Podcasts about My Foolish Heart

1. It's Wonderful -Diana Krall 2. Precious -Esperanza Spalding 3. Too Darn Hot (Remastered)-Stacey Kent 4. Why Try to Change Me Now-Fiona Apple 5. Sympathique -Pink Martini 6. My Foolish Heart -椎名林檎 7. Recado -Original Paris Swing 8. Jasmine chen - 摇篮曲cradle song 9. Sunday Kind Of Love- Charles Brown 10. Waltz for Debby- Bill Evans/Monica Zetterlund 11. From The Start- Laufey 12. Comes Love- Andrea Motis/lgnasi Terraza/Joan 13. Jasmine chen- wo yao ni de ai 我要你的爱

This week we have a whopping big episode for you: Part 2 of our look at Samuel Goldwyn Productions, dealing with the 1940s; and, in our Fear and Moviegoing in Toronto segment, brief discussions of three Powell and Pressburgers, kicking off TIFF's May retrospective. For this episode we watched The Little Foxes (directed by William Wyler), The Pride of the Yankees (directed by Sam Wood), The Best Years of Our Lives (Wyler again), and My Foolish Heart (directed by Mark Robson). From scheming capitalists to heroic baseball stars to casting a critical eye on post-WWII America to a grown-up soap opera that defies the Production Code, we consider the legacy of the innovative independent producer who not only hired intellectuals but let them do their thing.  Time Codes: 0h 00m 30s:      THE LITTLE FOXES (1942) [dir. William Wyler] 0h 26m 57s:      THE PRIDE OF THE YANKEES (1942) [dir. Sam Wood] 0h 39m 40s:      THE BEST YEARS OF OUR LIVES (1946) [dir. William Wyler] 1h 01m 00s:      MY FOOLISH HEART (1949) [dir. Mark Robson] 1h 19m 38s:      Fear and Moviegoing in Toronto: The Red Shoes (1948), The Life and Death of Colonel Blimp  (1943) and I Know Where I'm Going  (1945) – all by Michael Powell and Emeric Pressburger +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

This last episode of my ‘best of 2023’ series takes you back in time to re-releases, remastered recordings, or newly discovered vintage recordings. There are a lot of them…and many of them made the critics’ ‘best of’ lists. I start with a never before released recording of Bill Evans Trio playing My Foolish Heart. And…Continue reading Episode 265: Some Recent Historical Releases

Some Other Time (4.42) My Foolish Heart (4.51) But Beautiful (3.36) The Days of Wine and Roses (2.23) 1975 The Touch of Your Lips (3.56) 1975 Waltz for Debby (4.04) Two Lonely People (4.23) Who Can I Turn To (2.24) Bill Evans Again Make Someone Happy (3.49) Dream Dancing (3.44) You Must Believe in Spring (5.46)

Hello, Lit Listeners. If you dig the crazy, down-and-dirty (and deafening), let-it-all-hang out, have-a-nice-day, far out 1970s, you're in for a treat. Music journalist-cum-rock novelist Robert Duncan is here doing double duty as both author and music guru—because why wouldn't he?—and he dishes on some folks whose records are in your collection. You DON'T want to miss this episode! EPISODE HIGHLIGHTS:The blurred lines between the novel ‘Loudmouth' and Robert's real lifeRobert's wild boy big brother—“the original rock ‘n roll guy”—RustyScratch inspections and Robert's friend with a special talent at summer camp (get ready to laugh)Robert and I playing a drinking game on the episode, and the phrase I coined for itRobert having tea with Lester Bangs at MC5's Rob Tyner's houseGetting drunk at Patti Smith's and Allen Lanier's apartment near Washington Square in NYC with Jim Carroll, author of ‘The Basketball Diaries'How Robert became a music journalist and got the job at ‘CREEM'Lester Bangs—and Philip Seymour Hoffman's portrayal of him in ‘Almost Famous'The time Legs McNeil took the last beer from Robert's NYC apartment fridge and Robert and Lester's subsequent fightThe day Lester diedRobert's interactions with various rock stars, including Ron Wood and Keith Richards, Iggy Pop and David Bowie, KISS, Ozzy Osbourne, The Clash, etc.Partying at Liza Minnelli's apartment in NYC with tons of celebritiesDriving around Cleveland with a young Bruce SpringsteenThe tragic genesis of the novel ‘Loudmouth'Robert Duncan's one and only Jimmy Page encounter MUSIC IN THE EPISODE IN ORDER OF APPEARANCE:[No Copyright Music] Retro ‘70s Funky Jazz-Hop Instrumental (Copyright Free) Music—FunkmanThe Beatles—Live at Shea Stadium, New York (August 23, 1966)—cheering“My Foolish Heart” by Bill Evans“I Am A Scientist” by Guided By Voices“Hound Dog” by Elvis Presley“Hello Muddah, Hello Fadduh!” by Allan Sherman“I Touch Myself” by the Divinyls“I Wanna Be Your Dog” by The Stooges‘Metal Machine Music' by Lou Reed“Holy Ghost” by Albert Ayler“Breathe On Me” by The New Barbarians, live 1979 Washington, DC“Detroit Rock City” by KISS“Upside Down” by Diana Ross“The River” by Bruce SpringsteenClip of Jimmy Page talking to Robert Duncan“Tommy's Holiday Camp” by The Who“Rock and Roll Radio” by The Ramones LINKS: Robert Duncan's website, https://www.duncanwrites.com/Robert Duncan on Twitter, @robertduncansfRobert Duncan on Instagram, @rduncansfRobert Duncan on Mastodon, @Rduncan@newsie.social Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/Christy Alexander Hallberg on Twitter, @ChristyHallbergChristy Alexander Hallberg on Instagram, @christyhallbergChristy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag

