so fun to talk to you.Zoë Bisbing: Same.OUTROLaura Thomas: Thanks so much for listening to the Can I Have Another Snack? podcast. You can support the show by subscribing in your podcast player and leaving a rating and review. And if you want to support the show further and get full access to the Can I Have Another Snack? universe, you can become a paid subscriber.It's just £5 a month or £50 for the year. As well as getting tons of cool perks you help make this work sustainable and we couldn't do it without the support of paying subscribers. Head to laurathomas.substack.com to learn more and sign up today.  Can I Have Another Snack? is hosted by me, Laura Thomas. Our sound engineer is Lucy Dearlove. Fiona Bray formats and schedules all of our posts and makes sure that they're out on time every week. Our funky artwork is by Caitlin Preyser, and the music is by Jason Barkhouse. Thanks so much for listening. ICYMI this week: What (Gentle) TV Are You Watching?* The Truth About Ultra Processed Foods - Part 1* Here's Why You Might Want to Pass On Getting Your Kid Weighed in School* How do you stop diet talk around your kids? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit laurathomas.substack.com/subscribe

Laura Freeman, chief art critic at The Times and author of Ways of Life: Jim Ede and the Kettle's Yard Artists, and Kettle's Yard Director Andrew Nairne take us back to Cambridge in this follow-up to Episode 30 of the Foxed pod. Jim Ede was a man for whom art, books, beauty, friendship and creativity were essential facets of a happy and fulfilled life and, in her acclaimed group biography of Jim and his artists, Laura casts new light on the men and women who gently shaped a new way of making, seeing and living with art for the twentieth century. Laura and Andrew join Slightly Foxed Editors Gail and Hazel at the kitchen table to draw us deeper into Jim and his wife Helen's way of life at Kettle's Yard: a domestic home-cum-gallery where pausing to sit is encouraged and artworks, furniture, ceramics, books and found objects from the natural world live side by side in delicious harmony. We follow Laura upstairs to Helen's sitting-room to meet Constanin Brâncuşi's cement-cast head of the boy Prometheus, we pause in the light-filled Dancer Room to take in Henri Gaudier-Brzeska's bronze ballerina and we pass Barbara Hepworth's strokable slate sculpture Three Personages on the landing before leafing through the bookshelves to discover hand-bound early editions of Virginia Woolf's Orlando and works by Henry James. We hear how Jim believed that art was for everyone and wasn't just for looking at but also for touching, hearing and engaging with: a belief so central to his ethos that he would lend pieces to Cambridge University students to place in their own living spaces.   Books mentioned We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch with Jess in the Slightly Foxed office for more information. Subscribe to Slightly Foxed magazine Laura Freeman, Ways of Life: Jim Ede and the Kettle's Yard Artists (0:55) Virginia Woolf, Orlando (18:30) Henry James, ‘The Great Good Place' (19:46) Richard Cobb, A Classical Education (45:34) Adrian Bell, A Countryman's Summer Notebook (46:00) Lionel Davidson, The Night of Wenceslas (46:15) Lionel Davidson, The Rose of Tibet (46:29) Lionel Davidson, Kolymsky Heights (46:32) Eric Carle, The Very Hungry Caterpillar (48:40) Ann Pratchett, The Dutch House (49:18) Osman Yousefzada, The Go-Between (50:59) Related Slightly Foxed articles & podcast episodes Episode 30 of the Slightly Foxed podcast: Jim Ede's Way of Life Living Art, Mark Haworth-Booth on Jim Ede, A Way of Life: Kettle's Yard, Issue 42 The Pram in the Hall, Laura Freeman on Barbara Hepworth, A Pictorial Autobiography, Issue 69 Russian Roulette, Anne Boston on Lionel Davidson, Kolymsky Heights, Issue 60 High Adventure, Derek Robinson on Lionel Davidson, The Rose of Tibet, Issue 32 Other links Kettle's Yard, Cambridge Jim Ede, A Way of Life: Kettle's Yard is available from the Kettle's Yard shop King Charles, the then Prince of Wales, on Kettle's Yard at their inaugural concert Kettle's Yard House Tour Opening music: Preludio from Violin Partita No.3 in E Major by Bach   The Slightly Foxed Podcast is hosted by Philippa Lamb and produced by Podcastable

