Podcasts about Stedelijk Museum Amsterdam

In Episode 82, our Anniversary episode, Elizabeth and Karin discuss the essay Michael Jackson's Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium by Sylvia J. Martin. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 82 – Gesamtkunstwerk” Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 4 (2025). Published electronically 25/06/25. https://michaeljacksonstudies.org/podcasts/episode-82-gesamtkunstwerk The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 82 – GesamtkunstwerkBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them: Sylvia J. Martin, 'Michael Jackson's Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium', Liminalities: A Journal of Performance Studies Volume. 11, No. 5 (November 2015)

In this episode, Karin and Elizabeth talk about their experiences as exhibitors on KingVention ranging from 2016 till 2025. They discuss the first event and how fantastic that was with the big Dangerous Cover, the people they interviewed and remember Nicole, the student who did the course Michael Jackson Studies and who passed away not very long after. We dedicate this episode to her. We go into 2022 when Elizabeth was at the event, 2023 and 2025 where we represented the Journal, sold and signed the hardback and the paperback version of The Dangerous Philosophies. This year we did two talks. One about AI and Michael Jackson together with The Big MJ Debate and a MJDLO about the academic void: How to preserve Michael Jackson's Legacy and how Fans can Contribute. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 81 – The Road To KingVention" Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 4 (2025). Published electronically 26/05/25. https://michaeljacksonstudies.org/podcasts/episode-81-the-road-to-kingvention. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 81 - The Road To KingVentionBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them: MJDLO, MJAS Exclusive: Live from Kingvention 2016, https://michaeljacksonstudies.org/episode-15/ Elizabeth Amisu, 2023 Kingvention Speech – ‘An Introduction to Michael Jackson Academic Studies': https://youtu.be/VlJknkJsk68 Elizabeth Amisu, Transcription of the 2023 Speech - An Introduction to Michael Jackson Academic Studies

Helen Verhoeven is beeldend kunstenaar. Ze studeerde onder andere aan het San Francisco Art Institute, de New York Academy of Art en de Rijksakademie in Amsterdam. Haar werk werd wereldwijd tentoongesteld en ontving in 2008 de Koninklijke Prijs voor Vrije Schilderkunst en in 2010 de Wolvecampprijs. Verhoevens werk bevindt zich in collecties van het Stedelijk Museum Amsterdam, het Centraal Museum Utrecht en The Museum of Contemporary Art in Miami. In 2019 won ze de ABN AMRO kunstprijs. Verhoevens werk is nu te zien in de tentoonstelling ‘Good Mom/ Bad Mom' in het Centraal Museum in Utrecht. De tentoonstelling houdt zich bezig met de vraag hoe moeders en het moederschap worden gerepresenteerd. Ook presenteert Verhoeven haar nieuwste werk in een solotentoonstelling in Annet Gelink Gallery. De tentoonstelling opent tijdens de Amsterdam Art Week. Atze de Vrieze gaat met Helen Verhoeven in gesprek.

In this episode Elizabeth and Karin discuss the essay by Philipp Dominik Keidl where he explores how Michael Jackson fans responded to the sexual abuse allegations made by Wade Robson and James Safechuck in the 2019 documentary Leaving Neverland. The focus is on a phenomenon Keidl terms "forensic fandom," where fans produce counter-documentaries and online content to defend Jackson's reputation by discrediting his accusers. These fan-made videos, particularly those associated with The Michael Jackson Innocence Project (MJIP), serve as a form of "media tribunal." The essay argues that these efforts are less about seeking truth and more about reinforcing myths that undermine allegations of sexual abuse, ultimately contributing to a toxic fan culture that silences victims and perpetuates harmful stereotypes. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 80 – The staging of a Media Trial" Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 2 (2025). Published electronically 21/04/25. http://michaeljacksonstudies.org/episode-80-the-staging-of-a-Media-Trial. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 80 - The Staging of a Media TrialBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them: Philipp Dominik Keidl, "The Fans of Michael Jackson v Wade Robson and James Safechuck": Forensic Fandom and the Staging of a Media Tribunal, American Behavioural Scientist 2022, vol.66(8) (Sage Publications, 2022).

In this episode Elizabeth and Karin discuss the essay by Philipp Dominik Keidl where he explores how Michael Jackson fans responded to the sexual abuse allegations made by Wade Robson and James Safechuck in the 2019 documentary Leaving Neverland. The focus is on a phenomenon Keidl terms "forensic fandom," where fans produce counter-documentaries and online content to defend Jackson's reputation by discrediting his accusers. These fan-made videos, particularly those associated with The Michael Jackson Innocence Project (MJIP), serve as a form of "media tribunal." The essay argues that these efforts are less about seeking truth and more about reinforcing myths that undermine allegations of sexual abuse, ultimately contributing to a toxic fan culture that silences victims and perpetuates harmful stereotypes. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 80 – The staging of a Media Trial" Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 2 (2025). Published electronically 21/04/25. http://sya.rqu.mybluehost.me/website_94cbf058/episode-80-the-staging-of-a-Media-Trial. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 80 - The Staging of a Media TrialBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them: Philipp Dominik Keidl, "The Fans of Michael Jackson v Wade Robson and James Safechuck": Forensic Fandom and the Staging of a Media Tribunal, American Behavioural Scientist 2022, vol.66(8) (Sage Publications, 2022).

In the second part of the book review Unfinished Business by Judith Hamera, Elizabeth and Karin discuss how Hamera writes about Consuming Passions, Wasted Efforts and Michael Jackson's Financial Melodramas. One of the important questions they ask is why using Michael Jackson and compare his dancing and financial gains and losses as deindustrialised. They ask if using only two documentaries, of which one is from Bashir -Living With Michael Jackson - and the other, This Is It, are reliable for academic research? REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 79 – Consuming Passions." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 1 (2025). Published electronically 21/02/25. http://michaeljacksonstudies.org/the-labours-of-michael-jackson/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 79 - Consuming PassionsBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them Judith Hamera, Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization (2017): https://amzn.to/416ZmoW

In the second part of the book review Unfinished Business by Judith Hamera, Elizabeth and Karin discuss how Hamera writes about Consuming Passions, Wasted Efforts and Michael Jackson's Financial Melodramas. One of the important questions they ask is why using Michael Jackson and compare his dancing and financial gains and losses as deindustrialised. They ask if using only two documentaries, of which one is from Bashir -Living With Michael Jackson - and the other, This Is It, are reliable for academic research? REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 79 – Consuming Passions." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 1 (2025). Published electronically 21/02/25. http://sya.rqu.mybluehost.me/website_94cbf058/the-labours-of-michael-jackson/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 79 - Consuming PassionsBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them Judith Hamera, Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization (2017): https://amzn.to/416ZmoW

