Podcasts about Perfidia

Teyana Taylor joins Backstage's In the Envelope: The Actor's Podcast to discuss her electric performance as Perfidia Beverly Hills in Paul Thomas Anderson's "One Battle After Another." Taylor dives deep into crafting the character with Anderson, her reaction to audience's seeing Perfidia as a villain, filming the movie's most intense scenes, recording that climactic letter, and much more. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Andy Turnbull - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

【聊了什么The What】 本期节目，我们与哲学家袁源、友台美轮美换主播Lokin一同过度解读了保罗·托马斯·安德森（Paul Thomas Anderson）很有嚼劲的新作《一战再战》。这部电影是让小杨“撇着嘴进去，真香着出来”的年度惊喜，也是袁源觉得十分“就这”的陈词滥调。我们从加缪的《反叛者》出发，探讨暴力革命的伦理困境：当“妇人之仁”成为罪行，对抽象理念的狂热是否必然以牺牲具体的人为代价？Perfidia是一个挑战观众道德底线的反英雄，还是一位被男性凝视和刻板印象所困的复杂女性？Perfidia式的、为“爽”而战的景观式革命的反面，是否是Sensei式的、根植于邻里互助的日常英雄主义？ For this episode, we invited philosopher Yuan Yuan and Lokin to join us in over-interpreting Paul Thomas Anderson's chewy new film One Battle After Another. It's a movie that some of us walked into with doubts and walked out of utterly charmed, while others find it to be a thoroughly “meh” bundle of clichés. Starting from Camus's The Rebel, we dig into the ethical dilemmas of revolutionary violence: when “womanly compassion” becomes a crime, does fervor for an abstract ideal inevitably demand the sacrifice of concrete human lives? Is Perfidia a boundary-pushing anti-hero who defies our moral expectations, or a complex woman trapped within male gaze and stereotype? And if Perfidia's spectacle-driven, pleasure-forward revolution is one end of the spectrum, is its opposite the Sensei style—an everyday heroism grounded in neighborly mutual aid? 【时间轴 The When】 00:00 电影《一战再战》剧情速览和第一印象 10:23 为何将60年代的革命美学平移到2008年让人“不买账”？ 22:34 暴力革命的道德思辨：电影中的革命行动是否满足“正义的目标”、“必要性”与“相称性”？ 31:33 Perfidia是刻板印象还是反英雄？ 54:12 Willa打破父辈创伤的循环了吗？ 58:03 “非盈利蛇头”Sensei和日常的英雄主义 67:07 对白人至上主义的辛辣讽刺 78:47 结局：这也能大团圆 00:00 Quick plot recap of One Battle After Another and our initial reactions 10:23 Why does transplanting 1960s revolutionary aesthetics into 2008 feel so unconvincing? 22:34 Moral reasoning around violent revolution: do the film's actions satisfy “just cause,” “necessity,” and “proportionality”? 31:33 Perfidia: sexualized or anti-hero? 54:12 Does Willa break the cycle of her parents' trauma? 58:03 The “non-profit coyote” Sensei and the quiet heroism of the everyday 67:07 A sharp satire of white supremacism 78:47 The ending: …so this counts as a happy ending? 【拓展链接 The Links】 Liberalism in Dark Times: The Liberal Ethos in the Twentieth Century The Rebel: An Essay on Man in Revolt Vineland 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

Whether it's Venezuela or Ukraine, Lefties and their TDS brethren default to racism or Trump/Russia. The fabulous Rachel Maddow epitomizes the pseudo intellectual veneer that props up their misleading narrative.

In this week's episode of the Black Girl Nerds Podcast, we chat with multi-hyphenate Teyana Taylor about her critically-acclaimed work in the Paul Thomas Anderson film One Battle After Another. In One Battle After Another, Teyana Taylor delivers a raw, commanding performance as Perfidia, a woman fighting to hold her life together while the world keeps throwing punches. Taylor channels her signature intensity into a character who is both fierce and deeply vulnerable someone navigating personal trauma, fractured relationships, and the quiet battles no one sees. Host: Jamie Music by: Sammus Edited by: Jamie Broadnax

Songs include: Marimba by Lydia Mendoza, Granada by Frankie Laine, Arentia De Oro by Cuarto Coculense, Mexican Joe by Jim Reeves, Perfidia by Lupita Palomera and Tampica by Stan Kenton. 

Will, Jared, & Kourtney (!) sit down to discuss one of the hottest and most controversial films of the year, Paul Thomas Anderson's One Battle After Another.Does legendary auteur PTA deliver another ingenious adaptation of a Thomas Pynchon novel, or is this movie too radical for its own good? Do the hosts, inspired by the film, regret drinking Modelo during the podcast? Are the portrayals of people of color in this film offensive, and how uncomfortable are our hosts in even discussing that topic? Listen to find out!One Battle After Another is available on these streaming services.The Weather Underground documentary that Kourtney references which Perfidia's Letter is inspired by can be found here (letter is at 1:16:19).The article by "Black Girl Watching" that Kourtney references can be found here."Gymnopedie No. 3" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/You can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY

