Podcast appearances and mentions of ren marie

This episode is about a story that needs to be heard. It's the tale of an amazing individual and jazz artist named René Marie.  Her story has been portrayed in an award - winning short documentary by Rachel Kessler, a Brooklyn-based director, screenwriter, and producer with over a decade of experience deeply rooted in her artistic and creative beliefs.  The beauty and soul of René Marie has been captured in this film called, ‘Tuning René Marie', that weaves you through the early life of this GRAMMY-nominated jazz vocalist. It premiered at the Oscar-qualifying Woodstock Film Festival in 2022 where it was nominated for Best Short Documentary;  it's now available for all to see on the prestigious short film channel, Omeleto.  It's an extraordinary story that we're honored to share as we speak to both women about how it came to be, and the impact it's had on them, and on everyone who's seen it.

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En 1943, Joseph Scarella et René Marie n'ont qu'une obsession : échapper au STO, le service du travail obligatoire qui oblige les Français de 20 à 22 ans à aller travailler en Allemagne pour une durée de deux ans. Ils ont besoin pour cela d'un certificat médical de complaisance les déclarant inaptes et se tournent vers le Dr Petiot. Plus de dix ans après, ces deux rescapés racontent. *** Crédits Archives *** Soyez témoins, RTF, 18/07/1956 - Nous les avons connus, RTF, 10/06/1961 *** Crédits podcast *** Textes : Cyrielle Le Moigne-Tolba - Documentaliste : Elsa Ferreira-Rato - Restauration et mixage : Ian Debeerst - Enregistrement : Guillaume Solignat, Laurent Thomas - Voix off : Xavier Lemarchand - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Unité de production : Delphine Lambard - Création graphique : Ugo Bouveron - Cheffe de projet : Lӕtitia Fourmond - Stagiaires : Inès Bichel, Edith Monnier - Responsable éditoriale : Zoé Macheret - Production INA

Ken Womack's guest this week is Grammy-nominated American jazz guitarist Dan Wilson. Hailing from Akron, Ohio, Wilson made his recording debut with pianist Joe McBride and performed to worldwide acclaim with Joey DeFrancesco and Christian McBride's Tip City, eventually recording his debut as a band leader with "To Whom It May Concern" in 2012. Over the years, Wilson has shared the stage with a host of jazz greats including Eric Marienthal, Russell Malone, Les McCann, René Marie, Jeff Hamilton, David Sanborn and Dave Stryker. In 2017, Wilson earned a Grammy nomination for his work on DeFrancesco's "Project Freedom" album. He also served as a guitarist on Van Morrison's recent albums "You're Driving Me Crazy" and "The Prophet Speaks." In 2021, Wilson released "Vessels of Wood and Earth," which includes the standout cut “Who Shot John.” The album was produced by McBride for his Brother Mister Productions label. In 2022, Wilson was named a Letter Rising Stars Jazz Winner. His latest LP, "Things Eternal," features his innovate take on the Beatles' “Eleanor Rigby.” --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support

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René Marie is a Grammy nominated jazz vocalist and songwriter.  In this episode we talk with René about music and art as a form of communication and explore the idea of the artist's response to conflict.

„Aufruhr der Meerestiere“ ist der zweite Roman von Marie Gamillscheg. Nun ist er für den Deutschen Buchpreis nominiert. >> Artikel zum Nachlesen: https://detektor.fm/kultur/deutscher-buchpreis-marie-gamillscheg-aufruhr-der-meerestiere

