Podcasts about smilin

Smilin' and George bring in Pawel to review the Week 2 results.

In this episode, we discuss Smile 2 (2024), its similarities to The Ring, and how graphic it is. Email us at chismosas.and.chainsaws@gmail.com!

Greetings Mash fans, Welcome to another excellent episode of The Mash Files. In this File, our hero's Cbus Jon & Cbus Brian look at Smilin' Jack. Episode 21 from Season Four. A chopper pilot is dead set on becoming Chopper Pilot of the Year by bringing in the most wounded. Until the Doctors at the 4077 discover he has diabetes & ground him. Will Smilin' Jack break the record held by Dangerous Dan? Will Frank like the photo that Jack took of him? Will he send a copy to his wife? Is that Margaret Houlihan I see? Is a helicopter blade a wing?  Find out some of these answers & more on the latest File from The Mash Files.  

In 2001, Steve Warshak turned America's insecurities into gold with Enzyte, a 'male enhancement' pill hawked by TV's smuggest pitchman, Smilin' Bob. But when federal agents discovered Steve's real genius wasn't in making anything “bigger” (besides his bank account through fraud), they unearthed a world of fake doctors, unauthorized charges, and Steve's 70-year-old mother who helped run a $200 million dollar scam. The hosts of Camp Counselors, Zachariah Porter and Jonathan Carson, join Misha to explain how Steve Warshak, the man behind the “male enhancement” pill, Enzyte, totally shafted his customers. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to The Big Flop on the Wondery App or wherever you get your podcasts. You can listen early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting wondery.com/links/the-big-flop/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A LITTLE BIT OF BOASTING, but Key Biscayne's annual "Rib Off" is set in an idyllic bayside spot where smoke, pork, and community fuse together for one of the nation's best barbecue competitions -- all done for a great charitable causeOur guest is Ron Magill, South Florida's best-known wildlife expert who just also happens to be a baby back rib lover and one of the judge's for this year's competition. BONUS: stay tuned at the end of the show for an interview with one of  Jorge Blanco, captain of the one of the winning teams, Smilin' Swine.Here is a link to the results.  Send us a textSupport the showSubscribe to the Key Biscayne Independent today

In this bonus episode I talk separately with Rachel Melas and Conny Nowe, who played bass and drums in the all-female, post punk band the Moral Lepers, in the early 1980s. Rachel was also in the art punk band animal slaves among many others and Conny played in Tin Twist, and Junco Run. They now live together in Toronto where they play music in genres like cajun zydeco, swing, ragtime, folk and klesmer. This conversation took place on a video call, so you'll notice a different quality of sound and ambiance compared to the usual episodes! These conversations took place on November 11 & December 13, 2024. In Vancouver, Rachel Melas was in The Vistors, the Moral Lepers, Animals Slaves and the Might Club. Conny Nowe started in the Moral Lepers, and also played in Tin Twist, Junco Run and The Work Party while in Vancouver. Venues discussed: City Space (343 Railway Street), the Smilin' Buddha, the Balmoral, Odd Fellows Hall, O'Hara's, The Windmill, the Town Pump, the Lotus, the Archimedes Club, the Japanese Hall, the Railway Club, the Arts Club Backstage Lounge, Luv-a-fair, the Egress. Bands discussed: Private School, the Zellots, K-Tels, Young Canadians, the Modernettes, Oh Susanna, DOA, Melodic Energy Commission, Images in Vogue, 54-40, Art Bergman, the Dishrags.    This episode features the following music: The Moral Lepers:  Suicide from Turn to Stone (Mo-Da-Mu 1982) Animal Slaves: Save Me From Ruin from Dog Eat Dog (Mo-Da-Mu 1985) Tin Twist: Stupid Cars (Mo-Da-Mu 1980)

RINGING IN THE NEW YEAR RIGHT! THE CREW IS ALL HERE AND THEY START EARLY WITH NEW YEARS RECAPS, GET INTO THE NEW YEARS POSSIBLE TERRORIST ATTACKS, NEW MUSIC, A NEW LUTHER DOC, KEVIN GATES'S SHOCKING REEL, DRAKE'S ROUGH FREESTYLE, INCORRECT ACRONYMS, FANTASY FOOTBALL AND MUCH MORE. CHEERS TO 2025

Today's Topics:Amazing Spider-Man #52: "To Die a Hero!" by Stan (The Man) Lee, John (Ring-a-Ding) Romita, Mickey Demeo, and Sam RosenAmazing Spider-Man #53: "Enter: Dr. Octopus" by Smilin' Stan Lee, Jazzy Johnny Romita, Mickey Demeo, and Artie SimekWe're On Blue Sky, Instagram, and TiktokSupport us Patreon!Every Wednesday your Friendly Neighborhood Comic Book Club dives into the history of The Amazing Spider-Man, starting from his very first appearance! Join us as our designated web-head Parker guides Stephanie and Kat through the comics behind the cultural icon.The Retcon Podcast is recorded in Los Angeles and edited by Parker Robins. Parker Robins can be found across social media @UncannyParker, Stephanie Johnson can be found @SiriusDanger, Kat Alysha can be found @Kat_Alysha, and the Retcon Podcast can be found @TheRetconPod. Feel free to thwip us an email at theretconpodcast@gmail.com

What's the buzz about BlueSky? Should you join the migration from Twitter? In this episode, Brent and Ixchell explore BlueSky, the emerging social media platform educators are flocking to. Reflecting on Twitter's past and this promising alternative, they dive into BlueSky's potential for professional networks and classroom impact. Whether you're curious about its decentralized structure or how it stacks up for educators, this episode will guide you through the ins and outs of this new digital space. Tune in to learn: Why educators are moving from Twitter to BlueSky. BlueSky's unique features, including moderation and data portability. How to build your Professional Learning Network (PLN) on this new platform. Tips on finding and joining BlueSky educator communities. Show Notes: www.DIESOL.org/114 

Joe Biden seems to be in a really good mood for a guy whose VP just got routed. And apparently it's time to "Peacefully Transfer" power to Hitler.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

It's the 140th episode of the Truth About Vintage Amps podcast, where amp tech Skip Simmons eventually fields your questions on all-things-tube amps!  As always, use all advice at your own risk. Want to be a part of our show? Just email us a question or voice memo to podcast@fretboardjournal.com. Some of the topics discussed this week:  2:35 What's on Skip's Bench: A modified ES-150 Charlie Christian amp with a non-field coil speaker 4:22 Smilin' Skip's: Stuff for Sale 5:15 Loma Rica's Aztec Recording Studio; the Ralph Shine Blues Band; Skip's new guitar; Sylvia Massy (Sylvia's shop); Weed, California; the Fretboard Summit 2025 (register here) 18:01 Our sponsors (and baby goats): Grez Guitars; Emerald City Guitars and Amplified Parts (Jensen speakers are currently on sale!) 23:42: Alamo and other budget amplifiers; the COVID gear boost has deflated 25:35 Amp bargains (look for two transformers); a black panel Super Reverb; Silvertone Twin-Twelve and optocouplers 28:53 The Alembic Pre-Amp in a pedal (or two): Frog Pedals (link); Sushi Box FX (link); Mexican Pizza with Boboli pizza crust; starved plate loads 35:41 PSA: You can buy WD-40 by the gallon 38:22 Should I put the original transformer back in my 1966 Fender Princeton? 44:07 Preferred replacement 12AT7 reverb driver tubes 47:26 Two-prong shock in the studio 50:35 A converted Stromberg-Carlson; speaker-driven effects channel? Rudy Van Gelder; the usable range of a bright cap 57:55 A Plush 3000G tubes and tremolo with a mystery rectifier tube 1:03:08 What's with the lettering on my 1950s Rauland Lyric transformer 1:06:47 Putting a JBL in an Ampeg Rocket 2; a Traynor Studio Mate Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  Don't forget, we have a Patreon page. Join us to get show updates and get to the front of the question line. 

Please leave us a review wherever you are listening!Email us rants as well as raves: sheacinema@gmail.comYou can also find us on Instagram (and now Twitter/X): @sheacinema

Original Air Date: July 31, 1939Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Earle Graser (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Original Air Date: July 31, 1939Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Earle Graser (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Smilin' and George review the Playoff Quarter Finals.

Smilin' and George bring in Gary to preview the Divisional finals.

Ep 319- Our guest this week is Justin from Enid, Oklahoma. Justin is a good friend of our very own Smilin' Sensei and co-host, Barry Johnston. Justin is one of those guests who thought they didn't really have any stories to share, but having been a long time listener and member of Weirdsville, he figured … Continue reading "Ep 319- “This is Why I'm Going to be Bald”"

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Thirsty Forest Animals [00:25] "Nape" Southeast of Saturn: Michigan Shoegaze/Dream Pop/Space Rock Third Man Records TMR-629 2020 All of this, yes. When I lived in NYC in the 90s, so many of my friends were from Michigan that it's amazing some stayed around to develop these sounds. Fauna [05:26] "To Ecstasy" Southeast of Saturn, Vol. 2: Midwest Shoegaze/Dream Pop/Space Rock Third Man Records TMR-750 2022 I also knew a lot of folks from Minneapolis, where Fauna hail from. This track is from their 1992 release Everafter. Glen Campbell [09:23] "Southern Nights" Southern Nights Capitol SO-11601 1977 Glen takes an excellent turn with Allen Toussaint's "Southern Nights" (https://youtu.be/mCscZ2tPFmI?si=0lfs02BFzVpS3aIf) originally recorded in 1975. Glen heard that version and was reminded of his childhood in Arkansas. This single made it to number 1 on the charts, and the album made it as high as 22 on the Billboard 200. You can see Glen playing one of his weirdo Ovation electric 12-strings here on The Midnight Special (https://youtu.be/A8VgyiMAJ9k?si=qdJzW9C6zMMHfQ70). Hawkwind [12:24] "Sonic Attack" Space Ritual United Artists Records UA-LA120-H2 1973 Epically epic space jams with interspersed spoken words as exampled here with "Sonic Attack" written by Michael Moorcock and recited by James Calvert. The sleeve art by Barney Bubbles is a thing of majesty. If space jams are your thing and you've never heard this album, seek it out. Amazingly, this album briefly dented the Billboard 200, making it to number 179. The album jacket is quite a work of art. If you'd like to see the full artwork, join me over on Patreon for video liner notes (https://patreon.com/youroldpalwill). Depeche Mode [17:24] "Dreaming of Me" Speak & Spell Sire SRK 3642 1981 What a difference a decade makes (as compared to Hawkwind)? The debut album by the boys from Basildon, and the only one recorded with Vince Clark (before he moved on to Yaz and subsequently Erasure). This album also just cracked the Billboard 200 here in the US, making it to number 192. This single did actually make it into the US Billboard dance charts, going as high as 47. The English Beat [21:01] "Sooner or Later" Special Beat Service I.R.S. Records SP 75069 1982 (1987 reissue) Everyday someone is born who has never heard "Sooner or Later". Perhaps you are one of those people who has never heard "Sooner or Later". If so, enjoy! This guitar sounds (and this video (https://youtu.be/c-7lBq0zuSM?si=18igG60AbOt239Kf)) have been permentantly etched into my musical brain thanks to the early days of MTV. John Zorn [24:36] "Hico Killer - Long Mile to Houston" Spillane Elektra Nonesuch 9-79172-1 1987 Gritty road story from master blues musician Albert Collins, tinged with Zorn & Co's trademark oddballness. Con Funk Shun [29:19] "Juicy" Spirit of Love Mercury SRM-13806 1980 The Bay Area's very own Con Funk Shun. If you've got a funk/soul album with a track called "Juicy" you know you've got to listen to it. Or at least, I do. Written by the band's guitarist and vocalist Michael Vernon Cooper. The Wonderland Singers [34:07] "Bats in the Belfry" Spooky Halloween Wonderland Records LP-293 1974 They just don't make organ music like they used to, and probably for good reason. At least the cover art is cool. Ustalost [35:20] "III" The Spoor of Vipers Gilead Media RELIC82 2017 Some blackened heaviness from this solo project by Will Skarstad of Yellow Eyes. For those of you who appreciate this style of music, seek out A Wandering Path: The Story of Gilead Media (https://youtu.be/gTZ1HcDtW-U?si=_ann3_mOUWXm2pCq) on a streaming service near you. Missing Persons [40:49] "Bad Streets" Spring Session M Capitol Records ST-12228 1982 This album made a strong impression on my when it came out and I still find myself thinking about it. For this episode's selection, I took a look at the track listings and immediately heard this song in my head. The album made it to number 42 on the Hot 100 and generated 4 singles: "Words (https://youtu.be/IasCZL072fQ?si=VO4X1DpThnxhHYup)", "Desitnation Unknown (https://youtu.be/1WDly1Oc_P4?si=5j2wgoC34DdwEtoU)", "Windows (https://youtu.be/v0vdk3YOvMM?si=31AgmgVzkx6cUeou)", and "Walking in L.A. (https://youtu.be/80WyBxo0Hto?si=DjM4k640jKUOTkhV)". Graham Parker and the Rumour [44:30] "Local Girls" Squeezing Out the Sparks Arista AB 4223 1979 Another heavy rotation video (https://youtu.be/taXvBivGcMo?si=wUPJk-7GLYH8XtUu) from the early days of MTV, despite being made in 1979. The album attempts to explore English suburbia. The album cover features some great typography by Gerard Huerta. Amazing Rhythm Aces [49:48] "Third Rate Romance" Stacked Deck ABC Records ABCD-913 1975 Some fun country-inflected rock from these Memphis gents, sounding almost perfectly mid-70s in a good way. The album reached 11 on the country charts and 120 on the Billboard 200. This single also hit 11 on the country charts and 14 on the pop chart. The band even made an appearance on the second season of Austic City Limits (https://youtu.be/pLz6nIvqB2c?si=nFcMK2tAEEfFjI8n). Love Barry "Byrd" Burton's finger pickin on this. Sly and the Family Stone [53:11] "You Can Make It if You Try" Stand! Epic BN 26456 1969 The mighty Sly Stone and family take a funky turn at this song originally recorded by Gene Allison (https://youtu.be/xiPI7d1y2Co?si=bo1XG2515eGJoYnn) and also covered by the Rolling Stones (https://youtu.be/jz4VO_NiY24?si=1OhUnqa0lAa5JEwM). Fans of Primal Scream will also recognize the tail end of the track that precedes this album closer. Jacksons [56:49] "Blame It on the Boogie" Star Fire Ronco R 3200 1980 As seen on TV! 18 original hits by 18 original artists! A compilation of hits, mostly from 1979. In honor of the late Tito Jackson, I had to go with this uptempo Jacksons single from 1978. Wet Willie [01:00:00] "Keep on Smilin'" Star Trackin' '76 Ronco R 1976-2 1976 As seen on TV! 20 original hits by 20 original artists! While 8 year old me would have been extremely excited about the "Theme from S.W.A.T.", I decided to go with Mobile AL's own Wet Willie. I could have also gone with Abba's "Waterloo" but loyal listeners already know how much I love Abba. Music behind the DJ: "Charade" by Charlie Barnet and his Orchestra

