Podcasts about Buddy Clark

Same Time, Same Station 02/23/2025 Bing Crosby Sound-alikes Part 1. “Bing Crosby Entertains” 09/18/1934 Boswell Sisters. First song, Love In Bloom. “Russ Columbo Program” 07/15/1934 first-song-rolling-in-love. “Avalon Time” 09/27/1939 Ep039 With Red Skelton. Meeting The In-Laws, Dick Todd’s first appearance. “Carnation Contented Hour” 09/xx/1949 50th Anniversary. Dinah Shore, Buddy Clark. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

Same Time, Same Station 02/23/2025 Bing Crosby Sound-alikes Part 1. “Bing Crosby Entertains” 09/18/1934 Boswell Sisters. First song, Love In Bloom. “Russ Columbo Program” 07/15/1934 first-song-rolling-in-love. “Avalon Time” 09/27/1939 Ep039 With Red Skelton. Meeting The In-Laws, Dick Todd’s first appearance. “Carnation Contented Hour” 09/xx/1949 50th Anniversary. Dinah Shore, Buddy Clark. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

Same Time, Same Station 03/02/2025 Bing Crosby Sound-alikes Part 2. “Bing Crosby Entertains” 03/19/1935 (59) First Song – Old Faithful. “Russ Columbo Show” 06/17/1934 First song, The House Is Haunted. Jimmy Fidler reports Bing Crosby is NOT quitting. “Your Hit Parade” 12/08/1945 #164 Joan Edwards and Dick Todd. “Hildegarde’s Radio Room” 01/02/1946 Buddy Clark subs guest is Jay Jostyn AFRS. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

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DON FAGERQUIST “EIGHT BY EIGHT” Hollywood, CA, September 14, 1957Smoke gets in your eyes, All the things you are, The song is you, Lullaby of BroadwayDon Fagerquist, Ed Leddy (tp) Bob Enevoldsen (v-tb) Vince DeRosa (fhr) Herb Geller (as) Ronnie Lang (bar) Marty Paich (p) Buddy Clark (b) Mel Lewis (d) NICOLE GLOVER “PLAYS” ca. 2023Open or close, Munsoon, One second, please, I've grown accustomed to her faceNicole Glover (ts) Steve Nelson (vib-1) Tyrone Allen (b) Kayvon Gordon (d) DON PULLEN “NEW BEGINNINGS” New York, December 16, 1988Jana's delight, Once upon a time, WarriorsDon Pullen (p) Gary Peacock (b) Tony Williams (d) Continue reading Puro Jazz 13 de enero, 2025 at PuroJazz.

DON FAGERQUIST “EIGHT BY EIGHT” Hollywood, CA, September 14, 1957Smoke gets in your eyes, All the things you are, The song is you, Lullaby of BroadwayDon Fagerquist, Ed Leddy (tp) Bob Enevoldsen (v-tb) Vince DeRosa (fhr) Herb Geller (as) Ronnie Lang (bar) Marty Paich (p) Buddy Clark (b) Mel Lewis (d) NICOLE GLOVER “PLAYS” ca. 2023Open or close, Munsoon, One second, please, I've grown accustomed to her faceNicole Glover (ts) Steve Nelson (vib-1) Tyrone Allen (b) Kayvon Gordon (d) DON PULLEN “NEW BEGINNINGS” New York, December 16, 1988Jana's delight, Once upon a time, WarriorsDon Pullen (p) Gary Peacock (b) Tony Williams (d) Continue reading Puro Jazz 13 de enero, 2025 at PuroJazz.

Diamond Kinetics' technology helps baseball and softball players.

Here is the actual playlist: It's a Sin To Tell a Lie (Fats Waller 1936) Who Told You That Lie? (Vaughn Monroe 1946) My Bonnie Lie Over The Ocean (Ella Logan 1938) Darling, You Lied (Wayne King, Buddy Clark 1941) How Could You Believe Me ect. (Bing Crosby Judy Garland 1951) Little White Lies (Dick Haymes 1948) Why Do I Lie To Myself About You (Johnny Johnson 1936) Lovely Lies (Manhattan Brothers & Miriam Makeba 1956) How It Lies (Connie Haines 1949)

Welcome to the Instant Trivia podcast episode 1136, where we ask the best trivia on the Internet. Round 1. Category: State Sandwich 1: It's sandwiched between Mississippi and Georgia. Alabama. 2: It's sandwiched between California and Utah. Nevada. 3: It's the cheesy filling between Illinois and Michigan's Upper Peninsula. Wisconsin. 4: It's sandwiched between Oregon and Wyoming. Idaho. 5: It's sandwiched between Minnesota and Missouri. Iowa. Round 2. Category: I'M Latin Intolerant 1: I cannot tolerate this Latin phrase abbreviated A.D. when referring to the time since Jesus was born. Anno Domini. 2: I don't care that it's only 4 letters long; I'm not using this abbrev. phrase meaning "and others" in a crossword clue. et al.. 3: I certainly won't call you this word meaning "retired but still retaining the title of your old position". emeritus. 4: Not that I care but...it means "for the time being"; you'll find it as part of a Senate job title. pro tem. 5: It's a fact; there's no way I'm saying this phrase that means "in fact" (as in the man behind the scenes, perhaps). de facto. Round 3. Category: Beatlewomania 1: Lady Gaga was among the stars who joined her new "Plastic" band for a 2010 rendition of "Give Peace A Chance". Yoko Ono. 2: Ringo Starr wed first wife Maureen Cox in London in 1965; she'd been born in this Mersey River city in 1946. Liverpool. 3: Buddy Clark's 1947 chart-topping song "Linda" was written about the future wife of this Beatle (when she was 5 years old). Paul McCartney. 4: "Half of what I say is meaningless", John Lennon sang on "Julia", which bears the name of this woman in his life. his mother. 5: Before she was married to Eric Clapton, George Harrison wrote the song "Something" about her. Pattie Boyd. Round 4. Category: Current Monarchs 1: He spoke Catalan at the opening ceremonies of the 1992 Summer Olympics. King Juan Carlos (of Spain). 2: He is the reigning prince of Monaco. Prince Rainier. 3: Princess Stephanie of Monaco is his youngest child. Prince Rainier. 4: Bhumibol Adulyadej, not Yul Brynner, current rules this country. Thailand. 5: OPEC nation ruled by King Fahd ibn Abd al-Aziz. Saudi Arabia. Round 5. Category: Pick A Number From 1-10 1: The prefix kilo signifies 10 to the power of this. 3. 2: Number of singers in the group that hit No. 1 in 1970 with "ABC". (Jackson) 5. 3: You should know this number is an anagram and a homophone of the German word for "no". nine. 4: Legend says only Adrastus survived out of a group of this many heroes who took on Thebes. 7. 5: In 1816 Ferdinand I ruled over the kingdom of this many Sicilies. 2. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Songs include: A Christmas Festival, Christmas Island, Christmas In Killarney, The Twelve Days of Christmas, All Around the Christmas Tree, I Want a Hippopotamus For Christmas and Have Yourself a Merry Little Christmas.  Performers include: Leroy Anderson, Judy Garland, The Andrews Sisters, The DeCastro Sisters, Gayla Peevy, Buddy Clark and Sammy Kaye. 

