Podcasts about Too Young

Fearlessly Facing......starting something new and outside of your comfort zone.My guest today is Lisa Loyet-Schmitz. Lisa shares her journey of contributing to the anthology "Living Well with Grit," discovering that every woman's story is special precisely because it is uniquely hers. Through vulnerability and authenticity, Lisa found writing about her life experiences to be surprisingly therapeutic, helping her recognize patterns and growth that shaped her present self.• Overcoming the belief that her story wasn't "special enough" to share• Finding the courage to write authentically about personal experiences• The concept of being "Too Young to Be Beige" – losing yourself trying to please everyone• Learning to set boundaries and say "no" to maintain balance• The importance of mentors and expressing gratitude to those who've helped us• Building community through shared vulnerability and storytelling• Embracing life's curveballs with resilience• Finding strength through allowing others to help during difficult timesFind "Living Well with Grit" on Amazon. The book features chapters from 37 women sharing their unique stories of growth, resilience, intention, and tenacity.Ready to FEARLESSLY FACE all the F WORDS – be inspired and encouraged? Get a copy of Amy's Best selling book: CANNONBALL! FEARLESSLY Facing Midlife and Beyond here Fearlessly Facing Fifty and Beyond has over 200 episodes with inspiration and stories to age fearlessly and connect confidently to others thriving at midlife and beyond. Make sure to share with friends and family and would love if you could leave a review. There are so many shows out there floating around and if you are finding value in the Fearlessly Facing Fifty podcast share it with the world – a review means so much. And don't forget to follow along on all the socials: http://instagram.com/theamy.schmidt https://www.instagram.com/fearlesslyfacingfifty_fwords/ https://www.facebook.com/fearlesslyfacingfifty/ https://www.linkedin.com/in/amy-schmidt-a5684412/

In this interview, veteran game designer Stuart Maine shares his 28-year journey in the gaming industry, detailing his humble beginnings in a cyber café to becoming a senior designer at Two Desperados, a mobile games company in Serbia. Stuart recounts his early days at Bullfrog and his time at renowned companies like Acclaim and Blitz, working on notable projects such Warhammer Combat Cards, Epic Mickey 2, and Angry Birds Transformers. He offers insights on remote work, the importance of team dynamics, and the lessons he has learned about people skills and communication. Stuart also discusses his latest venture, a book titled 'Designing Video Games,' which aims to guide newcomers through the complexities of the industry. Alongside this, he has authored two books on the history of first-person shooters, 'I'm Too Young to Die' and 'Hurt Me Plenty,' with a third in the works. He touches on the challenges and rewards of game development, reflecting on the necessity of taking risks, the difficulties of maintaining work-life balance, and the evolving landscape influenced by technological advancements like AI. The conversation wraps up with Stuart sharing anecdotes from his career, advice for aspiring developers, and his excitement for current gaming projects, highlighting his ongoing passion for the industry. Bio: Stuart Maine has been a game designer and writer for 28 years across console, PC, and mobile. He's worked on licensed titles at studios large and small, and co-founded and later sold the indie studio Well Played Games. Stuart also writes books, including two on the history of first-person shooters (I'm Too Young To Die, 2022, and Hurt Me Plenty, 2025, with Bitmap Books) and Designing Video Games (2025, with White Owl), a guide for breaking into the industry. He also tutors on John Yorke's Story for Video Games course. Show Links: * Two Desperados: https://twodesperados.com * Well Played Games: https://www.wellplayed.games * John Yorke's Story for Video Games course (Stu's a tutor): https://www.johnyorkestory.com/course/story-for-video-games/  * White Owl Books: https://www.whiteowlbooks.co.uk/  * Designing Video Games: https://www.amazon.com/dp/1399038664 or https://www.pen-and-sword.co.uk/Designing-Video-Games-Hardback/p/52503  * Bitmap Books: https://www.bitmapbooks.com * I'm Too Young to Die: https://www.bitmapbooks.com/collections/video-game-history/products/i-m-too-young-to-die-the-ultimate-guide-to-first-person-shooters-1992-2002  * Hurt Me Plenty: https://www.bitmapbooks.com/collections/video-game-history/products/hurt-me-plenty-the-ultimate-guide-to-first-person-shooters-2003-2010  * Warhammer Combat Cards: https://www.combatcards.com * Atomfall: https://store.steampowered.com/app/801800/Atomfall/  * Love & Pies: https://www.loveandpies.com * G-Police: Weapons of Justice: https://en.wikipedia.org/wiki/G-Police:_Weapons_of_Justice * Epic Mickey 2: https://en.wikipedia.org/wiki/Epic_Mickey_2:_The_Power_of_Two * Blitz Games: https://en.wikipedia.org/wiki/Blitz_Games_Studios * Bullfrog Productions: https://en.wikipedia.org/wiki/Bullfrog_Productions Connect With Links: * Stuart Maine on Twitter/X: https://x.com/maine_stuart * Stuart Maine on LinkedIn: https://www.linkedin.com/in/stuart-m-280155205/  Game Dev Advice Links:  * Website: show notes, links, stuff - https://www.gamedevadvice.com  * Patreon: career coaching through the Gain Wisdom membership - https://www.patreon.com/gamedevadvice  * YouTube: main channel link - https://www.youtube.com/channel/UCvkY8LxjGyOPqlQKuRlObhg    * Game Dev Advice hotline: (224) 484-7733* Email: reach out - info@gamedevadvice.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jamiroquai, en 1996, en a marre d'être cantonné au statut de star de l'underground britannique. Jay Kay se rêve en grand, et vise maintenant plus haut, plus loin. Au funk et l'acid jazz des débuts, s'ajoutent des sonorités dance et des refrains plus accrocheurs. Bingo ! L'album enchaîne les hits à une vitesse impressionnante : “Cosmic Girl”, “Alright”, “High times” et bien sûr “Virtual Insanity” dont les paroles, 25 ans plus tard sont plus que jamais d'actualité. Avec 1 Grammy et 11 millions d'exemplaires écoulés dans le monde, « Travelling Without Moving » est considéré comme l'album de funk le plus vendu de l'histoire, et une influence majeure pour des artistes comme J Dilla, Madlib, Justice, Tyler The Creator et encore Dua Lipa. On vous raconte la story de Jason Luís Cheetham, alias Jay Kay avec Olivia, Gregoire nous emmène en studio au Linford Manor en Angleterre, et Fanny revient sur l'origine du Buffalo man et le clip de “Virtual Insanity” de Jonathan Glazer, une des meilleures vidéos des nineties. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : "Virtual Insanity", "Cosmic Girl", "Use the Force", "Everyday", "Alright", "High Times", "Drifting Along", "Didjerama", "Didjital Vibrations", "Travelling Without Moving", "You Are My Love", "Spend a Lifetime", "Do You Know Where You're Coming From?", “When You Gonna Learn?”, “Too Young to Die”, “Space Cowboy”. Steve Wonder “Superstition”,  Idris Muhammad “Could Heaven Ever Be Like This”, Eddie Harris “It's All Right Now”.Extraits : “Karen Kay Show featuring Ronnie Scott (1983, Youtube)”, “Jamiroquai - Music Planet (1999, Arte)”, “Jamiroquai - Too Young to Die (1993, Top Of The Pops)”, “Jamiroquai : Travelling without moving, version 30 secondes (1996, INA)”, “Jamiroquai - Virtual Insanity (Live in Verona) (2002, Youtube)”, “Jamiroquai Virtual Insanity タネ明かし the trick explanation Jonathan Glazer Interview (2005, jpn TV)”LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Instagram : @radio_k7— Bluesky : @radiok7podcast.bsky.social— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Feeling isolated in your homeopathy practice? You're not alone! Join us as Jess Coleman shares the fascinating results of the New Zealand Homeopathic Demographic Survey, shedding light on the current state of homeopathy in the region.   Discover the challenges homeopaths are facing, including surprising statistics about working hours and age demographics within the profession. Jess also introduces her inspiring initiative, Homeopaths NZ, which is dedicated to supporting both new and experienced practitioners in building thriving practices.   Episode Highlights: 02:09 - Demographic Survey Highlights 04:13 - Too Young to Practice? Debunking the Experience Myth 06:14 - Why Practice Hours Matter 09:44 - Details of Homeopaths NZ membership 14:52 - The Power of Finding Your Tribe 19:27 - Seeing Through Different Lenses 21:08 - How Homeopathy Unveils Your Deepest Truths 27:04 - Maybe It's Not You, It's Your Design 32:33 - Lessons from the Membership Trenches 34:30 - Creating Your Flow 36:25 - How to join the membership   About my Guest: Jess Coleman is the founder of Fruition Mind Body Health and has been practicing homeopathy since graduating from the Bay of Plenty College of Homeopathy (now the College of Natural Health and Homeopathy) in 2012. A qualified CEASE and QRA Therapist, Jess began her career at the Healing Haven Homeopathic Dispensary in Auckland before relocating to Whangarei in 2015, where she opened The Healing Haven Northland. Today, she offers online and in-person consultations at Just Thrive Studio in central Whangarei, where she also dispenses homeopathic remedies. Inspired by the lack of public awareness she witnessed at the Auckland Baby Show, Jess was driven to create Fruition—a platform to educate and empower people to use simple homeopathic remedies in everyday life. The concept took root over several years and came fully to life in 2020, aligning with her vision to make homeopathy more accessible and understood.   Find out more about Jess Website: https://fruitionmindbodyhealth.co.nz/   Sign up for her membership at https://www.homeopaths.nz/   If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode.   Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies   Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/   Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s   Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom          