Dima Srouji is a Palestinian architect, artist, and researcher born in 1990 in Nazareth. She holds a Bachelor of Architecture from Kingston University (2012) and a Master of Architecture from the Yale School of Architecture (2016). ​Srouji's interdisciplinary practice explores the ground as a repository of cultural narratives and potential collective healing. She employs various media—including glass, text, archives, maps, plaster casts, and film—to interrogate concepts of cultural heritage and public space, particularly within the Middle East and Palestine. Her collaborative approach involves working closely with archaeologists, anthropologists, sound designers, and glassblowers. ​In 2016, Srouji founded Hollow Forms, a glassblowing initiative in collaboration with the Twam family in Jaba', Palestine, aiming to revitalize traditional glassblowing techniques. Her work has been exhibited internationally, including at the Victoria & Albert Museum in London, the Corning Museum of Glass in New York, the Sharjah Art Biennial, the Islamic Art Biennial in Jeddah, and the Contemporary Arts Center in Cincinnati. Her pieces are part of permanent collections at institutions such as the Stedelijk Museum Amsterdam and the Victoria & Albert Museum. ​Srouji has contributed to academic discourse through her writings in publications like The Architectural Review and The Avery Review. She currently leads the MA City Design studio at the Royal College of Art in London, focusing on archaeological sites in Palestine as contexts for urban analysis. ​In recognition of her contributions to art and architecture, Srouji was awarded the Jameel Fellowship at the Victoria & Albert Museum for 2022-2023. ​Through her multifaceted work, Srouji challenges conventional narratives, offering new perspectives on cultural heritage and identity within contested spaces.​Support the Architecture Foundation – visit https://www.patreon.com/ArchitectureFoundation to find out how. Hosted on Acast. See acast.com/privacy for more information.

Deze speciale uitzending staat in het teken van de Duitse schilder en beeldhouwer Anselm Kiefer. Zijn werk is momenteel te zien in het Van Gogh Museum en Stedelijk Museum Amsterdam, in de grote tentoonstelling ‘Sag Mir Wo Die Blumen Sind'. Te gast zijn kunstjournalisten Lucette ter Borg, Toef Jaeger en Wieteke van Zeil over het leven en werk van Anselm Kiefer.  Presentatie: Frénk van der Linden

Abstract: In this episode, Elizabeth and Karin talk about Judith Hamera's powerful book, Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization, the concept of virtuosity in relation to Michael Jackson's labours and the labour of factory workers. They also explore the cultural and historical context of Michael Jackson's music and the potential for future opportunities for a new "33 1/3" series book about one of Michael Jackson's albums. A 33 1/3 book was published on Dangerous in 2014, written by Susan Fast. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 78 – The Labours of Michael Jackson." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 1 (2025). Published electronically 21/02/25. http://michaeljacksonstudies.org/the-labours-of-michael-jackson/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 78 - The Labours of Michael JacksonBy Elizabeth Amisu & Karin Merx 'I think that somebody could come along with a really nice essay (people that are thinking about writing for the journal) about the labours of Hercules and the labours of Michael Jackson.'- Elizabeth Amisu Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization by Judith Hamera (2017): https://amzn.to/416ZmoW Submit a proposal for 33 1/3: https://333sound.com/how-to-submit-a-proposal/ Our References and Where to Easily Find Them1. The Labours of Hercules - https://www.theoi.com/articles/what-were-the-12-labors-of-hercules/2. The Michael Jackson Book Club - https://www.facebook.com/groups/mjbookclub/3. Kingvention – The Michael Jackson Convention - https://www.kingvention.com4. Pierre Bourdieu - https://www.youtube.com/watch?v=WvzahvBpd_A Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. www.michaeljacksonstudies.orgfacebook.com/michaeljacksonstudiestwitter.com/mjas29instagram.com/elizawriterinstagram.com/karinmerx You May Also Like:

Abstract: In this episode, Elizabeth and Karin talk about Judith Hamera's powerful book, Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization, the concept of virtuosity in relation to Michael Jackson's labours and the labour of factory workers. They also explore the cultural and historical context of Michael Jackson's music and the potential for future opportunities for a new "33 1/3" series book about one of Michael Jackson's albums. A 33 1/3 book was published on Dangerous in 2014, written by Susan Fast. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 78 – The Labours of Michael Jackson." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 1 (2025). Published electronically 21/02/25. http://sya.rqu.mybluehost.me/website_94cbf058/the-labours-of-michael-jackson/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 78 - The Labours of Michael JacksonBy Elizabeth Amisu & Karin Merx 'I think that somebody could come along with a really nice essay (people that are thinking about writing for the journal) about the labours of Hercules and the labours of Michael Jackson.'- Elizabeth Amisu Unfinished Business: Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization by Judith Hamera (2017): https://amzn.to/416ZmoW Submit a proposal for 33 1/3: https://333sound.com/how-to-submit-a-proposal/ Our References and Where to Easily Find Them1. The Labours of Hercules - https://www.theoi.com/articles/what-were-the-12-labors-of-hercules/2. The Michael Jackson Book Club - https://www.facebook.com/groups/mjbookclub/3. Kingvention – The Michael Jackson Convention - https://www.kingvention.com4. Pierre Bourdieu - https://www.youtube.com/watch?v=WvzahvBpd_A Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. www.michaeljacksonstudies.orgfacebook.com/michaeljacksonstudiestwitter.com/mjas29instagram.com/elizawriterinstagram.com/karinmerx You May Also Like:

Annemieke Bosman praat met Amanda Pinatih, zij is curator Vormgeving voor het Stedelijk Museum Amsterdam waar nu de tentoonstelling Oltre Terra is te zien. Het Stedelijk presenteert de tentoonstelling Oltre Terra, een onderzoeksproject van designstudio Formafantasma over de geschiedenis, ecologie en wereldwijde impact van wolproductie. Mensen hebben de evolutie van schapen sterk beïnvloed, maar schapen hebben ook bijgedragen aan de menselijke geschiedenis. Oltre Terra brengt materialen, objecten en ambachten samen tot een multidisciplinaire kijkervaring. De Italiaanse titel van de tentoonstelling, Oltre Terra, komt voort uit de etymologie van het Engelse woord "transhumance", een term die het Latijnse trans (over, "oltre" in het Italiaans) en humus (grond, "terra" in het Italiaans) combineert. Transhumance beschrijft de seizoensgebonden beweging van vee tussen grasgebieden. Op eenzelfde manier is de tentoonstelling ontwikkeld vanuit een trans disciplinaire benadering, in samenwerking met ontwerpers, kunstenaars, antropologen, evolutiebiologen, juristen, curatoren, herders en boeren. Mensen hebben schapen gedomesticeerd, maar schapen hebben op hun beurt de menselijke geschiedenis beïnvloed door wol te leveren. Voortdurend verschuift de grens tussen de temmer en de getemde. De tentoonstelling onderzoekt de complexe relatie tussen mensen en schapen en kijkt naar de economische en ethische gevolgen van het verkrijgen van materialen van levende wezens.        