Where do we go when we die? And what if we could go there and then come back to tell about it? For Elizabeth Johnson Rice, a prominent 1960's social activist, her brush with death left her forever changed and set her on a mission which she is still pursuing today at the age of 80. Second Chance is written by Wells Hanley and is sung by René Marie. Wells Hanley, piano; Randall Pharr, bass; Billy Williams, drums. Engineered, mixed, and mastered by Curtis Fye. Support I Wrote this Song for You A heartfelt thanks to those of you supporting this podcast on Patreon! It's because of you that I'm able to keep the songs coming. Help out for as little as $5 a month. Join the Mailing List at iwrotethissongforyou.comSign up for Wells' mailing list to be sure you never miss an episode! You'll also be notified of special collaborations, upcoming live streams, or events near you. Find I Wrote this Song for You on Social Media Twitter Instagram Facebook Thank you to family and friends for your support in the long journey that created this podcast. Your hearts are woven into every episode. A special thanks to Jude Treder-Wolff for introducing me to the NYC storytelling community and for our many adventures together pairing story and song. A very special thanks to Courtney Page Ferrell for bolstering my confidence before I believed in this idea, for realizing "it's a podcast!", and for continuing to cheer me on tirelessly. The deepest and most cathartic thank you to Elizabeth Smartt for partnering with me to birth this creative vision. For spending countless hours sculpting my idea into something clear and concise down to the logo, website, and even the format of each episode. You are a godsend of a creative collaborator and I am eternally grateful to you for bringing this podcast into the world with me. Thank You Patreon supporters for helping me produce this episode! Patreon Gold (Passionate): Paula Atwood, Royce and Rosalie Blowe, Moira Danis, Kristin Dimento, Thomasina LaGuardia, Molly Perkinson, Elizabeth Rice, Linda Wells, Gordon Winn, Sharon Wyse, William Zybach.   Patreon Silver (Inspired): Ariela Bonucci, Tanara Bowie, Alison Deadman, Mark Goodwin, Hayes Hanley, Karen Hanley, Joseph Lee, Linda DiPaolo Love, Stephanie Mastri, Randall Pharr, Sallie Thalhimer, Robert Williamson.   Second Chance Music and Lyrics by Wells Hanley ©2022   Look who's got a second chance, I'm back on the ground from the great expanse. I took a dive, but I've got a second chance. I just landed my lucky break, got the band back together for another take. I was "ciao", but now I'm wide awake.   I let my life go completely receding to a far away shore. Now I've returned so sweetly, back in the flesh, and ready for more.   I can feel my feet, I can sing and dance, I've returned to wearin' my shirt and pants, I've got a second chance. And I'm carrying a jewel, and I don't wanna drop it, I would be such a foo-el if I should ever stop making the most of this second chance!   My days were numbered, I lumbered, feeling so encumbered by fate, but having dozed and slumbered, I'm back in the race, and I'm feeling great... There's a tear somewhere in the grand design that I should have crossed that finish line and kept on running, Lord how I feel so fine!   Now I have got another shot, I've entered a bonus round, and I would never have thought there could exist this delicious twist in the plot... The curtain was closed, and the show was done, but the producer introduced an extended run. We made a pact, and now another act has begun.   The show keeps going and going, I know it's gonna grow and thrive. I'm overflowing just owing to being alive! I am gonna survive...   I'm living up my second chance, I'm gonna work this perk in my circumstance. I was revived, and I survived, my day has arrived, I'm gonna thrive, and I'm still alive cause I've got a second chance... ...and I know I never want to lose my second chance!

In the second part of this week's exploration of jazz inspired by classical music, we focus on projects in tribute to the works of three composers that have influenced scores of jazz musicians, Maurice Ravel, Frédéric Chopin and Claude Debussy. The playlist features Frank Woeste, Ryan Keberle, Vincent Courtois, Jeff Ballard; René Marie; Nikolaj Hess; Camille Bertault; Jason Moran; Oscar Peterson; Kurt Rosenwinkel, Jean-Paul Brodbeck; Kamasi Washington. Detailed playlist at https://spinitron.com/m/playlist/view/15810763 (from "Ostinato (Prelude)" onwards). Happy listening!