Sessi

There's a common stereotype that preppers are all ex-military, CrossFit-trained woodsmen with six-figure bug-out cabins and a 3-year food supply. But that's not reality—and honestly, it's not necessary. Prepping is for everyone. Whether you're older, younger, living with a disability, or brand new to the game, you can get ready for hard times in your own way, at your own pace. In this episode, we're breaking down how everybody can prep—no matter their physical ability, age, or experience level. "Too Old, Too Young, Too Weak? How Everyone Can Prep | Episode 390" The post Too Old, Too Young, Too Weak? How Everyone Can Prep | Episode 390 appeared first on Survivalpunk.

Too Young to Win? Think Again.

New VNV Nation, The Birthday Massacre, and Psyclon Nine are featured this week on Dark Nation Radio, as well new tracks from bands including Golden Apes, Edna Frau, Vioflesh, Magic Wands, Silver Tears, Oliver Decrow, 30 Denari, Tally Koren, and Je T'aime. I'm happy with how this one came out—I hope you enjoy it! As always, if you like what you hear, I hope you will support the bands and consider following me on your preferred platform. Reposts of the show so that others can find out about it are particularly appreciated. Questions and promo materials may be directed to darknationradio@gmail.com. DJ cypher's Dark Nation Radio Playlist 30 March 2025 VNV Nation, “Silence Speaks” Dead Lights, “The Host” Suicide Commando, “Hellraiser (Post-Mortem mix)” Lost Signal, “Clover” Oliver Decrow, “I'm Too Young to Die (Nightcrawler remix)” Je T'aime, “Dead Leaves” Sequential Zero, “One Day at a Time” Tally Koren, “Free Will” Muricidae, “Euphoria” Audra, “Tired Friends” Red Lorry Yellow Lorry, “Living With Spiders” Bootblacks, “Thin Skies (remix)” Psyclon Nine, “CRWLNG FROM CNT TO CSKT” The Birthday Massacre, “All of You” Ritualz, “Destroy Everything” Proyecto Escapulario, “De Amor” 30 Denari, “Distante” Vioflesh, “Midnight” Edna Frau, “See Me” pMad, “Fire (BomBard remix)” Demonwarp, “Graveland” Huir, “Vital (KVB remix)” Femion, “Unity With Chaos” Glass Apple Bonzai, “Stepping Outside” Golden Apes, “The Highest Point” Reconcile, “Numb” Magic Wands, “Moonshadow” Silver Tears, “Again” Vision Video, “Stay” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

In this video, learn strategies for overcoming various challenges women face in business. From being underestimated to dealing with double standards. Learn actionable advice on how to stand your ground and succeed with confidence   00:00 Introduction: Overcoming Underestimation in Business 00:47 Facing Assumptions: Proving Your Competence 03:50 Too Young, Too Pretty: Battling Stereotypes 05:07 Audit Double Standards: Ensuring Fair Treatment 06:28 The 'Be Nice' Expectation: Setting Boundaries 07:09 The Emotional Label: Owning Your Passion 08:28 Conclusion: Empowering Women in Business

SHINING WITH ADHD #190: Supporting Executive Function: What to Expect at Every Stage The Childhood Collective3/26/2025SUMMARYToday, we're diving into executive function skills, how they typically develop, and ideas to support at each stage. It's critical to understand that kids with ADHD are likely developing executive function skills more slowly than their peers. As parents, when we understand what is developmentally appropriate for our kids, we can set realistic expectations and support their growth! MEET OUR TEAMWe are Lori, Mallory, and Katie. Lori and Mallory are child psychologists, and Katie is a speech language pathologist. Most importantly, we are moms, just like you. After working with families over a combined total of 40 years, we saw a need to provide ongoing support and education to parents raising children with ADHD.LINKS + RESOURCESEpisode #190 TranscriptEpisode #101: Introduction to Executive FunctionsEpisode #128: I Suspect ADHD, but My Child is Too Young for a DiagnosisPrintables6 Keys to Raising a Happy and Independent Child with ADHD Executive Function Skills by Age blog The Childhood Collective InstagramHave a question or want to share some thoughts? Shoot us an email at hello@thechildhoodcollective.comMentioned in this episode:Board Games for Kids with ADHDBoard games are a natural way to help kids build their executive functioning and cooperation skills. When we polled the community about your favorite board games for kids with ADHD, you gave us hundreds of ideas! We narrowed them down to the games that got the most votes, and sorted them by age. Check out our top recommendations for board games for kids with ADHD, and let us know how it goes. Board Games for Kids with ADHDHungryrootHungryroot offers “good-for-you groceries and simple recipes.” We have loved having one less thing to worry about when it comes to raising kids. For 40% off your first box, click the link below and use CHILDHOOD40 in all caps to get the discount.

”265-Reasonable Resemblanc “ ️ Playlist: 1.-ADECENCE - Patient Zero. 2.-AIRBOURNE- Too Much, Too Young, Too Fast. 3.-JOHNNY LIMA-Best Night of My Life. 4.-ROBBY VALENTINE - The Magic Breeze. ⭐ Sección “Los Consejos de David”. 5.-THE OUTFIELD - Your Love. 6.-LOS SHAKERS-Rompan Todo (Break It All). 7.-CIRCUS OF POWER- Heart Attack. 8.-HUGO'S VOYAGE - Sound Of A Broken Heart. 9.-THE STRUTS - Things That You Do. 10.-ASOMVEL - Louder & Louder . 11.-PRIMAL FEAR - Chainbreaker. 12.-KINGDOM COME- What Love Can Be. 13.-KEVIN CHALFANT-Anywhere The Wind Blows. 14.-ORCHID - Mouths Of Madness. 15.-ICON OF SIN - Night Breed. 16.-KILLER KINGS - I Will Be Stronger.

We cover the second side of Motley Crue's 1983 "classic" (?), Shout at the Devil. Side A was a mixed bag with an instrumental, a Beatles cover, and a lead track that Corey is a fan of. Kev, a little bit less so... but will he find some gems hidden on Side B of this record? Will Corey feel the Danger? And how will the train wreck of this season's game go this week?The only way to find out is to turn on, tune in, and don't pull my trigger!Songs covered in this episode: "Red Hot", "Too Young to Fall in Love", "Knock 'Em Dead, Kid", "Ten Seconds to Love", "Danger"Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.socialDiscord: https://discord.gg/76F8G8FEX8Ko-Fi: https://ko-fi.com/ultimatecatalogueclash Hosted on Acast. See acast.com/privacy for more information.