Emii Alrai & Amanda Pinatih discuss material artefacts, memory, belonging and museum practice.Emii Alrai: https://www.instagram.com/emiialrai/?hl=en-gbhttps://emiialrai.com/Amanda Pinatih: https://www.instagram.com/amandapinatih/?hl=en-gbhttps://madepinatih.com/Design Museum Dharavi: http://designmuseumdharavi.org/Design_Museum_Dharavi/Dharavi.htmlGuna Guna, When things are beings exhibition at Stedelijk https://s3-eu-west-1.amazonaws.com/production-static-stedelijk/images/_whats%20on/tentoonstellingen/2022/When%20things%20are%20beings/WhenThingsAreBeings2022-EN-FINAL24112022-SMALL.pdfA Lake as Great as its Bones: https://emiialrai.com/A-Lake-as-Great-as-its-BonesRoyal Armoury Museum https://royalarmouries.org/leedsHorsehair with Nicola Turner & Mick Sheridan on The Mater Podcast: https://podcasts.apple.com/gb/podcast/the-mater-podcast/id1749226924?i=1000665067091Emii Alrai is an artist and trained museum registrar whose work spans material investigation in relation to memory, and critique of the western museological structure and the complexity of ruins. Working primarily in sculpture and installation, her work operates as large-scale realms built in relation to bodies of research which concern archaeology and the natural environments objects are excavated from. Her material explorations weave in oral histories, inherited nostalgia and the details of language to question the rigidity of Empire, the power of hierarchy and the static presence of history. Clay vessels, gypsum forms and steel armatures punctuate the labyrinth-like spaces Alrai creates, mimicking museum dioramas and romanticised visions of the past.Amanda Pinatih is an art historian, curator and PhD candidate. As Design Curator at the Stedelijk Museum Amsterdam, she brings new perspectives to the museum's vast design collection. Her experimental working method is driven by an interest in developing new formats for knowledge transfer, while her exhibitions and projects explore the intersections of social, political, (de)colonial, environmental and economic issues. Simultaneously as a PhD candidate at the VU Amsterdam, Pinatih is researching the affordances of Indonesian objects around social and political contestations of belonging for diasporic communities with roots in the Indonesian archipelago, both in the museum, at home and in artistic practice. Hosted on Acast. See acast.com/privacy for more information.

In this episode Karin and Elizabeth discuss four columns by Kerry Hennigan, the two podcasts of last year and dive in the introduction of an academic book titled "Unfinished Business" by Judith Hamera. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 77 – ‘Past-Present-Future Book 7', Michael Jackson's Dream Lives On An Academic Conversation 12, no. 1 (2025). Published electronically 21/01/2025.  The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 77 – Past-Present-Future Book 7 By Karin Merx, Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Kerry Hennigan, "MJ Studies Today, The Iconic Imagery of Michael Jackson's Dangerous World Tour and its afterlife.” The Journal of Michael Jackson Academic Studies Vol 10, No. 4 (14-04-2024) https://michaeljacksonstudies.org/mj-studies-today-c/ Kerry Hennigan, "MJ Studies Today, ‘The Country's Child.' Fans, friends, family and media on the 15th anniversary of the death of Michael Jackson.”  The Journal of Michael Jackson Academic Studies Vol 11, No. 1 (14-07-2024). https://michaeljacksonstudies.org/mj-studies-today-ciii/ Kerry Hennigan, "MJ Studies Today, The 7 Charts of Michael Jackson. The prevalence of the Number Seven in his life, career, recent chart success and fan expression.” The Journal of Michael Jackson Academic Studies Vol 10, No. 3 (14-01-2024). https://michaeljacksonstudies.org/mj-studies-today-xcvii/ Kerry Hennigan, "MJ Studies Today, The return and its aftermath. ‘Damned Lies' and Conspiracies in the life and afterlife of Michael Jackson, Part 2”,  The Journal of Michael Jackson Academic Studies Vol 11, No. 2 (14-10-2024). https://michaeljacksonstudies.org/mj-studies-today-cvi/ Karin Merx, Elizabeth Amisu, Episode 75 (29/08/2024) Summer Edition, The Journal of Michael Jackson Academic Studies 11, 3, (2024). Karin Merx, Elizabeth Amisu, Episode 76 (21/11/2024) Wannabe Startin' Somethin', The Journal of Michael Jackson Academic Studies 11, 4, (2024). Judith Hamera, "Never Can Say Goodbye": U.S. Deindustrialization as Unfinished Business (Oxford University Press 2017). https://amzn.to/4gWs4Q8

In this episode Karin and Elizabeth discuss four columns by Kerry Hennigan, the two podcasts of last year and dive in the introduction of an academic book titled "Unfinished Business" by Judith Hamera. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 77 – ‘Past-Present-Future Book 7', Michael Jackson's Dream Lives On An Academic Conversation 12, no. 1 (2025). Published electronically 21/01/2025.  The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 77 – Past-Present-Future Book 7 By Karin Merx, Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Kerry Hennigan, "MJ Studies Today, The Iconic Imagery of Michael Jackson's Dangerous World Tour and its afterlife.” The Journal of Michael Jackson Academic Studies Vol 10, No. 4 (14-04-2024) https://sya.rqu.mybluehost.me/website_94cbf058/mj-studies-today-c/ Kerry Hennigan, "MJ Studies Today, ‘The Country's Child.' Fans, friends, family and media on the 15th anniversary of the death of Michael Jackson.”  The Journal of Michael Jackson Academic Studies Vol 11, No. 1 (14-07-2024). https://sya.rqu.mybluehost.me/website_94cbf058/mj-studies-today-ciii/ Kerry Hennigan, "MJ Studies Today, The 7 Charts of Michael Jackson. The prevalence of the Number Seven in his life, career, recent chart success and fan expression.” The Journal of Michael Jackson Academic Studies Vol 10, No. 3 (14-01-2024). https://sya.rqu.mybluehost.me/website_94cbf058/mj-studies-today-xcvii/ Kerry Hennigan, "MJ Studies Today, The return and its aftermath. ‘Damned Lies' and Conspiracies in the life and afterlife of Michael Jackson, Part 2”,  The Journal of Michael Jackson Academic Studies Vol 11, No. 2 (14-10-2024). https://sya.rqu.mybluehost.me/website_94cbf058/mj-studies-today-cvi/ Karin Merx, Elizabeth Amisu, Episode 75 (29/08/2024) Summer Edition, The Journal of Michael Jackson Academic Studies 11, 3, (2024). Karin Merx, Elizabeth Amisu, Episode 76 (21/11/2024) Wannabe Startin' Somethin', The Journal of Michael Jackson Academic Studies 11, 4, (2024). Judith Hamera, "Never Can Say Goodbye": U.S. Deindustrialization as Unfinished Business (Oxford University Press 2017). https://amzn.to/4gWs4Q8

Boris de Beijer is kunstenaar. De Beijer studeerde af als sieraadontwerper, maar leidt sindsdien een interdisciplinaire praktijk. Zijn werk is opgenomen in de collecties van onder andere het Stedelijk Museum Amsterdam, Coda Museum en het MAD Museum in New York. Hij werkte samen met bekende merken als Jacquemus, Cibone en Ace&Tate. Voor Museum JAN maakte De Beijer recent de tentoonstelling ‘Artefectum 3000'. In de tentoonstelling zijn elementen van een oude Romeinse stad herkenbaar met een knipoog naar een verre toekomst. Atze de Vrieze gaat met Boris de Beijer in gesprek.

In episode 76, Karin and Elizabeth discuss the essay "Wannabe Startin' Somethin': Michael Jackson's Critical Race Representation" by Dawn-Elissa Fischer, Professor at the San Francisco State University where she teaches courses on black popular culture, information technology and virtual ethnography. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 76 – ‘Wannabe Startin' Somethin'', Michael Jackson's Dream Lives On An Academic Conversation 11, no. 2 (2024). Published electronically 21/11/2024.  The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 76 – Wannabe Startin' Somethin' By Karin Merx, Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Fischer, D-E. (2011). Wannabe startin' somethin': Michael Jackson's critical race representation. Journal of Popular Music Studies. 23 (1), 96-107. Joseph Vogel, Earth Song: inside Michael Jackson's Magnum Opus (Blake Vision Books, 2012) Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Bloomsbury 2024, paperback) Karin Merx, “From Throne to Wilderness: Michael Jackson's ‘Stranger in Moscow' and the Foucauldian Outlaw.” The Journal of Michael Jackson Academic Studies 1, no. 4 (2015). http://sya.rqu.mybluehost.me/website_94cbf058/from-throne-to-wilderness-michael-jacksons-stranger-in-moscow-and-the-foucauldian-outlaw/.

