Podcasts about no right

BOSSes, Anne Ganguzza and Lau Lapides join forces in this episode of the VO Boss Podcast for another installment of their Boss Superpower Series. They tackle a topic often considered taboo in the voice acting industry: voiceover as a hobby. This discussion explores whether pursuing voice acting without the pressure of a full-time income carries a stigma. The episode delves into concerns about hobbyists "taking away" jobs, examines the true meaning of commitment, and highlights how to embrace a voiceover journey for pure creative joy, whether it's a primary career or a cherished passion. Listeners will discover why being a BOSS means defining success on one's own terms. 00:01 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:03 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:10 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:21 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:32 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit voboss.com slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  01:02 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here with the Boss Superpower Series with the one and only Lau Lapides.  01:12 - Lau (Guest) Hey, Anne.  01:13 - Anne (Host) And Lau 01:14 - Lau (Guest) Love being here, as always. Love it, oh, Lau, it's so good to see you. What would a Saturday be without being in the booth with Anne?  01:22 - Anne (Host) Really, I know, right, I mean it would not be a Saturday, I know right it wouldn't, but sometimes on Saturdays I have other hobbies that I like to do, actually, because now it's actually horse show season and every once in a while I have to go out of the studio and go watch my horse shows, because back in the day.  01:39 - Lau (Guest) I used to own a couple of horses and that was like a passion and a love of mine.  01:46 - Anne (Host) Are you a derby girl? Do you get into the Kentucky Derby? I'm not a derby girl, I'm a horse show girl, a jumper. So, yeah, I mean, I can watch a race, but I'm much more enthralled by watching horses jump over things.  01:56 But speaking of hobbies and alternate passions and other passions we talk about voiceover as a full-time career all the time. Passions we talk about voiceover as a full-time career all the time, but there's a taboo topic about voiceover as a hobby. Maybe we should discuss that, laura. How do you feel about that? Is there a stigma around voiceover as a hobby in our industry?  02:19 - Lau (Guest) I think there is and it took me a while to actually let it come to the front of my brain that that was a real thing that people were distancing themselves from the notion of well, I'm in it to win it. I have to do it full time, I have to make a living and I have to do it like now, and the options are really there on the table for you, whether you would call it a full-time or full-time contractor position, whether it's a part-time and fills the holes in your schedule, in between your other lives, or whether it's a hobby, something creative, something joyful, something you love to do, but it's really not about money.  03:01 - Anne (Host) Well, okay, so let's just talk about the elephant in the room, right? Those that do voiceover as a hobby, right, could potentially be seen as taking away jobs from those people who do this for a living. And so those are the people that I think I see other people talk about them in different groups and Facebook groups and forums about how, oh, are you doing voiceover for a career or a hobby? Because if it's a hobby, then poo-poo, and so there's usually kind of a look of disdain upon those people doing it as a hobby. But I like how we're entertaining the thought of it because, I mean, there's lots of reasons why you want to get invested in voiceover, and not all the time is it to make tons of money and pay the mortgage. I mean, sometimes maybe you're in retirement and you just want a creative outlet, or maybe not even retirement, you just want a creative outlet. And do you feel, Lau, that this is taking away jobs from those of us who do it full time? What are your thoughts on that?  04:01 - Lau (Guest) No, in fact I got to be honest with you, Anne that didn't even come to my mind. It didn't come to my mind because I feel like best person wins the game.  04:10 And if you're in the game to win it and you're serious about it, there's going to be work for you, there's going to be jobs for you. To think about people who are not earning money or living as taking away your work to me is very strange, because it's like, well, it's a capitalistic market. It's like I have to train, I have to have my tools in place, I have to have my protocols and etiquette, I have to know everything that I can know to compete. But can I control the market? Can I control who's in the market? No Right, absolutely. That's true of every industry. I mean, how many times? Let's be honest.  04:43 - Anne (Host) And that's a really good point, laura, wait, wait, I got an honest point for you.  04:46 - Lau (Guest) How many times and listeners, be honest with yourself have you had a problem with your light bulb and your Uncle Harry, who's a retired electrician maybe, is going to fix it for you? Okay, well, you say, of course, let him fix it, sure. Well, he said, of course, let him fix it, sure, I don't even have to pay him. That's really great, wonderful. Well, the reality is is he took away a job from an electrician who's on the market right now. Who would love to get that job? Sure. But the reality is it's like we're built on relationships. We're built on the history of knowing people.  05:19 So not everything is going to be about a competitive job.  05:21 - Anne (Host) Such a great point. I mean and we talk about it in casting all the time I mean, sometimes they choose to go a different direction. Well, what is that other direction? Well, maybe their niece or nephew does voiceover, or maybe it's a friend of theirs that wants to give it a shot, and so, in reality, we don't really have control over that aspect of it. As to the decision of the casting, Again it's like who gets the job?  05:46 I mean is it always the best that gets the job? No, not really. No, sometimes it's just the most convenient or the one that's the cheapest.  05:53 And that is not necessarily our decision or under our control, so I love that you brought that up. I'd like to discuss the fact that I've had students who have tried voiceover and they've tried different genres. Of course you know I have specific genres that I work on and they've decided. You know what. I'm not so sure that voiceover is for me because they find out maybe it's not quite as enjoyable as they thought, or maybe I'm given homework, so maybe they're like I don't want to do Anne homework, so you know what I don't think I'm going to do voiceover anymore, but sometimes you don't know until you explore the path of creative journey.  06:29 - Lau (Guest) You just don't know.  06:30 - Anne (Host) And then all of a sudden, it's like you know what? I don't love it as much as I thought I was going to and therefore, maybe they have a great voice and we would be, maybe, as coaches, saying oh my God, you have a fabulous voice and you're natural at it and maybe they're just like you know. Okay, if I get asked to do it, so I mean there are all sorts of reasons.  06:47 - Lau (Guest) It isn't an all or nothing type of a trade. And besides, if you equate it to any other arts that are out there, like, does that mean I can't paint a painting without selling it? Does that mean I can't create a pot without selling the ceramics? Does that mean I can't dance without getting a job at dancing? It sounds kind of silly when you put it that way, but a lot of us consider it not just a trade but an art form. So to do it as an art form for the creative force of strengthening your voice and communicating and doing all the things that we do in voiceover, I think it's a missed opportunity to not do it because you think it is only meant to be a job and make money. It's also an art form.  07:31 - Anne (Host) And again, yeah, I'm a big believer about it's all about the journey, really not about the end point. Sometimes there's a lot of self-discovery in voiceover because it is a creative. Actually, I think all jobs are creative for the most part. Or they can be made creative or they can be thought of as creative. You can construct them as creative if you want, and so some are just a little more. I would say they lean more towards the creative field where you have more freedom of it. But I think a lot of times it's a journey and that's a wonderful journey to be on. I think we all go through some sort of a creative journey in our lives.  08:08 Absolutely and this is one that can really help you get in tune with yourself, because it is something that is directly in tune with ourselves, our voice.  08:17 - Lau (Guest) Yeah, and not only is it a fun challenge, but it is just that it can be just pure fun. If you get in the booth and you're doing, let's say, an animation character and you love character work, you may be doing that for the sheer benefit of doing it, the process of doing it, sharing with others that you've done it, listening back, enjoying the fun factor of it. You may or may not book that, that may or may not be a job for you, but it is part of that. You used the word journey that you can really have in yourself for other things Like what if you're a teacher? What if you're an educator? What?  08:53 if you are someone who is, or a therapist, or even a doctor, well, you would take these pop moments in your life and you can use them as part of your story, to connect with your audience, to connect with your customers, whoever they are.  09:09 - Anne (Host) Absolutely, and you know our journeys as we go along and I talk about this frequently is I use every part of my life experience in voiceover, and so voiceover is also a part of my life experience, and so I can use that in many ways other than just voiceover. I can, just as you mentioned, to be a better communicator, to really learn more about myself and to evolve, and so I really think that voiceover as a hobby is absolutely something we can entertain. And hey look, who's the pot calling the kettle black? Is that the phrase?  