Episode 290, Strictly 1940s, features 18 recordings that would have been familiar to most adults in the 1940s. Performers include Dinah Shore, Buddy Clark, Lester Lanin, Guy Lombardo, Frank Sinatra, Cole Porter, Margaret Whiting, Mel... Read More The post Episode 290, Strictly 1940s appeared first on Sam Waldron.

Episode 260, Buddy Clark, presents the music of a popular 1940s crooner who was known as “the voice of romance,” and whose life was cut short at age 37 in a plane crash. Songs include... Read More The post Episode 260, Buddy Clark appeared first on Sam Waldron.

Features vintage Big Band music by Duke Ellington, The Pied Pipers, Buddy Clark and The Starlighters. We also listen to an old radio spot for Postum. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Shellac Stack No. 300 gives three cheers with Buddy Clark! We sample some Western Swing with Leon McAuliffe and Tex Williams, enjoy a humorous monologue with Tom McNaughton, dance with Sam Lanin, Frankie Trumbauer, Leo Erdody, and Ted Lewis, and enjoy more fine records by the Hylton Sisters, the Ink Spots, Vincent Lopez, and more.

Episode 247, I Love the 40s Vol. 1, presents 17 recordings Sam Waldron never gets tired of. Performers include Buddy Clark, Bing Crosby, Peggy Lee, Scatman Cruthers, Les and Larry Elgart, Guy Lombardo, Frank Sinatra... Read More The post Episode 247, I Love the 40s Vol. 1 appeared first on Sam Waldron.

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Songs include: A Bouquet of Roses, Sunflower, Wildflower Rag, Apple Blossom Wedding, Flowers of Dawn and Dance of the Flowers. Musicians include: Larry Clinton, Frank Sinatra, Buddy Clark, Ozzy Nelson, Clarence Williams, Duke Ellington and Eddy Arnold.

Jazz, Big Band, and Swing Sunday - Rainy Coffee Shop 1. 00:00:00 Doris Day Put 'Em In A Box, Tie 'Em With A Ribbon 2. 00:03:07 Charlie Parker Blue Bird 3. 00:06:00 Louis Jordan Doug The Jitterbug 4. 00:08:37 Billie Holiday Georgia On My Mind 5. 00:12:01 Bud Powell Bouncing With Bud 6. 00:15:06 Dinah Shore Love That Boy 7. 00:17:47 Dizzy Gillespie Groovin' High 8. 00:20:29 Nat King Cole Nature Boy 9. 00:23:09 Ella Fitzgerald Taking A Chance On Love 10. 00:26:20 Miles Davis All-Stars Milestones 11. 00:28:58 Hoagy Carmichael Ole Buttermilk Sky 12. 00:31:15 Margaret Whiting That Old Black Magic 13. 00:33:58 Charlie Parker Scrapple From The Apple 14. 00:36:55 Mel Torme You're Getting To Be A Habit With Me 15. 00:40:01 Doris Day Love Somebody (feat. Buddy Clark) 16. 00:43:07 Tadd Dameron The Squirrel 17. 00:46:08 Louis Jordan (You Dyed Your Hair) Chartreuse 18. 00:48:43 Kay Starr If I Could Be With You (One Hour Tonight) 19. 00:51:30 Wardell Gray Twisted 20. 00:55:00 Johnny Mercer My Sugar Is So Refined 21. 00:57:45 Ella Fitzgerald When My Sugar Walks Down The Street 22. 01:00:28 Miles Davis Venus De Milo 23. 01:03:40 Nat King Cole Sweet Lorraine 24. 01:06:53 Jimmie Lunceford Ain't She Sweet 25. 01:09:24 Peggy Lee Them There Eyes --- Send in a voice message: https://anchor.fm/waldina/message

Features recordings by Tommy Dorsey, Buddy Clark, Ambrose and more.  We also learn how to put sunshine into our wash. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Excerpts from NBC Radio broadcasts featuring The Vincent Lopez Orchestra, Boris Karloff on Lights Out, Buddy Clark sings, comedian Col. Stupnagle, NBC News coverage of ship Normandy fire and music from 1938 Contented Hour.

Songs include: My Foolish Heart, Heart and Soul, I'm Gonna Lock My Heart, Cold, Cold Heart, Deep In the Heart of Texas & My Heart Belongs to Daddy. Performers include: Billie Holiday, Mary Martin, Billy Ecksteine, Larry Clinton, Hank Williams, Bing Crosby, Buddy Clark and Dinah Shore.

Shellac Stack No. 255 wipes the pan with the High Hatters and dreams with Elliot Lawrence's Orchestra. Along the way, we hear from Morton Harvey, Fats Waller, the Dorsey Brothers, Duke Ellington, Jack Denny, the Ritz Quartet, Buddy Clark, Ruth Etting, and many more. Join us! (Support the Shellac Stack on Patreon: patreon.com/shellacstack — thank … Continue reading »

 Episode 191, “Favorite 40s Music,” presents 17 of Sam Waldron's personal favorite recordings from the decade of the Big Bands and World War Two. Performers include Alice Faye, the Glenn Miller Orchestra, Buddy Clark, Helen... Read More The post Episode 191, “Favorite 40s Music,” appeared first on Sam Waldron.

Chuck joins a panel discussion at the NAPE Business Conference about the current and future state of upstream private equity. And as is typical, Chuck's a bit of a buzzkill. Moderated by Buddy Clark of Haynes & Boone, the other panelists include Greg Robbins of Grit Oil & Gas and Michael Freeman of Haynes & Boone.

In this Podcast Extra of "The Big Band and Swing Podcast" we celebrate the Birthday of Buddy Clark.  Buddy was born on July 26th, 1912 in Dorchester, Massachusetts. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Unsung champions of the Broadway songbook--if you don't know them, you should: Jackie and Roy, Lee Wiley, Buddy Clark, Felicia Sanders, Matt Monro, Cecile McLorin Salvant, and more.  

