Podcasts about louisiana museum

Fluent Fiction - Danish: Reconnecting at the Museum: A Journey Through Art and Closure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2025-04-25-22-34-02-da Story Transcript:Da: Forårssolen skinnede blidt over Louisiana Museum of Modern Art.En: The spring sun shone gently over Louisiana Museum of Modern Art.Da: Fra museets store vinduer kunne man se ud over Øresund, hvor vandet glimtede i lyset.En: From the museum's large windows, one could look out over the Øresund, where the water sparkled in the light.Da: Kasper, en ung kunststuderende, gik langsomt gennem de lyse gallerier, opslugt af de moderne kunstværker omkring ham.En: Kasper, a young art student, walked slowly through the bright galleries, absorbed by the modern artworks around him.Da: Men hans tanker kredsede om noget andet.En: But his thoughts were circling around something else.Da: Eller rettere sagt, nogen.En: Or rather, someone.Da: Han havde ikke set Signe i flere år.En: He hadn't seen Signe in several years.Da: Hun var en vigtig del af hans liv dengang, men en dag forsvandt hun uden et ord.En: She was an important part of his life back then, but one day, she disappeared without a word.Da: Nu er hun her, i samme museum.En: Now she was here, in the same museum.Da: Hun arbejder som kurator, har han hørt.En: She works as a curator, he had heard.Da: Kasper havde ofte undret sig: Hvorfor gik hun sin vej?En: Kasper often wondered: Why did she leave?Da: Mens Kasper forsigtigt gik gennem det næste galleri, så han hende.En: As Kasper carefully walked through the next gallery, he saw her.Da: Signe stod ved en farverig installation, ivrigt talte hun med en gruppe besøgende.En: Signe stood by a colorful installation, eagerly talking with a group of visitors.Da: Han mærkede sit hjerte slå hurtigere.En: He felt his heart beat faster.Da: Det var nu eller aldrig.En: It was now or never.Da: Skulle han tale med hende?En: Should he talk to her?Da: Men før Kasper nåede at nærme sig, brød Freja pludselig ind.En: But before Kasper could approach, Freja suddenly interrupted.Da: Hun var en glad turist, ivrig efter at dele sin begejstring for kunst med alle omkring hende.En: She was a cheerful tourist, eager to share her enthusiasm for art with everyone around her.Da: Det forstyrrede Kasper, men også mindede ham om livets tilfældigheder.En: It disturbed Kasper, but also reminded him of life's coincidences.Da: Signe så op, og deres blikke mødtes kort.En: Signe looked up, and their eyes met briefly.Da: Deres fortid vævet ind i et tavst øjeblik.En: Their past woven into a silent moment.Da: Kasper trak vejret dybt ind og gik hen til hende, mens Freja belejligt blev optaget af en anden skulptur.En: Kasper took a deep breath and walked over to her, while Freja conveniently became engrossed in another sculpture.Da: "Hej Signe," sagde Kasper blidt.En: "Hi Signe," Kasper said softly.Da: "Det er længe siden."En: "It's been a long time."Da: Signe blev stille et øjeblik.En: Signe was quiet for a moment.Da: "Ja, det er det," svarede hun endelig, hendes stemme usikker.En: "Yes, it has," she finally replied, her voice uncertain.Da: "Skal vi tale udenfor?"En: "Shall we talk outside?"Da: De gik sammen ud i museets skulpturhave.En: They walked together into the museum's sculpture garden.Da: Træerne var fyldt med forårsknopper, og duften af nyudsprungne blomster hang i luften.En: The trees were filled with spring buds, and the scent of newly bloomed flowers lingered in the air.Da: Her, mellem kunst og natur, begyndte deres samtale om det fortidige, det fortrykte.En: Here, between art and nature, their conversation about the past, the repressed, began.Da: Kasper spurgte stille: "Hvorfor forsvandt du, Signe?"En: Kasper asked quietly, "Why did you disappear, Signe?"Da: Hun tøvede, men samlede mod.En: She hesitated, but gathered courage.Da: "Jeg var bange," indrømmede hun.En: "I was afraid," she admitted.Da: "Bange for, hvor meget du betød for mig.En: "Afraid of how much you meant to me.Da: Så jeg tog en usikker beslutning."En: So I made an uncertain decision."Da: Tårerne trak sig i hendes øjne.En: Tears welled in her eyes.Da: Kasper tøvede, men tog hendes hånd.En: Kasper hesitated but took her hand.Da: "Jeg har også været bange.En: "I have been afraid too.Da: Men jeg ønskede aldrig, at du skulle forsvinde."En: But I never wanted you to disappear."Da: Sætningen hang i luften, mens de begge tog det ind.En: The sentence hung in the air as they both took it in.Da: De vidste, at de ikke kunne ændre fortiden, men deres samtale gav dem begge en slags fred.En: They knew they couldn't change the past, but their conversation gave them both a kind of peace.Da: Da de skiltes i museets park, vidste de, at de var klar til at komme videre.En: As they parted in the museum's park, they knew they were ready to move forward.Da: De var ikke længere fanget af "hvad nu hvis".En: They were no longer trapped by "what ifs".Da: De gik indad, som venner, med et smil og en lettelse.En: They walked inward, as friends, with a smile and relief.Da: Kasper så ud over Øresund én sidste gang før han gik.En: Kasper looked out over the Øresund one last time before he left.Da: Han følte sig lettere, klar til at omfavne nye muligheder, med en hilsen til den fortid, han nu forstod lidt mere.En: He felt lighter, ready to embrace new possibilities, with a nod to the past that he now understood a little more. Vocabulary Words:gently: blidtsparkled: glimtedeabsorbed: opslugtcircling: kredsededisappeared: forsvandtcurator: kuratorcarefully: forsigtigtinstallation: installationeagerly: ivrigcoincidences: tilfældighederinterrupted: brød indengrossed: optagetuncertain: usikkerbuds: knopperbloomed: nyudsprungnelingered: hangrepressed: fortryktehesitated: tøvedeadmitted: indrømmedegathered: samledewelled: trakembrace: omfavnepossibilities: mulighedertrapped: fangetrelief: lettelsenodded: hilsenpark: parksculpture: skulpturdecision: beslutningconversation: samtale

Episode No. 698 features artist Alex Da Corte and curator Mark Castro. The Modern Art Museum of Fort Worth is presenting "Alex Da Corte: The Whale," a survey of Da Corte's relationship with painting. Featuring more than 40 works, the exhibition examines Da Corte's interest in consumerism, persona, sex, invisible labor, taste, power, and desire. Curated by Alison Hearst, "Da Corte" will be on view through Sept. 7. A catalogue from MAMFW and DelMonico Books is forthcoming. Amazon and Bookshop offer it for $50-55. Da Corte's work has been the subject of solo exhibitions at MOCA Toronto, the Louisiana Museum of Modern Art outside Copenhagen, MASS MoCA, North Adams, and the Metropolitan Museum of Art, New York. Castro is the curator of "Oaxaca Central: Contemporary Mexican Printmaking" at the Chrysler Museum of Art, Norfolk, Va. Across 100 works, the exhibition surveys recent printmaking practice in Oaxaca, home to a vibrant, activist printmaking community. Artists in the exhibition include Ricardo Pinto, Mercedes López, Dr. Lakra, Colectivo Subterráneos, and Emi Winter. "Oaxaca Central is on view through May 11.

Normal People and Conversations with Friends author Sally Rooney is a publishing sensation and became a huge star whilst still in her twenties. Her new book Intermezzo, published today, follows two grieving brothers in complicated relationships. Will it cement Rooney's reputation as the voice of millennials - or is she overhyped?This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: http://thetimes.com/thestoryGuest: Laura Hackett, Deputy Literary Editor, The Times and The Sunday Times. Host: Luke Jones.Clips: Normal People/BBC Three/Hulu, Manchester EUDC 2013, Louisiana Museum of Modern Art Denmark, Fox News.Episode artwork: Getty Images.Further listening: What 50 years of best-selling books says about usGet in touch: thestory@thetimes.com Hosted on Acast. See acast.com/privacy for more information.

Die Lage am Oresund: ein Traum. Die Ausstellungen zu Kunst, Architektur und Design: hochspannend. Und die Geschichte hinter dem Louisiana Museum of Modern Art: romantisch und ein gewaltiger Neuanfang. In dieser Episode erzählen wir dir in unter 10 Minuten, was dieses Haus und seine Ausstellungen so besonders macht. Interview-Gast: Thomas Bendix, Kurator im Louisiana Museum of Modern Art.

In this episode we are joined by the acclaimed visual artist and costume designer, Ane Crabtree. Ane's substantial body of work includes her iconic, unmistakable designs for THE HANDMAID'S TALE (seasons one and two) as well as WESTWORLD (season one), and Apple TV's THE CHANGELING. As such, Ane has built a formidable reputation as a designer of the future and was described as one of Fast Company's 100 Most Creative People in Business in 2018, deemed so "for designing the apocalypse". Ane is a long standing collaborator with (previous guest of this show) Liam Young, including their most recent project PLANETARY REDESIGN which premiered at Venice Biennale in 2023. Ane also recently collaborated with Darren Aronofsky for POSTCARDS FROM EARTH which was made for The Sphere in Las Vegas. Her work reflects the rural roots of Kentucky and the rich influence of her Okinawan heritage as the backbone of her visual storytelling. In this inspiring and wide-ranging conversation, we discuss the theme of worldbuilding tand storytelling through costume design, includiing her work for THE HANDMAID'S TALE. We also explore Ane's creative and collaborative process, her journey from rural Kentucky to the peak of screen storytelling, the influence of her Okinawan heritage in her work and how she came to collaborate with Darren Aronofsky - and much more! About Ane Crabtree Ane Crabtree is a visual artist, painter, costume designer, and documentarian whose images conjure the hidden emotions behind the stories of memory, skewed reality, sense of place, and human nature. Her work in movies and television explores the use of deconstruction and dystopia, most notably in her original iconic designs for The Handmaid's Tale, seasons one and two. She is also responsible for The Sopranos pilot, Westworld season one, and Masters of Sex, seasons one and two. Inspired by the landscapes of reality, alchemy, nature, and direct documentation, Crabtree's approach to her designs explores the transcendence of the real, utilizing emotions as a conduit or emotional decoder for the audience. In 2018, Crabtree spoke at the United Nations, in support of the METoo movement, at the commemoration of The International Day to End Violence Against Women/Orange the World. She has been nominated for three Emmy Awards (2017, 2018, 2019)for her work on The Handmaid's Tale and Westworld (2016). She has been nominated for four Costume Guild Awards for PanAm (2012), Masters of Sex (2015), Westworld (2016), and winning for The Handmaid's Tale (2018). Her first solo exhibition was "Designs for Dystopia" at SCAD Museum of Fashion and Film, featuring her sketches, designs, and wall of inspiration from The Handmaid's Tale (2018). Her work for The Handmaid's Tale has been shown at pop up exhibitions for Vogue Magazine/The Public Hotel (2017), The Paley Center for Media (2017), and is a part of the permanent collection at The National Museum of American History at The Smithsonian Museum (2018). This work was also a part of the group exhibition, Designs for Different Futures at The Philadelphia Museum of Art (2019-2020), The Walker Museum of Art (2020-2021), and The Art Institute of Chicago (2021). Crabtree's work will soon be featured in a group exhibition, "Mother!" at The Louisiana Museum of Modern Art in Denmark (2021). Her most recent collaboration, with filmmaker Liam Young, for the National Gallery of Victoria Museum's Triennial (2020-2021), at MAAT in Lisbon (March 2021), and at the Shanghai Biennale (April 2021) features costumes in the short film "Planet City", directed and produced by Liam Young. Planet City is the first "design for utopia" for Crabtree. She served as costume designer, producer, and costume director for seven international artists, including herself. Her costumes for The Handmaid's Tale are now in the permanent collection of The Smithsonian Museum of American History.