René Marie–Grammy nominated singer who didn't start her career until she was 42–on following our inner note, sticking it to the patriarchy, getting hit by buses, getting out of an abusive relationship, recognizing a weed from a plant (not about gardening), accepting dormant periods, performing original material, doing "the shit", and why getting your boss to sing is more important than a Grammy nomination. In a span of two decades, 11 recordings and countless stage performances, vocalist René Marie has cemented her reputation as not only a singer but also a composer, arranger, theatrical performer and teacher. Guided and tempered by powerful life lessons and rooted in jazz traditions laid down by Ella Fitzgerald, Dinah Washington and other leading ladies of past generations, she borrows various elements of folk, R&B and even classical and country to create a captivating hybrid style. Her body of work is musical, but it's more than just music. It's an exploration of the bright and dark corners of the human experience, and an affirmation of the power of the human spirit.

Some additional thoughts on important ideas from my conversation with René Marie.  Going forward, these solo "liner notes" episodes will only be available to my Patreon supporters over at patreon.com/thehappymsucians  You can join our wholesome-minded musician community for as little as $3 a month!

Monica Ellis from Imani Winds joins the Soundweavers team to chat about their ensemble's origin and the gradual development of their mission over their first several years. She shared about Imani's really interesting experience with having "in-house" composers in the ensemble. We chat about the evolution of their recording process and how they have sought out new ensemble members. And, we speak about the ensemble's new gig as faculty members at the Curtis Institute of Music. Celebrating over two decades of music making, the Grammy nominated Imani Winds has led both a revolution and evolution of the wind quintet through their dynamic playing, adventurous programming, imaginative collaborations and outreach endeavors that have inspired audiences of all ages and backgrounds. The ensemble's playlist embraces traditional chamber music repertoire, and as a 21st century group, Imani Winds is devoutly committed to expanding the wind quintet repertoire by commissioning music from new voices that reflect historical events and the times in which we currently live. Present and future season performances include a Jessie Montgomery composition inspired by her great-grandfather's migration from the American south to the north, as well as socially conscious music by Andy Akiho, designed to be performed both on the concert stage and in front of immigrant detention centers throughout the country. Imani Winds regularly performs in prominent international concert venues, including Carnegie Hall, Lincoln Center, the Kennedy Center, Walt Disney Hall and the Kimmel Center. Their touring schedule has taken them throughout the Asian continent, Brazil, Australia, England, New Zealand and across Europe. Their national and international presence include performances at chamber music series in Boston, New York, Washington D.C., San Francisco, Philadelphia and Houston. Festival performances include Chamber Music Northwest, the Santa Fe Chamber Music Festival, the Ravinia Festival, Chautauqua, Banff Centre and Angel Fire. Imani Winds' travels through the jazz world are highlighted by their association with saxophonist and composer Wayne Shorter, woodwind artist and composer Paquito D'Rivera and pianist and composer Jason Moran. Their ambitious project, "Josephine Baker: A Life of Le Jazz Hot!" featured chanteuse René Marie in performances that brought the house down in New York, Pittsburgh, San Francisco, Los Angeles and St. Louis. In 2016, Imani Winds received their greatest accolade in their 20 years of music making: a permanent presence in the classical music section of the Smithsonian's National Museum of African American History and Culture in Washington DC. The transcript for this episode can be found here. For more information about Imani Winds, please visit their website, Apple Music, Spotify, SoundCloud, Facebook, Twitter, Instagram, and YouTube.

00:00 Jingle Bells 02:17 Have Yourself a Merry Little Christmas (feat. Cécile Mclorin Salvant) 08:44 White Christmas 13:57 Zat You, Santa Clause? (feat. René Marie) 20:10 A Cradle in Bethlehem (feat. Gregory Porter) 25:45 We Three Kings 32:02 What Child Is This? (feat. Cécile Mclorin Salvant) 40:02 Merry Christmas Baby (feat. Gregory Porter) 44:55 It's Easy to Blame the Weather (feat. Cécile Mclorin Salvant) 49:36 I'll Be Home for Christmas (feat. René Marie) Team UNPLUGGED.