Episode 62 features the audio portions from Soundies by Tony Pastor, Billy Eckstine, Buddy Clark and more. Ronnaldo also plays tracks from Jan Savitt and The Andrews Sisters.  ...and remember, if you want to listen to more Big Band and Swing Music check out SwingCityRadio.com to hear Your Big Band Favorites from the 1930's, 40's and Today! * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

In this episode you’ll hear Doris sing: 1) Everybody Loves A Lover 2) Oh! What It Seemed To Be (with Les Brown & His Band Of Renown) 3) Put 'Em In A Box, Tie 'Em With A Ribbon (And Throw 'Em In The Deep Blue Sea) (with the Page Cavanaugh Trio) (from the film Romance On The High Seas) 4) Que Sera, Sera (Whatever Will Be, Will Be) (from the 1956 film, The Man Who Knew Too Much) 5) Swinging On A Star (with Les Brown & His Band Of Renown (with Butch Stone, vocals) 6) Lover Come Back 7) I Got the Sun in the Morning (with Les Brown & His Orchestra) 8) A Guy Is A Guy (with Paul Weston Orchestra) 9) Sentimental Journey (with Les Brown & His Band Of Renown) 10) (Why Did I Tell You I Was Going To) Shanghai (with The Paul Weston Orchestra) 11) Secret Love 12) The Lady From 29 Palms (with Les Brown & His Band Of Renown) 13) Sugarbush (with Frankie Laine & The Norman Luboff Choir) 14) The Booglie Wooglie Piggy (with Les Brown & His Band Of Renown) 15) Love Somebody (with Buddy Clark) 16) I'm Making Believe (with Les Brown & His Band Of Renown) 17) It Had To Be You (with Paul Weston Orchestra) 18) My Dreams Are Getting Better All the Time (with Les Brown & His Band Of Renown) 19) Someday I'll Find You 20) Would I Love You, Love You, Love You [from the film Young Man With A Horn] (with The Harry James Orchestra) 21) Till The End Of Time (with Les Brown & His Band Of Renown) 22) Bewitched, Bothered & Bewildered (with The Mellomen) 23) It's Magic (from the film Romance On The High Seas)

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Jimmy is joined again by Minmin Zhang and Buddy Clark of Diamond Kinetics to talk about motion capture technology...with today's focus being on marker-less motion capture systems.Links:Diamond KineticsDiamond Kinetics Reboot Motion Partnership

Jimmy is joined by Minmin Zhang and Buddy Clark of Diamond Kinetics to give an introduction to motion capture technology. Understanding motion capture is fundamental to understanding biomechanics. The three discuss sensor-based and marker-based motion capture systems.(Be on the look for part II, where they discuss marker-less motion capture solutions.)Links:Diamond KineticsDiamond Kinetics Reboot Motion Partnership

The Kingsmen 49-07-05 (05) Buddy Clark

REMEMBERING FAR AWAY PLACES as we take a sentimental journey-in-place with records and recollections of England, France, Ireland, South America, Bermuda and Turkey, along with such musical tour guides as Eartha Kitt, Buddy Clark, Bobby Darin, and more!

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Shellac Stack No. 196 laughs at the funnies with Ruby Newman and takes tea with the Weintraub Syncopators. Along the way, we hear from Adrian Schubert's Orchestra, Bruz Fletcher, Earl Hines, the Pickens Sisters, Lil Green, Buddy Clark, Gene Rodemich, and many others. From hot to sweet to “blue” — this episode has it all! … Continue reading »

The history of the wild west is closely followed by the American oil wildcatters and their bankers. Today, the United states is facing some of the most tumultuous disasters ever recorded. Who would have ever guessed that a game of Russian, and OPEC, oil price roulette would be followed by the Covid-19 economic disaster. That being said, the old saying "History has a way of repeating itself" is kind of frighting. We had the opportunity to sit down with Buddy Clark, Partner/co-chair for Haynes and Boone's Energy Practice Group, to talk about his book. Oil Capital is a historical look at the emergence of the US oil and gas industry. BUY HIS BOOK: https://www.amazon.com/Oil-Capital-American-Wildcatters-Independents/dp/0692817328/ref=sr_1_1?dchild=1&keywords=OIl+Capital+by+Buddy+Clark&qid=1591751436&sr=8-1

Shellac Stack No. 179 walks with music. We hear from Buddy Clark, Marion Harris, Adrian Rollini, Ted Lewis, Jaye P. Morgan, Jack Jenney, George Olsen, and many more in a program to get you “walkin' on air.”