Send us a textWelcome back to DMR!One Battle After Another is a 2025 action-thriller directed by Paul Thomas Anderson, featuring Leonardo DiCaprio as Bob, a former revolutionary leader trying to live a quiet life off the grid with his daughter, Willa, played by Chase Infiniti. Their peace is shattered when Willa disappears, pulling Bob back into a world he thought he'd left behind. Teyana Taylor plays Perfidia, a figure from Bob's past whose allegiances are uncertain, while Sean Penn portrays Colonel Steven J. Lockjaw, an old adversary with unfinished business. The film also features Benicio del Toro and Regina Hall in pivotal supporting roles.With its grounded performances and politically charged storyline, the film blends personal stakes with broader themes of loyalty, consequence, and resistance. Paul Thomas Anderson brings his signature style to the project—blending suspense, emotional weight, and rich character dynamics—which may draw critical attention. While it certainly has the hallmarks of a high-caliber drama, One Battle After Another seems more focused on telling a tight, character-driven story than chasing awards. That said, with the talent involved, it wouldn't be surprising if it ends up in the conversation during awards season.Reminder to grab your 30 day free trial with Audible and help support DMR in the process, link in the show!Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah talk Portland, where Nancy just returned from her forever-beat. The city of Portland is not on fire. What it is, instead, is a reminder of 2020's worst political violence, and Nancy and Sarah talk about how it's changed, and who wants that old feeling back. Then we discuss One Battle After Another, one of the most talked-about movies of 2025. It's Big Lebowski meets political thriller meets father-daughter saga, and our PTA stan (Sarah) faces off against our normie moviegoer (Nancy), but you might be surprised who loved the movie more.P.S. Sarah is in a battle with the sun and blinds throughout this episode. We did what we could.Also discussed:* Trump administration wants to re-litigate 2020 so bad* Days of Rage is Sarah's lullaby * But what IS antifa?* Nancy met a Groyper!* “Why can't I have a goat and smoke pot?”* Tragic moments in self-own: Palisades fire starter was a climate activist* Charlie Kirk followers practice … civil disobedience?* How Sarah fell in love with Magnolia* Paul Thomas Anderson is Sarah's guy * “Ocean waves, Bob.”* Sarah's Mount Rushmore of actors: DiCaprio, Rockwell, Hoffman, Washington* “You can't make a life and take a life at the same time.”* The character of Perfidia and The Power of the Pussy* Any Pynchon readers around here? Anyone?* Sean Penn is a caricature: good or bad thing?* To Chase Infiniti and beyond!* “Semen demon”* Owen Glieberman's OBAA review: We have notes* Christmas Adventurers' Club* Santa is not a white supremacist* Diane Keaton, style icon* Diane Keaton never condemned Woody Allen* This week's hot boxes are spooky in different waysPlus, John C. Reilly will always have a place in Sarah's heart, Daniel Day-Lewis would be too scary to talk to, Diane Keaton wore life like a loose garment, and much more!Your paid subscription buys Nancy more protective gear!How it started:How it's going:

Send us a textWelcome to the launch of our epic 5th season on Fabulous Film & Friends! This is the big one! The one that everyone will be talking about for years to come. Why? Because this is the episode where I finally get to trash the Barbie movie as we dive into the idea of “When Good Directors Go Bad.”Inspired by the recent release of 2025's Paul Thomas Anderson/ Leonardo DiCaprio domestic terror extravaganza One Battle After Another which also stars Benicio Del Toro, Teyana Taylor, Chase Infiniti, Regina Hall, Tony Goldwyn, Alana Haim and Sean Penn, we're going to analyze just went wrong with this promising cinematic spectacle and compare it to another creative disaster that should've been an artistic and thematic slam dunk considering its pedigree, 2023's Barbie directed by Greta Gerwig and starring Margot Robbie, Ryan Gosling, America Ferrera, Ariana Greenblatt, Simu Liu, Rhea Perlman and Will Ferrell.  I'm your host Gino Caputi and returning to their mics pretty much right where they left them last season are little sis' Roseanne Caputi and actor photobug Gordon Alex Robertson. Alex, you're going to start this season out of the hot seat again as Roseanne is going to continue to thrill us with factoids about the directors in question Hit us again with the facts, Teach! Before we sharpen the bayonets and light the fuses: the synopses. Barbie follows the titular blonde doll as she awakes blissfully in the female run Barbie Land each day, ignoring her supposed boyfriend Ken, and partying with her fellow Barbies all night. One night during a sensationally choreographed and costumed dance party, she has an existential crisis about mortality and develops flat feet, causing her to leave Barbieland on a journey to “the real world” to find the source of her angst. Realizing her depressed feelings stem from a psychic connection to her original owner, Gloria, Barbie reconnects with Gloria and Gloria's daughter and the trio travel back to Barbieland.  Upon their return, however, they are dumbfounded to find that Ken has taken over and has brainwashed all the other Barbies into subservience to him and his fellow Kens. A battle of the sexes ensues. One Battle After Another loosely adapts Vineland, a novel by Thomas Pynchon. It follows Bob Ferguson, a bomb expert drawn into the terrorist group the French 75. Amid the group's revolutionary chaos, Bob fathers a daughter named Willa with the fiery tempered and uncontrollable Perfidia Beverly Hills. Perfidia also has a complicated relationship with the mannered and single-minded Colonel Steven Lockjaw. She is soon caught during a botched bank robbery, and Lockjaw strikes a deal with her, leading her to name names. Years later, after most of his French 75 cohorts have been hunted down by Lockjaw, Bob is still on the run in Northern California with Willa. But Lockjaw finds and captures Willa so Bob must confront the unstoppable colonel for once and for all.  Where did these two talented filmmakers go off the rails?  Find out! Watch the video podcast on Youtube:https://youtu.be/dBbbcNCNAj4

Kenny and Mike discuss and spot faith elements reflected in Paul Thomas Anderson's latest film One Battle after Another. Leonardo DiCaprio stars as "Ghetto" Pat Calhoun, once a leader of the famous revolutionary group, the "French 75." Following the capture of his partner Perfidia Beverly Hills (Teyana Taylor) and the capture and killing of many of the group by Col. Stephen Lockjaw (Sean Penn) Calhoun lives an underground life as Bob Ferguson raising his and Perfidia's daughter Willa (Chase Infiniti).  When Lockjaw, trying to cover his tracks in order to join a secret society of white supremists, The Christmas Adventurers Club, captures Willa, Ferguson is pressed into action with little time to shake of the rust of 15 years of drugs, alcohol and little activity.  Benicio del Toro costars as Sergio St. Carolos, Willa's Karate intstructor and leader of the local undocumented community.  Sergio assists Bob in finding his daughter while also helping many of the community escape from the military crackdown.  Faith Spotted: Co-opting and nationalizing faith for personal power and profit. The perseverance necessary to stand against injustice, seek to redeem and reclaim justice and the way of Christ and the Kingdom of God. The challenge and call to maintain faith and focus when encountering the enevitable, "gravitational force" of resistance of those who oppose the righteousness of God and Gospel of Christ.  Resist the temptations to allow diappointment and struggle change one into that which one is called to oppose. Resist the temptation to believe that unrighteous means will lead to a righteous end. 