In episode 76, Karin and Elizabeth discuss the essay "Wannabe Startin' Somethin': Michael Jackson's Critical Race Representation" by Dawn-Elissa Fischer, Professor at the San Francisco State University where she teaches courses on black popular culture, information technology and virtual ethnography. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 76 – ‘Wannabe Startin' Somethin'', Michael Jackson's Dream Lives On An Academic Conversation 11, no. 2 (2024). Published electronically 21/11/2024.  The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 76 – Wannabe Startin' Somethin' By Karin Merx, Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Fischer, D-E. (2011). Wannabe startin' somethin': Michael Jackson's critical race representation. Journal of Popular Music Studies. 23 (1), 96-107. Joseph Vogel, Earth Song: inside Michael Jackson's Magnum Opus (Blake Vision Books, 2012) Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Bloomsbury 2024, paperback) Karin Merx, “From Throne to Wilderness: Michael Jackson's ‘Stranger in Moscow' and the Foucauldian Outlaw.” The Journal of Michael Jackson Academic Studies 1, no. 4 (2015). http://michaeljacksonstudies.org/from-throne-to-wilderness-michael-jacksons-stranger-in-moscow-and-the-foucauldian-outlaw/.

n this special episode Grant Scott speaks with editor, writer and curator of photography David Campany. This conversation was instigated by an Instagram post Campany made which Grant responded to thanks to one of his podcast listenners. Grant and David's rigorous debate deals with the subject of how a photographer should/could present themselves and issues with gatekeepers. David Campany is a curator, writer, editor who has worked worldwide with institutions including Tate, Whitechapel Gallery London, MoMA New York, Centre Pompidou, Le Bal Paris, ICP New York, Stedelijk Museum Amsterdam, The Photographer's Gallery London, ParisPhoto, PhotoLondon, The National Portrait Gallery London. His work has been published with Aperture, Steidl, MIT Press, Thames & Hudson, Phaidon, MACK, Frieze, The New Yorker, The FT Weekend, and The Telegraph. He has written over three hundred essays for monographs, museums, and magazines, he has a Phd and has received the ICP Infinity Award, the Kraszna-Krausz Book Award, the Alice Award, a Deutscher Fotobuchpreis, and the Royal Photographic Society award. Instagram: davidcampany https://davidcampany.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2024

Ep.218 Ibrahim Mahama was born in 1987 in Tamale, Ghana. He lives and works in Accra, Kumasi, and Tamale. Solo exhibitions include Fruitmarket Gallery, Edinburgh (2024); Barbican Centre, London (2024); Kunsthalle Osnabrück, Germany (2023); Oude Kerk, Amsterdam (2022); Frac des Pays de la Loire, France (2022); The High Line, New York (2021); University of Michigan Museum of Art (2020); The Whitworth, The University of Manchester, UK (2019); Norval Foundation, Cape Town (2019); Tel Aviv Art Museum, Israel (2016); and KNUST Museum, Kumasi, Ghana (2013). He has participated in numerous group exhibitions including Desert X AlUla, Saudi Arabia (2024); Sharjah Biennial 15, UAE (2023); 18th International Venice Architecture Biennale, Italy (2023); the 35th Bienal de São Paulo, Brazil (2023); Museum of Fine Arts, Houston, Texas (2021); Centre Pompidou, Paris (2020); 22nd Biennale of Sydney, Australia (2020); Stellenbosch Triennale, South Africa (2020); 6th Lubumbashi Biennale, Democratic Republic of the Congo (2019); Ghana Pavilion, 58th Venice Biennale, Italy (2019); Documenta 14, Athens and Kassel, Germany (2017); Broad Art Museum, Michigan State University (2016); Kunsthal Charlottenborg, Copenhagen and Holbæk, Denmark (2016); 56th Venice Biennale, Italy (2015); and Artist's Rooms, K21, Düsseldorf, Germany (2015). Mahama was also appointed Artistic Director of the 35th Ljubljana Biennale of Graphic Arts, Ljubljana (2023). In 2024, Mahama was selected for the inaugural Sam Gilliam award by the Dia Art Foundation and the Sam Gilliam Foundation, which includes the presentation of a public program at Dia in fall 2024. Photo credit: Carlos Idun-Tawiah White Cube https://www.whitecube.com/artists/ibrahim-mahama Sam Gilliam Award https://www.diaart.org/about/sam-gilliam-award Dia Art Foundation https://www.diaart.org/program/calendar/sam-gilliam-award-program-ibrahim-mahama-dia-talks-11212024/period/2024-11-02 Fruitmarket https://www.fruitmarket.co.uk/about-us/ Stedelijk Museum Amsterdam https://www.stedelijk.nl/en/events/artist-talk-ibrahim-mahama-en Ghana Remembers https://ghanaremembers.com/stories/people/ibrahim-maham-the-first-ghanaian-artist-to-win-the-inaugural-sam-gilliam-award-in-2024.html#google_vignette Barbican https://www.barbican.org.uk/whats-on/2024/event/ibrahim-mahama-purple-hibiscus Observer https://observer.com/2024/09/interview-ibrahim-mahama-artist-white-cube-exhibition/ Vennice Biennale https://www.labiennale.org/en/architecture/2023/force-majeure/ibrahim-mahama Institute for Humanity Activities https://www.humanactivities.org/en/iha-blank/sculpture-workshop-with-ibrahim-mahama/ Edinburgh Art Festival https://www.edinburghartfestival.com/event/ibrahim-mahamasongs-about-roses/ Wallpaper https://www.wallpaper.com/art/exhibitions-shows/ibrahim-mahama-tells-us-why-he-has-covered-the-barbican-in-pink-fabric Reiter Galleries https://www.reitergalleries.com/en/artists/ibrahim-mahama/ NYTimes https://www.nytimes.com/2024/09/19/arts/design/ibrahim-mahama-artist-ghana-white-cube.html The Brooklyn Rail https://brooklynrail.org/2024/10/artseen/ibrahim-mahama-a-spell-of-good-things/ Bonhams https://www.bonhams.com/press_release/38679/ Burlington Contemporary https://contemporary.burlington.org.uk/reviews/reviews/ibrahim-mahama-songs-about-roses The Highline https://www.thehighline.org/art/projects/ibrahim-mahama/ Desert X AlUla https://desertx.org/dx/dx24-alula/ibrahim-mahama C& https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/ artnet https://news.artnet.com/art-world/ibrahim-mahamas-stunning-textile-installation-blankets-the-barbican-in-london-2476760 BBC https://www.bbc.com/news/world-africa-68846770 The Art Newspaper https://www.theartnewspaper.com/2024/08/23/saatchi-collection-ibrahim-mahama-auction-bonhams Whitewall https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/