Welcome to The Consult a Counselor Series, a special segment of the Free to Be Mindful Podcast. Join therapist and host Vanessa De Jesus Guzman, LPC, NCC, as she answers real-life parenting questions to help you find your calm in the chaos of parenting—and not lose your, well… you know.TODAY'S QUESTION:"How do I protect my child from online dangers while still giving them independence?"Your child begs for more screen time. They want their own social media account and insist that everyone in their class has unlimited internet access. Meanwhile, your mind jumps to all the online dangers—strangers, inappropriate content, cyberbullying—the list goes on. So how do you strike the balance between keeping them safe and giving them the independence they crave?In this episode, Vanessa shares how to teach kids to navigate the digital world safely rather than simply blocking access. She explains why making mistakes while they still have your guidance is key to long-term digital responsibility. From setting age-appropriate boundaries to helping kids think critically before they post, this episode provides practical, real-life strategies to keep kids safe online without creating unnecessary fear.TUNE IN TO LEARN:How to have open conversations about online safety without using fear-based tacticsAge-appropriate internet boundaries for kids, tweens, and teensThe “Grandma Rule” for deciding what's safe to postWhy parental controls are helpful—but not a replacement for real conversationsThe importance of role-playing online safety scenarios with your childHow to encourage kids to come to you without fear of punishmentLINKED EPISODES:How to Set Up iPhone Parental Controls:  https://www.freetobemindful.com/podcast/237How Young is Too Young for a Phone: https://www.freetobemindful.com/podcast/235Benefits to My Child Having an Email Address: https://www.freetobemindful.com/podcast/239 ADDITIONAL RESOURCE:Vanessa also shares a must-have book for educators,Send us a text120 COPING SKILLShttps://www.freetobemindful.com/podcast-120copingskillsCULTIVATE CALM CHALLENGEhttps://www.freetobemindful.com/podcast-cultivatingcalmchallengeSUBMIT QUESTIONS for CONSULT A COUNSELOR:https://qrco.de/consultacounselorWATCH THE PODCAST ON YOUTUBE:https://www.youtube.com/@counselorvdejesus GET THE MUSE HEADBAND AT A DISCOUNT!https://choosemuse.com/freetobemindfulUse this link to get 15% off your total when you purchase the amazing brain sensing headband that tells you when you're in a meditative state and guides you to improve your practice.STAY CONNECTED:Show Hashtag: #freetobemindfulpodcastWebsite: https://www.freetobemindful.com/podcastAll Social Channels: @counselorvdejesus DISCLAIMER:Free to Be Mindful Podcast episodes are for educational purposes only and should not be considered as or substituted for therapy or professional help from a licensed clinician.

How do we decide whether speciality training is right for us? Is the best time to specialise straight after Dental School? Or should we gain some experience in practice first? Dr Beant Thandi joins us today to share his journey into specialising and shares some key experiences that will surely help guide you along the way. We discuss the different specialities within Dentistry as well as what personality types may suit them. This episode will really help you understand what it takes to specialise and how to get there. https://youtu.be/f8ZM8EkjSQY Watch IC056 on Youtube Key Takeaways:- Beant is starting his specialization in periodontics.- His journey began during COVID, leading to a desire to specialize.- Proactive learning and mentorship played a crucial role in hisdevelopment.- Financial planning is essential when considering specialization.- Choosing a specialty should align with personal interests and strengths.- Periodontics offers a breadth of practice that appeals to Beant.- The importance of community support in dental education cannot be overstated.- Reflection and documentation of cases can enhance learning and confidence.- Understanding the financial implications of specialization is vital.- It's important to stay grounded and not rush into specialization.  Highlights of this Episode:00:00 Teaser02:38 Intro to Dr Beant Thandi04:03 Dental Journey06:10 What Influenced You?12:56 Too Young to Specialise17:50 Judgement by Jaz21:00 Never too Young26:05 Cost of Specialising28:23 Why not the USA?31:30 Roasting Prostho34:45 Roasting Endo37:42 Roasting Ortho39:49 Roasting Oral Surgery45:00 Shoutout to Lucy45:30 Final Thoughts47:28 End Outro If you liked this episode, check out a classic: Should You Specialise? PDP006 This episode is not eligible for CPD/CE points, but never fear, there are hundreds of hours of CPD waiting for you on the Ultimate Education Plan, including Premium clinical workthroughs and Masterclasses.

Send us a textOur fiery guest said it herself; she's almost 80 years old and still a disruptor.Meet Diane Gilman—fashion icon, teleretail queen, and all-around badass who refuses to fade into the background. She built an empire by rewriting the rules, and now she's here to do the same for aging.Because let's be real—society has a plan for women after a certain age. And it's not fabulous. If you don't have your own vision, the world will grind you up and spit you out. Diane's not having it.From the beginning, Diane had an obvious destiny—talent, drive, and a few wild chances that took her to becoming the most successful tele-retailer on TV (at 60 no less). But her story isn't just about the wins—it's about the risks, the reinventions, and the moments that changed everything.Diane faced breast cancer in her 70s. Her diagnosis went from hopeless to pow, pow, pow—knocking it out and coming back stronger. She shares a lightning-strike moment that didn't just wake her up—it gave her a whole new purpose: helping women own their third act.To Diane, age is JUST a number. And how you feel? A choice.Some of you may say… “But Oonagh, I feel tired and achy!!!” Yeah, that happens. But you're not powerless. Take care of yourself. Feed your body. Move it. Treat it like the powerhouse it is.If you're not learning, growing, and keeping up—you're going backwards. You have to be fluid or you'll turn into cement.And yes, that means getting the new iPhone. Watching what the kids are watching. Staying curious. You are still wired to learn new things—don't let anyone tell you otherwise.Craving more of Diane's wisdom? Tune in to her podcast, Too Young to Be Old.What's Inside:Diane's rise to TV retail queen.Beating cancer and finding purpose.The secret to a successful third act.Why keeping up and learning new things is the key to aging well. How cool is Diane?! Even though I struggle with keeping up with new tech, fashion, and pop culture—but Diane made it clear: embracing the new, staying curious, and always learning is key to aging well. So, what's the next new thing you're going to try? Let me know on Insta!Mentioned In This Episode:Feel Good Getaway in NYCDiane Gilman - Proaging Advocate (@thedianegilman) on InstagramThe Diane Gilman 

Welcome to the 19th Episode of "The A to Z of Rock with Matt and Brian" and it's the Sibling Special !!! Expect tunes from Van Halen, The Kinks, The Black Crowes and many many more.    The Show Playlist When Its Love - Van Halen All Day and All of the Night - The Kinks White Sister - Toto Stay Hard - Raven Rich City Kids - Raven Travelin' Band - Creedence Clearwater Revival I Am the Fire - Halestorm Too Much, Too Young, Too Fast - Airbourne Sin City - AC/DC Whipping Post - Allman Brothers Band Bedside Manners - The Black Crowes Bubbles - Biffy Clyro Battle of Evermore - The Lovemongers Not Fragile - Bachman-Turner Overdrive Cities on Flame with Rock and Roll - Blue Oyster Cult It Ain't My Fault - Brothers Osbourne Shine - Collective Soul Barbarian - The Darkness Move On - Jet  Midnight Moses - The Sensational Alex Harvey Band Gentlemen Rogues - Mama's Boys Cowboys from Hell - Pantera Do You Wanna Riot - Little Angels  Hope you enjoy the show !! Rock On Matt and Brian

Download “How To Find Ultra High Net Worth Clients" fromhttps://financialadvisorsworkshop.com/ Todd Bryant (https://www.yoursignaturewealth.com/) is a founding partner and a CERTIFIED FINANCIAL PLANNER® with Signature Wealth Partners in Orlando, FL. He was recently recognized at the UCF College of Business Hall of Fame Gala as an “Honorable Knight” and the Orlando Business Journal's 40 Under 40. In 2023, he appeared on the Nasdaq Web Series “Queue & A” from Nasdaq International Headquarters in Times Square and co-authored the book More Than Money: Real Life Stories of Financial Planning. Bryant also helped write a financial literacy course, which is now accessible to high school students across the country.In this episode, Brian and Todd discuss:1. Overcoming the ‘Too Young' Objection in Finance2. The Power of Instant Communication3. What a $400M Firm is Doing Differently in Wealth Management4. The Advisor's Roadmap to Long-Term SuccessLinkedIn:https://www.linkedin.com/in/toddabryant/ Website:https://www.yoursignaturewealth.com/ Article:https://www.bizjournals.com/orlando/news/2020/11/19/2020-40-under-40-todd-bryant.html To see short videos of all our best FA Business Growing tips follow us on: Instagram:https://www.instagram.com/FinancialAdvisorsWorkshop  TikTok:https://www.tiktok.com/@faworkshop  YouTube:https://www.youtube.com/@financialadvisorsworkshop Facebook:https://www.facebook.com/FinancialAdvisorsWorkshop  Twitter:https://twitter.com/FAsWorkshop  iTunes:https://podcasts.apple.com/us/podcast/financial-advisors-workshop-with-brian-kasal/id1614768408  Spotify:https://open.spotify.com/show/4OB78889GRx2FHjvWtsyeE  Website:https://www.financialadvisorsworkshop.com/  Work with FourStar:https://financialadvisorsworkshop.com/Advisors  DISCLAIMER: This content is provided by FourStar Wealth Advisors for the general public and general information purposes only. This content is not considered to be an offer to buy or sell any securities or investments. Investing involves the risk of loss and an investor should be prepared to bear potential losses. Investment should only be made after thorough review with your investment advisor considering all factors including personal goals, needs and risk tolerance. FourStar is an SEC registered investment advisor that maintains a principal business in the state of Illinois. The firm may only transact business in states in which it has filed or qualifies for a corresponding exemption from such requirements. For information about FourStar's registration status and business operations please consult the firm's form ADV disclosure documents, the most recent versions of which are available on the SEC investment advisory public disclosure website at www.adviserinfo.sec.gov