Hello, Lit Listeners. If you dig the crazy, down-and-dirty (and deafening), let-it-all-hang out, have-a-nice-day, far out 1970s, you're in for a treat. Music journalist-cum-rock novelist Robert Duncan is here doing double duty as both author and music guru—because why wouldn't he?—and he dishes on some folks whose records are in your collection. You DON'T want to miss this episode!   EPISODE HIGHLIGHTS: The blurred lines between the novel ‘Loudmouth' and Robert's real life Robert's wild boy big brother—“the original rock ‘n roll guy”—Rusty Scratch inspections and Robert's friend with a special talent at summer camp (get ready to laugh) Robert and I playing a drinking game on the episode, and the phrase I coined for it Robert having tea with Lester Bangs at MC5's Rob Tyner's house Getting drunk at Patti Smith's and Allen Lanier's apartment near Washington Square in NYC with Jim Carroll, author of ‘The Basketball Diaries' How Robert became a music journalist and got the job at ‘CREEM' Lester Bangs—and Philip Seymour Hoffman's portrayal of him in ‘Almost Famous' The time Legs McNeil took the last beer from Robert's NYC apartment fridge and Robert and Lester's subsequent fight The day Lester died Robert's interactions with various rock stars, including Ron Wood and Keith Richards, Iggy Pop and David Bowie, KISS, Ozzy Osbourne, The Clash, etc. Partying at Liza Minnelli's apartment in NYC with tons of celebrities Driving around Cleveland with a young Bruce Springsteen The tragic genesis of the novel ‘Loudmouth' Robert Duncan's one and only Jimmy Page encounter   MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: [No Copyright Music] Retro ‘70s Funky Jazz-Hop Instrumental (Copyright Free) Music—Funkman The Beatles—Live at Shea Stadium, New York (August 23, 1966)—cheering  “My Foolish Heart” by Bill Evans “I Am A Scientist” by Guided By Voices “Hound Dog” by Elvis Presley “Hello Muddah, Hello Fadduh!” by Allan Sherman “I Touch Myself” by the Divinyls “I Wanna Be Your Dog” by The Stooges ‘Metal Machine Music' by Lou Reed “Holy Ghost” by Albert Ayler “Breathe On Me” by The New Barbarians, live 1979 Washington, DC “Detroit Rock City” by KISS “Upside Down” by Diana Ross “The River” by Bruce Springsteen Clip of Jimmy Page talking to Robert Duncan “Tommy's Holiday Camp” by The Who “Rock and Roll Radio” by The Ramones   LINKS:  Robert Duncan's website, https://www.duncanwrites.com/ Robert Duncan on Twitter, @robertduncansf Robert Duncan on Instagram, @rduncansf Robert Duncan on Mastodon, @Rduncan@newsie.social   Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, @ChristyHallberg Christy Alexander Hallberg on Instagram, @christyhallberg Christy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag Learn more about your ad choices. Visit megaphone.fm/adchoices

//主播 Ricky Brad //嘉宾 Danni //题图&文案 Ricky Hello 大家好 欢迎收听离谱电台Out Of Tune，这期我们再次请到我们base在日本的乐迷/OL/新晋鼓手Danni和我们一起聊自己喜欢和想跟大家分享的日本宝藏乐队。 提到日本音乐，除了日本文化输出主力军--动漫相关音乐，日本其他的音乐也一直是一个生机勃勃的场景：既在不断汲取西洋音乐野蛮生长，同时也在不断产出，涌现出一代又一代杰出的音乐制作人，歌手，器乐演奏家等等。不光在8090年代滋养了港台流行乐坛，为华语音乐带来了新的方向和启蒙；时至今日，仍然不断有新的乐队涌现出来，把他们理解的音乐用他们的方式解构，重组，演绎出独特的风格，让人一听都会有：”唉这一定是日本的音乐吧”，但又说不出来为什么的感觉。 从是一群2002年出生的20岁学生组成的Chilldspot，红得发紫却独树一帜的King Gnu，到在《花束般的恋爱》中串起男主女主的蘑菇帝国，老牌爵士乐队Soil & Pimp Sessions，再到Neo-City Pop代表当代奇异摇滚交响乐队(Cero)， 前卫摇滚乐队摇摆帝国，以及一些小众新星Penguin Rush， American Dream Express等等，跟我们一起来发掘这些宝藏乐队吧！ 预警！ 44:12处有关于电影《花束般的恋爱》剧透成分，请根据个人情况决定听还是不听！ //歌曲 Songs Intro: 国道スロープ - きのこ帝国 （蘑菇帝国） 06:53 Summer Soul - Cero 15:31 夜の探検 - Chilldspot 21:30 Music - Chilldspot feat. LINION 25:35 Weekender - Chilldspot 30:54 Hold Me - Chilldspot 39:01 三文小説 - King Gnu 46:08 クロノスタシス - きのこ帝国 52:15 桜が咲く前に - きのこ帝国 55:49 明日にはすべてが終わるとして - きのこ帝国 01:05:01 つぎの夜へ(Into The Next Night) - ゆらゆら帝国 01:08:13 イエスタデイ・ワンス・モア (1998-2004) - ゆらゆら帝国 01:12:55 Pure love - AMERICAN DREAM EXPRESS 01:19:38 本音 - Penguin Rush 01:23:37 高鳴り - ペンギンラッシュ 01:30:50 My Foolish Heart ~crazy in mind~ - SOIL& PIMP SESSIONS 01:32:19 My Foolish Heart ~crazy on earth~ - SOIL& PIMP SESSIONS feat. 椎名林檎 01:37:50 希望の唄 - Ultratower 01:43:22 MAKE L - きのこ帝国 Enjoy. 欢迎扫码添加小助手进群 XD 我们推荐大家使用包括苹果播客Apple Podcast, 小宇宙，Spotify等在内的泛用型播客应用订阅收听我们的节目，我们也会陆续上线其他平台。大家同样可以通过搜索或者编辑-URL添加节目-粘贴我们的RSS链接来添加。也欢迎大家订阅我们的微信公众号lipuoutoftune，在各个平台给我们留言，和我们交流。 RSS feed: https://outoftune.typlog.io/episodes/feed.xml //联系方式 Contact: 微博：离谱OutOfTune 微信公众号：离谱OutOfTune (lipuoutoftune) 邮箱：lipu.outoftune@gmail.com Later.