Sorry for the delay. Lots going on in real life. -Tiffany DM/Editor/Producer The Damsels have convinced Ari's brother, the emperor, to allow them to stay in the castle. But he wants to interview the party members to se who exactly precious, baby sister Ari will be spending time with. Ari invites all her friends to her room for a sleepover. Ellie pulls out her love letters from Kenaris and asks the others for help on writing a reply to her beau. Ellie is revealed to be a princess. (Possibly... most likely) and she is to undergo princess training! They decided to start with the fun stuff, horseback riding and dancing. Arteus teaches the damsels how to do the waltz as part of common court etiquette training. They also learn a drow dance that is called "The Dueling Blades" a rather spicy number. Listen in to see who shares that dance with Ciara. After the the *After* party. The damsels gather in Ari's room (an imperial suite) and share ghost stories! Welcome! We're just a bunch strong women (Plus Michael) who enjoy acting and female-centric content. Our D&D 5e campaign is a slow boil with focus on NPC and PC relations and politics (don't worry, we have battles too.) New to the party?Here's Ep 1. https://www.youtube.com/watch?v=YaQamR_UkYk&list=PLZBlznBP3PFUw9HrmGRj7WLWtKxt1E_hk Link Tree for all the links https://linktr.ee/Dungeon_Damsels_DND GM-Tiffany (Twitter) Dungeons_Damsels Ciara-Sirena (Twitter) pixiepocalypse- Character Portraits Kiaria'Relia (Ari)- Amelia (Twitter) Ameliapendraws- Storyboard scenes/portraits Elendriel-Michael (Twitter) Robosardi- Anitmated intro/Background Luna- Mckenna (No Handle) Podbean https://www.podbean.com/site/Search/index?v=dungeon+damsels https://open.spotify.com/show/05zEpummzMrsabMsNGXuoI https://tunein.com/podcasts/Storytelling-Podcasts/Dungeon-Damsels-p1273640/ https://podcasts.apple.com/us/podcast/dungeon-damsels/id1488280644 https://podbay.fm/podcast/1488280644 Business Page https://www.facebook.com/DungeonDamselsthesororityofmadness/ Fan Page https://www.facebook.com/groups/632876427252024/ Merchandise https://www.gearbubble.com/gbstore/ddsom?fbclid=IwAR1N90KhsDe5LeB6j0dpdHEef0dS_5V4U2zTsIi30YoFfmuh29Sc8NiuM20 https://www.redbubble.com/people/Tiffytan/shop?asc=u Patreon https://www.patreon.com/user?u=5203587&fbclid=IwAR1lUgwz4SokFzdcbwmhPsf1L04Qbj5m_Uy731DMmewLSDU6Zc4y9iE9Q7E Music ByMusic By Scott Buckley scottbuckley.com.au/ released under CC-BY 4.0 "Skyscraper Samba" "Hour of the Witch" "Borealis" "Dragon's Lullaby" "Decoherence" released under CC-BY 4.0 "smiliin and Vibin'" - "Awkward" https://www.fesliyanstudios.com "romantic" https://www.bensound.com "The Day I Met her" -Ester Abrami "Bird's Tale" - Danijel Sambo Main Version https://uppbeat.io/browse/artist/danijel-zambo released under CC-BY 4.0 "Smilin' and Vibin"'' by David Rendar "Derp" "Awkward" at Fesliyanstudios.com "Chill Guitar" by Flamingo Lesion X (No Copyright) "Friendship" by Declan DP (no Copyright) "Scary Horror Imrpov sounds" by Deus Music https://www.youtube.com/watch?app=desktop&v=dInkf6n98lM "Walking" by Karaleen Roper (Tiffany's mom :D) "Waltz for an Empty Space" https://www.youtube.com/watch?v=n9HR4TQgi28 By Etienne de Lavaulx "The Incident" by SoundRoll https://uppbeat.io/track/soundroll/the-incident "En er Mundo" by Ivan Alvarez https://www.youtube.com/watch?v=UtPc6xpJpcc Learn more about your ad choices. Visit megaphone.fm/adchoices

Smilin' and George bring in Labonte to review the Week 21 results and some regular season stats.

WAYNE SHORTER “CELEBRATION VOLUME 1” Estocolmo, 2014Zero Gravity to the 15th Dimension, Smilin' Through, Zero Gravity to the 12th Dimension, Orbits. Personnel: Wayne Shorter (st/ss) Danilo Pérez (p) John Patitucci (b) Brian Blade (dr) PETER ZAK QUARTET F/MARCOS VARELA “ONE MIND” Paramus, NJ, May 26, 2017For Sonny, TexturesSeamus Blake (ts) Peter Zak (p) Marcos Varela (b) Billy Drummond (d) DARIUS JONES & MATTHEW SHIPP “COSMIC LIEDER” Brooklyn, NY, October 29, 2010Bleed, Ultima thuleDarius Jones (as) Matthew Shipp (p) Continue reading Puro Jazz 02 de septiembre, 2024 at PuroJazz.

Smilin' and George bring in Insta-Alex to review the Week 19 results.

Smilin' and George bring in Tom and Pawel to review the Week 18 results.

Thanks to a recent story about the long-running Sunday Gospel Hour at Robert's Western World, our favorite honky-tonk is back in the news. Producer Marie Cecile Anderson sat down with GRAMMY-nominated musician, filmmaker, educator, and storyteller Smilin' Jay McDowell last month ahead of the bar's 25th anniversary, and together, they explored the origins and enduring legacy of this iconic Nashville institution in the heart of Lower Broadway. Thanks to Tecovas, our Western wear faves, for being our exclusive launch sponsor! **This episode originally published July 31, 2024 Best of Nashville voting is now open, and we'd love your consideration as Best Podcast. Vote here! Need to register to vote for the November election? Visit govotetn.com. Want some more City Cast Nashville news? Then make sure to sign up for our Hey Nashville newsletter.  Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392 Interested in advertising with City Cast? Find more info HERE. 

Smilin' and George bring in Rich to review the Week 17 results.