If you like art and are on Instagram, then you probably know the account @freeze_magazine—that's freeze spelled with an E, like "help me, I'm freezing," not with an I, like the popular art magazine and art fair. It's certainly not the first art meme account, but with now more than 160,000 followers, freeze_magazine has gained a particularly large audience by turning the lens of internet humor on the foibles of the art world. Sometimes it pokes fun at inscrutable art speak, or vents relatable artist insecurities. Other times it uses the meme format to more cutting effect, criticizing the poor treatment of artists and workers who are at the lower rungs of the art world hierarchy. Importantly, in the years since the account blew up, the creator behind it, who goes by Cem A., has done something fairly unlikely. He's made the jump from meme-making to real-world exhibition making, based on his unique Instagram voice. "If you just have this good guy-bad guy dynamic in a meme, it's not really funny. It's more about creating something in between that shows different aspects" Cem says. "Beyond that, the one function of a meme is to just say, that 'the emperor has no clothes on' when that needs to be said." Cem has been tapped by high profile institutions, including the Louisiana Museum of Modern Art in Denmark and the Barkin in London to realize IRL projects that toe the line between digital culture, museum outreach, and conceptual art, in clever ways. Though best-known for a funny and witty internet persona, Cem has some quite serious things to say about what it means to use memes as a venue for criticism, as well as what it means to take memes seriously as a creative form of their own, and the strange evolving relationship between social media and art institutions.

If you like art and are on Instagram, then you probably know the account @freeze_magazine—that's freeze spelled with an E, like "help me, I'm freezing," not with an I, like the popular art magazine and art fair. It's certainly not the first art meme account, but with now more than 160,000 followers, freeze_magazine has gained a particularly large audience by turning the lens of internet humor on the foibles of the art world. Sometimes it pokes fun at inscrutable art speak, or vents relatable artist insecurities. Other times it uses the meme format to more cutting effect, criticizing the poor treatment of artists and workers who are at the lower rungs of the art world hierarchy. Importantly, in the years since the account blew up, the creator behind it, who goes by Cem A., has done something fairly unlikely. He's made the jump from meme-making to real-world exhibition making, based on his unique Instagram voice. "If you just have this good guy-bad guy dynamic in a meme, it's not really funny. It's more about creating something in between that shows different aspects" Cem says. "Beyond that, the one function of a meme is to just say, that 'the emperor has no clothes on' when that needs to be said." Cem has been tapped by high profile institutions, including the Louisiana Museum of Modern Art in Denmark and the Barbican in London to realize IRL projects that toe the line between digital culture, museum outreach, and conceptual art, in clever ways. Though best-known for a funny and witty internet persona, Cem has some quite serious things to say about what it means to use memes as a venue for criticism, as well as what it means to take memes seriously as a creative form of their own, and the strange evolving relationship between social media and art institutions.

Anna Bjerger is a Swedish visual artist working primarily with figurative painting.  Her work draws its inspiration largely from found images, namely photographs featured in out-of-print books, vintage magazines and travel brochures. Since training at the Royal College of Art London, Anna spent the last two decades building a strong international profile and her work has been subsequently acquired by the permanent collections of the Louisiana Museum of Modern Art, Moderna Museet Stockholm and Stedelijk Museum Amsterdam, amongst many others.  Explore more of Anna's work here

Artist Ragnar Kjartansson joins us in this episode and we travel along the spectrum of emotions including love and understanding, fear satire and fakery. Ragnar shares stories about art for theater, the role of fiction, feminism and pushing things to the end in his works, exhibitions, radical meetings and collaborations. As one of the most recognized and well-loved contemporary artists of our time, Ragnar's works spark something human, are sometimes misunderstood, but most often adored. He has exhibited across the world and realized a number of meaningful collaborations with artists, musicians, performers, activists and other creatives from his local Iceland and beyond. Alongside many other things at the moment, Ragnar recently opened the first comprehensive solo exhibition of his works, titled Epic Waste of Love and Understanding, on September 6th, 2023 at Louisiana Museum of Modern Art in Denmark, which is on view until October 22nd, 2023.  Ragnar Kjartansson (b. 1976) studied at Iceland University of the Arts, The Royal Academy in Stockholm and the Homemaking School in Reykjavík. His solo exhibitions have been held in many of the most respected art museum in the world such as Barbican Center in London, 2016, Kunstmuseum in Stuttgart, Germany 2019 and Metropolitan Museum of Art in New York 2019. He represented Iceland at the Venice Biennale in 2009. // Created and produced by the Icelandic Art Center, Out There brings co-hosts Becky Forsythe @beforsythe and Þórhildur Tinna Sigurðardóttir @tindilfaetta in conversation with artists, curators and art professionals. #OutTherePodcast #IcelandicArtCenter #IcelandicArt #IcelandicArtist #Iceland #VisualArt #ContemporaryArt #InspiredByIceland #IcelandicArt  Episode mentions --> Ragnar Kjartansson Louisiana Museum of Modern Art Stella í orlofi: https://www.imdb.com/title/tt0369000/ Eva Ísleifs Kling & Bang

"Sternenhimmel der Menschheit. Horizonte der Zukunft" heißt ein Symposium unter der Himmelskuppel von Nantesbuch im bayerischen Voralpenland, an dem auch die Astrophysikerin und Journalistin Sibylle Anderl von der Frankfurter Allgemeinen Zeitung teilnimmt. Ein Gespräch / Der Berlinale-Gewinner "Sur l'Adamant", ein Dokumentarfilm über eine schwimmende psychiatrische Tagesklinik in Paris, ist im Kino angelaufen. Eine Kritik / Toreros, Flamenco und Kastagnetten: In der Kunsthalle München spürt man anhand der Gemälde von Ignacio Zuloaga dem "Mythos Spanien" / "Velvet Terrorism: Pussy Riot's Russia": Ausstellung im Louisiana Museum of Modern Art

In the first episode of this new season of The Week in Art, we talk to Martin Bailey, The Art Newspaper's London correspondent, about the thefts scandal at the British Museum and its implications for the museum in the future. The artist Grada Kilomba is one of four curators of this year's Sāo Paulo biennial, called Choreographies of the Impossible, and she joins our host Ben Luke to discuss the show. And this episode's Work of the Week is Village Square at Céret, a painting made in 1920 by Chaïm Soutine. It features in the exhibition Against the Current, which opens this week at K20 in Düsseldorf, Germany. The exhibition's co-curator, Susanne Meyer-Büser, tells us about the picture.The Sāo Paulo biennial: Choreographies of the Impossible, Ciccillo Matarazzo Pavilion, Sāo Paulo, Brazil, 6 September-10 December.Chaïm Soutine: Against the Current, K20 Düsseldorf, 2 September until 14 January next year; Louisiana Museum of Modern Art, Humlebæk, Denmark, 9 February-14 July 14 2024; Kunstmuseum Bern, Switzerland, 16 August-1 December 2024. Hosted on Acast. See acast.com/privacy for more information.

Jenny Campbell is a dynamic fashion and costuming lover with a passion for New Orleans. She is both a renowned Mardi Gras costumer for various krewes and works as a digitization and collections expert for The Louisiana Museum. Hosted on Acast. See acast.com/privacy for more information.

Jim Isermann (b. 1955, Kenosha, WI) received his Master of Fine Arts from the California Institute of the Arts and his Bachelor of Fine Arts from the University of Wisconsin-Milwaukee. Jim's work has been the subject of solo exhibitions at Camden Arts Center, London, United Kingdom; Hammer Museum, Los Angeles, CA; Institute of Contemporary Art, Philadelphia, PA; Le Magasin - Centre National d'Art Contemporain, Grenoble, France; Museum of Contemporary Art Chicago, Chicago, IL; Palm Springs Art Museum Architecture and Design Center, Palm Springs, CA; RISD Museum, Providence, RI; and the Van Abbemuseum, Eindhoven, The Netherlands, among others. He has been included in group exhibitions at numerous international institutions including the Los Angeles County Museum of Art, Los Angeles, CA; Louisiana Museum of Modern Art, Humlebæk, Denmark; Moderna Museet, Stockholm, Sweden; Musée d'Art Moderne de la Ville de Paris, Paris, France; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA; The Museum of Modern Art, New York, NY; Royal Academy of Art, London, United Kingdom; and the Solomon R. Guggenheim Museum, New York, NY. His work is in the collections of the Art Institute of Chicago, Chicago, IL; Carnegie Museum of Art, Pittsburgh, PA; FRAC Poitou-Charentes, Angoulême, France; Los Angeles County Museum of Art, Los Angeles, CA; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA jus to name a few. He lives and works in Palm Springs, CA.

Every week, X8 Global Luxury Travel Podcast brings you the most exotic properties in the most luxurious destinations around the world. From Monaco to the Maldives, from Bali to Borneo to Bahrain, if five stars is your minimum, you'll find them all on X8. 00:41: Welcome back to X8; thanks so much for joining us and for subscribing! 01:10: Intro and welcome Perta Andersen, GM of d'Angleterre, Copenhagen -an LHW Hotel [Are you soSooo~curious but don't have the 20minutes to listen? Check the Q&A @ theEnd of these Notes! -Ed] 2:00: What are some must-do activities in Copenhagen? 02:20: Danglitag is a historic Danish restaurant now hotel in Copenhagen, with a famous square location and a significant part of Danish culture. It has undergone renovations and is a popular spot for Christmas celebrations and traditional activities like drinking Glog wine, sightseeing, enjoying local cuisines of all cultures and Art. 04:50: What's fun to do in Copenhagen? boat tours, dining at top restaurants, visiting castles and hidden gems, exploring different quarters by bike, visiting Louisiana Museum and Helsingør, enjoying the Danish countryside and guess who's also visiting Sweden. 10:41: Copenhagen is an international, edgy city with space for everyone. It offers a variety of activities and is known for its cozy atmosphere. 13:54: How can people find out more about your property and get in touch? Web: https://www.lhw.com/hotel/Hotel-dAngleterre-Copenhagen-Denmark Thank you for joining us! We'll be back the week after next with another new episode, till then~ Stay safe & keep traveling!! You can find us and more info on the web at www.x8travelpodcast.com or email us at info@explorateurjourneys.com Also on Instagram @theexplorateur and Facebook here: https://www.facebook.com/theexplorateur EXTRA CREDIT: 1. What are some must-do activities in Copenhagen?    - Taking a canal tour under the bridges.    - Exploring different quarters of the city by bike.   2. What are the best restaurants in Copenhagen?    - NOMA and Geranium are considered the best restaurants in the world.    - There are also fantastic restaurants in the different castles.   3. What are some family-friendly activities in Copenhagen?    - Tivoli and Legoland are recommended.   4. Are there any recommended places to visit outside of Copenhagen?    - The Louisiana museum and Helsingør (home of the Shakespeare castle) are suggested.   5. How is the Danish countryside?    - It offers beautiful greenery and a quaint atmosphere.   6. Can visitors easily access neighboring countries like Sweden?    - Yes, visiting Sweden is a cool option. [You wouldn't even need to tour the ABBA Mueseum, but you could! -Ed]   7. What is the food scene like in Copenhagen?    - It offers a wide variety of food options, from Danish pastries to open sandwiches.    - The city is known for its excellent food and has a range of restaurants to choose from.   8. What is the name of this travel podcast and who are the hosts?    - The podcast is called X Eight, hosted by Gabriella Rivera and Peter Shankman.   9. What is the purpose of this podcast?    - To take listeners to incredible destinations worldwide and provide insights into properties and locations.   10. How can we Subscribers engage with the X8 Podcast?     - By leaving comments and feedback.     - By suggesting future destinations via email or liner notes provided in the episode. [Please & Thank You -Ed]