Welcome to the 19th Episode of "The A to Z of Rock with Matt and Brian" and this week's episode is another special. It's the Siblings Special. We focus on those bands where we have band members who are brothers and sisters Expect tunes from Toto, Van Halen, AC/DC, Biffy Clyro and many more   The Show Playlist When It's Love - Van Halen All Day and All of the Night - The Kinks White Sister - Toto Stay Hard - Raven Rich City Kids - Praying Mantis Travelin' Band - Creedence Clearwater Revival I Am the Fire - Halestorm Too Much, Too Young , Too Fast - Airbourne Sin City - AC/DC Whipping Post - Allman Brothers Bedside Manners - The Black Crowes Bubbles - Biffy Clyro Battle of Evermore - The Lovemongers Not Fragile - Bachman- Turner Overdrive Cities on Flames with Rock and Roll - Blue Öyster Cult It Ain't My Fault- Brothers Osborne Shine - Collective Soul Barbarian - The Darkness Move On - Jet Midnight Moses - The Sensational Alex Harvey Band Gentleman Rogues - Mama's Boys Cowboys from Hell - Pantera  Do You Wanna Riot - Little Angels Hope you enjoy the show !! Rock On Matt and Brian

My guest today is Rishi Dastidar who is a poet and editor based in London. Rishi discusses his own particular view of Larkin's portrayal of Englishness in both his letters and his poetry, Larkin's contemporaries such as TS Eliot and Alan Bennett, and the vibrant role poetry plays in the UK's cultural landscape.  Rishi Dastidar's poetry has been published by the Financial Times, The Guardian and BBC and more. He is a fellow of The Complete Works, and a consulting editor at The Rialto magazine. A poem from his debut collection Ticker-tape was included in The Forward Book of Poetry 2018, and his second collection, Saffron Jack, was published in the UK by Nine Arches Press in 2020. He is also editor of The Craft: A Guide to Making Poetry Happen in the 21st Century (Nine Arches Press), and co-editor of Too Young, Too Loud, Too Different: Poems from Malika's Poetry Kitchen (Corsair). He is the chair of the board of trustees for Wasafari Magazine. Larkin poems discussed: Poetry of Departures, Friday Night In the Royal Station Hotel, Afternoons, The Building, The Whitsun Weddings, Toads, Waiting for Breakfast Other references: Kingsley Amis, Alan Bennett, Ezra Pound The Poetry Review, The New Yorker,  The Delinquent https://delinquentmagazine.bigcartel.com/,  Smiths Knoll magazine (https://poetrymagazines.org.uk/magazine/index190a.html?id=17),  The Faber Academy https://faberacademy.com/ The Love Song of J Alfred Prufock by TS Eliot (1915) Wild God by Nick Cave and the Bad Seeds (2024 PIAS Recordings) Sometimes a Wild God by Tom Hirons https://tomhirons.com/poetry/sometimes-a-wild-god (2017) Neptune's Projects  by Rishi Dastidur (2023)  https://ninearchespress.com/publications/poetry-collections/neptune-s-projects Time by Pink Floyd ‘hanging on in quiet desperation is the English way' from The Dark Side of the Moon (1973) George Best, footballer https://nostalgiacentral.com/pop-culture/people/george-best/ UK films/radio of the 1950s/60s:Passport to Pimlico, Whiskey Galore, The Goons, Kind Hearts and Coronets Music: Lazy River by Sidney Bechet Time by Pink Floyd Theme music: The Horns of the Morning by Wes Finch and the Mechanicals Band https://themechanicalsband.bandcamp.com/album/the-righteous-jazz Produced by Lyn Lockwood and Gavin Hogg Please email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or comments PLS Membership, events, merchandise and information: philiplarkin.com

Read transcriptKrillin' it softly, podcast lovers! It's time to dust off your Game Boy Advance and charge up your Ki for an episode so epic, it'll make Frieza cry for his momma! We're diving into The Legacy of Goku 1 & 2, where pixels meet power levels and button mashing meets “But I haven't even reached my final form!” But wait, what's that? Is it a bird? Is it a plane? No, it's the legendary Troytle Power from TroytlePower Presents: The Power Play-Throughs Podcast, with TroytlePower and Too Young For This Trek, swooping in like Goku on a Flying Nimbus! He's flying solo today, leaving his Too Young for this Trek co-pilots behind – probably stuck in a time chamber or something. Get ready to laugh harder than Buu at a pie-eating contest as we dissect these Dragon Ball-inspired handheld adventures. Will Troytle's power level be high enough to handle our intense scrutiny? Or will he need to fuse with the nearest inanimate object to survive our witty banter? Tune in to find out in this episode that's more unpredictable than Vegeta's mood swings! So grab your favorite dragon radar, set your scouter to “fun,” and prepare for a podcast experience that's more satisfying than finding all seven Dragon Balls. It's Play Comics time, and we're about to go full Kaio-ken on these Game Boy Advance classics! Learn such things as: Do I really have to watch Dragon Ball at this point? Why are snakes are the worst enemies? How can two related games be so different? And so much more! You can Troy on most social media platforms as TroytlePower (like BlueSky), Geek to Geek Media for some of his written work, the podcast network he's part of We Can Make This Work (Probably) where you can find TroytlePower Presents: The Power Play-Throughs Podcast, with TroytlePower and Too Young For This Trek. And don't forget about Podcasters Assemble and Super Switch Club, two other shows on the network that are just fun. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscaston Twitter and in the Play Comics Podcast Fan Groupon Facebook. A big thanks to The Monitor Tapes and The Wheel Weaves for the promos today. Intro/Outro Music by Backing Track, who's favorite DragonBall character is one of the turtles. Support Play Comics by contributing to their tip jar: https://tips.pinecast.com/jar/playcomics

We're going CYBER and getting all new augs and mods to make this show even better! Sunglasses that come out of our cheeks! An extra-wet mouth to maximize your peanut butter pretzel consumption! Rizz implants to flirt with computers! It's the future, choom! Suggested talking points: Too Old For Spencer's, Too Young for Spencer's, My Balls are Prescription, Your Algo is Your Blade, Feel Different Together, Fan Fave Santa BellyHarmony House: https://harmonyhousewv.com/

Y'all. I'm so excited that I got to chat with Diane Gilman in this episode of She's Not Done Yet: Conversations with Women over 50! We talk about her life experience, including her experience with breast cancer in her 70's.  When you listen to our conversation, you will understand why she titled her memoir Too Young to be Old. In our wide ranging conversation, we talk about being a first generation American, the importance of our families of choice, what it's like to be a silver-haired glamour girl, and pivoting from a brilliantly successful career as QVC's Jean Queen to a new career as a podcaster. Diane shares how her old ways of thinking fell away with her cancer diagnosis and she became something shiny and new. There's a truism that goes something like this: We only get more like our true selves as we get older. Diane and I are here to tell you that's true - and it's a powerful thing! She left us with 3 life lessons: Avoid living in an age ghetto. Seek out women of all ages and you'll stay relevant and contemporary. Be always alert to recognize why you're here on earth and do it. There's no calendar for life - it's what we make it. Our age doesn't matter. As we have the courage to tear down our barriers and abandon our limiting beliefs, anything is possible. We're never through learning. If you enjoyed this interview with Diane Gilman, you'll love her memoir, Too Young to Be Old: How to Stay Vibrant, Visible, and Forever in Blue Jeans: 25 Secrets from TV's Jean Queen. Thanks in Advance for your help: I hope you enjoy this episode. If you did, don't keep it a secret! Please tell a friend. Your recommendation is the most powerful way to help us acquire new listeners. Also, if you're listening to us on Apple podcasts, please rate and review us. Suggestions for future episodes: Have someone you want me to interview (including you)? Email me at shesnotdoneyetyall@gmail.com. Have a topic you'd like for me to discuss? Email me at shesnotdoneyetyall@gmail.com. Resources and Show Links: For Diane Gilman: Website:  TheDianeGilman.com YouTube: Youtube.com/@thedianegilman Facebook: Facebook.com/thedianegilman Insta:        Instagram.com/thedianegilman Tiktok:      Tiktok.com/dianegilman4 For Becky Berry: Email me: shesnotdoneyetyall@gmail.com My coaching website: https://beckyberrycoach.com  My LinkedIn profile: https://www.linkedin.com/in/beckyberrycoach/  This podcast was recorded, produced, edited, and marketed by Becky Berry. Thanks again for listening and sharing! Becky

11/26/2024 - talk backs, Kidd Chris likes a girl TOO YOUNG, Sara Elyse has a Bengals update, sad news about Red Lobster, but good news about rolls, 1 person and 2 heads, do they both feel it, and more! 