Jazz Port Townsend was back on a limited scale the last week of July after a year's hiatus due to Covid-19 restrictions last year. The Jazz Workshop was virtual, and there were two outdoor concerts by the jazz faculty on Saturday afternoon. For these concerts, the large doors of the McCurdy Pavilion at Fort Worden were open with the musicians on stage and the audience of several hundred was seated on the grass outside on Littlefield Green to allow for social distancing. There were two sets with essentially the same instrumentation but different personnel. In the first set to be broadcast this Sunday, the musicians include René Marie, vocal, Dick Oatts, alto sax, Terell Stafford, trumpet, Wycliffe Gordon, trombone & vocal, Miles Okazaki, guitar, Dawn Clement, piano, Marion Hayden, bass, and Carl Allen, drums. Jazz Port Towsend Artistic Director John Clayton also plays bass on several songs. Thanks to all the musicians, John Clayton, Centrum's Jazz Program Manager Gregg Miller, and

Music was always a centerpiece in the life of vocalist and composer René Marie. Yet it wasn't until she was 42 years old that she embarked upon her professional music career. In this interview, you'll hear the stories of her own life experiences - stories of heartbreak, loss, and despair. Through it all, René was able to take those bits of hurt and brokenness and transform them into the beautiful tapestry of a renewed and transformed life. More at renemarie.com.

**Content Warning: If you are sensitive to bragging and/or indifference to The Lord of The Rings movies, listen with caution.**In this week’s episode, Laura House brings us a tiny victory demonstrating the wisdom of “less is more” in one’s online dating profile. The decision to not share a seemingly irrelevant truth about herself turned out to be one of the most consequential decisions of House’s life. But this episode isn’t about that huge decision. It’s about something tiny that happened as a result of that monumental decision House made, and it has to do with being open to new experiences, liminal space, and the exquisite power of René Marie.Sound of RedDo YOU have a tiny victory to share?Call the Tiny Victories Hotline: (323) 285-1675We want folks to share their tiny victories on our hotline because, frankly, we’ll assume we’re just talking into the void every week and nothing matters. Prove us wrong. Did you finally do that thing you were putting off? Tiny victory! Reconnect with someone you haven’t been in touch with for ages? Victory! We only ask that you try to keep messages to under a minute so we’re able to play it on the show.If you prefer, you can record a tiny victory on your phone and then email us the audio. Email: TinyVictories@maximumfun.orgHOW TO @ USTwitter@GetTinyPod@LAGurwitch@ImLauraHouse@Swish (producer Laura Swisher) Instagram@GetTinyPod

This week on Inside the Arts, India Fest is back. We’ll get a sneak peek at the 2020 festivities featuring Indian arts, culture and cuisine at the New Orleans Museum of Art. Event note: India Fest rescheduled for Saturday, June 6. In the interest of public safety due to concerns over coronavirus (COVID-19), NOMA has rescheduled India Fest to Saturday, June 6. Then, acclaimed tenor and native son, Bryan Hymel returns with Opus Opera and Delta Festival Ballet in a concert performance celebrating Spring and our planet. It’s called Earthly Delights, featuring works by Mahler and Canteloube. Event note: Earthly Delights Canceled/Postponed concerning COVID-19 in NOLA. And we round out the show with singer and songwriter René Marie. Inside the Arts Tuesdays at 1pm, Wednesdays at 8:30pm and Thursdays at 8:45 am.

Marie Birde är chefredaktören som förde den legendariska webbtidningen Darling ut till svenska surfare. I den här intervjun med Internetmuseum berättar hon om sitt tidiga bloggande, kärnkraftsverksbesöket, it-bubblan och om vilka som i dag fört vidare Darlings stafettpinne.  