In the 78th episode of Perceived Value, host Sarah Rachel Brown takes listeners to the Penland School of Craft, where she's participating in their Winter Residency. Leading up to the residency, Sarah had heard from a few fellow artists attending, but overall, she had no idea who she would cross paths with. To her delight, the residency allowed her to meet many artists she's admired from afar. Among them is the guest for this episode, Lauren Kalman, who has been on Sarah's interview wishlist for some time. After sharing a few meals, Sarah asked for an interview.The two women sat down to discuss how Lauren unexpectedly got her first teaching position, the art of negotiation and why it's a crucial skill, how to sell work when your work is challenging to sell, and how an artist's work is not always representative of their personality.OUR GUESTLauren Kalman is a visual artist based in Detroit whose practice is rooted in craft, sculpture, video, photography, and performance. She completed her PhD in Practice-led Research from the School of Art and Design at the Australian National University. She earned an MFA in Art and Technology from Ohio State University and a BFA with a focus in Metals from Massachusetts College of Art.Her work has been featured in exhibitions at the Renwick Gallery at the Smithsonian Museum of American Art, Museum of Arts and Design, Museum of Contemporary Craft, Cranbrook Art Museum, Contemporary Art Museum Houston, Museum of Fine Arts Boston, Mint Museum, World Art Museum in Beijing, and the Musée d'Art Moderne de la Ville de Paris among others. Her work is in the permanent collection of the Françoise van den Bosch Foundation at the Stedelijk Museum Amsterdam, Museum of Fine Arts Boston, Smithsonian Museum of American Art, Detroit Institute of Art, Museum of Arts and Design, and the Korean Ceramics Foundation. In 2020 she received the Françoise van den Bosch Award for her career's impact on the jewelry field; in 2022, she received the Raphael Founders Prize in Glass from Contemporary for Craft; and in 2023 she was named a Kresge Arts in Detroit Fellow.She is a dedicated educator and is currently a Professor and the Chair of the Department of Art, Art History, and Design at Wayne State University in Detroit.www.laurenkalman.comInstagram: @laurenkalmanFacebook: @LaurenKalmanArtDon't forget to Rate AND Review us on iTunes!SUPPORT PERCEIVED VALUE!www.patreon.com/perceivedvalueMORE WAYS TO SUPPORTInstagram + Facebook: @perceivedvalueInstagram: @sarahrachelbrownThe music you hear on Perceived Value is by the Seattle group Song Sparrow Research.All You Need to Know off of their album Sympathetic Buzz.Find them on Spotify!

Abstract: In Episode 75, Karin and Elizabeth speak briefly about the hiatus the Journal has been in, past episodes and great essays to read, and the 8th year of The Dangerous Philosophies and the paperback published in April this year by Bloomsbury. Elizabeth also shares her experience visiting MJ the Musical. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 75 – ‘Summer Edition', Michael Jackson's Dream Lives On An Academic Conversation 11, no. 1 (2024). Published electronically 29/08/2024. https://sya.rqu.mybluehost.me/website_94cbf058/episode-75-summer-edition-michael-jacksons-dream-lives-on The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 75– Summer Edition By Karin Merx, Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References  Re-Imagining Michael Jackson with Geneva S Thomas and Nina Fonoroff Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Bloomsbury 2024, paperback) https://mjthemusical.com Episode 74 (21/11/23) The Roots and Routes Of Michael Jackson with guest dr Tristan Cabello Episode 72 (29/08/23) A Medley Of Essays: Racism, Transgender Voice, Inheritance Michelle Wallace, ‘Michael Jackson, Black Modernisms and the Ecstasy Of Communication‘ Francesca T. Royster, ‘Hee Hee Hee': Michael Jackson and the Transgendered Erotics Of Voice‘ Episode 69 (21/05/23) Keep Moving Episode 68 (30/04/23) Otherness & Power Review Episode 67 (21/03/23) Throwing Stones To Hide Your Hands Elizabeth Amisu,  ‘Throwing Stones to Hide Your Hands': The Mortal Persona of Michael Jackson‘ Episode 54 (25/04/22) Review MA Thesis Ryan Garey Ryan Garey, ‘“Who's Bad?” Disrupting Cultural (Re)Production Through Representations Of Michael Jackson' Episode 53 (21/03/22) Review MA Thesis Kelly O'Riley Kelly M. O'Riley, Hagiography, Teratology and the “History” of Michael Jackson Episode 52 (21/02/22) Book review and Discussion Book Pinder Episode 17 (7/10/16): The Isle Is Full Of Noises  Elizabeth Amisu, ”The Isle is Full Of Noises': Revisiting the Peter Pan Of Pop” Episode 4 (1/3/16): Michael Jackson And Monochromatic Cinematography Elizabeth Amisu, ‘Bad (1987)‘ Karin Merx, ‘From Throne To Wilderness: Michael Jackson's ‘Stranger In Moscow' and the Foucauldian Outlaw‘

Abstract: In Episode 75, Karin and Elizabeth speak briefly about the hiatus the Journal has been in, past episodes and great essays to read, and the 8th year of The Dangerous Philosophies and the paperback published in April this year by Bloomsbury. Elizabeth also shares her experience visiting MJ the Musical. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 75 – ‘Summer Edition', Michael Jackson's Dream Lives On An Academic Conversation 11, no. 1 (2024). Published electronically 29/08/2024. https://michaeljacksonstudies.org/episode-75-summer-edition-michael-jacksons-dream-lives-on The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 75– Summer Edition By Karin Merx, Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References  Re-Imagining Michael Jackson with Geneva S Thomas and Nina Fonoroff Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Bloomsbury 2024, paperback) https://mjthemusical.com Episode 74 (21/11/23) The Roots and Routes Of Michael Jackson with guest dr Tristan Cabello Episode 72 (29/08/23) A Medley Of Essays: Racism, Transgender Voice, Inheritance Michelle Wallace, ‘Michael Jackson, Black Modernisms and the Ecstasy Of Communication‘ Francesca T. Royster, ‘Hee Hee Hee': Michael Jackson and the Transgendered Erotics Of Voice‘ Episode 69 (21/05/23) Keep Moving Episode 68 (30/04/23) Otherness & Power Review Episode 67 (21/03/23) Throwing Stones To Hide Your Hands Elizabeth Amisu,  ‘Throwing Stones to Hide Your Hands': The Mortal Persona of Michael Jackson‘ Episode 54 (25/04/22) Review MA Thesis Ryan Garey Ryan Garey, ‘“Who's Bad?” Disrupting Cultural (Re)Production Through Representations Of Michael Jackson' Episode 53 (21/03/22) Review MA Thesis Kelly O'Riley Kelly M. O'Riley, Hagiography, Teratology and the “History” of Michael Jackson Episode 52 (21/02/22) Book review and Discussion Book Pinder Episode 17 (7/10/16): The Isle Is Full Of Noises  Elizabeth Amisu, ”The Isle is Full Of Noises': Revisiting the Peter Pan Of Pop” Episode 4 (1/3/16): Michael Jackson And Monochromatic Cinematography Elizabeth Amisu, ‘Bad (1987)‘ Karin Merx, ‘From Throne To Wilderness: Michael Jackson's ‘Stranger In Moscow' and the Foucauldian Outlaw‘

Elspeth Diederix is fotograaf. Na haar opleiding in de richting schilderen en sculptuur aan de Rietveld en de Rijksacademie koos ze uiteindelijk voor de fotografie. Haar werk werd getoond in onder meer het Stedelijk Museum Amsterdam, en ze won eerder de Prix de Rome en kunstprijs De Scheffer. In Kasteel Wijlre is nu haar expositie ‘Angelica fields' te zien, een installatie waarin details van planten, grassen en kruiden worden gecombineerd met fotografisch werk. Femke van der Laan gaat met Elspeth Diederix in gesprek.