Janice Leone describes how it feels getting monster fucked. By Bardot1990. Listen to the Podcast at Explicit Novels. My name is Janice. The following story is set in Northeast Louisiana in 1844. Mary Lynn, Gretchen, Annie, & Polly Lynn were sitting with me at the wedding reception for Abby. The girls had sex on their minds and imagined what Abby's wedding night might be like, tonight.  After several tawdry comments, Mary Lynn turned to me and said; "Janice, tell us 'bout Blue again. I don't know how you do it. I couldn't get a dick that big up in me without a shoe horn an' a brick!"Gretchen: "Yeh, Janice, tell us! I still cain't get over how you said you warn't never gunna get you a woodpile slave. An' now you got the best one!" Annie: "I dunno that he's the best one. He might be the biggest one. I still say that Charlie Nelson can fuck rings around jist about anybody I know, white or black. That boy can work it!" Janice: "Well, I ain't tested Charlie out yet." Annie: "It ain't like I ain't offered you the chance." Janice: "You mean that time down to your pond? When Abby took my turn? I warn't ready then. I warn't broke in good. You knew that. You wuz tryin' to get me to do sump'n I warn't ready for. I'll try him now, though. I'm good an' broke in now, some might say." Mary Lynn: "Tell us, Janice! Is you done did to him lately?" Janice: "Yeah. We done it yesterday. Cain't you see I'm walkin' funny?" Polly Lynn: "I noticed. I ain't wanna say nuthin." Janice: "Well, if you'd had your legs cocked open for a hour an' a half an' a big ole elephant trunk snappin' in your cunt, you'd be walkin' funny, too." Gretchen: "A hour an' a half?" Janice: "If I'm lyin', I'm flyin." Mary Lynn, Jennie and Annie (in tandem): "Dang." Polly Lynn: "Did you make him lick you? That's the part I wanna hear." Janice: "He licked me. Front and back. An' I licked him, too." Jennie: "He give you a back lick?" Janice: "Of course. He's grown. He ain't like our biddy li'l boys what don't want to go the full measure. He licked me clean." Jennie: "Front and back? Janice: "Yep. Front, back, knees, pits, toes, taint and titties. I ain't no li'l girl no more. What? You think he spent the whole hour'n a half humpin' my cunt? I'd be dead! An' so would you, for that matter. Ain't I told you he got a elephant trunk in his pants?" Mary Lynn, Jennie and Annie (in tandem): "The full measure! Wow!" Janice: "Do you want me to tell the story or don't you?" Mary Lynn, Jennie and Annie (in tandem): "Do tell; Do tell!" Janice: "Okay. So you know my Pa an' my brother come to town early to help with the dance setup, right? That left me and my Ma home alone. So I'm lying in my bed an' it occurs to me that I ain't had none in a few days. I could tell because my cunny had got hot and achy, an' that only happens when she ain't, well, she ain't did what a good cunny is 'posed to do. I don't want get too much into it. All of us has been there from time to time. "So I wondered if'n I had the time to go get Blue. Usually, I'll give him a hint to come up to the house real late after everyone goes asleep. But I ain't had the time yesterday to pull his coat. I'd thought he was goin' to town with my Pa. But my Pa ain't took the carriage to town. Him and Jake rode the horses. So that left me with a achy cunny and no way to cool her off, less'n I used my hand, an' I ain't wanna do that if'n I could get a message to Blue. Who wants a hand if'n you can get the real thing? If you polish pearl an' the real thing shows up, you might don't have the energy to handle the ride, you know? Anyway, that was how I saw it. "So I was gunna see if I could sneak down an' get him. I peeked out my door an' I ain't see anything stirring. So I was gunna make a run for it. Jist as I was rampin' up to go, I seen my Ma sliding out! She had her nightdress on an' a overcoat. I don't know where she was goin', but I didn't want her to see me peekin' out, so I slipped back into bed an acted like I was asleep. "By and by, I ain't hear nuthin'. She jist disappeared into the night. I figured she must'a forgot sump'n an' went to get it. But she was gone for so long, an' my ache jist wouldn't go away, I knew I had to do sump'n. So I gathered up my courage an' I slipped out of my bedroom. I tiptoed over to the front door an' peeked out. I ain't see her anywhere. An' I ain't wanted to sneak out and have her catched me on her way back from wherever she was. "Finally, I took a deep breath an' I jist run out the front door. I told myself that if I come across my Ma, I'd tell her I went to axe her sump'n an' she warn't in her bedroom. I said I'd say I got panicked and run out lookin' for her. Anyway, that sounded good to me. An' my Ma would believe me, if it come to that. "Really, I was on my way down to Blue's place in the field worker quarters. I was gunna roust him up and have him come up to the house. I knowed better than to have him in my room or for me to stay at his place, because my Ma would come an' check on me soon's she got back from wherever she was. So I was gunna tell him to climb up into the loft where Jake sleeps an' wait for me there. Even if my Ma checked on me, I could always call down from the loft an' tell her where I was. She wasn't gunna climb up. "So I get down to Blue's hut. I peek in. Don't you know he's already got a dark gal mounted up an' she's jist a roilin'! He's got this stupid smile on his face, you know, that look they get when they's locked in? You like it when they get that look because they're sot jist so and won't cum, so's you can jist roil and roil an' don't have to worry 'bout re-energizin' a floppy dick or wipin' jizz off a leaky cunny. "He sees me in the window. I give him the thumb jerk. He knows that means I want him to come up to the house. He's thinkin' I give him the thumb jerk earlier an' he musta missed it, because he give the maid gal a tap on her ass an' told her to finish up. She musta already had got hers because she ain't made too much of a complaint about gettin' shorted. She eased her cunny off him and reached for her clothes. His dick was still rock hard. When I see that I run back to the house an' waited. I knowed he would come. "I get back to the house an' my Ma ain't made it back yit. I wasn't too worried. She usually knows what she's about. I was jist concerned that she would come up jist as Blue was comin' up, you know? I ain't wanted that. So I waited at the front door till I see him comin'. I rushed him in an' I told him to skeedaddle up into the loft an' wait for me in my brother, Jake's bed. I peeked out for a bit, lookin' for my Ma, but she never showed up. By an' by my cunny ache told me she'd be alright. My twat ain't often wrong. I climbed up into the loft behind Blue. "Once't I got up there I lit a candle so's I could see. He's up there, alright, dick in hand. He ain't washed it since he'd been up in the maid girl's cunny, so he had that "I been fuckin'" smell; you know how it do. Some folks don't like it. I used to didn't like it, but I've got used to it. It don't bother me now as much as it used to. "Anyway, I know I've said this before, but that durn Blue is one good looking boy. He's got that ebony skin, bald head, and them big muscles. His eyes are hazel, an' he's got lips like a girl. Not femmy, I mean, but kinda, what's the word? Sensitive? Sensual? That's the word. Sensual. You'd like to kiss him. That's what I mean. Usually you jist want a field worker to fuck 'cause his dick can crawl way up in you and scrub the areas where a regular dick don't reach, most times. But with Blue, you jist wanna suck on his lips an' his tongue an' his neck while his dick is scrubbing you out. An' you feel like, kinda like, a woman. You know? "Plus, you wanna talk about Prescott Gaston can suck some cunny? He cain't hold a candle to Blue. That big boy can suck a cunny like it was a chicken bone, an' won't leave nary bit of gristle, nor fat, neither. You ain't got to axe Blue for the pooty-woo. He'll lick you back to front, front to back, top to bottom and side to side. You get done with a Blue lickin' session an' it's jist like you'd had a hot bath on a Saturday. An' we ain't even talked about his dick yet. "Anyway, I was sayin' I lit a candle and Blue was there on my brother's bed with his dick in his hand. He stood up and stroked it till it stood up on its own. He knows I like that. Lemme tell you, once't his dick gets hard? He can bend his head down and suck it on his own. One time I dared him to do it, an' he did it, an' I thought it was the most amazin' thing. He wasn't ashamed or nuthin'. I watched him suck it for a minute or two, then I jumped in an sucked it for him. I ain't wanted him to take my job out ah my hands. He might wouldn't wanna mash his dick up in my cunny no more. I couldn't have that. "But I ain't had him suck hisself yesterday. I wanted to kiss him an' he had that other girl's cream all over his dick. I ain't wanna taste that, so I needed to twatted him up in my own fur, like Annie said, before I put my mouth or his mouth on it. "So I had him lie down on his back an' I clumb up on him an' I eased myself down on it. You 'member the first time him and me did it standin' up an' I ain't had no problems gettin' it in because I was so wet and horny with The Taint? Well, that was then. I ain't got The Taint now. So you can jist imagine it's a bit more harder'n it was the first time I done it to him. "I pointed him into my fur and jiggled around till my cunny lips was situated roundst that big ole dickhead as best as I could get it. Felt like he was mashin' my cunny lips into my thighs, he was so thick. So I give a li'l push and he widened me. But I still couldn't fit his whole thing in. I give another li'l push. An' another. But it ain't seem like he was gettin' any deeper, an' I needed him to be real deep, because my burn don't start from the front of my cunny. It starts from the back an' it plugs into my clit at the front. That's what makes her hard and wobbly, less'n somebody gives her a suck. "So I says to him, I says: "I'm gunna need some grease, it appears." "He knows what that means. So I crawled up his chest with my pooty and I give him the woo right off the bat. I put Hilda May, ya know, that's what I named my nub. I put her right in his mouth to let her blossom from the forest. When she got good and hard, I give him my front hole to lick. Then I give him my back hole. Then the front hole again. Then I went back and forth between the two with the quickness, jist ah-sloshin' him up. I'm humpin' his face. One time I turned around an' give him the chance't to lick up my crack from the back. I opened my eyes that time an' here's his dick, right in my face! But he still had that maid girl's cunny juice caked up on it, so I ain't wanna suck it. "But my back lick felt so good! I had them colored lights flashin' behind my eyes an' my innards was cookin' with fire. My cunny was drippin' cream and Blue was jist ah-lappin' it up. An' I had this monster dick staring me in the face. Jist ah-quiverin'! I says to myself, I says: "Lemme cunny this dick up proper so's I can suck it. This don't make no sense, him suckin' me an' I cain't suck him back. No sense at all!" "So I turned around again. I'm still on top, you see, squattin' on the balls of my feet. An' I pointed his dick back into my twat. This time it went in easier. I got the head in, anyway, an' that's the widest part. Now all I'd got to do was work the other fifteen inches in! So's I grit my teeth an' set about the task. My cunny don't seem to mind the smell of another woman's cunny on a dick. It's my nose that makes those objections. An' I meant to suck that dick that day, you hear me? I mean, after I'd twatted him up a bit. "So I'm ridin' him. Slow at first, but a li'l faster an' a li'l faster each time down the pole. I meant to scrub that dick clean. That's the best part of havin' a thick, red carpet like I gots. It's better'n a washrag an' soap. It soaks up all the leftover cunny juice an' don't leave nuthin' but fresh, clean Janice on a pole. "Meanwhile I'm thinkin': "You know, I ain't never had the full fifteen inches. The most I've had is maybe the first thirteen." I always leave the last couple inches dry. Well, not totally dry. I give him some crawly drip, sometimes, when I'm on top. Anybody would. But that don't really count. I ain't never been able to rub my Hilda May, my clit, up against his nappy, you know? You know how it feels good to scrape your clit up against a boy's fur, sometimes, an' jist rotate? Especially nappy big boys, because it's got all that friction, all that kink? Well, Hilda May ain't never been acquainted with Blue's patch. I lay it ain't a passel of women can say they clits ever touched Blue's nappy patch, leastways not whilst his dick was up in 'em. "So I says to my clit, I says: "Hilda May? Today is your day." "So I'm countin' the inches. Sev'm inches. Eight. Ten. 'Lem. I get to twelve inches an' my cooch is gaspin' for air. Blue ain't jist long. He's thick! I got 'nuther three inches to go an' I feel like I'm in the deep end of the pond swimmin', gotta come up for air occasional, less'n I'll drown. But I'm on top, so's it ain't so noticeable. When he's whalin' away from the top he don't give a gal the chance't to breathe proper. Jist Bam, Bam, Bam! I dunno. It feels good, but you don't get the chance to breathe, is all. "Okay, so I'm grippin' a full thirteen. I look down an' my cunny is jist tremblin', huffin', an' puffin' like a prizzner on a chain gang. Hilda May is rock hard, jist ah-dancing along his pole like a li'l snotty marble. She's happy. Smilin'. She's plugged. But she ain't the one puttin' in the work. It's my cunny that's strainin' to breathe, not my clit. "I'd got two inches to go. I give a li'l push. An' then another. I looked down. Dogged if'n I ain't right where I started! Them last two inches warn't gunna come easy. I see Hilda May stretchin' to reach Blue's nappy patch. She can see it. She can smell it. She jist cain't reach it. An' now she ain't so happy as before. She reckoned: "I thought you said you wuz gunna roust me up against his nappy patch?" So I go (to my cunny): "Come on, Sally! Let's don't leave Hilda May danglin'!" (Sally's still gaspin' for air, donchuknow.) "An' I give another li'l push, this time harder than before. Seemed like I gained another quarter inch. So I tried it again. Sally is strainin' now. She's sweatin'. Me an' Blue are doin' it, but it don't feel as good as it should 'cause now I'm competin'. If I'd left well-enough alone I coulda had busted a nut or three by now. "But no. I'd got sot so's I had to rub up against his patch. Or bust! An' I'm jist abusing my cunny, my Sally, with Blue's pole, like me an' her ain't the best of friends. "Well, anything that's worth doin' is worth doin' right. Blue could tell I was strainin' to swallow him whole. He helped me as much as he could. But a cunny is only so deep, you know? If you got a thirteen-inch cunny it don't translate proper into a fifteen-inch cunny. An' you might stretch her out of shape in the attempt, an' she might don't bounce back. An' then when you get married, your white man won't never hope to fill you up. An' then you'd got to spend the rest of your life with a wrecked, an' outta shape cunny that cain't wrap up a regular dick an' lets it flop around in there like a peppermint in a jar. "I looked down an' see he still had an inch an' a half of black snake pokin' out from my twat. Dry! An' Hilda May is jist ah-throbbin'. "Girls? I give up, right then an' there. I eased up. I told Hilda May to get to scrubbin' that pole clean and don't worry about his patch. If we get there, we get there. But it don't make no sense to try an' force a king dick into a hole that ain't long enough to 'commodate. You know? "Okay, so I decided to long-stroke him. I'd been inchin' down, you know, a inch down, a half a inch up. That way I figured I could get the full fifteen. Once I give up on that idea, I figured I'd do what I could with the top thirteen inches and damn the final two. So I drew my Sally all the way up to the tip, most let him fall outta me, jist hangin' in by the short hairs. Then I went all the way down, till I was full, thirteen inches in. An' I give him the swirl. Then I drew all the way up again, till his dick tip kissed my cunny lips real tender. Then I went all the way down again, till I could feel that big old cockhead budgin' up against the very back of my cunny. I give him the swirl again. "We done it like that for about ten minutes, till he cum. Anybody woulda. I was goin' faster an' faster towards the end, there. I wanted him to cum before me. Usually it's me that cums first. I was ready to cum the whole time, though. When I felt his jizz shootin' into me, I give a li'l shiver with my cunny an' I slurped it up good. Now I know I'd got the maid girl's juice shaved off proper, I knowed it was time for me to get down to business. "So after he got hard again, I knowed I had him. I could mangle him up like a pretzel and he warn't gunna splatter no time soon. So, first thing first, I give him the pooty-woo. I crawled up on his face an' I fucked his tongue from one hole to the other, whilst I sucked his dick. I sloshed my cunny all up in his face and scrubbed his nose up in my fur. I give him his jizz back 'long wit' some 'o my cream. An' I sucked the livin' shit outta that dick, girls, sucked it dry! I held that log in both my hands and jist bobbed on it. Chile? I cum over an' over an' over. It seemed like I couldn't help but sizzle. Dick in the mouth? Tongue in the ass? Girl? You ain't never had it so good. "He licked every smatterin' o' cream from betwixt my legs. He nibbled my cunny lips. He sucked purple hickeys into my ass cheeks. Here, look. You wanna see? (Here, Janice lifted her skirt and pulled her drawers down partially to display a series of intermingled purple/black bruises on her backside that looked more like the result of a beating than an amorous encounter.) "I got a couple o' these upwards of my navel, too. An' look! There's one on the back o' my knee. I ain't seen that one till now. I'd show you the hickeys on my cunny lips, but you prolly couldn't see 'em under my fur. My whole cunny is purple blue, ladies. An' it ain't all jist because of the suckin'. I told you he had my legs cocked open for a good while as he sausaged me up. We'll get to that directly. "Anyway, after I cum about four times, I clumb down down off his face. I hotched up on the edge of Jake's bed, on my knees, an' I waggled my doodihole in his face. "Go on and put it in," I says to him, real sultry-like. "You know you want it." "He went to put it up my cunny. But I wanted to try him up my poop chute. So when he pointed it at the wrong hole, I dipped a bit to let him know what time it was. He ain't no fool. "He prized me open an' eased it in. I was still wet from the lickin' he give me. He gripped my butt cheeks and prized them open, too, so's he could get some lev'ridge. It ain't never easy gettin' a dick that big up a doodihole. I ain't you, Jennie. My doodihole is a clencher. She's tight. But we managed. "Once't he got it in, he commenced to rammin'. Kaichakata! Kaikakachao! Each time he rammed it forward he got a li'l further up my doody. See, unlike a cunny, a doodihole ain't got no back. You can jist ram an' ram. An' if you ram long enough you can feel his nappy up against your butt cheeks, while your navel gets tickled from inside. Mine's an innie, sept when Blue rams fully in. An' sometimes you can feel his nuts slappin' up against your clit, if he's rammin' it proper. They'll swing. "Welp, I felt his nuts slappin' me from the back. An' his nappy hairs was scrubbin' my taint real nice. I don't mind sayin', it felt purty good. Not as good as the first time, mind you. But purty good. That first time he went up my poop chute was the best. I like to fainted, I was so hot. Steam was shootin' out my butt! But this time was purty good, too. He jist gripped my hips and roiled in an' out, kinda slow and happy. That first time he fucked my ass it was like he was mad at me for sump'n. I dunno why it feels better like that; angry fuckin', but it does. "He ass-fucked me till I cum. Then he pulled it out and cunny-fucked me from the back till I cum again. Then he ass-fucked me again. This time he cum in my butt and greased me up with lather. I clenched on him real good an' by the time he pulled out he was hard again. I ain't meant to do that, but I did. "Now I'm gettin' worried. I don't think I've got another nut in me to bust. I'm ragged out, girls; burnt! An' this cinnamon boy is wagglin' another stiffy in my face, a huge, gynormous fat boner that's been up in countless other cunnies, some 'um deeper'n mine, (but it seemed like I could smell all 'um on it at once, ever' last stinkin' cunny that monster dick has been smashed up in, includin' mine.) "An' now I dunno if I've got the stremff to floppy him up like I'm s'posed to. "So I rolled over onto my back an' I cocked my legs open. He mounted me an' eased his dick inside me. Thirteen inches in one go, all the way to the back. He jist held it there. "Now he's looking into my eyes real familiar. Most times a field boy won't look you in your eyes. But Blue is looking me in my eyes like he knows me personal, an' I guess he does since his dick is up in me right now and has been all night, jist ah-pokin' through the forest. I give him the same look right back. "You know I told you I kissed him that first time? Right on the mouth. I give him some tongue and some hickies, too. I done that, don't axe me why. This time, though, he looked like he wuz gunna kiss me. "Don't let nobody tell you that field boys is docile and you can do whatever it is you want to 'em. Some ain't docile. Blue ain't, anyway. "He turnt his head to the side an' come closer and closer to my lips. I was a li'l scared. I mean, after all, he is muscled field boy, right? It's one thing for me to kiss him. It's another thing for him to kiss me. He come closer and closer an', 'fore I knew, he tongue was in my mouth. Girl? If I was ragged out a minute ago, here come the fire. Jist a ragin'! That one kiss juiced up my cunny like she warn't never doused! She's steamin'! You kiss him one time and see don't your cunny juice up like hot butter. "So we commenced to fuckin'. An' we're kissin' an' we're fuckin' to beat the band. He pulled my titties up to his mouth an' he sucked them for a time whilst his dick was churnin' up my fur. Then he went back to kissin' me. He reached over an kissed my pits, too, wooly hair and all. He went to suck a hickey in 'em, but I stopped him, because somebody would be sure to see. I ain't let him suck my neck, neither. But I ain't wanted him to be unhappy, so I pushed his face down to my cunny and let him suck her from the front for awhile. When he come back up I reached down an' eased his dick back into where it was sposed to be. "An' we fucked and fucked and we fucked. I dunno where I got the energy from, but I give as good as I got. I twiddled my hips an' let him wedge up in me as far as he could go. I kissed him an' sucked his neck. Oh, girl! It was heaven! I jist rode the top of that wave without crashin', an' I jist lilted along. Seemed like I could jist have his whole body jist crawl up in me and hibernate like a big ole grizzly bear! "By an' by I felt sump'n I ain't felt before. His patch was rubbin' up against Hilda May! Yes! I'd took the full fifteen! I looked down an' he's jist a grindin'! "Now, I'ma tell y'all the troof. I don't think he punched another two inches into my twat. It ain't another two inches in there to punch. I think he got pressed up against the back of my cunny and she was so wet she bowed him up. Yes! My cunny made a li'l hump arch in this stiffy that warn't there before, opened up a li'l air pocket in her. Widened' me out, so to speak. An' that's the thing that give me the bulge on him! Anyway, Hilda May was happy. She 'sploded an' made me cum two times, one right behind the other, she was so happy to be mashed up against his nappy patch like that. "By that time we'd been at it for a hour an' a half. My legs was wrapped around his butt an' he's still jist ah-humpin' me; he's got my head cradled in one elbow, titties gripped tight in the other hand, squeezin' out the milk. Oh Lawdy! I wuz tired and sloppy wet. But I wuz happy! I kissed him real tender for a time an' I sucked at his dick with my twat. I'm whispering the nasty in his ear, I'm sayin': "Fuck it to me! Gimme that dick, Blue! Oh! Fuck it to me, you bald-headed, cunny-lickin' monster of a pipe-layin' boy!", you know, like Abby would say. "The next thing I know he's sprayin' me again! Jist ah-pumping' it out. I could feel his hot jizz leakin' down over my butt cheeks, jist ah-bubblin' outta my cunny. Pa-ploop! Ba-loop-a! Pa-Plook! I like to died! "The next thing I knew, the sun was comin' up. I heard a rooster crowin'! An' I'm still layin' in Jake's bed with this big beast on top of me, drippin' with cum! "I give him a sharp push: "Blue! Blue! Wake up! You gotta go!" "He was knocked out. Snoozin'! When I pushed him, all of a sudden he come to realize where he was. He jumped up and gathered up his clothes. I climbed down the ladder to see if anybody was about. I peeked into Ma's room. She's snorin'. So I waved Blue down from the loft. I peeked outdoors. It was a couple of workers up and about already to tend the crops, so I went outside an' ordered them around to the back of the house. Then I called Blue out. I ain't had to call him twice. He run down to the quarters like a wildcat was on his tail. "So I went back up to the loft. The whole room still smelled like we wuz fuckin' sump'n fierce. I jist lay down in Jake's bed and basked in it. I says to myself, I says, "That's what a real woman's cunny smells like, boys. Have a sniff an' shame the Devil!" "Yeh, I'm getten sweaty just talking bout it. I fucked him. I fucked the shit out'n him, ladies." To be continued. By Bardot1990 for Literotica.