Adrian Cunningham is an award-winning multi-instrumentalist, vocalist and world traveler. Originally from Sydney, Australia and now based in New York, Adrian is proving to be one of his country's top exports.  With fluent command of the saxophones, clarinet, and flute, he is one of the finest multi-instrumentalists in jazz today.  Adrian is the recipient of the Hot House Saxophone Award for 2017.  Adrian's band, Professor Cunningham and His Old School, is the winner of international band competition World Jam (Madrid: 2016, 2017) and Best Band Award at 2017 Harlem Festival (Vilnius, Lithuania).  When he is not busy performing in New York with some of its finest players, he is touring the world playing jazz festivals and swing events.   Since relocating to New York City in 2008, Adrian has performed at some of the Big Apple's finest clubs, including The Blue Note, Smalls, Birdland, 55 Bar, Apollo Theatre, Fat Cat, Dizzy's at Jazz at Lincoln Center and even an event at the hallowed Village Vanguard.  He has played with such jazz stars as Wynton Marsalis, Wycliffe Gordon, Jon Batiste, George Coleman Jr., Jeff Hamilton, John Clayton, Ted Rosenthal, Chris Potter and René Marie.  Adrian is currently performing with world-class trombonist Wycliffe Gordon, including a performance at the London Jazz Festival and a recording in Abbey Road Studios alongside Wess Anderson, Reginald Veal and Herlin Riley.  Adrian's travels with the Wycliffe Gordon quintet have also included appearances at the Johannesburg Jazz Festival, Bern Jazz Festival (Switzerland), Newport Jazz Festival and regular performances in New York at Dizzy's at Jazz at Lincoln Center.  Adrian has also appeared on two of Wycliffe's albums to rave reviews (“One of the unexpected joys [of the album] is the rich, woody clarinet of Cunningham,” Hot House NYC). In 2013 Cunningham formed a traditional New Orleans-style outfit called Professor Cunningham and His Old School, deeply rooted in the jazz tradition.  They have become one of the top bands on the international Swing scene, performing at the Blue Note Jazz Festival (NYC), Melbourne International Jazz Festival (Australia), Sopot Molo Jazz Festival (Poland), Snowball (Stockholm), SLOX (California), CPH:LX (Copenhagen) and Melbourne International Jazz Festival.  Cunningham also has a busy individual jazz festival schedule, including repeat appearances at the North Carolina Jazz Festival, Central Illinois Jazz Festival, Newport plus concerts at the famous Gennett studios (Richmond, Indiana).  Additional international festival credits include Montreux Jazz Festival (3 times), Johannesburg, Japan, London, Tokyo and Sopot Molo (Poland). From 2014 to 2017, Adrian was the leader of the saxophone section of the Grammy-winning Vince Giordano and the Nighthawks, a NYC-based 1920s swing orchestra responsible for the soundtracks for “Boardwalk Empire” and movies including The Aviator.  As a leader, he has recorded ten CDs and two DVDs both in Australia with his quartet and also in New York through Arbors Records.  His 2017 release Jazz Speak, recorded with jazz stars Jeff Hamilton, John Clayton and Ted Rosenthal, broke the top 20 in the U.S. national JazzWeek charts. His new CD Adrian Cunningham & His Friends Play Lerner & Loewe – which explores the jazz influence of the legendary songwriting team known for iconic musicals like My Fair Lady, Camelot and Brigadoon – features Fred Hersch on piano, John Hébert on bass and Eric McPherson on drums, with guest stars Randy Brecker on trumpet and Wycliffe Gordon on trombone.  On this episode, Adrian shares his one way ticket to Barcelona. Plus, he talks Lerner & Loewe. We also play tunes off his album, too! Adrian is just one of the dynamic guests featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they would go if given a one way ticket, no coming back! Destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-orta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more.  

Hosts Rekaya Gibson and Angela Spears are gearing up for Thanksgiving 2019. In this special episode, they discuss who’s invited to dinner and why. They also share what they plan to say to each guest. Find out who is bringing the seafood gumbo; leading the electric slide; and getting uninvited. #KeepItSporty Beverages provided by KeWi Teas (www.kewiteas.com) and Shoe Crazy Wine (www.shoecrazywine.com) Musical selections by Carla Cook, René Marie, and Lizz Wright Games include Rhyme Antics and Spades. Podcast Sponsored by Cuisine Noir Magazinewww.cuisinenoirmag.com Download the Free Android App for BGTS https://play.google.com/store/apps/details?id=com.blackgirlstalksports.android.girls Support Us on Patreonhttp://www.patreon.com/blackgirlstalksports Join Us on Facebook https://www.facebook.com/groups/BlackGirlsTalkSports/