Host Annamaria Scaccia talks with Katie Coleman and Dr. Pavlos Msaouel as they unpack Katie's stage 4 kidney cancer diagnosis at age 29. Katie shares her feelings of naivety and intimidation when she was first diagnosed, the long journey to trusting her treatment plans, and how she transformed her experience into her book, "Too Young for Cancer." Dr. Msaouel, a world-renown researcher and clinician with special expertise in rare types of kidney cancer, has journeyed with Katie and other patients to reach for better treatments and hope for the future. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Movers and Shakers Podcast, host Gino Barbaro speaks with Antone Heyward, an inspiring multifamily investor and former IT professional who transitioned from a corporate career to real estate. Antone shares how he realized that a traditional job alone couldn't bring him the financial freedom he sought. After joining the Jake and Gino community, Antone made strides in multifamily investing, building wealth through joint ventures and syndications. Now, he's focused on creating legacy wealth, not just for himself, but for his family and community.Tune in to hear Antone's story of growth, the mindset shifts that made it possible, and actionable steps on how to begin building wealth in real estate.Key Highlights:Introduction and Antone's career shift from IT to real estateThe catalyst that drove Antone to seek financial independenceInsights into joint ventures, syndications, and multifamily investmentsOvercoming fears and mindset shifts in transitioning to multifamilyAntone's future goals and vision for creating legacy wealthWhether you're an aspiring real estate investor or considering a career change, this episode offers valuable insights and practical advice for achieving financial independence. Don't miss out on Antone's powerful story!Timestamps:00:00 - Introduction01:29 - Why Antone Chose Multifamily Real Estate04:36 - Gino's Perspective on Job Loyalty and the Importance of Side Hustles06:00 - Challenges in Scaling from Single-Family to Multifamily Investments08:41 - The “Buy Right, Finance Right, Manage Right” Framework12:37 - Antone's Leap of Faith: Leaving His Corporate Job14:04 - Overcoming the “Too Young, Too Old” Excuse23:34 - Syndication vs. Joint Ventures: Antone's Approach25:41 - Antone's 3-5 Year Vision for Legacy Wealth and Community Impact27:29 - How to Connect with Antone Heyward on LinkedIn and Reignite Capital27:53 - Gino Wraps it UpGuest Contact Information:LinkedIn: Antone HeywardWebsite: RE-Ignite Capital – where you can schedule an appointment with Antone directly. We're here to help create multifamily entrepreneurs... Here's how: Brand New? Start Here: https://jakeandgino.mykajabi.com/free-wheelbarrowprofits Want To Get Into Multifamily Real Estate Or Scale Your Current Portfolio Faster? Apply to join our PREMIER MULTIFAMILY INVESTING COMMUNITY & MENTORSHIP PROGRAM. (*Note: Our community is not for beginner investors)

In this conversation, Diane Gilman shares her remarkable journey from aspiring fashion designer to a successful tele-retail personality, overcoming personal tragedies, including the loss of her husband and her own battle with breast cancer. She emphasizes the importance of resilience, the need for supportive aftercare, and challenges the stigma of aging and ageism. Diane's story is one of empowerment, reinvention, and a commitment to inspire others, particularly women, to embrace their talents and live fulfilling lives regardless of age. After 30 years of experience in front of the camera connecting with the baby boomer audience on television, Diane has set out to become a proaging advocate and a “Silver-haired Influencer”. Through social media, YouTube and the launch of her podcast, Too Young To Be Old, Diane's goal is to educate and inspire the 50+ community in a range of lifestyle topics such as fashion, health & wellness, fashion, beauty & skincare, and everything aging solutions. Encouraged, she opened a boutique in LA that attracted a celebrity clientele, then moved to San Francisco after graduation where she produced denim creations for Jerry Garcia, Jim Morrison, and other musical greats. In her 20s, she moved to New York City, fitting Madonna-style “bullet bras” at Bloomingdale's by day, and socializing with celebrities at Studio 54 and the Peppermint Lounge by night. She pioneered the first line of women's washable silk garments, creating a phenomenon with “The Diane Gilman Collection,” which took off when QVC invited Diane to sell her silks on-air, creating a loyal fan base. When Diane lost her husband at age 52 after a long illness, she dove into her work, and by the age of 57, ballooned to 200 pounds, which was uncomfortable and frustrating. A year shy of 60, she decided to reconnect with her sense of self worth, and set out to find a pair of jeans that fit and flattered a mature woman's body– to no avail. But then she had a light bulb moment that changed her life completely. Boomer women needed jeans to fit their bodies and make them feel beautiful and sexy, so she decided to design them herself in a way that stretched, lifted and boosted boomer women in all the right places. Her DG2 jeans were an overnight sensation, and she quickly earned the title “Jeans Queen”. By 2019, her DG2 Jeans line had sold more than 19 million pairs on HSN and she became the network's longest running and number one fashion personality, achieving sales of $150+ million annually. Her biggest career success hit at age 60! But just as Diane enjoyed her meteoric rise, she was diagnosed with breast cancer. Her oncologist told her that she was a great candidate for survival because she was such a fighter. Diane turned tragedy into triumph. And while chemo stole her famous long, auburn hair, she emerged triumphant, with bright, white hair that illuminates her face and symbolizes her defiance and determination. Diane's early aspirations were shaped by her immigrant background. Leaving home at a young age led Diane to pursue her dreams. Tele-retail became a platform for Diane to showcase her talent. Diane's personal struggles fueled her desire to create a fashion line for middle-aged women. The loss of her husband was a pivotal moment in Diane's life. Diane's battle with breast cancer taught her resilience and gratitude. She emphasizes the importance of aftercare in the healing process. Diane challenges ageism and advocates for the value of older generations. Her journey reflects the power of reinvention and self-discovery. Diane's future goals include inspiring others and fighting ageism. Website: https://thedianegilman.com/ Facebook: https://www.facebook.com/TheDianeGilman YouTube: https://youtube.com/@thedianegilman Instagram: https://www.instagram.com/thedianegilman Diane's podcast: Too Young To Be Old Diane's books: Too Young to Be Old: How to Stay Vibrant, Visible, and Forever in Blue Jeans: 25 Secrets from TV's Jean Queen

At first, Jules found working in the world's oldest profession quite glamorous.  She learned the ropes from an unlikely mentor and felt like she had the world at her feet. But life's harsh realities would catch up with her, leading to a dark chapter that would prove nearly insurmountable.  Part 1 of a 2 part secret. HERS Visit forhers.com/SECRET for your personalized weight loss treatment options. Hers Weight Loss is not available everywhere. Compounded products are not FDA-approved or verified for safety, effectiveness, or quality. Prescription required. Restrictions apply. HOME CHEF Get 18 Free Meals, plus Free Shipping on your first box, and Free Dessert for Life, at HomeChef.com/SECRET.  Must be an active subscriber to receive free dessert. PICTURES See pictures of Jules then and now. They are waiting for you on Facebook, Instagram and X.  Handle: @secretroompod. THE SECRET ROOM | UNLOCKED Jeremy from listener favorite episode 210 “Too Young to Die” is back.  Jeremy originally told us about how he keeps a devastating illness secret from his family.  Jeremy posted an audio update to our Facebook Discussion page recently, and we're going to run it, along with a recap, on the next episode of our premium show, The Secret Room | Unlocked.  Jeremy tells us about his current condition, what his partner now knows, and the difference your outpouring of support has made in his life.  You can find his GoFundMe account here. The Secret Room | Unlocked is yours when you support your favorite indie podcast that could with a membership at patreon.com/secretroom, Apple Podcasts or Spotify. There's a free trial!  Host: Susie Lark. ALL OUR SPONSORS See all our sponsors past and present, and their offers, many of which are still valid: secretroompodcast.com/codes  FACEBOOK DISCUSSION GROUPThere's even more fun at The Secret Room Podcast Facebook Discussion Page!  Just ask to join, all are welcome. :) YOUR SECRET  Click "Share a Secret" at secretroompod.com! PODCAST TEAM Producer: Susie Lark. Story Development: Luna Patel.  Music and Theme: Breakmaster Cylinder. LISTENER SURVEY Take our Listener Survey at SecretRoomPod.com!