Cecily Brown has been a prominent painter for more than a quarter century. But starting in the last 5 years, her importance in the art market has grown substantially. With the opening of Death and the Maid at New York's Metropolitan Museum, it seemed like a good time to discuss her market. The Met show is one of only a handful of museum shows that Brown has participated in including Boston's MFA in 2006 and the Louisiana Museum in 2018. To get a better sense of how collectors view and value her work, I spoke to Hugo Nathan, one of the principles of art advisory Beaumont Nathan. As an art dealer and collector himself, Hugo has worked on a broad range of art from the Renaissance to Contemporary. His firm have advised a number of clients on the market for Cecily Brown's work. We spoke early on the morning that the Met show opened

Over his 25 years as CEO of the Danish textile company Kvadrat, Anders Byriel has turned what was once a small, fairly dusty family design business into a global giant. Perhaps just as notably, he's taken a radical, and even artistic, approach to building and cultivating the brand's culture, partnering with designers such as Raf Simons, Ronan and Erwan Bouroullec, and Peter Saville; arts institutions like the New Museum in New York, the Tate Modern in London, and the Louisiana Museum of Modern Art in Humlebaek, Denmark; and brands including Adidas Originals, Bang & Olufsen, and Jaguar Land Rover. On this week's episode of Time Sensitive, Byriel talks about why the best design has an artistic edge, the importance of making space for emotion within a corporate environment, and his deep and lifelong passions of poetry and photography.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Anders Byriel [01:04]Annie Ernaux [04:25]“Vermeer” at the Rijksmuseum [06:04]Kvadrat [06:56]Raf Simons [12:05]Peter Saville [13:24]David Adjaye [14:05]Thomas Demand [14:14]Louisiana Museum of Modern Art [14:17]Rosemarie Troeckel [14:20]Olafur Eliasson [14:27]Jean Nouvel [14:40]Massimiliano Gioni [18:06]Pipilotti Rist [18:39]Wu Tsang [19:07]“The Triple Folly” [19:33]Danh Vo [24:20]Ronan and Erwan Bouroullec [27:09]Giulio Ridolfo [30:41]“Materializing Color” [30:43]Adidas Originals x Kvadrat Stan Smith [39:03]Konstantin Grcic [43:06]Verner Panton [49:29]“Pop Art Design” exhibition at Vitra Design Museum [50:20]Robert Adams [01:03:08]Henrik Nordbrandt [01:03:52]Nan Goldin [01:10:39]Ocean Vuong [01:04:54]Ocean Vuong's “Time Is a Mother” book of poems [01:05:01]“Your Brain on Art” book [01:05:09]Hiroshi Sugimoto [01:11:37]“Ai Weiwei In the Elevator When Taken Into Custody by the Police” (2009) [01:12:00]Ansel Adams [01:12:44]Robert Adams's “Around the House” book [01:13:01]Robert Adams's "A Road Through Shore Pine" book [01:13:30]

In Episode 2, host Katie Harman tells the story of when avant-garde artist and Parisian fashion designer Sonia Delaunay collaborated with Hollywood's silent screen star Gloria Swanson on a one-of-a-kind coat. A coat that now travels the world as an icon at the intersection of art and fashion. Was their collaboration possibly the first fashion collab? Katie makes her case for why she thinks it deserves the title. In connection, Katie sits down with Morgan Hutchinson, founder of BURU, who shares her inspiring founder's story and touching details about the women who serve as her design inspiration. They also reminisce about their mutual love for one particular piece from the BURU x Katie Harman collab - which happens to be a cousin to the coat: the Katie Cocktail Blazer. Shop the blazer, collab, and all of BURU's designs at www.shopburu.com. If you're interested in seeing the work of Sonia Delaunay in person, I highly encourage a visit to www.mutualart.com which lists where her art is on display in museums throughout the world. Subscribe to www.virtuosasociety.com and follow @virtuosasociety on Instagram and Facebook for access to bonus materials from this episode, including video from Katie's visit to the comprehensive Sonia Delaunay exhibit at Louisiana Museum of Modern Art in Humelbaek, Denmark in May 2022. Producer: Katie Harman @katieharmanebner Audio Engineer: Will Cowser @williamcowser Title Song: “Reflection of the Sun” by Anna Landström

Today's guest is a valued member of the hospitality community with over 30 years of experience. She consistently composes and collaborates with world-class teams of architects and designers to execute unique and innovative hotel concepts. Please welcome to the show, Christina Zimmer. Christina is the Senior Vice President of Design at Highgate Hotels, and she joins the host Dan Ryan to share her views on hospitality and how it interacts with the world around us.Takeaways:  According to the original definition from Webster's dictionary, hospitality has always been about the experiences that you can give guests rather than the actual location or the food you provide them with. Every now and then, it's nice to get outside of your own environment and try working on different kinds of projects. It's like a breath of fresh air and helps you to gain a new perspective on future projects you will have. Culture plays an important role in hospitality. When you go to a unique place or another country, you can immerse yourself in the culture and really experience the place you are at. The most fond memory that Christina has of her trip to Europe was her visit to the Louisiana Museum in Denmark. She holds this memory close to her because she went to that museum with her mother. We all stand on the shoulders of those who have helped us reach our goals and be where we are today. It's important to acknowledge this and respect those around you and be a positive leader yourself. There is a certain sensibility to Danish design that permeates the entire Danish society, and this helped to lead Christina to discover her passion at an early age. An interesting challenge facing hospitality now is how can you make furniture and design more sustainable for a modern age, while also being comfortable and welcoming. Quote of the Show:2:06 “It's not about just giving you a place to sleep and some food to eat. It's about much more than that. The original definition did come from the experiences that you would give to a guest. So it's much deeper than just meeting the basic needs.”Links: LinkedIn: https://www.linkedin.com/in/christina-zimmer-4b17ba11/ Website: https://www.highgate.com/ Shout Outs:7:17 Stonehill Taylor14:17 Guggenheim22:05 Turner22:58 Louisiana Museum in Denmark27:16 Paul Taylor34:39 Refinery Hotel in New York39:19 Tales of the City by 40:46 Waiting for Guffman41:35 Park Central San Francisco41:38 Hyatt42:28 Berman Faulk46:55 Kimpton47:05 MC Escher52:41 Hilton 52:41 MarriottWays to Tune In:  Spotify: https://open.spotify.com/show/0A2XOJvb6mGqEPYJ5bilPX Apple Podcasts: https://podcasts.apple.com/us/podcast/defining-hospitality-podcast/id1573596386 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuZGVmaW5pbmdob3NwaXRhbGl0eS5saXZlL2ZlZWQueG1s Amazon Music: ​​https://music.amazon.com/podcasts/8c904932-90fa-41c3-813e-1cb8f3c42419 Podbean: https://www.defininghospitality.live/ YouTube : https://youtu.be/Lh76kNqYXh0

Jakob Jørgensen by Dorte Krogh Jakob Jørgensen was born in 1977 in Nyborg, Denmark. He studied fine art in his early twenties, attending The New Art School, Odense, Denmark and Guildhall School of Fine Arts in London, as well as completing an apprenticeship with Studio Palla in Carrara, Italy. In 2008, he graduated from the Royal Danish Academy for Design, and went on to found a successful design studio. As his interest in large scale steel sculpture developed, he submitted a proposal to the Danish National Workshop in 2017, and was granted access to their vast metalworking facilities. He continued his exploration of the medium, building a dedicated studio tailored to working with steel pipe on the island of Bornholm in 2020. Jørgensen's work has been exhibited internationally in solo and group exhibitions including at the Musée d'Art Moderne de Paris, France; Louisiana Museum of Modern Art, Humlebæk, Denmark; Designmuseum, Copenhagen, Denmark; and the 21st Century Museum, Kanazawa, Japan. He has been the recipient of numerous awards and grants including the Finn Juhl Prize, the Bodum Design Award, and the IFDA Goldleaf Award. Installation image of Take Root, From left to right: Resistance, Freedom Vessel, The Wound, The Tree, The Punch, Branch Out II, Branch Out I, 2022, Photo by Joe Kramm. Installation image of Take Root, Wall sculptures from left to right: The Bean, The Beat, The Hole, 2022, Floor sculpture: Freedom Vessel, 2022, Photo by Joe Kramm. The Wound, 2022 Photo by Dorte Krogh https://museumofnonvisibleart.com/interviews/wp-content/uploads/2023/03/The-Burning.mp4