Gretchen Thomkins' First Time By Bardot1990. Listen to the Podcast at Explicit Novels. Gretchen Thompkins lay awake in her bed. She was alone, reflecting over her day even as she anticipated good times at the upcoming Louisiana Harvest Dance, a fixture in small communities of the antebellum South. Like her neighbor Annie Leone, Gretchen was a big farm girl, just shy of six feet tall, with thick thighs and burnished blonde hair that trended auburn. She had luscious tits, green eyes and (not surprisingly) well developed biceps. Gretchen was also something of a tomboy. She had a quick temper; Gretchen would fight at the drop of a hat.Now nineteen, she was a year older than Annie. The two girls were good friends even though they'd had several scuffles over the years. Gretchen won most of these. Gretchen's fiery temperament bled over into her sex life. She liked to wrestle. Men who desired a home deep in her wet spot had to fight for it before, during and after the fact. This was largely due to Gretchen's history. Her earliest sexual experiences occurred while wrestling boys, Gretchen's favored sport. From childhood she found that she could quickly subdue male competitors using superior strength and leverage. Half-nelsons, arm-bars, ankle-locks and tight waists were her stock-in-trade. During one such contest with Ray Ray, a black slave from her farm, she found herself astride him, pinning his arms to the ground. Though fully clothed, their genitals mashed together as Ray Ray struggled to counter her winning hold. Gretchen felt an inexplicable cylindrical lump rising in Ray Ray's groin. It didn't have the angular power of an elbow or a knee or a femur. She knew how to counter those anatomical weapons. No, this lump pressed her labia apart in a manner she found disconcerting yet delightful, even though she was fully dressed. She held Ray Ray down and surreptitiously rubbed herself up and down the length of this lump. She was puzzled to find that this motion pacified her competitor in proportion to her own arousal. It seemed to sap his will to compete. For some reason he stopped struggling and offered his increasingly firm lump up to her thrusts, though she thought she'd disguised this grinding action as a natural wrestling move. Something felt strange about this position. If Ray Ray really tried, she felt he could throw her off. Astride him like this, she didn't have him properly locked up. At least his shoulder blades wouldn't be exposed to the ground. She noticed that he didn't seem to be trying very hard to escape. Also, as deeply as she pressed him, Gretchen still felt like an unfilled abyss. She felt she possessed a canyon that could subdue Ray Ray's lump, and was designed to do so, and would enjoy doing so, yet she couldn't quite figure out how to accomplish it. Anyway, this rubbing felt pretty good. In minutes a great warmth enveloped her, then an increasingly bright light, then a fibrillating rush. Finally something inside her musculature snapped and rocketed Gretchen into a realm of blissful exuberance. Her breathing became strained. Her toes trembled. She struggled to merge her groin with Ray Ray's lump through their clothing, casting her prior reticence to the winds. When she recovered from this pall, Ray Ray's eyes were fluttering. He was actively massaging her groin with his lump. By now, it straddled up to his navel. His hands gripped her buttocks. He seemed to be on the verge of the same type of preternatural collapse Gretchen had just experienced. Gretchen leapt off his body, flipped him over and snapped him into a three-quarter nelson. She cradled him up so that his shoulders touched the ground as his body painfully doubled over upon itself. "Say uncle!" she demanded. Ray Ray struggled uselessly. He was locked in. "Say it!" she demanded again. "Uncle!" gasped Ray Ray. Gretchen let him go. She stretched out on her elbows and smiled at him. "I told you I could whup you," she chided. "What was that, move, you did when you were on top, there?" he asked, ignoring her challenge. "I dunno," she answered. "First time I've done that. It just happened like that." "Let's do that again?" he asked hopefully. "Tomorrow," Gretchen replied. "I gotta get back to the house." She spent the better part of a year wrestling with Ray Ray like this. No one knew of their bouts. Even touching a white woman in any sort of physical manner would have brought the full weight of Southern culture down upon Ray Ray. Despite this risk, Gretchen liked him. She especially liked manhandling him. It made her feel powerful. In fact, the wrestling was Gretchen's main reason for their interactions. She was largely ignorant of the sexual connotations borne of this close contact. Their next two matches offered no opportunity for a rehash of their earlier grind session. Gretchen took him down and mounted him from behind, working his arms and legs into position for a winning pin. On the third encounter, though, Gretchen deliberately struggled to a position atop his groin, elicited his lump and dry humped him until they extemporaneously exploded in tandem. Gretchen recovered quickly and pinned him again. She noted a huge, dark wet spot on his cotton pantaloons afterward. Had he peed himself? It wasn't until weeks later that Ray Ray was able to mount and dry hump Gretchen from the superior missionary position. She splayed her legs open for him. This felt good. A few encounters later he was able to hump her from behind. After he splattered in his shorts, he flipped her over and pinned her for the first time. She let him. Gretchen concluded this encounter by reaching into his pants to draw out his moistened lump. Her curiosity won out. As she suspected, it was his penis. But it wasn't as stiff now as it had been during their match. It was limp and sticky. It looked like the regular penises she'd seen around the farm dangling between the thighs of exhausted slaves. It smelled like her brother Tommy smelled, sometimes, when he returned home from the slave quarters. It flopped out of her fist and doubled over across her knuckles. Creamy fluid oozed from its tip. After considering it for a few moments, Gretchen impetuously reached down and took it in her mouth. This seemed a natural progression of her curiosity. In seconds Ray Ray's cock bloomed aloft, doubling in size and girth. Gretchen was amazed. "This is what you been pressing me with, not that shriveled up other thing," she said. "How do you get it stiff like this?" Boldly, Ray pushed her down. He pulled her swimming shorts down to her ankles, exposing her golden bush. Ray Ray drew an admiring gasp. Gretchen's pussy gaped open before him. "What are you doing!" Gretchen erupted. With that she kicked off her shorts and proceeded to give Ray Ray a grappling lesson for the ages. She twisted him up like a pretzel, bending his body into angles it was never designed to accommodate. His dick retained its tumescence, however, even managing to stiffen into a characteristic rigor. This, too, sapped his resistance to Gretchen's skill. For her part, Gretchen was perplexed. Someone had told her that men's penises behaved like this. Now she'd seen it for herself. She released Ray Ray. They both stood. Ray Ray's cock stood straight out, unapologetically seeking the liquid warmth of her aforementioned chasm. Gretchen abruptly turned and trotted away, re-donning her swim shorts as she tiptoed thru the underbrush. She was breathless and disheveled. Why had Ray Ray introduced his naked penis into a wrestling match? What did that have to do with a competition she was inevitably destined to win? What was this strange, musky taste in her mouth? Still, she felt an otherworldly emptiness and knew, somehow, that Ray Ray's dick was designed to mollify that hunger. "I'd better ask somebody," she thought. The following week Gretchen broke protocol and brought her best friend, Polly Lynn Bannister, to her meet up in the woods with Ray Ray. Polly Lynn was a couple years older than Gretchen. She was a stunning brunette with hair cascading deeply down her back and wispy freckles o?" Polly model of a woman. Predictably, the young Negro was shocked at this breach of confidentiality. Spanning back a decade to childhood, their wrestling matches had always been a secret, something fun between the two of them. Not even Gretchen's brother knew of their meet-ups in the woods. Gretchen and Ray Ray wrestled and talked and laughed. Sometimes they caught frogs and snakes and put them together, screeching as the frogs scrambled to escape becoming a meal. All their years of athletic foreplay had led to this one?" Polly smirked. "This is the boy you been tellin' me about? This one?" Polly smirked. "Yes, this one. He's a good enough beast," Gretchen retorted. "I seen him someplace before," Polly noted. "Of course you seen him. He's ours. He lives on our place!" Gretchen said. Like most whites of the day, Polly didn't consider that slaves had actual lives, not lives of consequence in any case. They were servants, little else. They only interacted with whites at the behest of the whites. If Gretchen hadn't mentioned Ray Ray, Polly would have been blithely unaware of his existence. "You sure you gonna keep this to yourself?" Gretchen worried aloud. "Girl! I said I wouldn't tell. And I won't. Let's have a look at it." Polly shot back. "Show her, Ray Ray." "Huh? Show her what?" Ray Ray asked. "That thing in your pants. Show her." "I ain't a-showin' dis gurl my dick!" "Oh, jist pull it out. She ain't gon' say nuttin' to nobody. I already told her about it." "What you done tole her?" "I told her 'bout us rasslin'. An' I told her 'bout you gettin' hard sometimes." "You gon' get me in trouble!" Ray Ray expostulated. "I ain't gon' tell on you boy," Polly interrupted. "Jist lemme see what she been braggin' about." "Brag'n? I ain't been braggin'! I jist, I jis," flustered Gretchen. "Let's see it, Ray Ray." Polly smirked. Reluctantly, Ray Ray flumped his penis from his pantaloons. It was already thick with anticipation, yet just now was receding. One could almost see the erectile blood rushing back into his body as fear of Grethen's unannounced friend took hold. "It's usually a lot bigger'n this, Polly." Gretchen allowed. "I should guess so." Polly replied. "I seen black cocks his age with dicks as long as your forearm. It's God's way of repayin' 'em for bein' our slaves. Some 'um swing like a elephant trunk runnin'. Ain't nuttin' out'n the way about this un, though." "My dick ain't li'l!" Ray Ray snuffled. "Who said it was?" Polly retorted. "I jist said other black boy's dicks is bigger, is all." "Well, Miss Polly, if you like I can make it as big as you please." Ray Ray offered. "Oh you can, can you? Well do it, Mr. Smartie. Let's see you make it happen." Ray Ray gripped his dick and began to stroke it for the white girls. This staunched the receding blood flow. His dick thickened and lengthened. In less than a minute, Ray Ray's cock stood proudly erect before them. "See? I told you!" said Gretchen. "Well, it's bigger'n what it was a minute ago. I still seen bigger. Paul Gaston's Peter is bigger'n that. And he's white!" "You bad thing! When did you see Paul Gaston's peter rabbit?" Gretchen giggled. "I told you about that. I done it to him that weekend. You remember? Rev. Jefferson was doin' the big Revival meetin'? An' we sneaked off?" "Oh yeah! But wait a minute! How'd you see his peter rabbit? You said y'all did it from behind with your clothes on!" "Well, I ain't actual see it. But I felt it goin' in. An' it felt a lot bigger than this blackie's dick I'm seeing here." "Oh, you jist makin' up stories to make me feel bad. Maybe your pooty was smaller that day an' it just felt like his poker was bigger'n it really was." "I know a big un when I see 'em an' when I feel 'em. An' this one's okay. It ain't nuttin' special, though." Polly drawled. "Is you gon' he'p me with this boy's dick or ain't you?" Gretchen finally asked. This brightened Ray Ray's outlook some. He'd begun to wonder if this was some dick measuring competition designed to make him come up short. Too, he began to wonder after Polly's intentions and her rationale for being there. "You gon' let him put it up in you? For real?" Polly smirked. "I will if you will," Gretchen conceded. "You know I will. Dicks don't skeer me none, white or colored." Ray Ray's heart skipped a beat. Both? "Well, don't let him pee in you. I want him to pee in me this time," Gretchen commented. Neither girl seemed conflicted by such bold conversation, especially insofar as Ray Ray's consent had yet to be considered. "Girl! I keep telling you: that's not pee. Pee is yellow. Don't you know anything?" Gretchen taunted. With that, Polly began to shed her clothing. By the time her tits popped out both Ray Ray and Gretchen were transfixed. Ray Ray had never actually seen a white woman's tits before. Polly's nipples were pink, not black like those of most black women he'd seen. "Well?" Polly paused. "Are you gonna just stand there and stare? Take your clothes off, boy." This broke Ray Ray's spell. He hurriedly doffed his simple cotton tunic and shorts. Presently he stood fully naked. His penis lurched upwards with each new visual exposure to Polly's nakedness. "You, too." Polly ordered Gretchen. Soon enough all three were butt naked. "What now?" Gretchen asked hopefully. Polly shook her head contemptuously after the manner of a good friend whose best friend has just asked the stupidest question ever in the history of the universe. She started to kneel before Ray Ray but quickly thought of a better opening. "Come here, Ray Ray. get down here. On your knees." Ray Ray complied. Polly stepped to him, leading with her vagina. Ray Ray noted that Polly's pussy wasn't nearly as hairy as other pussies he'd seen. Here she was, the eldest of the three, and her pussy looked like a youngster's, it was just now growing in. It was dotted with raven black nubs along the edges. Longer silky black hairs ran up and down the line of her slit, giving the distinct impression of an incoming cleft-beard. Moreover, Polly's pubic outline grew in the perfect shape of a heart. She bore no perimeter stragglers. Her pussy looked handcrafted, too perfect to be real. Ray Ray glanced over at Gretchen's lush auburn forest. The two triangles could not have been more differently arrayed. "Don't be shy. Lick it." came Polly's order from above. She thrust her cleft towards his nose. Ray Ray noted Polly's vaginal contours again, these just inches from his nose. Her abdomen was pleasingly flat. It tapered down into a luxuriant vulva that bulged slightly from Polly's profile before scooting under into her rump. He could see Polly's hipbones protruding through the roundness of her hips. Her pussy didn't resonate like that of any pussy he'd ever sniffed. It smelled tidy. Perfumed. Elegant. Timidly, Ray Ray closed his eyes. He poked out his tongue. Polly nudged her pussy forward. She rested her clit against the tip of his tongue. "See? He'd like us to do this to him," she said to Gretchen, who stood by, eyes wide with wonder. "But let's let him do us first. Come on over here. You'll like this. It feels good. Better'n all that dry humpin', anyway." She began to roil her pussy slit against Ray Ray's tongue in small, jerking circlets. When the young man displayed hesitance, she gripped the back of his head and pulled his face back to her mound. She began to hump his mouth with an increasingly exaggerated vehemence, as if her clit possessed leverage, drawing her ass back slowly before firing it forward aggressively. Her vulva's five o'clock shadow scraped his chin. Gretchen, who'd yet to ever feel skin-to-skin contact against her vagina (other than her own hand), looked on with awe. "Come on, over, Gretchen," Polly huffed. "Take your turn. I'm, I'm almost." Gretchen didn't move. Polly seemed to be in the grip of an ague. As he licked her cunt, Ray Ray's dick lurched upward from between his kneeling thighs. Each time Polly arched her slit along the tip of his tongue Ray Ray's dick bounced comically. Gretchen suppressed a giggle at the sight. Polly stepped back from Ray Ray. Her body spasms made her movements seem strained. Her eyes were unfocused. She trembled like an elderly matron. Her hips juked with unpredictable jags. Gretchen noticed that Polly's clitoris bounced in unison with Ray Ray's unwettened cock, all pink and jiggly. "Okay, your, turn," Polly mumbled as wavelets of tremble encumbered her body. Gretchen looked down at Ray Ray. He was still kneeling. The prospect of Gretchen's sex stabilized his bouncing cock some. It protruded from between his thighs with barely a wobble. Gretchen felt her canyon aching. This was the thickness that had so roused her passions. It wasn't meant to be on her. It was meant to be in her. She looked back to Polly. The girl was still jagging from contact with Ray Ray's tongue. Yet his dick was ten times bigger. Gretchen's pussy snapped tight at the size disparity. With a little trepidation, Gretchen stepped up to face the kneeling black boy. Her hairy pussy was in his face, fragrant with anticipation. He ignored this, choosing to look up at her face with a glance that pleaded "Is this what you really want?" They both knew that Gretchen's time had come. She didn't want tongue. She wanted something more. She touched his cheek with her fingertips and returned this unspoken realization with her eyes. Ray Ray lowered onto his ass and laid back on the floor. Slowly, she knelt straddling him, carefully positioning her vagina for intrusion. Ray Ray's cock pronged straight up, aware of her descent. Gretchen held onto Ray Ray's shoulders for balance. When finally she felt his bulbous cockhead at her entrance she paused for the briefest of instants. There would be no turning back. This wasn't wrestling. She knelt further and, as his cock peeled her open she felt the same tremors that so afflicted her friend Polly. Down, down and further down still she crouched until Ray Ray's cock filled her completely and her golden hairy pussy lips kissed his nappy pubic mound. She'd been told that this first intrusion would be painful. It was not. It was delightful. She withdrew slowly. Her joy at being so coupled built and doubled. She lowered herself onto him again. The feeling of sexual ecstasy quickly began to blister Gretchen into Polly's realm. She raised up and probed downward once, then twice more. Suddenly, she felt a steaming hot wetness pouring from Ray Ray. An explosion of light, heat and sound invested her entire body, propelling Gretchen into the glory of her first penile orgasm. The two conjoined lovers united with Polly in the Kingdom of Prurience. There they withstood the flashing lights, the zoom and the sway for as long at they might before collapsing to the grass beneath. As usual, Gretchen was on top. "Dang. That was quick," observed Polly dryly. She watched as Ray Ray's semen drained from Gretchen's cunt, coating his balls in milky seepage. She could see his testicles seize up periodically as he pumped the remaining drippings of his seed into the big white girl. "It don't look like I'm gon' get a turn," Polly remarked. This challenge brought Ray Ray around. The prospect of doin' it to two white girls in the same day tweaked his ardor. He tapped Gretchen on her butt. She seemed oblivious to Polly Lynn's comments. In fact, she looked to be on the verge of sleep. "Hey," he whispered. "Hey! Miss Gretchen!" Gretchen snapped her head awake. She was still absentmindedly grinding her pussy against his cock, only in smaller, post-coital, less frantic circlets. "Yes?" she asked. "Miss Polly say she want to get her turn," he whispered. Gretchen took a deep breath. She looked over her shoulder at Polly standing there, arms crossed, tapping her feet diffidently. Gretchen leaned back a little from atop Ray Ray's dick. It felt spongy and soft inside her. She looked down the line of her torso to see it still lingering there, trapped between her labia. She arched her pelvis a little more and watched as his dick oozed from her pussy, inch by inch, like a fat slug pouring thru a posthole. Finally it flopped out of her cunt and flumped casually against Ray Ray's thighs. Gretchen's chasm was empty again. She rolled over onto her butt and bounced up snappily. "That was fun!" she smiled as semen trickled down her thighs. "Yeh, well I ain't showed you everything," Polly commented. "You shoulda let him lick your pussy first, like I showed you. Then your nut woulda been stronger. You wouldn't be so bouncy fresh. You'd be crumpled." "I was crumpled for a minute there. You saying his tongue feels better'n his dick? His dick is way bigger'n his tongue." "You got a dick, too, in case you didn't know," Polly continued. "It ain't as big as his dick but it's where that bouncy fresh feeling comes from. You don't need to have his dick up in you to feel like that." Gretchen was too embarrassed to admit that she wanted, no, needed to have her canyon filled. She couldn't imagine a better outcome than to have a thick stiffie between her legs, igniting her pinkness with churn. She withheld comment as Polly stepped across Ray Ray's prone body, knelt, and pushed his slippery limp cock up into her own neatly trimmed pussy. "Now watch this," Polly grunted. She began to suckle at his limp penis with her pussy. She didn't hump him. She just squatted over him and, using her cunt muscles, sucked his soggy prick inside. Once engulfed, she unclenched and let gravity slowly drag Ray Ray's cock earthward while her heated vagina clasped his foreskin, pulling it up and over his pud. When his dick was almost ready to plop from her grasp she sucked him back in like a diner slurping a strand of spaghetti. It was an exercise in sexual gymnastics that amazed both onlookers. Slowly, Ray Ray's dick hardened enough to counteract the downward pull of gravity. Only then did Polly begin to churn and roil atop his cock. She sought Gretchen's eyes and gave her a devilish smile. "This is how you do it," she growled in a husky, decadent voice. With that Polly began to fuck Ray Ray, slamming her pelvis against his with the force of a jackhammer. She held her tits separate from his with outstretched arms. Only the merger of their genitalia indicated a connection between them. Unlike Gretchen, Polly had no historical ties to Ray Ray. He was just "one of them Thompkins property". He had a sizeable black dick, that's about all she knew. Tomorrow, Polly wouldn't even remember Ray Ray's name. "Don't cum in me," she whispered to Ray Ray, ignoring the fact that his cock was lathered with semen prior to the start of their intercourse. "You heard me?" she whispered through grated teeth. "I said, 'Don't cum in me.'" "Yes'm," replied Ray Ray. "Okay then," she growled, picking up the pace. She began to fuck Ray Ray ever more quickly, like a Chihuahua humping a bumblebee. He tits fluttered. She climaxed again and again without slowing the pace of her assault. She knew that, at some point, Ray Ray would be obliged to splatter. But since Gretchen was already soiled with his issue, she felt that Ray Ray might be able to withstand a lengthy session inside fresh puss. She didn't realize that Ray Ray had already cum twice inside her. He was working towards a third orgasm when Polly issued her stern caveat. He was young; his dick was prime for pussy. Multiple orgasms weren't a problem. They were a feature. Ignoring her orders, Ray Ray came inside Polly's pussy yet again. The frenetic pace of their intercourse disguised his seminal emissions, making them somewhat akin to a popgun, quick, but certainly not lethal. The black kid launched his jism repeatedly without pausing or losing the pattern of their coital rhythm. He erupted and re-hardened shortly thereafter, neither slowing perceptibly nor grimacing with the telltale climactic facial rigor of the satiated. Adrift in her own miasma of sensuality, Polly never suspected him of malfeasance. After her fifth orgasm, however, Polly Lynn began to suspect that Ray Ray was frontin'. Her pussy was smokin' hot. Her abdominal muscles burned with fire. Her clit bloomed and ebbed like a strong man's dick, turtling obscenely at the apex of her labia. Surely, this young blackie should have cum already. A dead man would have. Yet when she dismounted him, his cock was still rock hard, hanging steady at a sixty-degree angle. It stank with the smell of fuck. She watched it quiver, drenched in cream. Polly couldn't decide whether this was fresh cream or leftover jizz from his earlier session with Gretchen. She mounted him again and redoubled her efforts, garnering two more gargantuan orgasms in the process. Ray Ray hung in there. His dick endured. Finally satisfied, she rolled from atop him, wiping sweat from her forehead with her forearm. Her pussy throbbed. "Your turn," she mumbled weakly to Gretchen. Gratefully, Gretchen mounted her wrestling partner, pointing his spiring cock into her wetness. She felt him part her slit and slide easily into her pinkness. His dick pulsed with virility. They fucked for thirty seconds before exploding into bliss. Each preening thrust scraped open newly active nerve endings that made this second encounter between them singularly memorable. Gretchen boiled aloft and snapped her pussy tight about his cock with the fire-snapple crack of a bullwhip. Semen ejected from her pussy in a concentrated stream resembling piss. Polly looked on disgustedly. "I done fucked this blackie six ways from Sunday and she makes him bust nuts in five seconds?" She looked down at her pussy as if to chastise it for ineptitude. Lying in her bed now, Gretchen recalled that epic first session from nearly a year ago. She reached down to finger herself absentmindedly. Gretchen still wrestled Ray Ray in the meadow nowadays. More often than not their wrestling sessions ended with his dick in her puss. Sometimes she sucked him. Sometime he licked her. Sometimes they didn't even get around to wrestling. Gretchen knew this couldn't go on indefinitely. Ray Ray was black. She could never invite him home to dinner. She sighed with resignation. Maybe she'd meet a capable white boy at the Harvest Dance. To be continued. By Bardot1990 for Literotica. The Antebellum Pussie Possie: Part 6 Janice Leone describes how it feels getting monster fucked. By Bardot1990. Listen to the Podcast at Explicit Novels. My name is Janice. The following story is set in Northeast Louisiana in 1844. Mary Lynn, Gretchen, Annie, & Polly Lynn were sitting with me at the wedding reception for Abby. The girls had sex on their minds and imagined what Abby's wedding night might be like, tonight.  