CDS PARADIGM Ep6/Season 1 Thank you for continuing to tune in to CDS PARADIGM. This is episode 6 of season 1, continuing to entice the imagination to expand...you digg. Keeping with the unrelenting aspect of playing various musical directions, this episode is moving forward furthering its quest. In this installment you'll hear saxophonist/flutist Salim Washington; Latin Jazz project La Fuerza ; Modern Jazz project Fusionistic; vocalist Judi Silvano with pianist Peter Tomlinson and trumpeter Freddie Jacobs; two double bass rendition of “What a Wonderful World” with Ken Filiano and Christopher Dean Sullivan; vocalist René Marie, drummer Tani Tabbal, Afro-Cuban vocalist Ileana Santamaria,... along with commentary. A PRI report on The Neuroscience of Jazz: Charles Limb is a professor of otolaryngology at Johns Hopkins Medicine who has a sideline in brain research; he’s also on the faculty at the Peabody Conservatory of Music. He wants to know what happens in our brains when we play piano. Simple: stick a musician in an fMRI machine, and see what happens…, and much more. Thanks again for tuning in, and your continuous support of this podcast. Any comments are all welcome. E-mail: christopherdeansullivan@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cds-paradigm/message

American singer René Marie reveals how she quickly came to sign recording contracts with the Maxjazz and Motéma labels. She also speaks about her one-woman show “Slut Energy Theory”, her one-to-one online vocal therapy sessions Slam! and her four favourite female jazz singers… Part 1 is available in #Episode 36.

Grammy-nominated René Marie speaks about the joy music has always brought to her and how, after merely singing in the home for over 20 years, she was persuaded to leave the day job by a brother and a son… Part 2 of this conversation will be available in #Episode 37.

Grammy-nominated jazz vocalist and songwriter Rene Marie has a perfect metaphor for how to spark creativity: "I think the creative bent is a shy little animal that only comes out when it's safe, when it feels that it's going to be heard or listened to. At least that's the way it is for me. If I ignore it, then it just goes back under its rock, but if I feed it, encourage it, play with it, acknowledge it, 'Hey, little guy!' then it comes back out more and more." In 1997, when she was in her early 40s, she returned to her musical career. Over the past 20 years, she has made numerous recordings and stage performances including at the Morris Graves Museum, brought here by the Redwood Jazz Alliance . She's this week's guest on Chronologically Gifted talking about her creative process and creativity in later life.

 Manlio Celotti.  Membran Entertainment Group establishes itself as an international force, garnering multiple 2017 Grammy nominations with Jacob Collier Anderson .Paak, Joey Alexander and René Marie.Artists traditionally begin their careers in their home country and then make their way to the rest of the international music scene. Membran, an entertainment and label services company headquartered in Hamburg, Germany, has reversed this pattern for some of today’s biggest names in music. Manlio Celotti joined Membran as CEO in 2011 while retaining his role as Managing Director of The Orchard Entertainment, moving the company forward rapidly, including in the USA marketplace.  With connections to SONY Music,  and other labels, he has been able to develop an impressive list of artists all the way to the Grammys.  We talk with him about the 2017 Awards, Membran's strategy and what it means for rising indie artists. Shambhu is a guitarist, composer and consummate artist who transforms the stillness and silence of meditation into calming sounds. Through a blend of folk, Indian and jazz styles, his music eases busy minds and the overworked bodies. His music is  is music is  at once precise, skilled, sensitive and inventive beyond the norm. Shambhu has recorded and performed with Yes frontman, Jon Anderson and guitar legend Carlos Santana, as well as Whitney Houston and Clarence Clemens, among others.  His has just released his third studio album, Soothe, recorded at  Magic Cottage Studios in Lagunitas, CA with producer Todd Boston and a stellar group of artists including Michael Manring on bass, Jeff Haynes on percussion and Frank Martin on piano. The result is pure bliss.  