Dr. Susan Bright is an Australian/British curator currently based in London. She has a specialisation in lens-based arts and contemporary visual culture with an emphasis on cross-disciplinary and international programming. She was a curator at the National Portrait Gallery in London before deciding to work independently in the early 2000s. Her professional life has brought her to live in London, New York and Paris where she has worked with many institutions on a wide range of projects. These include: Tate, Barbican, The Royal Academy, The Museum of Contemporary Photography in Chicago, Saint Louis Museum of Art, Phoenix Art Museum, and The New York Public Library. In 2007 she co-curated the landmark exhibition How We Are at Tate Britain. This was the first major exhibition of British photography ever held at Tate. In the same year she curated Face of Fashion at the National Portrait Gallery, London. Other significant exhibitions include: Home Truths at The Photographers' Gallery and The Foundling Museum, London (2014) and Playground at Serlachius Museum, Finland (2018). Her survey exhibition Feast for the Eyes toured to six major museums and galleries in Europe, Canada and the USA (2018-2021). In 2019 she was Guest Curator at PHotoESPAÑA. Exhibitions were held at Fernán Gómez Centro Cultural de la Villa, Museo Lázaro Galdiano and the Museo del Romanticismo in Madrid. In 2021 she was co-curator of f/stop 9: Festival für Fotografie in Leipzig. Bright is regularly invited to be a visiting speaker, critic and scholar at universities worldwide. She taught curatorial practice and visual culture to both art and art history students for fifteen years at institutions including Parsons and the School of Visual Arts in New York and Sotheby's Institute and University of the Arts, London. She has authored and co-authored seven books. These include: Photography Decoded (Tate/Ilex, 2019); Feast for the Eyes: The Story of Food in Photography (Aperture, 2017); Home Truths: Photography and Motherhood (Art/Books, 2013); Auto Focus: The Self-Portrait in Contemporary Photography (Thames & Hudson, 2010); How We Are: Photographing Britain (Tate, 2007); Face of Fashion (National Portrait Gallery, 2007) and Art Photography Now (Thames & Hudson, 2005). Bright holds a PhD in Curating from Goldsmiths, University of London. Interview with Susan Bright recorded by Michael Dooney on 3. November 2021 in London, UK. Portrait photo supplied by interviewee   NOTES Full episode transcript (online soon) Susan Bright Official: https://susanbright.net/ LinkedIn: https://www.linkedin.com/in/dr-susan-bright-0251b5134/ Instagram: https://www.instagram.com/susan_curator/ Going the distance: my mid-life marathon (article in the FT) Mark Haworth-Booth, Curator of Photographs at the V&A (book) Nigel Slater, cook who writes (books) Charlotte Cotton - The Photograph as Contemporary Art (2020 edition) David Campny - Art and Photography Mother! - Exhibition at Louisiana Museum of Art, Denmark   Michael Dooney Official: http://www.michaeldooney.net/ Twitter: https://twitter.com/michaeldooney_ Instagram: https://www.instagram.com/michaeldooney/ LinkedIn: https://www.linkedin.com/in/michaeldooney/ YouTube: https://www.youtube.com/c/MichaelDooney Subtext & Discourse Podcast Apple Podcasts, Spotify, etc: https://pod.link/1475402385 Instagram: https://www.instagram.com/subtextanddiscourse/ JARVIS DOONEY Galerie Official: http://www.jarvisdooney.com/ Artsy: https://www.artsy.net/partner/jarvis-dooney Instagram: https://www.instagram.com/jarvisdooney/

We're wrapping up (heh) this year's gift guides with ideas for siblings, kids, aunts and uncles, colleagues, and the randos in your life you wanna treat extra nice. Have holiday-shopping thoughts of your own you *need* to share? Join our shiny new Geneva and spread that intel!    For all our ideas, check out the archive of gift guides past—and keep those VMs and DMs coming at 833-632-5463 and @athingortwohq!   A quick thanks to our sponsors: Explore our favorite MoMA Design Store finds—a one-stop shop! Give your hair TLC with Nutrafol. Take $15 off your first month's subscription with the code ATHINGORTWO. YAY.   Sisters!   For my sister and me because we both had/are having babies this year, and we are culturally christian literally only for the christmas cheer. Baby's first christmas holiday ornaments that aren't absolutely dreadful. So much cheesy stuff, doesn't have to be baby themed but looking for a cool way to commemorate. Custom porcelain charms from OKS FoxBlossomCo custom bent-wire ornament  Lizzie Fortunato Alphabet Soup charms  Celina Mancurti monogrammed Christmas stockings or one-of-a-kind ones from Pyschic Outlaw   Step-sister; 18 and just got engaged. Likes to hunt. We are quite different. Ranger Station perfumes Yeti something! Various of the tumblers are customizable. Camber sweatshirt Vuori Beis weekender Flannery Beef   My sister who is a palliative care nurse with a broadway and true crime obsession Antipast compression socks Bonnie and Neil wave bath mat TodayTix gift card Broadway Dance Center classes Salty Seattle Crocchi croissant-shaped gnocchi Tickets to True Crime: The Musical at The Players Theatre in NYC Brothers!   25-year-old brother, aspirational and practicing writer/actor/director, v into self-improvement (Tim Ferriss vibes), not into receiving gifts, would rather just buy what he wants when he wants, the curveball is he did say I could make him some art or buy him some art as apartment decor. Artwise signed posters and lithographs Art from Kneeland Co. Louisiana Museum of Modern Art posters and prints Get Your Shit Together by David Shrigley Martin Scorsese MasterClass   Early 20s brothers who still live at home. A24 99 Movie Crosswords Rap Capital by Joe Coscarelli Solid Wiggles, which now ships on Gold Belly Athletic Greens Dohm white noise machine Anyday microwave cookware   Sons! 25 year old son who buys the nicer things because they last, but who is also a minimalist. Something from Labour & Wait or Puebco Ettitude sheets.  Toyo toolbox Bottega Veneta moneyclip   Kids and Teens!   5-year-old who bounces off the walls and loves telling stories and recapping movies. Hugimal weighted stuffed animal Haba doorway puppet theater or Wonder & Wise by Asweets playhouse Cosmic Kids Yoga subscription  P.S.- We Made This: Super Fun Crafts That Grow Smarter + Happier Kids! by Erica Domesek Little Passports Kidamento camera Lego MiniFigs    4-year-old who loves twirly dresses but mom's aesthetic is minimalist Brooklyn hipster. Unwind Studio needlepoint kit for kids Kazoo magazine subscription OLODesigns costumes All Small Co dress section (see: kiwi puff tutu dress and Lisa Says Gah x All Small Co puff sleeve dress)  La Réunion custom azure patchwork dress  Primary cozy plaid dress or tutu dress Follies playhouses: Casa Azul set, The Bauhaus set, and Canvas set   13year old girl who claims she discovered preppy fashion and also loves hair product Vintage Ralph Lauren shirts—use search terms Y2K, cropped Used copy of The Official Preppy Handbook Monogrammable mini backpack from Paravel Rose and Co candle makers  Pattern mist spray bottle + microfiber hair towel Shop Milk Teeth barrettes Chunks hair accessories Some TikTok-adjacent cooking things: DIY fortune cookie kit, The Dough Club mochi pancake and waffle mix, Takashi Murakami flower pancake pan Lumber Club Marfa stool   Aunts and Uncles!   A generous aunt whose language is giving other people gifts, but hard to buy for herself. She's a real estate agent, into some woo-y self-help stuff, and buys anything she needs right away. Have tried gift certificates for experiential things, but she's a busy lady and these often don't get redeemed. An easy-to-redeem gift card for food that's good for entertaining that comes to her. In NYC: Stocked by 3 Owls gift card. In LA: Lady & Larder. Nationwide: Beauty & the Board. Cultish by Amanda Montell  A flower subscription from Flowerbx or BloomsyBox Moon Lists workbook / guided journal Amiacalva tote or monogrammed Clare V Tropezienne.  Fancy, pretty makeup like Dries Van Noten lipstick or perfume discovery set or Hermès lipstick or blush brush.    Colleagues!   Beloved senior colleague retiring: works in a museum, fun dog, rocks a funky necklace.  Lux Eros personalized pet bowl Kikkerland wooden ball launcher Ameico candle stacks Roxanne Assoulin necklace Susan Alexandra dog collar or leash Saint Olio aromatic dog refresher   Coworkers/direct reports - ideally one idea for all. We are remote so a digital gift is ideal.  A Thing or Two Secret Menu subscription Substack subscription: To give a gift subscription, go to the homepage of the publication you'd like to give, then add “/gift” to the end of the URL. Libro.fm subscription Gjusta Goods herbed salt and Burlap & Barrel Zanzibar black peppercorns and Graza olive oil Allie's banana bread  Good-looking games like Wingspan, Azul, Lacorsa Grand Prix, and Casa Lopez Playing Cards.    My boss - owns a company that runs farmer markets. I've been with the company since may. He is currently starting a farm (he has been a farmer before). I am honestly not sure if he is a Christmas guy. He doesn't seem jazzed about it, idk. I know he cares enormously about sustainability, our food system, etc. but is also a business man. I have literally zero ideas for him. The additional piece is that we should get him a gift as a group (we are a pretty small team) but should I also get him a sep gift? No, right? Agh. I assume he's in his mid to late 40s. White. He has small kids that I haven't met. Chocolate! ℅ Fossa, andSons Chocolatiers, and JST Chocolate  Alec's Ice Cream Séka Hills olive oil An Illustrated Catalog of American Fruits and Nuts Flamingo Estate 9-pound bag of manure  Donation to Black Farmer Fund paired with We Are Each Other's Harvest: Celebrating African American Farmers, Land, and Legacy by Natalie Baszile Donation to Indigenous Food and Agriculture Initiative at University of Arkansas   Friends!   Best friend (36 female) loves wine and who my 5 yo thinks has chosen being an aunt as her career.  Josephinen glasses Special bottle from Walker Wines or Winebid Cote wine club (also has a gift box option) 99 Bottles: A Black Sheep's Guide to Life-Changing Wines by André Hueston Mack An American in Provence: Art, Life and Photography by Jamie Beck   Female friend. Preppy/classic style. Likes fancy crafts (i.e., embroidery). Vegan. ~$40 The LL Bean tote with an in joke, catchphrase, embroidered Loop Canvas needlepionts StirCrazyCrafterUK embroidery journal kit Blockshop original block-printing kit Vintage napkins with her initial or monogram on Etsy/eBay Typology tinted lip oil Donation to animal sanctuary, like Farm Sactuary: “adopt” a goat named Jennifer or a donkey named Albert! Brutus Bakeshop goodies   One of my best friends who has two boys under 4, is writing a thesis on how policing was formed out of military-imperialist activities, and is a great chef and baker (vegetarian and gluten-free). She did all our friends' wedding hair and makeup (me included) and took us to the Usher residency in Vegas for her 36th birthday. Lastly, and most importantly, her family is very wealthy (and generous - they have taken me on MANY incredible once-in-a-lifetime trips). Lastly, she is a BIG SHOPPER but still hunts for a deal. If you're wondering, I have already given her a custom Katie Kimmel pet vase. Vintage Usher tee Tani Greenspan custom matchbook print  The Last Course by Claudia Flemming (and Melissa Clark) + her new book Delectable (with Catherine Young) Chava studio shirt or a gift cert  Alepel custom shoes or cardholder  Memor phone case or vase. They also sell jibbitz…er, shoe charms. Arcana Books gift certificate Hermès passport holder   Recovering cool girl that doesn't want any more vinyl, just something useless + gorge.  Somthings2021 vase or candlestick Escentric Molecules gift set Casa Veronica wall hook or candle holder Isabel Halley wine cups Siafu Home beaded water carafe Molly J. CBD gummies advent calendar Kiosk48th advent calendar   Everyone Else! Brother's girlfriend who loves to read, has 2 cats, hates clutter, and many food allergies. Coway air purifier Evvie Drake Starts Over by Linda Holmes  Craighill perch bookmark Cat ruff collar Meyou Paris cat scratching post or bed A donation to a local cat rescue organization   Gymnastics moms who plan trips, organize fundraisers and figure out carpool. A bottle of something fun and a little surprising: Pipeno red ( with Papaya Reusables paper towels?),Forthave Spirits Red Aperitivo, non-alcoholic De Soi or Non or Proxies Stationery / office-supply grab bags with finds from Yoseka Stationery, St. Louis Art Supply, or your local art store Cheerie Lane kitchen gift set   Millennial who loves gardening and just started a high powered public job in the city. Leath at-home growing system Soltech Solutions hanging grow light or bulb Sneeboer garden tools Garden clogs from Gardenheir Natureking flower press Donation to GrowNYC Ichendorf Milano waterlife ball Produced by Dear Media