This week on And the Runner-Up Is, Kevin welcomes Fritz, of Fritz and the Oscars, to discuss the 1949 Oscar race for Best Actress, where Olivia de Havilland won for her performance in "The Heiress," beating Jeanne Crain in "Pinky," Susan Hayward in "My Foolish Heart," Deborah Kerr in "Edward, My Son," and Loretta Young in "Come to the Stable." We discuss all of these nominated performances and determine who we think was the runner-up to de Havilland. 0:00 - 11:09 - Introduction 11:10 - 36:42 - Jeanne Crain 36:43 - 55:12 - Susan Hayward 55:13 - 1:21:59 - Deborah Kerr 1:22:00 - 1:43:29 - Loretta Young 1:43:30 - 2:06:21 - Olivia de Havilland 2:06:22 - 2:28:24 - Why Olivia de Havilland won / Twitter questions 2:28:25 - 2:34:27 - Who was the runner-up? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Fritz on Twitter and YouTube Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Shades of the Same Color Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf David Hillyard & The Rocksteady Seven. “The Fool.” Playtime. Hellcat Records, 1999. CD. LP. Impalas, The. “Fool, Fool, Fool.” Sorry (I Ran All The Way Home)/Fool, Fool, Fool. MGM Records, 1959. 7” Record. Martha & The Vandellas. “Love (Makes Me Do Foolish Things).” You've Been In Love Too Long/Love (Makes Me Do Foolish Things). Gordy Records, 1965. 7” Record. Slim & Paulette. “Love Makes Me Do Foolish Things.” Trojan Reggae Duets Box Set. Trojan Records, 2004. 3CD. LP. Bill Evans Trio. “My Foolish Heart.” Waltz for Debby. Riverside Records, 2011. Vinyl. LP. Hepcat. “The Fool.” Scientific. Better Youth Organization, 1996. Vinyl. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

Новый альбом A Change Is Gonna Come - Грядущие перемены включает в себя семь замечательных произведений пианиста Bill O'Connell, который прославился мастерством в области латиноамериканского джаза начав свою деятельность в 1977 году, как участник Mongo Santamaria Latin Jazz Band. Первый трек пренадлежит John Coltrane, а титульную композицию написал и пел Sam Cooke и завершает альбом всем хорошо известный хит Моё глупое сердце - My Foolish Heart, который пели Tony Bennett, Frank Sinatra, Rod Stewart… В зажигательных композициях слышны разочарование, гнев и горе из-за медицинских, расовых, экономических и политических беспорядков. Альбом охватывает весь спектр ритмов и эмоций, множество прекрасных моментов, которыми можно наслаждаться на каждом шагу, поскольку он безупречно исполнен. Я смотрю на записи таким образом: каждая из них - это моментальный снимок того, что я чувствую в данный конкретный период моей жизни… Каждая песня отражает разные чувства в определенный момент, - сказал лидер. Bill O'Connell - Piano & Fender Rhodes Craig Handy - Tenor & Soprano Sax Lincoln Goines - Acoustic & Electric Bass Steve Jordan - Drums Pedrito Martinez - Percussion #contemporaryjazz --- Send in a voice message: https://anchor.fm/konstantins/message

Songs include: My Foolish Heart, Heart and Soul, I'm Gonna Lock My Heart, Cold, Cold Heart, Deep In the Heart of Texas & My Heart Belongs to Daddy. Performers include: Billie Holiday, Mary Martin, Billy Ecksteine, Larry Clinton, Hank Williams, Bing Crosby, Buddy Clark and Dinah Shore.

Johnny Hates Jazz with Clark Datchler in conversation with David Eastaugh  In April 1986, Datchler, Nocito and Hayes released the first Johnny Hates Jazz single, "Me and My Foolish Heart", on RAK Records.[9] It was not a commercial success, but gained substantial airplay and was Sounds magazine's record of the week.[citation needed] Datchler began writing new songs which included "Shattered Dreams". JHJ then performed a showcase at Ronnie Scott's Jazz Club, and were subsequently signed to Virgin Records. "Shattered Dreams" was released in March 1987 and became a top 5 hit in the UK, throughout mainland Europe and Asia, and reached No. 2 in Japan. It was followed by three other worldwide hits, "I Don't Want to Be a Hero", "Turn Back the Clock" (featuring Kim Wilde on backing vocals) and "Heart of Gold". In 1988, "Shattered Dreams" reached No. 2 on the US Billboard Hot 100, No. 1 on the US Adult Contemporary chart, and climbed to No. 4 in Canada. That same year, their album Turn Back the Clock entered the UK Albums Chart at No. 1, selling four million copies.