09:40 I have lots of different divisions of my business because I follow lots of different passions and that doesn't mean that voiceover is part-time for me. I mean, my main function here is voiceover. But there are lots of passions that I follow and, for example, my little foray into fashion. There's lots of fashion influencers out there that do it full-time. That might think, oh, who's this girl? Every once in a while I see a post from her and she's not really a fashion. I don't even like to say the word influencer. I just say I want to share my passion for fashion and hey, if I can make a little side income that's cool, but if not, it's not a big deal. I love the creative aspect of curating outfits.  10:19 - Lau (Guest) To me, what it comes down to is the gestalt of how much just as human beings, unfortunately we still love labeling.  10:26 We're very much designer in that way. We want to label people. We want to label what they do, what they have, what they are. We want to type them quickly so that it's easy for us to know oh, this is the girl that does that, this is the guy that does that, whatever. And the labeling can be very detrimental to us, because I see this all the time, with new voiceover talent coming in and actors coming in saying, oh, but this coach told me I need to do that and I need to be invested in this way and I need to be put in this net. And I said well, wait a second.  10:57 That is someone's interpretation of what this career is, based on their own subjective frame of reference. It has nothing to do with you. You've got to figure out your life. You've got to figure out your level of commitment, how you feel about it. In copy, we call it point of view. What's your point of view about this? It's sort of like we want to come in and it makes it easy for us if someone can label us. If they can label us, then we can follow the cookie cutter path of what we're supposed to do. But it's not that kind of career. Artistic careers are not that kind of career.  11:33 - Anne (Host) And again along those lines, is there a path to being a part-time voiceover talent? Is it a requirement that they get training, that they get a demo, that they do all of those things? That typically what we would suggest and recommend that they do for full-time?  11:49 - Lau (Guest) I honestly don't think anything is a requirement. I think it's only a requirement if you're trying to reach a particular level of your craft or career, and then you kind of have to do the due diligence of research. Oh well, if I'm going to use this as a career, then I know I need a demo of this kind. But if I'm not, if that's not my objective and I'm honest about that, I feel really good about that I may or may not need that, I may or may not. Right, it's a different level. I mean, a hobbyist has a different level of everything compared to a professional, sure, and the expectations can be very different as well.  12:26 - Anne (Host) Well, I'll tell you something that my level of commitment to back. When I was younger, riding horses right. It wasn't a job for me. I wanted it ultimately someday to be a job.  12:36 - Speaker 2 (Announcement) You loved it, but I loved it.  12:38 - Anne (Host) I followed my passion and I spent hours. I mean hours and hours and hours. I mean thousands of hours, tens of thousands of hours riding and practicing, and so I don't think you can put a label on oh, you're part-time, so it's a DIY demo. They're not training, they're getting their instruction on the internet. I hear a lot of talk like that and it's really it's negative talk. I'd like to say hey, guys, if you want to explore voiceover, if you have other passions that you want to pursue and you just want to do voiceover part-time, it's absolutely okay. There's no straight path to get there. There's no. You have to do this, you must do this to become a part-time voiceover talent. There's only recommendations on what might work for your journey to evolve and to get better.  13:24 - Lau (Guest) Absolutely. I think that's true of probably every profession that's out there. I think it applies to anything that you want to do. It's like as you move up the ladder, as you go level to level, you learn more about what the expectations are, what the industry standards are, what your competition has and utilizes to book work. But to come into it and to have this false or artificial notion of, oh, I should be doing this, I want to be, that Everyone told me I should be doing this. Well, listen, do you want to be in the cool kids group? Do you want to be in the cool clicky? You know everyone is cool or do you want to be true to yourself?  14:04 - Anne (Host) Right Like do you want to be?  14:05 - Lau (Guest) literally true to your own voice is the question. Yeah, absolutely. You can have many experts and professionals helping you along the way, but it's not about being in the cool kids club.  14:15 - Anne (Host) Yeah, and you know, what's so wonderful about that is that it's freeing, right? If I think about my alternative hobbies, that I do, right, I don't care what people think about me when I'm doing my hobby, I mean, and that allows me to experience more joy. I think Sometimes, oh, I've got a dedicated path to a full-time career and therefore here's what I should do in order to achieve that path, and then I can be judged. But when I decide I'm going to just do this for my own fun, for the creative journey of it, guess what? I tend to not think about what other people think of me and that, oh my gosh, as full-time voiceover talent, if we could, as actors, if we could just employ that attitude where you don't necessarily care what other people are saying about you, especially if it's negative, then I think that's a wonderful thing.  15:03 - Lau (Guest) You know, it brings us back to kids being kids, and like I don't mean kids at 10. I mean no, I mean younger, I mean like the under five crowd. It's like they're just not aware of what someone else thinks in regards to their playtime.  15:20 They're so invested in their imagination and their moments in their mind that they can shift and pivot to. I can be a king, I can be a dog, I can be a truck, I can be right, Like the possibilities of the magic. What if right? I can be anything I want to be and I don't have to worry about the outcomes of it, Like we're not into outcomes yet at that stage of the game. If we could have a moment of going back to that and just honestly play and be present and enjoy those moments without worrying about the outcomes, what people are saying, what people are thinking, then you're really going to free yourself to do your best work, yeah.  16:00 - Anne (Host) It just makes me think of like the judgment sometimes that I see that has passed on a part-time voiceover or voiceover people that are not necessarily studying under a coach or they're doing their own demo or they're auditioning for jobs that pay low. And if you're doing it as a hobby and typically if it's a hobby you're not always needing to make money from it. It's really just again, it's your creative expression, it's your enjoyment, your joy. You're not necessarily having to make a huge salary off of it. So then we kind of get to the point where, okay, are they bottom feeding the market? Are they bringing down the value of what it is that we do? Full time Lau.  16:44 - Lau (Guest) I don't know how to answer that, because I think the world is so large. Do full-time Lau? I don't know how to answer that, because I think the world is so large and the compartmentalization of all the different genres, all the different budgets, all the different potential clients are vast. They're huge. So I don't think there's one answer to that.  16:59 One of the biggest problems that I see as a coach is people coming in who are really hobbyists, who are treating it like they're going to make a living at it and really starting to unpeel the onion and decipher. Well, wait a second, can we be honest about this? This is not your career. Why? Because I'm looking at the time you commit, I'm looking at your level of investment, I'm looking at your strategy. I'm looking at your strategy. I'm looking at your talent. I'm looking at all these things that are the pivotal markers of a career person.  17:33 Right, they're not there yet. You're still in hobby mode. Do you realize that? Right, like, well, wait, can't I write this off on my taxes? Can't I get all of that? I said yes, if you work. Yeah, yeah, absolutely yes. If it becomes a business for you, have income against it, right? So I think the bigger issue in my mind not to divert away from your original question, but the bigger issue is that gap in people's minds between what they think they should be doing and want to be doing and what they're actually doing. And what they're actually doing quite oftentimes is what a hobbyist would do.  18:09 - Anne (Host) And then there's a lot of people I know that are like well, I want to be able to pay for my investment. So if they're coaching or if they're, even if they're doing it part-time and they're going to get a demo, they're like, well, I want to work so I can pay for this demo. And that is where I think that gray area is, because it's difficult for people unless they have a certain level of talent that's just innately without coaching or without having a great produced demo, because, you know, I always put my stamp of approval on that, you know, being transparent as a coach and demo producer. But there's a lot of people who don't necessarily. They want to be able to work so that they can pay for their investment in their hobby, because hobbies can be expensive, right, hobbies can be expensive.  18:55 - Lau (Guest) Exactly, exactly. But I asked the question and I always put it in another context because when you're too close to something, you oftentimes can't see it right. So if I say, okay, that makes sense. Now, if you're going to become attorney and you're going to be in Lau school for three or four years, why don't you work as an attorney and make the money so you?  19:14 - Speaker 3 (Announcement) can pay for Lau school. They say well, that's kind of crazy.  19:17 - Speaker 2 (Announcement) They're not going to let me do that.  19:18 - Lau (Guest) I haven't passed the bar. I don't have any credits. I said right, Are you going to work as a dentist as you go through dental? It's the same thing, Exactly.  