After several tawdry comments, Mary Lynn turned to me and said;"Janice, tell us 'bout Blue again. I don't know how you do it. I couldn't get a dick that big up in me without a shoe horn an' a brick!" Gretchen: "Yeh, Janice, tell us! I still cain't get over how you said you warn't never gunna get you a woodpile slave. An' now you got the best one!" Annie: "I dunno that he's the best one. He might be the biggest one. I still say that Charlie Nelson can fuck rings around jist about anybody I know, white or black. That boy can work it!" Janice: "Well, I ain't tested Charlie out yet." Annie: "It ain't like I ain't offered you the chance." Janice: "You mean that time down to your pond? When Abby took my turn? I warn't ready then. I warn't broke in good. You knew that. You wuz tryin' to get me to do sump'n I warn't ready for. I'll try him now, though. I'm good an' broke in now, some might say." Mary Lynn: "Tell us, Janice! Is you done did to him lately?" Janice: "Yeah. We done it yesterday. Cain't you see I'm walkin' funny?" Polly Lynn: "I noticed. I ain't wanna say nuthin." Janice: "Well, if you'd had your legs cocked open for a hour an' a half an' a big ole elephant trunk snappin' in your cunt, you'd be walkin' funny, too." Gretchen: "A hour an' a half?" Janice: "If I'm lyin', I'm flyin." Mary Lynn, Jennie and Annie (in tandem): "Dang." Polly Lynn: "Did you make him lick you? That's the part I wanna hear." Janice: "He licked me. Front and back. An' I licked him, too." Jennie: "He give you a back lick?" Janice: "Of course. He's grown. He ain't like our biddy li'l boys what don't want to go the full measure. He licked me clean." Jennie: "Front and back? Janice: "Yep. Front, back, knees, pits, toes, taint and titties. I ain't no li'l girl no more. What? You think he spent the whole hour'n a half humpin' my cunt? I'd be dead! An' so would you, for that matter. Ain't I told you he got a elephant trunk in his pants?" Mary Lynn, Jennie and Annie (in tandem): "The full measure! Wow!" Janice: "Do you want me to tell the story or don't you?" Mary Lynn, Jennie and Annie (in tandem): "Do tell; Do tell!" Janice: "Okay. So you know my Pa an' my brother come to town early to help with the dance setup, right? That left me and my Ma home alone. So I'm lying in my bed an' it occurs to me that I ain't had none in a few days. I could tell because my cunny had got hot and achy, an' that only happens when she ain't, well, she ain't did what a good cunny is 'posed to do. I don't want get too much into it. All of us has been there from time to time. "So I wondered if'n I had the time to go get Blue. Usually, I'll give him a hint to come up to the house real late after everyone goes asleep. But I ain't had the time yesterday to pull his coat. I'd thought he was goin' to town with my Pa. But my Pa ain't took the carriage to town. Him and Jake rode the horses. So that left me with a achy cunny and no way to cool her off, less'n I used my hand, an' I ain't wanna do that if'n I could get a message to Blue. Who wants a hand if'n you can get the real thing? If you polish pearl an' the real thing shows up, you might don't have the energy to handle the ride, you know? Anyway, that was how I saw it. "So I was gunna see if I could sneak down an' get him. I peeked out my door an' I ain't see anything stirring. So I was gunna make a run for it. Jist as I was rampin' up to go, I seen my Ma sliding out! She had her nightdress on an' a overcoat. I don't know where she was goin', but I didn't want her to see me peekin' out, so I slipped back into bed an acted like I was asleep. "By and by, I ain't hear nuthin'. She jist disappeared into the night. I figured she must'a forgot sump'n an' went to get it. But she was gone for so long, an' my ache jist wouldn't go away, I knew I had to do sump'n. So I gathered up my courage an' I slipped out of my bedroom. I tiptoed over to the front door an' peeked out. I ain't see her anywhere. An' I ain't wanted to sneak out and have her catched me on her way back from wherever she was. "Finally, I took a deep breath an' I jist run out the front door. I told myself that if I come across my Ma, I'd tell her I went to axe her sump'n an' she warn't in her bedroom. I said I'd say I got panicked and run out lookin' for her. Anyway, that sounded good to me. An' my Ma would believe me, if it come to that. "Really, I was on my way down to Blue's place in the field worker quarters. I was gunna roust him up and have him come up to the house. I knowed better than to have him in my room or for me to stay at his place, because my Ma would come an' check on me soon's she got back from wherever she was. So I was gunna tell him to climb up into the loft where Jake sleeps an' wait for me there. Even if my Ma checked on me, I could always call down from the loft an' tell her where I was. She wasn't gunna climb up. "So I get down to Blue's hut. I peek in. Don't you know he's already got a dark gal mounted up an' she's jist a roilin'! He's got this stupid smile on his face, you know, that look they get when they's locked in? You like it when they get that look because they're sot jist so and won't cum, so's you can jist roil and roil an' don't have to worry 'bout re-energizin' a floppy dick or wipin' jizz off a leaky cunny. "He sees me in the window. I give him the thumb jerk. He knows that means I want him to come up to the house. He's thinkin' I give him the thumb jerk earlier an' he musta missed it, because he give the maid gal a tap on her ass an' told her to finish up. She musta already had got hers because she ain't made too much of a complaint about gettin' shorted. She eased her cunny off him and reached for her clothes. His dick was still rock hard. When I see that I run back to the house an' waited. I knowed he would come. "I get back to the house an' my Ma ain't made it back yit. I wasn't too worried. She usually knows what she's about. I was jist concerned that she would come up jist as Blue was comin' up, you know? I ain't wanted that. So I waited at the front door till I see him comin'. I rushed him in an' I told him to skeedaddle up into the loft an' wait for me in my brother, Jake's bed. I peeked out for a bit, lookin' for my Ma, but she never showed up. By an' by my cunny ache told me she'd be alright. My twat ain't often wrong. I climbed up into the loft behind Blue. "Once't I got up there I lit a candle so's I could see. He's up there, alright, dick in hand. He ain't washed it since he'd been up in the maid girl's cunny, so he had that "I been fuckin'" smell; you know how it do. Some folks don't like it. I used to didn't like it, but I've got used to it. It don't bother me now as much as it used to. "Anyway, I know I've said this before, but that durn Blue is one good looking boy. He's got that ebony skin, bald head, and them big muscles. His eyes are hazel, an' he's got lips like a girl. Not femmy, I mean, but kinda, what's the word? Sensitive? Sensual? That's the word. Sensual. You'd like to kiss him. That's what I mean. Usually you jist want a field worker to fuck 'cause his dick can crawl way up in you and scrub the areas where a regular dick don't reach, most times. But with Blue, you jist wanna suck on his lips an' his tongue an' his neck while his dick is scrubbing you out. An' you feel like, kinda like, a woman. You know? "Plus, you wanna talk about Prescott Gaston can suck some cunny? He cain't hold a candle to Blue. That big boy can suck a cunny like it was a chicken bone, an' won't leave nary bit of gristle, nor fat, neither. You ain't got to axe Blue for the pooty-woo. He'll lick you back to front, front to back, top to bottom and side to side. You get done with a Blue lickin' session an' it's jist like you'd had a hot bath on a Saturday. An' we ain't even talked about his dick yet. "Anyway, I was sayin' I lit a candle and Blue was there on my brother's bed with his dick in his hand. He stood up and stroked it till it stood up on its own. He knows I like that. Lemme tell you, once't his dick gets hard? He can bend his head down and suck it on his own. One time I dared him to do it, an' he did it, an' I thought it was the most amazin' thing. He wasn't ashamed or nuthin'. I watched him suck it for a minute or two, then I jumped in an sucked it for him. I ain't wanted him to take my job out ah my hands. He might wouldn't wanna mash his dick up in my cunny no more. I couldn't have that. "But I ain't had him suck hisself yesterday. I wanted to kiss him an' he had that other girl's cream all over his dick. I ain't wanna taste that, so I needed to twatted him up in my own fur, like Annie said, before I put my mouth or his mouth on it. "So I had him lie down on his back an' I clumb up on him an' I eased myself down on it. You 'member the first time him and me did it standin' up an' I ain't had no problems gettin' it in because I was so wet and horny with The Taint? Well, that was then. I ain't got The Taint now. So you can jist imagine it's a bit more harder'n it was the first time I done it to him. "I pointed him into my fur and jiggled around till my cunny lips was situated roundst that big ole dickhead as best as I could get it. Felt like he was mashin' my cunny lips into my thighs, he was so thick. So I give a li'l push and he widened me. But I still couldn't fit his whole thing in. I give another li'l push. An' another. But it ain't seem like he was gettin' any deeper, an' I needed him to be real deep, because my burn don't start from the front of my cunny. It starts from the back an' it plugs into my clit at the front. That's what makes her hard and wobbly, less'n somebody gives her a suck. "So I says to him, I says: "I'm gunna need some grease, it appears." "He knows what that means. So I crawled up his chest with my pooty and I give him the woo right off the bat. I put Hilda May, ya know, that's what I named my nub. I put her right in his mouth to let her blossom from the forest. When she got good and hard, I give him my front hole to lick. Then I give him my back hole. Then the front hole again. Then I went back and forth between the two with the quickness, jist ah-sloshin' him up. I'm humpin' his face. One time I turned around an' give him the chance't to lick up my crack from the back. I opened my eyes that time an' here's his dick, right in my face! But he still had that maid girl's cunny juice caked up on it, so I ain't wanna suck it. "But my back lick felt so good! I had them colored lights flashin' behind my eyes an' my innards was cookin' with fire. My cunny was drippin' cream and Blue was jist ah-lappin' it up. An' I had this monster dick staring me in the face. Jist ah-quiverin'! I says to myself, I says: "Lemme cunny this dick up proper so's I can suck it. This don't make no sense, him suckin' me an' I cain't suck him back. No sense at all!" "So I turned around again. I'm still on top, you see, squattin' on the balls of my feet. An' I pointed his dick back into my twat. This time it went in easier. I got the head in, anyway, an' that's the widest part. Now all I'd got to do was work the other fifteen inches in! So's I grit my teeth an' set about the task. My cunny don't seem to mind the smell of another woman's cunny on a dick. It's my nose that makes those objections. An' I meant to suck that dick that day, you hear me? I mean, after I'd twatted him up a bit. "So I'm ridin' him. Slow at first, but a li'l faster an' a li'l faster each time down the pole. I meant to scrub that dick clean. That's the best part of havin' a thick, red carpet like I gots. It's better'n a washrag an' soap. It soaks up all the leftover cunny juice an' don't leave nuthin' but fresh, clean Janice on a pole. "Meanwhile I'm thinkin': "You know, I ain't never had the full fifteen inches. The most I've had is maybe the first thirteen." I always leave the last couple inches dry. Well, not totally dry. I give him some crawly drip, sometimes, when I'm on top. Anybody would. But that don't really count. I ain't never been able to rub my Hilda May, my clit, up against his nappy, you know? You know how it feels good to scrape your clit up against a boy's fur, sometimes, an' jist rotate? Especially nappy big boys, because it's got all that friction, all that kink? Well, Hilda May ain't never been acquainted with Blue's patch. I lay it ain't a passel of women can say they clits ever touched Blue's nappy patch, leastways not whilst his dick was up in 'em. "So I says to my clit, I says: "Hilda May? Today is your day." "So I'm countin' the inches. Sev'm inches. Eight. Ten. 'Lem. I get to twelve inches an' my cooch is gaspin' for air. Blue ain't jist long. He's thick! I got 'nuther three inches to go an' I feel like I'm in the deep end of the pond swimmin', gotta come up for air occasional, less'n I'll drown. But I'm on top, so's it ain't so noticeable. When he's whalin' away from the top he don't give a gal the chance't to breathe proper. Jist Bam, Bam, Bam! I dunno. It feels good, but you don't get the chance to breathe, is all. "Okay, so I'm grippin' a full thirteen. I look down an' my cunny is jist tremblin', huffin', an' puffin' like a prizzner on a chain gang. Hilda May is rock hard, jist ah-dancing along his pole like a li'l snotty marble. She's happy. Smilin'. She's plugged. But she ain't the one puttin' in the work. It's my cunny that's strainin' to breathe, not my clit. "I'd got two inches to go. I give a li'l push. An' then another. I looked down. Dogged if'n I ain't right where I started! Them last two inches warn't gunna come easy. I see Hilda May stretchin' to reach Blue's nappy patch. She can see it. She can smell it. She jist cain't reach it. An' now she ain't so happy as before. She reckoned: "I thought you said you wuz gunna roust me up against his nappy patch?" So I go (to my cunny): "Come on, Sally! Let's don't leave Hilda May danglin'!" (Sally's still gaspin' for air, donchuknow.) "An' I give another li'l push, this time harder than before. Seemed like I gained another quarter inch. So I tried it again. Sally is strainin' now. She's sweatin'. Me an' Blue are doin' it, but it don't feel as good as it should 'cause now I'm competin'. If I'd left well-enough alone I coulda had busted a nut or three by now. "But no. I'd got sot so's I had to rub up against his patch. Or bust! An' I'm jist abusing my cunny, my Sally, with Blue's pole, like me an' her ain't the best of friends. "Well, anything that's worth doin' is worth doin' right. Blue could tell I was strainin' to swallow him whole. He helped me as much as he could. But a cunny is only so deep, you know? If you got a thirteen-inch cunny it don't translate proper into a fifteen-inch cunny. An' you might stretch her out of shape in the attempt, an' she might don't bounce back. An' then when you get married, your white man won't never hope to fill you up. An' then you'd got to spend the rest of your life with a wrecked, an' outta shape cunny that cain't wrap up a regular dick an' lets it flop around in there like a peppermint in a jar. "I looked down an' see he still had an inch an' a half of black snake pokin' out from my twat. Dry! An' Hilda May is jist ah-throbbin'. "Girls? I give up, right then an' there. I eased up. I told Hilda May to get to scrubbin' that pole clean and don't worry about his patch. If we get there, we get there. But it don't make no sense to try an' force a king dick into a hole that ain't long enough to 'commodate. You know? "Okay, so I decided to long-stroke him. I'd been inchin' down, you know, a inch down, a half a inch up. That way I figured I could get the full fifteen. Once I give up on that idea, I figured I'd do what I could with the top thirteen inches and damn the final two. So I drew my Sally all the way up to the tip, most let him fall outta me, jist hangin' in by the short hairs. Then I went all the way down, till I was full, thirteen inches in. An' I give him the swirl. Then I drew all the way up again, till his dick tip kissed my cunny lips real tender. Then I went all the way down again, till I could feel that big old cockhead budgin' up against the very back of my cunny. I give him the swirl again. "We done it like that for about ten minutes, till he cum. Anybody woulda. I was goin' faster an' faster towards the end, there. I wanted him to cum before me. Usually it's me that cums first. I was ready to cum the whole time, though. When I felt his jizz shootin' into me, I give a li'l shiver with my cunny an' I slurped it up good. Now I know I'd got the maid girl's juice shaved off proper, I knowed it was time for me to get down to business. "So after he got hard again, I knowed I had him. I could mangle him up like a pretzel and he warn't gunna splatter no time soon. So, first thing first, I give him the pooty-woo. I crawled up on his face an' I fucked his tongue from one hole to the other, whilst I sucked his dick. I sloshed my cunny all up in his face and scrubbed his nose up in my fur. I give him his jizz back 'long wit' some 'o my cream. An' I sucked the livin' shit outta that dick, girls, sucked it dry! I held that log in both my hands and jist bobbed on it. Chile? I cum over an' over an' over. It seemed like I couldn't help but sizzle. Dick in the mouth? Tongue in the ass? Girl? You ain't never had it so good. "He licked every smatterin' o' cream from betwixt my legs. He nibbled my cunny lips. He sucked purple hickeys into my ass cheeks. Here, look. You wanna see? (Here, Janice lifted her skirt and pulled her drawers down partially to display a series of intermingled purple/black bruises on her backside that looked more like the result of a beating than an amorous encounter.) "I got a couple o' these upwards of my navel, too. An' look! There's one on the back o' my knee. I ain't seen that one till now. I'd show you the hickeys on my cunny lips, but you prolly couldn't see 'em under my fur. My whole cunny is purple blue, ladies. An' it ain't all jist because of the suckin'. I told you he had my legs cocked open for a good while as he sausaged me up. We'll get to that directly. "Anyway, after I cum about four times, I clumb down down off his face. I hotched up on the edge of Jake's bed, on my knees, an' I waggled my doodihole in his face. "Go on and put it in," I says to him, real sultry-like. "You know you want it." "He went to put it up my cunny. But I wanted to try him up my poop chute. So when he pointed it at the wrong hole, I dipped a bit to let him know what time it was. He ain't no fool. "He prized me open an' eased it in. I was still wet from the lickin' he give me. He gripped my butt cheeks and prized them open, too, so's he could get some lev'ridge. It ain't never easy gettin' a dick that big up a doodihole. I ain't you, Jennie. My doodihole is a clencher. She's tight. But we managed. "Once't he got it in, he commenced to rammin'. Kaichakata! Kaikakachao! Each time he rammed it forward he got a li'l further up my doody. See, unlike a cunny, a doodihole ain't got no back. You can jist ram an' ram. An' if you ram long enough you can feel his nappy up against your butt cheeks, while your navel gets tickled from inside. Mine's an innie, sept when Blue rams fully in. An' sometimes you can feel his nuts slappin' up against your clit, if he's rammin' it proper. They'll swing. "Welp, I felt his nuts slappin' me from the back. An' his nappy hairs was scrubbin' my taint real nice. I don't mind sayin', it felt purty good. Not as good as the first time, mind you. But purty good. That first time he went up my poop chute was the best. I like to fainted, I was so hot. Steam was shootin' out my butt! But this time was purty good, too. He jist gripped my hips and roiled in an' out, kinda slow and happy. That first time he fucked my ass it was like he was mad at me for sump'n. I dunno why it feels better like that; angry fuckin', but it does. "He ass-fucked me till I cum. Then he pulled it out and cunny-fucked me from the back till I cum again. Then he ass-fucked me again. This time he cum in my butt and greased me up with lather. I clenched on him real good an' by the time he pulled out he was hard again. I ain't meant to do that, but I did. "Now I'm gettin' worried. I don't think I've got another nut in me to bust. I'm ragged out, girls; burnt! An' this cinnamon boy is wagglin' another stiffy in my face, a huge, gynormous fat boner that's been up in countless other cunnies, some 'um deeper'n mine, (but it seemed like I could smell all 'um on it at once, ever' last stinkin' cunny that monster dick has been smashed up in, includin' mine.) "An' now I dunno if I've got the stremff to floppy him up like I'm s'posed to. "So I rolled over onto my back an' I cocked my legs open. He mounted me an' eased his dick inside me. Thirteen inches in one go, all the way to the back. He jist held it there. "Now he's looking into my eyes real familiar. Most times a field boy won't look you in your eyes. But Blue is looking me in my eyes like he knows me personal, an' I guess he does since his dick is up in me right now and has been all night, jist ah-pokin' through the forest. I give him the same look right back. "You know I told you I kissed him that first time? Right on the mouth. I give him some tongue and some hickies, too. I done that, don't axe me why. This time, though, he looked like he wuz gunna kiss me. "Don't let nobody tell you that field boys is docile and you can do whatever it is you want to 'em. Some ain't docile. Blue ain't, anyway. "He turnt his head to the side an' come closer and closer to my lips. I was a li'l scared. I mean, after all, he is muscled field boy, right? It's one thing for me to kiss him. It's another thing for him to kiss me. He come closer and closer an', 'fore I knew, he tongue was in my mouth. Girl? If I was ragged out a minute ago, here come the fire. Jist a ragin'! That one kiss juiced up my cunny like she warn't never doused! She's steamin'! You kiss him one time and see don't your cunny juice up like hot butter. "So we commenced to fuckin'. An' we're kissin' an' we're fuckin' to beat the band. He pulled my titties up to his mouth an' he sucked them for a time whilst his dick was churnin' up my fur. Then he went back to kissin' me. He reached over an kissed my pits, too, wooly hair and all. He went to suck a hickey in 'em, but I stopped him, because somebody would be sure to see. I ain't let him suck my neck, neither. But I ain't wanted him to be unhappy, so I pushed his face down to my cunny and let him suck her from the front for awhile. When he come back up I reached down an' eased his dick back into where it was sposed to be. "An' we fucked and fucked and we fucked. I dunno where I got the energy from, but I give as good as I got. I twiddled my hips an' let him wedge up in me as far as he could go. I kissed him an' sucked his neck. Oh, girl! It was heaven! I jist rode the top of that wave without crashin', an' I jist lilted along. Seemed like I could jist have his whole body jist crawl up in me and hibernate like a big ole grizzly bear! "By an' by I felt sump'n I ain't felt before. His patch was rubbin' up against Hilda May! Yes! I'd took the full fifteen! I looked down an' he's jist a grindin'! "Now, I'ma tell y'all the troof. I don't think he punched another two inches into my twat. It ain't another two inches in there to punch. I think he got pressed up against the back of my cunny and she was so wet she bowed him up. Yes! My cunny made a li'l hump arch in this stiffy that warn't there before, opened up a li'l air pocket in her. Widened' me out, so to speak. An' that's the thing that give me the bulge on him! Anyway, Hilda May was happy. She 'sploded an' made me cum two times, one right behind the other, she was so happy to be mashed up against his nappy patch like that. "By that time we'd been at it for a hour an' a half. My legs was wrapped around his butt an' he's still jist ah-humpin' me; he's got my head cradled in one elbow, titties gripped tight in the other hand, squeezin' out the milk. Oh Lawdy! I wuz tired and sloppy wet. But I wuz happy! I kissed him real tender for a time an' I sucked at his dick with my twat. I'm whispering the nasty in his ear, I'm sayin': "Fuck it to me! Gimme that dick, Blue! Oh! Fuck it to me, you bald-headed, cunny-lickin' monster of a pipe-layin' boy!", you know, like Abby would say. "The next thing I know he's sprayin' me again! Jist ah-pumping' it out. I could feel his hot jizz leakin' down over my butt cheeks, jist ah-bubblin' outta my cunny. Pa-ploop! Ba-loop-a! Pa-Plook! I like to died! "The next thing I knew, the sun was comin' up. I heard a rooster crowin'! An' I'm still layin' in Jake's bed with this big beast on top of me, drippin' with cum! "I give him a sharp push: "Blue! Blue! Wake up! You gotta go!" "He was knocked out. Snoozin'! When I pushed him, all of a sudden he come to realize where he was. He jumped up and gathered up his clothes. I climbed down the ladder to see if anybody was about. I peeked into Ma's room. She's snorin'. So I waved Blue down from the loft. I peeked outdoors. It was a couple of workers up and about already to tend the crops, so I went outside an' ordered them around to the back of the house. Then I called Blue out. I ain't had to call him twice. He run down to the quarters like a wildcat was on his tail. "So I went back up to the loft. The whole room still smelled like we wuz fuckin' sump'n fierce. I jist lay down in Jake's bed and basked in it. I says to myself, I says, "That's what a real woman's cunny smells like, boys. Have a sniff an' shame the Devil!" "Yeh, I'm getten sweaty just talking bout it. I fucked him. I fucked the shit out'n him, ladies." To be continued. By Bardot1990 for Literotica.