Episode 6: Yummy! You can almost smell this delicious episode just waiting to be played. In this episode we hear songs from Stan Kenton, Buddy Clark, Bob Crosby and Charlie Barnet. We also listen to a segment of a Jerry Gray radio performance recorded at the Edgewater Beach Hotel in Chicago from 1951. The cost of living is also discussed as we look back at the prices of items in 1930. ...and remember, if you want to listen to more Big Band and Swing Music check out SwingCityRadio.com to hear "Your Big Band Favorites from the 1930's, 40's and Today!" * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Surprise! We have a bonus.... In difficult times, music has the power to lift one's spirits and spread positivity. In the hopes of bringing you all a little much needed melodious sunshine, we at Jiminy Crickets present 45 of the happiest Walt Disney Songs of all time. Enjoy! With a Smile and a Song – Snow White and the Seven Dwarfs 1937            Performed by: Adriana Caselotti             Written by: Frank Churchill / Larry Morey / Leigh HarlineWhistle While You Work – Snow White and the Seven Dwarfs 1937            Performed by: Adriana Caselotti             Written by: Frank Churchill / Larry Morey / Leigh HarlineSaludos Amigos – Saludos Amigos 1943      Album Version: Walt Disney's Music from South of the Border 1958      Performed by: The Disney Studio Chorus      Written by: Charles Wolcott / Ned WashingtonZip-A-Dee-Doo-Dah – Song of the South 1946            Performed by: James Baskett            Written by: Ray Gilbert / Allie WrubelFun and Fancy Free / Happy Go Lucky Fellow – Fun and Fancy Free 1947      Performed by: The Disney Studio Chorus / Cliff Edwards      Fun and Fancy Free written by: Bennie Benjamin / George David Weiss      Happy Go Lucky Fellow written by: Ned Washington / Eliot Daniel My What a Happy Day – Fun and Fancy 1947      Album Version: Disneyland Records – Mickey and the Beanstalk 1963      Written by: Bill Walsh / Billy Gilbert / Ray Gilbert       Performed by: Marilyn HoovenMelody Time – Melody Time 1948      Performed by: Buddy Clark      Written by: Bennie Benjamin / George David WeissBlame It on Samba – Melody Time 1948      Performed by: Ethel Smith / The Dinning Sisters      Written by: Ernesto Nazareth / Ray GilbertThe Merrily Song – The Adventures of Ichabod and Mr. Toad 1949      Performed by: Eric Blore / J Pat O’Malley      Written by: Frank Churchill / Charles Wolcott / Larry Morey / Ray GilbertBibbidi-Bobbidi-Boo – Cinderella 1950            Performed by:  Verna Felton / The Disney Studio Chorus            Written by: Al Hoffman / Mack David / Jerry LivingstonThe Unbirthday Song – Alice in Wonderland 1951            Performed by: Katherine Beaumont / Ed Wynn / Jerry Colonna            Written by: Al Hoffman / Mack David / Jerry LivingstonYou Can Fly! You Can Fly! You Can Fly! – Peter Pan 1953      Performed by: Katherine Beaumont / Bobby Driscoll / Paul Collins / Tommy Luske /         The Disney Studio Chorus       Written by: Sammy Fain / Sammy CahnFun With Music – Mickey Mouse Club 1956      Performed by: The Mouseketeers      Written by: Jimmie DoddSing a Smiling Song – Sleeping Beauty 1959      Album Version: Disneyland Records – The Story of Sleeping Beauty 1959      Performed by: Mary Martin      Written by:  Pyotr Tchaikovsky / George Bruns / Tom Adair The Glad Game – Pollyanna 1960            Album Version: Disneyland Records – Pollyanna 1960            Performed by: Hayley Mills            Written by: Hazel George / David Swift / Paul J SmithThe Strumin’ Song – The Horsemasters 1961      Performed by: Annette Funicello      Written by: Richard and Robert ShermanEnjoy It – In Search of the Castaways 1962            Performed by: Maurice Chevalier / Hayley Mills            Written by: Richard and Robert ShermanA Spoonful of Sugar – Mary Poppins 1964      Album Version: Disneyland Records – The Story of Mary Poppins 1964      Performed by: Marni Nixon      Written by: Richard and Robert ShermanSupercalifragilisticexpialidocious – Mary Poppins 1964      Performed by: Julie Andrews / Dick Van Dyke      Written by: Richard and Robert ShermanI Love to Laugh – Mary Poppins 1964      Performed by: Julie Andrews / Dick Van Dyke / Ed Wynn      Written by: Richard and Robert ShermanIt’s a Small World – New York World’s Fair 1964            Performed by: The Disney Studio Chorus            Written by: Richard and Robert ShermanThere’s a Great Big Beautiful Tomorrow – New York World’s Fair 1964      Performed by: Rex Allen / The Disney Studio Chorus      Written by: Richard and Robert ShermanFortuosity – The Happiest Millionaire 1967      Performed by: Tommy Steele      Written by: Richard and Robert ShermanLet’s Have a Drink on It – The Happiest Millionaire 1967      Performed by: Tommy Steele / John Davidson      Written by: Richard and Robert ShermanThe Bare Necessities – The Jungle Book 1967            Performed by: Phil Harris / Bruce Reitherman            Written by: Terry GilkysonTen Feet Off the Ground – The One and Only, Genuine, Original Family Band 1968      Album Version: Disney Songs the Satchmo Way 1968      Performed by: Louis Armstrong      Written by: Richard and Robert ShermanHe’s Gonna Make It – The Barefoot Executive 1971            Performed by The Disney Studio Chorus            Written by: Bruce Belland / Robert F Brunner The Beautiful Briny – Bedknobs and Broomsticks 1971      Performed by: Angela Landsbury / David Tomlinson      Written by: Richard and Robert ShermanThe Best Time of Your Life – Walt Disney World Carousel of Progress 1975      Performed by: Andrew Duggan      Written by: Richard and Robert ShermanBrazzle Dazzle Day – Pete’s Dragon 1977      Performed by: Helen Reddy / Mickey Rooney / Sean Marshall      Written by: Al Kasha / Joel HirschhornI Found a New Friend – Herbie Goes Bananas 1980      Performed by: The Disney Studio Children’s Chorus      Written by: Frank DeVolWe Are Here to Change the World – Captain EO 1986      Performed by: Michael Jackson      Written by: Michael JacksonWhy Should I Worry – Oliver and Company 1988            Performed by: Billy Joel            Written by: Dan Hartman / Charlie MidnightUnder the Sea – The Little Mermaid 1989      Performed by: Samuel E Wright      Written by: Howard Ashman / Alan MenkinSome Lucky Day – Dick Tracy Soundtrack Album 1990            Performed by: Andy Paley            Written by: Andy Paley / Michael KernanHigh Times Hard Times – Newsies 1992      Performed by: Ann Margaret      Written by: Jack Feldman / J A C Redford / Alan MenkenFriend Like Me – Aladdin 1992      Performed by: Robin Williams      Written by: Alan Menken / Howard AshmanHakuna Matata – The Lion King 1994            Performed by: Nathan Lane / Ernie Sabella / Jason Weaver / Joseph A Williams            Written by: Tim Rice / Elton JohnYou’ve Got a Friend in Me – Toy Story 1995            Performed by: Randy Newman            Written by: Randy NewmanGood News – James and the Giant Peach 1997            Performed by: Randy Newman            Written by: Randy NewmanThe Time of Your Life – A Bug’s Life 1998            Performed by: Randy Newman            Written by: Randy NewmanHappy Working Song – Enchanted 2007      Performed by: Amy Adams      Written by: Alan Menken / Stephen SchwartzAlmost There – Princess and the Frog 2009            Performed by: Anika Noni Rose            Written by: Randy Newman            When Will My Life Begin – Tangled 2010            Performed by: Mandy Moore            Written by: Alan Menken / Glenn SlaterTry Everything – Zootopia 2016      Performed: Shakira      Written by: Sia Furler / Tor Hermansen / Mikkel Eriksen Download (right click, save as)

Saudi Arabia recently announced that it was engaging in a full-on price war by pumping oil like crazy. At one point, after the move, the price of Brent Crude plunged 31%. This was a body blow to U.S. shale companies, who are already reeling from falling prices and tightening credit markets. On this week's episode of Odd Lots, we speak with Buddy Clark, a Houston lawyer at the offices of Haynes and Boone about why this came at the worst possible time for the industry, and what could happen next.