19:27 - Anne (Host) That mindset, that's a great analogy.  19:29 - Lau (Guest) I'm like this should be easy for me to do. I should be able to get it so I can pay for my coaching. Say no, the investment in the education comes first. Yeah, and then you go out and look for the work, yeah, and it's like any good hobby.  19:41 - Anne (Host) I mean gosh, so many hobbies I had. But when, I think about when I was a young girl riding horses right? Well, I had to pay for my lessons, I had to pay for my own saddle, I had to pay for my riding outfit, I had to pay entry fees into the shows that I was competing in, and so my hobby was competitive. My hobby was I really dove deep and it was expensive, and my parents didn't let me forget that. But, I was so fortunate.  20:08 - Speaker 2 (Announcement) I always tell people.  20:08 - Anne (Host) well, I worked at the stable so I could work off my lessons, and so that took care of maybe a portion of the payment.  20:15 But my parents knew that I was invested because I was like, oh, and I spent all my time at the stables. I mean I shoveled enough manure to get some good background and investment into my passion, yeah. But I mean, in reality, I mean I invested as much, if not more, I think, into my hobby and then kind of knowing, when I got old enough to go to college, well then I had to go study for a real job.  20:39 But times have changed now right A little bit, so it's just gotten to the point where I love that I've always been able to follow my passions. Not everybody is there at a young age or can follow their passions throughout their life. I've always been fortunate, I think, that I've had this kind of gut to follow my passions in lots of different ways and figure out how I can still pay the bills while I do that, but you were very always pragmatic in understanding that you needed a survival job, exactly you needed to be hustling throughout.  21:09 - Lau (Guest) So, whether it was in your field or whether it was something totally unrelated, that was like a given to you. You were taught that you understood the work ethic of that, so that, I think, separates the hobbyists from the professionals in that.  21:22 - Anne (Host) But the good thing is is I feel like I have always been able to follow a passion where the money can help me pay the bills. And so, however, I fixated on that passion, like, for example, I was good at school, right, so I went to college and I studied engineering because people told me I should, right, but then I got into a job where I was designing creative, three-dimensional artificial hip and knee prostheses, and that creative like, oh, I got to be an engineer and that creativity was like it was my passion, right, following a creative, following something that allowed me to be creative and then ultimately getting into teaching.  21:58 After that right, sharing my love of I'm so excited about this, let me share it. And that was following that passion. And then I was able to teach. And so I think there are people at different stages of their life that all of a sudden say, oh, I need a creative outlet. Where they haven't really looked at where is their creative outlet now.  22:18 And I think people always have a creative outlet. They just don't expand upon it if they can or think about it in terms of it being a creative outlet. But at any given stage of life they get to a point where they say I want to be more creative. That's the majority of people that come to me that say they want to learn voiceovers. Gosh, you know, I'm just looking for something. I hate my job or I'm just looking for something that allows me to expand my creativity and that is following a passion. And at whatever stage you're at the passion and at whatever stage you're at, I don't think it matters whether you decide to do that full-time or part-time. It is a journey of creative experience for you.  22:52 - Lau (Guest) Yeah, I just think one of the bigger mistakes that I see happen and it happens all the time as I meet people is that they mistake the idea that they can quit their day job and leave their life and leave everything and just become a full voiceover.  23:06 Talent and as a contractor. It's just not going to happen that way. It really just isn't. It's not going to happen as any kind of a contractor, let alone this kind of. So you really have to be honest about that. And, like I, have a talent who has worked for a company, an insurance company, for like 10 years or a long time as their spokesperson, as their voiceover. She does nothing else. She does nothing else. She does nothing else. She just had a baby. She'll probably have another baby. She aspires to do more, but in my heart of heart I know she won't. I know she won't because when she hits the level of time and energy that it would take to do that, she stops. She can't go past that and I say be happy, be happy, be fulfilled, be okay with that. If that's what you can do and what you want to accomplish, don't keep pushing for the moon and the stars when the reality is is you're not wanting to really do the work to get to the moon and the stars.  24:05 - Anne (Host) I love that you say that, because some people don't realize it. Some people don't realize it that they don't want to do the work and they say they want to and they, but they don't. But they really don't, they really don't. And here's the deal, guys. I mean, I got out of a corporate job, right. I got out of it and you think oh, it's going to be easy.  24:23 Right, this should be easy. Now, if you're performing and you're being the actor and it feels easy to you because I want to make a distinction here and it feels easy, well, you've probably put in the hours and you're definitely in that moment where you are acting and it seems like it's easy. But in reality the amount of hours you had to put in probably to get there may or may not have been easy. That's right. When it becomes easy and it feels good, then you know you're in that creative moment right where you're expressing your creativity. But to get to the moments where you can do that more often than you have to actually run the business because we talk about that's the work.  25:02 A lot of the work that has to go into it is the business aspect of it, which is why we have this podcast right. There's the whole business aspect, which requires more work than I ever put into my corporate job and I put in a lot of work in my corporate job. I worked three jobs, probably overtime, but I put more work into this full-time voice acting gig than I ever put into my corporate job and I put a lot of work in my corporate job.  25:27 - Lau (Guest) Because you love it. Because you love it, there's a passion, there's an honesty about it. You love it, you want to do it right. It's there for you. I got to tell you I'm a little jealous sometimes of the lives lived gone by that I had as well, where we were doing like community theater, we were doing things that had no money involved, no end game involved, other than the actual experience of doing it and just loving it, just like being, and we were rehearsing every night. We would do it for three, four months and then we would do one weekend of shows you know what I mean and I say, oh wow.  26:04 Sometimes I really miss those days, Anne, because that was the most honest, yeah most honest moments of I want to do this, I love doing this, I love being with the people and I'm doing it. That has ever been in many lives. Once we get tainted a little bit with oh, I have to make, money, I have to make money.  26:26 - Anne (Host) We got to pay the bills right. We got to pay the bills. If we didn't have to pay bills in our lifetime, wouldn't it be nice. We've got to pay the bills right, we've got to pay the bills. If we didn't have to pay bills in our lifetime, wouldn't it be nice. What would? Our world look like if we didn't have to pay bills, If we could just do what it was that we felt was our calling and have creative exploration.  26:42 - Lau (Guest) I also think though, if we're being honest, we do use money as a marker.  26:46 - Speaker 2 (Announcement) As a motivator. It's a motivator too it's incentive.  26:49 - Lau (Guest) It also feels really good when you earn money for something you love to do or do. Well, it feels really good. There's a rightness about it. Should it be all about that? Probably not. Yeah, probably not, because I think you can lose the luster very easily of why you came into it in the first place.  27:09 - Anne (Host) Yeah, I feel like the money is a good motivator. And it's interesting because I say to people like for me, I love the business of voiceover, because I love to see how I can make money, like in many different ways. And it's not necessarily that I well, I love money. I can say I love money but it's not important that I have to have a ton of it, but it's the creative challenge of making money. That's a whole other show, Anne. That's a whole—we've got to do a show on that.  27:35 - Speaker 2 (Announcement) How much do you love?  27:36 - Lau (Guest) money, because I'm telling you, this is like one of our top ten taboo lists that we're creating. Yeah, absolutely, the hobbyist on the taboo list Money. It's okay to love money on the taboo list. There's probably other stuff too that we'll think of along the way, but it's like we're trying to dispel this. It's not even a myth. It's true that you are made to feel this way in our society and it's not accurate. You don't have to feel that guilt. You don't have to feel bad about loving to do something and not wanting to make money at it, absolutely.  28:08 - Anne (Host) Or even if you want to make money at it, you don't have to feel bad. And so you guys bosses out there. You don't have to do full-time voiceover to be a boss. You can absolutely pursue part-time voiceover and be a boss and be the best boss that you can. So great conversation, laura.  28:26 - Lau (Guest) I love that we fixed that one.  28:28 - Anne (Host) Yeah right, that was a goodie. I'm going to give a great big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you next week. See you next time.  28:44 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast-to-coast connectivity via IPDTL.   