Smilin' and George bring in Luke "LCL" to review the Week 15 results.

In this special episode of City Cast Nashville, producer Marie Cecile Anderson celebrates the 25th anniversary of Robert's Western World with GRAMMY-nominated musician, filmmaker, educator, and storyteller Smilin' Jay McDowell. Jay recounts his journey from performing for tips at Robert's Western World with BR549 to touring with legends like Bob Dylan and George Jones. Together, they explore the origins and enduring legacy of this iconic honky-tonk in the heart of Lower Broadway. This is the first of five episodes we'll be doing this month about the music community in Nashville, brought to you by our exclusive launch sponsor, Tecovas. Tecovas knows more than handmade boots and fine Western wear — they've got an ear for great music, too. From legends of the past to rising stars on the scene, they love supporting musicians and music fans right here in Nashville. So if you're headed for a good time on the stage or in the crowd, go in good boots from Tecovas. The August 1 primary election is tomorrow! Here is a sample ballot for the Aug. 1 election. Here is a non-partisan voter guide for the Aug. 1 election. Check your voter registration here. If you haven't yet registered to vote, you cannot vote in the Aug. 1 election — but you can still register for the Nov. 5th federal election.   Want some more City Cast Nashville news? Then make sure to sign up for our Hey Nashville newsletter.  Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392 Interested in advertising with City Cast? Find more info HERE. 