In 1969, Professor Larry Hench developed a glass that can grow with bones. His close friend and colleague, David Greenspan, helped Professor Hench develop the material into BioGlass, a product that is used in orthopedic and dental bone graft materials. David, a native of Brooklyn, wanted to be a drummer but turned to glass blowing instead. His big insight into entrepreneurship? “Never lie to yourself.” *This episode was originally released on September 25, 2018.* TRANSCRIPT: Intro: 0:01Inventors and their inventions. Welcome to Radio Cade a podcast from the Cade Museum for Creativity and Invention in Gainesville, Florida. The museum is named after James, Robert Cade who invented Gatorade in 1965. My name is Richard Miles. We’ll introduce you to inventors and the things that motivate them. We’ll learn about their personal stories, how their inventions work, and how their ideas get from the laboratory to the marketplace. Richard Miles: 0:39Glass that lives. That’s the subject of our Radio Cade podcast today and in the studio with me, I have David Greenspan. David, welcome. David Greenspan: 0:47Thank you very much. It’s a pleasure to be here and it’s great to see the Cade Museum alive and well. Richard Miles: 0:52Thank you. Thank you. All right. Before we talk about you, David, which is, I know probably your favorite subject, right? Of course. Let’s tell the listeners a bit about BioGlass, which is the invention that you’re associated with. Just explain to me in very simple terms, what is the core technology underneath it and sort of how does it work and then we’ll come back later and talk about the applications in the market and that sort of stuff. David Greenspan: 1:15Bioglass is a bio material and there are lots of biomaterials you can think of. Metals for hips, knees, materials for wound healing, gauze, bandages, all biomaterials heart valves, some are synthetic some are natural. Bioglass is a form of glass and of course glass itself as a chemistry has lots of different compositions, lots of different properties within that category. BioGlass is unique because when it’s implanted, and originally it was used as a bone regenerative material. When it’s implanted in bone, it actually reacts like sugar dissolves. Well, much more slowly BioGlass the atoms, the Ions in BioGlass will react and actually stimulates bone healing and that was the core Aha moment. Richard Miles: 2:05I see. David Greenspan: 2:06So basically that was the concept and the original material and from that and from learning about how this glass reacts and how you could change the composition slightly and change, the reactions, the field kind of broadened out into applications well beyond just trying to help bone healing. Richard Miles: 2:25So that sounds both fascinating and incredibly complicated at the same time because unlike what your earlier examples about a metal hip, there you’re basically just taking an object, sticking it in the body and it replaces the previous object, but BioGlass really sounds quite different in that it is actually interacting with the body itself. David Greenspan: 2:44Yeah, it is different and when professor Larry Hinch actually invented the material, the first experiments, and he had a whole series of thought processes, which actually we can explore that, but it actually wasn’t… she wasn’t… I’m going to make a material that’s going to bond to bone. It was I’m going to make a more compatible material that we can put in the body. There’s a great quote by Isaac Asimov that I’m going to butcher right now, but basically he said the most profound moment in science is not “Eureka”, but “gee, that’s interesting” and that’s what it was. I mean, in the late sixties when Larry invented this, we were trying to make a material that the body wouldn’t reject. Richard Miles: 3:24I see. David Greenspan: 3:25And what he found as a result of the first experiment was that the material actually attached to the bone and that set an entirely new path for everybody coming later who was developing biomaterials. Richard Miles: 3:38You make a great point. Referring to Larry. Larry was the actual inventor, this Larry Hinch. We both knew Larry, you knew him, much better than I did. Um, and like a lot of inventors, Larry was an interesting guy, let’s shall we say, can you give our listeners a snapshot of maybe Larry’s career, but also his personality. David Greenspan: 3:57 Larry, was just in awe about the world and everything and he was curious. And that’s the best thing that I learned from Larry is there’s always another question to ask. You do an experiment. You get some information. That information that you get should lead you to ask three or four more questions. He was curious about everything. You knew him. I knew him. He was like a big grown up kid. And his interests were much more than just beyond science and biomaterials and bone regenerative medicine. I mean, he painted of course Boing Boing the Bionic Cat series of books that he wrote and authored, it wasn’t enough for him to write the book, but then he thought that he could make science kits for kids in seventh, eighth, ninth grade to do experiments based on the subject matter of the book. He was an incredible thinker. He was kind, generous, wonderful, and just had a love of life. Truly a PhD, a Renaissance Man, arts, painting, music, all of that. Richard Miles: 4:53I remember my wife Phoebe and I went and visited him I guess probably about five years before he died and he was showing us around his condo at the time and he was just, like you said, a little boy. I can’t remember what he was showing us, but there were various toys and devices and whatnot. And he was thrilled to be showing them off. And I remember he… didn’t he also record his own song. Uh… David Greenspan: 5:12Yes he did Richard Miles: 5:13I think you can find it on Youtube, right? About a mechanical part. David Greenspan: 5:17Yes. Yes, he did. And in fact there was a conference for bioceramics, bioglass and bioceramics and Larry was one of the co-founders. It was an international conference that rotated between Europe and America and the Far East, Japan or China. And at one of the first ones, which I was lucky enough to attend, the three Bill Bonfield and Tadashi Kokubo and Larry decided that at the banquet, the Europeans and the Americans and the Japanese and folks from the Far East and Australia would each get up and do a song and that became a regular thing at the banquets. So yeah, he was gregarious. He loved life and… Richard Miles: 5:56It was quite amazing. All right, let’s talk about you for a second you’re a Brooklyn boy and tell us sort of growing up, what were you like as a kid? What were your interests in any role models or were you just sort of like at aimless troublemaker? David Greenspan: 6:08I was a… Richard Miles: 6:09I understand it’s not mutually exclusive. You could be both, but go ahead. David Greenspan: 6:12I was… the first six years of my life, I grew up in the projects. We didn’t have a lot of money and so the projects were a little rougher than a really nice suburban sort of household and I kinda shied away, but when we did finally… my parents saved enough. We got into a house. It was a huge park that had a dozen baseball fields, three football fields. I was out the back door and they wouldn’t even bother calling me for dinner. Richard Miles: 6:38We’re still talking about Brooklyn. David Greenspan: 6:39Still Brooklyn Marine Park, Brooklyn born and raised, went to James Madison high school, Bader Ginsburg, Chuck Schumer, lots of other famous people. Graduated from James Madison. I had a large extended nuclear family and so growing up I did the normal getting into a little bit of trouble. I wasn’t a truant or anything and it was nothing conscious, but I just knew I had to do well in school, but my mother also thought “Oh, you should do music. You should learn art.” And I used to like to draw, so my first love was always sports, but my second first love was painting. I got to take art lessons from a professional artist who was a friend of my mother’s and she was kind of impressionist and so I studied that and I loved it and time would pass. Richard Miles: 7:21And you’re a drummer in a rock band currently. David Greenspan: 7:23Yeah, I played music so I had instrumental music in junior high school so that I got to play in the orchestra and the band and I love drumming and got together with friends, you know, it’s the 60s, 64 65 and… Richard Miles: 7:34So when they kicked Pete Best out of the Beatles, you’re on the shortlist. David Greenspan: 7:37I was ready. I was ready. Richard Miles: 7:37You never got the call. David Greenspan: 7:40One of one of my early most humbling experiences was we got to cut a demo record BT Puppy Records, the tokens in the happenings owned the little record company in Manhattan and we cut a demo and listened to what we sounded like and that’s when I realized music was not in my future. Richard Miles: 7:58It’s a nice way of putting it. But you did decide that glassblowing was in your future and how did that happen and how did that end up into ceramic engineering? David Greenspan: 8:05So being from New York, we would go on vacation, the summers in the Finger Lakes region in western New York is beautiful. So for everybody who hasn’t been up there go. And there’s a little town, Corning, New York, and you’ve probably heard Corning Glassworks, they had a museum a Glass Museum and part of that back then was Steuben glass company was blown crystal and it was gorgeous. So we’re in the museum. I’m at that point still painting, doing art. Richard Miles: 8:30So you’re in high school, at this point. David Greenspan: 8:32Just high school and there they were doing glassblowing. We watched them for 15 or 20 minutes and my parents said let’s go get lunch. And I said nope. And they said, come on David. And I said, you bring me back something. And they did. They went, they went to get lunch and I sat there for an hour and a half and decided right then and there I wanted to be a glass blower. Watching glass being blown was the most fascinating thing to me. Richard Miles: 8:55Do you remember what about it that was really compelling? David Greenspan: 8:57The fact that you could take something that’s red, hot, yellow, glowing shape it mold it put a puff of air, into it and it expands and then it cools down and it’s malleable and you can make all these beautiful forms and you could see through it and it’s shiny, and then at the end of the line some of the pieces would have engravings and you’d watch these artists engrave. It was pure art and that trip was obviously the seminal moment in my life. It’s sad. Richard Miles: 9:26So later on, where did you go to college? David Greenspan: 9:29When I got back, I announced to my whole family I was going to be a glassblower and there were three coronaries because nice Jewish kid from Brooklyn should be a doctor or a lawyer, you’re going to starve if you’re an artist. And I did really well in school. School was pretty easy for me and I had a cousin said, “I know a college that gives courses in glass blowing.” Richard Miles: 9:49This is on the down low… David Greenspan: 9:52Yes… and so she said, go to glove Joy’s college catalog. I don’t know if anybody remembers. They used to have these big catalogs that had all the schools. So we went to the library. Alfred University, upstate New York, right near the Finger Lakes, not too far from Corning is a private university, but they had a College of Ceramics, so it was New York State College of Ceramics, but it was administered by Alfred University and the Premier College for ceramics. They have the best number one ceramic art college in the world, I believe. Still do and they… Richard Miles: 10:21Was there a formal relationship with Corning. Did Corning’s name fund some of this or no? David Greenspan: 10:25No, this was started by a potter because they had terracotta clay at Alfred, but it became this worldclass college and I said, okay, well if I can’t be an artist there’s this technical stuff, and back then in the late sixties it was rocket nose cones. This metal oxide semiconductors was just very new, so there was all this new science and technology around ceramic materials in general and that led me to Alfred. Richard Miles: 10:51So Brooklyn boy goes to college in upstate New York and here we are in North Central Florida. Something happened in between. How did you end up in Gainesville working with Larry Hinch? David Greenspan: 11:02Well, of course this is the late sixties, so there’s the whole Vietnam thing. I wasn’t sure I wanted to go work in industry. I’ve loved research, you know, a senior projects and doing research and what I was doing was trying to develop materials for an early artificial kidney so that kind of brought in the biomedical stuff and I was looking around to do graduate work in glass and there’s a very limited number of people that do work in