Teyana Taylor can do it all: she's a singer, songwriter, actress, model, dancer, choreographer, and director and in this episode of ‘Reign' Teyana proves she is an incredible philosopher too, because WOW the amount of great advice she shares in this episode is off the charts!  Teyana first came to our attention in the MTV show, ‘Super Sweet 16.' Her reality TV stints led to her choreographing for Beyonce and launching a music career with huge hits like ‘Gonna Love Me'. All before she announced she would retire from music to pursue acting. Plot spoiler - in case you don't know already - after a five hiatus Teyana returned to music this year with her new album, ‘Escape Room'.  After securing roles in ‘A Thousand and One' and ‘Coming to America 2', Teyana is now getting deserved Oscar buzz for starring alongside Leonardo DiCaprio and Sean Penn in Paul Thomas Anderson's ‘One Battle After Another' which is out in cinemas from 26th September. Teyana plays revolutionary Perfidia, part of the French 75 revolutionary movement fighting against right wing politics. It's certainly a timely movie which raises questions around migrants, racism and white supremacy and it's truly one of the best movies of the year which will hopefully get us all talking.  Teyana joins me for a deep chat, which shows a whole other side of her, as she talks about everything from the power of patience to operating in survival mode. Get your notepad and pen out whilst listening to this episode because there are so many quotes you need to live by!  If you love listening to Teyana as much as I did, get in touch, as I always love chatting to you and you can find me @joshsmithhosts across socials. Love, Josh x P.S. I'm really excited to be working with Primark - our go to for smart shopping and off the moment trends. Primark are serving us the best new denim collection for autumn with every fit imaginable: wide leg, palazzo, barrel, bootleg, or baggy. Primark's denim has a look for literally every occasion and for everyone because like Reign, Primark wants to empower you to celebrate you and your style everyday, no matter the occasion. Head to primark.com to browse the collection, and why not try the click and collect service while you're there babes?! P.P.S If this great chat has left you wanting to improve your communication skills and boost your relationships - and build new ones-  in the process check out my self help book, ‘Great Chat: Talk to Anyone. Build New Connections. Improve Your Relationships' which is out now in paperback. Whether you are socially anxious, struggling to make connections on dates or want to learn how to have difficult conversations, this is the book for you! You can get your copy here https://geni.us/GreatChat and I really hope you love it.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

From the author of L.A. Confidential. Get all the news you need by listening to WBZ - Boston's News Radio! We're here for you, 24/7.

W najnowszej odsłonie „Skądinąd” polecam książki – na wakacje i nie tylko.   Oto te polecenia:   William Hjortsberg „Harry Angel”, przeł. Robert Lipski, wydawnictwo Vesper James Ellroy „Czarna Dalia” (przeł. Robert Lipski), „Wielkie nic” (Violetta Dobosz, Izabela Pawlak”, „Tajemnice Los Angeles” (przeł. Wojciech Kallas), „Biała gorączka” (przeł. Violetta Dobosz), "Perfidia" (przeł. Zbigniew Kościuk), "Burza" (przeł. Violetta Dobosz), wydawnictwo Sonia Draga (wcześniej m.in. C&T),  John Connolly „Wszystko martwe” (przeł. Agnieszka Paschke), „Kraina cieni” (przeł. Ewa i Ryszard Rudolf), „Morderczy gatunek” (przeł. Ewa Rudolf), „Biała droga” (przeł. Ewa Rudolf), „Czarny anioł”(przeł. Ewa Rudolf), wydawnictwo C&T oraz „Niespokojni” (przeł. Magdalena Mierowska-Paszkiewicz), wydawnictwo Prószyński i S-ka Owocnego słuchania i czytania!

Hoy tenemos un nuevo programa que nos llevará a México con los Café Tacvba y su tercer disco, Avalancha de Éxitos. Lanzado en 1996, está compuesto por versiones de otros artistas hispanohablantes. Ricardo Portman cuenta su historia, track-by-track. Escucharemos Chilanga Banda, Metamorfosis, No Controles, No Me Comprendes, Alármala de Tos, Perfidia, Ojalá Que Llueva Café, Como Te Extraño Mi Amor. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

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Sintonía: "Space Mambo" - The Limboos"This May Be The Last Time" - The Staples Singers; "You Don´t Care" - Bo Diddley; "Sun Arise" - Rolf Harris; "Angels + Devils" - Sun Ra; "Needed Time" - Lightning Hopkins; "Stay" - The Zodiacs; "She´s Coming Home" - The Wailers; "Can´t Let Go" - Evie Sands; "Crawdaddy Simone" - The Syndicats; "Elevator Operator" - The Rays; "Perfidia" - Xavier Cugat; "It Was I" - The Fantastic Baggies; "Firebird" - The White Noise; "The Love Will Find You" - Daniel Johnston; "Just One Time" - Juicy Lucy; "I Take That We´re Through" - The Riot Squad; "Witchdoctor" - John Mayall´s Bluesbreakers; "Ramblin´ Rose" - MC5Todas las músicas (menos la sintonía) extraídas de la recopilación/sesión (1xCD/2xLP) "Spacelines: Sonic Sounds For Subterraneans; A DJ Selection by Sonic Boom" (Munster Records, 2004) Escuchar audio

Nuevo episodio de la esporádica serie dedicada a rescatar grandes álbumes en directo de la historia del rocknroll. Hoy te presentamos el “Live in Japan’65”, grabado el 5 de marzo de 1965 en Tokio por The Ventures, en aquellos días la banda instrumental más importante de su momento. Un disco descomunal, interpretado con una velocidad endiablada y con una interpretación impecable. El segundo álbum es “Rock out with… Live at Ciro’s”, el único disco en vivo registrado por Dick Dale, el rey de la guitarra surf, en el club californiano Ciro’s a comienzos de 1965, poco antes de que llegase a su fin la primera etapa de su trayectoria.Playlist;(sintonía) THE VENTURES “Introduction” (Live in Japan’65)THE VENTURES “The cruel sea (The Cruel Surf)” (Live in Japan’65)THE VENTURES “Penetration” (Live in Japan’65)THE VENTURES “Bulldog” (Live in Japan’65)THE VENTURES “I feel fine” (Live in Japan’65)THE VENTURES “The house of the rising sun” (Live in Japan’65)THE VENTURES “Out of limits” (Live in Japan’65”)THE VENTURES “Slaughter on 10th avenue” (Live in Japan’65)THE VENTURES “Besame mucho twist” (Live in Japan’65)THE VENTURES “Medley; Walk don’t run – Lullaby of the leaves - Perfidia” (Live in Japan’65)THE VENTURES “Driving guitars (Ventures twist)” (Live in Japan’65)THE VENTURES “Surf rider” (Live in Japan’65)THE VENTURES “Journey to the stars” (Live in Japan’65)THE VENTURES “Diamond head” (Live in Japan’65)DICK DALE “Peter Gunn” (Live At Ciro's)DICK DALE “Angry generation” (Live At Ciro's)DICK DALE “Summertime blues” (Live At Ciro's)DICK DALE “Blowin’ in the wind” (Live At Ciro's)DICK DALE “Don’t stop now” (Live At Ciro's)DICK DALE “Let’s go trippin’65” (Live At Ciro's)DICK DALE “What’d I say” (Live At Ciro's)Escuchar audio