El saxofonista Albert Cirera vuelve a reunir a sus Tres Tambors para firmar la "Suite salada". Una suite de música ininterrumpida que comparte con Marco Mezquida (piano), Marko Lohikari (contrabajo) y Oscar Domenech (batería). En esta edición de 'Club de Jazz' del 18 de enero de 2017 nos abrimos a las "Atmosphères" de la improvisación del pianista armenio Tigran Hamasyan con los noruegos Arve Henriksen (trompeta), Eivind Aarset (guitarra) y Jan Bang (electrónicas). Un voz con una gran historia detrás, René Marie, regresa con "Sound of red". Otra, Sabina Witt, le pone música a la faceta literaria de Erik Satie en "Chiquilladas pintorescas". Además, "Adorno", directo del cuarteto ISCCJMKMB de Ivo Sans. Toda la información y derechos: http://www.elclubdejazz.com

El saxofonista Albert Cirera vuelve a reunir a sus Tres Tambors para firmar la "Suite salada". Una suite de música ininterrumpida que comparte con Marco Mezquida (piano), Marko Lohikari (contrabajo) y Oscar Domenech (batería). En esta edición de 'Club de Jazz' del 18 de enero de 2017 nos abrimos a las "Atmosphères" de la improvisación del pianista armenio Tigran Hamasyan con los noruegos Arve Henriksen (trompeta), Eivind Aarset (guitarra) y Jan Bang (electrónicas). Un voz con una gran historia detrás, René Marie, regresa con "Sound of red". Otra, Sabina Witt, le pone música a la faceta literaria de Erik Satie en "Chiquilladas pintorescas". Además, "Adorno", directo del cuarteto ISCCJMKMB de Ivo Sans. Toda la información y derechos: http://www.elclubdejazz.com

La cantante René Marie va a actuar en nuestro país en el IV San Miguel Jamboree Jazz Club Festival en Barcelona (sábado 5 de noviembre de 2016), el Festival Internacional de Jazz de Madrid (miércoles 9), y el Festival de Jazz de Palencia (viernes 11). Esta veterana (nació en 1955), decidió dedicarse por entero al jazz a una edad muy poco habitual: 42 años y tras un ultimátum de su marido, que le planteó elegir entre él o el jazz… y eligió el jazz. Gran cantante, que se mueve con mucha comodidad por distintos registros, y compositora, deja buena muestra de ello tanto en sus conciertos, como en sus grabaciones. En HDO 190 revisamos sus tres últimas grabaciones: Sound of Red (que ya sonó en HDO 149), I wanna be Evil, y Black Lace Freudian Sleep. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz. Toda la información de HDO en http://www.tomajazz.com/web/?p=27315

Tres nuevas grabaciones, tres, en un 3X3 (el séptimo de la temporada), especial. Suenan Moons (del trío canadiense Myriad 3), Natural Essence (de Cyrus Chestnut a quien acompañan Buster Williams y Lenny White), y Sound of Red (de René Marie, en el que la vocalista es la autora de todas las músicas y letras). Tres grabaciones muy disfrutables y recomendables. © Pachi Tapiz, 2016 HDO es un podcast que está editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 149 en http://www.tomajazz.com/web/?p=25694. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298.

Over the last fifteen years, vocalist and songwriter Rene Marie has risen to international and popular acclaim by sticking to her guns. As you’ll hear, Rene has fought hard to be where she is and it’s paying off. She was nominated for the 2014 “Best Jazz Vocal Album” Grammy award for “I Wanna Be Evil” […]

La pianista Myra Melford debuta discográficamente en formato de solo con "Life carries me this way", un diálogo con la obra pictórica de Don Reich. En esta edición de "Club de Jazz" del 29 de enero de 2014 escuchamos con atención su trabajo y el homenaje de la cantante René Marie a Eartha Kitt en "I wana be evil". Además, Jesús Moreno rinde tributo "desde mi cadiera" al saxofonista Arthur Doyle, fallecido el día 25 a los 69 años. En el "Tren Azul" de Luis Díaz García, grabaciones de 1949 del quinteto del pianista Lennie Tristano. Los "Ritmos Latinos" presentan el último trabajo de la cantante cubana Osdalgia, "Sones y pasiones". Toda la información y derechos: http://www.elclubdejazz.com