THE ORIGIN OF THIS MUSIC:Created by Gibbs Williams  It is hard to believe it has been decades since I graduated from Miami Beach Senior High School. It is even harder to believe that I received an invitation to attend the 65th reunion. Unfortunately, with the covid pandemic still in the air, although vaccinated, I thought it prudent better to pass up this event hoping conditions fare more salutary for the 70th. Although disappointed I would miss the reunion I was struck by a wave of pleasurable nostalgia.           Recalling those the best of those glorious days I remember the feelings of the cool Miami Beach breezes enveloping us on our weekly Friday night dances in the patio of our high school. All who attended seemed hypnotized with feelings of a pervasive feeling of at-one-ment in which we collectively bathed in what was then and even now experienced as our own unique mixture of heroin- like- atmosphere. This natural high was experienced by many of us as nothing short of pure unadulterated nostalgia. Nostalgia then and now was like our living in a collective commune protecting us from what probably would have been experienced as overwhelming normal adolescent pain if we had been open to feeling it.  I was especially nostalgic remembering my self and four other guys daring to form a small combo good enough to play at all of the school dances. We even played well enough that every New Years Eve a Miami Beach Hotel hired us to perform. Our Small combo consisted of Drums (Marvin Guccion), Bass (John Schaffer), Trombone (Peter Weill), Trumpet (Kenny Kupper) and Piano (Gibbs Williams). Unknowingly we had no knowledge that we were on the cutting edge of what would soon be an explosion of worldwide bands.           In is in this memorable context that I wish to share an album of some of those unforgettable songs which best seem to celebrate the richness not only of those glorious days from the 9th to the 12th grade, but all the years that have too quickly passed - as well as the years that are yet to come. It is unfortunate that we never recorded our iconic sounds. The best I can offer with the goal in mind of capturing the sounds we made are my original arrangements made on my Yamaha synthesizer. The songs we played were standards from the forties and fifties. I have titled this compilation Nostalgia.                                "NOSTALGIA" -  65 th REUNION - MIAMI BEACH HIGH SCHOOL - CLASS of 55 Moon Over Miami , Ebb Tide, Star Dust, It Might As Well Be Spring, Teguilla, The Hucklebuck, Five Foot Two, Somewhere Along the Way, Im In The Mood For Love, Again, Blue Moon, Miami Beach Rhumba, Because of You, Rock Around the Clock, Down By The Riverside, Tammy's In Love, Where Is Your Heart, Don't Blame Me, If I Loved You, I'll Take Manhattan, The Man I Love, A Secret Love, Autumn Leaves, Summer Time, Mona LIsa, Take the A Train,Perfidia, It's No Sin, It Had To Be You, For Me And My Gal, Thrill Me, You're Just In Love, Yellow Bird, Canadian Sunset, A Taste Of Honey, Too Young, Saint Louis Blues, My Foolish Heart, You Belong To Me, Sleepy Time Gal, Body and Soul, The Nearness Of You, Misty, Sweet Georgia Brown, Blue Skies, Tenderly, Some Enchanted Evening, Bali High, Bewitched, Once Upon A Time, As Time Time Goes By, Aways, Fight Song Of The Miami Beach Hight Marching Band A and B.       I know all was not perfect then as we were all struggling to survive adolescence so those days were hardly always serene. Yet, there was, and still is for me and I imagine for many of my class mates, a certain undeniable 'specialness' about our class which for many of us still acts like a permanent magnet pulling us back again and again to re-unite.       As for me, if we had been recognized as ground-breaking I am certain our lives at least vocationally would have taken a much different route. However, I can honestly say that I am happy to being a still practicing psychoanalyst in New York City - a happily married husband and father having started our own dynasty of four grandchildren. 