Acércate a los principios de la filosofía unificada que está transformando el estado de consciencia de la colectividad. Comprende las ideas centrales del curso y propicia los milagros en tu propia vida. Texto de hoy: FUENTE: Un Curso Sobre Milagros. (Libro de pasta negra) Página 715. Directorio de facilitadores: https://enriquevillanueva.com/directorio/ Reservar sesión con facilitador/a: https://eventos.enriquevillanueva.com/sesion-tse Grupo de soporte para Ansiedad DAR. Inscríbanse en el siguiente enlace: https://eventos.enriquevillanueva.com/dar PARA SESIONES PERSONALES O POR SKYPE CON ENRIQUE VILLANUEVA: ESCRIBAME A: consultaconenrique@gmail.com O ENVIE UN TEXTO AL NUMERO: 1(469) 476-2798 Vayan a mi nueva Página Web: http://www.enriquevillanueva.com

资深DJ有待介绍爵士乐发展史上各流派和代表人物，深入浅出，雅俗共赏。

La inmensidad, el constante movimiento del agua, su amplia gama de colores y tonos —que van del azul al verde o al negro cuando cae la noche—, los secretos que susurran las olas… El mar ejerce sobre nosotros una profunda fascinación y un efecto regenerador y balsámico.Estas canciones que traen ‘Los Intocables' ahogan penas en sus aguas y despiertan sueños.Suenan:1.-Mirando al mar. Isaac et Nora, Rozalén2.-Aline. Adan Jodorowsky y Mon Laferte3.-El mar no cesa. Héroes del silencio. Live Senda 914.-María del Mar. Corazón5.-Mediterráneo. Pecos6.-Cielo, Sol y Mar. Gelu7.-Mediterranéenne. Hervé Vilard8.-La barca. Rubi9.-El rompeolas. Las ventas 2016. Loquillo10.-Perfidia. La Portuaria11.-Me gustaría darte el mar. Gran Bob y los Leones del Bluegrass12.-San Pedro. Revólver.13.-Ferrol. Los Limones.

Sito creció cantando. Y así lleva desde hace más de 50 años, haciéndolo profesionalmente. Nació hace casi 78 año en Piñeiros , Narón y se convirtió en todo un mito de la música popular gallega e histórico vocalista de Los Satélites. Su repertorio esta formado por centenares de temas interpretados desde 1970 hasta prácticamente la actualidad. Mas de medio siglo de música con un sello personal. Siendo muy joven aún, Sito Sedes vería cumplido su sueño. Llegó a sus primeras orquestas (la Sintonía, la Orquesta Radio...) y después su carrera artística se vio coronada en Los Satélites, formación musical a la que aún sigue muy unido, y con la que a veces, en ocasiones especiales, todavía actúa.

Hoy el Mata-Rolas ataca la canción Perfidia

El disco de la trompetista y cantante Andrea Motis 'Febrero', grabado en Chile con la Camerata Papageno, contiene los temas 'La pajita', 'The man I love', 'Carinhoso', 'Someone to watch over me', 'Garota de Ipanema', 'Noche de ronda', 'Sensemayá', 'Perfidia' y 'El carnaval'. Escuchar audio

Hoy no es el Dia de los Enamorados que, por cierto, coincide con el Dia Europeo de la Salud Sexual muy apropiadamente. No es el dia del Amor con mayúsculas, que Romeo y Julieta o Rick e Ilsa en “Casablanca” se profesaban, de forma algo más condicional estos últimos. Cupido olvidado y los pasionales románticos sustituidos por los emocionales distantes. La "elegancia social del regalo” bajo la advocación de S.Valentin, los grandes almacénes para que la caja no se enfríe y una colección de las más bellas canciones de amor para que la llama no se apague. “Innamoratta”,“Perfidia” o Cole Porter invocando al Amor en esta edición. Inéditas incluso como “La Mariposa (que a la luna voló”) de mi autoría en version Ana Laan, como "bonus track". Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Hoy no es el Dia de los Enamorados que, por cierto, coincide con el Dia Europeo de la Salud Sexual muy apropiadamente. No es el dia del Amor con mayúsculas, que Romeo y Julieta o Rick e Ilsa en “Casablanca” se profesaban, de forma algo más condicional estos últimos. Cupido olvidado y los pasionales románticos sustituidos por los emocionales distantes . La "elegancia social del regalo” bajo la advocación de S.Valentin, los grandes almacénes para que la llama no se apague y una colección de las más bellas canciones de amor como “Innamoratta”, “Perfidia” o las de Cole Porter invocando al Amor en esta edición. Inéditas incluso como “La Mariposa (que a la luna voló”) de mi autoría en version Ana Laan, como "bonus track". Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

'Brubeck time' se titula el LP que el pianista Dave Brubeck publicó en 1955 con su cuarteto -entonces el saxofonista alto Paul Desmond,- el contrabajista Bob Bates y el baterista Joe Dodge-. Escuchamos 'Audrey' -pieza inspirada por la actriz Audrey Hepburn-, 'Jeepers creepers', 'Pennies form heaven', 'Why do I love you', 'Stompin for Mili' y 'A fine romance'. Cinco años antes, Brubeck había publicado con el vibrafonista Cal Tjader el LP 'Brubeck Tjader' que contiene clásicos como 'September song', 'Sweet Georgia Brown', 'Spring is here', 'S´wonderful', 'Perfidia', 'Always', 'I didn´t know what time it was', 'How high the moon' o 'Squeeze me'. Escuchar audio

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Phyllis Dillon ist eine der wenigen Musikerinnen, die den Stil des Rocksteady in den 60er-Jahren auf Jamaika mitprägt. Sie schreibt eigene Songs und veröffentlicht zahlreiche erfolgreiche Singles. Heute kennt kaum einer die Musikerin, die nie die Wertschätzung bekommen hat, die ihr zusteht. Hier entlang geht's zu den Links unserer Werbepartner. Hier findet ihr die Sammelbände „These Girls“ und „These Girls, too“. Alle Folgen der Themenwoche „These Girls“: Folge 1: Bessie Smith – Kitchen Man >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-phyllis-dillon-perfidia