William Kentridge est l'un des artistes contemporains les plus en vue aujourd'hui. Il travaille une multitude de médiums : dessin, écriture, film, performance, musique, théâtre et pratiques collaboratives, pour créer des œuvres d'art qui sont ancrées dans la politique, la science, la littérature et l'histoire, tout en maintenant un espace pour la contradiction et l'incertitude. Les œuvres de Kentridge ont été montrées dans des musées, des galeries et des théâtres du monde entier depuis les années 1990, notamment au Museum of Modern Art de New York, au Albertina Museum de Vienne, au Musée du Louvre de Paris, au Louisiana Museum de Copenhague, au musée Reina Sofia de Madrid et au Kunstmuseum de Bâle. Ses œuvres figurent dans les collections de musées et d'institutions artistiques du monde entier. Ses productions d'opéra comprennent La Flûte enchantée de Mozart, Le Nez de Chostakovitch et les opéras Lulu et Wozzeck d'Alban Berg. Elles ont été montrées, entre autres, au Metropolitan Opera de New York, la Scala de Milan, l'English National Opera de Londres, l'Opéra de Lyon, l'Opéra d'Amsterdam, l'Opéra de Sydney et le Festival de Salzbourg. En 2016, Kentridge fonde le Centre for the Less Good Idea à Johannesburg : un espace de réflexion et de création réactive par le biais de pratiques artistiques expérimentales, collaboratives et transdisciplinaires. Le Centre accueille un programme continu d'ateliers, de performances publiques et d'activités de mentorat. Titulaire de doctorats honorifiques de plusieurs universités, dont Yale et l'université de Londres, William Kentridge a notamment reçu le prix Kyoto (2010), le prix Princesa de Asturias (2017) et le prix Praemium Imperiale (2019). Il dialogue avec Marie-Laure Bernadac, conservatrice générale honoraire du Patrimoine, notamment en charge de l'art contemporain au Musée du Louvre et commissaire de nombreuses expositions dont celle sur William Kentridge organisée au LaM Villeneuve d'Ascq en 2020. Conservatrice générale honoraire du Patrimoine, Marie-Laure Bernadac a été conservatrice au musée Picasso, au Centre Pompidou, en charge du cabinet d'art graphique, au capc musée d'art contemporain de Bordeaux, puis en charge de l'art contemporain au musée du Louvre. Elle fut commissaire de nombreuses expositions sur Pablo Picasso, sur Louise Bourgeois, Anish Kapoor, Jenny Holzer, Cindy Sherman, Jan Fabre, Wim Delvoye, MIchelangeo Pistoletto, William Kentridge... Elle fut également co-commissaire de fémininmasculin, le sexe de l'art, au Centre Pompidou en 1995, de Présumés innocents, l'art contemporain et l'enfance, à Bordeaux en 2000, D'Africa remix, au Centre Pompidou, 2002 ; de Leiris & Co. au Centre Pompidou-Metz, 2015…. Elle a publié les Ecrits de Picasso (1989, réédition Quarto Gallimard, en 2021), la première biographie de Louise Bourgeois, femme-couteau (Flammarion, 2019), Annette Messager, mot pour mot (Presses du réel, 2006). La chaire Dessin Extra-Large est réalisée avec le soutien de la Maison Chaumet. Vendredi 4 mars 2022 Amphithéâtre d'Honneur Crédit photo : Norbert Miguletz

Eric Fischl was born in 1948 in New York City and grew up in the suburbs of Long Island. He began his art education in Phoenix, Arizona where his parents had moved in 1967. He attended Phoenix College and earned his B.F.A. from the California Institute for the Arts in 1972. He then spent some time in Chicago, where he worked as a guard at the Museum of Contemporary Art. In 1974, he moved to Halifax, Nova Scotia, to teach painting at the Nova Scotia College of Art and Design. Eric had his first solo show, curated by Bruce W. Ferguson, at Dalhousie Art Gallery in Nova Scotia in 1975 before relocating to New York City in 1978. Eric's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, MusÈe Beaubourg in Paris, The Paine Weber Collection, and many others. Fischl has collaborated with other artists and authors, including E.L. Doctorow, Allen Ginsberg, Jamaica Kincaid, Jerry Saltz and Frederic Tuten. He is also the founder, President and lead curator for America: Now and Here. This multi-disciplinary exhibition of 150 of some of Americaís most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a national conversation about American identity through the arts. The project launched on May 5th, 2011 in Kansas City before traveling to Detroit and Chicago.  Eric is a Fellow at both the American Academy of Arts and Letters and the American Academy of Arts and Science. He lives and works in Sag Harbor, NY with his wife, the painter April Gornik.

OP.™ – short for Office of Possibilities – is a multi-disciplinary design studio that creates objects and spaces based on well-informed strategic ideas. Their competences span architecture, art direction, exhibition design, industrial design, brand strategy, graphic design and innovation strategy.I've been following them since they moved into their Gothenburg studio, in the same building where I was living at the time. Since then, they have built a formidable portfolio of projects involving brand identity, product design, architecture, exhibition design, and more; with clients such as Volvo, Ikea, H&M, Voi Scooters, and Elektron Music Machines.For this conversation, I went back to my old neighborhood and sat down with co-founders Petter Hillinge and Caspar Andrén. We talked about their personal journeys that led to owning a design studio together; how they grew their company 100% during a pandemic (partly due to their experience in functioning as a remote, distributed team); how they communicate, sell, and execute truly multi-disciplinary work; the great designers that they have learned from; the tensions between business and creativity; and other topics that shed light on their practice of design.https://designdisciplin.com/op:: Books, Links, Resources*+ Alvar Aalto: https://en.wikipedia.org/wiki/Alvar_Aalto+ BIG (Bjarke Ingels Group): https://big.dk/+ Charles and Ray Eames: https://en.wikipedia.org/wiki/Charles_and_Ray_Eames+ Deglabbet: https://www.deglabbet.se/+ Forsman & Bodenfors: https://forsman.co/+ Grid Systems in Graphic Design by Josef Müller-Brockmann: https://geni.us/grid-systems+ Gunnar Asplund: https://en.wikipedia.org/wiki/Gunnar_Asplund+ Josef Müller-Brockman: https://en.wikipedia.org/wiki/Josef_M%C3%BCller-Brockmann+ Kilo: https://kilodesign.dk/+ Louisiana Museum of Modern Art: https://louisiana.dk/en/+ Ogilvy on Advertising by David Ogilvy: https://geni.us/ogilvy-on+ Pål Svensson: http://www.palsvensson.se/+ Sigurd Lewerentz: https://en.wikipedia.org/wiki/Sigurd_Lewerentz+ Skewed: https://skewed.com/+ Sprint by Jake Knapp: https://geni.us/sprint-dd+ The Futur: https://thefutur.com/:: Connect with Design Disciplin+ Website: http://designdisciplin.com​+ Podcast: http://podcast.designdisciplin.com​+ Instagram: http://instagram.com/designdisciplin/​+ Twitter: http://twitter.com/designdisciplin/​+ YouTube: http://youtube.com/designdisciplin+ Bookstore: http://designdisciplin.com​/bookstore:: Connect with OP.™+ Website: https://op-web.se/+ Instagram: https://www.instagram.com/op_update/:: Episode Bookmarks00:00:00​ Intro00:02:32 What does OP.™ do?00:06:50 Co-founders' stories00:15:10 Investments that led to success00:19:27 Remote work experiences, tools of the trade, and getting hands-on00:24:40 Research trips00:27:53 Job titles at a small design studio00:30:56 Scoping and managing projects of different sizes00:40:55 The good design brief00:43:59 Achieving creative satisfaction00:49:00 Saying "no"00:51:39 Reputation, making a mark, and attention to detail00:55:34 OP.™'s design philosophy and style01:02:12 Influences01:05:19 Books and resources01:06:56 Failures that lead to success01:09:10 Iteration, evolution, and imitation in design01:12:07 How to do research01:15:50 Advice for students and aspiring creatives01:21:56 What is next for OP.™?01:23:41 Parting advice and food for thought 01:26:25 Closing*: May contain affiliate links – at no extra cost to you, we earn a commission if you purchase from these links.

Filmfestivalen Arkitekturfilm Oslo ble i år arrangert fra 21.-24. oktober, og etter visningen av dokumentaren Tokyo Ride på Kunstnernes Hus Kino, møtte vi regissørparet Ila Bêka og Louise Lemoine (Bêka & Lemoine) til en samtale foran publikum, som her presenteres i en spesialepisode av Filmfrelst. Den berømte japanske arkitekten Ryue Nishizawa står i sentrum for Tokyo Ride, en leken og nær portrettdokumentar som tar utgangspunkt i én dag i Nishizawas travle liv – der regissørene Bêka & Lemoine møter ham på bakkeplan med håndholdt kamera, for et etterlengtet møte som tar form av en kjøretur (i arkitektens elskede Alfa Romeo) gjennom den japanske metropolen. Bêka & Lemoine har siden sin første film sammen som duo, Koolhaas Houselife (2008), skildret ulike arkitektur-relaterte temaer eller motiver i sine produksjoner, da Ila Bêka selv har bakgrunn som arkitekt og Louise Lemoine opprinnelig er kunsthistoriker. Som filmskapere har de jobbet på siden av den tradisjonelle filmbransjen/-industrien, og isteden rettet seg mot et publikum i krysningspunktet mellom kunst, arkitektur og film. Deres filmer presenteres «på store biennaler og internasjonale arrangementer som Venice Architecture Biennale, Oslo Architecture Triennale og Performa New York, og er utstilt på museer og kulturinstitusjoner som MET i New York, Louisiana Museum of Modern Art i København, Victoria & Albert Museum i London,» som Arkitekturfilm Oslo skriver i sin presentasjon. Samtalen nedenfor med Bêka & Lemoine er ledet av Montages-redaktør Karsten Meinich, ble organisert i samarbeid med Oslo Arkitektforening og Arkitekturfilm Oslo, og fant altså sted lørdag 23. oktober etter visningen av Tokyo Ride på Kunstnernes Hus Kino. Alle filmene laget av Bêka & Lemoine er for øvrig også tilgjengelig digitalt, for leie eller kjøp, via filmskapernes egen nettside. God lytting!