I'm at a bit of an inflection point with this podcast. I was lucky enough to launch with a sponsor. I haven't been so fortunate to land with a sponsor for season 2, at least not one that I believe in, but just the same -- I am going forward because I love conducting these interviews -- and sharing them with you! If you would like to support this podcast, there are a few ways that would make a big difference! You could join me at patreon.com/studiojjk for info on exclusive live streams. Or you could purchase autographed books, original art, or even commision art, at Studiojjk.com/shop. Thank you so much!Amongst the literary luminaries I have been blessed to befriend in this writerly life is Eric Carle. It almost feels silly to deliver an introduction for him—is unique style and unmistakable illustrations have become a cornerstone of children's literature. Eric's most famous creation, "The Very Hungry Caterpillar," is a true masterpiece and a cherished book in countless homes and classrooms around the world.I had the opportunity to sit down with Eric in 2012 in the grand hall of The Eric Carle Museum of Picture Book Museum in Amherst, MA. I recently came across this interview on a backup drive and wanted to share it with you. We lost Eric in 2021, but his work and genius will forever be with us.Let's get to know Eric Carle's origin story! Thanks to our monthly supporters Jarrett J. Krosoczka

Welcome to Elevate! In this episode, Tyler Chesser explores the power of going big in real estate and life. Inspired by Steven Kotler's groundbreaking insights, Tyler emphasizes the importance of embracing our innate drive to go big and the negative impact of playing small. Get ready for an action-oriented and inspiring episode. Let's dive in!    ✅ KEY POINTS ✅     ✅ The concept of going big is grounded in the idea that humans are designed to grow and expand.  ✅ Focus on a big vision and goals that resonate with you, not someone else's dream.  ✅ Rinse and repeat by challenging yourself to find a new ceiling that was previously your floor.  ✅ Embrace risk as the ultimate differentiator to achieve above-average returns.  ✅ Take action and make a plan to achieve your goals.  ✅ Consistency, commitment, resiliency, and relentlessness are key to achieving big dreams.  ✅ Going big is a duty and has a ripple effect on others.    LINKS  Keep up with the Elevate Podcast: https://elevatepod.com/  Interested in investing with Tyler? Visit https://www.cfcapllc.com/    FIND TYLER  Facebook: https://www.facebook.com/tyler.chesser1  Twitter: https://twitter.com/thetylerchesser  Instagram: https://www.instagram.com/thetylerchesser/    NAMES, PODCASTS, AND BOOKS  Steven Kotler is Flow: Unlocking Peak Human Performance Podcast: https://elevatepod.com/episodes/episode-132  “The Art of Impossible: A Peak Performance Primer” by Steven Kotler: https://www.amazon.com/Art-Impossible-Peak-Performance-Primer/dp/B087D7QC2Q/ref=sr_1_1?keywords=art+of+impossible+steven+kotler&qid=1685551308&sr=8-1  “Bold: How to Go Big, Make Bank, and Better the World” by Steven Kotler https://www.amazon.com/Bold-audiobook/dp/B00RY8CCRK/ref=sr_1_1?keywords=bold+steven+kotler&qid=1685551365&s=audible&sr=1-1  "Brown Bear, Brown Bear, What Do You See?" By Bill Martin Jr., Eric Carle https://www.amazon.com/Brown-Bear-What-You-See/dp/0805047905/ref=asc_df_0805047905?tag=bingshoppinga-20&linkCode=df0&hvadid=79989525712550&hvnetw=o&hvqmt=e&hvbmt=be&hvdev=c&hvlocint=&hvlocphy=&hvtargid=pla-4583589102286574&psc=1  Dr. Ben Hardy Podcast: https://elevatepod.com/episodes/episode-298  “10x is Easier Than 2x” by Dr. Ben Hardy https://www.amazon.com/10x-Easier-than-World-Class-Entrepreneurs/dp/B0C2J7P6JQ/ref=sr_1_1?keywords=10x+is+Easier+Than+2x&qid=1685551610&s=books&sr=1-1  "Principles" by Ray Dalio https://www.amazon.com/Principles-Ray-Dalio-audiobook/dp/B074B2CZJG/ref=sr_1_1?keywords=%22Principles%22%2C+by+Ray+Dalio&qid=1685551632&s=audible&sr=1-1   