(00:00-12:48) – Are the Phillies now on track to win the NL East? (12:48-20:45) – Imagine never winning a championship but questioning the legitimacy of one. That’s what Daryl Morey is doing. (20:45-33:05) – What else does Dave Dombrowski have up his sleeve? (33:05-48:55) – Checking text messages for the final time of the day and then the Key 3 wraps up the show.

From forehead tattoos to foolproof roof rack setups...Our podcast playlist is officially racking up with this week's packed-in episode of content that stacks up! First, Lauren asks the million-dollar question that tests Ben's brand loyalty - before our gear gurus tackle the art of roof rack storage without losing your gear to the elements. The conversation covers waterproofing strategies, Ben's personal setup secrets, and his top three tips for keeping everything secure and accessible. Our outdoor experts debate the merits of top-loading versus end-loading waterproof bags, explore different packing philosophies, and prove that there's more than one way to conquer roof rack organisation. Shout it from the roof racks, and tune in for the ultimate guide to practical packing up top!Shortcuts:00:00 - Intro01:08 - Lauren Asks: Would Ben Tattoo a Brand Name on His Forehead for $1M?04:09 - The Best Way to Stow Gear on Your Roof Rack04:23 - Waterproofing Gear on a Roof Rack: Is it Possible?07:05 - Ben's Roof Rack System: Setup and Waterproofing10:48 - Ben's Top 3 Tips to Roof Rack Storage11:40 - Top-Loading Vs End-Loading Waterproof Bags17:27 - There's No Right or Wrong Way...18:22 - Closing Comments and SummaryJoin the conversation over on our Facebook group:https://www.facebook.com/groups/snowysHead to snowys.com.au for all your gear needs:https://www.snowys.com.au

The same Americans that are demanding the government force Christianity on us are allowed themselves to be led by people who cannot possibly be considered good Christians

As Banu Mushtaq's International Booker-winning ‘Heart Lamp' shows, Muslim women seeking justice are neither a figment of imagination, nor a part of some political conspiracy.  

Zohran Mamdani, NYC’s presumptive Democratic mayoral nominee, declared on Meet the Press that billionaires shouldn’t exist, citing extreme inequality. A democratic socialist, he advocates for rent freezes, free buses, and higher taxes on the wealthy. His comments sparked national debate and rattled elite donors backing rival candidates. Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

The cataclysmic opinions from SCOTUS on Friday certainly suggest that the courts can no longer save us. In fact, in Trump v. CASA., we learned that it's somehow not actually the job of the courts to save us from blatant violations of our rights. With universal injunctions drop-kicked and district court judges sidelined, it's going to be nearly impossible to vindicate your rights in Trump's America. No rights are safe when the only way to get relief is to sue the government yourself. And yet in a definitely-not-planned-last-day-of-the-term-with-all-the-big-cases lineup, several other bad things happened as well. Hosts Dahlia Lithwick and Mark Joseph Stern discuss all of Friday's big decisions including Mahmoud v. Taylor, which will allow parents to opt-out of having to hear about LGBTQ+ people in schools.  This is part of Opinionpalooza, Slate's coverage of the major decisions from the Supreme Court. The best way to support our work is by joining Slate Plus. By joining, not only will you unlock weekly bonus episodes of Amicus—you'll also access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Also! Sign up for Slate's Legal Brief: the latest coverage of the courts and the law straight to your inbox.  Want more Amicus? Join Slate Plus to unlock weekly bonus episodes with exclusive legal analysis. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight on The Last Word: The Supreme Court gives Donald Trump even more power one year after the immunity ruling. Also, Trump family business interests raise ethical concerns. Plus, Trump wields tariffs to stop Canada taxes on tech giants. And a Republican lawmaker in a red state says that state won't survive the Trump budget bill. Laurence Tribe, Tim O'Brien, Rep. Chris Pappas, Mini Timmaraju, and Rep. Kelly Morrison join Ali Velshi.