Phyllis Dillon ist eine der wenigen Musikerinnen, die den Stil des Rocksteady in den 60er-Jahren auf Jamaika mitprägt. Sie schreibt eigene Songs und veröffentlicht zahlreiche erfolgreiche Singles. Heute kennt kaum einer die Musikerin, die nie die Wertschätzung bekommen hat, die ihr zusteht. Hier entlang geht's zu den Links unserer Werbepartner. Hier findet ihr die Sammelbände „These Girls“ und „These Girls, too“. Alle Folgen der Themenwoche „These Girls“: Folge 1: Bessie Smith – Kitchen Man >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-phyllis-dillon-perfidia

Phyllis Dillon ist eine der wenigen Musikerinnen, die den Stil des Rocksteady in den 60er-Jahren auf Jamaika mitprägt. Sie schreibt eigene Songs und veröffentlicht zahlreiche erfolgreiche Singles. Heute kennt kaum einer die Musikerin, die nie die Wertschätzung bekommen hat, die ihr zusteht. Hier entlang geht's zu den Links unserer Werbepartner. Hier findet ihr die Sammelbände „These Girls“ und „These Girls, too“. Alle Folgen der Themenwoche „These Girls“: Folge 1: Bessie Smith – Kitchen Man >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-phyllis-dillon-perfidia

Phyllis Dillon ist eine der wenigen Musikerinnen, die den Stil des Rocksteady in den 60er-Jahren auf Jamaika mitprägt. Sie schreibt eigene Songs und veröffentlicht zahlreiche erfolgreiche Singles. Heute kennt kaum einer die Musikerin, die nie die Wertschätzung bekommen hat, die ihr zusteht. Hier entlang geht's zu den Links unserer Werbepartner. Hier findet ihr die Sammelbände „These Girls“ und „These Girls, too“. Alle Folgen der Themenwoche „These Girls“: Folge 1: Bessie Smith – Kitchen Man >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-phyllis-dillon-perfidia

Phyllis Dillon ist eine der wenigen Musikerinnen, die den Stil des Rocksteady in den 60er-Jahren auf Jamaika mitprägt. Sie schreibt eigene Songs und veröffentlicht zahlreiche erfolgreiche Singles. Heute kennt kaum einer die Musikerin, die nie die Wertschätzung bekommen hat, die ihr zusteht. Hier entlang geht's zu den Links unserer Werbepartner. Hier findet ihr die Sammelbände „These Girls“ und „These Girls, too“. Alle Folgen der Themenwoche „These Girls“: Folge 1: Bessie Smith – Kitchen Man >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-phyllis-dillon-perfidia

El disco de la trompetista y cantante Andrea Motis 'Febrero', grabado en Chile con la Camerata Papageno, en primicia y exclusiva, porque no se publica hasta el próximo mes de febrero. Suenan en el mismo orden del disco 'La pajita', 'The man I love', 'Carinhoso', 'Someone to watch over me', 'Garota de Ipanema', 'Noche de ronda', 'Sensemayá', 'Perfidia' y 'El carnaval'. Además, Charlie Haden y su Quartet West con 'Wayfarer stranger' -que el contrabajista cantó acompañado por una orquesta- y 'The left hand of God'. Escuchar audio

In "Perfidia," author James Ellroy writes a historical novel and the first volume of his second L.A. Quartet series, set in Los Angeles in 1941 that follows the story of several very different people who come together to investigate the murder of a Japanese family as America is at the brink of World War II. This discussion with the author took place on a 2014 episode of "Conversations On The Coast with Jim Foster" originating in San Francisco, California. Photo: jamesellroy.net

1. Kustiati bersama "Orkes Krontjong Tjendrawasih" - Kr. Burung Merpati 2. Titiek Puspa bersama Orkes Mus Mualim - Buka Pintu 3. Titiek Puspa bersama Orkes Mus Mualim - Rindu 4. Ernie Djohan bersama Orkes Isbandi - Malam Pesta 5. Kus Bersaudara - Aku Rindu 6. Alwi & Nina bersama Orkes "Zaenal Combo" - Si Rambut Sasak 7. Nien Lesmana bersama Orkes "Simanalagi" - Letnan Hardi 8. Ida bersama Orkes "Pamor" - Ala Tipang 9. Nuskan Sjarif bersama Orkes "Kumbang Tjari" - Lah Lamo Indak Basuo 10. Diah Iskandar bersama Orkes "Arulan" - Rindu 11. Koes Bersaudara - Harapanku 12. Marini Soerjosoemarno bersama Orkes Simanalagi - Gipsy Woman 13. Orkes "Simanalagi" - Es-Mi-Ran 14. Cuarteto Los Modernistas bersama "Combo Inder" - Perfidia

It just came down to me. Like the letter at the beginning of Forrest Gump. Like the chap who rescued Mary and me six years ago when we blew a tire in the most remote "track" to be found in all of England. It just came down to me: I realized that the rockabilly-surfing band Los Straitjackets had something to teach me that had been camouflaged for years. FYI Los Straitjackets are a Nashville-based instrumental rock band that specialize in somewhat weird yet most accomplished covers of mostly ancient rock 'n roll hits from the USA and Mexico. Songs like "Itsy Bitsy Yellow Polka Dot Bikini", "Telstar", "Perfidia" and basically anything by Duane Eddy. The band has changed personnel some over the years, but not too much. Dave Zahl and I got to see them live in 2015. But quite seriously, Los Straitjackets specialize in a structure or form of most of their songs that majors on the last third of what they play. It's odd. They play two verses of a somewhat conventional sounding dinosaur hit from the surfing/sci fi/rockabilly past; but then, in the third verse, the band goes crazy. Another way of saying it might be this: the band ascends near the end to St. Paul's seventh heaven -- or at least something like that. You'll hear it. Always wait for the third verse. It's never ever over 'til it's over. This cast is heavy on the music. To me their sound is in a class by itself. To me it gives hope for... the last third of life. To me it's an actual musical exposition of my Handbook for Boomers (Mockingbird 2020). "Go now, therefore, and make all men... disciples of Los ..." LUV U.