Join us as we travel around the world in 37 minutes with Emelie Cheng Pollard and her daughter Ania. It's an interview of firsts! Our first international interview and our first mother / daughter interview. Emelie is a Canadian who now makes Stockholm, Sweden her home with her family. She is a graphic designer and is currently an art director with the kids department at H&M. We learn what a graphic designer is and what they do!Emelie is interested in all things design-related but also enjoys cooking, photography, travel writing, and being out in nature – but her biggest passion is definitely travelling! We had fun talking with Emelie and Ania in the same interview. Listen to Ania's perspectives on what her Mom's job is, the differences between living in Canada and Sweden and her many travel recommendations! Together, Emelie and Ania share their travel stories which take us all over the world from Canada to Europe, Asia, India, Pakistan, Scandinavia, the Faroe Islands and so much more. We also talk about our favourite museums, amusement parks, travel bucket lists and more. As school starts, join us for a world wide field trip which we hope will inspire your future travel adventures!Connect with Emelie through her website or either of her Instagram accounts. www.emeliechengpollard.com@smallnomads@emeliechengpollardHere are some of the things that came up in our conversation with Emelie and Ania and where you can find them in this episode!3:05 - Havergal College10:43 - Vasa Museum in Stockholm, Sweden20:06 - Cirque du Soleil 20:37 - Faroe Islands, where there are more sheep than people!24:08 - Museum Chat, where we talk about the Swedish National Museum of Science and Technology, Denmark's Louisiana Museum of Modern Art and the The Metropolitan Museum of Art27:36 - Greta Thunberg & Brandon Stanton32:40 - Tivoli Gardens in Copenhagen, Denmark Connect with us!kidsconversations@gmail.comTwitter: @Curious_ConvosInstagram: @curious__convos

More than 40 publishers rejected the debut novel 'Shuggie Bain' by Scottish Douglas Stuart before it won the Booker prize in 2020. The jury behind the prize called it "destined to become a classic". In this intimate interview  Douglas Stuart tells the story behind the extraordinary novel  of a young queer boy in Glasgow in the 1980ies. Douglas Stuart was interviewed in August 2021 on stage at the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark by editor of culture Synne Rifbjerg. 

Meet American writer Jonathan Safran Foer, who reflects on the power of literature in general and poetry in particular. Foer argues that art always has a personal point of departure, where the artist confronts the world and rearranges it. Jonathan Safran Foer was interviewed by Synne Rifbjerg at the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark in 2012

Experience award-winning Canadian writer Margaret Atwood in this humorous and vivid conversation about her works of elaborate ‘speculative fiction', and how reality and science fiction are in fact inextricably intertwined.Margaret Atwood was interviewed by Synne Rifbjerg at the Louisiana Literature festival at Louisiana Museum of Modern Art, Denmark in August 2014.

Meet Peruvian Nobel Prize-winner Mario Vargas Llosa (b.1936), who talks about his literary beginnings and about the inherent power good literature has to make readers aware of another reality: “What we call civilisation is a process that started with this dissatisfaction with the world as it is.Mario Vargas Llosa was interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in June 2019.

“I always move on with the strength of my writing.” In this powerful portrait, South Korean writer Han Kang – winner of the 2016 Man Booker International Prize – reveals the story of how she became an author, and how writing helps her pierce her distrust in human beings.Han Kang was interviewed by Christian Lund in May 2019 at the Louisiana Museum of Modern Art in Humlebæk, Denmark.

In the sixth episode of the series, Kate Bryan speaks to Tal R, an artist born in Tel Aviv and based in Copenhagen. Working across a diverse range of media, including painting, textiles, sculpture and furniture, Tal R encourages viewers to question the conceptions and presumptions they hold of their surroundings. Sitting down with Bryan, he discusses using jealousy as a motivating force in his work, painting in his dreams, and the importance of imagination and memory as part of his practice. Tal R's work has been widely exhibited, featuring in renowned galleries across the world. These include the Victoria Miro Gallery in London, Contemporary Fine Arts in Berlin, and the Louisiana Museum for Moderne Kunst in Denmark. One of his paintings also features as part of Soho House's permanent collection and can be found on display at Soho House Tel Aviv.

“I think a poem really is a statement of desire.” Meet the legendary American poet, writer – and homosexual icon – Eileen Myles. In this interview, Myles discusses the innate power of poetry and how to address the absence of the female genitalia.Eileen Myles was interviewed by the Danish poet Mette Moestrup in August 2017 in connection with the Louisiana Literature festival at the Louisiana Museum of Modern Art in Denmark.

Experience American writer Chris Kraus, author of the iconic feminist novel ‘I Love Dick', in this passionate talk about the apolitical art scene and the challenges of being a woman in our contemporary consumer-focused world.Chris Kraus was interviewed by the feminist activist Emma Holten at the Louisiana Museum of Modern Art, Denmark in connection with the Louisiana Literature festival in August 2017.

70-minute in-depth interview with rock singer and poet Patti Smith, who speaks about her National Book Award winning memoir 'Just Kids' and her life with literature, beginning when she was a child : “I thought we didn't have to grow up. I was heartbroken to find out that we didn't have a choice.” Patti Smith was interviewed by festival director Christian Lund at the Louisiana Literature festival at the Louisiana Museum of Modern Art in 2012.

“Skoven er dynamisk. Der kommer lysninger, og der vokser nye træer op. Ligesom cellerne i vores krop heller ikke er de samme som sidste år, så er skoven under evig forandring.”   Træerne i skoven er ikke bare et naturskønt baggrundstapet for menneskets færden – de er en del af et levende, kommunikerende økosystem med historier og selvstændige liv. Skovene bevæger sig over hundredvis af år – så langsomt og umærkeligt, at mennesker ofte ikke lægger mærke til det.  Kunstneren Pia Rönicke ser på skove og træer som nomadiske 'vandrere', der bevæger sig på tværs af kloden – både med og uden menneskelig indblanding. I samtale med biologen Hans Henrik Bruun udforsker og udfolder Rönicke træernes liv.   For er det ikke på tide, at vi gør op med forestillingen om den stabile, evige skov? Men hvad skal vi så sætte i stedet? Her kan både kunsten og videnskaben hjælpe os til at se mere åbent på træerne fra underskoven til trækronerne – så vi kan opdage skovenes vilde bevægelser og sammenhænge.   I podcasten medvirker billedkunstner Pia Rönicke og biolog Hans Henrik Bruun. Moderator er kurator Marie Laurberg fra Louisiana Museum of Modern Art. Samtalen er del af Blooms talk-serie 'Live kunstnerisk research' og fandt sted på Louisiana i august 2020. 

In this extensive interview, American Pulitzer Prize-winner Jennifer Egan takes us through her career as a writer and explains why she considers fiction an invaluable document of our time: “By creating a kind of artefact of the dream-life of our culture, I am preserving it for those who want to understand it from a later point.” Jennifer Egan was interviewed by Kasper Bech Dyg at the Louisiana Museum of Modern Art, Denmark in June 2019.

“When we make images of the sky, the image is a place where three things happen: speculation about cosmic space meets with technological innovation and visual experimentation.” Himlen over os er en kilde til fascination for både kunstnere og videnskabsfolk. Billedkunstneren Nanna Debois Buhl retter i sine værker sit blik og kamera mod alt fra skyer til stjerner og solpletter og stiller nysgerrige spørgsmål til videnskaben. Astrofysikeren Enrico Ramirez-Ruiz er kendt som universets bedemand, fordi han i datatunge computersimuleringer arbejder med at billedliggøre, hvordan stjerner kollapser. Fælles for den astronomiske forskning og den kunstneriske research er, at både astrofysikere og billedkunstnere bruger billeder til at fortælle historier om himmelfænomenerne over os. Hvilke billedfortællinger om himmelrummet har vi skabt indtil nu? Er arbejdet med at afbilde verdensrummet ikke kun rent objektivt? Og kan nye billeder lære os at se kosmos og fremtiden på nye måder? I denne podcast går kunstner Nanna Debois Buhl i dialog med den mexicansk-amerikanske astrofysiker Enrico Ramirez-Ruiz. Samtalen er modereret af kurator Marie Laurberg og fandt sted som ‘Live litterær research' på Louisiana Museum of Modern Art i august 2020.

“My writing became ventilation for my frustrations on the art scene.” Meet Norwegian visual artist and writer Matias Faldbakken, who has been described as “one of Scandinavia's most important and most provoking authors.” In this video, Faldbakken talks about how both his novels and his art centre on the antagonistic.Matias Faldbakken was interviewed by Klaus Rothstein in connection with the Louisiana Literature festival at the Louisiana Museum of Modern Art in Humlebæk, Denmark in August 2019.

The award-winning American poet CAConrad here shares the moving story of how, following the brutal murder of his boyfriend and the subsequent indifference of the police, writing poetry conceived from rituals became healing: “I believed that I could do a ritual for poems, that could drag me out of that depression.”CAConrad was interviewed by Kasper Bech Dyg at the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark in August 2018. During this conversation  CAConrad reads poetry from ‘While Standing in Line for Death' (2017).

“It is important to be able to write about violence with the same intimacy with which I write about love.” Enjoy this cordial interview with Indian Booker Prize-winning author Arundhati Roy, who discusses writing about modern India and its many internal borders, in connection with her praised 2017-novel ‘The Ministry of Utmost Happiness'.Arundhati Roy was interviewed by Danish writer Merete Pryds Helle in May 2018 at the Louisiana Museum of Modern Art in Denmark.

Enjoy this spellbinding performance by Anne Carson, heralded as one of the most important contemporary poets in the English-speaking world. Together with her collaborator, Robert Currie, Carson performs a staged reading of a text that tells creation stories while adopting the viewpoint of the sky. Anne Carson and Robert Currie performed ‘Lecture on the History of Skywriting' (2016) at the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark in August 2018.

British-Palestinian writer Isabella Hammad has been widely praised for her first novel ‘The Parisian' (2018). In this video, she talks about Palestine in the fading days of the Ottoman Empire, about nostalgia for the past, and how the novel allows “a kind of leap” into the consciousness of someone else.Isabella Hammad was interviewed by Kathrine Tschemerinsky in August 2019 in connection with the Louisiana Literature festival at the Louisiana Museum of Modern Art in Humlebæk, Denmark.

“I became a writer once I realised no one liked my stuff.”  Barack Obama and Oprah Winfrey's favourite author, Pulitzer Prize-winning Colson Whitehead, on how rejections of his first stab at a novel made him realize that he wanted to pursue writing.Colson Whitehead was interviewed by Tonny Vorm in August 2017 in connection with the Louisiana Literature festival at the Louisiana Museum of Modern Art in Denmark.

“Religion should be a personal, private issue. The state should not have any religion. This is the only way to achieve democracy.” Watch the world-renowned Egyptian novelist Alaa al-Aswany speak straightforwardly about contemporary Egypt and why a great societal change is imminent.Alaa al-Aswany was interviewed by Marc-Christoph Wagner at the Louisiana Museum of Modern Art in Humlebæk, Denmark, in November 2019.

Meet the distinguished writers Taiye Selasi and Colum McCann in this inspiring talk about finding a way to be yourself, a “citizen of elsewhere”, with more than one home and an international identity based on many local experiences.Taiye Selasi and Colum McCann were interviewed live on stage by journalist Kim Skotte in August 2013 at the  Louisiana Literature festival, Louisiana Museum of Modern Art, Denmark.

“The best I can do is to try and observe how class, as a very broad social structure, impacts our personal and intimate lives.”To what extent can a writer accommodate an economic and social philosophy to a novel? The Irish literary sensation Sally Rooney, who thinks about the world through “a sort of Marxist framework,” here talks about writing about social class and the novel as a commodity.Sally Rooney was interviewed by Kathrine Tschemerinsky at the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark, in August 2018.