glass. And Larry Hinch was at the time looking at developing glass that would withstand radiation damage in outer space because we had a space program and they were going to get astronauts up into space and they had windows but the windows would fog. So he was working on that and there was some very specific technical properties about glass. Glass is normally an insulator. Think back to early 1900s. There were all these electrical insulators that were made from glass because it doesn’t conduct well. Larry, a lot of other people found that you could change the elements in the glass composition and you could conduct electricity slightly or do other things. And Larry was working on that in the late sixties and so that fascinated me. So I applied to there and to a few other schools, Clemson University and Virginia Polytechnic Institute, which is Virginia Tech now. Basically why I came down to is I got the best research assistantship offer from the University of Florida and Larry’s work was interesting so I said I’m going to go there. So I get to the university and I sit down with Dr. Hinch and I say, well I’d like to work on these style electric properties of glass. And he said, well I don’t have any more funded research there but I have this new thing that we just started and it’s a ceramic biomaterial. It wasn’t called BioGlass in 1972 when I started was a ceramic biomaterial. He said you could work on that. He said, but if you want to work on the other stuff, you could do a teaching assistantship. So I could teach labs and then do my studies and then do my research or I could have a research assistantship and not bother with the 20 hours a week of labs and grading papers, so I said yes, I’ll do that. Dr Buddy Clark, who is still at University of Florida in the College of Dentistry was I think the first PhD student and I was the second working on the development of BioGlass. Richard Miles: 13:16So from what you describe, David, it sounds like this is a technology that industry would love. Did BioGlass immediately start making a bunch of money or… tell us about the commercialization. Now I do know Larry really didn’t make any money off of his invention for a number of different reasons, but explain to me what happened after it was established as a thing who bought it? David Greenspan: 13:38Sure. I think first 30 years later, overnight success. The concept that Larry put forward, that a synthetic material can be implanted in the body and stimulate repair was so far into everybody working in the field. Nobody believed it. I mean it literally took 15 years to convince other biomaterial researchers that it was real and it worked and because we didn’t know how or why. But in fact, by 1973, Larry had posited his five-stage reaction for bioactive glass. First it releases sodium and then silicon ions dissolve a little bit and then they reprecipitate on the surface and then that causes calcium-phosphate to precipitate and then collagen comes in there and it bonds to the bone and then it crystallizes to hydroxyapatite, which is bone mineral and all that’s well and good, but that’s not really the answer, but it was put out there and as you know, if you put it out there enough it becomes real. Richard Miles: 14:34Right. David Greenspan: 14:35So it was really tough. But sticking with it, finally, we found applications that were necessary where there was an unmet need basically and that’s what you have to do. It’s fine to have a material, but you need the unmet need and that was in dental bone grafting and… Richard Miles: 14:52That was already you said 15 years in… David Greenspan: 14:54Yeah 15 years… mid to late eighties. There had been an attempt with a startup company to actually commercialize it, but the people were less than upstanding and the company failed miserably and university got the technology back and then another group of investors came in who were more reasonable. Larry actually drove that and we actually started properly going through all the FDA regulations and all the processes to get a material into the marketplace. Richard Miles: 15:22And this was for dental… David Greenspan: 15:24Dental, bone graft, yes. Richard Miles: 15:25Eventually became a toothpaste as well. Or was it different? David Greenspan: 15:29 That was different. This was called perio glass, so it… take the BioGlass, crush it up into a powder and for people who that have periodontal disease, they have bone loss between the teeth and your teeth can fall out and it causes a lot of problems. So he put a little bit of this in that pocket where the bone is resorbed and you suture the gums up over it, cleaned it all out and it helps regrow the bone and save the teeth. And at the time there were other calcium phosphate, hydroxyapatite bone mineral types of products being used for that. So basically the synthetic bioglass was pulled along in this developing market for the periodontist and the oral surgeons who were looking for better solutions. And that’s what it always is. Richard Miles: 16:13So I got to ask David, and you can take the fifth amendment on this one, but was the University of Florida any help during this process at all? Or were they just sort of on the sidelines or… David Greenspan: 16:22It’s a complicated question. They tried to… Richard Miles: 16:25I said you can take the fifth on this. David Greenspan: 16:26No, no, no, no. Hindsight’s always 20 20. At the time they were doing, I think what they felt was best. They were looking not proactively, but if somebody came, they were willing to license technology. Larry always had a hand in continuing to do research that was funded by the company, so companies that licensed the technology to commercialize it had a component that was giving Larry money directed towards some of what the company wanted to do, but back in the seventies and the eighties and of course there’s a very famous case of another inventor who invented some electrolyte drink and the university didn’t know what to do. So we were all very naive back then. Richard Miles: 17:05That’s one of the reasons I was asking. I couldn’t help but be struck by the timing in that. You said it was 1972 right… David Greenspan: 17:10When he invented, yeah… Richard Miles: 17:11And that’s right when the University of Florida chose to sue Robert Cade, the namesake of this podcast over Gatorade, and so I imagined that wasn’t the best environment maybe to… David Greenspan: 17:22But the university didn’t know they licensed. I mean the first license was to an orthopedics implant company, Howmedica. And the university did have a licensing agreement. It wasn’t as favorable to the university as it might have been. It wasn’t prohibitive to the company, but the university is so much better these days at knowing that… a lot of them. Yeah. Richard Miles: 17:42Tell us about now what applications is bioglass currently being used and I know of at least one NovaMin, the toothpaste. I know there’ve got to be other ones. David Greenspan: 17:51So BioGlass was something that we trademarked while I was still a graduate student. We needed a name I can remember… was in the conference room on a Friday afternoon in the materials building and there was a lot of beer and a lot of graduate students and we were looking for names for this ceramic biomaterial and bioglass one, and from that one composition, people started playing with others. So 45, S5 Bioglass’s one particular composition. There are a lot of others. The first materials were solid implants to replace the three smallest bones in the middle of the year, the malleus, the incus, and the stapes based middle ear prosthesis. Very successful clinically, not a big market, was not successfully commercialized. Perio glass was. Following that was Nova Bone, which… for orthopedics and there’s a very large market there in spine fusion. Probably 85 percent of bioactive glass used in orthopedics is used for spinal fusion surgeries. Beyond that is Novamin, very, very, very fine particle of that same composition used for tooth desensitization, but there are also other compositions and other companies. Biomin is a British company that is using bioactive glass in toothpaste. There’s a company, most eyeglass that produces a board, not a silicate glass, but a Bor, a glass which is bioactive has the same sort of properties that’s used in treating chronic wounds. It’s FDA approved. There are other glasses, bioactive glasses that have silver, which is an antimicrobial used in wound healing and a few other applications. Most of it is hard tissue, some wound healing, and a lot of oral applications. Richard Miles: 19:28Wow. So quite a few opportunities out there. David Greenspan: 19:31Oh yeah. Richard Miles: 19:33So David, here’s your chance to dispense pearls of wisdom. If you were to come across, and I’m sure you probably have come across, say academic researchers who remind you of yourself years ago or maybe remind you of Larry and let’s say they’ve done the same thing. They have a technology and they’re going to take it to market. They’re all excited. What are one or two things you would say definitely do this and then one or two things you’d say definitely don’t do that. David Greenspan: 19:57Well, the first thing I tell people is, look, I’m 68 years old. I’ve been at this for 43, 44 years now from the time I was a graduate student. I don’t think I have any advice that I can give you cause I’ve been through a lot, but the biggest, most important thing is as you’re developing it, there were so many pressures. Don’t fool yourself. Okay? Richard Miles: 20:17Always tell yourself the truth. David Greenspan: 20:18Always tell yourself the truth. It’ll be what it’ll be. The second thing is that it is a process, right? And that you really, really learn from your failures and as a species we’re not too good about admitting we’re wrong or that our beliefs might not be correct, right? But step back because it’s just a process. You won’t know it going forward, but 30 years later when you look back, you’ll go “ah ha”, we always think when we have a failure, it’s the end of the world. So occasionally it is okay, I’m sorry, but most of the time it’s not. If you think your idea is good and if you’ve really been honest with yourself and you’ve vetted it, don’t worry when you fail, if you fail, you should find out the reasons and overcome that and there’s gotta. Be a way of overcoming it. If your technology is good, if it’s true, if it’s going to be because… Richard Miles: 21:11And that’s the first part. If you haven’t lied to yourself right now… David Greenspan: 21:14If you haven’t lied to yourself, the worst thing you can do in research is create a dozen experiments, all of which succeed perfectly just according to your theory. That means you haven’t had the right hypothesis otherwise. It’s not research. If everything I did was going to be successful, then I have all the answers that’s going nowhere. That’s not researched. The beauty and the fun of it. I’ve managed lots of people and people would come to me with studies that were abject failures and I would get like really excited and everybody thought I was crazy, which is true, but that’s another story. In all seriousness, I get excited when something went wrong because we would sit down and go, okay, let’s figure out what happened, how and why it’s not going to be easy, it’ll be stressful, but we’ll learn something from it and we’ll advance. Richard Miles: 22:02Well, that sounds pretty wise to me. I got to say they would. So I think we’re going to figure out a way to track down the individual listeners of this episode and if any of them make it big, we’re going to make sure some royalties go your way we’re charging you for that advice. David Greenspan: 22:14You know, it’s… that should be the joy of science. Every results should lead you to ask two or three new questions and oftentimes I see people who get a result “Okay, I got the result.” I sit back with my arms folded and say, “okay, so?” and I get these curious looks. I said, “so doesn’t that bring any other questions to mind”? and it should if you think about where you were 30 years ago, oh, there’s some great advance. That’s the end. It’s never the end. Richard Miles: 22:44Well unfortunately it is the end of this episode. So perfect segue. Anyway, David, thanks very much for being on the show. Hope to have you back and it was really a pleasure talking to you. David Greenspan: 22:54Thanks. Outro: 22:57Radio Cade would like to thank the following people for their help and support. Liz Gist of the Cade Museum for coordinating Inventor Interviews. Bob McPeak of Heartwood Soundstage in downtown Gainesville, Florida for recording, editing, and production of the podcasts and music theme. Tracy Columns for the composition and performance of the Radio Cade theme song featuring violinist Jacob Lawson. And special thanks to the Cade Museum for Creativity and Invention located in Gainesville, Florida.