Los Miserables Autor: Víctor Hugo Quinta Parte: Jean Valjean Libro tercero El barro, pero el alma Cap V : Tanto en la arena como en la mujer hay una sutileza que es perfidia. Notó que se metía en el agua y que lo que tenía bajo los pies no era ya empedrado, sino cieno. A veces, en algunas costas de Bretaña o de Escocia, un hombre, un viajero o un pescador, que va andando, con marea baja, por el arenal, lejos de la orilla, se da cuenta de pronto de que desde hace unos minutos le cuesta andar. Bajo los pies nota la playa como si estuviera hecha de pez: se le pegan las suelas; ya no es arena, sino liga. El arenal está completamente seco, pero a cada paso, nada más alzar el pie, la huella se llena de agua. Por lo demás, la mirada no ha captado ningún cambio; la playa inmensa está lisa y tranquila, toda la arena parece igual, nada diferencia el suelo sólido del que ha dejado de serlo; la nubecilla alegre de las pulgas de mar no ha dejado de brincar tumultuosamente bajo los pies del caminante. El hombre continúa andando, sigue adelante, tuerce hacia la tierra, intenta acercarse a la costa. No está preocupado. ¿Por qué iba a preocuparse? Pero nota como si los pies le fueran pesando cada vez más, a cada paso. De repente, se hunde. Se hunde dos o tres pulgadas. Definitivamente está claro que no va por el buen camino; se detiene para orientarse. De pronto, se mira los pies. Le han desaparecido los pies. Se los tapa la arena. Saca los pies de la arena, quiere desandar lo andado, retrocede, se hunde más. La arena le llega a los tobillos; hace fuerza para salir de ella y tira hacia la izquierda; la arena le llega a media pierna; tira a la derecha; la arena le llega a las corvas. Entonces se da cuenta con indecible espanto de que se ha metido en unas arenas movedizas y que lo que tiene debajo es ese medio aterrador en que el hombre no puede ya andar como tampoco puede ya nadar el pez. Tira la carga, si es que lleva una; aligera peso, como un barco en peligro de zozobrar; ya no está a tiempo, la arena le llega por encima de las rodillas. Llama; hace señas con el sombrero o con el pañuelo; la arena se lo traga cada vez más; si la playa está desierta, si la tierra queda a demasiada distancia, si ese banco de arena tiene una reputación demasiado mala, si no hay un héroe por las inmediaciones, está condenado a que se lo trague la arena. Está condenado a ese enterramiento espantoso, largo, infalible, implacable, que no es posible ni retrasar ni apresurar, que dura horas, que no acaba nunca, que lo atrapa a uno cuando está de pie, libre y rebosante de salud; que tira de uno por los pies; que, con cada esfuerzo que intenta, con cada grito que suelta, lo arrastra algo más hacia abajo, que parece castigarlo a uno por oponer resistencia abrazándolo de forma más estrecha, que mete al hombre despacio en la tierra dejándole mucho rato para que mire el horizonte, los árboles, la campiña verde, el humo de las aldeas en la llanura y las velas de los barcos en el mar, las aves que vuelan y cantan, el sol, el cielo. Que se lo trague a uno la arena es como un sepulcro que se vuelve marea y sube hacia el vivo desde lo hondo de la tierra. Todos y cada uno de los minutos son un entierro inexorable. El desventurado intenta sentarse, tenderse, reptar; todos los movimientos que hace lo sepultan; se yergue, se hunde; nota que la tierra se lo traga; suelta alaridos, implora, les grita a las nubes, se retuerce los brazos, desespera.

Nueva entrega de la serie dedicada a recordar joyitas del pop procedentes de la primera mitad de los años 60. Playlist; (sintonía) THE FIREBALLS “Quite a party” JIMMY GILMER and THE FIREBALLS “Sugar shack” THE VENTURES “Perfidia” SONNY JAMES “Apache” CLIFF RICHARD and THE SHADOWS “A girl like you” THE RIVINGTONS “The bird’s the word” THE TRASHMEN “Bird dance beat” EDDIE COCHRAN “Sweetie pie” IRMA THOMAS “Breakaway” KAI WINDING “Time i son my side” HERB ALPERT and THE TIJUANA BRASS “A taste of honey” KATHY KIRBY “Acapulco 22” THE KINKS “Set me free” THE BEATLES “Words of love” THE DEMENSIONS “Seven days a week” JACKIE DESHANNON “Needles and pins” THE SEARCHERS “Oh my lover” THE CHIFFONS “One fine day” DEL SHANNON “Keep searching (follow the sun)” BOBBY VEE “Young love” Escuchar audio

¿Has considerado que la creencia de sentirte especial es el origen de tu propio caos? Descubre cómo el especialismo fomenta la separación y te aleja de la solución real. HOY en nuestro programa Conciencia de Unificación por ADR Wellness Activando Tus Sentidos

Il matematico Piergiorgio Odifreddi, il primo degli ospiti collegati con Perfidia, non sfugge alla richiesta di offrire alla platea del talk una “perfidia” che decide di indirizzare al governo Meloni: «La perfidia peggiore credo che gliel' abbiano fatta gli elettori mandandola a governare, perché in queste situazioni politiche, interne ed estere, non è un piacere. E poi soprattutto il sogno di governare è sempre il sogno degli ingenui: perché poi uno scopre, quando arriva lì, che deve fare quello che facevano anche gli altri e nello stesso modo». Prendendo spunto dal libro “La democrazia non esiste”, Odifreddi argomenta che al di là del fatto che potrebbe sembrare una provocazione, in realtà quello è l'enunciato di un teorema dimostrato nel 1951 da Kenneth Arrow, premio Nobel per l'economia, che ha fatto «un esercizio di filosofia applicata alla matematica e viceversa. Noi abbiamo troppe aspettative dalla democrazia. Bisogna lasciarne cadere qualcuna e lì è nata la teoria delle scelte sociali». Insomma la democrazia «è più una parola che un fatto»: «Meloni ha la maggioranza nei due rami del parlamento, ma è stata votata solo dal 25% degli elettori. Significa, ed aveva ragione Burke, che in realtà la democrazia è la dittatura di una maggioranza, ma qui è diventata ormai una dittatura tout cure della minoranza». L'astensionismo registrato nelle ultime tornate elettorali per Bruni «è il problema reale, ma è legato anche di mancanza di una capacità propositiva degli italiani». Per Gallo invece «la democrazia ancora esiste», la maggior parte degli elettori va a votare perché pensa di poter cambiare le cose, ma sui processi e sulle scelte incombe il potere economico finanziario. Rispetto alle opposizioni, invece, Odifreddi fa capire come la pensa con un semplice: «Ma c'è ancora il Pd?». ***************************** Perfidia Il programma settimanale di attualità e approfondimento politico con ospiti regionali e nazionali, a cura di Antonella Grippo. 16/12/2022 --- Send in a voice message: https://podcasters.spotify.com/pod/show/vito-rodolfo-albano7/message

Label: Dolton 28Year: 1960Condition: M-Price: $60.00Great single with two classic Surf instrumentals. And how about that cool picture sleeve? Woah! Note: The record grades a weak Near Mint in appearance (Labels, Vinyl) and has Near Mint audio as well. The sleeve is nearly flawless, with just a touch of ringwear.