The cataclysmic opinions from SCOTUS on Friday certainly suggest that the courts can no longer save us. In fact, in Trump v. CASA., we learned that it's somehow not actually the job of the courts to save us from blatant violations of our rights. With universal injunctions drop-kicked and district court judges sidelined, it's going to be nearly impossible to vindicate your rights in Trump's America. No rights are safe when the only way to get relief is to sue the government yourself. And yet in a definitely-not-planned-last-day-of-the-term-with-all-the-big-cases lineup, several other bad things happened as well. Hosts Dahlia Lithwick and Mark Joseph Stern discuss all of Friday's big decisions including Mahmoud v. Taylor, which will allow parents to opt-out of having to hear about LGBTQ+ people in schools.  This is part of Opinionpalooza, Slate's coverage of the major decisions from the Supreme Court. The best way to support our work is by joining Slate Plus. By joining, not only will you unlock weekly bonus episodes of Amicus—you'll also access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Also! Sign up for Slate's Legal Brief: the latest coverage of the courts and the law straight to your inbox.  Want more Amicus? Join Slate Plus to unlock weekly bonus episodes with exclusive legal analysis. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

The cataclysmic opinions from SCOTUS on Friday certainly suggest that the courts can no longer save us. In fact, in Trump v. CASA., we learned that it's somehow not actually the job of the courts to save us from blatant violations of our rights. With universal injunctions drop-kicked and district court judges sidelined, it's going to be nearly impossible to vindicate your rights in Trump's America. No rights are safe when the only way to get relief is to sue the government yourself. And yet in a definitely-not-planned-last-day-of-the-term-with-all-the-big-cases lineup, several other bad things happened as well. Hosts Dahlia Lithwick and Mark Joseph Stern discuss all of Friday's big decisions including Mahmoud v. Taylor, which will allow parents to opt-out of having to hear about LGBTQ+ people in schools.  This is part of Opinionpalooza, Slate's coverage of the major decisions from the Supreme Court. The best way to support our work is by joining Slate Plus. By joining, not only will you unlock weekly bonus episodes of Amicus—you'll also access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Also! Sign up for Slate's Legal Brief: the latest coverage of the courts and the law straight to your inbox.  Want more Amicus? Join Slate Plus to unlock weekly bonus episodes with exclusive legal analysis. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ali Velshi is joined by The Nation's Elie Mystal, longtime Pentagon reporter Kevin Baron, and author of ‘World War Z' Max Brooks.

Business decisions keeping you up at night? It's time to face them head-on. Whether it's hiring, firing, selling, staying put, or changing direction entirely, we all reach those moments where we know we have to make the call, but we can't help putting it off. Drawing from her recent mentoring sessions where she's seen the same pattern repeatedly, Jade breaks down why these decisions drain our energy, steal our focus, and keep us completely stuck. What Jade speaks about: • Why the answer is usually already there (and why we ignore it) • How to dig deep and trust your instincts when logic isn't enough • Why finding your 'why' is crucial to the decision making process • The importance of building a trusted network of people who've been there before • When putting yourself first isn't selfish - it's necessary for your business • Why businesses naturally evolve, and how that's exactly how it should be "Sometimes you have to be strong enough to say 'things as they are aren't making me happy anymore' and choose yourself. Because remember why you started building something in the first place? It was for YOU." Whether you're facing team changes, business pivots, or major strategic decisions, this episode offers the honest guidance you need to stop procrastinating and start moving forward. No hype, no fluff - just the reality of making tough calls when everything feels uncertain.

In this episode we discuss how folks can get hung up on Getting it right, when it comes to serving God... And, we are joined by my oldest son!!

In this episode, I speak to the quiet anxiety that so many high-functioning people carry: the belief that if they could just identify the "next right step," everything would click into place. And when they finally do feel clarity? That clarity is immediately followed by... doubt. "Am I missing something? Is there a blindspot I can't see?" Here's the truth: People chase "the next right step" as if there's a divine maze they might accidentally mess up. There is no cosmic scoring system determining whether your next step is "correct." The truth is: There is only resonance. Alignment is something to feel, not something that is validated by others' opinions. What if your felt sense of aliveness was the map? What if trusting yourself was the clearest confirmation you'll ever receive? And yes, of course you have blindspots. We all do. But living from fear of what you don't know is a subtle form of self-abandonment. When people say, "I'm wondering if I have blindspots," what they're often asking is: "Will someone please give me a reason not to trust what feels alive in me?" But the presence of unknowns doesn't invalidate your clarity. It just means you're human, walking by trust, not control. This conversation is a reminder: You don't need certainty to move forward. You just need permission to trust what's alive in you now.

Send us a textAre city crackdowns on St. Patrick's Day parties really about public order—or about squashing a good time? Gavin Tighe and Stephen Thiele tackle the curious case of Waterloo v. Persons Unknown, where the city sought a rare quia timet injunction to prevent unpermitted St. Paddy's Day gatherings. What starts as a lighthearted banter about Guinness and green garb quickly dives into deeper waters: civil liberties, the evolution of secular holidays, the role of public policy in municipal law enforcement, and the historical tensions around Irish-Canadian identity. The duo debates whether municipalities should embrace or suppress grassroots celebration—and what it means when courts target faceless organizers for simply wanting to party.Listen For01:01 From Saint to Street Party02:44 The Rise of Nuisance Bylaws06:40 What Is a Quia Timet Injunction14:55 No Right to Party Says the Court18:51 The Forgotten Politics of St Patrick's Day26:48 The Ban That Makes Them Party Harder Leave a rating/review for this podcast with one click Contact UsGardiner Roberts website | Gavin email | Stephen email  

The NPP has no moral right to criticize the recent data price hike, as their own tenure saw worse outcomes due to poor handling of telecom issues.- Nana Kwadwo Jantuah blasts!

The place where there is no Right or Wrong by Ordinary Mind Zen School

Chris gives Spencer a maze with no end... or a maze with too many endings? Can Spencer pull his patient out of jeopardy and save the day? Or will he miss a vital intervention that leads to a dead end?

On this episode we discussed the decision by TikToker Garron Noone to suspend his extremely popular social media accounts, after the pile on he received over a video he posted on immigration.

A boiling point in Trump's attacks on the judiciary, accusing a federal judge of being what he says is a radical left lunatic. But, a closer look at that judge's past rulings doesn't exactly line up with that. Plus, why Trump's dismissal of a Democratic commissioner is putting his executive power grab back in the spotlight.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

AP correspondent Ed Donahue reports on a ruling involving voting access in a presidential swing state.

Donald Trump stated that Palestinians in Gaza would not have the right to return under his proposed U.S. control plan. In a FOX News interview, he suggested pressuring Arab states like Jordan and Egypt to take in Palestinians and envisioned Gaza as a future "Riviera of the Middle East," framing the plan as a low-cost real estate project.  