This week we are delving into one of the greats of Southern Rock.  Well, they are southern rock if you count southern California.  Little Feat took its name from a comment Frank Zappa made to his band member Lowell George regarding his having little feet. George would become a founder and driving force behind Little Feat, providing guitar and vocals.  Other members were Paul Barrere on guitar and vocals, Sam Clayton on percussion and vocals, Kenny Gradney on bass, Richie Hayward on drums and vocals, and Bill Payne on keyboards and vocals.Feats Don't Fail Me Now is the band's fourth studio album, and it went to number 36 on the US Top LP's chart.  It is hard to go wrong when, in addition to the regular band members you have the Tower of Power on horns, and backing vocals from Emmylou Harris and Bonnie Raitt.  The album was recorded at Blue Seas Recording Studio in Maryland, and it provided two advantages.  First, it had just opened and needed a band for their "shakedown cruise," letting Little Feat record on the cheap.  Second, it was far away from their home base in Los Angeles, which kept Lowell George away from many familiar temptions of drugs and women.While Lowell George would soon begin to deteriorate in health (he died of a heart attack in 1979), this album shows him and his band at the height of their artistic prowess.  The surviving members of Little Feat would regroup in 1987, and the band continues to perform today.Wayne takes us through this little feat of southen rock for this week's podcast. Feats Don't Fail Me NowThe title track received significant airplay on FM radio and it leads off side two of the album.  That driving bass line and funky drumbeat is sometimes called Country Funk Boogie.  The message of the song is one of perseverance and determination to get back the girl the singer loves.Oh AtlantaIf you were living in the metro-Atlanta area in the 70's or 80's, you definitely are familiar with this song.  Billy Payne takes lead vocal duties on this track, and it features Bonnie Raitt and Emmylou Harris on backing vocals.  "Well, you can drop me off on Peachtree, I got to feel that Georgia sun.  And the women there in Atlanta, they make you awfully glad you come."Spanish MoonThis track was written by Lowell George and features the Tower of Power horn section.  This is a deeper cut, but it has a latin groove while maintaining both a bluesy and funky sound.  The origin of the song is a dream George had of a dangerous nightclub in New Orleans called the Spanish Moon.Rock and Roll DoctorThe song considered the hit off the album is an anthem to the healing power of music.  "Two degress in bebop, a PhD in swing, he's a master of rhythm, he's a rock and roll king."   ENTERTAINMENT TRACK:Main theme from the motion picture “Together Brothers”The Love Unlimited Orchestra provided this title track to STAFF PICKS:Radar Love by Golden EarringLynch's starts our staff picks this week with a Dutch rock band originally formed in 1961.  Lead vocalist Barry Hay and guitarist George Kooymans wrote this single that reached number 13 on the US Billboard Hot 100 chart.  The lyrics describe a man driving a long way to be with his love, and communicating with her through a mystical bond he calls "radar love."Keep on Smilin' by Wet WillieBruce features the title track from Wet Willie's third studio album.  It is their biggest hit, reaching number 10 on the Billboard Hot 100.  The song itself is rather stoic, encouraging the listener to keep smiling through the difficulties and pain of life.The Night Chicago Died by Paper LaceRob's staff pick is a story telling song that topped the US chart for one week in 1974.  The lyrics describe a shoot-out between the Chicago Police and Al Capone's gangsters, and worries from the wife of a police officer that her husband wouldn't make it home.  The song ends on a positive note when her husband walks through the door.Beach Baby by The First ClassWayne brings us a British band made up of all session players.  They call themselves "the first class" because they considered themselves to be a kind of supergroup of the UK music session set.  This song would be a one-hit wonder, reaching number 4 in the US, but other singles would not see the same level of success. NOVELTY TRACK:Rub It In by Billy "Crash" CraddockThis novelty song hit the top of the country charts.  It may be more familiar as the jingle from Glade air fresheners, where they sing, "plug it in." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Smilin' and George bring in Gillman and Garvey to review the Week 13 results.