Vanaf 29 juni opent de tentoonstelling 'Christendom en Slavernij' in Museum Catharijneconvent in Utrecht. Vincent van Velsen is curator van de tentoonstelling die gaat over de vaak onbesproken relatie tussen het christendom en het Nederlandse slavernijverleden. Van Velsen werkte eerder voor instellingen als SMBA, Framer Framed en Kunsthuis SYB. Ook is hij conservator fotografie in het Stedelijk Museum Amsterdam. Presentatie: Andrew Makkinga

Iris Kensmil is beeldend kunstenaar. Haar werk werd opgenomen in collecties van onder meer het Stedelijk Museum Amsterdam en het Kunstmuseum Den Haag. In 2019 representeerde ze Nederland op de Biënnale van Venetië. Haar werk verbeeldt vaak de kracht van zwarte mensen vanuit een feministisch perspectief. De solo-expositie ‘On the Inside' in galerie Madé van Krimpen toont nu een reeks portretten van haar hand. Het zijn intieme portretten in huiselijke setting, die een gevoel van verbinding oproepen. Julie Blussé gaat met Iris Kensmil in gesprek.

Ansuya Blom is kunstenaar, ze maakt schilderijen, tekeningen, beeldhouwwerken en films. Haar werk was onder meer te zien in Museum Fodor in Amsterdam, het Centraal Museum in Utrecht, het Haags Gemeentemuseum en het Stedelijk Museum Amsterdam. Haar films werden vertoond in het MOMA in New York en op het International Film Festival Rotterdam. Haar nieuwste expositie zal te zien zijn in landhuis Oud Amelisweerd. Femke van der Laan gaat met Ansuya Blom in gesprek

Jonas Staal is beeldend kunstenaar. In zijn oeuvre vormt politiek een rode draad. Zo is hij oprichter van artistieke en politieke organisatie New World Summit en initieerde hij samen met advocaat Jan Fermon de rechtszaak Collectivize Facebook. Zijn werk werd tentoongesteld in onder meer het Centraal Museum (Utrecht) het Van Abbemuseum (Eindhoven) en het Stedelijk Museum (Amsterdam). In 2023 won hij de Prix de Rome voor zijn videostudie Empire's Island. Femke van der Laan gaat met Jonas Staal in gesprek.

(01:05) Zondag brachten honderden Italianen de Hitlergroet tijdens de herdenking van drie neofascisten die in '78 door links geweld om het leven kwamen. Premier Meloni zwijgt over het incident. Hoe verhoudt ze zich tot het fascistische verleden? Historicus Arthur Weststeijn geeft duiding. (14:53) Voor praktisch advies kunnen we vertrouwen op Google. Maar hoe deden Middeleeuwers dat? In 'De Inventieve Middeleeuwen' lees je wijze raad over hoe je nep-sieraden laat fonkelen, wolven verjaagt en een stralende huid krijgt. Daarover Carine van Rhijn, een van de auteurs en samensteller van het boek. (24:35) Column Sana Valiulina (28:11) In het Stedelijk Museum Amsterdam is de tentoonstelling All of no man's land is ours te zien, met metershoge kunstwerken van de Afro Amerikaanse Ellen Gallagher. Het opvallendste doek is geïnspireerd door de mythe van Black Atlantis. Wat vertelt deze mythe ons? OVT-redacteur Dominique van Varsseveld bekeek de werken in het museum en vertelt meer. (41:11) Historicus Wim Berkelaar bespreekt driehistorische boeken: - Fik Meijer - Goede tijden, slechte tijden - Thijs Lijster - Frankfurter Schule - De catalogus 'Kunst in het derde rijk' van de gelijknamige tentoonstelling in het Museum Arnhem Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/14-01-2024.html# (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/14-01-2024.html)

In het Stedelijk Museum Amsterdam is de tentoonstelling All of no man's land is ourste zien, met metershoge kunstwerken van de Afro Amerikaanse Ellen Gallagher. Het opvallendste doek is geïnspireerd door de mythe van Black Atlantis. Wat vertelt deze mythe ons? En wat heeft het te maken met Afrofuturisme? OVT-redacteur Dominique van Varsseveld bekeek de werken en vertelt meer. Beeld: Book of Drexciya, een graphic novel van Abdul Qadim Haqq en Dai Sato

David Bade is beeldend kunstenaar. Hij won de Prix de Rome in 1993 en zijn werk was onder meer in 1995 te zien op de Biënnale van Venetië, en op tentoonstellingen in het Gemeentemuseum Den Haag, De Hallen Haarlem en het Stedelijk Museum Amsterdam. Nu keert hij terug naar Heerlen, de stad waaraan hij zich levenslang verbond. De tentoonstelling Levenslang: 10 jaar David Bade in Heerlen geeft een inkijkje in de meer dan 100 werken die Bade maakte van, en dankzij, de inwoners van Heerlen. Femke van der Laan gaat met David Bade in gesprek.

Een begenadigd lasser die in de jaren 50 op de motor door Parijs scheurde en in de leer was bij Zadkine. Wees eens eerlijk, je denkt aan een man toch? De kunstenaar Ferdi was haar tijd ver vooruit. Haar kunstwerk Wombtomb ademt de Flower Power, Rock ‘n Roll en seksuele vrijheid van de sixties. In de kunst veranderde er van alles. Kunstwerken verlieten de vitrines en vrouwelijke kunstenaars braken door het glazen plafond. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Mels Evers.Wil je weten hoe dit zeer aanraakbare object eruitziet? Ga dan naar: https://www.rijksmuseum.nl/en/collection/BK-2012-58In het Rijksmuseum is powered by ING.

Abstract: In Episode 74, Karin and Elizabeth have Dr Tristan Cabello as their guest to discuss the essay The Roots & Routes of Michael Jackson published in 2012 by Sylvia J Martin. In this compelling episode they answer questions about identity, influence, if MJ was politically used and much more. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 74 – ‘The Roots & Routes of Michael Jackson', Michael Jackson's Dream Lives On An Academic Conversation 11, no. 1 (2023). Published electronically 21/11/2023. https://michaeljacksonstudies.org/episode-74-the-roots-and-routes-of-michael-jackson The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 74– The Roots & Routes Of Michael JacksonBy Karin Merx, Elizabeth Amisu & guest Dr Tristan Cabello Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Martin, S.J. The Roots and Routes of Michael Jackson's Global Identity. Soc 49, 284–290 (2012). https://doi.org/10.1007/s12115-012-9550-z Tristan Cabello - http://tristancabello.com Tristan Cabello - https://advanced.jhu.edu/directory/tristan-cabello/