Any resistance to Pope Francis is anathema, sayeth the cardinal who promotes sins that cry out to heaven for justice.Sources:https://www.returntotradition.orgContact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+

Any resistance to Pope Francis is anathema, sayeth the cardinal who promotes sins that cry out to heaven for justice.Sources:https://www.returntotradition.orgContact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+

AP Washington correspondent Sagar Meghani reports on President Trump's plan for taking 'ownership' of Gaza.

Doctor Fires Back at ‘Absurd' Letter from Law Firm Demanding She Delete Posts Criticizing United Healthcare and Apologize. The NFL is removing “End Racism“ from the end zone so it doesn't offend Trump when he comes to watch the game Sunday. Phil Ittner - Ukraine Update. Trump Has No Right to Move Us to Oligarchy, Authoritarianism, and Kleptocracy. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trump floats US takeover of Gaza—After ethnically cleansing Palestinians. Ali Velshi schools MAGA on how tariffs will ultimately be detrimental to all. Trump's tax plans screw us all. Subscribe to our Newsletter: https://politicsdoneright.com/newsletter Purchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make America Utopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And Be Fit Now: https://amzn.to/3xiQK3K Tribulations of an Afro-Latino Caribbean man: https://amzn.to/4c09rbE

Thank you Joseph Bremer, Sabrina, Carolyn Bright, and many others for tuning into my live video! Join me for my next live video in the app.* ‘Trump Has No Right to Move Us to Oligarchy, Authoritarianism, and Kleptocracy: Instead of moving toward an economy that is designed to benefit the very richest people in our society, we have got to fight hard to create a government that works for all of us. [More]* Houston Democracy Project founder visits: Discussion on local and national issues [More]. To hear more, visit egberto.substack.com

This volume of Osiris places disability history and the history of science in conversation to foreground disability epistemologies, disabled scientists, and disability sciencing (engagement with scientific tools and processes). Looking beyond paradigms of medicalization and industrialization, the volume authors also examine knowledge production about disability from the ancient world to the present in fields ranging from mathematics to the social sciences, resulting in groundbreaking histories of taken-for-granted terms such as impairment, infirmity, epidemics, and shōgai. Some contributors trace the disabling impacts of scientific theories and practices in the contexts of war, factory labor, insurance, and colonialism; others excavate racial and settler ableism in the history of scientific facts, protocols, and collections; still others query the boundaries between scientific, lay, and disability expertise. Contending that disability alters method, authors bring new sources and interpretation techniques to the history of science, overturn familiar narratives, apply disability analyses to established terms and archives, and discuss accessibility issues for disabled historians. The resulting volume announces a disability history of science. Jaipreet Virdi is a historian of medicine, technology and disability. Her research and teaching interests include the history of medicine, the history of science, disability history, disability technologies and material/visual culture studies. She received her Ph.D. from the Institute for the History and Philosophy of Science and Technology at the University of Toronto (2014). Mara Mills is Associate Professor and Ph.D. Director in the Department of Media, Culture, and Communication at New York University. She is cofounder and Director of the NYU Center for Disability Studies; a founding editor of the award-winning journal Catalyst: Feminism, Theory, Technoscience; and a founding member of the steering committees for the NYU cross-school minors in Science and Society and Disability Studies. Sarah Rose is an associate professor of history at the University of Texas at Arlington, where she founded and directs the Minor in Disability Studies. There are more than 120 Disability Studies graduates from UTA now. She also co-founded and serves as faculty advisor for UTA Libraries' Texas Disability History Collection, for which she and Trevor Engel co-curated the Building a Barrier-Free Campus traveling and digitized exhibit. Her book, No Right to Be Idle: The Invention of Disability, 1840s-1930s, was published by University of North Carolina Press in 2017 and was awarded the 2018 Philip Taft Prize in Labor and Working Class History and the 2018 Disability History Association Outstanding Book Award, among other awards. She has also published with Dr. Joshua Salzmann in LABOR on how baseball players and teams have managed health and fitness and in the Journal of Policy History on disabled veterans' access to the GI bill and higher education after World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This volume of Osiris places disability history and the history of science in conversation to foreground disability epistemologies, disabled scientists, and disability sciencing (engagement with scientific tools and processes). Looking beyond paradigms of medicalization and industrialization, the volume authors also examine knowledge production about disability from the ancient world to the present in fields ranging from mathematics to the social sciences, resulting in groundbreaking histories of taken-for-granted terms such as impairment, infirmity, epidemics, and shōgai. Some contributors trace the disabling impacts of scientific theories and practices in the contexts of war, factory labor, insurance, and colonialism; others excavate racial and settler ableism in the history of scientific facts, protocols, and collections; still others query the boundaries between scientific, lay, and disability expertise. Contending that disability alters method, authors bring new sources and interpretation techniques to the history of science, overturn familiar narratives, apply disability analyses to established terms and archives, and discuss accessibility issues for disabled historians. The resulting volume announces a disability history of science. Jaipreet Virdi is a historian of medicine, technology and disability. Her research and teaching interests include the history of medicine, the history of science, disability history, disability technologies and material/visual culture studies. She received her Ph.D. from the Institute for the History and Philosophy of Science and Technology at the University of Toronto (2014). Mara Mills is Associate Professor and Ph.D. Director in the Department of Media, Culture, and Communication at New York University. She is cofounder and Director of the NYU Center for Disability Studies; a founding editor of the award-winning journal Catalyst: Feminism, Theory, Technoscience; and a founding member of the steering committees for the NYU cross-school minors in Science and Society and Disability Studies. Sarah Rose is an associate professor of history at the University of Texas at Arlington, where she founded and directs the Minor in Disability Studies. There are more than 120 Disability Studies graduates from UTA now. She also co-founded and serves as faculty advisor for UTA Libraries' Texas Disability History Collection, for which she and Trevor Engel co-curated the Building a Barrier-Free Campus traveling and digitized exhibit. Her book, No Right to Be Idle: The Invention of Disability, 1840s-1930s, was published by University of North Carolina Press in 2017 and was awarded the 2018 Philip Taft Prize in Labor and Working Class History and the 2018 Disability History Association Outstanding Book Award, among other awards. She has also published with Dr. Joshua Salzmann in LABOR on how baseball players and teams have managed health and fitness and in the Journal of Policy History on disabled veterans' access to the GI bill and higher education after World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices

This volume of Osiris places disability history and the history of science in conversation to foreground disability epistemologies, disabled scientists, and disability sciencing (engagement with scientific tools and processes). Looking beyond paradigms of medicalization and industrialization, the volume authors also examine knowledge production about disability from the ancient world to the present in fields ranging from mathematics to the social sciences, resulting in groundbreaking histories of taken-for-granted terms such as impairment, infirmity, epidemics, and shōgai. Some contributors trace the disabling impacts of scientific theories and practices in the contexts of war, factory labor, insurance, and colonialism; others excavate racial and settler ableism in the history of scientific facts, protocols, and collections; still others query the boundaries between scientific, lay, and disability expertise. Contending that disability alters method, authors bring new sources and interpretation techniques to the history of science, overturn familiar narratives, apply disability analyses to established terms and archives, and discuss accessibility issues for disabled historians. The resulting volume announces a disability history of science. Jaipreet Virdi is a historian of medicine, technology and disability. Her research and teaching interests include the history of medicine, the history of science, disability history, disability technologies and material/visual culture studies. She received her Ph.D. from the Institute for the History and Philosophy of Science and Technology at the University of Toronto (2014). Mara Mills is Associate Professor and Ph.D. Director in the Department of Media, Culture, and Communication at New York University. She is cofounder and Director of the NYU Center for Disability Studies; a founding editor of the award-winning journal Catalyst: Feminism, Theory, Technoscience; and a founding member of the steering committees for the NYU cross-school minors in Science and Society and Disability Studies. Sarah Rose is an associate professor of history at the University of Texas at Arlington, where she founded and directs the Minor in Disability Studies. There are more than 120 Disability Studies graduates from UTA now. She also co-founded and serves as faculty advisor for UTA Libraries' Texas Disability History Collection, for which she and Trevor Engel co-curated the Building a Barrier-Free Campus traveling and digitized exhibit. Her book, No Right to Be Idle: The Invention of Disability, 1840s-1930s, was published by University of North Carolina Press in 2017 and was awarded the 2018 Philip Taft Prize in Labor and Working Class History and the 2018 Disability History Association Outstanding Book Award, among other awards. She has also published with Dr. Joshua Salzmann in LABOR on how baseball players and teams have managed health and fitness and in the Journal of Policy History on disabled veterans' access to the GI bill and higher education after World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

This volume of Osiris places disability history and the history of science in conversation to foreground disability epistemologies, disabled scientists, and disability sciencing (engagement with scientific tools and processes). Looking beyond paradigms of medicalization and industrialization, the volume authors also examine knowledge production about disability from the ancient world to the present in fields ranging from mathematics to the social sciences, resulting in groundbreaking histories of taken-for-granted terms such as impairment, infirmity, epidemics, and shōgai. Some contributors trace the disabling impacts of scientific theories and practices in the contexts of war, factory labor, insurance, and colonialism; others excavate racial and settler ableism in the history of scientific facts, protocols, and collections; still others query the boundaries between scientific, lay, and disability expertise. Contending that disability alters method, authors bring new sources and interpretation techniques to the history of science, overturn familiar narratives, apply disability analyses to established terms and archives, and discuss accessibility issues for disabled historians. The resulting volume announces a disability history of science. Jaipreet Virdi is a historian of medicine, technology and disability. Her research and teaching interests include the history of medicine, the history of science, disability history, disability technologies and material/visual culture studies. She received her Ph.D. from the Institute for the History and Philosophy of Science and Technology at the University of Toronto (2014). Mara Mills is Associate Professor and Ph.D. Director in the Department of Media, Culture, and Communication at New York University. She is cofounder and Director of the NYU Center for Disability Studies; a founding editor of the award-winning journal Catalyst: Feminism, Theory, Technoscience; and a founding member of the steering committees for the NYU cross-school minors in Science and Society and Disability Studies. Sarah Rose is an associate professor of history at the University of Texas at Arlington, where she founded and directs the Minor in Disability Studies. There are more than 120 Disability Studies graduates from UTA now. She also co-founded and serves as faculty advisor for UTA Libraries' Texas Disability History Collection, for which she and Trevor Engel co-curated the Building a Barrier-Free Campus traveling and digitized exhibit. Her book, No Right to Be Idle: The Invention of Disability, 1840s-1930s, was published by University of North Carolina Press in 2017 and was awarded the 2018 Philip Taft Prize in Labor and Working Class History and the 2018 Disability History Association Outstanding Book Award, among other awards. She has also published with Dr. Joshua Salzmann in LABOR on how baseball players and teams have managed health and fitness and in the Journal of Policy History on disabled veterans' access to the GI bill and higher education after World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices

Republicans are hoping to give low-income families money for private schooling. Michael Pope reports some powerful Democrats are against the plan.

In this episode, the guys discuss how to partner with the holy spirit and discern the attacks of the enemy Visit awakennetwork.com for more info

Being [at Work] offers a daily dose of leadership focused on helping you, the leader. During challenging times we need all of the encouragement we can get. Sometimes there's simply no playbook and we just need to do the best we can. Sometimes the best we can is being reminded of the gifts and insight you already have within. Be sure to subscribe and get your daily dose.  

In this episode of Awake with Oliver, hosts Oliver and Olile dive into the journey of self-awareness, exploring how it nurtures harmonious relationships and a life of simplicity. Join them as they uncover insights on cultivating balance, building authentic connections, and embracing a fulfilling life of purpose and mindfulness.Ollie is a musician, instrumentalist and yoga & meditation guide. Interested in expanding our consciousness and finding where we are the same, not different. Spirituality has always been a big theme in his life, and music and poetry fuells his communication with himself, and ultimately life.  He shares sounds and words under the names Shylo Surreal & ollyjii Ig: @ollyjii @shylosurrealChapters:00:00 Intro01:09 Letting Go 02:28 Understanding Different Personalities & How to Treat People 06:12 No Right, No Wrong 14:27 Embracing Change 16:47 The Concept of Home18:38 Clearing Your Mind 19:13 The Value of Simplicity & Accessibility 20:07 Simplifying Your Life 26:00 Interconnectedness with NatureStay Connected:Follow Oliver on Instagram: https://www.instagram.com/yeskingoliverWant to regain control of your life from modern-day stress, anxiety, and influence?Check out my FREE course - take control!     http://www.talkwitholiver.com

Does any part of you feel like you can't meditate? Maybe you're thinking, "I'm doing it wrong," or "I can't seem to quiet my mind," or perhaps you're feeling like, "I don't even know where to begin?" Well, you're definitely not alone. These thoughts are common, and I'm here to share 10 simple, approachable tips that have the power to change your meditation practice and, ultimately, your life.Whether you're new to meditation or have been practicing for a while, these fundamentals will support you in cultivating a practice that works for you.Key Takeaways:The Mind Will Wander – Accept it, don't fight it.There's No Right or Wrong Way to Meditate – Every meditation style is valid.Start Small and Build – You don't need to meditate for an hour. Start with a few minutes.Try Different Types of Meditation – Explore guided, breath-focused, or mantra meditations to find what resonates with you.Find Your Cozy Spot – Make sure you're comfortable, whether that's sitting, lying down, or wrapped in a blanket.Use Your Breath as an Anchor – When your mind drifts, gently return to your breath.Designate a Sacred Space and Time – Build a routine for meditation, and your mind will adjust to it.Give Yourself Grace – Meditation is a practice; it's normal to find it challenging at first.Pause Before Your Next Task – Give yourself time to ease back into the day after meditation.Stretch Before Meditating – Prepare your body for the stillness of meditation by releasing tension.Share the Love:If you know someone who might benefit from these meditation tips, please share this episode with them. Don't forget to rate, review, and subscribe to the podcast for more episodes like this!Follow Danielle:Instagram: @hellawellwithdanielleWebsite: hellawellwithdanielle.com

Even before last month's revised religious rules, Afghanistan's women were being crushed under the Taliban's thumb. Now they cannot even so much as raise their voices. While other countries try to crimp the flow of cheap Chinese electric cars, Britain is welcoming them—for now (9:55). And why the French have at last come to appreciate “Emily in Paris” (16:12). Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Even before last month's revised religious rules, Afghanistan's women were being crushed under the Taliban's thumb. Now they cannot even so much as raise their voices. While other countries try to crimp the flow of cheap Chinese electric cars, Britain is welcoming them—for now (9:55). And why the French have at last come to appreciate “Emily in Paris” (16:12). Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account.