Smilin' and George bring in Brian to review the Week 13 results.

Smilin' and George bring in Tommy and Paul to review the Week 12 results.

What's on my Mind: What They Want: News: Deeper meaning: https://apnews.com/article/georgia-trooper-shooting-black-man-julian-lewis-e982e4db533fa3d5462e84f8a64c183cPreview of What's to Come: https://www.cbsnews.com/news/hajj-2024-deaths-saudi-arabia-extreme-heat/Tweedle Dee and Tweedle Dum Debate: https://www.hollywoodreporter.com/tv/tv-news/jon-stewart-biden-trump-debate-1235934322/Conversations with an Atheist: The Root of the Issue:https://www.debunking-christianity.com/2012/03/faith-is-irrational.htmlClosing: We Everywhere: https://goodblacknews.org/2024/04/01/deeronn-booker-wins-2024-u-s-bowling-congress-masters-championship-and-100000-prize/

Smilin' and George bring in Marty and Dan to review the Week 10 results and look at some mid season stats.

As Indy attends the opening of the new nightclub, The Raven's Nest, in Manhattan, we welcome Nate Tapp back to the podcast to chat about Wookiee Jedi, Smilin' Kylos, and 80's-esque soundstages in The Acolyte, then we journey into the heart of darkness with Young Indy, before gushing over the introduction of Marion in these comic pages. 

Smilin' and George bring in Insta-Alex and Cheese to review the Week 9 results.

Smilin' and George bring in Chan and Fox to review the Week 8 results.

Smilin' and George bring in Vinnie  to review the Week 7 results.

Smilin' and George bring in New New Wes  to review the Week 6 results.

Smilin' and George bring in Jono  to review the Week 4 results.

Smilin' and George bring in Garvey  to review the Week 3 results.

Smilin' and George bring in Cheese  to review the Week 2 results.

Smilin' and George bring in Insta-Alex Weiss  to review the Week 1 results.

Smilin' and George bring in Jeff  to preview the 2024 Season and the Week 1 matchups.

This week, we're introduced to Smilin' Jack Mitchell, a chopper pilot desperate to stay in the action and break the record for most transported wounded. Meanwhile, a wounded soldier is desperate to never have to go back to the front again. Does this episode remind anyone else of Season One's “Cowboy?” Robert Hogan https://www.imdb.com/name/nm0389611/https://en.wikipedia.org/wiki/Robert_Hogan_(actor) https://www.hollywoodreporter.com/tv/tv-news/robert-hogan-dead-peyton-place-the-wire-1234961610/https://variety.com/2021/tv/news/robert-hogan-dead-the-wire-peyton-place-1234986087/Dennis Kort https://www.imdb.com/name/nm0466728/https://www.tvguide.com/celebrities/dennis-kort/credits/3030242474/Music credit: “Feel Good Rock” by Jason Shaw, https://audionautix.com/ Cover Art by M. Cameron https://www.plaguedoctorart.com/Contact the show: mashmouthpod@gmail.comSocials: @valiantlyoffbalance on Instagram @OfficialVOB on Twitter @mashmouthpod on Instagram @EthanWasCool on Instagram and Twitter @unvanesscessary on Instagram

#KCK2 #KarateCombat #UFC Before he defends his @karatecombat Heavyweight Championship we will be joined by Sam Alvey ! We'll talk about his ride so far in Karate Combat and his thoughts on throwing down at the next kickback 2 March 23 rd ! Plus we'll see if he made Russ Pay up on his bet ! Brought to you by Potter's Tree Service check them out for any : Tree removal Tree trimming Chipping Service Storm Damage Clean up Walnut Logging or Lot Clearing ! https://www.facebook.com/1potterstreeservice 1-269-953-6290 AND Mitten Muay Thai ! Make Sure you check out their next event May 3rd at the Imperial House in Clinton Township MI ! This their 2nd Event featuring a dynamic line up of both Professional and amateur bouts and the last show was a SELL OUT ! Don't Blink this is one you won't wanna miss ! https://www.instagram.com/mittenmuaythai/ www.mittenmuaythai.com/fighter-signup Check out our new merch on Millionshttps://millions.co/knockouts-and-3-counts-detroit.

Trey and Kevin are back this week with their first episode of 2024 with a very special guest. Smilin' Max Brown joins the boys in Kevin's Attic Studio. Max is a buddy of Trey's from up North, and if that weren't enough, he's the musical director for the Grammy nominated duo The War and Treaty. Join them for all the twists and turns that brought them all together. Thanks for stopping by, Max!@thewarandtreaty@maxbrownmusic@tkcwpodcast