Abstract: In Episode 74, Karin and Elizabeth have Dr Tristan Cabello as their guest to discuss the essay The Roots & Routes of Michael Jackson published in 2012 by Sylvia J Martin. In this compelling episode they answer questions about identity, influence, if MJ was politically used and much more. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 74 – ‘The Roots & Routes of Michael Jackson', Michael Jackson's Dream Lives On An Academic Conversation 11, no. 1 (2023). Published electronically 21/11/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-74-the-roots-and-routes-of-michael-jackson The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 74– The Roots & Routes Of Michael JacksonBy Karin Merx, Elizabeth Amisu & guest Dr Tristan Cabello Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Martin, S.J. The Roots and Routes of Michael Jackson's Global Identity. Soc 49, 284–290 (2012). https://doi.org/10.1007/s12115-012-9550-z Tristan Cabello - http://tristancabello.com Tristan Cabello - https://advanced.jhu.edu/directory/tristan-cabello/

Anna Bjerger is a Swedish visual artist working primarily with figurative painting.  Her work draws its inspiration largely from found images, namely photographs featured in out-of-print books, vintage magazines and travel brochures. Since training at the Royal College of Art London, Anna spent the last two decades building a strong international profile and her work has been subsequently acquired by the permanent collections of the Louisiana Museum of Modern Art, Moderna Museet Stockholm and Stedelijk Museum Amsterdam, amongst many others.  Explore more of Anna's work here

Op een dag in februari van 2022 is het zover: een topstuk uit het Stedelijk Museum Amsterdam gaat naar de erfgenamen van de laatste Joodse bezitter. Toch heerst er geen feeststemming. Waarom niet? En waarom heeft eigenlijk niemand het over de kunstenaar, Wassily Kandinsky? Of gaat het hier echt alleen over geld en bezit?Iedere woensdag verschijnt een nieuwe aflevering. Meer informatie: nrc.nl/schilderijPresentatie: Pieter van Os en Emmie Kollau Redactie: Pieter van Os Regie: Emmie Kollau Muziek: Darius Timmer Montage: Emmie Kollau Montage-assistentie: Kars van den Heuvel Mixage: Arno Peeters Productie: Aldus' Producties Eindredactie: Iddo Havinga Illustratie: Martien ter Veen Vormgeving: Yannick MortierHeeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze ombudsman via ombudsman@nrc.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Hoe zou de wereld eruitzien als de mens niet meer hoefde te werken? Deze vraag stond centraal in New Babylon, een project van CoBrA-schilder Constant Nieuwenhuys. Het begon met wat geknutsel met plexiglas en metaaldraad, maar groeide uit tot een project waar Constant bijna twintig jaar aan werkte. Een van de objecten uit dit project is de sculptuur ‘Ruimtecircus', een ontwerp voor een soort reuzenklimrek. Janine Abbring duikt erin met conservator beeldende kunst 20e eeuw, Ludo van Halem.Wil je weten hoe deze sculptuur eruitziet? Ga dan naar: https://www.rijksmuseum.nl/nl/collectie/BK-2012-65-1#:~:text=Dit%20is%20niet%20alleen%20een,in%20geklommen%20moest%20kunnen%20worden.In het Rijksmuseum is powered by ING.

Abstract: 7 Years ago, Elizabeth Amisu published her textbook The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. In episode 73, Karin asks Elizabeth questions about the book, and she looks back on several chapters with Elizabeth. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 73 – ‘7 Years The Dangerous Philosophies Of Michael Jackson', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 2 (2023). Published electronically 21/09/2023. https://michaeljacksonstudies.org/episode-73-7-years-the-dangerous-philosophies-of-michael-jackson The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 73– 7 Years The Dangerous Philosophies Of Michael JacksonBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Praeger, 2016, Bloomsbury 2022). Elizabeth Amisu & Karin Merx Design, A Visual Representation, critical Survey of The Dangerous Philosophies (2016).

Abstract: 7 Years ago, Elizabeth Amisu published her textbook The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. In episode 73, Karin asks Elizabeth questions about the book, and she looks back on several chapters with Elizabeth. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 73 – ‘7 Years The Dangerous Philosophies Of Michael Jackson', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 2 (2023). Published electronically 21/09/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-73-7-years-the-dangerous-philosophies-of-michael-jackson The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 73– 7 Years The Dangerous Philosophies Of Michael JacksonBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A Festive Parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Praeger, 2016, Bloomsbury 2022). Elizabeth Amisu & Karin Merx Design, A Visual Representation, critical Survey of The Dangerous Philosophies (2016).

Abstract: In episode 72, Karin and Elizabeth discuss three essays written by three prolific black academics, Professor Wallace, Professor Royster and academic Elizabeth Amisu. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 72 – ‘A Medley Of Essays', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 1 (2023). Published electronically 29/08/2023. https://michaeljacksonstudies.org/episode-72-a-medley-of-essays The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 72– A Medley Of EssaysBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Michelle Wallace, 'Black Modernism'Black Modernisms and ‘The Ecstasy of Communication'', The Journal Of Michael Jackson academic Studies vol.1 issue 1 (https://michaeljacksonstudies.org/michael-jackson-black-modernisms-and-the-ecstasy-of-communication/) Francesca Royster, '‘Hee hee hee': Michael Jackson and the Transgendered Erotics of Voice', The Journal Of Michael Jackson Academic Studies vol 1 issue 1(https://michaeljacksonstudies.org/hee-hee-hee-michael-jackson-and-the-transgendered-erotics-of-voice/) Elizabeth Amisu, 'The cultural inheritance of Michael Jackson: reading the performance of high-status blackness in music video and on the stage', Nakan A Journal Of Cultural Studies vol 2, 2022 (https://nakanjournal.com/the-cultural-inheritance-of-michael-jackson-reading-the-performance-of-high-status-blackness-in-music-video-and-on-the-stage/) Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Preager 2016).

Abstract: In episode 72, Karin and Elizabeth discuss three essays written by three prolific black academics, Professor Wallace, Professor Royster and academic Elizabeth Amisu. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 72 – ‘A Medley Of Essays', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 1 (2023). Published electronically 29/08/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-72-a-medley-of-essays The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 72– A Medley Of EssaysBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Michelle Wallace, 'Black Modernism'Black Modernisms and ‘The Ecstasy of Communication'', The Journal Of Michael Jackson academic Studies vol.1 issue 1 (https://sya.rqu.mybluehost.me/website_94cbf058/michael-jackson-black-modernisms-and-the-ecstasy-of-communication/) Francesca Royster, '‘Hee hee hee': Michael Jackson and the Transgendered Erotics of Voice', The Journal Of Michael Jackson Academic Studies vol 1 issue 1(https://sya.rqu.mybluehost.me/website_94cbf058/hee-hee-hee-michael-jackson-and-the-transgendered-erotics-of-voice/) Elizabeth Amisu, 'The cultural inheritance of Michael Jackson: reading the performance of high-status blackness in music video and on the stage', Nakan A Journal Of Cultural Studies vol 2, 2022 (https://nakanjournal.com/the-cultural-inheritance-of-michael-jackson-reading-the-performance-of-high-status-blackness-in-music-video-and-on-the-stage/) Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Preager 2016).

Abstract: In episode 71, Karin and Elizabeth discuss the two short films Stranger In Moscow & They Don't Care About Us alongside Karin's Essay: From Throne To Wilderness: Michael Jackson's Stranger In Moscow. They look into how Stranger in Moscow and They Don't Care About Us, signify the perceptual and mirror the message MJ wanted us to see and hear? REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 71 – ‘Stranger In Moscow & They Don't Care About Us', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 21/07/2023. https://michaeljacksonstudies.org/episode-71-stranger-in-moscow-they-don't-care-about-us The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 71– Stranger In Moscow & They Don't Care About UsBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Michael Jackson, Stranger In Moscow, 1995. Michael Jackson, They Don't Care About Us, 1995. Karin Merx, 'From Throne To Wilderness: Michael Jackson's Stranger In Moscow and The Foucauldian Outlaw', The Journal Of Michael Jackson Academic Studies, vol1, issue 4, 2015. Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Preager, 2016).