...or NOT wearing like with this Montrealer! =o 

In this episode I have the honour of chatting with Katie Coleman, who shared her incredible journey after being diagnosed with stage four kidney cancer. Katie opened up about the emotional and physical challenges she faced, navigating the healthcare system, and the profound impact her diagnosis had on her life and marriage. We discussed the importance of self-advocacy, resilience, and finding joy in the little things, even during tough times. Katie's story is a testament to the power of love, community, and the human spirit. Her memoir, "Too Young for Cancer," offers hope and inspiration to anyone facing adversity in the most unexpected ways.  You can check out Katie's new book, Too Young For Cancer, here!   Want to Kate to come and speak at your event? Visit https://www.theresiliencespeaker.com  Check out Kate's personalised online coaching programs for women: https://www.theresiliencespeaker.com/coaching CLICK HERE to PRE ORDER Kate's new book "Okay. Now What?" - How to Be Resilient When Life Gets Tough. For daily inspiration and tips, follow Kate on instagram: @kategladdin   =Introduction to the Episode (00:00:00) Kate Gladdin introduces the podcast and expresses excitement about the special guest. Welcome to Katie Coleman (00:01:20) Katie Coleman joins the show, sharing her gratitude for the introduction. Reflecting on 2020 (00:02:08) Discussion about significant life events in 2020, including marriage and health concerns. New Year's Eve Diagnosis (00:02:24) Katie recounts the moment she was diagnosed with stage four kidney cancer. Initial Reactions to Diagnosis (00:05:07) Katie describes her surprising relief upon receiving her cancer diagnosis. The Importance of Being Believed (00:07:54) Discussion on the power of being taken seriously in the healthcare system. Understanding the Cancer Type (00:09:32) Katie explains the confusion surrounding her cancer diagnosis and its rarity. Complications from a Bleeding Disorder (00:11:50) Katie shares challenges faced due to an undiagnosed bleeding disorder during treatment. Resilience Through Treatment (00:13:24) Katie reflects on her determination to keep fighting despite a grim prognosis. Motivation from Love and Purpose (00:15:36) Katie discusses how love and honoring friends influenced her will to fight. The Duality of Cancer Experience (00:18:12) Katie emphasizes the complexity of emotions and motivations during her journey. Reflection on Grief and Purpose (00:19:18) Kate discusses the power of sharing personal stories of grief as a source of strength for others. The Importance of Community Support (00:20:10) Katie emphasizes how vital community and support groups were in her journey through cancer. Finding Common Ground in Unique Experiences (00:22:17) Katie shares how connecting with others, despite different experiences, can provide encouragement and hope. Creating Personal Definitions of Grief (00:23:20) The speakers discuss the importance of forming individual understandings of grief based on personal experiences. Trusting Intuition in Healthcare (00:24:31) Kate asks Katie about trusting her intuition when facing medical decisions during her treatment. Overcoming People-Pleasing Tendencies (00:28:08) Katie reflects on her struggles with people-pleasing and how it affects communication with doctors. Recognizing and Communicating Symptoms (00:30:39) Katie discusses the importance of accurately describing symptoms to healthcare providers for effective treatment. Fear and Pain as Universal Experiences (00:33:01) Katie explains that fear and pain are relative and can be genuinely felt regardless of the situation's severity. Advocating for Oneself (00:34:03) Kate and Katie discuss the necessity of self-advocacy in healthcare and everyday interactions. Living Authentically After Cancer (00:37:31) Katie shares how her cancer experience taught her to live authentically and pursue her passions. Katie's Birthday Programming (00:39:13) Katie discusses how her diagnosis changed her perspective on enjoying programming on her birthday. Living True to Yourself (00:40:08) Katie emphasizes the importance of authenticity and pursuing what brings joy, regardless of societal norms. The Power of Resilience (00:40:20) Kate reflects on resilience, highlighting the significance of responding purposefully to life's challenges. Sharing Stories of Hope (00:41:03) Kate expresses gratitude for Katie's journey and the inspiration it provides to others facing similar struggles. Connecting Through Shared Experiences (00:42:14) Katie shares insights on the importance of shared experiences and how they contribute to personal growth. The Only Way Out is Through (00:43:23) Katie discusses the theme of perseverance in her book, emphasizing that sometimes you just have to endure. Post-Traumatic Growth (00:44:54) Kate talks about the concept of post-traumatic growth and the necessity of navigating dark times for personal development. Book Release Announcement (00:45:21) Katie announces the release date of her book "Too Young for Cancer" and shares where to find it. Resources for Cancer Patients (00:46:22) Katie provides information about her website, which offers resources for cancer patients and shares her writing journey. Acknowledging Support (00:47:10) Katie expresses gratitude towards her editor, Laura, for her essential role in the book's creation. Continued Connection (00:48:04) Kate and Katie express their desire to stay connected and support each other moving forward. Coaching Offer (00:48:20) Kate introduces her personalized life coaching services for women seeking to regain control of their lives.

License optional... ;)

On this week's Talkhouse Podcast we've got an absolute legend of a singer-songwriter in conversation with a guy who's no slouch himself: Lucinda Williams and M. Ward. Williams has been writing and recording incredible songs since the late 1970s, though she didn't really break through in a huge way until 1998's stone classic Car Wheels on a Gravel Road, which garnered her the Best Contemporary Folk Album Grammy—her second Grammy—but also some of the most well-deserved critical accolades of that year. She certainly didn't rest on those laurels, having released close to a dozen more revered albums since, many of which found themselves also at the Grammy and Americana awards ceremonies—as well as in the hearts of listeners and other songwriters. Last year, Williams released a fantastic memoir about her journey from small-town Louisiana to the music business and beyond. It's a lovely look at a life well lived called Don't Tell Anyone the Secrets I Told You. The other half of today's conversation is M. Ward, another literate singer-songwriter with a varied career whose music can't be easily pinned down—he's been called folk, Americana, and indie-rock, none of which quite do his songs justice. Ward has been making records for 25 years now, and his discography includes not only thoughtful, beautiful solo records, but an entire catalog of albums made with actress Zooey Deschanel under the name She & Him. Ward's latest is last year's Supernatural Thing, another set of songs that feel like they exist out of time. Check out “Too Young to Die” from that album right here. In this conversation, Ward and Williams talk about the time they worked together, when Williams contributed vocals to an M. Ward record back in 2009. Then they get into Williams' memoir and just scratch the surface on her incredible life and career before the conversation turns to their literary influences and more. Enjoy. 0:00 – Intro 2:33 – Start of the chat 4:30 – Williams on the hard part of writing a memoir 8:13 – Ward reads his favorite passage from Williams' book 12:58 – Williams recalls meeting famous writers as a child 23:50 – "I want to be James Joyce!" Thanks for listening to the Talkhouse Podcast and thanks to Lucinda Williams and M. Ward for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

What age is TOO YOUNG to travel to Disney?See omnystudio.com/listener for privacy information.

Send us a Text Message.Justine and talk about the Rolls Royce of Lifetime movies- She's Too Young. Hannah from Halifax gets asked out by the most popular boy in school, Nick Hartmann, who gives her (and the entire school) syphilis. Marcia Gay Harden plays Hannah's mom, and does everything she can to fight the big S! 

It's a question parents ask time and time again:  What is the right age for my kids to do [insert risk]?  Justin and Kylie look at a number of hot topics and discuss the appropriate/legal age for children to be allowed to do each of these. Staying at home alone The laws in QLD Putting in place contingency plans Mobile phones, school devices, burner phones Kids need smart parents, not smart phones Smart parents give their kids dumb phones (Unplug Childhood) Boyfriends & girlfriends #816 Tween Relationships: How Young is Too Young? Sleepovers Walking to school or the shops alone Ear piercing (R) This episode originally aired 28/8/23. . Related links:  Everyone Else Can Do It! Why Can't I? Movies and Kids: When Is It Okay For Them To Watch That? Should our Young Children have Boyfriends or Girlfriends at School? When is it OK to Leave your Child Home Alone? Are Sleepovers OK? . Find us on Facebook or TikTok Subscribe to the Happy Families newsletter Leave a voice memo here or email your questions/comments to podcasts@happyfamilies.com.au Find out more about joining THE QUEST at our websiteSee omnystudio.com/listener for privacy information.