THE ORIGIN OF THIS MUSIC:Created by Gibbs Williams  It is hard to believe it has been decades since I graduated from Miami Beach Senior High School. It is even harder to believe that I received an invitation to attend the 65th reunion. Unfortunately, with the covid pandemic still in the air, although vaccinated, I thought it prudent better to pass up this event hoping conditions fare more salutary for the 70th. Although disappointed I would miss the reunion I was struck by a wave of pleasurable nostalgia.           Recalling those the best of those glorious days I remember the feelings of the cool Miami Beach breezes enveloping us on our weekly Friday night dances in the patio of our high school. All who attended seemed hypnotized with feelings of a pervasive feeling of at-one-ment in which we collectively bathed in what was then and even now experienced as our own unique mixture of heroin- like- atmosphere. This natural high was experienced by many of us as nothing short of pure unadulterated nostalgia. Nostalgia then and now was like our living in a collective commune protecting us from what probably would have been experienced as overwhelming normal adolescent pain if we had been open to feeling it.  I was especially nostalgic remembering my self and four other guys daring to form a small combo good enough to play at all of the school dances. We even played well enough that every New Years Eve a Miami Beach Hotel hired us to perform. Our Small combo consisted of Drums (Marvin Guccion), Bass (John Schaffer), Trombone (Peter Weill), Trumpet (Kenny Kupper) and Piano (Gibbs Williams). Unknowingly we had no knowledge that we were on the cutting edge of what would soon be an explosion of worldwide bands.           In is in this memorable context that I wish to share an album of some of those unforgettable songs which best seem to celebrate the richness not only of those glorious days from the 9th to the 12th grade, but all the years that have too quickly passed - as well as the years that are yet to come. It is unfortunate that we never recorded our iconic sounds. The best I can offer with the goal in mind of capturing the sounds we made are my original arrangements made on my Yamaha synthesizer. The songs we played were standards from the forties and fifties. I have titled this compilation Nostalgia.                                "NOSTALGIA" -  65 th REUNION - MIAMI BEACH HIGH SCHOOL - CLASS of 55Album1 Moon Over Miami , Ebb Tide, Star Dust, It Might As Well Be Spring, Teguilla, The Hucklebuck, Five Foot Two, Somewhere Along the Way, Im In The Mood For Love, Again, Blue Moon, Miami Beach Rhumba, Because of You, Rock Around the Clock, Down By The Riverside, Tammy's In Love, Where Is Your Heart, Don't Blame Me, If I Loved You, I'll Take Manhattan, The Man I Love, A Secret Love, Autumn Leaves, Summer Time, Mona LIsa, Take the A Train, Album 2Perfidia, It's No Sin, It Had To Be You, For Me And My Gal, Thrill Me, You're Just In Love, Yellow Bird, Canadian Sunset, A Taste Of Honey, Too Young, Saint Louis Blues, My Foolish Heart, You Belong To Me, Sleepy Time Gal, Body and Soul, The Nearness Of You, Misty, Sweet Georgia Brown, Blue Skies, Tenderly, Some Enchanted Evening, Bali High, Bewitched, Once Upon A Time, As Time Time Goes By, Aways, Fight Song Of The Miami Beach Hight Marching Band A and B.       I know all was not perfect then as we were all struggling to survive adolescence so those days were hardly always serene. Yet, there was, and still is for me and I imagine for many of my class mates, a certain undeniable 'specialness' about our class which for many of us still acts like a permanent magnet pulling us back again and again to re-unite.       As for me, if we had been recognized as ground-breaking I am certain our lives at least vocationally would have taken a much different route. However, I can honestly say that I am happy to being a still practicing psychoanalyst in New York City - a happily married husband and father having started our own dynasty of four grandchildren. 

Our alternate version of My Foolish Heart with pianist Bruce Pedalty. We played in a band that worked nightly at the Red Baron in Minneapolis for many weeks (or was it months?). That was in the 1960's so how do you expect me to remember.

My Foolish Heart by Music: randulo

Episodio #14 Del Podcast tus Notas Musicales, La Música, El Lenguaje de la expectación, el Podcast que esta revolucionando la manera de entender la música, en este episodio hablamos de manera muy generalizada sobre el fenómeno psicológico de la expectación, tratando de aproximarnos a un entendimiento en lo que respecta a su efecto sobre la apreciación musical, entre chistes y estudios científicos, Tocamos la superficie que en los últimos 50 años se ha vuelto tan importante en el entender del arte.Esta primera pero cercana aproximación intenta concluye con un tema musical, Si señores hay tema al final del día de hoy, esta todo estuvo a cargo de Hector Mendoza, quien lanza este sencillo, que es un estándar de piano jazz, "My Foolish Heart"es el tema de la película del mismo nombre de 1949, con música de Victor Young, inmediatamente se volvió popular y hasta ahora siguen apareciendo versiones del mismo, si quieres saber mas del contexto no te pierdas el episodio. Hector Mendoza: @h3cm3nCarlos Laguna: @carloslagunabassJose Luis Izaguirre: @joseluisclarinetteJose Luis Alcalde: @alcaldeviolin 

STANDARD SEMANAL.- “My Foolish Heart”.-JAZZ RECUERDO ANIVERSARIO.- Eddie 'Lockjaw' Davis - Cookbook Vol.2 .-JAZZ ACTUALIDAD .- “20 sedajazz 20”. PROG.Nº 653.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “My Foolish Heart” JAZZ RECUERDO ANIVERSARIO.- Eddie 'Lockjaw' Davis - Cookbook Vol.2 es un álbum del saxofonista Eddie "Lockjaw" Davis con el organista Shirley Scott y el flautista Jerome Richardson grabado en 1958 para el sello Prestige . El álbum fue el segundo de los populares volúmenes de "Cookbook" de Davis en ser lanzado. 1. "The Rev"- 9:00 2. " Stardust " ( Hoagy Carmichael , Mitchell Parish ) - 6:40 3. "Skillet" - 8:30 4. " I Surrender Dear " ( Harry Barris , Gordon Clifford ) - 5:25 5. "The Broilers" - 4:58 6. " Willow Weep for Me " ( Ann Ronell ) - 4:36 Bonus track on CD reissue Personnel • Eddie "Lockjaw" Davis - tenor saxophone • Shirley Scott - organ • Jerome Richardson - flute (tracks 1-5) • George Duvivier - bass • Arthur Edgehill - drums JAZZ ACTUALIDAD .- “Esta semana tendremos un disco de varios músicos de la discográfica Sedajazz llamado “20 sedajazz 20”.