Episode 50 aired on Mutual Radio Network March 22, 1941. First David Rose conducts In Dear Old Southland, I Love Thee and 4:20Am. Maxine Gray sings Love Is. The Rose orchestra with Chopin's Prelude and Saint Saens Danse Macabre. Maxine Gray with Perfidia and the Rose orchestra ends this episode with a tune called Big Ben.

El Real Madrid, en su sentido más amplio, es el origen y la causa de todos los males. Su directiva, sus aficionados, su poderoso aparato mediático, están en el germen de todas las desgracias propias y ajenas, sobre todo de las ajenas, ya sean reales o, por lo general, inventadas, producto de la mala fe o la paranoia. Min. 01 Seg. 44 - Intro Min. 08 Seg. 37 - Una campaña blanca y patética Min. 14 Seg. 08 - La turra mediática blanca Min. 21 Seg. 51 - La vía española, la vía francesa Min. 32 Seg. 57 - Problemas en la cantera Min. 42 Seg. 49 - Ofendidos por las derrotas Min. 53 Seg. 51 - El Milan del año 2022 Min. 58 Seg. 47 - Hay que ilusionar al socio Min. 63 Seg. 49 - No están preparados para la verdad Min. 68 Seg. 00 - Despedida Canned Heat (Boston 99/06/1970) I Found Love Kaleidoheat Boogie Bullfrog Blues Bring It On Home Gonna Find A New Woman Killong Floor Catfish Blues Candy Dulfer - Sax-A-Go-Go (Amsterdam 2001)

04 - Carlos Do Carmo - Fado do Minho   3 48 06 - Fond01 - Heitor VillaLobos  Bachianas Brasileiras No4     3 52 07 - Lee Hazlewood    Son Of A Gun   2 56 08 - Fond01 - RimskyKorsakov - Scheherazade Op 35  2 Lento    3 46 09 - Joana - O pau do meu vizinho   3 30 10 - Fond Arvo Pärt - Für Alina 1976    20 01 11 - Nat King Cole  Perfidia 1959    2 16 12 - Fond05 - Heitor VillaLobos  Bachianas Brasileiras No4    3 49 13 - Tim Maia - Que Beleza   3 25 14 - Fond03 - RimskyKorsakov - Scheherazade Op 35  2 Lento    3 35 15 - Century - Lover Why 1985    3 33 16 - Fond02 - RimskyKorsakov - Scheherazade Op 35  2 Lento    3 36 17 - Adrian Gurvitz  Classic HQ AUDIO   3 37 18 - LES ENTRETIENS DE CinéDV  Entretien avec Miguel Gomes   4 17 19 - Interview  MIGUEL GOMES pour LES MILLE ET UNE NUITS  Daily Movies   4 01

Nuevo episodio de la esporádica serie dedicada a rescatar grandes álbumes en directo de la historia del rocknroll. Hoy te presentamos el “Live in Japan’65”, grabado el 5 de marzo de 1965 en Tokio por The Ventures, en aquellos días la banda instrumental más importante de su momento. Un disco descomunal, interpretado con una velocidad endiablada y con una interpretación impecable. El segundo álbum es “Rock out with… Live at Ciro’s”, el único disco en vivo registrado por Dick Dale, el rey de la guitarra surf, en el club californiano Ciro’s a comienzos de 1965, poco antes de que llegase a su fin la primera etapa de su trayectoria. Playlist; (sintonía) THE VENTURES “Introduction” (Live in Japan’65) THE VENTURES “The cruel sea (The Cruel Surf)” (Live in Japan’65) THE VENTURES “Penetration” (Live in Japan’65) THE VENTURES “Bulldog” (Live in Japan’65) THE VENTURES “I feel fine” (Live in Japan’65) THE VENTURES “The house of the rising sun” (Live in Japan’65) THE VENTURES “Out of limits” (Live in Japan’65”) THE VENTURES “Slaughter on 10th avenue” (Live in Japan’65) THE VENTURES “Besame mucho twist” (Live in Japan’65) THE VENTURES “Medley; Walk don’t run – Lullaby of the leaves - Perfidia” (Live in Japan’65) THE VENTURES “Driving guitars (Ventures twist)” (Live in Japan’65) THE VENTURES “Surf rider” (Live in Japan’65) THE VENTURES “Journey to the stars” (Live in Japan’65) THE VENTURES “Diamond head” (Live in Japan’65) DICK DALE “Peter Gunn” (Live At Ciro's) DICK DALE “Angry generation” (Live At Ciro's) DICK DALE “Summertime blues” (Live At Ciro's) DICK DALE “Blowin’ in the wind” (Live At Ciro's) DICK DALE “Don’t stop now” (Live At Ciro's) DICK DALE “Let’s go trippin’65” (Live At Ciro's) DICK DALE “What’d I say” (Live At Ciro's) Escuchar audio