In this episode, I talk about designating your ambition in the right place, deriving your happiness from the internal versus placing expectations on others, what can you dedicate or commit yourself to that feeds and sustains you, understanding what makes you come alive, knowing where you get energy from and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com

In this episode, I talk about building today what you'll earn tomorrow, completing projects that support your future but may not pay future rewards immediately, being prepared before the windfall, “Rome wasn't built in a day but they were laying bricks every hour,” the compound effect for the bigger vision you have for yourself, the journey versus the destination and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com

For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in  Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost.  Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”.  Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight  returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…

Chemotherapy affects the body in numerous ways, with hair loss being one of the most common side effects. In this episode of HairPod, Kevin Rolston, our host, welcomes Carol Combs, a cancer survivor, to share her story. Carol's journey through hair loss was about more than just her appearance; it deeply impacted her sense of self. Tune in to discover how Carol rebuilt her confidence and reclaimed her life. Carol's Diagnosis When Carol was diagnosed with cancer, doctors gave her three weeks to three months to live. She immediately started treatment, which included chemotherapy. The chemotherapy was able to help Carol survive, but it wreaked havoc on her body, causing fatigue and hair loss. She took a step back from working at her job due to fatigue, but losing her hair caused her to retreat in a completely different way. The Impacts of Hair Loss While Carol is typically an extrovert, her hair loss impacted her confidence so much that she just wanted to hide from everyone.  When Carol was given speaking opportunities at work, she would offer those opportunities to others because she didn't want to be in front of people. Carol says that during this time, she felt “less than,” as her hair loss took away her desire to work with people, one of the great joys in her life. Getting Her Hair Back Carol attended a meeting at a support group called “I'm Too Young for Cancer.” She met a young woman there who had a system from HairClub. She was so impressed with the hair system that she made an appointment to visit HairClub.  Carol clearly remembers the first time she wore her hair system. She was working a large event for her job and felt like it was the first time she had her old self back. What is HairClub Like? Carol has been going to HairClub for almost 30 years. She describes the staff as empathetic and caring. Carol has been to a few HairClub locations throughout the United States and found that connecting with a new Club is smooth and easy. Thanks for listening to HairPod. We hope you enjoyed this episode. If you did, please leave us a rating or review wherever you get your podcasts. If you'd like to connect with us on social media to share your story, check us out on Instagram @HairClub. HairPod is a production of TSE Studios. Our theme music is from SoundStripe.  

In this invigorating episode of The Midlife Makeover Show, host Wendy Valentine is honored to welcome the indomitable Diane Gilman, a visionary redefining the essence of aging with style and audacity. At 78, Diane is just embarking on her thrilling third act, illustrating through her life and work that age is but a number when it comes to success and self-empowerment.   Diane's illustrious journey in fashion, marked by her revolutionary DG2 jeans and her poignant memoir "Too Young to Be Old," showcases her relentless spirit and her refusal to be confined by societal expectations. Her podcast, sharing the same name as her book, serves as a beacon of inspiration for the 50-plus community, covering a myriad of topics from health and wellness to beauty and anti-aging solutions.   As we delve into Diane's extraordinary life, we learn about her triumphs over personal losses and her courageous battle with breast cancer. Her story is not just one of resilience but also of profound transformation, urging women everywhere to reclaim their visibility and vibrancy in later years.   Prepare to be moved by Diane's infectious energy and her unyielding commitment to living life with intention. Whether you're seeking to redefine your own path or looking for encouragement to chase new dreams, Diane's narrative is a powerful reminder of the limitless potential that awaits us at any stage of life.   

Kornflake is back, just in time for a new game! A new WAVE game, specifically! Thirty years ago, Rhino Records released a fifteen volume series of CDs called Just Can't Get Enough: New Wave Hits of the 80s. We're looking at the first three of these fantastic compilation albums, and attempting to guess each other's favorite songs. There are some genuine classics (from The Buggles, The Knack, Blondie, Devo, and Squeeze), some bizarro oddities (like "Warm Leatherette" and "Too Young to Date"), a Tim Curry dance number, a surprise Monkees cover, and lots more super-fun but long-forgotten obscurities. (Any other fans of Martha & The Muffins out there?) Who shall emerge victorious from this deep dive into the craziest music of the early 80s? Squish into your old Ultravox t-shirt and join us. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Monster Attack!

We started this Nightside News Update with Ann Liguori, author of "LIFE ON THE GREEN: Lessons and Wisdom from Legends of Golf".The Biden-Harris administration has invested $207 million in clean energy, but what does this mean for everyday Americans and business owners? Will renewable energy create jobs? Will it boost the economy and lead to lower food prices? With Dr. Richard Lu - SolarBank Corporation CEO.Jordan Valinsky, CNN Business Reporter joined us to update and correct a story you may have seen in the news. Wendy's will test new menus that change prices throughout the day? Wendy's clarifies - Price surging for restaurants and what that means for consumers.Finally, Diane Gilman aka “The Jean Queen” joined Dan with her book "Too Young to Be Old: How to Stay Vibrant, Visible, and Forever in Blue Jeans: 25 Secrets from TV's Jean Queen"

AI DaVinci Robot Burns Hole in Small Intestine and Too Young for Doing laundrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr Azra Raza: The First Cell, Unravelling The Mystery of Cancer. Few adults on the planet have not been touched, either directly or indirectly, by cancer. Cancer is one of the things many people see as an inevitable part of life that they hope and pray does not visit directly onto their own life.  Imagine for a moment the grief of being an oncologist (a cancer specialist) and the weight that would put on your life. Every day, you work with people, 70% of whom you will walk to their death. Would that make you want to quit and find a new field? Now imagine that you are not only watching as these people die but that you discover that the love of your life, another oncologist, is diagnosed with untreatable cancer, and you must walk them through to the end.  For most of us, that would make us want to crawl into a hole and never return. Well, not for our guest, Dr. Azra Raza. Instead, she is pioneering the understanding of cancer and, most importantly, its earliest detection.  Dr. Raza immigrated to the U.S. with a clear intention: to cure cancer. She has traveled a long way from where she grew up in Karachi, Pakistan, to the dining room of President Joe Biden  home at the Naval Observatory in Washington, D.C. Dr. Raza was invited with a handful of other cancer specialists to offer their perspectives on the current cancer landscape, which contributed to shaping what is now known as the "Cancer Moonshot" She has been featured in the New York Times, The Guardian, The Times, The Smithsonian, and numerous other high-profile outlets.    Dr. Raza's latest bestselling book, "THE FIRST CELL" is a searing account of how medicine and our society (mis) treat cancer, how we can do better, and why we must. Her life is devoted to early detection and prevention of cancer. Website https://azraraza.com Azra.rasa@columbia.edu  Social Media https://twitter.com/AzraRazaMD     https://www.linkedin.com/in/azra-raza-2a34a922 Part 1: The Alien Within Refusing To Allow Any Cancer Patients to Die Twice Roll Up Your Sleeve Research: 40-60 Patients a Week Bidirectional Translational Research Cancer: The Alien Within What Are the Two Common Properties of 200 Different Cancers?   Lessons from Cancer in Immortality A Trillion Dollars on Cancer Research, What Have We Discovered? Why 70% Cancer's Are Cured...Is Terrible news Beating The Dog to Death to Cure Flees Attacking Your Field of Expertise The Wrong Measurement of Success? Too Old and Too Young to Change the Model Confronting "Sunk Cost Bias" A Hundred Million Cells at Stage 1 The Anti-Climax of Human Genome Sequencing In Search of The First Cell Cancer and The Aging Connection Cancer on Walk-about Dov Baron's brand new course has just been released on coursifyx.com/belonging ------------- Titled: "CREATING A CULTURE OF BELONGING." The course is separated into eight sections that will take you by the hand and walk you through exactly how to create a culture of belonging. Because: CREATING A CULTURE OF BELONGING MAXIMIZES PERSONAL AND CORPORATE SUCCESS. Get Ready to strap on the tanks and Dive Deep into, What it Takes to Create a Culture of Belonging in your organization! Curious to know more? coursifyx.com/belonging    "Those Who Control Meaning for The Tribe, Also Control The Movement of That Tribe" #videopodcast #leadership #leadershipdevelopment #emotionsourcecode #neuroscience #emotional #meaning #emotional #logic #culture #curiosity #humanbehavior #purpose