On this weeks Episode is Actor/Musician Steve Wall. Steve recently finished filming a major role in 'Raised by Wolves', a new series with Ridley Scott at the helm, set to air sometime in 2020 on HBO Max. He has also just wrapped filming on 'The South Westerlies', an Irish comedy-drama with Dublin-based Deadpan Pictures, alongside ZDF Enterprises, TV2 Norway and in association with Screen Ireland. Prior to that, he completed filming The Witcher for Netflix playing the role of 'Boholt' and he can also be seen in the new HBO/Cinemax series 'Warrior' which began it's run in April 2019, in which he plays the bounty hunter Gresham. He has received rave reviews for his recent portrayal of the legendary jazz musician Chet Baker in 'My Foolish Heart', a film about Chet's final days in Amsterdam in 1988. It received its world premiere in September 2018 at the Dutch International Film Festival. In 'Vikings' he played the scheming Einar in seasons two, three and four. His other credits include: the role of Detective Coleman in the major RTE drama series 'Rebellion' set against the backdrop of Ireland's 1916 Easter Rising. He played the smooth baddie Dominic Fitzroy in the first two episodes of season three of the global crime drama 'Crossing Lines' starring Donald Sutherland. For the BBC he completed 'Silent Witness', aired in January 2015, in which he played a major role. Steve landed a significant, recurring role as Danny Moone in all three series of the Chris O'Dowd comedy 'Moone Boy' for Sky TV and in Sept 2015 he won Best Actor in a Leading Role at the San Diego Horror Film Festival for his role as Peter in the short film 'Ghost Train' (2013). In the summer of 2016 he played the edgy character Liam in the multi-award-winning short 'Gridlock' for which he was nominated best supporting actor in the Irish Underground Cinema festival 2017. The same year also saw the release of Dennis Bartok's hospital horror 'Nails' in which Steve starred alongside Shauna MacDonald (The Descent). He was back on set with 'Ghost Train' director Lee Cronin playing a role in the latter's acclaimed first feature 'The Hole in the Ground' which premiered at Sundance 2019. Steve is also a multi-platinum selling musician, singer and songwriter with legendary Irish bands The Walls and The Stunning. We have been working hard to develop a shoot and screen festival to raise awareness of homelessness in Ireland in partnership with The Virgin Media Dublin Film Festival, Dublin Business School, Wildcard Distribution and the Headstuff Podcast Network. Information here, THIS WEEKEND. Please share/Attend/donate. WE NEED YOUR HELP. We will also be podcasting throughout the weekend on site at DBS near Grafton Street. FNI 20/20 vision. Supporting The Peter McFerry Trust. https://www.eventbrite.com/e/84400864257 We also have our end of year party in Temple Bar on the 19th of December to round off the year.  Die Hard:Christmas Party Harder. All welcome.  https://www.eventbrite.com/e/81312555041 Learn more about your ad choices. Visit megaphone.fm/adchoices

Crazy performed by Patsy Cline & My Foolish Heart performed by Sam Cooke

Gary welcomes director Jonathan Berry and actor Jessica Dean Turner from the new hit play Red Rex to the Booth today. Written by Ike Holter as the newest in his Rightlynd series of plays, Red Rex is is receiving a world premiere by Steep Theatre and is being presented in their 55-seat space at 1115 W. Berwyn through March 30. Gary called it "one of the most moving, thought-provoking and beautifully produced plays he's seen in many a season." The production is about members of a Chicago storefront theater company who are working on a new play being presented by a Chicago storefront theater company. Jonathan discusses the meta nature of directing this project at Steep, where he's been an ensemble member for many years, having directed there since 2007. Jon describes one of the themes of the play: "The theatre community can create its own center of focus, obscuring, entirely, the actual world just outside the door." Jonathan and Jessica talk about the play's other themes, including equity and inclusion, inadvertent and subtle acts of racism, shining a light on the pretentiousness of some creative processes, and the deep humor and humanity with which Ike Holter treats each of his characters. It's a discussion that will make you want to run, don't walk, to the see Red Rex at the Steep. Jessica talks about her theatre training in the very intensive program at the University of Illinois - Urbana, and how the rigorous nature of the program prepared her for the life of a working actor. As a non-Equity actor striving to make a career in the burgeoning off-Loop theatre scene, Jessica is frank in her assessment of the challenges and struggles that entails. The commutes are long, the pay is low, and the competition is steep(!) But Jonathan and Jessica both emphasize what most audiences already know - the Chicago style of acting exemplifies a fierceness and passion fueled by the daily grind that is the nature of a life in the theatre. Gary offers a play idea with the news story of 183 Amtrak passengers stranded for 37 hours in a snowstorm in the Oregon wilderness. Jonathan has been on plenty of delayed Amtrak trips and describes the mounting stress among the passengers as "a Lord of the Flies mentality." The dramatic possibilities are endless! Jessica also teaches at the Chicago High School for the Arts (ChiArts), training young performers. ChiArts is a public 4–year college preparatory visual and performing arts high school located in the Humboldt Park neighborhood. Operated by the Chicago Public Schools district, the school opened for the 2009–10 school year. She's also worked as an actor-patient at Northwestern Medical School where she helped train doctors to treat a variety of conditions and symptoms. A great acting exercise. Kiss of Death: Ethel Ennis - Celebrated Singer Who Walked Away from Fame: Ms. Ennis was a highly respected jazz singer in the 1950s and 60s. Ella Fitzgerald stated that Ms. Ennis was her favorite young vocalist, and Frank Sinatra called her "my kind of singer". But Ethel grew disillusioned with the demands placed on young divas, and she eschewed national celebrity for a quieter life in her hometown of Baltimore, where she earned the unofficial title of Baltimore's "First Lady of Jazz." Ethel Ennis was 86. Read the full NYTimes obit here. Check out her beautiful rendition of My Foolish Heart on YouTube.      

Kvartett Charlie Haden leikur lögin Body and Soul, Passion Flower, My Foolish Heart, Hermitage, Bay City og The Blessing. Tríó Red Garland leikur lögi Second Time Around, You'd Better Go Now, On A Clear Day, It's Alright With Me, I Wish I Knew og Going Home. Hljómsveit Kaspers Villume leikur lögin Blame It On My Youth, All The Things You Are, My Man's Gone Now, The Speedmaster, Song og Bubbles.