"Remember, Esther: for every dream of yours you make come true, you’ll pay the price in heartbreak." The story is one that people connect with – a desire to follow your dreams, as crazy as they may be, and what happens when you make it. But with the rise of a new talent in each iteration of A Star Is Born, we also see the decline of another. Perhaps it’s that emotional balance between these two journeys that makes this such a popular story to tell and retell. Join us – Pete Wright and Andy Nelson – as we kick off our “A Star Is Born” series right at the beginning with William A. Wellman’s 1937 film A Star Is Born. We talk about the origins of the film and how it was really birthed in George Cukor’s 1932 film What Price Hollywood?. We look at Janet Gaynor and Fredric March as our two leads and what they bring to the table. We discuss the story issues we have with the film, notably the disappearance of our lead’s family from the story for the bulk of the film, and why it feels problematic. And we look at the technical side of the film, notably the beautiful technicolor cinematography by W. Howard Greene, as well as Max Steiner’s score (plus a song we didn’t know was part of the film apparently). It’s a great start to our series and certainly is one that sets the stage for the tale of fame and tragedy that we’re going to be seeing over and over again. We have a great time discussing it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork What Price Hollywood - dir. George Cukor “A Star Is Born” by Buddy Clark and the Eddy Duchin Orchestra Flickchart Letterboxd