Dr. Amy Grimm is a veterinarian, certified life coach, anti-burnout advocate, founder of Daring DVM Coaching, and host of the Daring DVM Podcast. She coaches busy, burned-out professionals and helps them transform and fall in love with their lives and careers again. Dr. Amy is on a mission to reshape mental health in the veterinary field by inspiring others, teaching them how to create a healthy mindset, heal from their past experiences, and transform their challenges into stepping stones for success. Topics covered in this episode:  Dr. Amy's journey from South Africa to veterinary medicine & coaching in the U.S.  Burnout & veterinary professionals Understanding Polyvagal Theory Advice for burnout and how to get unstuck The value of giving back to your community Links & Resources:  Learn more about Dr. Amy by visiting the Daring DVM Coaching Find the Daring DVM on LinkedIn Find the Daring DVM on Instagram Free resource on building a resilient, burnout-free life Learn more about PolyVagal Theory The House Call Vet Academy Resources:  Download Dr. Eve's FREE House Call & Mobile Vet Biz Plan!  Find out about The House Call Vet Academy online CE course   Learn more about Dr. Eve Harrison   Learn more about 1-to-1 coaching for current & prospective house call & mobile vets.  Get House Call Vet swag!  Find out about the next House Call & Mobile Vet Virtual Conference  Music:  In loving memory of Dr. Steve Weinberg.  Intro and outro guitar music was written, performed, and recorded by house call veterinarian Dr. Steve Weinberg.  Thank you to our sponsors!  Chronos  O3 Vets  Rekindling w/ Julie Squires This podcast is also available in video on our House Call Vet Cafe YouTube channel   

Ted Gunderson was the FBI Bureau Chief for Southern California, supervising over 700 personnel. After retirement, he investigated a triple murder that opened his eyes to cover-ups and conspiracies. Topics include Pearl Harbor, The Assassinations of Jack and Bobby Kennedy, Ruby Ridge, Waco, No-Trial Incarcerations, No Right to an Attorney, National ID Card, Government Snitches, More Camera Monitoring, Tracking Devices for: People, Cell Phones, and Every Financial Transaction.

Ted Gunderson was the FBI Bureau Chief for Southern California, supervising over 700 personnel. After retirement, he investigated a triple murder that opened his eyes to cover-ups and conspiracies. Topics include Pearl Harbor, The Assassinations of Jack and Bobby Kennedy, Ruby Ridge, Waco, No-Trial Incarcerations, No Right to an Attorney, National ID Card, Government Snitches, More Camera Monitoring, Tracking Devices for: People, Cell Phones, and Every Financial Transaction.

A 5.2 magnitude earthquake rocked Southern California last night.An LA city council committee will vote on a plan to provide renters facing eviction free attorneys.The Dodgers honor former teammate Billy Bean who died Tuesday. He was the second MLB player to come out as gay. Plus more.  Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com.    Support the show: https://laist.com

Joe Selvaggi speaks with Manhattan Institute Senior Fellow Dr. Stephen Eide about the Grants Pass v. Johnson Supreme Court decision and its impact on homeless encampments in Boston and across the country.

In this episode Dr. Hettie V. Williams interviews Dr. Jacqueline Jones about her Pulitzer Prize winning book No Right to an Honest Living: The Struggle of Boston's Black Workers (Basic Books, 2023). Williams is the current director of the William Monroe Trotter Institute for the Study of Black Culture at UMass Boston and Jones is Professor Emerita; Ellen C. Temple Chair in Women's History and Mastin Gentry White Professor of Southern History at the University of Texas, Austin. Jones is also the author of several award-winning books including Labor of Love, Labor of Sorrow: Black Women, Work and the Family from Slavery to the Present (Basic Books, 1985). Labor of Love won the Bancroft Prize in 1986. She is also the winner of enumerable other awards including a MacArthur Fellowship (1999-2004) and served as president of the American Historical Association (AHA). This episode focuses on her book No Right to an Honest Living and the quest for equity waged by African Americans in nineteenth century Boston. In this book, she highlights the struggle for Black equality waged by everyday Black workers before, during and after the American Civil War. Jones argues that though Boston has long been seen as a cradle of liberty Black workers were kept from enjoying full equality particularly in the arena of work. #BlackBoston #BlackinBostonandBeyond #PulitzerPrizeHistory #BlackWorkers 

Continuing on with the projections for the upcoming season, the guys talk some linebacker to open things up. They dig into the LB depth, and fill out the five DB spots. Some Coach Gray talk pops up, and they turn their attention to offense starting with Sellers and Sanders. Scheme and play design are discussed on how to maximize the talents of both QB and RB positions. JC dives deep into Loggains opportunity to shine To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today on the Matt Walsh Show the liberals on the Supreme Court, with the help of some of our "conservative justices," have just declared that the Biden Administration has the right to tear down Texas's border fencing, allowing illegal criminals to invade their communities. Our basic right to self-defense and sovereignty is evaporating by the day. We'll discuss. Also, a trans-identifying male golfer competes against women while acknowledging that men do have advantages over women. How does he square that circle? We'll find out. Plus, a CNN reporter is reduced to tears of admiration and awe as she gazes upon Kamala Harris. And in our Daily Cancellation, a flight was canceled last week after a passenger noticed missing screws on the wing of the plane. Ep.1299 - - -  DailyWire+: Get 20% off your Jeremy's Razors products here: https://bit.ly/433ytRY Unlock your Bentkey 14-day free trial here: https://bit.ly/3GSz8go Shop my merch collection here: https://bit.ly/3EbNwyj  - - -  Today's Sponsors: Hillsdale - Enroll for FREE today at https://hillsdale.edu/walsh ProVia - Save over 50% Starter Package + Free Shipping + Free Gifthttps://proviahair.com/Walsh - - - Socials: Follow on Twitter: https://bit.ly/3Rv1VeF Follow on Instagram: https://bit.ly/3KZC3oA Follow on Facebook: https://bit.ly/3eBKjiA Subscribe on YouTube: https://bit.ly/3RQp4rs