Diane Gilman found her greatest success at age sixty, when she sparked a denim revolution by designing blue jeans for real women with real bodies. She's sold nearly nineteen million pairs of her DG2 jeans on HSN and created a sisterhood of seven hundred thousand women who feel too young to be old. She joined me on Uncorking a Story to talk about her memoir, Too Young to Be Old: How to Stay Vibrant, Visible, and Forever in Blue Jeans: 25 Secrets from TV's Jean Queen. Key Topics Diane Gilman's Journey: Diane Gilman's life journey involves aspects such as dressing rock stars, moving to New York without a safety net, designing a product that solved a problem for millions of women worldwide, and battling cancer, reflecting the diverse and challenging experiences she has faced. Family Expectations and Personal Choice: Diane Gilman was shunned by her family for not following the expected path of marrying a nice Jewish doctor and becoming a housewife and mother like her cousin. She felt a calling to fashion from a very young age and had to make a tough choice between pursuing fashion and meeting her family's expectations, ultimately choosing fashion and becoming a successful fashion designer. Overcoming Lack of Support: The conversation also addresses the lack of support and motivation for individuals with dreams of writing a book. The podcast host acknowledges that some aspiring authors may not have the support they need and encourages them to pursue their dreams despite the odds and lack of support. Power of Persistence and Community: There is a message of persistence and the importance of finding a supportive community, such as writing groups and like-minded individuals, to motivate and push individuals to keep pursuing their goals and improve as writers. Buy Too Young to Be Old Amazon: https://amzn.to/3NYlE6s Bookshop.org: https://bookshop.org/a/54587/9781637554531 Connect with Diane Website: https://thedianegilman.com/ Facebook: https://www.facebook.com/TheDianeGilman Instagram: https://www.instagram.com/thedianegilman/ YouTube: https://www.youtube.com/@thedianegilman Podcast: https://thedianegilman.com/podcast/ TikTok: https://www.tiktok.com/@dianegilman4 Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/@uncorkingastory Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've watched much HSN or QVC, you may have seen or even bought clothing with the Diane Gilman label, the "Jean Queen" of tele-retail. Her new book is "Too Young to Be Old," and you'll likely agree with her after you hear our conversation with her. Diane's book is for sale at https://www.amazon.com/dp/1637554532, and her web site and story are at thedianegilman.comSee omnystudio.com/listener for privacy information.

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3 years ago when Suzanne Somers came on the podcast to discuss her book A New Way to Age, I was blown away by her depth of knowledge and personal results in the field. Suzanne passed away this week, 23 years after her cancer diagnosis. Today, we're re-airing her episode about living a vibrant life._____________Suzanne Somers has sex twice a day.She's 73.“I'm horniest on the 12th day of the month,” she said. “When there's a full moon.”“I'll never look at a full moon the same ever again,” I said.She laughed. And told me why she's feeling younger… even though she's getting older. Which she writes about in her new bestselling book, “A New Way to Age: The Most Cutting-Edge Advances in Antiaging.”Some might say “an actress” isn't qualified to write a scientific book about aging.But that's stupid. One: she's human. With human problems that lead her to see real doctors. The best doctors. With cutting-edge formulas to beat aging.She told me, “I've beat cancer three times,” she said. And now she plans to live into her hundreds.But with a caveat…“If I'm going to be alive, then I want to be alive. What's alive? I want to have a sex drive. I want to have nice shiny hair. I don't want to have unexplained weight gain. I don't want to have insomnia. I don't want to have night sweats. I don't want to have hot flashes. I don't want to be forgetful.”That's what this book and this podcast is about. She breaks down:– how to prevent memory loss– how to keep your sex drive even as you age– how to have a good quality of life into your hundreds– how to access the latest age-defying technologyAnd we invited our friend Dr. Dean Mitchell to help back up her research.And give us the science we need to be just as horny.Full moon. Or not.0:00 | Intro2:05 | Why Suzanne wrote a book about holistic medicine and what she does personally to prevent aging5:42 | Nobody thinks they'll end up in a nursing home… but what are the real steps to avoid ending up there?6:48 | Why Suzanne says that getting cancer 20 years ago was “the greatest thing that ever happened to her”7:36 | The effects of chemo 8:13 | Suzanne talks about how she beat cancer three times12:37 | The suspicious way Suzanne's doctor died15:01 | I ask why Steve Jobs swapped holistic medicine for chemotherapy15:49 | How food becomes fuel for your health17:03 | Dr. Mitchell says why Suzanne's book is revolutionary19:01 | “Don't go to the doctor like a child. Go to the doctor like a contractor.” – Suzanne Somers20:55 | How to deal with menopause, balance your hormones, and keep your sex drive as you age25:17 | Do supplements work?28:20 | Suzanne “femsplains” prostate and why testosterone is the antidote to prostate cancer34:28 | Why NAD is “the closest thing we found to the fountain of youth”35:45 | How to know whether or not your body is absorbing minerals37:10 | The #1 supplement we need39:02 | Why vegans don't live as long39:56 | The long-term effects of radiation on the body42:25 | Why we become sluggish as we age43:56 | The power of keeping your insides young45:10 | OutroLinks & ResourcesRead Suzanne's bestseller, “A New Way to Age: The Most Cutting-Edge Advances in Antiaging“Suzanne on Twitter, Instagram, Facebook & YouTubeLearn more at www.suzannesomers.com“TOX-SICK: From Toxic to Not Sick” by Suzanne Somers“Ageless: The Naked Truth About Bioidentical Hormones” by Suzanne Somers“I'm Too Young for This!: The Natural Hormone Solution to Enjoy Perimenopause” by Suzanne Somers

3 years ago when Suzanne Somers came on the podcast to discuss her book A New Way to Age, I was blown away by her depth of knowledge and personal results in the field. Suzanne passed away this week, 23 years after her cancer diagnosis. Today, we're re-airing her episode about living a vibrant life._____________Suzanne Somers has sex twice a day.She's 73."I'm horniest on the 12th day of the month," she said. "When there's a full moon.""I'll never look at a full moon the same ever again," I said.She laughed. And told me why she's feeling younger... even though she's getting older. Which she writes about in her new bestselling book, "A New Way to Age: The Most Cutting-Edge Advances in Antiaging."Some might say "an actress" isn't qualified to write a scientific book about aging.But that's stupid. One: she's human. With human problems that lead her to see real doctors. The best doctors. With cutting-edge formulas to beat aging.She told me, "I've beat cancer three times," she said. And now she plans to live into her hundreds.But with a caveat..."If I'm going to be alive, then I want to be alive. What's alive? I want to have a sex drive. I want to have nice shiny hair. I don't want to have unexplained weight gain. I don't want to have insomnia. I don't want to have night sweats. I don't want to have hot flashes. I don't want to be forgetful."That's what this book and this podcast is about. She breaks down:- how to prevent memory loss- how to keep your sex drive even as you age- how to have a good quality of life into your hundreds- how to access the latest age-defying technologyAnd we invited our friend Dr. Dean Mitchell to help back up her research.And give us the science we need to be just as horny.Full moon. Or not.0:00 | Intro2:05 | Why Suzanne wrote a book about holistic medicine and what she does personally to prevent aging5:42 | Nobody thinks they'll end up in a nursing home... but what are the real steps to avoid ending up there?6:48 | Why Suzanne says that getting cancer 20 years ago was "the greatest thing that ever happened to her"7:36 | The effects of chemo8:13 | Suzanne talks about how she beat cancer three times12:37 | The suspicious way Suzanne's doctor died15:01 | I ask why Steve Jobs swapped holistic medicine for chemotherapy15:49 | How food becomes fuel for your health17:03 | Dr. Mitchell says why Suzanne's book is revolutionary19:01 | "Don't go to the doctor like a child. Go to the doctor like a contractor." - Suzanne Somers20:55 | How to deal with menopause, balance your hormones, and keep your sex drive as you age25:17 | Do supplements work?28:20 | Suzanne "femsplains" prostate and why testosterone is the antidote to prostate cancer34:28 | Why NAD is "the closest thing we found to the fountain of youth"35:45 | How to know whether or not your body is absorbing minerals37:10 | The #1 supplement we need39:02 | Why vegans don't live as long39:56 | The long-term effects of radiation on the body42:25 | Why we become sluggish as we age43:56 | The power of keeping your insides young45:10 | OutroLinks & ResourcesRead Suzanne's bestseller, "A New Way to Age: The Most Cutting-Edge Advances in Antiaging"Suzanne on Twitter, Instagram, Facebook & YouTubeLearn more at www.suzannesomers.com"TOX-SICK: From Toxic to Not Sick" by Suzanne Somers"Ageless: The Naked Truth About Bioidentical Hormones" by Suzanne Somers"I'm Too Young for This!: The Natural Hormone Solution to Enjoy Perimenopause" by Suzanne Somers------------What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!------------Visit Notepd.com to read our idea lists & sign up to create your own!My...

TWS News 1: Opposites Don't Attract – 00:26One Word Labor Day Weekend – 3:46Tuesday School: Happy Little Trees – 11:44TWS News 2: Men Being Observant – 15:59Things You're Too Young to be Doing – 19:32Good News Giddy Up – 25:31TWS News 3: Legit Pet Peeves – 27:37Best Worst Joke Game – 30:54Time Capsule Tuesday – 34:56Rock Report: Jimmy Buffet & Queen Elizabeth – 39:50Song In Your Head When Dropping Your Kid Off – 42:48Prayer Wall – 46:05 You can join our Wally Show Poddies Facebook group at www.facebook.com/groups/WallyShowPoddies