As Bono Vox said in the 1988 film classic “Rattle and Hum,” “I don't mean to bug ya.” Well guess what, we're BUGGING you today as we kick off the Globo-Chem Division. Returning players Kari, Joel, and Susannah will have to contend with the return of Marge Excitable as she raves about pop culture properties whose titles employ the names of insects, arachnids, and other creepy crawlies. But she won't make you groan as much as our recently fired intern Robert, who has completely bungled our audio archives. So our players will hep us to sort through the detritus of the misfiled clips (and we'll give them some points for doing so). Also, I guess a lightning round happened! GUESS WHAT! If you're listening to this on the day it comes out, you have TWO DAYS to join the TGAPCQS Club! If you do, you can attend Taylor's music trivia night live on zoom. It's Wednesday June 14th at 9pm/8pmCT! Hit up Taylor on Discord to suggest songs and categories for full-contact Name That Tune! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

Giuseppe Castellano talks to Ellen Keiter, Chief Curator of The Eric Carle Museum of Picture Book Art, about the life and work of Eric Carle, and the origin story of The Very Hungry Caterpillar; why the curation of illustration may look very different in the very near future; what illustrators should start doing today if they want their work to be in a museum tomorrow; and more.

This week I spoke with my friend Serena Shinault. She suggested a few classes we did together, like Conscious Discipline, plus a great one for nannies who are looking to stay with a family after all the children have started school.  Book recommendations: Sandra Boynton, Eric Carle, and Ruth Heller Class recommendations: Conscious Discipline, Respectful Care, Estate Management Solutions Please check out The SoCal Nanny Convention!  Listen to The Nanny Endorsements each week wherever you get your podcasts! --- Support this podcast: https://podcasters.spotify.com/pod/show/thenannyendorsements/support

One sunny Sunday, the little caterpillar hatched out of a tiny egg. He was VERY hungry! If you'd like to purchase this book so you can read along and look at the amazing illustrations, you can find it here: The Very Hungry Caterpillar If you have a special book request, email us here: ⁠heybigyellowhouse@gmail.com⁠

First time Temu review. Forgot to mention, at the bottom of my bag, was my Eric Carle

Alexandra Kennedy, executive director of The Eric Carle Museum of Picture Book Art in Amherst, Massachusetts, will be stepping down from her post later this year. In her nearly 15 years at The Carle, Kennedy dramatically raised the profile of the Museum, which has become a champion for picture book illustration around the world.

Please enjoy my rendition of "Brown Bear, Brown Bear, What Do You See?", by Bill Martin Jr. and Eric Carle. ⁠⁠Click here to support Can't Stop Won't Stop on Patreon⁠⁠ ⁠⁠Click here to purchase a copy of "Brown Bear, Brown Bear, What Do You See?".⁠⁠ ⁠⁠Click here to follow Can't Stop Won't Stop on Spotify⁠⁠ ⁠⁠Click here to join the email list and hear about new episodes first⁠⁠

It's the small-market show on The MMQB NFL Podcast—or the small-to-mid market show—as Conor and Gary take a trip around the NFL to discuss three QB-centric storylines. First, a refresher course on Desmond Ridder in advance of his first career start, and what to expect in an Arthur Smith offense for the rookie. Also, a discussion of Mariota-gate after a strange couple of days during which he may or may not have left the team following his demotion. Then, trying to figure out what in the world the Cardinals were thinking in regards to their roster-building, Troy Aikman shade, and the disaster it spells if Kyler Murray is going to miss even some of 2023. Finally, it's time to see how the Dolphins offense adjusts to the adjustments. And time to find out just what Tua Tagovailoa does when he's taken out of his comfort zone. Fans of the Eric Carle classic Pancakes, Pancakes! know what we're talking about. Or not. Have a comment, critique or question for a future mailbag? Email themmqb@gmail.com or tweet at @GGramling_SI or @ConorOrrSee omnystudio.com/listener for privacy information.