"Remember, Esther: for every dream of yours you make come true, you'll pay the price in heartbreak." The story is one that people connect with – a desire to follow your dreams, as crazy as they may be, and what happens when you make it. But with the rise of a new talent in each iteration of A Star Is Born, we also see the decline of another. Perhaps it's that emotional balance between these two journeys that makes this such a popular story to tell and retell. Join us – Pete Wright and Andy Nelson – as we kick off our “A Star Is Born” series right at the beginning with William A. Wellman's 1937 film A Star Is Born. We talk about the origins of the film and how it was really birthed in George Cukor's 1932 film What Price Hollywood?. We look at Janet Gaynor and Fredric March as our two leads and what they bring to the table. We discuss the story issues we have with the film, notably the disappearance of our lead's family from the story for the bulk of the film, and why it feels problematic. And we look at the technical side of the film, notably the beautiful technicolor cinematography by W. Howard Greene, as well as Max Steiner's score (plus a song we didn't know was part of the film apparently). It's a great start to our series and certainly is one that sets the stage for the tale of fame and tragedy that we're going to be seeing over and over again. We have a great time discussing it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork What Price Hollywood - dir. George Cukor “A Star Is Born” by Buddy Clark and the Eddy Duchin Orchestra Flickchart Letterboxd

More vintage waltzes. Songs include: The Merry Go Round Waltz, It's a Sin To Tell a Lie, When I Grow to Old to Dream, Always, the Minute Waltz, the Merry Christmas Waltz and the Merry Widow Waltz. Musicians include: Jeanette McDonald, Riley Puckett, Glenn Miller, Victor Young, Buddy Clark, Al Goodman and the Casa Loma Orchestra.

REMEMBERING BODY PARTS as we take a musical inventory from head to toe with the help of Billie Holiday, Buddy Clark, Patti Page, Paul Anka, Pat Boone, Dick Van Dyke, Jimmy Dorsey Judy Canova, Fats Waller and others.

Buddy Clark grew up working on a farm in rural Virginia. However, unlike his five siblings, he preferred fixing equipment and building fences, an interest that led to a PhD in mechanical engineering. In 1992, Buddy began his career at the University of Pittsburgh where he has been making an impact ever since.

Songs include: And Her Tears Flowed Like Wine, If Teardrops Were Pennies, Brush Those Tears From Your Eyes, He's Not worth Your Tears and Too Many Tears. Performers include: Ambrose & His Orchestra, Mildred Bailey, Buddy Clark, Jimmy Rodgers, The Carter Family, The Ink Spots, Doris Day and Wesley Tuttle.

En la discografía de Gerry Mulligan hay varias grabaciones tituladas genéricamente Gerry Mulligan Meets. En HDO 224 del domingo 22 de enero de 2017, en el segundo programa especial dedicado a Gerry Mulligan, nos detenemos en tres de esas grabaciones: Mulligan Meets Monk (1957), Gerry Mulligan Meets Ben Webster (1959) y Gerry Mulligan Meets Johnny Hodges (1960). © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Thelonious Monk And Gerry Mulligan: Mulligan Meets Monk (Riverside Records, 1957) Gerry Mulligan, Wilbur Ware, Shadow Wilson,Thelonious Monk Gerry Mulligan: Gerry Mulligan Meets Ben Webster (Verve, 1959) Gerry Mulligan, Leroy Vinnegar, Mel Lewis, Jimmy Rowles, Ben Webster Gerry Mulligan: Gerry Mulligan Meets Johnny Hodges (Verve, 1960) Johnny Hodges, Gerry Mulligan, Buddy Clark, Mel Lewis, Claude Williamson Toda la información de HDO 224 en http://www.tomajazz.com/web/?p=28861. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

Rodgers and Hart songs from the years 1930- 1937.  Songs include: There's a Small Hotel, My Romance, My Funny Valentine, Mimi, Spring Is Here, I've Got Five Dollars and The Lady is a Tramp. Performers include: Ruth Etting, Hal Kemp, Sarah Vaughan, Buddy Clark, Janette McDonald and Ben Selvin.

William "Sonny" Criss had a career that seemed to go in fits and starts. Sonny emerged early on the 1940's L.A. Jazz scene with his full-bodied sound and passionate approach and played with all the important players then went on to play with Norman Granz' Jazz At The Philharmonic travelling jam session and shared the stage with Charlie Parker, Fats Navarro, Hank Jones, Shelley Manne and others. He made his first recordings under his name for Granz in 1950. His career was stifled by changing styles in L.A. and Criss was brushed aside by the West Coast Jazz cool players. Sonny was a hot, passionate player with a sweeping sound all his own. We turn to one of his 3 albums he made for the small Imperial label in 1956. The title tells it all "Sonny Criss Plays Cole Porter". Ten great Porter songs played with beauty and originality with Sonny's alto in the lead and backed by Larry Bunker on vibes, Sonny Clark on piano, Buddy Clark (no relation) on bass, and Lawrence (aka Larence) Marable on drums. Criss was born in Memphis on October 23, 1927 and died by his own hand in Los Angeles on on Nov. 19,1977 at age 50 after a diagnosis of terminal cancer of the stomach. A great voice was lost and Sonny still seems under appreciated and we hope tonight's Jazz Feature rectifies this a bit. Sonny was a great player and always delivered!

Rolling into flaming pits, roasting in bronze statues, or just leaving them exposed to the elements, there's a plethora of ways to kill infants. Joe, Toren, and Kevin look at infanticide across history and in the animal kingdom, as well as featuring in horrible recent news and mercifully less-horrible pop culture. Music: "Baby Face" by Buddy Clark & the Andrews Sisters Charity o' the Week: AMT Children of Hope Foundation Images

Camden, S.C. Chamber of Commerce president Buddy Clark has joined forces with the community newspaper to provide advertising for new members. The newspaper gives him discounts, and the chamber members essentially get a free ad with their membership dues. For more information, contact Buddy Clark at (803) 432-2525 or buddyclark1(at)bellsouth.net.