Kvartett Charlie Haden leikur lögin Body and Soul, Passion Flower, My Foolish Heart, Hermitage, Bay City og The Blessing. Tríó Red Garland leikur lögi Second Time Around, You'd Better Go Now, On A Clear Day, It's Alright With Me, I Wish I Knew og Going Home. Hljómsveit Kaspers Villume leikur lögin Blame It On My Youth, All The Things You Are, My Man's Gone Now, The Speedmaster, Song og Bubbles.

Tómas R. Einarsson og Eyþór Gunnarsson leika lögin Vangadans, Hólar, Innst inni, Gil, Bláir eru Dalir mínir og Vínarvals handa Eyþóri. Árni Egilsson og kvartett hans leika lögin Sigrún, Stella By Starlight, Body and Soul, I Rembember Clifford, I Love You og My Funny Valentine. Kvartett Charlie Haden leikur lögin Taney County, Bay City, The Passion Flower, The Blessing, My Foolish Heart og Hermitage. Atle Hammer og sextett leika lagið Arizona Blue.

Tómas R. Einarsson og Eyþór Gunnarsson leika lögin Vangadans, Hólar, Innst inni, Gil, Bláir eru Dalir mínir og Vínarvals handa Eyþóri. Árni Egilsson og kvartett hans leika lögin Sigrún, Stella By Starlight, Body and Soul, I Rembember Clifford, I Love You og My Funny Valentine. Kvartett Charlie Haden leikur lögin Taney County, Bay City, The Passion Flower, The Blessing, My Foolish Heart og Hermitage. Atle Hammer og sextett leika lagið Arizona Blue.

Stína Ágúst syngur sex erlend lög við íslenska texta sem hún samdi sjálf: Vísa um veginn, sænskt þjóðlag, Kysstu mig að morgni eftir George Gershwin, Ég veit þú hugsar um mig eftir Jimmy McHugh, Hver vill ást eftir Cole Porter, Fargan eftir Charlie Parker og Vesen eftir Olle Adolphson. ASA tríóið flytur fimm lög: Stuð og Newsong eftir Agnar Má Magnússon, What Was I Thinking? og It's Alright eftir Scott McLemore og MC Lemúr eftir Andrés Þór Gunnlaugsson. Charlie Haden kvartettinn flytur lögin: Body and Soul eftir Johnny Green, Robert Sour og Edward Heyman, The Blessing eftir Ornette Coleman, Hermitage eftir Pat Metheny, My Foolish Heart eftir Victor Young og Ned Washington, Bay City eftir Charlie Haden og Passion Flower eftir Billy Strayhorn.

Stína Ágúst syngur sex erlend lög við íslenska texta sem hún samdi sjálf: Vísa um veginn, sænskt þjóðlag, Kysstu mig að morgni eftir George Gershwin, Ég veit þú hugsar um mig eftir Jimmy McHugh, Hver vill ást eftir Cole Porter, Fargan eftir Charlie Parker og Vesen eftir Olle Adolphson. ASA tríóið flytur fimm lög: Stuð og Newsong eftir Agnar Má Magnússon, What Was I Thinking? og It's Alright eftir Scott McLemore og MC Lemúr eftir Andrés Þór Gunnlaugsson. Charlie Haden kvartettinn flytur lögin: Body and Soul eftir Johnny Green, Robert Sour og Edward Heyman, The Blessing eftir Ornette Coleman, Hermitage eftir Pat Metheny, My Foolish Heart eftir Victor Young og Ned Washington, Bay City eftir Charlie Haden og Passion Flower eftir Billy Strayhorn.

Artist - Tune - Album Ramsey Lewis - Les Fleur - Maiden Voyage Marion Brown - Maimoun - Vista Chuck Mangione with Esther Satterfield - Soft - Chase the Clouds Away Ralph Towner & Gary Burton - Drifting Petals - Match Book Art Ensemble of Chicago - Joro - The Paris Session Dianne Schuur - Cry Me A River - Talkin ‘Bout You Clarence Wheeler & The Enforcers - The Heebie Jeebie Dance - The Love I’ve Been Looking For Charlie Haden with Keith Jarrett - Ellen David - Closeness Duets Rufus featuring Chaka Khan - Your Smile - Rufusized Horace Silver - Sanctimonious Sam - Sterling Silver Stanley Jordan - ‘Round Midnight - Magic Touch Dionne Warwick - Checkout Time - Very Dionne McCoy Tyner - For Tomorrow - Inner Voices Jay Hoggard - Ruby, My Dear - Overview Alice Coltrane - Journey to Satchidananda - Journey to Satchidananda Joe Bonner - Angel Eyes - Angel Eyes John McLaughlin - My Foolish Heart - Electric Guitarist Fats Waller - Sweet And Slow - Giants of Jazz - Fats Waller Stevie Wonder - Superwoman - Music Of My Mind For playlists from all past Sets, please visit jazzgumbo.blogspot.ca The time I spent in the studio recording and live streaming this set was a sweet and slow evening for sure. I’m grateful that I forgot the iPod at home and had to stick entirely to vinyl. It happens that I’d carried in a few more albums than usual that night, and played from almost all of them. Forgive me that some of the tracks are pretty scratchy. I’ve had some of these albums for decades, and the scratches are almost like the scratches on me – markers of a passage through life, time and perspective, and all that they’ve encompassed. The scratchiest of these tunes, the first and last, the Ramsey Lewis and the Stevie Wonder, are from probably the first twenty or so albums I ever bought, years before I started taking care of them. I also think that these are among the best tunes in the set. Ramsey Lewis has never gotten his due, so far as I’m concerned. He’s a masterful pianist, with a style that can be funky, churchy and bluesy. And the composition, “Les Fleur” or “The Flowers” by another over-looked artist, Charles Stepney, casts a hauntingly beautiful mood. “Music of My Mind” was an extraordinary offering from Stevie Wonder, following closely on the heels of Marvin Gaye’s “What’s Going On” – two early 70’s albums that broke new ground as expressions of individual, musical visions. Not only did Wonder write and produce the entire album. He also – with the exception of two solos – plays all of the instruments. Other Set standouts include McLaughlin’s take on “My Foolish Heart” and the magnificent “For Tomorrow” from McCoy Tyner. Then, there’s Dionne Warwick with the lush and orchestral Bacharach/David tune “Check Out Time”. And if I were to pick out five more favorites, they’d be just great as these five! Thrive! Kirby Obsidian