La pianista Myra Melford debuta discográficamente en formato de solo con "Life carries me this way", un diálogo con la obra pictórica de Don Reich. En esta edición de "Club de Jazz" del 29 de enero de 2014 escuchamos con atención su trabajo y el homenaje de la cantante René Marie a Eartha Kitt en "I wana be evil". Además, Jesús Moreno rinde tributo "desde mi cadiera" al saxofonista Arthur Doyle, fallecido el día 25 a los 69 años. En el "Tren Azul" de Luis Díaz García, grabaciones de 1949 del quinteto del pianista Lennie Tristano. Los "Ritmos Latinos" presentan el último trabajo de la cantante cubana Osdalgia, "Sones y pasiones". Toda la información y derechos: http://www.elclubdejazz.com

René Marie, the award winning singer whose style incorporates elements of jazz, soul, blues and gospel, has quickly become a heroine to many; a woman of great strength exuding stamina and compassion; often explaining how finding her voice and self through singing gave her the courage to leave an abusive marriage. But since the release of her recording debut, Renaissance, this Colorado based heroine has also evolved into one of the greatest and most sensuous vocalists of our time. Unmistakably honest and unpretentious while transforming audiences worldwide with her powerful interpretations, electrifying deliveries and impassioned vocals — René Marie has drawn a legion of fans and music critics who find themselves not only entertained, but encouraged and even changed by her performances.With her latest release Voice of My Beautiful Country (Motema Music), listeners will hear her trademark vocals but will also be struck by the wide variety of songs that she interprets. During the course of the album, Marie brings her personal touch to everything from Motown to Tin Pan Alley to “America the Beautiful.” But Voice of My Beautiful Country is much more than a demonstration of Marie's eclectic musical tastes; it is an ambitious celebration of Americana and the cultural diversity of these United States. She is on tour with stop in Oakland, CA, Thursday, June 30, 2011. Bill Doggett joins us to talk abiout his exhibit at the SF Public Library, African American Center, The Underground Railroad: Songs of Hope and Freedom.  It focuses in on the value of the Negro Spiritual for survival and in its coded use of passages that are used as coded language. The opening is July 2, 2011, 1 p.m., and features Omnira Voices of Freedom Choir, in the Koret auditorium. A reception follow. Director, Mark S. Wexler, speaks about How to Live Forever, opens July 8, 2011 at Landmark Opera Plaza.

Our next broadcast will feature vocalist and trumpeter Joe Gransden talking about his latest CD "Plays and Sings" on Hot Shoe Records. We'll be playing some of the music from this CD which features Earl Klugh (guitar), Jerry Weldon (sax), René Marie (vocals), Russell Gunn (trumpet), Kevin Bales (piano), Kenny Banks (piano), Clay Hulet (drums), and Neal Starkey (bass). Joe will also talk about his latest project with the 16 piece band, Jazz Orchestra Atlanta. Joe appears with this band the first and third Monday of each month at Cafe 290. We invite you to call in to comment or ask Joe a question. For more info on Joe, please visit his website joegransden.com.

Our next broadcast will feature vocalist and trumpeter Joe Gransden talking about his latest CD "Plays and Sings" on Hot Shoe Records. We'll be playing some of the music from this CD which features Earl Klugh (guitar), Jerry Weldon (sax), René Marie (vocals), Russell Gunn (trumpet), Kevin Bales (piano), Kenny Banks (piano), Clay Hulet (drums), and Neal Starkey (bass). Joe will also talk about his latest project with the 16 piece band, Jazz Orchestra Atlanta. Joe appears with this band the first and third Monday of each month at Cafe 290. We invite you to call in to comment or ask Joe a question. For more info on Joe, please visit his website joegransden.com.