THE ORIGIN OF THIS MUSIC:Created by Gibbs Williams  It is hard to believe it has been decades since I graduated from Miami Beach Senior High School. It is even harder to believe that I received an invitation to attend the 65th reunion. Unfortunately, with the covid pandemic still in the air, although vaccinated, I thought it prudent better to pass up this event hoping conditions fare more salutary for the 70th. Although disappointed I would miss the reunion I was struck by a wave of pleasurable nostalgia.           Recalling those the best of those glorious days I remember the feelings of the cool Miami Beach breezes enveloping us on our weekly Friday night dances in the patio of our high school. All who attended seemed hypnotized with feelings of a pervasive feeling of at-one-ment in which we collectively bathed in what was then and even now experienced as our own unique mixture of heroin- like- atmosphere. This natural high was experienced by many of us as nothing short of pure unadulterated nostalgia. Nostalgia then and now was like our living in a collective commune protecting us from what probably would have been experienced as overwhelming normal adolescent pain if we had been open to feeling it.  I was especially nostalgic remembering my self and four other guys daring to form a small combo good enough to play at all of the school dances. We even played well enough that every New Years Eve a Miami Beach Hotel hired us to perform. Our Small combo consisted of Drums (Marvin Guccion), Bass (John Schaffer), Trombone (Peter Weill), Trumpet (Kenny Kupper) and Piano (Gibbs Williams). Unknowingly we had no knowledge that we were on the cutting edge of what would soon be an explosion of worldwide bands.           In is in this memorable context that I wish to share an album of some of those unforgettable songs which best seem to celebrate the richness not only of those glorious days from the 9th to the 12th grade, but all the years that have too quickly passed - as well as the years that are yet to come. It is unfortunate that we never recorded our iconic sounds. The best I can offer with the goal in mind of capturing the sounds we made are my original arrangements made on my Yamaha synthesizer. The songs we played were standards from the forties and fifties. I have titled this compilation Nostalgia.                                "NOSTALGIA" -  65 th REUNION - MIAMI BEACH HIGH SCHOOL - CLASS of 55 Moon Over Miami , Ebb Tide, Star Dust, It Might As Well Be Spring, Teguilla, The Hucklebuck, Five Foot Two, Somewhere Along the Way, Im In The Mood For Love, Again, Blue Moon, Miami Beach Rhumba, Because of You, Rock Around the Clock, Down By The Riverside, Tammy's In Love, Where Is Your Heart, Don't Blame Me, If I Loved You, I'll Take Manhattan, The Man I Love, A Secret Love, Autumn Leaves, Summer Time, Mona LIsa, Take the A Train,Perfidia, It's No Sin, It Had To Be You, For Me And My Gal, Thrill Me, You're Just In Love, Yellow Bird, Canadian Sunset, A Taste Of Honey, Too Young, Saint Louis Blues, My Foolish Heart, You Belong To Me, Sleepy Time Gal, Body and Soul, The Nearness Of You, Misty, Sweet Georgia Brown, Blue Skies, Tenderly, Some Enchanted Evening, Bali High, Bewitched, Once Upon A Time, As Time Time Goes By, Aways, Fight Song Of The Miami Beach Hight Marching Band A and B.       I know all was not perfect then as we were all struggling to survive adolescence so those days were hardly always serene. Yet, there was, and still is for me and I imagine for many of my class mates, a certain undeniable 'specialness' about our class which for many of us still acts like a permanent magnet pulling us back again and again to re-unite.       As for me, if we had been recognized as ground-breaking I am certain our lives at least vocationally would have taken a much different route. However, I can honestly say that I am happy to being a still practicing psychoanalyst in New York City - a happily married husband and father having started our own dynasty of four grandchildren. 

When the New York Times book critic Dennis Lehane writes about the opening of James Ellroy's novel, “Perfidia” he states. “There — Whalen's Drugstore, Sixth and Spring Streets. The site of four recent felonies. 211 PC — Armed Robbery.” For better and often for worse, that style — jumpy, feverish and anarchic — mirrors the world we enter.” So too does our opening track reflect this jumpy, feverish and anarchic feeling. Composed and arranged by today's guest, a musician who has performed and recorded with many world class musicians including Dizzy Gillespie, Eddie Henderson, The Temptations, 10,000 Maniacs, The Four Tops and many others. My guest is a saxophonist, composer, arranger and educator as well as the founder, artistic director and conductor of the Rockland Youth Jazz Ensemble, an adjunct jazz professor at Bergen Community College, Bergen Catholic High School's Jazz Ensemble director and vice-president of the Rockland County Jazz and Blues Society. In 2019 he was the recipient of the Arts Council of Rockland's 2019 Performing Artist Award. It is my honor to introduce today's guest, the leader of The Peter Furlan Project and The Peter Furlan Trio & Quintet, Peter Furlan.

Conversamos con el periodista deportivo Sergio Sauca. Nos paseamos por las vegas cubanas para conocer como es la siembra y el tiempo que pasa una semilla hasta que se convierte en habano. De vuelta a España nos acercamos hasta Mugardos, un pueblo gallego con un plato de pulpo muy personal. Fumamos un Bolivar belicosos finos con Ángel García Muñoz. Repasamos los conciertos más importantes del mes de agosto y conocemos mejor la figura de Winston Churchill de la mano de José Andrés Colmena. Como broche final la música de Ibrahim Ferrer y su “Perfidia”.

Josh and Bulent (with a phone by Rob) get together and to discuss some great books they are reading as well as upcoming movies in the theatres. Topics include: - Rogue 1 trailer - Future Avatar movies - American Tabloid by James Ellroy  - 'Mazing Man - Monty Python - Black Dahlia, LA Confidential, White Jazz, Perfidia. - Green Lantern Rebirth GL Wanted Hal Jordan - DKIII #6 CANCELLED!!! - Punisher (2011)by Greg Rucka - Cape Horn (Humanoids) - James bond VARGR - Captain America in Dimension Z What were your robot choices? Let us know at:Twitter: https://twitter.com/Genxwing Facebook: https://www.facebook.com/generationxwingpodcast 5 star us and subscribe on iTunes, Stitcher or Libsyn! Visit our website at www.generationxwing.com  You can also hit the Amazon link if you are thinking of buying on-line. This really supports our show and doesn't cost you anything. C'mon, it's Christmas. GXW theme song by Arim Ahmet at Sound_Escape. ***The Generation X-Wing Podcast is not associated with Lucasfilm LTD, Disney, and its opinions and conversations do not represent those of Lucasfilm LTD or Disney. Generation X-Wing Podcast is created entirely for entertainment & educational purposes only. All media resources produced by Generation X-Wing Podcast are used in Fair Use and not for profit. No Bothans were harmed in the making of this podcast.***

Perfidia (Knopf) Please welcome back to Skylight one of L.A.'s most iconic crime writers, James Ellroy! The Japanese have bombed Pearl Harbor. The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of "The Big Nowhere, L.A. Confidential, White Jazz)." As their lives intertwine, we are given a story of war and of consuming romance, a searing expose of the Japanese internment, and an astonishingly detailed homicide investigation. In "Perfidia," Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the "Demon Dog of American Crime Fiction." Praise for Perfidia "Perfidia is a brilliant, breakneck ride. Nobody except James Ellroy could pull this off. He doesn't merely write--he ignites and demolishes." --Carl Hiaasen "A return to the scene of Ellroy's greatest success and a triumphant return to form. . . . His character portrayals have never been more nuanced or--dare we say it--sympathetic. . . . A disturbing, unforgettable, and inflammatory vision of how the men in charge respond to the threat of war. It's an ugly picture, but just try looking away." --"Booklist", starred review "A sprawling, uncompromising epic of crime and depravity." --"Publishers Weekly" James Ellroy was born in Los Angeles in 1948. He is the author of the Underworld U.S.A. Trilogy-American Tabloid, The Cold Six Thousand, and Blood's a Rover-and the L. A. Quartet novels, The Black Dahlia, The Big Nowhere, L. A. Confidential, and White Jazz. He lives in Los Angeles.