In episode 45 of The Great Women Artists Podcast, Katy Hessel interviews one of the greatest painters to ever live, the inimitable CECILY BROWN!!!!!   [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] I am SO EXCITED to release this episode which chronicles the UK-born, US-based Brown's incredible painterly career from the 1990s–present day! With her work steeped in art history, referencing the likes of Rubens, to Goya to Bacon and de Kooning, Cecily Brown is known for her all-encompassing, small-to-colossal scale paintings that portray the medium in a continual state of flux, constantly blurring the lines between abstraction and figuration, truth and fiction, liquid and solid.   Always ALIVE with erotic energy, witnessing a Cecily Brown in the flesh is like seeing four-hundred years worth of painting unfold before your eyes. Every corner and inch of the canvas is activated, frenzied and fractured so intensely that you can’t help but project ideas around desire, life, and death, with the painting’s momentous fleshy and battle-like strokes and tones.  Born in the UK in the late 1960s, Cecily Brown was granted a garage to paint by the esteemed British painter (and former GWA Podcast guest) Maggi Hambling, before going on to study at London’s Slade School of Fine Art. And in 1994, after a stint in America two years before, she relocated to New York City, where she has lived ever since, continuing the legacy of the renowned New York School artists.  The subject of solo exhibitions at major institutions around the world, including the MFA Boston, Hirshhorn in Washington, Modern Art Oxford, and my favourite Louisiana Museum in Denmark, as well as countless shows at galleries including Thomas Dane and Paula Cooper, where I have been lucky enough to witness her work, Cecily is considered one of the most influential painters alive right now.  And NOW she has recently opened a staggeringly brilliant exhibition at Blenheim Palace here in England, where she has conceived an entirely new body of work that responds to the Palace’s history, through hunting and battle scenes, as well as a brilliant commentary on the state of Britain right now and the romanticised but complex nature of British society.  FURTHER LINKS! https://www.blenheimpalace.com/whats-on/events/cecily-brown-art-exhibition/ All the Nightmares Came Today, 2012: https://www.artspace.com/cecily_brown/all-the-nightmares-came-today Current exhibition at Paula Cooper Gallery: https://www.paulacoopergallery.com/exhibitions/cecily-brown-2020-10-15/selected-works Louisiana show: https://louisiana.master.re-cph.dk/en/exhibition/cecily-brown https://channel.louisiana.dk/video/cecily-brown-totally-unaware Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Friends, Eddy and Nikki from KeithFem(.com) in Berlin, join to review the surrealist women exhibition on at Louisiana until November 8th, titled "Fantastiske Kvinder" (Fantastic Women). The show showcases 34 underated female artists from the movement. We share our favourite works and add some context to them through a contemporary lens. In the same vein, our special guests sprinkle in some female power punk anthems from their HardcoreTuesday show to break up the dialog. You can follow them on their socials @hardcore_tuesday_f_em

Joining us today is the visual artist, Bunny Rogers. Bunny is a contemporary American artist that creates installation, video and sculptural works. She told us that Elliott Smith has been a big inspiration in a number of her works, sometimes consciously and other times subconsciously. Bunny has exhibited her work at many significant art museums and organisations all around the world, including the Whitney Museum of American Art, NY, The Marciano Art Foundation, Los Angeles, Societe, Berlin, Louisiana Museum of Art, Denmark, Art Basel and most recently at Kunsthaus Bregenz, Austria. Excited to bring you a different take on Elliott Smith than we have done before and to cover a track we've been wanting to discuss for a while. Photo by Filip Olszewski. Extra things to look at / listen to: True Love by Elliott Smith on Spotify: https://open.spotify.com/track/0xuwiQwAXEG9IWACfGeRai?si=AMpdt2p_TFiZIb-X_8iH3Q True Love by Elliott Smith (Bunny's preferred version): https://www.youtube.com/watch?v=kvTQBHsMLa0 Sister Unn’s (installation in Queens NY converted into an abandoned flower shop. This project has a subconscious reference to Elliott Smith. The first line in True Love is “True love is a rose behind glass”. She realised the reference years later: http://meryn.ru/portfolia/sister-unns/  Columbine Cafeteria is an installation featuring a video that play 3 Elliott Smith covers,  "See You in Heaven" "Son of Sam" and "Unlucky Charm: http://societeberlin.com/zh/exhibitions/bunny-rogers-columbine-cafeteria/ Kind Kingdom, Bunny's latest work that was exhibited at Kunsthaus Bregenz in Austria earlier this year: https://www.bregenz.travel/bunny-rogers-kind-kingdom/  Life of the Record podcast episode on Elliott Smith self-titled record: https://podcasts.apple.com/us/podcast/life-of-the-record/id1487396757 More Elliott Smith self-titled record related content on this thread: https://twitter.com/MyFavESmithSong/status/1299276518196228096?s=20 My Favourite Elliott Smith Song is produced by Rob Comba and Elizabeth Withstandley.  Find us on social media @myfavesmithsong. MyFavouriteElliottSmithSong.com (http://myfavouriteelliottsmithsong.com/)

In recent weeks, the United States and various countries in Europe have sought to remove colonial-era statues from public view. On episode 064 of The Quarantine Tapes, Paul Holdengräber and artist William Kentridge discuss what it means for a country to confront its violent colonial history, and the many imperfect solutions involved in that process.William Kentridge (born Johannesburg, South Africa, 1955) is internationally acclaimed for his drawings, films, theatre and opera productions.His method combines drawing, writing, film, performance, music, theatre, and collaborative practices to create works of art that are grounded in politics, science, literature and history, whilst yet maintaining a space for contradiction and uncertainty.His aesthetics are drawn from the medium of film’s own history, from stop-motion animation to early special effects. Kentridge’s drawing, specifically the dynamism of an erased and redrawn mark, is an integral part of his expanded animation and filmmaking practice, where the meanings of his films are developed during the process of their making.Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including Documenta in Kassel, the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid and the Kunstmuseum in Basel.Opera productions include Mozart’s The Magic Flute, Shostakovich’s The Nose, and Alban Berg’s operas Lulu and Wozzeck, and have been seen at opera houses including the Metropolitan Opera in New York, La Scala in Milan, English National Opera in London, Opera de Lyon, Amsterdam opera, and the Salzburg Festival.The Head & the Load, with music by composer Philip Miller and Thuthuka Sibisi and choreography by Gregory Maqoma, interweaves music, dance, projection, shadow-play and sculpture. It premiered at the Tate Turbine Hall in July 2018 and went on to the Park Avenue Amory, in New York, and the Holland Festival, in Amsterdam.In 2016, Kentridge founded the Centre for the Less Good Idea: a space for responsive thinking through experimental, collaborative and cross-disciplinary arts practices. The Centre has quickly gathered momentum and in 2020 launches a mentorship programme.Kentridge is the recipient of honorary doctorates from several universities including Yale and the University of London. In 2010, he received the Kyoto Prize. In 2012 he presented the Charles Eliot Norton Lectures at Harvard University. In 2015 he was appointed an Honorary Academician of the Royal Academy in London. In 2017, he received the Princesa de Asturias Award for the arts, and in 2018, the Antonio Feltrinelli International Prize. In 2019 he received the Praemium Imperiale award in painting in Tokyo.

Selvom fødsler er en fuldstændig normal ting i livet - hvornår har du så sidst set en? I Kræs ser jeg nærmere på Dea Trier Mørchs billede af fødslen. En udstilling af hende er netop flyttet ind på Kunstmuseum Brandts i Odense. Du kan også høre fra de gamle hiphoppere Jonny Hefty og Jøden, der er på 20 års jubilæums tourné og Det Kongelige Teaters kreative Corona-beredskab. Medvirkende: Kasper Holten, teaterchef ved Det Kongelige Teater, Louise Cathrine Nørmark, mor til to piger på 16 og 13 år og en dreng på 2 år og stifter af Foreningen Bedre Barsel, Jonny Hefty og Jøden, Rasmus Lang Hedegaard, stifter af Fars Klub, Marie Laurberg, kurator og museumsinspektør på Louisiana Museum of Modern Art og forfatter til bogen "Dea Trier Mørch.

e-flux journal editor Brian Kuan Wood speaks to Kader Attia, artist and founder of La Colonie, a space in Paris for sharing ideas and discussion. Focussing on decolonialisation not only of people but also of knowledge, attitudes and practices, it aspires to de-compartmentalise knowledge by a trans-cultural, trans-disciplinary and trans-generational approach. Driven by the urgency of social and cultural reparations, it aims to reunite which has been shattered, or drift apart. Kader Attia (b. 1970, France), grew up in Paris and in Algeria. Preceding his studies at the École Supérieure des Arts Appliqués Duperré and the École Nationale Supérieure des Arts Décoratifs in Paris, and at Escola Massana, Centre d’Art i Disseny in Barcelona, he spent several years in Congo and in South America. The experience with these different cultures, the histories of which over centuries have been characterised by rich trading traditions, colonialism and multi-ethnic societies, has fostered Kader Attia’s intercultural and interdisciplinary approach of research. For many years, he has been exploring the perspective that societies have on their history, especially as regards experiences of deprivation and suppression, violence and loss, and how this affects the evolving of nations and individuals—each of them being connected to collective memory. His socio-cultural research has led Kader Attia to the notion of Repair, a concept he has been developing philosophically in his writings and symbolically in his oeuvre as a visual artist. With the principle of Repair being a constant in nature—thus also in humanity—, any system, social institution or cultural tradition can be considered as an infinite process of Repair, which is closely linked to loss and wounds, to recuperation and re-appropriation. Repair reaches far beyond the subject and connects the individual to gender, philosophy, science, and architecture, and also involves it in evolutionary processes in nature, culture, myth and history. Attia's solo exhibition The Museum of Emotion at The Hayward Gallery, London recently closed. Upcoming 2019 exhibitions include a solo show opening in September at Berkeley Art Museum and Pacific Film Archive, and group shows at Rubin Museum of Art, Louisiana Museum of Modern Art, and The Phillips Collection.

Rist’s video and installation art is known across the world for its bold, resonant and often funny style. With a major retrospective of her work open at Copenhagen’s Louisiana Museum of Modern Art, Monocle’s Augustin Macellari sat down with the Swiss artist to discuss everything from colour and collectivism to austere white walls in contemporary homes and galleries, and the importance of a good music collection.

Stephen Westfall is an artist, writer and educator born in Schenectady, New York who received his MFA in 1978 from the University of California, Santa Barbara. His first solo exhibition in 1984 at Tracey Garet in New York’s East Village earned reviews in Art in America and Artnews. Exhibitions followed during the 1980s and into the 1990s at Daniel Newburg Gallery in New York, Galerie Paal in Munich, Germany and Galerie Wilma Lock in St. Gallen, Switzerland. An exhibition of paintings took place at Andre Emmerich Gallery in New York in 1995, followed by several exhibitions at Galerie Zurcher in Paris. Westfall has been represented in New York by Lennon, Weinberg since 1997. Recent work has been exhibited at KunstgalerieBonn in Germany and David Richard Gallery in Santa Fe. Stephen has been included in several important survey exhibitions of abstract painting including Abstraction/abstractions, geometries provisoires at the Musée d’art moderne in Saint-Etienne, France in 1997 and in both exhibitions titled Conceptual Abstraction, first at Sidney Janis Gallery in 1991 and in the exhibition that revisited that show which took place at the Hunter College Art Gallery in 2012. His works are in the collections of the Whitney Museum of American Art in New York, the Kemper Museum in Kansas City, the Louisiana Museum in Humlebaek, Denmark, the Munson Williams Proctor Museum in Utica, New York, the Baltimore Museum of Art and the Museum of Fine Arts, Boston. He has received grants and awards from the National Endowment for the Arts, the American Academy of Arts and Letters, the Nancy Graves Foundation, and the Guggenheim Foundation. He received a Rome Prize Fellowship and spent a year at the American Academy in Rome during 2009 and 2010. He is a professor at the Mason Gross School of the Arts at Rutgers University and in the graduate program at Bard University. He is a Contributing Editor at Art in America. This is the second of two conversations Brian had with Stephen. This one was in Brian’s studio in Brooklyn.