00:00 ROBERT COYNE with JAKI LIEBEZEIT, White Residue, da The Obscure Department 03:27 MARTY EHRLICH LARGE ENSEMBLE, A Trumpet In The Morning, da A Trumpet In The Morning 09:17 STEPHEN VITIELLO + MOLLY BERG,Easy Travel, da Between You and the Shapes You Take 15:49 MICHAEL THIEKE UNUNUNIUM, Dear Betty Baby, da Nachtlieder 20:18 RALPH ALESSI, In-Flight Entertainment, da Baida 24:43 FELIX KUBIN mit MITCH & MITCH, Horizontal Rain, da Bakterien & Batterien 27:17 MARGARETH KAMMERER, My Foolish Heart, da Why Is The Sea So Blue 31:15 FAMILY FODDER, Cerf Volant, da Monkey Banana Kitchen 36:06 TUNE-YARDS/AHMIR ?UESTLOVE THOMPSON/ANGÉLIQUE KIDJO & AKUA NARU, Lady, da Red Hot + Fela 41:19 GROUP DOUEH, Beyt Kar Labyad, da Hassānīya Music From The Western Sahara And Mauritania

Paul Whiteman with the Swan Quartet singing, Gay Ranchero, opens the show. Gracie is in the kitchen, talking to Martha the cook. Their conversation is interupted by a phone call for Gracie. She talks to Bessy about George, and Christmas gifts. Next, she has to deal with Herman the Duck about eating his veggies, and growing big muscles.   Bill Goodwin and Jimmy Cash stop in on their way to mail some Christmas packags. Herman is still poking around his lunch, and gets sent to his room. When George comes in, Gracie tells him about the new maid, and has the same trouble as Herman when it comes to eating lunch. Jimmy Cash sings, My Foolish Heart and I.   George and Gracie stand in line at the Post Office to mail some Christmas packages. Hey, maybe another line might move faster? George keeps moving to the back of the line as Gracie finds the supervisor. In her quest, Gracie puts in a plug to buy War bonds.   As Gracie and Bill try to help, George keeps finding himself at the back of the lines. Paul Whiteman plays a nice dance tune.   After the big adventure, George and Gracie are back home. Gracie would give his muscles a rub down, if she could find them. They get visited by a couple of odd neighbors, and George finds out why those Christmas packages were so heavy.   Bonus Tracks: Joe Cohen. March of Santa Claus. Jimmy Durante. Frosty the Snowman

The standard My Foolish Heart from 1949 is analysed according to the method. The form is ABAC, but the chords are more complex than songs looked at to date. The metaview is discussed before the actual bricks of chords are analysed. Bricks used include: ITCHY turnaround; Bootstrap launchers; Launcher; Cadence; Body and Soul approach; Autumnal Cadence approach; Sixpenny Ending; TINGLe dropback; Somewhere cadence. Joins used include: Woody; Bootstrap; Bauble; Stella (!); Dogleg.

Sue Lawley's castaway this week is the experimental composer Gavin Bryars. One of his best-known works, The Sinking of the Titanic, pays tribute to the band which continued to play as the ship went down. It poses the question what if they hadn't stop playing; how would their music have sounded under water? His most popular composition, Jesus' Blood Never Failed Me Yet, features a tramp singing the same verse again and again, building up layer upon layer of emotion. Composing is a craft he learnt as an assistant to John Cage, after hearing his work Four minutes, thirty-three seconds - of silence. Today he is both established and establishment - the ENO are soon to stage his latest opera and if you look closely at the orchestra, you'll spot him on the bass![Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: My Foolish Heart by Bill Evans Trio Book: Science and Civilisation in China by Joseph Needham Luxury: Gravity chair

Sue Lawley's castaway this week is the experimental composer Gavin Bryars. One of his best-known works, The Sinking of the Titanic, pays tribute to the band which continued to play as the ship went down. It poses the question what if they hadn't stop playing; how would their music have sounded under water? His most popular composition, Jesus' Blood Never Failed Me Yet, features a tramp singing the same verse again and again, building up layer upon layer of emotion. Composing is a craft he learnt as an assistant to John Cage, after hearing his work Four minutes, thirty-three seconds - of silence. Today he is both established and establishment - the ENO are soon to stage his latest opera and if you look closely at the orchestra, you'll spot him on the bass! [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: My Foolish Heart by Bill Evans Trio Book: Science and Civilisation in China by Joseph Needham Luxury: Gravity chair