Abstract: In episode 71, Karin and Elizabeth discuss the two short films Stranger In Moscow & They Don't Care About Us alongside Karin's Essay: From Throne To Wilderness: Michael Jackson's Stranger In Moscow. They look into how Stranger in Moscow and They Don't Care About Us, signify the perceptual and mirror the message MJ wanted us to see and hear? REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 71 – ‘Stranger In Moscow & They Don't Care About Us', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 21/07/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-71-stranger-in-moscow-they-don't-care-about-us The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 71– Stranger In Moscow & They Don't Care About UsBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Michael Jackson, Stranger In Moscow, 1995. Michael Jackson, They Don't Care About Us, 1995. Karin Merx, 'From Throne To Wilderness: Michael Jackson's Stranger In Moscow and The Foucauldian Outlaw', The Journal Of Michael Jackson Academic Studies, vol1, issue 4, 2015. Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Preager, 2016).

Abstract: In this episode, Karin, Elizabeth and Kerry contemplate about 14 years of the passing of Michael Jackson. They discuss the article The Boy Who Would Fly (1983) by Hoskin and express how these 14 years are experienced and look into the future. This episode is dedicated to Elizabeth's Father IBK, who passed untimely on Sunday, June 18, 2023May his soul Rest In Peace REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 70 – ‘Michael Jackson 14th Anniversary', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 25/06/2023. https://michaeljacksonstudies.org/episode-70-Michael-Jackson-14th-Anniversary The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 70 – Michael Jackson 14th AnniversaryBy Karin Merx & Elizabeth Amisu & Kerry Hennigan Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Barney Hoskyns, The Boy Who Would Fly: Michael Jackson, The Quietus (September 1983). Republished June 26, 2009. Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Praeger, 2016). Sherrow O. Pinder, Michael Jackson and The Quandery Of A Black Identity (State University of New York Press, 2021)

Abstract: In this episode, Karin, Elizabeth and Kerry contemplate about 14 years of the passing of Michael Jackson. They discuss the article The Boy Who Would Fly (1983) by Hoskin and express how these 14 years are experienced and look into the future. This episode is dedicated to Elizabeth's Father IBK, who passed untimely on Sunday, June 18, 2023May his soul Rest In Peace REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 70 – ‘Michael Jackson 14th Anniversary', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 25/06/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-70-Michael-Jackson-14th-Anniversary The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 70 – Michael Jackson 14th AnniversaryBy Karin Merx & Elizabeth Amisu & Kerry Hennigan Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Barney Hoskyns, The Boy Who Would Fly: Michael Jackson, The Quietus (September 1983). Republished June 26, 2009. Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Praeger, 2016). Sherrow O. Pinder, Michael Jackson and The Quandery Of A Black Identity (State University of New York Press, 2021)

Abstract: In episode 69, Karin and Elizabeth, review Keep Moving: The Michael Jackson Chronicles by Armond White. They discuss each two essays and give an overview of the essays of the book and where you can buy it. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 69 – ‘Keep Moving', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 31/05/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-69-keep-moving The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 69 – Keep MovingBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Armond White, Keep Moving (Lulu) 2009

Abstract: In episode 69, Karin and Elizabeth, review Keep Moving: The Michael Jackson Chronicles by Armond White. They discuss each two essays and give an overview of the essays of the book and where you can buy it. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 69 – ‘Keep Moving', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 31/05/2023. https://michaeljacksonstudies.org/episode-69-keep-moving The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 69 – Keep MovingBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Armond White, Keep Moving (Lulu) 2009

Abstract: In episode 68, Karin and Elizabeth review Otherness & Power by Susan Woodward. They go deep into the content of the three books and articles Susan analysed and conclude that the book remains essential to read especially for new fans and scholars who want to write about Michael Jackson and his art, to not fall into the factless tabloid trap. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 68 – ‘Otherness & Power Review', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 30/04/2023. https://sya.rqu.mybluehost.me/website_94cbf058/episode-68-otherness-power-review The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 68– Otherness & Power ReviewBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Interview with Lisa Brisse, The Journal of Michael Jackson Academic Studies, vol.2, issue 3 (21-03-2016). Interview with Susan Woodward, The Journal of Michael Jackson Academic Studies, vol.2, issue 4 (21-05-2016) Nada Basheer, Academic Book Review Otherness and Power, The Journal of Michael Jackson Academic Studies, vol.2, issue 3 (28-12-2016) The Journal Still NEEDS Your Help. Please consider a donation here.

Abstract: In episode 68, Karin and Elizabeth review Otherness & Power by Susan Woodward. They go deep into the content of the three books and articles Susan analysed and conclude that the book remains essential to read especially for new fans and scholars who want to write about Michael Jackson and his art, to not fall into the factless tabloid trap. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 68 – ‘Otherness & Power Review', Michael Jackson's Dream Lives On An Academic Conversation 10, no. 4 (2023). Published electronically 30/04/2023. https://michaeljacksonstudies.org/episode-68-otherness-power-review The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 68– Otherness & Power ReviewBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of Highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Interview with Lisa Brisse, The Journal of Michael Jackson Academic Studies, vol.2, issue 3 (21-03-2016). Interview with Susan Woodward, The Journal of Michael Jackson Academic Studies, vol.2, issue 4 (21-05-2016) Nada Basheer, Academic Book Review Otherness and Power, The Journal of Michael Jackson Academic Studies, vol.2, issue 3 (28-12-2016) The Journal Still NEEDS Your Help. Please consider a donation here.

Abstract: In episode 67, Karin and Elizabeth go back to the first essay published in the journal: Throwing Stones To Hide Your Hands, The Immortal Personas Of Michael Jackson. They discuss the origins, the need to write this and why it was important to revisit this essay. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 67 – 'Throwing Stones To Hide Your Hands', Michael Jackson's Dream Lives On: An Academic Conversation 10, no. 4 (2023). Published electronically 21/03/2023. https://michaeljacksonstudies.org/episode-67-throwing-stones-to-hide-your-hands The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 67– Throwing Stones To Hide Your HandsBy Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is the editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. References Elizabeth Amisu, "'Throwing Stones To Hide Your Hands': The Mortal Persona Of Michael Jackson', The Journal Of Michael Jackson Academic Studies vol.1, issue 1 (June 2014). Elizabeth Amisu, 'Throwing Stones To Hide Your Hands Revisited, The Journal Of Michael Jackson Academic Studies, vol.4, issue (September 2017). Elizabeth Amisu, The Dangerous Philosophies Of Michael Jackson: His Music, His Persona, and his Artistic Afterlife (Preager 2016). Elizabeth Amisu, 'The Cultural Inheritance of Michael Jackson: reading the Performance of High-Status Blackness in Video and on Stage‘, ed. Isabelle Petitjean, Nakan Journal, issue 2 (2022). Elizabeth Amisu, Handwritten notes for Throwing Stones To Hide Your Hands