From April 2nd to July 8th, 2019, on the occasion of Miart 2019, Fondazione Adolfo Pini will present the exhibition THE ACCURSED HOUR, by Carlos Amorales, curated by Gabi Scardi. Carlos Amorales is interested in language, images and their transformation. More generally, he takes an interest in communication systems, their constant renewal, their potentialities and pitfalls; as well as the mechanisms that allow particular narratives to emerge at the expense of others; and, by extension, the issue of dominant representation, the manipulation of communication and thought. In his work visual art, music, animation and poetry converge, all interpreted, with great formal rigor, through a deep awareness of the present time and its tensions. For Fondazione Adolfo Pini, Amorales has conceived the exhibition THE ACCURSED HOUR, which focuses on his life-size installation Black Cloud and on various elements from the project Life in the folds. The exhibition will also include silhouettes and other works by the artist, in a continuous shift between images and signs. With Black Cloud, a swarm of thousands of black butterflies will invade the premises of the Foundation starting from the staircase at the very entrance. 15,000 butterflies will populate the new and the already existing spaces of the Foundation. With Life in the folds, the artist will scene the theme of human violence against other human beings. A kind of violence that lies deep within and that can explode in unjustified ways. The project also includes an animation video that tells a dramatic story while at the same time showing the hands of a puppeteer moving the characters' threads: a metaphor of the mystification to which history and our own actions are subjected, both whether we are aware of it or not. And origins of our ghosts, to recognize their scope, matrix, and ideological value. After presenting the five site-specific projects The Missing Link by Michele Gabriele, Materia prima by Lucia Leuci, Memory as Resistance by Nasan Tur, Labyrinth by Jimmie Durham and SUMMERISNOTOVER by Šejla Kamerić, with this new exhibition Fondazione Adolfo Pini continues its journey into contemporary art, under the guidance of Adrian Paci. Carlos Amorales Carlos Amorales lives and works in Mexico City. He studied in Amsterdam at the Gerrit Rietveld Academie (1996–97) and Rijksakademie van beeldende kunsten (1992–95). He has participated in artistic residencies at the Atelier Calder in Saché (2012) and MAC/VAL, Vitry-sur-Seine in France (2011), and as part of the Smithsonian Artist Research Fellowship program in Washington, D.C. (2010). His works have been shown in numerous solo and group exhibitions. Carlos Amorales represented Mexico at the 57th Venice Biennial with the project Life in the Folds (2017). Gabi Scardi Curator and contemporary art critic. Her research focuses on the latest artistic trends and the relationship between the arts and other close branches of knowledge. She worked with numerous museums and institutions in Italy and abroad, including: the Province of Milan; Pac Museum in Milan; Museo del Novecento in Milan; Pirelli Hangar Bicocca in Milan; MAXXI Museum in Rome; Venice Biennale; Royal Academy of London; Louisiana Museum in Copenhagen. For Fondazione Adolfo Pini she curated the exhibitions Memory as Resistance by Nasan Tur (2017) and Labyrinth by Jimmie Durham (2018).

Stephen Westfall is an artist, writer and educator born in Schenectady, New York who received his MFA in 1978 from the University of California, Santa Barbara. His first solo exhibition in 1984 at Tracey Garet in New York’s East Village earned reviews in Art in America and Artnews. Exhibitions followed during the 1980s and into the 1990s at Daniel Newburg Gallery in New York, Galerie Paal in Munich, Germany and Galerie Wilma Lock in St. Gallen, Switzerland. An exhibition of paintings took place at Andre Emmerich Gallery in New York in 1995, followed by several exhibitions at Galerie Zurcher in Paris. Westfall has been represented in New York by Lennon, Weinberg since 1997. Recent work has been exhibited at KunstgalerieBonn in Germany and David Richard Gallery in Santa Fe. Stephen has been included in several important survey exhibitions of abstract painting including a show at the Musée d’art moderne in Saint-Etienne, France in 1997 and in both exhibitions titled Conceptual Abstraction, first at Sidney Janis Gallery in 1991 and in the exhibition that revisited that show which took place at the Hunter College Art Gallery in 2012. His works are in the collections of the Whitney Museum of American Art in New York, the Kemper Museum in Kansas City, the Louisiana Museum in Humlebaek, Denmark, the Munson Williams Proctor Museum in Utica, New York, the Baltimore Museum of Art and the Museum of Fine Arts, Boston. He has received grants and awards from the National Endowment for the Arts, the American Academy of Arts and Letters, the Nancy Graves Foundation, and the Guggenheim Foundation. He received a Rome Prize Fellowship and spent a year at the American Academy in Rome during 2009 and 2010. He is a professor at the Mason Gross School of the Arts at Rutgers University and in the graduate program at Bard University. He is a Contributing Editor at Art in America. This is the first of two conversations Brian had with Stephen. This one was in his Industry City studio in Brooklyn. Stephen tells his story growing up, making art, writing, and much more.

Veckans avsnitt är andra och avslutande delen om Poul Kjærholm och nu är det dags att prata om möblerna. Följ med oss på en vandring bland läder, stål och ännu mera stål. Litteratur: Michael Sheridan, "Poul Kjaerholm - Furniture Architect", Louisiana Museum of Modern Art, 2014 Följ DesignPodden på Instagram @designpodden för bilder och vidare lästips. DesignPodden kommer varje vecka göra nerslag i designhistorien med fokus på 1900-talet och Skandinavien.

Nu är det dags att byta teak och jakarana mot stål. Nu är det dags att prata om Poul Kjærholm! Bland mästare som Finn Juhl och Hans J. Wegner är det lätt att tro att Kjærholm står för massproducerade enklare möbler. Ingenting kan vara längre från sanningen. Litteratur: Michael Sheridan, "Poul Kjaerholm - Furniture Architect", Louisiana Museum of Modern Art, 2014 Följ DesignPodden på Instagram @designpodden för bilder och vidare lästips. DesignPodden kommer varje vecka göra nerslag i designhistorien med fokus på 1900-talet och Skandinavien.

In today's mini episode, host Leah Walsh talks about hard decisions, and reads an excerpt from a talk Patti Smith gave at the Louisiana Literature Festival August 24, 2012, Louisiana Museum of Modern Art. See footage of the talk here: https://vimeo.com/57857893 Check back next week for a new full episode of The Compass. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello friends, is everybody enjoying this late summer weather in Copenhagen, making sure to talk with strangers about it? Today we are joined by the poet, translator and artist extraordinaire Morten Søndergaard. We had a relaxing sit down on a beautiful deck on a sunny day at the Louisiana Museum here in Denmark, looking out over the water, listening to the waves, watching people swim, and talked about words, art and life. It was glorious. He is an poet/artist who is relentlessly searching for new paths for his work, and isn't held down by format along the way. If you don't know his work then you are in for a real treat, it is word based, but in reality so much more with his constant practice of moving words from the page and out into the world. It's fascinating stuff really. We'll leave the rest up to him, please enjoy the chat with Morten Søndergaard! www.undergang.net

Hello friends, is everybody enjoying this late summer weather in Copenhagen, making sure to talk with strangers about it? Today we are joined by the poet, translator and artist extraordinaire Morten Søndergaard. We had a relaxing sit down on a beautiful deck on a sunny day at the Louisiana Museum here in Denmark, looking out over the water, listening to the waves, watching people swim, and talked about words, art and life. It was glorious. He is an poet/artist who is relentlessly searching for new paths for his work, and isn't held down by format along the way. If you don't know his work then you are in for a real treat, it is word based, but in reality so much more with his constant practice of moving words from the page and out into the world. It's fascinating stuff really. We'll leave the rest up to him, please enjoy the chat with Morten Søndergaard! www.undergang.net

In GBA 220 we get better acquainted with Rachel. She talks about the different strands of her life and interests that lead to or from museums: Museums Showoff, academia, science, arts and humanities, museology, consulting, producing, communicating, travelling and the theory and history of museums and exhibition design. http://rachelsouhami.com/ https://twitter.com/rachelsouhami Rachel plugs: Museums Showoff: https://museumsshowoff.wordpress.com Next one on 29th September Slaughtered Lamb: https://museumsshowoff.wordpress.com/2015/08/14/sept-29-sign-up/ @MuseumsShowoff: https://twitter.com/MuseumsShowoff I plug: Stand Up Tragedy: http://www.standuptragedy.co.uk/ What About the Men? Mansplaining Masculinity: http://mansplainingmasculinity.co.uk/ We mention: Arts Emergency: http://www.arts-emergency.org/ Helen & Martin: https://soundcloud.com/gettingbetteracquainted/sets/the-answer-me-this-episodes-1 Science Showoff: http://www.scienceshowoff.org/ Steve Cross: https://twitter.com/steve_x Bristol City Museum: http://www.bristolmuseums.org.uk/bristol-museum-and-art-gallery/ Royal Festival Hall: http://www.southbankcentre.co.uk/venues/royal-festival-hall Carsten Holler: Decision http://carstenholler.southbankcentre.co.uk/ Hayward Gallery: http://www.southbankcentre.co.uk/venues/hayward-gallery Jon Durant: http://web.mit.edu/sts/people/durant.html Science Museum: http://www.sciencemuseum.org.uk/ Welcome Wing: http://www.sciencemuseum.org.uk/about_us/doing_business_with_us/corporate_and_private_events/receptions_galas/wellcome_wing.aspx NESTA: http://www.nesta.org.uk/ Behind the Scenes at the Science Museum by Sharon MacDonald: http://www.amazon.co.uk/Behind-Scenes-Science-Materializing-Culture/dp/1859735711 Kierkegaard: https://en.wikipedia.org/wiki/S%C3%B8ren_Kierkegaard Museum of Copenhagen: http://www.copenhagen.dk/en/ Louisiana Museum of Art just outside of Copenhagen: http://en.louisiana.dk/ Manchester Museum: http://www.museum.manchester.ac.uk/ Launchpad: http://www.sciencemuseum.org.uk/visitmuseum_OLD/galleries/launchpad.aspx Bodmer Report: https://en.wikipedia.org/wiki/Public_awareness_of_science#The_Bodmer_Report National Gallary: http://www.nationalgallery.org.uk/ Future of Museums Conferance: https://museumsshowoff.wordpress.com/the-future-of-museums/ Ny Carlsberg Glyptotek: https://en.wikipedia.org/wiki/Ny_Carlsberg_Glyptotek Follow @GBApodcast on Twitter. Like Getting Better Acquainted on facebook. Tell your friends. Spread the word!

The Arctic has inspired the world for centuries with tales of adventure and exploration. Monocle heads to Denmark to see the Louisiana Museum of Modern Art’s current exhibition, Arctic, that seeks out the past and present of this mythic place.